Transpositions Into Modern Day Keys & Clefs

Total Page:16

File Type:pdf, Size:1020Kb

Transpositions Into Modern Day Keys & Clefs Transpositions Into Modern Day Keys & Clefs As a service to school and community orchestras, Luck’s Music Library has transposed the clarinet, horn, trumpet and trombone parts into modern day keys and clefs. Many more titles are in preparation - please call (800) 348-8749 if you wish to check on a particular work! ADAM Pearl Fishers: Au Fond ......................................03334 Czech Suite .......................................................05437 Cantique de Noel ...............................................02459 Symphony in C .................................................08659 Rusalka: Song to the Moon ...............................02359 If I Were King: Si J'etais Roi Overture .............05003 Serenade, Op. 44 ...............................................10669 BORODIN Slavonic Dances, Op. 46, Nos. 1-4 ...................05429 ALBENIZ In the Steppes of Central Asia ...........................05186 Slavonic Dances, Op. 46, Nos. 5-8 ...................05430 Serenata Espagnola, Op. 181 ............................06578 Prince Igor: Overture .......................................05132 Slavonic Dances, Op. 72, Nos. 1-4 ...................05431 Prince Igor: Polovetsian Dances ......................05189 Slavonice Dances, Op. 72, Nos. 5-8 .................05432 ALFORD Symphony No. 2 ...............................................08428 Symphony No. 6 (1), in D, Op. 60 ....................08590 Colonel Bogey March .......................................05087 Symphony No. 7, Op. 70 ..................................08906 BRAHMS Symphony No. 8, Op. 88 ..................................08664 AUBER Academic Festival Overture, Op. 80 .................05199 Symphony No.9 (New World) Op.95 ...............05438 Fra Diavolo: Overture .......................................05031 Double Concerto, Op. 102 ................................00507 Violin Concerto in a, Op. 53 .............................00401 German Requiem, Op. 45 .................................07147 BACH, J.S. German Requiem: How Lovely is ELGAR Brandenburg Concerto No. 6 ............................05056 Thy Dwelling Place .........................................02951 Cello Concerto in e, Op. 85 ..............................00692 Cantata No. 140 ................................................08996 Hungarian Dances Nos. 1, 3, 10 .......................07666 Enigma Variations, Op. 36 ................................05461 Jesu, Joy of Man’s Desiring No. 147 ................02340 Hungarian Dances Nos. 5 & 6 ..........................05204 Enigma Variations: Intermezzo .........................08660 Magnificat BWV 243 ........................................07209 Hungarian Dances Nos. 5, 6, 7 .........................08521 Enigma Variations: Nimrod ..............................53000 Suite No. 3 in D BWV 1068 .............................05065 Hungarian Dances Nos. 17-21 ..........................08626 Pomp & Circumstance No. 1 ............................05460 Serenade No. 1, Op. 11 .....................................05208 Pomp & Circumstance No. 4 ............................08240 BAGLEY Symphony No. 1 ...............................................05209 National Emblem March ...................................08689 Symphony No. 2, Op. 73 ..................................05210 ENESCO Symphony No. 3, Op. 90 ..................................05211 Roumanian Rhapsody No. 1, Op. 11 ...............05465 BEETHOVEN Symphony No. 4, Op. 98 ..................................05212 Choral Fantasy in c, Op. 80 ..............................00017 Tragic Overture, Op. 81 ....................................07291 FAURE Consecration of the House Ov. .........................05120 Variations on a Thm by Haydn,Op. 56A ...........05214 Elegy, Op. 24 .....................................................00644 Coriolanus Overture, Op. 62 .............................05094 Violin Concerto in D, Op. 77 ............................00506 Pavane, Op. 50 ..................................................07290 Egmont Overture Op. 84A ................................05095 Pelleas et Melisande Suite, Op. 80 ....................05495 Fidelio: Overture ...............................................05096 BRUCH Requiem Mass, Op. 48 ......................................09176 Fidelio: O What Delight (Prisoners) .................02962 Kol Nidrei, Op. 47 ............................................00601 Hallelujah Chorus (Mt. Olives) .........................02378 Scottish Fantasy, Op. 46 ....................................00414 FRANCK King Stephen Overture, Op. 117 .......................08503 Violin Concerto No. 1, Op. 26 ..........................00508 Symphony in d .................................................05527 Leonore Overture No. 3 , Op. 726 ....................05102 Piano Concerto No. 1 in C, Op. 15 ...................00011 CHABRIER FUCIK Piano Concerto No. 2 in B flat, Op. 19 .............00012 Espana Rhapsody ..............................................05262 Alte Brummbaer, Op. 210 .................................00880 Piano Concerto No. 3 in c, Op. 37 ....................00013 Entrance of the Gladiators, Op. 68 ....................05563 Piano Concerto No. 4 in G, Op. 58 ...................00014 CHADWICK Piano Concerto No. 5 in E flat, Op. 75 .............00015 Symphonic Sketches: Jubilee & Noel ...............07915 GIMENEZ Prometheus: Overture .......................................05106 La Boda de Luis Alonso: Intermedio No. 4 ......06078 Romances 1 & 2, Op. 40/50 ..............................00554 CHOPIN Symphony No. 1, Op. 21 ..................................05109 Piano Concerto No. 1, Op. 11 ...........................00022 GLINKA Symphony No. 2, Op. 36 ..................................05110 Russlan & Ludmilla Overture ...........................05609 Symphony No. 3, Op. 55 ..................................05111 DAVID Symphony No. 4, Op. 60 ..................................05112 Trombone Concertino No. 4, Op. 4 ..................00724 GLUCK Symphony No. 5, Op. 67 ..................................05113 Orpheus: Dance of Blessed Spirits ...................08688 Symphony No. 6, Op. 68 ..................................05114 DEBUSSY Iphigen in Aulis: Overture ................................05615 Symphony No. 7, Op. 92 ..................................05115 Afternoon of a Faun, Prelude ............................05338 Symphony No. 8, Op. 93 ..................................05116 Claire de Lune ...................................................05334 GOUNOD Symphony No. 9, Op. 125 ................................05117 La Mer................................................. ..............05340 Faust: Ballet Music ...........................................05639 Triple Concerto, Op. 56 ....................................00016 Nocturnes ..........................................................05342 Funeral March of a Marionette .........................05651 Turkish March (Ruins of Athens) .....................05108 Petite Suite ........................................................05346 Petite Symphonie for Winds .............................05291 Violin Concerto in D, Op. 61 ............................00501 Symphony No. 1 ...............................................01406 DELIBES BELLINI Sylvia: Ballet Suite ...........................................05371 GRAINGER I Puritani: Cinta Di ............................................04057 Molly on the Shore ............................................05667 DUKAS Shepherd's Hey..................................................09154 BERIOT Sorcerer's Apprentice ........................................05419 Violin Concerto No. 9 .......................................00504 GRIEG DONIZETTI Norwegian Dances, Op. 35 ...............................05686 BERLIOZ Don Pasquale: Overture ....................................08630 Peer Gynt: Suite No. 1, Op. 46 .........................05682 Faust: Hungarian March ...................................05140 Peer Gynt: Suite No. 2, Op. 55 .........................05683 Roman Carnival Overture, Op. 9 ......................05144 DOPPLER Piano Concerto in a, Op. 16 ..............................00028 Symphonie Fantastique, Op. 14 ........................08514 Fantasie Pastorale Hongroise ............................09913 Sigurd Jorsalfar, Op. 56 ....................................05690 Symphonic Dances, Op. 64 ...............................08648 BIZET DUBOIS Wedding Day/Troldhaugen, Op.65/6 ................05685 L'Arlesienne Suite No.1 ....................................05160 Seven Last Words ..............................................07332 L'Arlesienne Suite No.2 ....................................05161 HANDEL Carmen Suite No. 1 ...........................................05158 DVORAK Messiah (Prout Edition) ....................................07215 Carmen Suite No. 2 ...........................................05159 Carnival Overture, Op. 92 ................................05422 Messiah: Comfort Ye - Ev’ry Valley .................02458 Carmen Prelude .................................................09039 Cello Concerto in b, Op. 104 ............................00630 Messiah: Glory of the Lord ...............................02681 ONLY AVAILABLE FROM LUCK’S MUSIC LIBRARY! 96 Transpositions Into Modern Day Keys & Clefs (cont.) Messiah: Hallelujah ..........................................02334 MACDOWELL Symphony No. 35, K. 385 ................................06338 Messiah: Tellest Good .......................................02394 Second Suite, “Indian” Op. 48 ..........................06175
Recommended publications
  • The Double Keyboard Concertos of Carl Philipp Emanuel Bach
    The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re­ quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg­ ment the proposed use of the material is in the interests of scholar­ ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R.
    [Show full text]
  • Programnotes Brahms Double
    Please note that osmo Vänskä replaces Bernard Haitink, who has been forced to cancel his appearance at these concerts. Program One HundRed TwenTy-SeCOnd SeASOn Chicago symphony orchestra riccardo muti Music director Pierre Boulez Helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, October 18, 2012, at 8:00 Friday, October 19, 2012, at 8:00 Saturday, October 20, 2012, at 8:00 osmo Vänskä Conductor renaud Capuçon Violin gautier Capuçon Cello music by Johannes Brahms Concerto for Violin and Cello in A Minor, Op. 102 (Double) Allegro Andante Vivace non troppo RenAud CApuçOn GAuTieR CApuçOn IntermIssIon Symphony no. 1 in C Minor, Op. 68 un poco sostenuto—Allegro Andante sostenuto un poco allegretto e grazioso Adagio—Allegro non troppo, ma con brio This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. Comments by PhilliP huscher Johannes Brahms Born May 7, 1833, Hamburg, Germany. Died April 3, 1897, Vienna, Austria. Concerto for Violin and Cello in a minor, op. 102 (Double) or Brahms, the year 1887 his final orchestral composition, Flaunched a period of tying up this concerto for violin and cello— loose ends, finishing business, and or the Double Concerto, as it would clearing his desk. He began by ask- soon be known. Brahms privately ing Clara Schumann, with whom decided to quit composing for he had long shared his most inti- good, and in 1890 he wrote to his mate thoughts, to return all the let- publisher Fritz Simrock that he had ters he had written to her over the thrown “a lot of torn-up manuscript years.
    [Show full text]
  • Unc Symphony Orchestra Library
    UNC ORCHESTRA LIBRARY HOLDINGS Anderson Fiddle-Faddle Anderson The Penny-Whistle Song Anderson Plink, Plank, Plunk! Anderson A Trumpeter’s Lullaby Arensky Silhouettes, Op. 23 Arensky Variations on a Theme by Tchaikovsky, Op. 35a Bach, J.C. Domine ad adjuvandum Bach, J.C. Laudate pueri Bach Cantata No. 106, “Gottes Zeit ist die allerbeste Zeit” Bach Cantata No. 140, “Wachet auf, ruft uns die Stimme” Bach Cantata No. 209, “Non sa che sia dolore” Bach Brandenburg Concerto No. 1 in F major, BWV 1046 Bach Brandenburg Concerto No. 2 in F major, BWV 1047 Bach Brandenburg Concerto No. 3 in G major, BWV 1048 Bach Brandenburg Concerto No. 4 in G major, BWV 1049 Bach Brandenburg Concerto No. 5 in D major, BWV 1050 Bach Clavier Concerto No. 4 in A major, BWV 1055 Bach Clavier Concerto No. 7 in G minor, BWV 1058 Bach Concerto No. 1 in C minor for Two Claviers, BWV 1060 Bach Concerto No. 2 in C major for Three Claviers, BWV 1064 Bach Violin Concerto No. 1 in A minor, BWV 1041 Bach Concerto in D minor for Two Violins, BWV 1043 Bach Komm, süsser Tod Bach Magnificat in D major, BWV 243 Bach A Mighty Fortress Is Our God Bach O Mensch, bewein dein Sünde gross, BWV 622 Bach Prelude, Choral and Fugue Bach Suite No. 3 in D major, BWV 1068 Bach Suite in B minor Bach Adagio from Toccata, Adagio and Fugue in C major, BWV 564 Bach Toccata and Fugue in D minor, BWV 565 Barber Adagio for Strings, Op.
    [Show full text]
  • Performances from 1974 to 2020
    Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No.
    [Show full text]
  • Program Notes by Dr
    PENINSULA MUSIC FESTIVAL PROGRAM 9 Saturday, August 20, 2016, 7:30 p.m. Victor Yampolsky, Conductor Elena Urioste, Violin Nicholas Canellakis, Cello Hsuan Yu Lee, Emerging Conductor** FESTIVAL FINALE BRAHMS Academic Festival Overture, Op. 80** BRAHMS Double Concerto for Violin, Cello and Orchestra in A minor, Op. 102 Allegro Andante Vivace non troppo — INTERMISSION — BRAHMS Symphony No. 2 in D major, Op. 73 Allegro non troppo Adagio non troppo Allegretto grazioso (Quasi Andantino) — Presto ma non assai — Tempo I — Presto ma non assai — Tempo I Allegro con spirito THIS CONCERT IS PERFORMED IN MEMORY OF DAVID OISTRAKH, VIOLIN TEACHER OF VICTOR YAMPOLSKY AT THE MOSCOW CONSERVATORY. This concert is partially sponsored by Connie and Mike Glowacki. Elena Urioste and Nicholas Canellakis appear by arrangement with Sciolino Artists Management. Photography and audio recordings of this concert are strictly prohibited. Please, no cell phones during the concert. — 30 — PROGRAM NOTES BY DR. RICHARD E. RODDA Double Concerto for Violin, Cello and Orchestra in A Program 9 minor, Op. 102 JOHANNES BRAHMS (1833-1897) Composed in 1887. Premiered on October 18, 1887 in Cologne, with Joseph Academic Festival Overture, Op. 80 Joachim and Robert Hausmann as soloists and the com- poser conducting. Composed in 1880. Premiered on January 4, 1881 in Breslau, conducted by Johannes Brahms first met the violinist Joseph the composer. Joachim in 1853. They became close friends and musi- cal allies — the Violin Concerto was not only written Artis musicae severioris in Germania nunc princeps for Joachim in 1878 but also benefited from his careful — “Now the leader in Germany of music of the more advice in many matters of string technique.
    [Show full text]
  • The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
    The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito.
    [Show full text]
  • The Solo Voice
    concert program viii: The Solo Voice JOHANN SEBASTIAN BACH (1685–1750) August 9 and 10 Concerto for Violin and Oboe in c minor, BWV 1060 (ca. 1736) Allegro Friday, August 9, 8:00 p.m., Stent Family Hall, Menlo School Adagio Allegro Saturday, August 10, 6:00 p.m., The Center for Performing Arts Kristin Lee, solo violin; James Austin Smith, oboe; Hyeyeon Park, harpsichord; Arnaud Sussmann, at Menlo-Atherton Benjamin Beilman, violins; Richard O’Neill, viola; Dmitri Atapine, cello; Scott Pingel, bass PROGRAM OVERVIEW FRANZ SCHUBERT (1797–1828) The season comes to a riveting close as we celebrate the exuber- Rondo in A Major for Violin and String Quartet, D. 438 (1816) ance of Bach’s music for solo instruments and the virtuosity of the Sean Lee, solo violin; Jorja Fleezanis, Benjamin Beilman, violins; Richard O’Neill, viola; David Finckel, cello soloist. With its origins as an orchestral concerto, Bach’s Concerto WOLFGANG AMADEUS MOZART (1756–1791) for Violin and Oboe revels in the novelty of a double concerto, a Piano Concerto no. 12 in A Major, K. 414 (1782) masterly example of a virtuosic pairing of strings and wind instru- Allegro Andante (after J. C. Bach) ments. Schubert’s Rondo in A Major equally captures the essence Rondeau: Allegretto of the virtuosic violin with its rambunctious finale. Mozart wrote his Gilbert Kalish, piano; Arnaud Sussmann, Jorja Fleezanis, violins; Richard O’Neill, viola; David Finckel, cello; Twelfth Piano Concerto shortly after the death of Bach’s son Carl Scott Pingel, bass Philipp Emanuel, a close friend and mentor. The program con- INTERMISSION PROGRAMSCONCERT cludes with the Double Concerto for Violin, Piano, and Strings by Felix Mendelssohn, one of the most devoted heirs of Bach’s legacy, FELIX MENDELSSOHN (1809–1847) responsible for launching the modern Bach revival.
    [Show full text]
  • Notes on the Program by James M
    Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Concerto in D major for Violin and Orchestra, Op. 77 Johannes Brahms ohannes Brahms was the chief acolyte of time. It was Joachim who had championed Jthe conservative stream of 19th-century Beethoven’s Violin Concerto to a degree that Romanticism. As a young composer, he lifted it in musical prestige from a perceived sought out the composer and critic Robert footnote in Beethoven’s catalogue to a reper- Schumann in 1853. Schumann was hugely toire masterwork. He would introduce such impressed by the young man’s talent, and on important works as Schumann’s Phantasie October 28 of that year he published in the for Violin and Orchestra (1854) and Violin Neue Zeitschrift für Musik, a musical maga- Concerto (though the latter only in private zine he had founded, an effusive article that performances beginning in 1855) and the acclaimed Brahms as a sort of musical Mes- final version of Max Bruch’s Violin Concer- siah, “destined to give ideal presentation to to No. 1 (in 1868), as well as Brahms’s Violin the highest expression of the time, … spring- Concerto and Double Concerto for Violin ing forth like Minerva fully armed from the and Cello. head of Jove.” Joachim’s presence looms large in the Brahms filled Schumann’s prophecy and case of Brahms’s Violin Concerto, as the became the figure who most fully adapted composer consulted with him very closely the models of Beethoven (via Mendelssohn while writing the piece and there is no ques- and Schumann himself) to the evolving aes- tion that Joachim’s influence on the final thetics of the mid-to-late 19th century.
    [Show full text]
  • Rental Catalog Orchestra, Band, and Opera
    Rental Catalog Orchestra, Band, and Opera E. C. Schirmer • Galaxy • MorningStar Edition Delrieu-Hexamusic • Layali Music Publishing • Randol Bass Music • Stainer & Bell, Ltd. • Vireo Press Casa Gian-Antonio 2 THIS CATALOG contains all orchestral and instrumental works (with and without voices) available through the rental department of ECS Publishing Group; includes the combined catalogs of E. C. Schirmer Music Company, Galaxy Music Corporation, Highgate Press, Ione Press, Edition Delrieu-Hexamusic, Layali Music Publishing, MorningStar Music Publishers, Randol Bass Music, Stainer & Bell Ltd, and Vireo Press. Part One (pp. 3–28) is a master list of all works arranged alphabetically by composer and containing arranger’s name (if any), approximate duration (in minutes), instrumentation, soloists, and choral voicing. Part Two (pp. 2–46) contains subject and genre indices. Please direct all inquiries to RENTAL DEPARTMENT ECS Publishing Group 1727 Larkin Williams Road Fenton, MO 63026 Phone (636) 305-0100 | (800) 647-2117 Fax: (636) 305-0121 www.ecspublishing.com [email protected] European customers may contact Stainer & Bell, Ltd., London. European inquiries for Randol Bass Music or Layali Music Publishing (Kareem Roustom) may contact ECS directly. The ECS Publishing Rental Department will be happy to supply detailed information about instrumentation, versions, fees, perusal scores, and more. If you are planning a performance, please visit our website to submit a rental request form (http://ecspublishing.com/rental/rental-request-form). Frequently asked questions: www.ecspublishing.com/rental/rentalfaq How to read instrumentation Instrumentation is arranged in groups. Flute Oboe Clarinet Bassoon — Horn Trumpet Trombone Tuba — Timpani+Percussion Players — Harp, Key- boards — Strings — Special Instruments — Solo Instruments, Solo Voices, Chorus, Other A period separates players, and a slash indicates doublings.
    [Show full text]
  • SCMS Repertoire List Through 2021 Winter Festival
    SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2021 “FORTY YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John China Gates for Piano (2013) Arensky, Anton Hallelujah Junction for Two Pianos (2012, 2017W) Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Road Movies for Violin and Piano (2013) Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, 2016W) Aho, Kalevi Piano Trio in F minor, Op. 73 (2001W, 2009) ER-OS (2018) Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, 2011) Albéniz, Isaac Six Piéces for Piano, Op. 53 (2013) Iberia (3 selections from) (2003) Iberia “Evocation” (2015) Arlen, Harold Wizard of Oz Fantasy (arr. William Hirtz) (2002) Alexandrov, Kristian Prayer for Trumpet and Piano (2013) Arnold, Malcolm Sonatina for Oboe and Piano, Op. 28 (2004) Applebaum "Landscape of Dreams" (1990) Babajanian, Arno Piano Trio in F sharp minor (2015) Andres, Bernard Narthex for Flute and Harp (2000W) Bach, Johann Sebastian “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Anderson, David (for flute, arr. Bennett) (2019) Capriccio No. 2 for Solo Double Bass (2006) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Four Short Pieces for Double Bass (2006) Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Capriccio “On the Departure of a Beloved Brother” in B flat major, BWV 992 Anderson, Jordan (2006) Drafts for Double Bass and Piano (2006) Chaconne, from Partita for Violin in D minor, BWV 1004 (1994, 2001, 2002) Choral Preludes for Organ (Piano) (Selections) (1998) Anonymous (arr.
    [Show full text]
  • RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
    RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite.
    [Show full text]
  • Johannes Brahms Double Concerto
    PYOTR I. TCHAIKOVSKY JOHANNES BRAHMS ROMEO AND JULIET FRANZ LISZT DOUBLE CONCERTO LES PRÉLUDES Lisa Batiashvili Gautier Capuçon Staatskapelle Dresden Christian Thielemann Semperoper Dresden LISA BATIASHVILI GAUTIER CAPUÇON STAATSKAPELLE DRESDEN CHRISTIAN THIELEMANN JOHANNES BRAHMS Concerto for Violin, Cello and Orchestra in A minor, op. 102 PETER I. TCHAIKOVSKY “Romeo and Juliet”, Fantasy Overture (3rd Version, 1880) Georgian violinist Lisa Batiashvili, French cellist Gautier Capuçon, FRANZ LISZT Christian Thielemann and the Staatskapelle Dresden present a “Les Préludes”, sophisticated concert programme about love and death from the th Symphonic Poem No. 3 perspective of three leading 19 century composers: Johannes Brahms, Pyotr I. Tchaikovsky and Franz Liszt. The stages of life can be viewed as preludes to the melody of death, Orchestra Staatskapelle Dresden as Liszt proposes in his Symphonic Poem Les Préludes. It is only at the very end that the inadequacies of life are resolved. This is also the Violin Lisa Batiashvili tragedy behind the impossible love of Romeo and Juliet in Tchaikovsky’s Fantasy Overture. In the very jaws of death, Eros enjoys his strongest Violoncello Gautier Capuçon impulse, one that transcends time. What results is the desire for the Conductor Christian Thielemann epic, the heroic, which in Brahms’s final orchestral work, the Double Concerto, achieves a certain consummation. Produced by Salve TV Video Director Beatrix Conrad Lisa Bathiashvili is playing her Guarneri “with tenderness and devotion” (Der Neue Merker). Her lyrical, velevety performance is contrasted by Capuçon’s more throaty and vibrating tone: “The two ways of playing Length: 86' seem to collide sometimes but to match brilliantly at the same time”.
    [Show full text]