Once Upon a Time Season Guide
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=349 True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. -
True Blue and Trusted
TRUE BLUE AND TRUSTED By R. A. Anderson and R. L. Sweeney Performance Rights It is an infringement of the federal copyright law to copy this script in any way or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for further scripts and licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © By Eldridge Publishing Company Download your complete script from Eldridge Publishing https://histage.com/true-blue-and-trusted True Blue and Trusted -2- STORY OF THE PLAY It’s fun, it’s laughs, it’s “let-down-your-hair.” Here’s an old- time melodrama in which everyone has a good time. J. Tamarack Gargle, who is the villain and landlord of the heroine’s home, threatens to evict the entire family unless Lily Lackamoney, the heroine, promises to marry him. Perplexed as what to do, Lily decides to go to the big city to find the hero, Balderdash Trustworthy, who is in the city trying to find a rich friend that will help in the plight of the Lackamoneys. The first person that Lily meets is Maxine Mascarra, the villainess. Gargle employs Maxine to help him get rid of Trustworthy. They unknowingly attempt to “polish off” a wrong victim. Eventually they manage to dump Trustworthy into the river. When Maxine asks Gargle to pay her off for her help, he casts her aside. -
Air Line Pilots Page 5 Association, International Our Skies
March 2015 ALSO IN THIS ISSUE: » Landing Your » Known Crewmember » Sleep Apnea Air Dream Job page 20 page 29 Update page 28 Line PilOt Safeguarding Official Journal of the Air Line Pilots page 5 Association, International Our Skies Follow us on Twitter PRINTED IN THE U.S.A. @wearealpa Sponsored Airline- Career Track ATP offers the airline pilot career training solution with a career track from zero time to 1500 hours sponsored by ATP’s airline alliances. Airline Career month FAST TRACK Demand for airline pilots and ATP graduates is soaring, Pilot Program with the “1500 hour rule” and retirements at the majors. AIRLINES Airlines have selected ATP as a preferred training provider to build their pilot pipelines Private, Instrument, Commercial Multi Also available with... & Certified Flight Instructor (Single, Multi 100 Hours Multi-Engine Experience with the best training in the fastest & Instrument) time frame possible. 225 Hours Flight Time / 100 Multi 230 Hours Flight Time / 40 Multi In the Airline Career Pilot Program, your airline Gain Access to More Corporate, Guaranteed Flight Instructor Job Charter, & Multi-Engine Instructor interview takes place during the commercial phase Job Opportunities of training. Successful applicants will receive a Airline conditional offer of employment at commercial phase of training, based on building Fly Farther & Faster with Multi- conditional offer of employment from one or more of flight experience to 1500 hours in your guaranteed Engine Crew Cross-Country ATP’s airline alliances, plus a guaranteed instructor CFI job. See website for participating airlines, Experience job with ATP or a designated flight school to build admissions, eligibility, and performance requirements. -
ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. -
Infant and Toddler Contracted Slots Pilot Program: Evaluation Report Chad Dorn, Phd
Infant and Toddler Contracted Slots Pilot Program: Evaluation Report Chad Dorn, PhD. August 2020 2 Propulscreating force leading toon movement Contents ACKNOWLEDGEMENT............................................................................................................... 4 OVERVIEW OF INFANT TODDLER CONTRACTED SLOTS PILOT ....................................... 5 THE EVALUATION........................................................................................................................ 7 Implementation Science (IS) Framework............................................................................... 7 Building the capacity to effectively implement...................................................................... 9 Implementation Teams............................................................................................... 9 Data-Informed Feedback Loops................................................................................. 9 Implementation Infrastructure.................................................................................. 10 Data Collection and Timeline................................................................................. ............... 10 Data Sources and Collection .................................................................................................. 11 Administrative Data.................................................................................................... 11 Program Director Survey – Pre and Post................................................................... -
Masks Or Souls?: Halide Edib's Politics and Her Pacifism As A
ariel: a review of international english literature ISSN 0004-1327 Vol. 43 No. 4 Pages 97–122 Copyright © 2013 Masks Or Souls?: Halide Edib’s Politics and Her Pacifism as a Playwright Özlem Ezer Abstract: In this article, I discuss Halide Edib’s play Masks or Souls? (MOS) as anti-war literature by a Turkish female intellec- tual and activist who lived between the two World Wars. The ar- ticle provides a more complete portrayal of Edib, who has often been reduced to a nationalist novelist. I also argue that MOS con- tains autobiographical insights. There is evidence in MOS, for ex- ample, that Edib became a pacifist on the eve of the Second World War. Another war Edib fought was against the ideas and ideologies within the military and intellectual circles of Turkey. Through the actions and comments of several characters in the play, Edib also criticizes the reforms and westernization processes that took place immediately after the declaration of the Turkish Republic in 1923. Finally, I counter the neglect this play has suffered by calling into question some of the nation- and region-based hierarchies preva- lent in literary studies. In 1953, Halide Edib,1 a famous Turkish novelist, wrote a play in English called Masks or Souls? (MOS henceforth), based on an earlier, Turkish version of her play.2 The play offers an extensive, cynical cri- tique of ideologies of some contemporaneous governments (those of Turkey and Europe in particular) and the affairs that had been taking place in several countries like the founding of the League of Nations (which she supported) and some extreme right-wing movements (which she did not). -
Foot Pedestal Brooke Mckenzie Sroufe
Shattered Moments: The Fall from My 30-Foot Pedestal Brooke McKenzie Sroufe Faculty Advisor: Margaret Sartor Graduate Liberal Studies April 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in Graduate Liberal Studies in the Graduate School of Duke University. Copyright by Brooke McKenzie Sroufe 2015 Abstract Part One of my final project consists of a series of creative non-fiction stories detailing a traumatic accident I experienced in 2009. The stories examine my physical and emotional recovery. I have also written stories about my strongest childhood memories to explore the events that helped shape the beliefs I held at the time of my accident. The stories are not linear, but span from my childhood to the three years following my accident. Through these stories, I hope to contribute to greater conversations about trauma, emerging adulthood, and identity— particularly among young people. Part Two of the project analyzes the question of trauma and the necessity of narrative following trauma. I break this section of the project into three short essays addressing different aspects of trauma and narrative: a history of trauma, the need for memoir, and posttraumatic growth. I reference three larger works within these essays and relate the authors’ arguments and theories to my traumatic experience and to the process of writing my stories. In addition to these written parts, I include personal photographs throughout the project. These pictures, like my stories, are not linear. They are visual pieces of my shattered life puzzle, showing me before and after my fall from the 30-foot pedestal I’d created for myself. -
The Lily Pool, the Mirrors, and the Outsiders: Envisioning Home and England in Virginia Woolf's Between the Acts
Concentric: Literary and Cultural Studies 38.1 March 2012: 249-275 The Lily Pool, the Mirrors, and the Outsiders: Envisioning Home and England in Virginia Woolf’s Between the Acts Ching-fang Tseng Department of English National Taiwan Normal University, Taiwan Abstract Written against the historical context of the threats of fascism and World War II, Between the Acts’s portrayal of rural England that highlights its traditional way of life, the everlasting rural landscape, and the pageant then in vogue seemingly echoes the prevailing national imagination during the war-crisis years. Rather than replicating the nostalgic ruralist vision of England on the verge of war, the novel not only furthers Woolf’s critique of the dictators in England in Three Guineas, but also enacts the essay’s visionary idea of the “Outsiders’ Society” in the setting of the English country. A prominent figure in Between the Acts is the cultivated observer in rural England, who is there to apprehend landscape as well as the universal evolutionary order. Encapsulating the ocularized social power of the ruling landowning class, he embodies Englishness and “civilization” as the apex of the developmental progress of humankind. Woolf responds to such Englishness by positing episodes in the novel involving La Trobe’s village pageant. The pageant invokes an “Outsiders’ Society” composed of heterogeneous, anonymous private spectators in resistance to the hegemonic perception of the gentry-audience, thus making the latter think home landscape, “Ourselves,” and civilization in a different light. At the same time, the “Outsiders’ Society” is also enacted through Between the Acts’s multi-layered, open-ended, and self-reflexive form, which disallows closure and totality of meaning and predominance of the authorial vision. -
Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. -
BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’
BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’ Colin O’Donoghue plays the role of original Mercury 7 astronaut ‘Gordon “Gordo” Cooper’ in National Geographic’s original scripted series THE RIGHT STUFF on Disney+, based on Tom Wolfe’s bestselling nonfiction series, which dramatically explores the early days of the NASA space program. A native of Drogheda, Ireland, and a graduate of the Gaiety School of Acting in Dublin, Colin’s early career consisted of predominately theater and television work in Ireland and the UK. In 2003, Colin won the Irish Film and Television Award for Best New Talent for his role as ‘Norman’ in the made-for-TV movie “Home For Christmas.” Soon after, he had stints on “Proof,” “Fair City,” the mini-series “Rebel Heart” and “The Clinic” for Irish Television. He appeared in Season 3 of the hit Showtime series “The Tudors” as ‘Duke Philip of Bavaria,’ where he caught the eye of many industry followers. In 2010, Colin decided to head to Hollywood, where he instantly landed the lead role of ‘Michael Kovak’ and worked alongside Academy-Award winner Sir Anthony Hopkins in the New Line Cinema feature “The Rite,” directed by Mikael Hafstrom. The following year, he starred in the ABC pilot “Identity,” opposite Angela Bassett for executive producer Mark Gordon (“Grey’s Anatomy,” “Criminal Minds,” “Private Practice”), and booked the co-lead opposite BAFTA winner Noel Clarke in Johannes Roberts’ sci-fi film “Storage 24” for Universal Pictures Home Entertainment. In 2012, Colin booked a series regular role on ABC’s hit series “Once Upon A Time” and played fan-favorite ‘Captain Hook,’ which was created by Adam Horowitz and Edward Kitsis (“Lost,” “Felicity”).