The Last Duchess of Buffalo
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Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Masks Or Souls?: Halide Edib's Politics and Her Pacifism As A
ariel: a review of international english literature ISSN 0004-1327 Vol. 43 No. 4 Pages 97–122 Copyright © 2013 Masks Or Souls?: Halide Edib’s Politics and Her Pacifism as a Playwright Özlem Ezer Abstract: In this article, I discuss Halide Edib’s play Masks or Souls? (MOS) as anti-war literature by a Turkish female intellec- tual and activist who lived between the two World Wars. The ar- ticle provides a more complete portrayal of Edib, who has often been reduced to a nationalist novelist. I also argue that MOS con- tains autobiographical insights. There is evidence in MOS, for ex- ample, that Edib became a pacifist on the eve of the Second World War. Another war Edib fought was against the ideas and ideologies within the military and intellectual circles of Turkey. Through the actions and comments of several characters in the play, Edib also criticizes the reforms and westernization processes that took place immediately after the declaration of the Turkish Republic in 1923. Finally, I counter the neglect this play has suffered by calling into question some of the nation- and region-based hierarchies preva- lent in literary studies. In 1953, Halide Edib,1 a famous Turkish novelist, wrote a play in English called Masks or Souls? (MOS henceforth), based on an earlier, Turkish version of her play.2 The play offers an extensive, cynical cri- tique of ideologies of some contemporaneous governments (those of Turkey and Europe in particular) and the affairs that had been taking place in several countries like the founding of the League of Nations (which she supported) and some extreme right-wing movements (which she did not). -
Apple India SUBSCRIBE 7.25M Subscribers Watch Later
MX apple Home Explore Subscriptions Library Apple.com History Your videos Apple India SUBSCRIBE 7.25M subscribers Watch later Homework HOME VIDEOS PLAYLISTS COMMUNITY CHANNELS ABOUT Show more Uploads PLAY ALL SORT BY SUBSCRIPTIONS Music Sports 1:16 0:39 2:26 1:57 1:33 2:04 Gaming Every product carbon Privacy on iPhone | Tracked Developers, meet iPad Pro | Privacy | App Tracking Introducing iPad Pro | Apple Mission Implausible | M1 Movies neutral by 2030 | Apple | Apple Apple Transparency | Apple 309K views • 2 months ago chip | iPad Pro | Apple 79K views • 2 weeks ago 18M views • 1 month ago 135K views • 1 month ago 366K views • 1 month ago CC 263K views • 2 months ago MORE FROM YOUTUBE CC CC CC CC CC YouTube Premium Movies Gaming 1:09 0:39 1:29 1:09 2:30 2:39 Live Introducing AirTag | Couch | iPhone 12 — Mmmmm, The Snoopy Show — Ocial AirPods Pro — Jump For All Mankind — Season 2 Cherry — Ocial Trailer | Apple purple Trailer | Apple TV+ Trailer | Apple TV+ Apple TV+ Learning 11M views • 2 months ago 659K views • 2 months ago 175K views • 2 months ago 119K views • 2 months ago CC 99K views • 3 months ago 129K views • 3 months ago Sports CC CC CC CC CC Settings Report history Help 1:45 2:48 2:03 2:21 1:37 0:44 Calls — Ocial Trailer | Palmer — ORcial Trailer | Servant — Season 2 Trailer | Dickinson — Season 2 Stillwater — ORcial Trailer | Helpsters — Season 2 Send feedback Apple TV+ Apple TV+ Apple TV+ Ocial Trailer | Apple TV+ Apple TV+ Ocial Trailer | Apple TV+ 165K views • 3 months ago 81K views • 4 months ago 90K views • 4 months ago -
The Little Mermaid (1989)
Ariel the little mermaid (1989) @ Once Upon a Time Parties D.C. Character Background Movie: The Little Mermaid title: Princess Family: Prince Eric (husband), Melody (daughter), King Triton (Father), Queen Athena (Mother), 7 sisters (see page 5 for their names) objective: To become a human and live her life on land with Prince Eric - To restore music and happiness to the Kingdom of Atlantica - To protect her daughter Melody from Morgana speech: Medium pitch, young, enthusiastic, bubbly Likes: The human world, dinglehoppers/thingamajigs etc., adventure, freedom, music, singing, dancing, Prince Eric, and chasing her dreams Dislikes: Her father’s stubbornness and hatred of humans, being with- out music and fun, restriction, chores, pirates, violence, Sebastian’s nagging, her friends/family being in danger plot synopsis: Ariel, the youngest daughter of King Triton, is dis- satisfied with life in the sea. She longs to be with the humans above the sur- face. and is often caught in arguments with her father over those ”barbaric fisheaters“. She goes to meet Ursula, the Sea Witch, to strike a deal. Ursula gives Ariel legs in exchange for human legs. She has 3 days to receive a kiss from her true love Eric. Ariel begins her journey to the surface and meets her love Prince Eric face to face. He realizes Ariel cannot be the girl he heard singing since Ariel doesn’t have a voice. Ariel is so close to convincing Eric to kiss her but fails. The next day Ariel finds Eric with a woman named Vanessa, who is actually Ursula disguised as a human. -
Research.Pdf
ENACTED IDENTITIES: A NARRATIVE INQUIRY INTO TEACHER WRITERLY BECOMING _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CHRISTY GOLDSMITH Dr. Amy Lannin, Dissertation Supervisor MAY 2018 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled ENACTED IDENTITIES: A NARRATIVE INQUIRY INTO TEACHER WRITERLY BECOMING presented by Christy Goldsmith, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________________ Professor Amy Lannin ________________________________________________________________ Professor Roy Fox ________________________________________________________________ Professor Carol Gilles ________________________________________________________________ Professor Lily Gurton-Wachter ________________________________________________________________ Professor Martha Townsend ii Acknowledgements I owe my largest debt of gratitude to my five committee members who, in varying stages of their own academic careers, undertook the time and effort to mentor me in my academic becoming. Dr. Amy Lannin, when I first approached you (in my typical panicky fashion) to ask if you’d become my committee -
The Road Between Cemeteries
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 4-2007 The Road between Cemeteries Richard Paul Foss Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Recommended Citation Foss, Richard Paul, "The Road between Cemeteries" (2007). Dissertations. 861. https://scholarworks.wmich.edu/dissertations/861 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE ROAD BETWEEN CEMETERIES by Richard Paul Foss A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Dr. Nancy Eimers, Advisor Western Michigan University Kalamazoo, Michigan April 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE ROAD BETWEEN CEMETERIES Richard Paul Foss, Ph.D. Western Michigan University, 2007 The Road Between Cemeteries is a creative dissertation, a book of poems that makes use of many various forms and styles. I am interested in both the lyric and the narrative traditions and the heart of this collection, I believe, lies in the space between; the narrative is the road, moving inexorably forward, and the lyric, the passenger dreaming, questioning out the window. I am also interested in contemporary relationships, both those of a private nature such as we have with our parents, spouses, children, and those of a public nature, such as with our heroes in literature, sports and music. -
Writers of the Storm
VOLUME 14 July 2020 In this issue: New Meteorologist in Charge: Ariel 2 Cohen, Ph.D. Welcome Michael Garberoglio! 3 Spring of 2020 Climate Review 3-4 Lightning Safety in Colorado 5-8 Snowpack Doesn’t Always Mean 9 Runoff What Does it Mean? 10 WFO PUEBLO WFO/ SOUTHEAST PUEBLO NEWSCOLORADO WRITERS OF THE STORM New Meteorologist in Charge: Ariel Cohen, Ph.D. Ariel E. Cohen, Ph.D., will be the new Meteorologist in Charge of the National Weather Service Forecast Office in Pueblo, CO starting in August 2020. He will be coming to the NWS Pueblo from his previous position of Science and Operations Officer (SOO) of NWS Miami, FL, where he has served as a leader for science inte- gration into NWS operations. Ariel’s formal NWS operational experience extends back to 2007, when he started as a meteorologist at NWS Great Falls, MT. After working in Great Falls from 2007 to 2008, he worked as a meteorologist at the Tropical Analysis and Forecast Branch of the National Hurricane Center, where he played an important role in their transition to creating forecasts using the Graphical Forecast Editor. In 2009, he became a meteorologist at NWS Jackson, MS, where he earned a Regional Director’s Award. From 2001 to 2017, Dr. Cohen was a fore- caster at the Storm Prediction Center (SPC) in Norman, OK, before moving to Kansas to serve as the SOO of NWS Topeka from 2017 to 2019, prior to becoming the NWS Miami SOO. Dr. Cohen received his Bachelor’s Degree in Atmospheric Sciences from The Ohio State University (2006) and his Master’s Degree and Doctorate in Meteorology from the University of Oklahoma (OU, 2008, 2015). -
Red Eye, the Cauldron of Morning| a Study of the Later Poetry of Sylvia Plath
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1968 Red eye, the cauldron of morning| A study of the later poetry of Sylvia Plath Laurel Ann Hebert The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Hebert, Laurel Ann, "Red eye, the cauldron of morning| A study of the later poetry of Sylvia Plath" (1968). Graduate Student Theses, Dissertations, & Professional Papers. 3377. https://scholarworks.umt.edu/etd/3377 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE EED EYE, THE CAULDRON OF MORNING: A STUDY OF THE LATER POETRY OF SYLVIA PLATH by Laurel A. Hebert B.A., Ualveralty of Oregon, 1962 Presented in partial fulfillment of thm requirements for the degree of Master of Arts UNIVERSITY OF MONTANA I960 Approved by: Chairman, Board of Examiners Graduate Sehool August 7, 1968 Date UMI Number: EP35599 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these wili be noted. Also, if material had to be removed, a note will indicate the deletion. -
Ethnography and the Hybrid Boy in Rudyard Kipling S "Kim"
Ethnography and the Hybrid Boy in Rudyard Kipling s "Kim" DON RANDALL T XHE SUGGESTION THAT Kim can be approached as an eth• nography immediately raises a question about Kipling's status as an ethnographer. As James Clifford observes in his introduction to Writing Culture: The Poetics and Politics of Ethnography, eth• nographic writing normally is governed by generic determina• tions and "is usually distinguishable from a novel or a travel account" (6). Clifford nonetheless acknowledges that eth• nography "is an emergent interdisciplinary phenomenon" that "blur[s] the boundary separating art from science" (3). The ethnographer, for Clifford, is a text-maker whose work inelucta- bly requires "expressive tropes, figures, and allegories that select and impose meaning as they translate it" (7). The textual prac• tices of ethnography and literary art thus are potentially compat• ible. If Kim is not an ethnography in the purest sense, it includes ethnography; it evidences an ethnographic project. The India of Kim is clearly not exotic back-drop or trompe l'œil conforming more to the urges of imagination than to the exigencies of cultural documentation and representation. This text provides ample evidence of what one might call the ethnographic im• pulse, the writerly drive to grasp and document cultural realities. If, as Arnold Krupat suggests, ethnographers most fundamen• tally, most crucially, are the "providers of data for the under• standing of other worlds" (80), then Kipling must be granted a certain status as an ethnographer. More specifically, one can consider Kipling an imperial eth• nographer. Invariably, as George Marcus avers, "closely observed cultural worlds are imbedded in larger, more impersonal sys• tems" ( 166), are written and must be read in integral relation to a ARIEL: A Reviexu of International English Literature, 27:3, July 1996 80 DON RANDALL determining "context of historical political economy" (167). -
Disney Sidekick
Sidekick Match Game PINOCCHIO THUMPER CINDERELLA PASCAL MULAN PUA ANNA ZAZU POCAHONTAS JIMINY CRICKET BAMBI MUSHU MUFASA OLAF PETER PAN FLOUNDER ALADDIN GUS GUS MOANA STITCH ARIEL ABU LILO FLIT RAPUNZEL TINKERBELL Draw a line from the character to their sidekick Love Interest Match Game Ariel Prince Charming Jasmine John Smith Cinderella Nala Pocahontas Prince Eric Aurora Flynn Rider Rapunzel The Prince Simba Jane Belle Prince Phillip Tarzan Aladdin Anna Lady Mulan The Beast Tramp Kristoff Snow White Li Shang Draw a lin e from the character to their lov e interest Match the Villain to the Movie Scar Beauty and the Beast Jafar Sleeping Beauty Cruella DeVil Peter Pan Captain Hook Snow White Maleficent The Jungle Book Gaston The Lion King The Evil Queen Hercules Shere Khan Frozen Mother Gothel Aladdin Hades Tangled Hans The Little Mermaid Queen of Hearts Alice in Wonderland Ursula 101 Dalmatians Dra w a line from the villain to the m ovie Sidekick ANSWER KEY PINOCCHIO JIMINY CRICKET CINDERELLA GUS GUS MULAN MUSHU ANNA OLAF POCAHONTAS FLIT BAMBI THUMPER MUFASA ZAZU PETER PAN TINKERBELL ALADDIN ABU MOANA PUA ARIEL FLOUNDER LILO STITCH RAPUNZEL PASCAL Draw a line from the character to their sidekick Love interest ANSWER KEY Ariel Prince Eric Jasmine Aladdin Cinderella Prince Charming Pocahontas John Smith Aurora Prince Phillip Rapunzel Flynn Rider Simba Nala Belle The Beast Tarzan Jane Anna Kristoff Mulan Li Shang Tramp Lady Snow White The Prince Draw a li ne from the character to their love interest Match the Villain ANSWER KEY Scar The Lion King Jafar Aladdin Cruella DeVil 101 Dalmatians Captain Hook Peter Pan Maleficent Sleeping Beauty Gaston Beauty and the Beast The Evil Queen Snow White Shere Khan Jungle Book Mother Gothel Tangled Hades Hercules Hans Frozen Queen of Hearts Alice in Wonderland Ursula The Little Mermaid Dra w a line from the villain to the movie. -
The Emergence of Spanish Impressionism
Abstract Title of dissertation: THE EMERGENCE OF SPANISH IMPRESSIONISM AND ITS INTERACTION WITH FRENCH IMPRESSIONISM IN MUSIC AT THE TURN OF THE TWENTIETH CENTURY: SELECTIONS FROM THE SOLO AND COLLABORATIVE PIANO REPERTOIRE Harmony Yang, Doctor of Musical Arts, 2016 Dissertation directed by: Professor Rita Sloan School of Music French Impressionism is a term which is often used in discussing music originating in France towards the end of the nineteenth century. The term Spanish Impressionism could also be used when discussing Spanish music written by the Spanish composers who studied and worked in Paris at the same time as their French counterparts. After all, Spanish music written during this time exhibits many of the same characteristics and aesthetics as French music of the same era. This dissertation will focus on the French and Spanish composers writing during that exciting time. Musical impressionism emphasizes harmonic effects and rhythmic fluidity in the pursuit of evocative moods, sound pictures of nature or places over the formalism of structure and thematic concerns. The music of this time is highly virtuosic as well as musically demanding, since many of the composers were brilliant pianists. My three dissertation recitals concentrated on works which exhibited the many facets of impressionism as well as the technical and musical challenges. The repertoire included selections by Spanish composers Manuel de Falla, Isaac Albéniz, Enrique Granados, Joaquín Turina, and Joaquín Rodrigo and French composers Claude Debussy and Maurice Ravel. The recitals were on April 30, 2013, February 23, 2014 and October 11, 2015. They included solo piano works by Granados and Albéniz, vocal works by Debussy, Ravel, de Falla, Turina and Rodrigo, piano trios by Granados and Turina, instrumental duos by Debussy, Ravel and de Falla, and a two-piano work of Debussy transcribed by Ravel. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Political Aesthetic of Irony in the Post-Racial United States Permalink https://escholarship.org/uc/item/8fd7t1ph Author Jarvis, Michael Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Political Aesthetic of Irony in the Post-Racial United States A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Michael R. Jarvis March 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Sherryl Vint Dr. Keith Harris Copyright by Michael R. Jarvis 2018 The Dissertation of Michael R. Jarvis is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been possible without the support of my committee, Professors Jennifer Doyle, Sherryl Vint, and Keith Harris. Thank you for reading this pile of words, for your feedback, encouragement, and activism. I am not alone in feeling lucky to have had each of you in my life as a resource, mentor, critic, and advocate. Thank you for being models of how to be an academic without sacrificing your humanity, and for always having my back. A thousand times, thank you. Sincere thanks to the English Department administration, UCR’s Graduate Division, and especially former Dean Joe Childers, for making fellowship support available at a crucial moment in the writing process. I was only able to finish because of that intervention. Thank you to the friends near and far who have stuck with me through this chapter of my life.