Western Michigan University ScholarWorks at WMU Dissertations Graduate College 4-2007 The Road between Cemeteries Richard Paul Foss Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Recommended Citation Foss, Richard Paul, "The Road between Cemeteries" (2007). Dissertations. 861. https://scholarworks.wmich.edu/dissertations/861 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE ROAD BETWEEN CEMETERIES by Richard Paul Foss A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Dr. Nancy Eimers, Advisor Western Michigan University Kalamazoo, Michigan April 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE ROAD BETWEEN CEMETERIES Richard Paul Foss, Ph.D. Western Michigan University, 2007 The Road Between Cemeteries is a creative dissertation, a book of poems that makes use of many various forms and styles. I am interested in both the lyric and the narrative traditions and the heart of this collection, I believe, lies in the space between; the narrative is the road, moving inexorably forward, and the lyric, the passenger dreaming, questioning out the window. I am also interested in contemporary relationships, both those of a private nature such as we have with our parents, spouses, children, and those of a public nature, such as with our heroes in literature, sports and music. A main question the poems wrestle with is how we as humans face the inevitability of our own mortality and the mortality of those we hold dear in both the private and public sphere. Therefore, there are a number of elegies and would-be elegies in the collection that contemplate the permanence and wonder of death, especially in an age when traditional cures such as religion have lost command. A second thematic strand is the question of identity. I am interested in how we define ourselves to ourselves, to others, and how our relative connection or disconnection from other people as well as our past history informs that conception of identity. These poems assert that, though these are difficult questions, often irresolvable mysteries that strain our abilities to live meaningful lives, there is hope, a dignity in Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. making the endeavor, and that the very act of the artist, in this case the poet, can create, out of chaos, meaning. These poems arm themselves with insights from the past, observations concerning the present and, with these tools, surge forward (with more than a little anxiety) to peek in the fogged over windows of the future. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3258643 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3258643 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Copyright by Richard Paul Foss 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. for my daughter, Zoey Katherine, and my wife Anastasia Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS First and foremost I would like to thank Nancy Eimers for her steady encouragement and her careful and thoughtful reading of my work and for her remarkable and well-known editing skills. I would also like to thank Bill Olsen who taught me new and surprising ways to look at a poem and how to re-conceive what my own might become. Herb Scott was a wonderful teacher whose calm spirit helped ease anxiety and inspire confidence. I wish I had more time to know him. I’d like to thank all of the professors at Western Michigan University for taking my understanding of literature to new levels, especially Jill Larson, Grace Tiffany, Nic Witchi, John Saillant and Marc Richardson. I’d like to thank Heather Addison for taking time out of her hectic schedule to be an advisor on this work. I was fortunate to have worked with many fine writers and thinkers in the WMU creative writing program and I would like to thank all of them for their honest feedback, especially Mike Nelson, Maryanne Swierenga and Kirsten Hemmy. I would like to acknowledge the thoughtful and perceptive reading of Therese LeCompte, who tirelessly looked at draft upon draft of most every poem in this dissertation and for the value she helped me find there. Thanks to Beth McDermott for taking time away from her own poetry to help make mine better. Thanks as well to Marc Singer, Edwin Rozic, Lisa Greer and Diane Collins for reading my work and offering their very usable insights. ii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Thanks to Stan Plumly whose voice I still hear resonating with every poem I attempt. Thanks to my family for their love, support. I’d especially like to thank my parents, Kitty and Rich Foss, Sr., for their warm dedication and their fine example. I am lucky to have someone as wonderful, witty and supportive as my wife Anastasia; without her this dissertation would never have come to fruition. Richard Paul Foss iii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ACKNOWLEDGEMENTS........................................................................... ii INTRODUCTION......................................................................................... 1 1...................................................................................................................... 13 Gaper’s Delay ........ 14 At the Green T op........................................................................................... 16 On Deciding to Be an Organ Donor............................................................. 19 Johnny Cash at the Gates of Heaven............................................................... 21 Drive............................................................................................................... 22 The Garter Snake Club ................................................................................... 23 I Must Have Heard the Shot........................................................................... 25 Poem for a Missing G irl................................................................................. 27 Trauma........................................................................................................... 29 I I..................................................................................................................... 30 The Weightlifter ........................................................................................... 31 Near Still Life, Father With Telescope....................................................... 32 The Road Between Cemeteries, Memorial D ay........................................... 33 Death Tolls................................................................................................... 34 Never Die Easy........................................................................................... 36 iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Table of Contents - Continued Half Way Through Mariani’s Berryman, I Write an Ill-Advised Poem to the Poet............................................................................................................ 38 Your Card............................................................................................................ 39 Mary and Jesus, a Fragment................................................................................ 41 Eating Lunch with My Father............................................................................ 43 Cherish, We’re Told........................................................................................... 45 Thanksgiving With Rose.................................................................................... 47 III....................................................................................................................... 49 Skin .................................................................................................................. 50 Another Day and No Flying............................................................................ 52 Late October