The American University of Rome Religious Studies Program
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Roman Architecture Roman of Classics at Dartmouth College, Where He Roman Architecture
BLACKWELL BLACKWELL COMPANIONS TO THE ANCIENT WORLD COMPANIONS TO THE ANCIENT WORLD A COMPANION TO the editors A COMPANION TO A COMPANION TO Roger B. Ulrich is Ralph Butterfield Professor roman Architecture of Classics at Dartmouth College, where he roman architecture EDITED BY Ulrich and quenemoen roman teaches Roman Archaeology and Latin and directs Dartmouth’s Rome Foreign Study roman Contributors to this volume: architecture Program in Italy. He is the author of The Roman Orator and the Sacred Stage: The Roman Templum E D I T E D B Y Roger B. Ulrich and Rostratum(1994) and Roman Woodworking James C. Anderson, jr., William Aylward, Jeffrey A. Becker, Caroline k. Quenemoen (2007). John R. Clarke, Penelope J.E. Davies, Hazel Dodge, James F.D. Frakes, Architecture Genevieve S. Gessert, Lynne C. Lancaster, Ray Laurence, A COMPANION TO Caroline K. Quenemoen is Professor in the Emanuel Mayer, Kathryn J. McDonnell, Inge Nielsen, Roman architecture is arguably the most Practice and Director of Fellowships and Caroline K. Quenemoen, Louise Revell, Ingrid D. Rowland, EDItED BY Roger b. Ulrich and enduring physical legacy of the classical world. Undergraduate Research at Rice University. John R. Senseney, Melanie Grunow Sobocinski, John W. Stamper, caroline k. quenemoen A Companion to Roman Architecture presents a She is the author of The House of Augustus and Tesse D. Stek, Rabun Taylor, Edmund V. Thomas, Roger B. Ulrich, selective overview of the critical issues and approaches that have transformed scholarly the Foundation of Empire (forthcoming) as well as Fikret K. Yegül, Mantha Zarmakoupi articles on the same subject. -
Architecture of Light of the Orthodox Temple
DOI: 10.4467/25438700ŚM.17.058.7679 MYROSLAV YATSIV* Architecture of Light of the Orthodox Temple Abstract Main tendencies, appropriateness and features of the embodiment of the architectural and theological essence of the light are defined in architecturally spatial organization of the Orthodox Church; the value of the natural and artificial light is set in forming of symbolic structure of sacral space and architectonics of the church building. Keywords: the Orthodox Church, sacral space, the light, architectonics, functions of the light, a system of illumination, principles of illumination 1. Introduction. The problem raising in such aspect it’s necessary to examine es- As the experience of new-built churches testifies, a process sence and value of the light in space of the of re-conceiving of national traditions and searches of com- Orthodox Church. bination of modern constructions and building technologies In religion and spiritual life of believing peo- last with the traditional architectonic forms of the church bu- ple the light is an important and meaningful ilding in modern church architecture of Ukraine. Some archi- symbol of combination in their imagination tects go by borrowing forms of the Old Russian church archi- of the celestial and earthly worlds. Through tecture, other consider it’s better to inherit the best traditions this it occupies a central place among reli- of wooden and stone churches of the Ukrainian baroque or gious characters which are used in the Saint- realize the ideas of church architecture of the beginning of ed Letter. From the first book of Old Testa- XX. In the east areas the volume-spatial composition of the ment, where the fact of creation of the light Russian “synod-empire” of the church style is renovated as by God is specified: “And God said: “Let it be the “national sign of church architecture” and interpreted as light!”(Genesis 1.3-4), to the last New Testa- the new “Ukrainian Renaissance” [1]. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed. -
Sacred Architecture in the Area of Historical Volhynia
E3S Web of Conferences 217, 01007 (2020) https://doi.org/10.1051/e3sconf/202021701007 ERSME-2020 Sacred architecture in the area of historical Volhynia Liliia Gnatiuk1,* 1National Aviation University, Interior Design Department, Faculty of architecture, construction and design, Kyiv, Ukraine Abstract. This article discusses the genesis and historical development of the sacred complexes of historic Volhyn. Based on historical and architectural analysis, it is presented that sacred complexes of historic Volhynia were built according to the canons of temple architecture, and at the same time they have their own characteristics, related to national traditions and regional features which appeared as a result of the process of forming Christianity as a religion associated with national development in the specific study territory. The results of a comprehensive analysis of historical and archival documents found in the archives of Ukraine, Poland and Russia, as well as field research are presented. Results of system and theoretical research of significant retrospective analysis of canonical, historical and political prerequisites of sacral complexes were generalized. The concept of sacred complex structures throughout ХІ-ХІХ th centuries is suggested in correlation with the change of religious identity formation and differentiation according to religious requirements. Existence of autochthonous traditions and genuine vector of the Volhynia’s sacred complex development, considering the specific geopolitical location between East and West in the area where two different cultures collide with each other has been proved. The work is shifting statements concerning direct borrowing of architectural and stylistic components of architectural and planning structure and certain decorative elements. 1 Introduction Architecture more than other forms of art reflects the state of society, its political level, the degree of economic development, aesthetic tastes and preferences. -
Relations Between the Traditional Wooden Sacral Architecture of the Podhale Region and Contemporary Architecture of Churches
European Scientific Journal December 2013 /SPECIAL/ edition vol.3 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 RELATIONS BETWEEN THE TRADITIONAL WOODEN SACRAL ARCHITECTURE OF THE PODHALE REGION AND CONTEMPORARY ARCHITECTURE OF CHURCHES Kinga Palus, Dr. Faculty of Architecture, Silesian University of Technology, Gliwice, Poland Abstract The issues of building engineering in mountain regions, especially shaping sacral buildings over the centuries, beginning from traditional architecture of wooden Gothic churches to the churches built nowadays, form an interesting study topic. The Podhale region is both extremely difficult and interesting for modern authors of sacral parchitecture.The tradition of architectural works of wooden churches in Dębno, Obidowa, Grywałd and Harklowa created certain unique models of churches integrated with the conditions of the mountainous climate and landscape aspects. The article aims to answer the author's following question: when designing contemporary sacral buildings in the Podhale region are we to preserve the principles formed over the centuries, following the regional tradition of wooden Gothic churches or ones strictly connected with the style of Witkiewicz architecture, or shall we make attempts at their contemporary interpretation, at the same time preserving universal values so as not to lose the regional identity - continuity of tradition, which currently seems to be a signal of a crisis of our civilization? Keywords: Cultural heritage, tradition, contemporaneity, cultural region, architectural region Introduction: The Podhale region is an interesting study field from a scientific point of view. The author became interested in taking up the topic after multiple trips to the Podhale region during which she had an opportunity to get to know the buildings personally and realize that Podhale, thanks to the specificity of the place, developed as a result of an evolutionary process patterns worth analyzing. -
Architectural Propaganda at the World's Fairs
Regis University ePublications at Regis University All Regis University Theses Spring 2016 Architectural Propaganda at the World’s Fairs Jason C. Huggins Regis University Follow this and additional works at: https://epublications.regis.edu/theses Recommended Citation Huggins, Jason C., "Architectural Propaganda at the World’s Fairs" (2016). All Regis University Theses. 707. https://epublications.regis.edu/theses/707 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University Regis College Honors Theses Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes. The materials may not be downloaded in whole or in part without permission of the copyright holder or as otherwise authorized in the “fair use” standards of the U.S. -
The Sacred in Beauty of the Building Space for Meditation, Prayer and Liturgy
THEOLOGY OF BEAUTY Rocznik Teologii Katolickiej, tom XVI/3, rok 2017 DOI: 10.15290/rtk.2017.16.3.17 Jan Rabiej Politechnika Śląska w Gliwicach The sacred in beauty of the building space for meditation, prayer and liturgy Architecture links the pragmatic and metaphysical dimension of the culture. This phenomenon of architecture is particularly visible in sacred buildings. Churches are also the signs of the sacred in the “semiotic landscape” of modern cities. The full meaning of sacred architecture is not only connected with the institutionalised forms of religious cult. The value of location, plan composition, outlines’ shapes, architectural detail make these buildings the reinterpretation of the sacred buildings’ archetypes. In their forms we can interpret the meaning of universal symbols: a road, gate, nave, vault, tower, light and colours. We can find the sequences of these no- tions in modern buildings which semantic dimension lacks direct references to religion. The attributes typical of churches imitate architectural forms of museums, opera houses, theatres and shopping arcades ... The redefinition in the cultural space is deepened by the signs of “parasacralization” of its areas which have been connected so far with mass culture, entertainment or even commerce or consumption. The ideas of the sacred and beauty – having been redefined for ages – still determine the nature of erected buildings which were religiously inspired. We can identify the elements of these ideas in diverse forms of space which is used for meditation, prayer and liturgy. The symbolic originators of their architecture, which contemporary-wise keep a particular power of message, are light and colours. -
Silent Sacrum in the Contemporary Architecture
E-Theologos, Vol. 4, No. 1 DOI 10.2478/etheo-2013-0010 Silent sacrum in the contemporary architecture Micha ł Dmitruk, MA Sacral architecture as the background of quarrels and reconciliations Because of the diversity between religions, the approach to faith often provokes social divisions. History provides us with proofs of society's various approaches to those divisions. Sacral architecture is usually their background, and dealing with the temples often determines, or at least reflects, the relations between advocates of various religions. The variabil- ity and complications of mutual relations is clearly seen in Israel from its history, to the contemporary.. Around 960 BC "following Lord's command" the first Jerusalem temple was erected on top of Moria hill 1. The building was considerably large in size, with little decoration and contained the Jews' sacred Ark of the Covenant. In 586 BC, Nabuchodonozor II, the Babylonian king, invaded the Promised Land and, as a sign of his victory, destroyed the Jewish tem- ple and introduced Jews to 70 years of the Babylonian captivity. After being liberated by the Persian king, Cyrus, they returned to their land and raised another Jerusalem temple, based on the prototype but significantly more modest. Around 20 BC, king Herod the Great had the temple restored. He wanted to mark the golden age for the realm of Israel and the power of the Judaism 2. How Wojciech Kosiński described it: Temple "was creating a wonderful urban landscape, rich in hierarchi- cally set squares, subshadows, porticoes of columns, gardens and ponds, surrounding the proper building. Scrumptious materials were applied at the construction - the Lebanese cedar, the white calcium-dolomite Jerusalem stone and substantial quantities of gold. -
Ellipse and Oval in Baroque Sacral Architecture in Slovakia
Vol. 13, Issue 1/2017, 30-41, DOI: 10.1515/cee-2017-0004 ELLIPSE AND OVAL IN BAROQUE SACRAL ARCHITECTURE IN SLOVAKIA Zuzana GRÚ ŇOVÁ 1* , Michaela HOLEŠOVÁ 2 1 Department of Building Engineering and Urban Planning, Faculty of Civil Engineering, University of Žilina, Univerzitná 8215/1, 010 26 Žilina, Slovakia. 2 Department of Structural Mechanics and Applied Mathematics, Faculty of Civil Engineering, University of Žilina, Univerzitná 8215/1, 010 26 Žilina, Slovakia. * corresponding author: [email protected]. Abstract Keywords: Oval, circular and elliptic forms appear in the architecture from the Elliptic and oval plans; very beginning. The basic problem of the geometric analysis of the Slovak baroque sacral spaces with an elliptic or oval ground plan is a great sensitivity of the architecture; outcome calculations to the plan's precision, mainly to distinguish Geometrical analysis of Serlio's between oval and ellipse. Sebastiano Serlio and Guarino Guarini and Guarini's ovals. belong to those architects, theoreticians, who analysed the potential of circular or oval forms and some of their ideas are analysed in the paper. Elliptical or oval plans were used also in Slovak baroque architecture or interior elements and the paper introduce some of the most known examples as a connection to the world architecture ideas. 1. Introduction Oval and elliptic forms belonged to architectural dictionary of forms from the very beginning. The basic shape, easy to construct was of course a circle. Circular or many forms of circular-like, not precisely shaped forms could be found at many Neolithic sites like Skara Brae (profane and supposed sacral spaces), temples of Malta and many others. -
Christian Basilica, Serbian Orthodox Church Or
University of Business and Technology in Kosovo UBT Knowledge Center UBT International Conference 2015 UBT International Conference Nov 7th, 9:00 AM - 5:00 PM Christian Basilica, Serbian Orthodox Church or Ottoman Mosque? Some remarks on national monuments of sacral architecture Caroline Jaeger-Klein Technische Universität Wien, [email protected] Follow this and additional works at: https://knowledgecenter.ubt-uni.net/conference Part of the Architecture Commons Recommended Citation Jaeger-Klein, Caroline, "Christian Basilica, Serbian Orthodox Church or Ottoman Mosque? Some remarks on national monuments of sacral architecture" (2015). UBT International Conference. 64. https://knowledgecenter.ubt-uni.net/conference/2015/all-events/64 This Event is brought to you for free and open access by the Publication and Journals at UBT Knowledge Center. It has been accepted for inclusion in UBT International Conference by an authorized administrator of UBT Knowledge Center. For more information, please contact [email protected]. International Conference on Architecture and Spatial Planning, Nov 2015 Christian Basilica, Serbian Orthodox Church or Ottoman Mosque? Some remarks on national monuments of sacral architecture. Caroline Jaeger-Klein History of Architecture Vienna University of Technology [email protected] Abstract. The territories of Kosovo do hold quite a number of historic sacral monuments that several national entities call “their” architectural heritage. Can we really speak of a single nations’ heritage in territories where, through the course of history, the politically leading or majority nation was shifted in place? To which nation does immoveable heritage belong, if the nation is no longer dwelling around the monument? Who takes care of such national heritage? Is heritage “national”? How can a national state administrate and manage architectural heritage that is not considered to be “his” national heritage? Questions like those are current status for Kosovo nowadays. -
Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot
AAgnieszkagnieszka SStaszczyktaszczyk Jagiellonian University in Kraków Polish Institute of World Art Studies INSPIRATIONS OF TRADITIONAL HINDU TEMPLE ARCHITECTURE IN THE BIRLA MANDIR IN RENUKOOT he Renukoot (Reṇukūṭ) Birla mandir, dedicated to Śiva in the aspect of Reṇukeśvara Mahādeva, was founded in 1972 by the Birla (Biṛlā) Tfamily. It is located in one of the Birlas’ industrial towns — Renukoot, in the south-eastern part of Uttar Pradeś where HINDALCO Industries Limited (the aluminium factory) has operated since 1962. The region started attracting investors and industrialist after a dam was constructed on the river Rihand1). It was inaugurated in 1960 by the then prime minister of India – Jawaharlal Nehru. He tried to encourage every guest and businessman who came there, among them Ghanshyamdas Birla, to invest in the region. Indeed, the Birlas decided to locate one of their main enterprises here — the Hindalco (Hin- dustan Aluminium Corporation) factory. It may be assumed that the temple was planned to serve as the main shrine for the Hindu community living and working in this area. At the same time, it is one of the attractions for visitors to the region. It must, however, be mentioned that if at all we consider it as a kind of ‘tourist’ place, it is only so for local (Indian) visitors2), since it is located beyond the main tourist routes and is rather difficult to reach. The 1) Kudaisya (2003: 334–335). 2) We may find few references to the temple on some websites informing about this area and the attractions one may consider while visiting it, e.g. -
Searching for an Effective Way of Adapting Abandoned Churches
Frontiers of Architectural Research (2020) 9, 277e286 Available online at www.sciencedirect.com ScienceDirect journal homepage: www.keaipublishing.com/foar Research Article Striking elements e A lifebelt or a fad? Searching for an effective way of adapting abandoned churches Agnieszka Faustyna Szuta*, Jakub Szczepanski Faculty of Architecture, Gdansk University of Technology, Gdansk, Poland Received 27 August 2019; received in revised form 16 December 2019; accepted 20 December 2019 KEYWORDS Abstract Are avant-garde elements added to historical objects as a temporary fashion to Adaptive re-use; fulfill the aspirations of designers or an attempt to draw attention to themselves? It may be Church re-use; the exact opposite, and this type of controversial project is the best lifebelt for such monu- Kruisherenhotel; ments. This article explores issues related to external avant-garde elements added to adapted Religious buildings; churches and their influence on the efficiency of such adaptation projects. Gothic churches Sacral architecture; located in the north of Europe that have changed their religious function, entirely or in part, Selexyz dominicanen were considered. This work examined former churches in Maastricht, namely, the Minorite Church, the Church of the Kruisheren Monastery, the Dominican Church, as well as Polish churches located in Gdansk, including St. John’s Church and St. Catherine’s Church. This article attempted to identify the factors that contribute to the successful adaptation of former churches and the benefits and drawbacks of adopting avant-garde design solutions. Results of this study might provide valuable inspiration for other churches that are losing worshippers. This study was conducted on the basis of a wide range of literature, statistical data, logical reasoning, and comparative methods.