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Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
Joy Davidman Lewis: Author, Editor and Collaborator
Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S. -
Lehigh Preserve Institutional Repository
Lehigh Preserve Institutional Repository A Mythical Approach to Christian Orthodoxy: C. S. Lewis's Space Trilogy. Wilson, Sharon Lee 1977 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. A Mythical Approach to Christian Orthodoxy: C. S. Lewis's Space Trilogy by Sharon Lee Wilson A Thesis Presented to the Graduate Committee of Lehigh University in Candidacy for the Degree of Master of Arts in English Lehigh University 1977 ProQuest Number: EP76550 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest EP76550 Published by ProQuest LLC (2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 This thesis is accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts in English. December 6, 1977 (date) Cnairman of the Department 11 Table of Contents Page Abstract 1 I Myth: Lewis's Stronghold 3 II The Literary Qualities of Myth 9 III The Spiritual Implication of Myth 17 IV Lewis's Myth of "Deep Heaven" 24 v Out of .the Silent Planet: Ransom Steps Into The Myth 33 VI Perelandra: The Battle Begins 43 VII That Hideous Strength: A New Beginning 52 Bibliography 63 in A Mythical Approach to Christian Orthodoxy: C.S. -
An Introduction to C. S. Lewis
An Introduction to C. S. Lewis Clive Staples Lewis—C. S. Lewis to many readers—was born in Belfast, Ireland, on November 29, 1898. His parents were Albert James Lewis, a solicitor, and Florence Augusta Lewis. Lewis had one brother, Warren Hamilton Lewis, with whom he remained close for all of his life. Lewis read widely as a child, but dearly enjoyed stories about animals and nature, a theme which resurfaced in his later work The Chronicles of Narnia. Lewis and his brother Warren even created an imaginary world called Boxen in which animals lived and talked together. Coupled with Lewis’ love of creating worlds filled with anthropomorphic animals and lively natural settings was his love for ancient literature, including the epic sagas of Iceland, Norse mythology, and Greek and Medieval literature. Readers familiar with his work will recognize how these these genres and themes influenced the trajectory of his life’s work. In his early years of education, Lewis attended several private preparatory schools in Britain, including Wynyard School in Hertfordshire (1908), Campbell College in Belfast (1910), and Cherbourg House at Malvern, Worcestershire (1911). Due to poor health, though, he never remained at these schools for long. It was during his time in Worcestershire that Lewis pronounced himself an atheist, a belief he held onto until 1929 when he became a theist and then a Christian. In December 1916, Lewis received a scholarship to study at University College, Oxford. His life of academic study took a tremendous turn, however, for in 1917 Lewis enlisted in the British Army. After training, Lewis attained the rank of Second Lieutenant with the Third Battalion of the Somerset Light Infantry. -
A Study in CS Lewis by Grant Waldron
Teaching Truth Through Fiction: A Study in C.S. Lewis By Grant Waldron A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for education from the University Honors College Fall 2019 Teaching Truth Through Fiction: A Study in C.S. Lewis by Grant Waldron APPROVED: ____________________________ Dr. Joan McRae Department of World Languages, Literature, and Culture __________________________________________ Dr. Rebekka King Department of Philosophy and Religious Studies ___________________________ Dr. Philip E. Phillips, Associate Dean University Honors College ii Abstract This thesis aims to introduce the key themes present in C.S. Lewis’s fiction. Throughout his works, he sought to teach his readers, whether that be through his non-fiction, his fiction, his poetry, his letters, or his life. There are five truths that Lewis commonly exhibits in each of his fictional works. These can be traced through his characters, plot, setting, and conversations in novels and other works of creative fiction. By using his non-fiction to trace these truths in his fiction, we see Lewis’s masterful art of storytelling and teaching unfold. iii Table of Contents Abstract……………………………………………………………………………………………iii Introduction………………………………………………………………………………………..1 Chapter I: Humans are Amphibians: more than matter……………………………………………7 Chapter II: Sehnsucht (longing or joy)……………………………………………………………15 Chapter III: Men and Women are Beautifully Different………………………………………….22 Chapter IV: Look Up, Not Straight Ahead……………………………………………………….30 Chapter V: Together We Stand, Alone We Fall………………………………………………….40 Conclusion………………………………………………………………………………………..46 Works Cited………………………………………………………………………………………48 iv Introduction The art of the story is one often used as an effective way of teaching. Stories allow readers to participate vicariously in imaginary or inaccessible worlds. -
The Mythology of <I>Perelandra</I>
Volume 2 Number 1 Article 9 12-15-1970 The Mythology of Perelandra Margaret Hannay Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hannay, Margaret (1970) "The Mythology of Perelandra," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 1 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol2/iss1/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the mythology of Lewis’s Perelandra, finding its sources primarily in the Bible, with a few classical allusions. Additional Keywords Bible in literature; Lewis, C.S. Perelandra—Sources, Biblical; Lewis, C.S. Perelandra—Sources, Classical; Lewis, C.S. Perelandra—Symbolism This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. -
Perelandra Study Guide
Perelandra Study Guide by Michael S. Gilleland For the novel by C. S. Lewis CD Version Grades 9–12 Reproducible Pages #404 Limited permission to reproduce this study guide. Purchase of this study guide entitles an individual teacher to reproduce pages for use in the classroom or home. Multiple teachers may not reproduce pages from the same study guide. Sale of any printed copy from this CD is strictly and specifically prohibited. Perelandra Study Guide A Progeny Press Study by Michael Gilleland with Andrew Clausen Copyright © 1993 Progeny Press All rights reserved. Reproduction or translation of any part of this work beyond that permitted by Section 107 or 108 of the 1976 United States Copyright Act without the written permission of the copyright owner is unlawful. Requests for permission or other information should be addressed to Reprint Permissions, Progeny Press, PO Box 100, Fall Creek, WI 54742-0100. www.progenypress.com Printed in the United States of America. ISBN 978-1-58609-378-5 Book 978-1-58609-252-8 CD 978-1-58609-470-6 Set 2 © 1993 Progeny Press No copy of this study guide may be resold. Perelandra Study Guide Table of Contents Note to Instructor......................................................................................................4 Synopsis.....................................................................................................................5 Background Information ...........................................................................................6 Synopsis of Out of the Silent Planet.............................................................................7 -
The Chronicles of Narnia: the Exhibition Using C.S
Inklings Forever Volume 7 A Collection of Essays Presented at the Seventh Frances White Ewbank Colloquium on C.S. Article 26 Lewis & Friends 6-3-2010 The hrC onicles of Narnia: The Exhibition - Using C.S. Lewis to Promote Science and the Movies Woody Wendling Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Wendling, Woody (2010) "The hrC onicles of Narnia: The Exhibition - Using C.S. Lewis to Promote Science and the Movies," Inklings Forever: Vol. 7 , Article 26. Available at: https://pillars.taylor.edu/inklings_forever/vol7/iss1/26 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VII A Collection of Essays Presented at the Seventh FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2010 Upland, Indiana The Chronicles of Narnia: The Exhibition Using C.S. Lewis to Promote Science and the Movies Woody Wendling The Chronicles of Narnia: The Exhibition is a touring exhibit of scenes, props, and costumes from the first two Narnia movies. The Exhibition has appeared in science museums throughout the United States. It is natural to link Narnia and science, as C.S. Lewis also wrote science fiction (the Ransom space trilogy) and critiqued scientism. -
CS Lewis on the Final Frontier: Science and the Supernatural in The
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2011 Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review Gary L. Tandy George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, British Isles Commons Recommended Citation Tandy, Gary L., "Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review" (2011). Faculty Publications - Department of English. Paper 6. http://digitalcommons.georgefox.edu/eng_fac/6 This Book Review is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. C. S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy. By Sanford Schwartz. New York: Oxford University Press, 2009. ISBN 978- 0-19-537472-8. Pp. 240. $27.95; In C. S. Lewis on the Final Frontier, Sanford Schwartz presents a bold and intriguing thesis that, if accepted, will alter significantly the way we read Lewis' space trilogy. In fact, his book attempts to do for the Trilogy what Michael Ward's recent Planet Narnia (Oxford University Press, 2008) did for the Chronicles: Schwartz claims to have discovered an underlying unity in the series unnoticed by previous scholars. -
The Animal Kingdom According to CS Lewis
Volume 22 Number 2 Article 2 1998 Hrossa, Pigs, and Teddy Bears: The Animal Kingdom According to C.S. Lewis Doris T. Myers Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Myers, Doris T. (1998) "Hrossa, Pigs, and Teddy Bears: The Animal Kingdom According to C.S. Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Guest of Honor Address at Mythcon in 1996. “Lewis in relation to animals and the ethical questions they present.” Additional Keywords Animals—Ethical aspects; Animals—Religious aspects; Animals—Symbolism; Animals in C.S. Lewis; Lewis, C.S. -
And Fantasy with Non-Serious Fiction. CS Lewis (1898-1963) Does N
Maria Luísa Franco de Oliveira Falcão University of Lisbon, Centre for English Studies From Madeira to Venus and Back It may be a temptation to equate realism with ‘serious’, and fantasy with non-serious fiction. C.S. Lewis (1898-1963) does not ignore this frontier, but in some of his books he wants to experiment and find out what things that are important to him look like if you try peering through the other end of the looking glass. This is what he calls “supposal” or alternative story. In a supposal, fictional characters become real within the imaginary world; they are not an artful imitation but the genuine article. In Voyage to Venus, the contours of the plot are known to all of us. However, the farfetchedness of the narrative and the strikingly genuine characters sharpen our perspective and make us reconsider this familiar scene with new eyes. To start with, we must bear in mind that C.S. Lewis is a Platonist and a Christian. Both Plato’s allegories and the Book of Genesis imply that, due to a breach in a previous state of harmony, the truth we apprehend is now limited to a distant recollection of the “The Forms” or a pale copy of the “Real”. It has therefore become of the utmost importance to recover man’s unified knowledge in order to discern the symbolic meaning our concrete reality has retained. For Lewis, symbol puts the reader in touch with the reality that is behind it, and myths are symbolic descriptions of ultimate reality itself. Some explanation should now be offered to account for the title of this paper: “From Madeira to Venus and Back”. -
THSFICTION0B0 .S. L$W I8 Thesis for The
THSFICTION0B0 .S. L$W I8 ý Thesis for the Degree of :Doctor of philosophy The University of Leeds by Jobs D. Heigh Deoeiaber 1962. i. PON'ACE All the articles on, and references to, Lewis which I have consulted are listed in the Bibliography. As for as I am aware, there has been no previous full-length treatment of Lewis's fiction. the most complete study of his thought known to me is Chad Walsh's C. 9 . Lewis; Apostle to the Skeptics (1949) , which deals, often briefly, with Lewis's fiction, though not, of course, with 'The Chronicles of Narnia' and Till We Have Faces, As indicated at several points in the thesis ,I find myself in general agreement with Chad Walsh, whose book I was not able to utilize until revising my first version. John Wain's recent autobiography, Sprightly Rt iinß (1962), appeared in time for me to quote its account of Lewis's views on romance (Dhopter XIX of this thesis ), but too late for me to supplement my brief description of Levis In life at Oxford (Chapter II of the thesis ). It gives a fascinating account of Lewis and his circle in wartime Oxford. ii. CONTSNTs E°R° Prefsoe i Cue-titles and symbols iv I TIE FORMATIVEMEATS 1 11 TIE YEIºRSOF ACHIEV. NT 20 III THE PILGRIM'S 1ZG&ES8 30 IV THOM 53 V THEOLOGYINTO FICTION 69 VI THE SCMTAPE LETTERS 78 VII TIM GREATDIVOIC$ 95 VIII THE THEOLOGICALROMANE 110 IX TILL WE WE FACES 128 I THEPLANETARY ROMMS 143 II OUT a TIE SILUT P_LANE _T_ 165 X11 PEWELA)F! --- 185 x III $HAT HIDEOUS$T1 TH 216 XIV THE CHILDREN'SFANTASY 241 XV THEWO1LD OF NARNIA 255 XVI OYMBOLICTHEOLOGY 271 XVII THE ETHICS UP MLPLAM3 289 XVIII THE GRAN) WBIGN 306 X31 is IS ANDCONTEMPORARY CRITICISM 325 XZ LEWI8 , YAURIA A* GMKSM 353 X11 CON LUSION 375 iii .