Perelandra Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Perelandra Pdf, Epub, Ebook PERELANDRA PDF, EPUB, EBOOK Lewis | 190 pages | 08 Apr 2003 | SIMON & SCHUSTER | 9780743234917 | English | New York, United States Perelandra PDF Book I re-read this book the second book in the Space Trilogy for at least the second time as the September selection for my Sci-Fi Fantasy Book Club meeting on the evening of September 11, Of the three books in the space trilogy, this one would be my favorite. This particular story also deals so obviously with classic themes and archetypes including good vs evil and other common allegorical explorations of Judeo-Christian philosophy. You might say, if you liked, that the power of choice had been simply set aside and an inflexible destiny substituted for it. T Maybe it's the audio version or maybe it's the timing, but this time around - my 2nd through the book - there are some thoughts that are really connecting at every level, in particular the horror of the Unman and of the Fallen and the understanding of the joy and freedom found in obedience to the one true God. Thus begins a battle between Ransom and the Devil over the soul of the Queen. Teachers and parents! Especially if you love great questions. View all 12 comments. Also read in January of Will Perelandra succumb to this malevolent being, who strives to create a new world order and who must destroy an old and beautiful civilization to do so? Oct 01, Celeste rated it it was amazing Shelves: classics-i-ve-read , christian , sci-fi. Ransom smashes his head with a rock. Sign in. The preface to this story is Ransom telling the character Lewis about his adventures, and I think it kept this tone throughout. Want to Read saving…. There's obviously going to be down time during the plot, or chapters full of only thoughts, or long dragging conversations with no ending. The remainder of the story is told from Ransom's point of view, with Lewis acting as interlocutor and occasional commentator. The sky is full of stunning colors that Ransom has never seen before; exotic trees delight the eye and yield delicious fruit. But on Perelandra, these sensations seem just right. If he were not the ransom, another would be. This book is in my opinion more than simply well written. Lewis was his elder brother] Things are not going so well in places like Ukraine, Syria, Iraq. Both authors give their tempters brilliant speeches with which to seduce their prey. We want you to stop him. Not some of Him in one place and some in another, but in each place the whole Maleldil, even in the smallness beyond though. Librarian Note: There is more than one author in the Goodreads database with this name. Ransom explains to Lewis that he Ransom is to travel to Perelandra Venus , where he is to counter some kind of attack launched by Earth's Black Archon Satan. Not a second crucifixion; perhaps-who knows-not even a second Incarnation Lewis works. Average rating 3. Both Milton and Lewis dwell on what it might be like for men and women to live prior to the fall from grace. Feb 22, Stephen rated it it was amazing Shelves: science-fantasy , audiobook , sf-alien-planets-and-societies , There is an environment of minds as well as of space. In Perelandra it would have no meaning at all. Innocence and Incorruption. This planet is younger than earth, and in terms of spiritual history, the fall of man has not happened. Academia - C. When he arrives, Ransom meets only the Queen, because she and the King have been separated for a time. Lewis had his own ideas. Perelandra Writer This is an allegory of life, and possibly of the nature of God , and alludes to the journey of Dante in the Divine Comedy. Sign up here to see what happened On This Day , every day in your inbox! When they first met, Lewis was a staunc 2. Please help improve this article by adding citations to reliable sources. Full of beautiful descriptions in tightly packed prose, built to hold great philosophical questions, all inside of science-fiction. Just my opinion. And to read Ransom's decision-making process is to read of real spiritual struggle, which I find reassuring somehow. He did have a deal of pluck. This Paradise changes when Professor Weston arrives in a spaceship and lands in a part of the ocean quite close to the Fixed Land. I was deeply impressed by this story and now look forward to reading the last book of the trilogy That Hideous Strength. I do like OOTS. I feel as if I were living in that roofless world of [Earth] where men walk undefended beneath naked heaven. Just a moment while we sign you in to your Goodreads account. Suicides and drug use are on the rise. The fate of Perelandra hangs in the balance The majority of this book is dialogue in which Ransom preaches to you as the reader, or argues with Weston about good and evil, and it makes for some of the weakest presentations of ideas in my opinion that Lewis ever wrote. In quite a different mood we let our minds loose on the possibility of angels, ghosts, fairies, and the like. This is further shown by the strong sensory experiences Ransom undergoes as soon as he surfaces on Perelandra: rich colors, warmth, and quenching waters. Themes All Themes. Namespaces Article Talk. The scenario Lewis posed here is disconcerting on so many levels. Though Ransom isn't quite sure what he's supposed to be doing on this new planet, he soon realizes that his old nemesis Professor Weston has arrived to further his plans of conquering the planets of our solar system in the name of humanity. Inhabited by two analogues of Adam and Eve, living in a state of prelapsarian bliss. But step outside that frame and the distinction drops down into the void, fluttering useless wings. It was something more than a prudent desire to avoid creatures alien in kind, very powerful, and very intelligent. Cite This Page. Lewis ' The Space Trilogy. Finally, he tells Lewis the whole story. Other Editions 1. It just requires a fair bit of work, on my part, to get through. Later in the evening, he sees another of these floating islands and a figure riding a fish. Ransom now realizes that his role is to do what he can do to keep the Enemy from fatally tempting the Lady to break the commandment of Maledil, and that he is the instrument of Maledil to keep the Fall from occuring on this planet of Perelandra. Perelandra Reviews How then do we know of them? As a stand-alone book, I'm afraid I'd definitely leave it at 3 stars—good, but not one I'd probably go back to for multiple reads. The going itself is the path. You do them, indeed, because they are His will, but not only because they are his will. World War II, the loss of almost an entire generation of men in England, the rise of both fascism and communism--I could go on for a while. Peter Schakel Peter J. View 2 comments. Perelandra is the second of C. It is in its way inspired. Well worth the read. In the end, for truth to win over a lie, something extraordinary is necessary. These questions, and others like them, are asked, and answers are hinted at as the book ends with a verbal fugue that would rival the musical fugues of Bach. From the not-quite-right mannerisms to the keen persuasiveness to the sadistic impulse for senselessly maiming and destroying… I was more than unsettled on several occasions. Returning to the surface, Ransom recuperates from his injuries, except for a bite on his heel which continues bleeding for the rest of his life. Eventually, Ransom finds a floating island and rests. Community Reviews. Ransom now realizes that his mission is to do what he can do to keep the Enemy from succeeding in this aim, and that he Ransom is the instrument of Maledil to keep the Fall from occurring on this planet of Perelandra. I don't share your religion, but it's never kept me from enjoying one of your books before. And the plot recreated a rendition of Satan's temptation in the Garden of Eden. Full of beautiful descriptions in tightly packed prose, built to hold great philosophical questions, all inside of science-fiction. And he has very little power to do anything about it. Ransom carves a memorial inscription for Weston, to commemorate his scientific achievements and pioneering space travel, though also recording his surrender to the Devil. The book has a setting that reflects its purpose: long rambling thoughts full of seemingly small questions, like the soft islands gently floating about in an always-changing sea; broad sweeps of description containing tiny bits of detail, like Weston plucking out words to twist them to his purpose while at the same time sweeping aside all else he sees fit. Name the Novelist. One thing I found strange is that, for all Ransom seems very aware of spiritual forces on Thulkandra Earth , he seems almost oblivious to their reality when he is on Perelandra. After this discussion, he seems to be in pain. The next day, Ransom meets her on her island and they talk about the planet and how the woman was looking for the King , rather than Ransom. And then he has to watch as Weston the villain of this story comes in to corrupt her.
Recommended publications
  • Myth in CS Lewis's Perelandra
    Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94
    [Show full text]
  • Joy Davidman Lewis: Author, Editor and Collaborator
    Volume 22 Number 2 Article 3 1998 Joy Davidman Lewis: Author, Editor and Collaborator Diana Pavlac Glyer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Glyer, Diana Pavlac (1998) "Joy Davidman Lewis: Author, Editor and Collaborator," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Biography of Joy Davidman Lewis and her influence on C.S. Lewis. Additional Keywords Davidman, Joy—Biography; Davidman, Joy—Criticism and interpretation; Davidman, Joy—Influence on C.S. Lewis; Davidman, Joy—Religion; Davidman, Joy. Smoke on the Mountain; Lewis, C.S.—Influence of Joy Davidman (Lewis); Lewis, C.S.
    [Show full text]
  • Lehigh Preserve Institutional Repository
    Lehigh Preserve Institutional Repository A Mythical Approach to Christian Orthodoxy: C. S. Lewis's Space Trilogy. Wilson, Sharon Lee 1977 Find more at https://preserve.lib.lehigh.edu/ This document is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. A Mythical Approach to Christian Orthodoxy: C. S. Lewis's Space Trilogy by Sharon Lee Wilson A Thesis Presented to the Graduate Committee of Lehigh University in Candidacy for the Degree of Master of Arts in English Lehigh University 1977 ProQuest Number: EP76550 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest EP76550 Published by ProQuest LLC (2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 This thesis is accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts in English. December 6, 1977 (date) Cnairman of the Department 11 Table of Contents Page Abstract 1 I Myth: Lewis's Stronghold 3 II The Literary Qualities of Myth 9 III The Spiritual Implication of Myth 17 IV Lewis's Myth of "Deep Heaven" 24 v Out of .the Silent Planet: Ransom Steps Into The Myth 33 VI Perelandra: The Battle Begins 43 VII That Hideous Strength: A New Beginning 52 Bibliography 63 in A Mythical Approach to Christian Orthodoxy: C.S.
    [Show full text]
  • An Introduction to C. S. Lewis
    An Introduction to C. S. Lewis Clive Staples Lewis—C. S. Lewis to many readers—was born in Belfast, Ireland, on November 29, 1898. His parents were Albert James Lewis, a solicitor, and Florence Augusta Lewis. Lewis had one brother, Warren Hamilton Lewis, with whom he remained close for all of his life. Lewis read widely as a child, but dearly enjoyed stories about animals and nature, a theme which resurfaced in his later work The Chronicles of Narnia. Lewis and his brother Warren even created an imaginary world called Boxen in which animals lived and talked together. Coupled with Lewis’ love of creating worlds filled with anthropomorphic animals and lively natural settings was his love for ancient literature, including the epic sagas of Iceland, Norse mythology, and Greek and Medieval literature. Readers familiar with his work will recognize how these these genres and themes influenced the trajectory of his life’s work. In his early years of education, Lewis attended several private preparatory schools in Britain, including Wynyard School in Hertfordshire (1908), Campbell College in Belfast (1910), and Cherbourg House at Malvern, Worcestershire (1911). Due to poor health, though, he never remained at these schools for long. It was during his time in Worcestershire that Lewis pronounced himself an atheist, a belief he held onto until 1929 when he became a theist and then a Christian. In December 1916, Lewis received a scholarship to study at University College, Oxford. His life of academic study took a tremendous turn, however, for in 1917 Lewis enlisted in the British Army. After training, Lewis attained the rank of Second Lieutenant with the Third Battalion of the Somerset Light Infantry.
    [Show full text]
  • A Study in CS Lewis by Grant Waldron
    Teaching Truth Through Fiction: A Study in C.S. Lewis By Grant Waldron A thesis presented to the Honors College of Middle Tennessee State University in partial fulfillment of the requirements for education from the University Honors College Fall 2019 Teaching Truth Through Fiction: A Study in C.S. Lewis by Grant Waldron APPROVED: ____________________________ Dr. Joan McRae Department of World Languages, Literature, and Culture __________________________________________ Dr. Rebekka King Department of Philosophy and Religious Studies ___________________________ Dr. Philip E. Phillips, Associate Dean University Honors College ii Abstract This thesis aims to introduce the key themes present in C.S. Lewis’s fiction. Throughout his works, he sought to teach his readers, whether that be through his non-fiction, his fiction, his poetry, his letters, or his life. There are five truths that Lewis commonly exhibits in each of his fictional works. These can be traced through his characters, plot, setting, and conversations in novels and other works of creative fiction. By using his non-fiction to trace these truths in his fiction, we see Lewis’s masterful art of storytelling and teaching unfold. iii Table of Contents Abstract……………………………………………………………………………………………iii Introduction………………………………………………………………………………………..1 Chapter I: Humans are Amphibians: more than matter……………………………………………7 Chapter II: Sehnsucht (longing or joy)……………………………………………………………15 Chapter III: Men and Women are Beautifully Different………………………………………….22 Chapter IV: Look Up, Not Straight Ahead……………………………………………………….30 Chapter V: Together We Stand, Alone We Fall………………………………………………….40 Conclusion………………………………………………………………………………………..46 Works Cited………………………………………………………………………………………48 iv Introduction The art of the story is one often used as an effective way of teaching. Stories allow readers to participate vicariously in imaginary or inaccessible worlds.
    [Show full text]
  • The Mythology of <I>Perelandra</I>
    Volume 2 Number 1 Article 9 12-15-1970 The Mythology of Perelandra Margaret Hannay Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hannay, Margaret (1970) "The Mythology of Perelandra," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 2 : No. 1 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol2/iss1/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the mythology of Lewis’s Perelandra, finding its sources primarily in the Bible, with a few classical allusions. Additional Keywords Bible in literature; Lewis, C.S. Perelandra—Sources, Biblical; Lewis, C.S. Perelandra—Sources, Classical; Lewis, C.S. Perelandra—Symbolism This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S.
    [Show full text]
  • Perelandra Study Guide
    Perelandra Study Guide by Michael S. Gilleland For the novel by C. S. Lewis CD Version Grades 9–12 Reproducible Pages #404 Limited permission to reproduce this study guide. Purchase of this study guide entitles an individual teacher to reproduce pages for use in the classroom or home. Multiple teachers may not reproduce pages from the same study guide. Sale of any printed copy from this CD is strictly and specifically prohibited. Perelandra Study Guide A Progeny Press Study by Michael Gilleland with Andrew Clausen Copyright © 1993 Progeny Press All rights reserved. Reproduction or translation of any part of this work beyond that permitted by Section 107 or 108 of the 1976 United States Copyright Act without the written permission of the copyright owner is unlawful. Requests for permission or other information should be addressed to Reprint Permissions, Progeny Press, PO Box 100, Fall Creek, WI 54742-0100. www.progenypress.com Printed in the United States of America. ISBN 978-1-58609-378-5 Book 978-1-58609-252-8 CD 978-1-58609-470-6 Set 2 © 1993 Progeny Press No copy of this study guide may be resold. Perelandra Study Guide Table of Contents Note to Instructor......................................................................................................4 Synopsis.....................................................................................................................5 Background Information ...........................................................................................6 Synopsis of Out of the Silent Planet.............................................................................7
    [Show full text]
  • The Chronicles of Narnia: the Exhibition Using C.S
    Inklings Forever Volume 7 A Collection of Essays Presented at the Seventh Frances White Ewbank Colloquium on C.S. Article 26 Lewis & Friends 6-3-2010 The hrC onicles of Narnia: The Exhibition - Using C.S. Lewis to Promote Science and the Movies Woody Wendling Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Wendling, Woody (2010) "The hrC onicles of Narnia: The Exhibition - Using C.S. Lewis to Promote Science and the Movies," Inklings Forever: Vol. 7 , Article 26. Available at: https://pillars.taylor.edu/inklings_forever/vol7/iss1/26 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume VII A Collection of Essays Presented at the Seventh FRANCES WHITE COLLOQUIUM on C.S. LEWIS & FRIENDS Taylor University 2010 Upland, Indiana The Chronicles of Narnia: The Exhibition Using C.S. Lewis to Promote Science and the Movies Woody Wendling The Chronicles of Narnia: The Exhibition is a touring exhibit of scenes, props, and costumes from the first two Narnia movies. The Exhibition has appeared in science museums throughout the United States. It is natural to link Narnia and science, as C.S. Lewis also wrote science fiction (the Ransom space trilogy) and critiqued scientism.
    [Show full text]
  • CS Lewis on the Final Frontier: Science and the Supernatural in The
    Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2011 Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review Gary L. Tandy George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, British Isles Commons Recommended Citation Tandy, Gary L., "Schwartz's "C.S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy" - Book Review" (2011). Faculty Publications - Department of English. Paper 6. http://digitalcommons.georgefox.edu/eng_fac/6 This Book Review is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. C. S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy. By Sanford Schwartz. New York: Oxford University Press, 2009. ISBN 978- 0-19-537472-8. Pp. 240. $27.95; In C. S. Lewis on the Final Frontier, Sanford Schwartz presents a bold and intriguing thesis that, if accepted, will alter significantly the way we read Lewis' space trilogy. In fact, his book attempts to do for the Trilogy what Michael Ward's recent Planet Narnia (Oxford University Press, 2008) did for the Chronicles: Schwartz claims to have discovered an underlying unity in the series unnoticed by previous scholars.
    [Show full text]
  • The Animal Kingdom According to CS Lewis
    Volume 22 Number 2 Article 2 1998 Hrossa, Pigs, and Teddy Bears: The Animal Kingdom According to C.S. Lewis Doris T. Myers Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Myers, Doris T. (1998) "Hrossa, Pigs, and Teddy Bears: The Animal Kingdom According to C.S. Lewis," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 22 : No. 2 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol22/iss2/2 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Guest of Honor Address at Mythcon in 1996. “Lewis in relation to animals and the ethical questions they present.” Additional Keywords Animals—Ethical aspects; Animals—Religious aspects; Animals—Symbolism; Animals in C.S. Lewis; Lewis, C.S.
    [Show full text]
  • And Fantasy with Non-Serious Fiction. CS Lewis (1898-1963) Does N
    Maria Luísa Franco de Oliveira Falcão University of Lisbon, Centre for English Studies From Madeira to Venus and Back It may be a temptation to equate realism with ‘serious’, and fantasy with non-serious fiction. C.S. Lewis (1898-1963) does not ignore this frontier, but in some of his books he wants to experiment and find out what things that are important to him look like if you try peering through the other end of the looking glass. This is what he calls “supposal” or alternative story. In a supposal, fictional characters become real within the imaginary world; they are not an artful imitation but the genuine article. In Voyage to Venus, the contours of the plot are known to all of us. However, the farfetchedness of the narrative and the strikingly genuine characters sharpen our perspective and make us reconsider this familiar scene with new eyes. To start with, we must bear in mind that C.S. Lewis is a Platonist and a Christian. Both Plato’s allegories and the Book of Genesis imply that, due to a breach in a previous state of harmony, the truth we apprehend is now limited to a distant recollection of the “The Forms” or a pale copy of the “Real”. It has therefore become of the utmost importance to recover man’s unified knowledge in order to discern the symbolic meaning our concrete reality has retained. For Lewis, symbol puts the reader in touch with the reality that is behind it, and myths are symbolic descriptions of ultimate reality itself. Some explanation should now be offered to account for the title of this paper: “From Madeira to Venus and Back”.
    [Show full text]
  • THSFICTION0B0 .S. L$W I8 Thesis for The
    THSFICTION0B0 .S. L$W I8 ý Thesis for the Degree of :Doctor of philosophy The University of Leeds by Jobs D. Heigh Deoeiaber 1962. i. PON'ACE All the articles on, and references to, Lewis which I have consulted are listed in the Bibliography. As for as I am aware, there has been no previous full-length treatment of Lewis's fiction. the most complete study of his thought known to me is Chad Walsh's C. 9 . Lewis; Apostle to the Skeptics (1949) , which deals, often briefly, with Lewis's fiction, though not, of course, with 'The Chronicles of Narnia' and Till We Have Faces, As indicated at several points in the thesis ,I find myself in general agreement with Chad Walsh, whose book I was not able to utilize until revising my first version. John Wain's recent autobiography, Sprightly Rt iinß (1962), appeared in time for me to quote its account of Lewis's views on romance (Dhopter XIX of this thesis ), but too late for me to supplement my brief description of Levis In life at Oxford (Chapter II of the thesis ). It gives a fascinating account of Lewis and his circle in wartime Oxford. ii. CONTSNTs E°R° Prefsoe i Cue-titles and symbols iv I TIE FORMATIVEMEATS 1 11 TIE YEIºRSOF ACHIEV. NT 20 III THE PILGRIM'S 1ZG&ES8 30 IV THOM 53 V THEOLOGYINTO FICTION 69 VI THE SCMTAPE LETTERS 78 VII TIM GREATDIVOIC$ 95 VIII THE THEOLOGICALROMANE 110 IX TILL WE WE FACES 128 I THEPLANETARY ROMMS 143 II OUT a TIE SILUT P_LANE _T_ 165 X11 PEWELA)F! --- 185 x III $HAT HIDEOUS$T1 TH 216 XIV THE CHILDREN'SFANTASY 241 XV THEWO1LD OF NARNIA 255 XVI OYMBOLICTHEOLOGY 271 XVII THE ETHICS UP MLPLAM3 289 XVIII THE GRAN) WBIGN 306 X31 is IS ANDCONTEMPORARY CRITICISM 325 XZ LEWI8 , YAURIA A* GMKSM 353 X11 CON LUSION 375 iii .
    [Show full text]