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Congress in the Mass Media: How the West Wing and Traditional Journalism Frame Congressional Power ______
CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER _______________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri – Columbia _______________________________________________________ In Partial Fulfillment Of the Requirement for the Degree Master of Arts _______________________________________________________ by CASSANDRA BELEK Dr. Lee Wilkins, Thesis Supervisor MAY 2010 1 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER presented by Cassandra Belek, a candidate for the degree of master of journalism, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________ Professor Lee Wilkins ____________________________________________________ Professor Jennifer Rowe ____________________________________________________ Professor Sandra Davidson ____________________________________________________ Professor Marvin Overby DEDICATION To everyone who has given me an education. To my parents, Joe and Katie, who sacrificed so much to ensure that my brother and I had the best educations possible. They taught me more than I can fit on this page. To my big brother Joey, who taught me about sports and ’90s rap music. To my Belek and Lankas extended families, who taught me where I come from and support me in where I am going. To all my teachers and professors—the good, the bad, and the awesome—at Holy Spirit Catholic School, St. Thomas Aquinas High School, the University of Notre Dame, and the University of Missouri. To Professor Christine Becker of the University of Notre Dame, who taught me it is okay to love television and whose mentorship continued even after I left the Dome. -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
Animating Race the Production and Ascription of Asian-Ness in the Animation of Avatar: the Last Airbender and the Legend of Korra
Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism. -
2D Animation Software You’Ll Ever Need
The 5 Types of Animation – A Beginner’s Guide What Is This Guide About? The purpose of this guide is to, well, guide you through the intricacies of becoming an animator. This guide is not about leaning how to animate, but only to breakdown the five different types (or genres) of animation available to you, and what you’ll need to start animating. Best software, best schools, and more. Styles covered: 1. Traditional animation 2. 2D Vector based animation 3. 3D computer animation 4. Motion graphics 5. Stop motion I hope that reading this will push you to take the first step in pursuing your dream of making animation. No more excuses. All you need to know is right here. Traditional Animator (2D, Cel, Hand Drawn) Traditional animation, sometimes referred to as cel animation, is one of the older forms of animation, in it the animator draws every frame to create the animation sequence. Just like they used to do in the old days of Disney. If you’ve ever had one of those flip-books when you were a kid, you’ll know what I mean. Sequential drawings screened quickly one after another create the illusion of movement. “There’s always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation.”Matt Groening About Traditional Animation In traditional animation, animators will draw images on a transparent piece of paper fitted on a peg using a colored pencil, one frame at the time. Animators will usually do test animations with very rough characters to see how many frames they would need to draw for the action to be properly perceived. -
THE WEST WING by ANINDITA BISWAS
UNWRAPPING THE WINGS OF THE TELEVISION SHOW: THE WEST WING By ANINDITA BISWAS A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Communication December 2008 Winston-Salem, North Carolina Approved By: Mary M. Dalton, Ph.D., Advisor ____________________________________ Examining Committee: Allan Louden, Ph.D., ____________________________________ Wanda Balzano, Ph.D., _____________________________________ Acknowledgments Whatever I have achieved till now has been possible with the efforts, guidance, and wisdom of all those who have filled my life with their presence and will continue to do so in all my future endeavors. Dr.Mary Dalton : My advisor, an excellent academician, and the best teacher I have had to date. Thank you for encouraging me when I was losing my intellectual thinking. Thanks you for those long afternoon conversations/thesis meetings in your office, which always made me, feel better. Last, but not the least, thank you for baking the most wonderful cookies I have had till now. I have no words to describe how much your encouragement and criticism has enriched my life in the last two years. Dr. Allan Louden: Thank you for helping me get rid of my I-am-scared-of-Dr.Louden feeling. I have enjoyed all the conversations we had, loved all the books you recommended me to read, and enjoyed my foray into political communication, all because of you! Dr. Wanda Balzano : Thanks for all the constructive criticism and guidance that you have provided throughout this project. Dr. Ananda Mitra and Swati Basu: Thanks for all the encouragement, support, and motivation that helped me pull through the last two years of my stay in this country. -
The West Wing
38/ Pere Antoni Pons The everydayness of power The West Wing If the effect is the same as what happens with me, after seeing any average-quality chapter of The West Wing (1999-2006) the reader-spectator will think he or she is witnessing an incontrovertible landmark in the latest phase of audiovisual narrative. After viewing one of the more dazzling, memorable episodes, he or she will not hesitate to believe that this is to behold one of the major, most perfect intellectual and artistic events of the early twenty-first century, comparable —not only in creative virtuosity but also in meaning, magnitude and scope— with Michelangelo’s Sistine Chapel, Shakespeare’s tragedies, Balzac’s The Human Comedy, or the complete recordings of Bob Dylan. Over the top? Even with more rotund words, it would be no exaggeration. Nowadays, nobody can ignore the fact that a colossal explosion in quality has happened over the last decade in the universe of American TV series. The old idea according to which the hapless professionals —scriptwriters, actors and directors— the ones who lack the luck or talent to carve out a niche in Hollywood or to triumph in the world of cinema, have to work in television has now been so thoroughly debunked that it even seems to have been turned on its head. Thanks to titles like The Sopranos, Capo 35 Ample front (Capo 35 Broad forehead), Miquel Barceló (2009). Ceramic, 22,5 x 19 x 25 cm 39 40/41 II The everydayness of power: The West Wing Pere Antoni Pons Lost, and The Wire, no one doubts any more that TV series can be as well filmed, as well written and as well acted as any masterpiece of the big screen. -
Hit Cartoon: Avatar: the Last Airbender
Bowens 1 Emily Bowens ([email protected]) Dr. O’Donnell Engl. 3130 12/2/20 More Than a Kid’s Show: A Review of Nickelodeon’s Hit Cartoon: Avatar: The Last Airbender Gene, Yang Avatar: The Last Airbender - The Promise Part 1 Cover) Fifteen years after its original air date, Avatar: The Last Airbender has succeeded in becoming ingrained in pop culture with a recent revival just earlier this year. Put your misjudgments about kid’s shows aside and become captivated by a powerful and mesmerizing story about war, violence, and the power of redemption. Bowens 2 A Reintroduction Show Title: Avatar: The Last At a time when all seemed wrong with the world, and anxiety was Airbender setting in after being in lockdown for two months in a Covid-ridden world, a Premiere Date: February 21, 2005 End Date: July,19 2008 guardian angel in the form of Netflix released the news that its streaming Rating: TV-7 service would be releasing Nickelodeon’s Avatar: The Last Airbender on Genre: Animation, Adventure, and May, 15 2020. So my boyfriend and I prepared to binge watch one of the Action most important shows from our childhood to bring back memories and cure Episodes: 61 our quarantine boredom. You may be wondering to yourself, why would Seasons: 3 you guys be so excited about a kid’s show that premiered fifteen years ago? Total Airtime: 1464 minutes You see, Avatar: The Last Airbender is a show that you can keep watching Creators: Michael Dante over and over again and keep finding new meaning every time. -
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Jean, Shoes Processing,Repairing Machine, manufacturers asia china taiwan --Jean, Shoes Processing,Repairing Machine manufacturer Jean, Shoes Processing,Repairing Machine provided by asia China manufacturer taiwan supplier - www.urban4wholesaler.comPre Order Alternate 89 4s,Air Jordan Retro 4 Alternate 89 For Sale $189 Outlet Online Size 7--Pre Order Alternate 89 4s,Air Jordan Retro 4 Alternate 89 For Sale $189 Outlet Online Size 7 Theres no way, Every day youre out there getting a chance to work at your dream job and you do it in front of your city and family and friends. "[If] theyre guilty of anything theyre guilty of arrogance because they were told not to do something but it was something everybody does.PITTSBURGH -- Bill Cowher has a message for fans who think their team was cheated out of a trip to the Super Bowl 10 years ago: Get over it they could make a quick move to sign . the 49ers have 14 picks in this year's draft and what could end up being an extra second-rounder next year from the trade. Taking those kind of hits out of the game,AIM founder Clyde Bellecourt said there will be hundreds of people protesting Nov. the authority's lawyer, 12.Here are the ' snap counts against the : OFFENSE (Based on 85 snaps) Quarterback: 85 So I asked a few players if Rivera appeared more upset than normal to them as he delivered his state-of-the-team address." to being good. where the Titans were regularly among the league's best defenses. Fisher hired Williams as his defensive coordinator. -
AP Government Summer Assignment AP U.S
AP Government Summer Assignment AP U.S. Government and Politics 2017-2018 Summer Assignment PART 1 Answer the US Constitution study questions after having read the US Constitution. Use the link at bottom of assignment in order to see a copy of the Constitution. · All responses must be handwritten. No typed work will be accepted. · All responses should take the form of grammatically-correct sentences that express complete thoughts reflective of an AP student’s writing and reasoning ability. · Write your name on the upper right corner of each paper and staple papers in order. PART 2 - Watch the first five episodes of the first season of The West Wing. (required) Episode 1: The Pilot Episode 2: Post Hoc, Ergo Propter Hoc Episode 3: A Proportional Response Episode 4: Five Votes Down Episode 5: The Crackpots and These Women The West Wing is available through stream on Netflix, for purchase on Amazon, YouTube, and iTunes, and probably for check out at a Fairfax County public library. - Read the West Wing character guide to become more familiar with the main characters and their roles. - List each of the first five episodes and include constitutional articles, clauses, and sections most relevant to each episode. o Example: Episode 9: The Short List – Article 2, Section 2, Clause 2 dealing with the President’s power to appoint federal judges including the U.S. Supreme Court and seeking the advice and consent of the U.S. Senate for judicial appointments. o Example: Episode 11: Lord John Marbury – Article 2, Section 3, Clause 4 dealing with the President’s responsibility in receiving ambassadors and Article 2, Section 2, Clause 1 dealing with the President’s role as Commander-in-Chief. -
“Manchester, Part II” Guest: Connie Britton JOSH: Hey There!
The West Wing Weekly 3.02: “Manchester, Part II” Guest: Connie Britton JOSH: Hey there! I’m – [Laughter] JOSH: I’m trying to add my own twist to it. HRISHI: Go ahead! You do you. [Intro Music] JOSH: Well, hey there! You’re listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: Today we’re talking about season three, episode two – Manchester Part 2. It was written by Aaron Sorkin. It was directed by Tommy Schlamme – same as Part 1. And this one aired first on October 17th 2001. HRISHI: Coming up later in this episode, we’ll be joined by Connie Britton, who played Connie Tate in this episode. Here’s a synopsis. JOSH: Or a hrynopsis. Why won’t you embrace it? Is it because you’re modest? HRISHI: I don’t know… It’s – JOSH: [cross talk] It’s a hrynopsis. With an ‘h’. HRISHI: It’s silly for me to say something that includes my own name. It’s like talking about myself in the third person. That would be weird. JOSH: You know who likes to do that? Joshua Malina. HRISHI: [laughs] I knew it! I saw it coming! JOSH: That’s the beauty about the way West Wing stays one step ahead of the viewer. I like to telegraph where I’m going with my dad jokes. It’s different. They balance each other out. HRISHI: [laughs] It’s nice. It’s good to give the listener a sense of predictability. JOSH: There you go. HRISHI: Alright, here’s a synopsis. -
Playing the House of Cards Game: How Political TV Series Increase Cynicism
Playing the House of Cards game: How political TV series increase cynicism Alexandra Manoliu Not to be cited Abstract In this article I propose a potential explanation for why political TV series (non-news media) may have an impact on people's opinions, especially on political cynicism. People may watch political series for entertainment, but unconsciously they make comparisons to real life events and individuals, which will affect their beliefs. Based on data gathered from an experiment including two of the most popular series of this kind, results seem to show asymmetric effects: people perceive this genre depending on their content. They attach a much higher degree of realism to characters and events portrayed in a negative series (House of Cards) than to those portrayed in a more positive way (The West Wing). Results also indicate that people are more influenced in their cynical opinions by the negative events than the negative characters. 1.1. Political cynicism "Researchers concur that Americans grow more cynical with every new generation" (Pompper 2003: 17) and this cynicism also known as "political malaise" is frequently associated with the media. Political cynicism refers to a lack of confidence, disapproval of politicians and politics (Erber & Lau 1990), to failed expectations citizens experience with politics (Miller 1974) or even a general feeling of mistrust towards politics which tends to "corrupt" the people who participate at it (Cappella & Jamieson 1997). The media is considered to be a factor in analyzing political cynicism, although it falls in the middle of a debate about its role and impact. On one side there are scholars warning about the existence of a "spiral of cynicism" (Cappella & Jamieson 1997), and the language the media adopts to talk about politics and politicians which uses strategic frames and emphasizes a negative tone, with war and sport metaphores (Ansolabehere & Iyengar 1995) has a negative impact on people's perceptions about politics. -
Dialogue: the Interdisciplinary Journal of Popular Culture and Pedagogy Volume 2, Issue 1 | Spring 2015 |
!e Interdisciplinary Journal of Popular Culture and Pedagogy Traversing Realities: Genres, Histories, and Politics in Popular Culture Volume 2, Issue 1 | Spring 2015 | www.journaldialogue.org Traversing Realities: Genres, Histories, and Politics in Popular Culture Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy Volume 2, Issue 1 | Spring 2015 | www.Journaldialogue.org INTRODUCTION AND SCOPE Dialogue: !e Interdisciplinary Journal of Popular Culture and Pedagogy is the !rst open access, peer reviewed journal focused on the intersection of popular culture and pedagogy. While some open access journals charge a publication fee for authors to submit, Dialogue is committed to creating and maintaining a scholarly journal that is accessible to all —meaning that there is no charge for either the author or the reader. "e Journal is interested in contributions that o#er theoretical, practical, pedagogical, and historical examinations of popular culture, including interdisciplinary discussions and those which examine the connections between American and international cultures. In addition to analyses provided by contributed articles, the Journal also encourages submissions for guest editions, interviews, and reviews of books, !lms, conferences, music, and technology. We are excited about this new development in the studies of Popular Culture, and we look forward to your potential participation in this venture. For more information and to submit manuscripts, email Lynnea Chapman King, Editor in Chief, or A. S. CohenMiller, Managing Editor, at [email protected]. All papers in Dialogue: !e Interdisciplinary Journal of Popular Culture and Pedagogy are published under a Creative Commons Attribution-Non-Commercial-Share- Alike License. For details please go to: http://creativecommons.org/licenses/by-nc-sa/3.0/us/.