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Correspondences – Jean Sibelius in a Forest of Image and Myth // Anna-Maria Von Bonsdorff --- FNG Research Issue No
Issue No. 6/20161/2017 CorrespondencesNordic Art History in – the Making: Carl Gustaf JeanEstlander Sibelius and in Tidskrift a Forest för of Bildande Image and Konst Myth och Konstindustri 1875–1876 Anna-Maria von Bonsdorff SusannaPhD, Chief Pettersson Curator, //Finnish PhD, NationalDirector, Gallery,Ateneum Ateneum Art Museum, Art Museum Finnish National Gallery First published in RenjaHanna-Leena Suominen-Kokkonen Paloposki (ed.), (ed.), Sibelius The Challenges and the World of Biographical of Art. Ateneum ResearchPublications in ArtVol. History 70. Helsinki: Today Finnish. Taidehistoriallisia National Gallery tutkimuksia / Ateneum (Studies Art inMuseum, Art History) 2014, 46. Helsinki:81–127. Taidehistorian seura (The Society for Art History in Finland), 64–73, 2013 __________ … “så länge vi på vår sida göra allt hvad i vår magt står – den mår vara hur ringa Thankssom to his helst friends – för in att the skapa arts the ett idea konstorgan, of a young värdigt Jean Sibeliusvårt lands who och was vår the tids composer- fordringar. genius Stockholmof his age developed i December rapidly. 1874. Redaktionen”The figure that. (‘… was as createdlong as wewas do emphatically everything we anguished, can reflective– however and profound. little that On maythe beother – to hand,create pictures an art bodyof Sibelius that is showworth us the a fashionable, claims of our 1 recklesscountries and modern and ofinternational our time. From bohemian, the Editorial whose staff, personality Stockholm, inspired December artists to1874.’) create cartoons and caricatures. Among his many portraitists were the young Akseli Gallen-Kallela1 and the more experienced Albert Edelfelt. They tended to emphasise Sibelius’s high forehead, assertiveThese words hair were and addressedpiercing eyes, to the as readersif calling of attention the first issue to ofhow the this brand charismatic new art journal person created compositionsTidskrift för bildande in his headkonst andoch thenkonstindustri wrote them (Journal down, of Finein their Arts entirety, and Arts andas the Crafts) score. -
2006 Spring Bridge
fter finishing high school in Embarrass, Minnesota, Pastor Melvin Johnson enrolled Aat Suomi College and achieved an Associate of Arts degree. “I owe Finlandia, then Suomi College, a significant measure of gratitude for jump-starting a mediocre high school academic interest into a serious pursuit of quality education,” Pastor Johnson notes. “All credits earned from Suomi College transferred when I enrolled at the University of Minnesota Duluth,” where the Pastor graduated with honors and received a Bachelor of Arts degree in English literature. Pastor Johnson’s post-graduate studies began with enrollment at Northwestern Lutheran Theological Seminary in Minneapolis, Minnesota. Upon graduation with Master of Divinity honors, his first parish was a three-point parish in northeastern Help Continue Minnesota. “A course in Finnish grammar at Suomi the dream of excellence proved to be very beneficial because pastoral Finnish ministry was essential in each congregation,” the Pastor affirms. Following calls to Gethsemane “As a pastor I want to emphasize that all Lutheran in Virginia, Minnesota, and Concordia possessions, whatever the estate value, Lutheran Church in Duluth, Pastor Johnson was are God’s gift of grace for personal well called back to Virginia as Senior Pastor where he being and service to others. Finlandia held the position for fourteen years. donors are encouraged to include in their legacy planning a gift to Finlandia Approached by the Lutheran Church in America and its endowment to further the in 1983, Pastor Johnson accepted a call to serve as mission and ministry of a dream Associate Director for Major Cash Gifts. Five years initiated over 100 years ago by later, with the formation of the Evangelical motivated immigrants. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Sunday 5 February 2017 7pm Barbican Hall LSO ARTIST PORTRAIT: JANINE JANSEN Sibelius The Oceanides Bernstein Serenade INTERVAL Nielsen Symphony No 4 London’s Symphony Orchestra (‘The Inextinguishable’) Sir Antonio Pappano conductor Janine Jansen violin Concert finishes approx 8.55pm Filmed and broadcast live by Mezzo 2 Welcome 5 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, LSO 2017/18 SEASON NOW ON SALE which marks the start of this season’s Artist Portrait series, focusing on violin soloist Janine Jansen. The LSO’s inaugural season with Sir Simon Rattle as Music Director is now on sale. Beginning with a ten- The LSO has performed with Janine Jansen regularly day celebration to welcome him in September, the for many years all over the world, and she is a season features concerts to mark 100 years since favourite with our audiences and with the musicians the birth of Bernstein and 100 years since the death of the Orchestra. Across three concerts we will of Debussy, world premieres from British composers, hear her perform a wide range of repertoire, from the beginning of a Shostakovich symphonies cycle, Bernstein’s Serenade tonight to Brahms’ Violin and a performance of Stockhausen’s Gruppen in the Concerto in March, and finally the Berg Violin Concerto Turbine Hall at Tate Modern. in April, showing the many different sides of her celebrated artistry. alwaysmoving.lso.co.uk This evening’s programme is conducted by another good friend of the LSO, Sir Antonio Pappano. -
KONSERTTIELÄMÄ HELSINGISSÄ SOTAVUOSINA 1939–1944 Musiikkielämän Tarjonta, Haasteet Ja Merkitys Poikkeusoloissa
KONSERTTIELÄMÄ HELSINGISSÄ SOTAVUOSINA 1939–1944 Musiikkielämän tarjonta, haasteet ja merkitys poikkeusoloissa Susanna Lehtinen Pro gradu -tutkielma Musiikkitiede Filosofian, historian ja taiteiden tutkimuksen osasto Humanistinen tiedekunta Helsingin yliopisto Lokakuu 2020 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Humanistinen tiedekunta / Filosofian, historian ja taiteiden tutkimuksen osasto Tekijä – Författare – Author Susanna Lehtinen Työn nimi – Arbetets titel – Title Konserttielämä Helsingissä sotavuosina 1939–1944. Musiikkielämän tarjonta, haasteet ja merkitys poikkeusoloissa. Oppiaine – Läroämne – Subject Musiikkitiede Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma Lokakuu 2020 117 + Liitteet Tiivistelmä – Referat – Abstract Tässä tutkimuksessa kartoitetaan elävä taidemusiikin konserttitoiminta Helsingissä sotavuosina 1939–1944 eli talvisodan, välirauhan ja jatkosodan ajalta. Tällaista kattavaa musiikkikentän kartoitusta tuolta ajalta ei ole aiemmin tehty. Olennainen tutkimuskysymys on sota-ajan aiheuttamien haasteiden kartoitus. Tutkimalla sotavuosien musiikkielämän ohjelmistopolitiikkaa ja vastaanottoa haetaan vastauksia siihen, miten sota-aika on heijastunut konserteissa ja niiden ohjelmistoissa ja miten merkitykselliseksi yleisö on elävän musiikkielämän kokenut. Tutkimuksen viitekehys on historiallinen. Aineisto on kerätty arkistotutkimuksen menetelmin ja useita eri lähteitä vertailemalla on pyritty mahdollisimman kattavaan kokonaisuuteen. Tutkittava -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
Sibelius the Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Mp3, Flac, Wma
Sibelius The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Tempest: Incidental Music/Finlandia/Karelia Suite - Intermezzo & Alla Marcia/Scenes Historiques/Festivo Country: Europe Released: 1990 Style: Romantic MP3 version RAR size: 1802 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1218 mb Rating: 4.8 Votes: 236 Other Formats: MIDI AIFF DMF RA MP3 DTS MP2 Tracklist Hide Credits The Tempest: Incidental Music Op. 109b & C Orchestra – The Royal Philharmonic Orchestra 1 Caliban's Song 1:21 2 The Oak Tree 2:45 3 Humoresque 1:07 4 Canon 1:32 5 Scene 1:29 6 Berceuse 2:30 7 Chorus Of The Winds 3:24 8 Intermezzo 2:21 9 Dance of the Nymphs 2:11 10 Prospero 1:51 11 Second Song 1:00 12 Miranda 2:23 13 The Naiads 1:11 14 The Tempest 4:06 Festivo, Op. 25, No. 3 (from Scenes Historiques, 1) 15 7:45 Orchestra – The Royal Philharmonic Orchestra Scenes Historiques, 2 Engineer – Arthur ClarkOrchestra – The Royal Philharmonic Orchestra 16 The Chase, Op. 66 No. 1 6:34 17 Love Song, Op. 66 No. 2 4:56 18 At The Drawbridge, Op. No. 3 6:48 Karelia Suite Orchestra – BBC Symphony Orchestra 19 Intermezzo, Op. 11 No. 1 3:00 20 Alla Marcia, Op. 11 No. 3 4:32 Finlandia-Symphonic Poem Op. 26 21 Engineer – Arthur Clark*Orchestra – The London 8:54 Philharmonic OrchestraProducer – Walter Legge Credits Composed By – Jean Sibelius Conductor – Sir Thomas Beecham Cover – John Marsh Design Associates Remastered By [Digitally Remastered By] – John Holland Notes Tracks 1-14 - The copyright in these sound recordings is owned by CBS Records Inc, p)1956. -
Scaramouche and the Commedia Dell'arte
Scaramouche Sibelius’s horror story Eija Kurki © Finnish National Opera and Ballet archives / Tenhovaara Scaramouche. Ballet in 3 scenes; libr. Paul [!] Knudsen; mus. Sibelius; ch. Emilie Walbom. Prod. 12 May 1922, Royal Dan. B., CopenhaGen. The b. tells of a demonic fiddler who seduces an aristocratic lady; afterwards she sees no alternative to killinG him, but she is so haunted by his melody that she dances herself to death. Sibelius composed this, his only b. score, in 1913. Later versions by Lemanis in Riga (1936), R. HiGhtower for de Cuevas B. (1951), and Irja Koskkinen [!] in Helsinki (1955). This is the description of Sibelius’s Scaramouche, Op. 71, in The Concise Oxford Dictionary of Ballet. Initially, however, Sibelius’s Scaramouche was not a ballet but a pantomime. It was completed in 1913, to a Danish text of the same name by Poul Knudsen, with the subtitle ‘Tragic Pantomime’. The title of the work refers to Italian theatre, to the commedia dell’arte Scaramuccia character. Although the title of the work is Scaramouche, its main character is the female dancing role Blondelaine. After Scaramouche was completed, it was then more or less forgotten until it was published five years later, whereupon plans for a performance were constantly being made until it was eventually premièred in 1922. Performances of Scaramouche have 1 attracted little attention, and also Sibelius’s music has remained unknown. It did not become more widely known until the 1990s, when the first full-length recording of this remarkable composition – lasting more than an hour – appeared. Previous research There is very little previous research on Sibelius’s Scaramouche. -
Osmo Vänskä, Conductor Augustin Hadelich, Violin
Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition. -
2005 Summer Bridge
he Sibelius Academy, located in Helsinki, Finland, was founded in T1882. The Academy is named for the internationally renowned and loved Finnish composer Jean Sibelius. As a state music academy, the Sibelius Academy enjoys university status and is an integral part of the system of higher education in Finland. It is the only university of music in Finland, and the largest in Scandinavia. World-class student musicians from the prestigious music academy are invited annually by Finlandia University to present a series of outstanding public performances. This year, three consecutive evening concerts will be presented at the historic Calumet Theatre; an additional festival concert will be presented at the Holy Cross Lutheran Church in Wheaton, IL. summer 2005 This year’s award-winning performers are solo pianist Marko Mustonen, piano-cello duo Anna Kuvaja and Alexander Gebert, and chamber music quartet Soli Amici (Annu Salminen, Performance Dates horn; Paula Kitinoja, oboe; Timo Jäntti, Calumet Theatre Holy Cross Lutheran Church bassoon; and Kaisa Koivula, clarinet; with piano Calumet, MI Wheaton, IL accompanist Jussi Rinta). on August 3 rd, 4 th, and 5 th on August 1st SEVENTH ANNUAL SIBELIUS ACADEMY MUSIC FESTIVAL TICKET ORDER FORM Name: ________________________________________________ CALUMET THEATRE 340 Sixth Stree t • P.O. Box 167 • Calumet, MI 49913 Address: ________________________________________________ Box Office: (906) 337-2610 • Fax: (906) 337-4073 Address: ________________________ Phone: ________________ E-mail: [email protected] http://www.calu mettheatre.com CALUMET THEATRE ONLY Date Artist Tickets Price Qty Best Available Seat On Total Aug. 3, 2005: Soli Amici: chamber music quartet Adult $15 ______ K Main Floor K Balcony $ ______ Jussi Rintä, piano (accompaniment) Student/Senior $10 ______ K Main Floor K Balcony $ ______ Aug. -
Valse Triste, Op. 44, No. 1
Much of the Sibelius Violin Concerto’s beauty comes from its eccentricity — while it has elements of a traditional Romantic concerto, Sibelius constantly asks the musicians to play in quirky, counterintuitive ways, and often pits the soloist and orchestra against each other. BOB ANEMONE, NCS VIOLIN Valse triste, Op. 44, No. 1 JEAN SIBELIUS BORN December 8, 1865, in Hämeenlinna, Finland; died September 20, 1957, in Järvenpää, Finland PREMIERE Composed 1903; first performance December 2, 1903, in Helsinki, conducted by the composer OVERVIEW Though Sibelius is universally recognized as the Finnish master of the symphony, tone poem, and concerto, he also produced a large amount of music in the more intimate forms, including the scores for 11 plays — the music to accompany a 1926 production of Shakespeare’s The Tempest was his last orchestral work. Early in 1903, Sibelius composed the music to underscore six scenes of a play by his brother-in-law, Arvid Järnefelt, titled Kuolema (“Death”). Among the music was a piece accompanying the scene in which Paavali, the central character, is seen at the bedside of his dying mother. She tells him that she has dreamed of attending a ball. Paavali falls asleep, and Death enters to claim his victim. The mother mistakes Death for her deceased husband and dances away with him. Paavali awakes to find her dead. Sibelius gave little importance to this slight work, telling a biographer that “with all retouching [it] was finished in a week.” Two years later he arranged the music for solo piano and for chamber orchestra as Valse triste (“Sad Waltz”), and sold it outright to his publisher, Fazer & Westerlund, for a tiny fee. -
Living with Nature
LIVING WITH NATURE A short-stay house in Finland “The silence is so loud that you can hear it . You can hear it when looking at the midnight sun in summer. You can hear it when the days become shorter and shorter leaving place only for two darkness to meet” Tapio Wirkkala Atelier Grafton Professors: Yvonne Farrell, Shelley McNamara Assistants: Sebastiano Giannesini, Maria Eleonora Maccari, Luca Mostarda Accademia di Architettura, Mendrisio Autumn Semester 2016 EXPERIENCE NATURE NATURE OF EXPERIENCE Tapio Wirkkala_Family’s main house in Lemmensuu, Lapland A typical loggia in Panarea, Aeolian islands The focus of this semester will be to Experience Nature, while exploring the Nature of Experience. Layering Nature = From the Latin word natura, literally “birth”, from natus “born,” past participle of nasci “to be We experience space through our body, “(The skin) is the oldest and the most sensitive of our organs, our born”. Natura derives from the latin translation of the greek word physis first medium of communication, and our most efficient protector..” (A. Montagu, il linguaggio della pelle). connects this term to the word phòs that means “light”, wanting to underline a connection Architecture is essentially an extension of Nature in the man-made realm, providing the ground for per- between life and light. (φύσις). Heidegger ception and the horizon of experiencing and understanding the world. Experience = from Latin experientia “a trial, proof, experiment”; knowledge gained by repeated trials, This semester we will research spaces as layers of protection in the extreme climatic conditions of Fin- present participle of experiri “to try, test,” from ex- “out of” + peritus “experienced, test land. -
Tchaikovsky Violin Concerto
Tchaikovsky Violin Concerto Friday, January 12, 2018 at 11 am Jayce Ogren, Guest conductor Sibelius Symphony No. 7 in C Major Tchaikovsky Concerto for Violin and Orchestra Gabriel Lefkowitz, violin Tchaikovsky Violin Concerto For Tchaikovsky and The Composers Sibelius, these works were departures from their previ- ous compositions. Both Jean Sibelius were composed in later pe- (1865—1957) riods in these composers’ lives and both were pushing Johan Christian Julius (Jean) Sibelius their comfort levels. was born on December 8, 1865 in Hämeenlinna, Finland. His father (a doctor) died when Jean For Tchaikovsky, the was three. After his father’s death, the family Violin Concerto came on had to live with a variety of relatives and it was Jean’s aunt who taught him to read music and the heels of his “year of play the piano. In his teen years, Jean learned the hell” that included his disas- violin and was a quick study. He formed a trio trous marriage. It was also with his sister older Linda (piano) and his younger brother Christian (cello) and also start- the only concerto he would ed composing, primarily for family. When Jean write for the violin. was ready to attend university, most of his fami- Jean Sibelius ly (Christian stayed behind) moved to Helsinki For Sibelius, his final where Jean enrolled in law symphony became a chal- school but also took classes at the Helsinksi Music In- stitute. Sibelius quickly became known as a skilled vio- lenge to synthesize the tra- linist as well as composer. He then spent the next few ditional symphonic form years in Berlin and Vienna gaining more experience as a composer and upon his return to Helsinki in 1892, he with a tone poem.