2 011 Annual Report 2011 Annual Report: Table of Contents

From the Director 2 In Memoriam 4 From the Board of Advisors 6 From the Friends Board 8 From the Student Advisory Board 10 From the Faculty Advisory Committee 12 Exhibitions 14 Rothschild and Semans Lectures 26 Vanguards & Visionaries: 2010 Nasher Gala 28 University Partnerships 32 Connecting with the Community 34 First Five, Next Five: Marilyn M. Arthur 36 Acquisitions to the Collection 37 Museum Staff 39 Part-time Staff, Interns & Volunteers 41 Statement of Operations 42 Support: Boards & Committees 43 A Year of Contributions 45 Planned Giving 51

Photo by Dr. J Caldwell FROM THE DIRECTOR

We found much to celebrate during the Nasher pivotal modernist art movement during World War I. The Museum’s fifth anniversary year, with an ambitious exhibition traveled to the Peggy Guggenheim Collection schedule of programs and events and groundbreaking in Venice and Tate Britain in London. exhibitions that traveled to institutions around the world. Our spring exhibition showcased the museum’s We have come so far in just a short time! Since we most important contemporary works acquired since opened on October 2, 2005, the museum has become a our founding in 2005. Building the Contemporary beacon for the visual arts in the area. Collection: Five Years of Acquisitions was the We’ve made a difference in the local arts community, showcase for our collection philosophy: a focus while securing an important place in the international on modern and contemporary art, with a particular arts conversation. emphasis on global, emerging artists of color. Our This was the perfect year to take stock. In a new serious, consistent effort to present work by important five-year strategic plan, we articulated a vision for the artists of the African diaspora drew public praise from museum to secure a leadership position in the global art the N.C. Arts Council. world similar to Duke Medicine’s standing in the field of Two individuals who cheered us through our first five medicine and Duke basketball’s leading role in college years will not be here to celebrate new milestones. We athletics. We wish to enhance and were all deeply saddened by the unexpected loss of Dr. reach beyond its traditional constituencies to broader Anne L. Schroder, our curator and academic program audiences, in support of Duke’s overarching goals and coordinator, who died on December 23, 2010, after a our city and region’s cultural and economic development. brief illness. (Read more about Anne’s life and work Durham Mayor Bill Bell, who championed us during the on page 4 of this report.) We were also terribly grieved opening five years ago, returned for a free Community to lose Courtney Shives, Jr., a longtime friend of the Day event on October 2, exactly five years to the day. Nasher Museum, who died on April 27, 2011. (Read The Nasher Museum has helped put Durham on many more about Courtney’s amazing contributions on page 5 people’s Top 10 lists, he said. “We have a saying here in of this report.) We will honor their memory by striving for Durham, 'Great things are happening in Durham,' ” Bell excellence over the next five years. said, as quoted in The News and Observer. “And this is I want to thank the museum’s Board of Advisors and one of the great things happening.” our chairman Blake Byrne, who push us to ever greater Well timed, too, this year, was the national re-accreditation aspirations. I am also grateful to our Friends Board’s awarded to the Nasher Museum by the American outgoing chair Angela O. Terry, and our Friends Board, Association of Museums, after a grueling 18-month which inspires members, visitors and museum staff alike. process that involved all staff and many on our various Our Faculty Advisory Committee helps us work closely boards and committees. Accreditation is an important with professors, and our Nasher Student Advisory validation of all we have accomplished. Board encourages more students to take part in the Groundbreaking exhibitions that traveled internationally museum. The Mary Duke Biddle Foundation sustains made 2011 notable. The Record: Contemporary Art all our programs with generous support and a deep and Vinyl, organized by the Nasher Museum, brought appreciation for the museum’s mission. We could not dozens of artists and musicians to visit the museum for accomplish what we do without the gifted faculty who the first time, and achieved national coverage in The advise and guide us, and especially President Richard New York Times, The Boston Globe, and Artnews H. Brodhead and Provost Peter Lange. I want to thank and Art in America magazines. The exhibition traveled the Nasher Museum staff and also our members and to the Institute of Contemporary Art, Boston, in April visitors from around the Triangle and beyond who give and next year will travel to the Miami Art Museum and so generously and respond to our offerings with such enthusiasm. TOP LEFT: Duke University President Richard H. Brodhead the Henry Art Gallery, Seattle. The Vorticists: Rebel and his wife, Cynthia Brodhead, with Nasher Museum Artists in London and New York, 1914-1918, co- Director Kimerly Rorschach, greet student Emma Hart organized by the Nasher Museum and two international Kimerly Rorschach at a student party. museums, featured rare works from a short-lived but Mary D.B.T. and James H. Semans Director TOP RIGHT: Kimerly Rorschach and friends celebrate the Nasher Museum’s fifth anniversary at a free community day event.

BOTTOM: Kimerly Rorschach addresses the crowd p. 2 From the Director at the opening event for The Record. All photos by Dr. J Caldwell. IN MEMORIAM: DR. ANNE L. SCHRODER IN MEMORIAM: COURTNEY SHIVES, JR. 1954 - 2010 1943 - 2011

Schroder’s role at the Nasher Museum was to collaborate the museum. “Courtney loved art, good food and with Duke faculty to integrate the museum’s collections traveling. He was a long-time supporter, and was and exhibitions into university courses. She worked tremendously enthusiastic about the new Nasher with faculty and classes using the Nasher Museum’s Museum and its potential for the campus and permanent collection displays, special exhibitions and community. He participated in all our key events, study-storage facilities. Schroder curated and oversaw and cheered us through many milestones. We will installations from the museum’s permanent collection. miss him greatly.” One of Schroder’s favorite works of art in the permanent As part of his planned gift to the Nasher collection was a French history painting by François Museum, Shives bequeathed 20 black and Gérard, Clytemnestra Hearing the News of Iphigenia’s white photographs by Ansel Adams, excellent Impending Sacrifice(1787) . Schroder discovered the examples of work by America’s foremost nature painting in November 2001 in the Paris gallery of French photographer. Included are some of Adams’ most art broker Etienne Breton of Blondeau and Associés. well-known photographs, such as Monolith, the The artist’s name was not known, the Greek scene in Face of Half Dome and Moonrise, Hernandez, the painting was unidentified and the painting’s varnish New Mexico. The works beautifully render the had yellowed with age. At Schroder’s recommendation, American Western landscape and evidence his the Duke University Museum of Art bought the painting meticulous technique, with its full range of tonal as an unattributed painting from Jacques-Louis David’s values and intricate planning, from the composition studio. After four years of sleuthing, in 2006, Schroder to the exposure of the final print. Duke faculty confirmed the anonymous work dated 1787 was painted teaching the history of photography and courses by the young François Gérard. ABOVE: Anne Schroder poses in front of her favorite work in the permanent on environmental issues will find the works collection, an 18th-century painting she helped to identify and attribute to Schroder knew she had found an important painting especially useful for their students, and visitors François Gérard, entitled Clytemnestra Hearing the News of Iphigenia’s Impending Sacrifice (1787). Photo by Chris Hildreth, Duke University Photography. and solved the mystery by hunting down clues about the to the museum will also benefit from viewing the painting and its “F.G.” signature in France, New York and original Adams photographs, which most know Dr. Anne L. Schroder, curator and academic program Boston. One clue surfaced in 2004, when conservator only from reproductions. Ruth Cox removed the canvas from its original stretcher coordinator at the Nasher Museum, died after a brief Also included in Shives’ gift are two black and and discovered “Mr. Gérard” scrawled in pencil more than ABOVE: Courtney Shives, Jr., by Duke University Photography. illness on December 23, 2010, in Chapel Hill. She was 56. white photographs and two books by John Sexton 200 years ago on the wooden framework for the unlined Schroder had worked at Duke University since 1999, and one photograph and book by Brett Weston. canvas. Courtney Shives, Jr., a longtime friend of the Nasher starting at the former Duke University Museum of Art Museum, died on April 27, 2011, in Greenville, South John Sexton worked for Ansel Adams from Schroder and Cox presented their findings at a meeting on East Campus. Since the Nasher Museum opened Carolina. He was 68. 1979 to 1984 and won a Lifetime Achievement in 2005, she oversaw museum collections, worked of the American Society for Eighteenth-Century Studies. Award in 2005 from the North American Nature Shives graduated from Duke University in 1966; he with faculty to organize exhibitions and coordinated the “It’s a curator’s dream,” Schroder said, at the time. “I have Photography Association. He has mastered supported and promoted the university his entire life. museum’s student internship program. She published enjoyed the puzzle of it.” Adams’ skillful technique and intimate knowledge He served on the Nasher Museum Friends Board and lectured widely on 18th-century art and discovered of the medium. Brett Weston was the son of Before Schroder came to Duke University in 1999, and on the Sarah P. Duke Gardens Advisory Board. that an anonymous work in the museum’s collection was famed photographer Edward Weston. she held curatorial positions at the Samuel P. Harn He was an Athletics Iron Duke, a member of Duke’s painted by the young François Gérard. She also served Museum of Art at the University of Florida, Gainesville, Founder’s Society, and a Duke Reunion volunteer and Shives’ generous gift will supplement the Nasher as adjunct assistant professor of art history at Duke. and the Museum of Fine Arts, Springfield, and taught Local Alumni Executive Committee member. An avid Museum’s growing photography collection, which “We are terribly shocked and saddened to lose Anne,” art history at the University of Florida and the University Duke basketball fan, Shives did not miss a single game currently includes works by other early- to said Kimerly Rorschach, the Mary D.B.T. and James H. of Minnesota. Schroder earned doctoral and master’s at during the 2010-2011 mid-20th-century photographers. Semans Director of the museum. “We loved her intellect, degrees in art history from the University of North season. wit and enthusiasm, and valued her thorough knowledge Carolina at Chapel Hill and a bachelor’s degree in art of the museum’s permanent collection. She will be history from Smith College. Schroder was president of “We’ve lost a true friend,” said Kimerly Rorschach, greatly missed as our colleague, as the liaison between Historians of Eighteenth-Century Art and Architecture the Mary D.B.T. and James H. Semans Director of the museum and Duke’s faculty, and as a tremendous and alumnae admissions coordinator of the Smith Club mentor for students.” of the Triangle, Inc.

p. 4 In Memoriam In Memoriam p. 5 FROM THE BOARD OF ADVISORS

From the beginning, I have boasted that the Nasher friends gathered at Tate Britain for The Duke Idea. The Museum is one of, if not the, most important university gallery was a beautiful setting for the campus update art museum in the country. We have an amazing six-year from President Richard H. Brodhead, followed by a track record to back that claim. This past year, with discussion with Nasher Museum director Kim Rorschach so many exciting exhibitions and events, the art world about the evolution of the role of the art museum at continues to take notice. And now the museum is well Duke. There, visitors also enjoyed our exhibition The on its way to establishing its reputation as an “artist’s Vorticists: Rebel Artists in London and New York, museum,” a place that both inspires and nurtures some 1914-1918, which opened at the Nasher Museum and of the most important artists working today. traveled to the Peggy Guggenheim Collection, Venice This past year, the Nasher Museum hosted numerous before ending the tour at Tate Britain. artists and art world luminaries who gave public talks and As always, I am very proud of Kim. I was especially met with Duke and regional K-12 students. Los Angeles- proud this spring, when the national Association of Art based artist, DJ and record collector Dave Muller gave Museum Directors elected Kim as their vice president the Barbra and Andrew Rothschild Lecture, sharing some and president-elect during their meeting in Raleigh. It’s of his favorite records and giving us insights into his quite rare for that prestigious organization to choose development as an artist. New York-based artist Xaviera officers from among university museum directors. More Simmons came for a weeklong residency to meet with than 130 members of AAMD were thrilled to visit the students, give a talk and host a BBQ listening party with Nasher Museum for the first time. other DJs and musicians. Artist came I am always grateful to work with my fellow Board of from New York to take part in a public conversation Advisors members, whose wisdom and experience with one of her inspirations, Barkley L. Hendricks, and provide an incredible resource to the museum staff. with Duke alumnus and art collector Jason Rubell All of my colleagues on the board are dedicated and (also on our Board of Advisors). Eight artists—William generous with their time, advice and resources. I also Cordova, Harrison Haynes, Taiyo Kimura, Tim Lee, David wish to thank the Nasher Museum Friends Board, which McConnell, Mingering Mike, Fatimah Tuggar and Lyota inspires such a loyal following of museum members. Yagi—delighted visitors by attending the opening of The We all enjoyed celebrating the first five years of Record exhibition. Philip Rylands, director of the Peggy the Nasher Museum, and we look forward to new Guggenheim Collection, Venice, gave the Annual Semans achievements at this museum that has raised Lecture, sharing his knowledge of artists who were part expectations and led the way for university art of the Vorticists group. museums everywhere. Our contemporary collection continued to grow, as we added significant works by Rineke Dijkstra, Barkley L. Hendricks, Beverly McIver, , Mickalene Blake Byrne Thomas, Fred Wilson and Purvis Young, among others. Chairman The Nasher Museum’s international reputation also grew. In London, more than 150 alumni, parents, students and

See full listing of Board of Advisors on page 43.

TOP: New York artist Xaviera Simmons spins records at a BBQ listening party on the museum’s northeast lawn. Photo by Dr. J Caldwell.

BOTTOM LEFT: Blake Byrne, T’57, chair of the Board of Advisors, greets The Honorable Beverly Eaves Perdue, Governor of . Photo by Chris Hildreth, Duke University Photography

BOTTOM RIGHT: Tim Lee, an artist based in Berlin and Vancouver, makes final adjustments to his Public Enemy, Fear of a Black Planet, 1990. Photo by Dr. J Caldwell. p. 6 From the Board of Advisors FROM THE FRIENDS BOARD

In my final year as president, it has been a privilege Also worthy of note is the steadily increasing diversity to be a part of the Nasher Museum and witness its of audiences attracted to the museum. Significant to increasing stature in the local, national and international this growth was the establishment of a new Community art world. It has also been extremely gratifying to work Outreach Task Force under the auspices of the Friends with fellow board members and community volunteers Board. A majority of the recommendations developed who generously give their time, talents and finances by the group have either been implemented or are “in in support of the museum. Both groups have been the works.” I especially thank Douglas Zinn and Friends unwavering in their commitment to, and passion for, Board member Paula Flood for their co-leadership of the Nasher Museum as a “beacon of art, culture and what proved to be a very effective group. learning for the university and the broader community.” The 2010 Benefit Gala was yet another significant As Samuel Longfellow so aptly put it, “Into all our lives, event of the year. The evening marked the inaugural in many simple, familiar, homely ways, God infuses presentation of the Mary D.B.T. Semans Award for this element of joy from the surprises of life, which Distinguished Service to the Arts, with Dr. Lawrence J. unexpectedly brighten our days and fill our eyes with Wheeler, Director of the North Carolina Museum of Art light.” Without reservation, I can say my four years on as the first recipient. Those of us in attendance had a the Friends Board have been one of life’s unexpected fantastically fun evening with special lighting effects, surprises, infused with joy. professional dancers and an installation by renowed When I was growing up, my mother,―with canvas in food artist Jennifer Rubell. place, oil palette in hand, and Titian, our family cocker In closing, I would like to acknowledge and thank spaniel, at her feet,―shared with me remembrances of outgoing board members Anne Akwari, Brad Brinegar, her college days, studying with African American painter Laura Ladd, Bill Shore, Olympia Stone and Carl Webb Hale Woodruff. Still, I never envisioned myself becoming for their collegiality and support. an advocate for the contemporary art conversation. We all know that the at Duke Thank you, Kim, Trevor and Sarah for opening my eyes University is an amazing place. It continues to blaze new to a new world of meaning. And, to Kim in particular, trails in leading-edge exhibitions, contemporary artist I also express my appreciation for an insightful recognition and audience diversity. I am confident the and steadfast vision of broad-based community Friends Board will continue its good work under the able inclusiveness in museum programming. Kim effectively and dedicated leadership of Ann Craver. steers the museum to ever greater heights and uncharted destinations. As Durham’s Mayor Bill Bell so fittingly stated at this year’s Fifth Anniversary Angela O. Terry Community Celebration, “Great things are happening in President Durham ... and the Nasher is one of the great things.” Whether one reads every label or looks around and zeroes in on a specific work of art, this year’s exhibitions were marvelous learning experiences.

See full listing of Friends Board on page 44.

TOP LEFT: Friends of the Nasher Museum browse through BOTTOM: More than 600 visitors gather on the museum’s The Record. Photo by Dr. J Caldwell. front lawn for a concert by indie rock band Superchunk. Lead singer Mac MacCaughan contributed music for a commissioned TOP RIGHT: Outgoing Friends Board President Angela O. Terry work by artist Xaviera Simmons that was part of The Record. enjoys a spring event with incoming Friends Board President Photo by Dr. J Caldwell. Ann Craver. Photo by Dr. J Caldwell.

p. 8 From the Friends Board From the Friends Board p. 9 FROM THE STUDENT ADVISORY BOARD

Throughout 2011, the Nasher Student Advisory Board by Duke’s spoken word group, Spoken Verb, a fashion (NSAB) presented events that gave students and show by the Duke student-run Form magazine and a members of the public ways to connect with exhibitions swing dance demonstration and group lesson. The event through entertainment and activities that were fun, drew a crowd of more than 400 students and members sophisticated and unexpected. of the community, continuing the trend of increasing In October we hosted Right Round, a large-scale awareness and attendance of our Art for All events. student party designed to complement The Record: In April, the NSAB hosted its final event of the Contemporary Art and Vinyl. The thematic evening academic year, NASH-UP, an Art for All event tied focused on the exhibition, encouraging students to to the permanent collection exhibition, Building the spend time discussing and engaging with the art. Contemporary Collection: Five Years of Acquisitions. Also in the fall, we invited representatives from the NASH-UP featured performances by Stop Motion and executive boards of nearly 40 undergraduate, graduate the Pitchforks, as well as a scavenger hunt to draw and professional student organizations to the Nasher visitors into the exhibition. Museum for what we will become our annual Late in the spring semester, we began developing a Student Leaders’ Brunch. The brunch allowed the program to reach out to individual student organizations Student Advisory Board to forge new relationships on campus. The program would allow us to tailor smaller and set the groundwork for future event collaborations events to each student group based on current and co-sponsorships, some of which were realized in exhibitions. our spring programming. Working with many non-arts All our events hinged on the generous support of Juline related organizations allows us to introduce the museum Chevalier, curator of education, and Kathy Wright, special to new and under-represented members of the Duke events coordinator, to whom the NSAB is extremely population. grateful. In February, we hosted an Art for All event on the heels of a lecture by author Greil Marcus, to complement Andrew Hibbard and Christina Martin The Jazz Loft Project: W. Eugene Smith in New York Co-chairs City, 1957-1965. The event featured a free photo booth and live jazz music all night, with performances

See full listing of the Student Advisory Board on page 44.

TOP LEFT: Duke students take in a 3-D work by Mark Soo, That’s That’s Alright Alright Mama Mama, part of The Record: Contemporary Art and Vinyl.

TOP RIGHT: Students engage with the painting The Crowd by artist Wyndham Lewis, part of The Vorticists.

BOTTOM: Nearly 1,500 students crowd the Mary D.B.T. Semans Great Hall during the annual freshman party. All photos by Dr. J Caldwell.

p. 10 From the Student Advisory Board From the Student Advisory Board p. 11 FROM THE FACULTY ADVISORY COMMITTEE

While the Faculty Advisory Committee was formed Last fall, Carla Antonaccio, professor of archeology in just this year, Duke faculty have been actively involved Duke’s Department of Classical Studies, supervised with the Nasher Museum since it opened in 2005. her Duke undergraduate and graduate students to Professors have organized exhibitions, delivered organize the new exhibition Containing Antiquity. gallery talks and lectures, organized symposia and During her spring 2010 seminar, students conducted taught classes on Nasher Museum exhibitions independent research on objects that became part of since the museum’s beginning. The purpose of the exhibition. The students collaborated in selecting the committee is to build upon that excellent track the objects, creating groupings for the installation, record. The committee keeps Museum Director contributing to the overarching theme of the Kimerly Rorschach and the curators informed of exhibition and drafting the text panels for each object. faculty teaching and research interests, and acts as Containing Antiquity highlights the decoration and a sounding board for future programs, exhibitions function of a great variety of vessels and storage jars, and installations from the permanent collection. The perfume bottles, serving bowls and drinking cups used committee helps the Nasher Museum stay in touch in ancient Greece and throughout the Mediterranean with the teaching mission of the institution, which is region. so crucial for any university museum. Marianne Wardle, the museum’s newly appointed In four meetings last year, the Faculty Advisory Andrew W. Mellon Coordinator of Academic Programs, Committee helped shape the Nasher Museum’s is working closely with Antonaccio and Sheila Dillon, Strategic Plan, which includes the goal of increasing associate professor of Art, Art History & Visual faculty involvement across disciplines. Studies at Duke, to publish a catalogue on the museum’s collection of classical antiquities, entitled This year, Duke professors brought 917 students to The Past is Present: The Kempner Collection of visit the galleries on class tours. Nearly 500 students Classical Antiquities at the Nasher Museum of Art. visited the museum’s collection in study storage. In separate visits, 24 faculty members came to the Caroline Bruzelius, Anne M. Cogan Professor of Art, museum for coffee or lunch programs to learn about Art History & Visual Studies, and Mark Olson, assistant upcoming exhibitions, with the goal of connecting the professor of visual and media studies, will contribute exhibitions with their upcoming classes. to upcoming exhibition of the museum’s Brummer collection of Medieval and Renaissance art. Richard One of the year’s most exciting exhibitions, The H. Powell, Duke’s John Spencer Bassett Professor, Vorticists, Rebel Artists in London and New York, Art, Art History & Visual Studies, is organizing the first 1914-1918, was co-organized by professor Mark full-scale survey of the paintings of Archibald John Antliff, in the Department of Art, Art History & Visual Motley, Jr. (1891-1981), a master colorist and radical Studies. The exhibition featured rare works from a interpreter of urban culture. short-lived but pivotal modernist art movement during World War I. Antliff taught a class on the exhibition, gave a gallery talk and co-organized the scholarly Kristine Stiles symposium, “Vorticism: New Perpectives,” at the France Family Professor of Art, Art History museum. & Visual Studies, Chair TOP (OPPOSITE PAGE): Courtney Reid-Eaton, exhibitions director at Duke’s Center for Documentary Studies, and co-curator of See full listing of the Faculty Advisory Committee on page 44. The Jazz Loft Project, gives a First Thursday gallery talk to more than 75 visitors. Photo by Dr. J Caldwell.

BOTTOM: Nasher Museum Director Kimerly Rorschach (left) visits the gallery with artist Carolee and Kristine Stiles, Duke’s France Family Professor of Art, Art History & Visual Studies. Photo by Dr. J Caldwell.

From the Faculty Advisory Committee p. 13 the record: Contemporary Art and Vinyl

September 2, 2010 – February 6, 2011 | Nicholas Benjamin Duke Biddle Pavilion RELATED PROGRAMS Public opening event and DJ party, with eight visiting artists. The Record: Contemporary Art and Vinyl, organized by Schoonmaker, Patsy R. and Raymond D. Nasher the Nasher Museum, was the first museum exhibition Curator of Contemporary Art at the Nasher Museum, Artist talk with Xaviera Simmons. to explore the culture of vinyl records within the history organized the exhibition. The Record traveled to the A concert by indie rock band Superchunk on the Nasher Museum’s front lawn. of contemporary art. Bringing together artists from Institute of Contemporary Art/Boston in spring 2011 around the world who have worked with records as and will travel in 2012 to the Miami Art Museum and BBQ and vinyl listening party with artist Xaviera Simmons. the Henry Art Gallery, Seattle. their subject or medium, the groundbreaking exhibition Curator talk with Trevor Schoonmaker. examined the record’s transformative power from the The Record: Contemporary Art and Vinyl was made possible by 1960s to the present. Through sculpture, installation, The Andy Warhol Foundation for the Visual Arts. Major support “Art with the Experts” event with Trevor Schoonmaker and Juline Chevalier at Durham County Library. was provided by Marilyn M. Arthur, the Mary Duke Biddle drawing, painting, photography, sound work, video and Fifth annual WXDU Record Fair. performance, The Record combined contemporary Foundation, Duke University’s Council for the Arts, the N.C. Arts Council, a division of the Department of Cultural Resources, Record collectors panel discussion with artist David McConnell; DJ and hip-hop producer Ninth Wonder; Howard Burchette, art with outsider art, audio with visual, and fine art Charles Weinraub and Emily Kass, E. Blake Byrne, Barbra and host of “The Funk Show” on WNCU; Jason Perlmutter, founder of Carolina Soul; and Steve Weiss, curator of the UNC Southern with popular culture. The exhibition featured work by Andrew Rothschild, Christen and Derek Wilson, and the Graduate Folklife Collection; moderated by Ken Wissoker, editor-in-chief of . 41 artists, including rising stars in the contemporary Liberal Studies program at Duke University. It was supported art world (William Cordova, Robin Rhode, Dario in part, by public funds from the Netherlands Cultural Services. Artist talk with Ralph Lemon. Robleto), outsider artists (Mingering Mike), well- Additional support was provided by Dr. and Mrs. Robert F. established artists (, Ed Ruscha, Carrie Allen, Catherine Karmel, Peggy and John Murray, Francine and Family Day with artist Fatimah Tuggar. Benson Pilloff, Caroline and Arthur Rogers, Olympia Stone and Mae Weems) and artists whose work was shown in a Sims Preston, Angela O. Terry, Richard Tigner, Nancy Palmer Supporting Member Event with curator Trevor Schoonmaker and artist Harrison Haynes. US museum for the first time (KevinE i-ichi deForest, Wardropper, Peter Lange and Lori Leachman, Lauren and Neill Jeroen Diepenmaat, Taiyo Kimura, Lyota Yagi). Trevor Goslin and Merge Records. Barbra and Andrew Rothschild Lecture by Los Angeles-based artist Dave Muller. Free film series, a double feature with Stephen Frears’ High Fidelity and Doug Pray’s DJ documentary Scratch.

Free Family Day event with live entertainment, hands-on projects and gallery hunts.

TOP LEFT: Duke students enjoy Taiyo Kimura’s video, Haunted by You. TOP RIGHT: Students put on headphones and peruse crates of records in the Cover to Cover installation. BOTTOM: California artist Sean Duffy has made records an important part of his artistic practice. He used 20 LPs to create the buckyball for his sculpture, Burn Out Sun, which speaks to the cyclical nature of popular p. 14 The Record: Contemporary Art and Vinyl taste. All photos by Dr. J Caldwell. The Record: Contemporary Art and Vinyl p. 15 The Vorticists: Rebel Artists in London and New York, 1914-1918

September 30, 2010 - January 2, 2011 | Brenda La Grange Johnson and Heather Johnson Sargent Pavilion

The Vorticists: Rebel Artists in London and New York, It included paintings, works on paper, photographs and 1914-1918, a partnership among the Nasher Museum sculpture. Artists included Jacob Epstein, Henri Gaudier- and two international museums, featured rare works Brzeska, Alvin Langdon Coburn, Wyndham Lewis, from a short-lived but pivotal modernist art movement William Roberts, Helen Saunders, Dorothy Shakespear, during World War I. The exhibition reintroduced to the Edward Wadsworth and others. The exhibition traveled public the avant-garde movement Vorticism, a term to the Peggy Guggenheim Collection, Venice, and Tate coined by American expatriate poet Ezra Pound to Britain in London. describe an abstracted figurative style. It emerged At the Nasher Museum, support for The Vorticists was provided in London among English and American artists as a by the Mary Duke Biddle Foundation, Marilyn M. Arthur, Trent and response to French Cubism, Italian Futurism and the Susan Carmichael, the Graduate Liberal Studies program at Duke staid English art scene. The Vorticists was the first University, Pepper and Donald Fluke, James and Laura Ladd, Olympia Stone and Sims Preston, and Nancy Palmer Wardropper, exhibition devoted to this Anglo-American movement with assistance from the British Council. to be presented in the United States since World War I.

RELATED PROGRAMS Theatrical Performance, “Western Men,” with director Jay O’Berski and featuring Jeffrey Scott Detwiler, Victoria Facelli, Bart Matthews and Tony Perucci. Designed by Torry Bend. Supported by a grant from the Council for the Arts, Office of the Provost, Duke University. Supporting Member private gallery tour with Sarah Schroth, Nancy Hanks Senior Curator. Academic symposium, “Vorticism: New Perpectives,” with Mark Antliff (Duke University) and Scott W. Klein (Wake Forest University) and presented by Duke and Wake Forest universities, with keynote addresses by Fredric Jameson (Duke University) and Paul Edwards (Bath Spa University). Musical Performance, “The Vorticists: Musical Allies,” with music by Lord Berners, John Foulds and their European colleagues Debussy and Stravinsky. Featuring Becky Troxler on flute, soprano Penelope Jensen, Jane Hawkins and Randall Love on piano, and comments by musicologist Philip Rupprecht.

TOP LEFT: Duke students take in The Vorticists. “Art with the Experts” with curators Juline Chevalier and Sarah Schroth at Durham Public Library. Annual Semans Lecture by Philip Rylands, director of the Peggy Guggenheim Collection, Venice. TOP RIGHT: Mark Antliff, professor in Art, Art History & Visual Studies, and co-curator of The Vorticists, poses near a Free Family Day Event 1914 marble sculpture by Henri Gaudier-Brzeska. Photo by First Thursday gallery talk with Mark Antliff, professor in Duke’s Department of Art, Art History & Visual Studies and co-curator Duke Photography. of The Vorticists, and Scott Klein, associate professor and chairman of the English Department, Wake Forest University.

BOTTOM: Gallery photo by Peter Paul Geoffion. Free film series with Ken Russell’s Savage Messiah and Ezra Pound: American Odyssey by Lawrence Pitkethly

p.16 The Vorticists: Rebel Artists in London and New York, 1914-1918 The Vorticists: Rebel Artists in London and New York, 1914-1918 p. 17 Containing Antiquity JAUME PLENSA: Glückauf? and

On view from October 21, 2010 The Heart of Trees

Containing Antiquity highlights the great variety of community and public. The course also engaged with Spring 2011 vessels–storage jars, perfume bottles, serving bowls current debates about the market that brings antiquities and drinking cups–made and used in the ancient Greek to institutions like the Nasher Museum, and the current The Nasher Museum presented two installations of Each tree was accompanied by seated self-portraits of cultural sphere throughout the Mediterranean region, legal and ethical issues surrounding their acquisition. sculpture by Spanish artist Jaume Plensa, who lives the artist, cast in bronze, with arms and legs wrapped and the decoration and function of these containers. Every student conducted independent research on and works in and Paris. Visitors were invited around the trunks. The figures were inscribed with The exhibition was designed by undergraduate and selected objects that informed the choices that went to walk through and interact with Glückauf?, on view names of composers, including Ludwig van Beethoven, graduate students enrolled in a seminar taught in the into the exhibition. They collaborated on devising the in the permanent collection gallery. Curtains of strung Béla Bartók, and George Gershwin. For Plensa, the body spring of 2010 by professor Carla Antonaccio, in Duke’s overarching theme of the exhibition, selecting objects letters spelled out the text of the Universal Declaration becomes a vessel for information, a surface on which to Department of Classical Studies. The aim of the course and drafting text panels. of Human Rights. The document was adopted by the record words. was to allow students to work directly with antiquities, Support for the exhibition and catalogue comes from the Andrew United Nations in 1948 as a response to the atrocities Both installations were made possible by Paula Crown teaching them how to look at, record and analyze W. Mellon Foundation, an anonymous donor, the Teasley Family of World War II. The word glückauf is a good luck wish and Richard Gray Gallery, Chicago. objects, how to understand style and manufacture, how Classical Antiquities Endowment Fund, the Department of in German. Classical Studies at Duke University, the John O. and Jeanne Miles to assign a date and trace possible origins and uses for On the front lawn of the museum, The Heart of Trees Blackburn Endowment, and the Mary Duke Biddle Foundation. the objects, and how to present them to the university installation brought six live trees to the winter landscape.

RELATED PROGRAMS RELATED PROGRAMS First Thursday talk by Katherine Jentleson, a first-year Ph.D. student in Duke’s Department of Art, Art History & Visual Studies. Containing Antiquity opening event and gallery talk with Duke student co-curators and the late Anne Schroder, curator and academic program coordinator at the Nasher Museum. Free Family Day event with live entertainment, hands-on projects and gallery hunts.

TOP LEFT: Duke student Kiki Smith leads a gallery talk with her co-curators, all Duke students, and many of their parents. Photo by Dr. J Caldwell.

TOP RIGHT: The co-curators met as undergraduate and graduate students TOP LEFT: Jaume Plensa’s The Heart of Trees installation enlivens the enrolled in a seminar taught in the spring of 2010. Photo by Dr. J Caldwell. Nasher Museum’s front lawn. Photo by Wendy Hower Livingston.

BOTTOM: Black-Figure Droop Cup (detail), Attic. ca. 540-530 BCE, ceramic. TOP RIGHT and BOTTOM: Visitors interact with the iron letters p. 18 Containing Antiquity Collection of the Nasher Museum of Art at Duke University. Anonymous Gift. of Jaume Plensa’s Glückauf? Photo by Dr. J Caldwell. Jaume Plensa: Glückauf? and the Heart of Trees p. 19 The jazz loft project: W. Eugene Smith RELATED PROGRAMS

in New York City, 1957-1965 Public opening event.

First Thursday gallery talk with Stephenson, co-curator and author of The Jazz Loft Project.

February 3 - July 10, 2011 | Brenda La Grange Johnson and Heather Johnson Free Family Day event. Sargent Pavilion “Jazz Then and Now,” a talk with Branford Marsalis and Sam Stephenson at Hayti Heritage Center.

The Nasher Museum and Duke’s Center for Documentary The Jazz Loft Project: W. Eugene Smith in New York City, Musical performance with The Wayne Shorter Quartet (Wayne Shorter, Danilo Perez, John Pattituci, Brian Blade), 1957-1965 was organized by the Center for Documentary Studies presented The Jazz Loft Project: W. Eugene co-sponsored by Duke Performances. Studies at Duke University, the Center for Creative Photography Smith in New York City, 1957-1965, an exhibition at the University of Arizona and the Nasher Museum of Art Art for All event, a “black and white” party with live jazz, spoken word poetry, a student fashion show and swing of photographs and recordings of some of the jazz at Duke University. dancing demonstrations, hosted by the Nasher Museum Student Advisory Board. world’s greatest legends. In the late 1950s, W. Eugene The Jazz Loft Project at the Center for Documentary Studies Smith lived and worked in a New York City loft at Duke University was made possible through the generous Musical performance by Steve Reich and David Harrington, co-sponsored by Duke Performances. building with an amazing list of visitors—jazz musicians, support of the Reva and David Logan Foundation, with significant additional support from the National Endowment for the Lecture by photography archivist and historian William Johnson on W. Eugene Smith. filmmakers, writers and artists. In photographs and Humanities, the National Historical Publications and Records audio recordings, he documented an era and rare Commission, the National Academy of Recording Arts and Musical performance by The Watts Project (Jeff ‘Tain’ Watts, Christian McBride, David Sanchez), co-sponsored by moments with people such as Thelonious Monk, Zoot Sciences (The Grammy Foundation), the Duke University Office Duke Performances. of the Provost, the Gladys Krieble Delmas Foundation, Ken and Simms, Norman Mailer and Salvador Dali, among Amelia Jacob, and Kimpton Hotels. First Thursday gallery talk with Courtney Reid-Eaton, exhibitions director at Duke’s Center for Documentary Studies others. Writer Sam Stephenson discovered Smith’s At Duke University, major support for the exhibition was provided and co-curator of The Jazz Loft Project. jazz loft photographs and tapes 11 years ago, when he by David Lamond, Anne T. and Robert M. Bass, the Robert K. Steel was researching another Smith project in the archives Family Foundation, Sally and Russell Robinson, Bruce and Martha Brummer event, “Informance,” with John Brown, director of Duke’s Jazz Program, and his quintet, who played jazz music and led a conversation on how to listen to jazz. at the University of Arizona’s Center for Creative Karsh, Charles Weinraub and Emily Kass, Drs. Victor and Lenore Behar, Barbara T. and Jack O. Bovender Jr., G. Richard Wagoner, Photography. He spent seven years cataloging, the Bostock Family Foundation, Laurene M. and Scott M. Sperling, archiving, selecting and editing these materials for a and Ruth W. and A. Morris Williams Jr. Additional support was book and, along with other partners, a series, given by William H. and Lorna Chafe, John A. Forlines Jr., Tom and Margaret Gorrie, the Graduate Liberal Studies program at Duke OPPOSITE PAGE: an exhibition and website. Courtney Reid-Eaton, University, Peter and Debbie Kahn, Patricia and John Koskinen, exhibitions director at Duke’s Center for Documentary Peter Lange and Lori Leachman, Ann Pelham and Robert Cullen, TOP LEFT: Visitors write answers to the question “What is the most unusual thing you’ve seen out of your window?” on Studies, was co-curator of the exhibition. The Jazz Barry Poss and Michele Pas, Tom Rankin and Jill McCorkle, Alan Post-it notes in a gallery space inside The Jazz Loft Project. D. Schwartz and Nancy C. Seaman, Mary D.B.T. Semans, and Loft Project opened at the New York Public Library for TOP RIGHT: John Brown, director of Duke’s Jazz Program, performs with his quintet at the opening event for The Jazz Courtney Shives. We also thank Patty Morton, Joy and J.J. Kiser, Loft Project. Performing Arts in New York City, then traveled to the Cookie and Henry Kohn, Michael Marsicano, Susan M. Stalnecker, Chicago Cultural Center. From the Nasher Museum, Sallyan Windt, Karla F. and Russell Holloway, Jim Roberts, Robert J. Thompson, Jr., James L. and Florence Peacock III, W. Joseph the Jazz Loft Project travels to the Museum of THIS PAGE: and Ann Mann, Charles and Barbara Smith, Drs. Leela and Baba Photographic Arts in San Diego, CA, and the Center for Prasad, Louise C. and Waltz Maynor, Joy and John Kasson, Dr. TOP LEFT: More than 75 visitors gathered for a First Thursday gallery talk with Courtney Reid-Eaton. Creative Photography at the University of Arizona. Assad Meymandi, and Alan B. Teasley. TOP RIGHT: John Brown’s quintet performs for members of the Nasher Museum’s Brummer Society.

BOTTOM: Duke students take in The Jazz Loft Project.

p. 20 The Jazz Loft Project: W. Eugene Smith in New York City, 1957-1965 The Jazz Loft Project: W. Eugene Smith in New York City, 1957-1965 p. 21 BUILDING THE CONTEMPORARY COLLECTION: Five Years of Acquisitions

March 10 - August 14, 2011 | Nicholas Benjamin Duke Biddle Pavilion

In its first five years, the Nasher Museum has focused on Robleto, David Salle, Carolee Schneemann, Gary modern and contemporary art with particular emphasis Simmons, Xaviera Simmons, Jeff Sonhouse, Eve on global, emerging artists of color. In celebration of the Sussman, Alma Thomas, , Mickalene museum’s fifth anniversary, Building the Contemporary Thomas, Bob Thompson, Kara Walker, Jeff Whetstone, Collection presented the most important contemporary , Fred Wilson and Lynette Yiadom-Boakye, works acquired since its founding in 2005. The exhibition among others. The exhibition reflected the museum’s featured work by 42 artists, including Christian Boltanski, interest in the art and culture of the African diaspora, William Cordova, Noah Davis, Rineke Dijkstra, Marlene and included works in a variety of media–painting, Dumas, Wyatt Gallery, David Hammons, Barkley L. drawing, photography, sculpture, video and installation. Hendricks, Glenn Ligon, Christian Marclay, Zwelethu It was curated by Trevor Schoonmaker, Patsy R. and Mthethwa, Odili Donald Odita, Dan Perjovschi, Dario Raymond D. Nasher Curator of Contemporary Art.

RELATED PROGRAMS Exhibition opening and talk with artists Barkley L. Hendricks and Mickalene Thomas and collector Jason Rubell, T’91, Duke TOP LEFT (OPPOSITE PAGE): Curator Trevor Schoonmaker alumnus and member of the Nasher Museum’s national Board of Advisors, moderated by curator Trevor Schoonmaker. strikes a pose in the gallery with artists Barkley L. Hendricks and Mickalene Thomas. Photo by Dr. J Caldwell. Artist talk with Carolee Schneemann, who screened four of her films after reading from the new book Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle, edited, annotated and with an introduction by TOP RIGHT (OPPOSITE PAGE): Don and Mera Rubell (left) Kristine Stiles, Duke’s France Family Professor of Art, Art History & Visual Studies, and published by Duke University Press. visit the gallery with their grandchildren, daughter-in-law Free Family Day event. Michelle Rubell and son Jason Rubell, T’91. Behind them are Purvis Young paintings given to the Nasher Museum from Supporting Member event and First Thursday gallery talk with Trevor Schoonmaker. the Rubell Family Collection in Miami. Photo by Dr. J Caldwell. First Thursday gallery talk with Juline Chevalier, curator of education.

BOTTOM: Gallery photo by Peter Paul Geoffrion.

p. 22 Building the Contemporary Collection: Five Years of Acquisitions Building the Contemporary Collection: Five Years of Acquisitions p. 23 Body of Christ

January 27 - August 21, 2011

Body of Christ was an installation in the permanent in the museum’s permanent collection. Works ranged collection gallery featuring two works by contemporary from bloody depictions of the tortured body of Christ to Spanish artist Javier Pérez. The cruciform hanging of Crucifixes showing Christ with his eyes open, a Christ Pérez’s three drawings of a head and two hands alluded triumphant over death. Body of Christ helped provide to the image of the Crucifixion, while his life-sized an important context for a concurrent installation, bronze and parchment sculpture of a tree transforming David Wojnarowicz “A Fire in My Belly”: Versions, into a skeleton form could be seen to reference Debates, Implications, at the Christ’s death on the cross. Nancy Hanks Senior at the University of North Carolina at Chapel Hill. The Curator Sarah Schroth placed Pérez’s works within the installation at the Nasher Museum was made possible historical context of paintings and of the by Blake Byrne, T’57. Crucifixion from the 12th through the 18th centuries

RELATED PROGRAMS First Thursday gallery talk with Marianne Wardle, Ph.D, Andrew W. Mellon Coordinator of Academic Programs at the Nasher Museum.

TOP LEFT: The 16th-century Italian sculpture Crucified Christ is carved from alabaster. Photo by Dr. J Caldwell.

TOP RIGHT: Gallery view of works by Javier Pérez, including the 2010 sculpture of bronze and parchment resin (foreground) Trans(formationes), and the 2010 work on paper, Mascara Mortuoria (Triptych). Both works were on loan from Blake Byrne, T’57. All photos by Dr. J Caldwell.

BOTTOM: Jonathan Prinz and other visitors take in the details of The Harrowing of Hell, an early 17th-century oil painting from Germany or The Netherlands.

p. 24 Body of Christ Body of Christ p. 25 The Barbra and Andrew Rothschild Lecture the semans lecture

Two important funded lectures continued to treat Nasher of his friends and family through their musical tastes. Museum audiences to luminaries from the art world this Muller has exhibited work at the Palais de Tokyo in year. Philip Rylands, director of the Peggy Guggenheim Paris, the Los Angeles County Museum of Art, the Collection, Venice, gave the Annual Semans Lecture Whitney Museum of American Art, the Institute on November 18, 2010. Los Angeles-based artist, DJ of Contemporary Art, Boston, and Museo de Arte and record collector Dave Muller gave the Barbra and Contemporáneo de Castilla y León in Spain, as well Andrew Rothschild Lecture on January 26, 2011. as the Dallas Cowboys Stadium. Rylands spoke about The Vorticists: Rebel Artists in For the Rothschild Lecture, Muller talked about his London and New York, 1914-1918, which opened passionate investment in music and its effect on his at the Nasher Museum and traveled to the Peggy artistic practice. He played samples of music he loved Guggenheim Collection, Venice. at key points throughout his life. An occasional curator and frequent writer, Rylands is “I was a chemistry major at UC-Davis. I started working the author and editor of books, scholarly articles and for this college radio station,” Muller said. “I ended up catalogues including Flying the Flag for Art: The United moving into this house that had a big enough living room States and the Venice Biennale 1895-1991 (1993) that you could have bands play in it. What I found that and Peggy Guggenheim and Frederick Kiesler: The I liked about doing these shows was doing designs for Story of Art of This Century (2004), which he co-edited the flyers. It was almost as exciting, if not more exciting, with Susan Davidson. He contributed an essay to the catalogue that accompanied The Vorticists. than doing the actual shows, and that should have told me something back then.” “This is the show I’ve been longing to do for many many years. I’m very grateful to the curators for rising “I’m dealing with this idea that I’ve got all these records, above the considerable challenges [to make it happen],” and I’m putting a lot of energy into records, having a Rylands said. “It’s a very scholarly show, but also very lot of records, moving my records around,” Muller said. dispersed and a lot of fragile work. One of the novelties “Finally, I got the idea that I could draw the spines. I can of this show is that it draws attention to the American call it a Top 10, I can have people come up with lists and component of the Vorticist movement, which two it’s like the Top 10 visualized. The records are drawn as American curators were well positioned to do.” tall as the person who chose them.” “Vorticism is a very colorful story, yet for several At the end of his talk, Muller “performed” his Top 11 generations it was subjected to damnatio memoriae favorite records on two turntables. The audience knew (condemnation of memory),” he said. “A remarkable thing these tracks would not be easily found on iTunes or about Vorticism is how little survives. The show looks even in a nearby record bin. Muller’s special playlist beautiful here; I hope we can make it look this nice in included a track called “Wound-Up Opera Played Venice!” by Rare Antique Music Boxes (Ford Collection),” the Dave Muller’s work explores the relationship between Beatles song “Because,” hunting calls recorded with human experience, memory and music. His large-scale the Mongombi Tribe in Africa, and Oscar the Grouch’s “I paintings of album spines, two of which were part of Love Trash,” from the Sesame Street book and record. The Record: Contemporary Art and Vinyl at the Nasher After his talk, Muller spun records at Motorco, a music Museum, are not mere representations but portraits venue in Durham.

TOP: Dave Muller poses with his work in The Record: Contemporary Art and Vinyl. Photo by Dr. J Caldwell.

BOTTOM LEFT: Dave Muller spins records at Motorco after his talk. Photo by Dr. J Caldwell.

BOTTOM RIGHT: Photo of Philip Rylands.

p. 26 The Annual Semans Lecture & The Barbra and Andrew Rothschild Lecture The Annual Semans Lecture & The Barbra and Andrew Rothschild Lecture p. 27 Vanguards & Visionaries 2010 Nasher Benefit Gala Honoring Lawrence J. Wheeler

The Nasher Museum hosted its annual benefit gala honor Wheeler. Food artist Jennifer Rubell created on November 13, 2010, to honor one of the Research Legacy, an installation of nearly 200 pounds of gold- Triangle region’s greatest advocates for the arts, covered dark chocolate coins filling three burlap Lawrence J. Wheeler, director of the North Carolina sacks, symbols of the tobacco industry. The Honorable Museum of Art. He received the Nasher Museum’s Governor Beverly Perdue delighted guests with her inaugural Mary D.B.T. Semans Award for Distinguished warm words of praise for the Nasher Museum. Student Service to the Arts. Over generations, Mary D.B.T. dancers from the Duke Dance Program encouraged Semans has tirelessly emphasized the importance of art guests to interact with lively images projected on a huge as part of the essence of human experience, and the screen. New York-based music writer Dave Tompkins need for spaces that provide direct experiences with spun records for the after-party event. original works of art. The event was generously supported by lead underwriter Since Lawrence Wheeler became director in 1994, Glaxo SmithKline. Honorary co-chairs Blake Byrne the NCMA has become one of the region’s and the (chairman of the Board of Advisors), , Robert A. nation's most popular and dynamic centers for the visual Ingram, Nancy A. Nasher, the Honorable Beverly Perdue and performing arts. Blockbuster exhibitions, including (Governor of North Carolina), Susie Powell and Franklin Rodin: Sculpture from the Iris and B. Gerald Cantor Anderson helped to promote the event, and the gala Foundation (2000) and Monet in Normandy (2006), planning committee and its chair Marilyn A. Arthur, a have attracted hundreds of thousands of visitors to member of the Nasher Museum Friends Board, devoted the NCMA. Under Wheeler‘s leadership, the NCMA many hours of planning and fundraising to the event. expanded in April 2010 with a new 127,000-square- In his remarks at the gala, Wheeler talked about his foot building to house the institution’s outstanding collection of personal letters from over permanent collection with numerous new acquisitions. the past three decades. He graciously acknowledged More than 300 friends of the Nasher Museum—from how her passion for the arts has made possible many Duke, the Triangle and beyond—attended the gala to exciting projects in the state.

See full listing of Gala Planning Committee on page 44.

FAR LEFT: Kimerly Rorschach and Lawrence J. Wheeler MIDDLE LEFT: Bill Joklik, Victor Dzau, Nancy A. Nasher and Ruth Dzau MIDDLE RIGHT (From left): Lawrence J. Wheeler, Susie Powell, Mary D.B.T. Semans, Beverly Eaves Perdue, Blake Byrne, Nancy A. Nasher, Angela O. Terry, Kimerly Rorschach and Robert A. Ingram FAR RIGHT: Doren and Sheldon Pinnell enjoy the food installation by Jennifer Rubell. BOTTOM: Duke Dancers interact with images projected on a large screen. All Photos by Chris Hildreth, Duke University Photography. p. 28 Gala MIDDLE: Richard J Powell, Duke’s John Spencer Bassett Professor of Art and Art History, with board of advisors member Michael Levine, T’84, and Doreen Bolger, director of the Baltimore Museum of Art.

TOP (THIS PAGE): Trevor Schoonmaker, Patsy R. and Raymond D. Nasher Curator of Contemporary TOP RIGHT (THIS PAGE): Sarah Schroth, Nancy Hanks Senior Curator, leads a gallery tour on the exhibition Color Balance: Art, introduces his daughter Zadie to the exhibition The Record: Contemporary Art and Vinyl. Paintings by Felrath Hines and Alma Thomas.

BOTTOM (THIS PAGE): A visitor takes in a powerful portrait by London-based artist BOTTOM (THIS PAGE): Japanese srtist Taiyo Kimura makes final adjustments to his installation of works on paper in Lynette Yiadom-Boakye. All photos by Dr. J Caldwell. The Record. All photos by Dr. J Caldwell. UNIVERSITY PARTNERSHIPS

In a new five-year strategic plan, the Nasher Museum Faculty engagement with the museum went far has articulated a vision to sustain one of the most beyond visiting storage and exhibitions with students. engaged student bodies among university art Duke professors, the “brain trust” of the university, museums, and to increase faculty involvement across continued to offer important insights into the disciplines. To that end, the curatorial department collections and help the museum find new ways broadened the museum’s reach to faculty and to study and present art. (Read about more faculty students this year through events geared to upcoming projects in the report from the Faculty Advisory exhibitions, an expanded website presence, and an Committee on page 12 of this annual report.) ambitious schedule of rotating installations in the Professors and students alike worked with Wardle and education gallery. Molly Boarati, academic program assistant, to design Marianne Eileen Wardle, the museum’s new Andrew a series of rotating installations in the museum’s W. Mellon Coordinator of Academic Programs, education gallery, located between the museum’s created new resources for Duke faculty who wish to two classrooms. One example was Machine, visit the museum with classes. She worked closely Mother, Mannequin: The Good Woman in Soviet with professors to build tours, lesson plans and Propaganda, a glimpse into the Soviet Union through assignments that complemented their courses. propaganda posters from World War I and the famed One activity, “Find and Seek,” challenges students to 1917 revolutions through 1967, Leonid Brezhnev’s choose a work of art and write a descriptive paragraph early years in power. The installation, drawn from about it before their visit. Students then pair up, Duke University Libraries and the Nasher Museum’s permanent collection, explored the role of women in exchange descriptions and use them to locate the Soviet propaganda. The exhibition was curated by work of art. When they find the correct work, they Angela Linhardt, a Slavic and Eurasian Studies MA write their own response. candidate, and Beth Holmgren, professor of Slavic and “The exercise is excellent for visual analysis, Eurasian studies. translating the visual to the verbal and visual critique,” The Nasher Museum continued to train students Wardle says. “Language students are required to interested in museum careers. Museum director practice vocabulary, grammar and expressing emotions Kimerly Rorschach taught 15 students in the course and preferences.” “Museum Theory and Practice,” and seven students The museum also made a new push for visual literacy, learned about museum careers through Art and Art an increasingly important skill for learning to think History internships for course credit. critically about images that is an essential component The Trent A. and Susan L. Carmichael Summer of a 21st-century education. The museum seeks to Internship Award went to Caroline Fox, who worked on function as an interdisciplinary nexus and a laboratory the Containing Antiquity exhibition. Thanks to a where students can investigate, explore and test the generous grant from the Mary Duke Biddle Foundation, knowledge they are presented in class. the museum was pleased to award three exceptional The schedule of visiting classes reflects the Duke students grants to serve as interns for the museum’s interdisciplinary vision: not just art history summer of 2010. Two worked in major museums in but also African and African American studies, metropolitan areas; the third worked with the curators classical studies, documentary studies, international at the Nasher Museum. Laura Pierce, T’11, worked comparative studies, public policy, sociology, and in the public relations department of the Metropolitan cultural anthropology and more. First-year medical Museum of Art in New York. Christina Martin, T’11, and nursing students visited the galleries as part worked in the public relations department at the of a required course focusing on doctor-patient Whitney Museum of American Art in New York. Andrew relationships. First-year engineering students toured Hibbard, T’11, worked at the Nasher Museum on the the building to learn about facility management. exhibition The Record: Contemporary Art and Vinyl.

TOP LEFT and RIGHT: Duke faculty and students visit ACADEMIC CONNECTIONS BY THE NUMBERS study storage to examine works of art that are not on Number of students who visited the museum’s study storage Approximate number of first-year students at their freshman public view. Photos by Lee Nisbet. center: 456 party on August 27, 2009: 1,150 BOTTOM: First-year medical and nursing students Number of students who attended student parties and other Number of students who worked or interned at the museum: 9 visit the galleries and take part in activities that hone events: 2,452 observation skills, as part of a required course focusing Number of student gallery guides: 25 on doctor-patient relationships. Students who visited galleries on class tours: 917 p. 32 University Partnerships made connections between the drama in the life of found activities for all ages, including gallery talks CONNECTING WITH THE COMMUNITY: photographer W. Eugene Smith and the drama in his and tours, entertainment by magicians, musicians, work. She shared Smith’s artistic trajectory with the puppeteers and storytellers, and make-and-take crafts, Education Department teachers, talking about the significance of his public like making postcards, decorating vinyl records and professional work and the intense way he processed adding to community murals. The American Dance Museum educators found new ways to extend the Here at the museum, the education department information and influences he was exposed to in the loft. Festival Community Day also offered an afternoon of Nasher Museum’s reach into the community this year, continued to build upon in-gallery interactive activities “He was inspired by the arts, but also by the quotidian,” dance and discovery. with more programs, events and activities related to that encouraged visitors to take part in exhibitions. Reid-Eaton said. “He was a voracious collector—that’s The Nasher Museum’s bus scholarship program, in its exhibitions. In The Jazz Loft Project, visitors were invited to submit what makes the tapes so amazing. You can hear fifth year, provided free transportation to 1,560 children Curator of education Juline Chevalier and associate personal photos from between 1957 and 1965. A everything from Thelonious Monk’s band in rehearsal to from 24 Durham Public Schools. curator of education Jessica Ruhle continued to build a smart phone app provided visitors with a dark, jagged street sounds to Jim Backus as Mr. Magoo, advertising Throughout the year, more than 80 volunteers helped partnership with Y.E. Smith Elementary School, Durham frame for their own photos, similar to the broken pane GE lightbulbs.” with craft activities on Family Days and Summer Public Schools’ museum school. They worked closely in W. Eugene Smith’s loft window that framed many of Five free Family Day events continued to be very Make and Take events, which truly enriched the visitor with first grade teachers to construct personalized his photographs. Visitors in the gallery wrote answers popular, drawing more than 2,800 people. Visitors experience. experiences at the museum, and visited classrooms to on Post-it notes to such questions as “What’s the most present lessons combining works of art on view at the unusual thing you’ve seen out of your window?” Nasher Museum and the first grade reading curriculum. Other exhibitions inspired the new “Summer Make and The education staff also led two nine-week “Friday Takes” program for visitors of all ages on Tuesdays and Afternoon Clubs” on site at Y.E. Smith, providing Thursdays. One session, invited visitors to collaborate, hands-on art experiences for about 30 students. decorating an old wooden chair with flowers, mini- EDUCATION DEPARTMENT BY THE NUMBERS Builiding on prior collaborations, the Nasher Museum’s sculptures and other materials. The activity was Number of Family Day Events: 5 Number of Duke students at 5 student events: 2,452 education department worked with the Durham Arts inspired by Gary Simmons’ sculpture Erasure Chair in Visitors during Family Day Events: 2,854 Number of visitors who went on tours: 7,304 Council’s CAPS (Creative Arts in the Public and Private Building the Contemporary Collection: Five Years of Schools) program to bring local jazz musician Gregg Acquisitions. Number of teachers at 4 workshops: 143 Gelb to the museum for a performance to enhance the More than 140 teachers earned continuing education Number of schoolchildren who visited for guided and tour experience in The Jazz Loft Project. More than credit by attending four free workshops that gave them self-guided tours: 5,591 200 fourth- and fifth-grade students toured The Jazz field trip materials and suggestions for connecting the Loft Project and attended hour-long jazz performances. museum experience with state curriculum standards. Chevalier and other museum curators also led four “Art At one workshop, Texas-based artist Dario Robleto TOP (THIS PAGE): Visitors make self-portraits, crowns and other crafts during a free Community Day event. Photos With the Experts” talks, a series of Sunday afternoon talked about his work in The Record. He told the by Dr. J Caldwell. talks at the Durham County Library about exhibitions at teachers about his first-grade teacher who saw a the Nasher Museum. creative spark in him; he visited her more than a decade TOP LEFT (OPPOSITE PAGE): A young visitor shows off the tote bag he decorated with a vinyl record theme at a Family Day event. Photo by Juline Chevalier. The Sarah P. Duke Gardens and the Nasher Museum later, he said. “She still had a drawing I gave her on her co-hosted the fourth annual Nature of Art and Art wall.” He would decide to be an artist many years later. TOP RIGHT (OPPOSITE PAGE): Texas-based artist Dario Robleto visits with teachers after his talk during the free of Nature teacher workshop, where nearly 40 local At another teacher workshop, Courtney Reid-Eaton, K-12 teacher workshop. Photo by Dr. J Caldwell. teachers attended two full-day workshops on how to exhibitions director at Duke’s Center for Documentary integrate art and science into their K-4 curriculum. Studies, talked about The Jazz Loft Project. She BOTTOM: Masks created by visitors hang in a window to dry during a free Family Day event. Photo by Juline Chevalier.

Connecting with the Community: Education Department p. 35 first five, next five: Marilyn m. arthur ACQUISITIONS TO THE COLLECTION

Marilyn M. Arthur, WC’56, P’79, P’88, has celebrated Every chance she gets, Marilyn accompanies director PAINTINGS Bob Thompson Purvis Young every milestone, big and small, during the Nasher Kimerly Rorschach, the curators and other museum American, 1937 - 1966 American, 1943 - 2010 Masters of the Gold Scrolls Untitled, 1964 Untitled, c. 1985 - 1999 Museum’s first five years. friends on trips to Dallas, Los Angeles, Miami, New York Flemish Oil on wood Mixed media She applauded the cacophony of Duke’s marching and Hawaii. Wherever she goes, she talks about the Last Judgment, from a Book of Hours, 17 1/2 x 14 1/4 x 1/2 inches 48 1/2 x 38 in. (123.2 x 96.5 cm) museum’s warm, welcoming qualities, the community c. 1440 (44.5 x 36.2 x 1.3 cm) Gift of the Rubell Family Collection, band during the grand opening on October 2, 2005, Tempera, gold and ink on vellum Gift of Paula Cooper in memory of 2010.10.6 and again a few days later when nearly 2,000 students outreach and K-12 school programs, the leading-edge Image: 6 3/8 x 19 9/16 in. (16.2 x 49.7 cm) Raymond D. Nasher, 2010.17.3 swirled around the Great Hall for the very first party. exhibitions and the museum’s “mover and shaker” Sheet: 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm) Purvis Young director. Purchase, Nasher Museum of Art at Duke Lynette Yiadom-Boakye American, 1943 - 2010 Since, she has cheered the museum on—with the first University Fund for Acquisitions, 2010.5.1 British, born 1977 Untitled, c. 1985 - 1999 acquisition of a sculpture by , then the Every day, Marilyn has helped support the museum’s Tambourine, 2010 Mixed media blockbuster exhibition to Velazquez and the mission, including our programs and exhibitions. Marilyn Beverly McIver oil on canvas 96 x 18 1/4 in. (243.8 x 46.4 cm) American, born 1962 3/8 3/4 opening event for The Record with eight visiting artists. recognized museum namesake and founder Raymond 98 x 74 in. (249.9 x 189.9 cm) Gift of the Rubell Family Collection, Love Mom, 2011 Purchase with funds provided by Marjorie 2010.10.7 Now, Marilyn Arthur is looking forward to the next D. Nasher’s vision for the Nasher Museum from the Oil on canvas and Michael Levine, T ‘84, 2010.14.1 start. She contributed valuable capital support to help 36 x 36 in. (91.4 x 91.4 cm) five years. PHOTOGRAPHY realize the museum in 2005, and the museum store is Purchase with funds provided by Purvis Young “I’ve always been enthusiastic about the Nasher Marilyn M. Arthur, WC'56, P'79, P'88, American, 1943 - 2010 named for the Arthur family. In 2006, Marilyn created Rineke Dijkstra Museum,” she said. “We needed it. It’s been a boon to 2011.1.1 Untitled, c. 1985 - 1999 an endowment to provide support for the museum’s Mixed media Dutch, born 1959 Duke University; it has brought people to campus who exhibitions and K-12 education programming. She has Jeff Sonhouse 32 1/2 x 32 1/2 in. (82.6 x 82.6 cm) Tamir Golani Brigade, Elyacim, Israel, May American, born 1968 Gift of the Rubell Family Collection, 26, 1999 never would have thought of stopping by. We’ve really also been a lead sponsor for some of the museum’s opened an awful lot of doors and educated the students Decompositioning, 2010 2010.10.2 C-print, edition 8/10 most significant exhibitions, including The Record: Mixed media on canvas 70 7/8 x 59 1/16 in. (180 x 150 cm) way beyond what most university art museums do.” Contemporary Art and Vinyl, The Vorticists: Rebel 82 x 76 1/4 in. (208.3 x 193.7 cm) Purvis Young Gift of the Rubell Family Collection, 2010.10.1 Long before the museum opened, Marilyn had been a Artists in London and New York, 1914-1918, Purchase, Nasher Museum of Art at Duke American, 1943 - 2010 University Fund for Acquisitions, 2010.15.1 Untitled, c. 1985 - 1999 staunch supporter of the arts at Duke. She worked with Picasso and the Allure of Language, and El Greco to Mixed media Paul Graham other students to arrange for art to be displayed around Velazquez. In 2010-2011, Marilyn updated her will and Alma Thomas 51 x 49 in. (129.5 x 124.5 cm) British, born 1956 campus when she was a Duke student in the ’50s. Later, established a Charitable Remain Unitrust of $1 million American, 1891 - 1978 Gift of the Rubell Family Collection, Untitled #60 (Augusta), from the series Late Night Reflections, 1972 2010.10.3 “American Night”, 2002 she met museum founder and namesake Raymond D. in honor of the museum. Marilyn’s legacy will benefit the Acrylic on canvas Lightjet endura c-print, edition 3/3 Nasher and helped promote the museum through Duke’s museum for many years to come. 28 3/4 x 44 in. (73 x 111.8 cm) Purvis Young 74 5/8 x 93 7/8 in. (189.5 x 238.4 cm) development committee. More recently, she served as Purchase, Nasher Museum of Art at Duke American, 1943 - 2010 Gift of Floyd H. Bradley III and Martha “The Nasher Museum has had a wonderful outreach that Hummer Bradley in honor of Floyd H. Bradley, vice president of the Friends of the Nasher Museum University Fund for Acquisitions and bequest Untitled, c. 1985 - 1999 goes way beyond what anyone envisioned,” Marilyn said. of Marjorie Pfeffer by exchange, 2010.13.1 Mixed media Jr., T’45 and Carol Lake Bradley, WC’43, Board and co-chair of Vanguards & Visionaries, the “It’s a very special place and a wonderful example for 32 1/2 x 48 in. (82.6 x 121.9 cm) 2010.11.1 annual benefit gala in 2010. She routinely drives over Bob Thompson Gift of the Rubell Family Collection, other universities.” Mickalene Thomas from her Pinehurst, N.C., home to attend the Nasher American, 1937 - 1966 2010.10.4 Untitled, 1959 American, born 1971 Museum’s artist talks and opening events. Oil on canvas Purvis Young Lovely Six Foota, 2007 27 x 36 in. (68.6 x 91.4 cm) American, 1943 - 2010 C-print, edition 5/5 Gift of Paula Cooper in memory of Untitled, c. 1985 - 1999 56 5/16 x 67 3/8 in. (143 x 171.1 cm) TOP: Marilyn Arthur, WC’56, P’79, P’88, enjoys porridge at a food Raymond D. Nasher, 2010.17.2 Mixed media Gift of Christen and Derek Wilson, T’86, B'90, P'15, installation by Jennifer Rubell during Art Basel Miami Beach in 2010. 16 1/4 x 44 1/4 in. (41.3 x 112.4 cm) 2010.12.1 She is joined by her niece Karen Heim (middle) and longtime museum Gift of the Rubell Family Collection, p. 36 First Five, Next Five friend Mindy Solie, T’78, P’10. Photo by Wendy Hower Livingston. 2010.10.5 Acquisitions p. 37 Barkley L. Hendricks Grace Hartigan Meyer Schapiro American, born 1945 American, 1922 - 2008 American, born Lithuania, 1904 - 1996 MUSEUM STAFF North Carolina Sisters, 1978 / 2010 Inside - Outside, 1962 Landscape Drawing, 1959 Digital chromogenic print on Kodak Endura Lithograph on paper, edition 3/15 Graphite and colored pencils on paper Matte paper, edition of 3 17 1/2 x 23 3/4 in. (44.5 x 60.3 cm) Image: 6 13/16 x 9 3/8 in. (17.3 x 23.8 cm) 20 x 30 in. (50.8 x 76.2 cm) Gift of Yukio and Toshiko Nakayama, T’41, Sheet: 8 1/4 x 9 7/16 in. (21 x 24 cm) Purchase, Nasher Museum of Art at Duke 2010.8.2 Gift of Dr. David L. Craven, 2010.9.2 University Fund for Acquisitions, 2010.16.1 Keisai Eisen Meyer Schapiro Barkley L. Hendricks Japanese, 1790 - 1848 American, born Lithuania, 1904 - 1996 American, born 1945 Mother and Child with Shrine, c.1820 - 1830 Holiday Greetings from the Schapiros, 1930s Wonder Woman,1978 / 2010 Woodcut in colors on paper Woodcut on paper Digital chromogenic print on Kodak Endura 14 7/16 x 10 in. (36.7 x 25.4 cm) Image: 7 x 7 1/16 in. (17.8 x 17.9 cm) Matte paper, edition of 3 Gift of Yukio and Toshiko Nakayama, T’41, Sheet: 10 3/16 x 10 15/16 in. (25.9 x 27.8 cm) 20 x 30 in. (50.8 x 76.2 cm) 2010.8.8 Gift of Dr. David L. Craven, 2010.9.3 Purchase, Nasher Museum of Art at Duke University Fund for Acquisitions, 2010.16.2 Joan Miró Bob Thompson Spanish, 1893 - 1983 American, 1937 - 1966 katharine adkins Angela arneson molly boarati ReneÉ charles j. carroll Barkley L. Hendricks La Fille Du Jardinier, 1963 Untitled, 1964 Coordinator of Exhibitions Major Gift Officer Academic Program Assistant Cagnina haynes Registrar and Publications American, born 1945 Lithograph in colors on paper, edition 76/90 Acrylic on paper Curatorial Assistant Soul Man, 1978 / 2010 25 x 20 1/4 in. (63.5 x 51.4 cm) Image/sheet: 10 1/8 x 10 3/4 in. (25.7 x Digital chromogenic print on Kodak Gift of Yukio and Toshiko Nakayama, T’41, 27.3 cm) Endura Matte paper, edition of 3 2010.8.5 Gift of Paula Cooper in memory of 20 x 30 in. (50.8 x 76.2 cm) Raymond D. Nasher, 2010.17.1 Gift of the artist and Jack Shainman Joan Miró Credits: Gallery, 2010.16.3 Spanish, 1893 - 1983 Page 36, top left: Beverly McIver, Love Mom, La lune près la paraître (the just-rising 2011. Oil on canvas, 36 x 36 inches. Purchased with moon), 1967 funds provided by Marilyn M. Arthur, WC’56, P'79, CERAMICS P'88. Courtesy of the artist. Lithograph in colors on paper, edition XII/XV 12 3/16 x 9 in. (31 x 22.9 cm) Page 36, Top right: Mickalene Thomas, Lovely Six Mark Hewitt Foota, 2007. C-print, edition 5/5. 56 5/16 x 67 3/8 Gift of Yukio and Toshiko Nakayama, T’41, British, born 1955 inches. Gift of Christen and Derek Wilson, T’ 85, B'90, Memorial to a Fetish, 2009 2010.8.6 P'15. Courtesy of the artist and Susanne Vielmetter Los Angeles Projects, LLC. Wood-fired salt-glazed stoneware with Joan Miró manganese slip, ash glaze, glass runs BELOW: Jeff Sonhouse, Decompositioning, 2010. Spanish, 1893 - 1983 Arienne cheek Juline chevalier Dorothy n. clark alan dippy kenneth dodson and porcelain medallions Mixed media on canvas, 82 x 76 1/4 inches. Purchase, Untitled (for Gravures Maeght), 1966 Manager of Nasher Curator of Education Deputy Director of Operations Preparator Facilities Manager 45 x 25 x 25 in. (114.3 x 63.5 x 63.5 cm) Nasher Museum of Art at Duke University Fund for Lithograph in colors on paper Acquisitions. Courtesy of the artist and Martha Otero Museum Store Purchase, Nasher Museum of Art at Image/sheet: 10 x 7 1/4 in. (25.4 x 18.4 cm) Gallery. Photo by Fredrik Nilsen. Duke University Fund for Acquisitions Gift of Yukio and Toshiko Nakayama, T’41, 2010.8.7

SCULPTURE/INSTALLATION Henry Moore Fred Wilson British, 1898 - 1986 Untitled American, born 1954 , 1966 Colonial Collection, 1990 Lithograph on paper, edition 21/75 3/8 x 11 3/8 in. (23.8 x 28.9 cm) Mixed media installation Image: 9 Sheet: 15 5/8 x 19 5/8 in. (39.7 x 49.8 cm) Vitrine: 48 3/4 x 86 1/2 x 26 3/4 inches Purchase, Nasher Museum of Art at Duke Gift of Yukio and Toshiko Nakayama, T’41, University Fund for Acquisitions, 2010.18.1 2010.8.4 Pablo Picasso WORKS ON PAPER Spanish, 1881 - 1973 jamie duprÉ david eck kenneth filer felicia fitzpatrick kristen L. greenway Marie-Thérèse Considérant son Effifie Executive Assistant to the Director Visitor Services Manager Museum Security Officer Museum Security Officer Director of Development Salvador Dali Surréaliste Sculptée, from the Vollard & External Relations Spanish, 1904 - 1989 Suite, 1933 Academie Française, 1966 Etching on paper, edition of 260 Etching on Arches paper Plate: 10 9/16 x 7 5/8 in. (26.8 x 19.4 cm) Plate: 16 3/4 x 23 1/2 in. (42.5 x 59.7 cm) Sheet: 17 1/2 x 13 3/8 in. (44.5 x 34 cm) Sheet: 22 1/4 x 30 in. (56.5 x 76.2 cm) Gift of Yukio and Toshiko Nakayama, T’41, Gift of Yukio and Toshiko Nakayama, T’41, 2010.8.3 2010.8.1 Meyer Schapiro American, born Lithuania, 1904 - 1996 Abstract Drawing, c. 1950s Oil pastel on laid paper Image: 6 13/16 x 8 1/8 in. (17.3 x 20.6 cm) Sheet: 8 1/2 x 10 7/8 in. (21.6 x 27.6 cm) Gift of Dr. David L. Craven, 2010.9.1

Heather griswold jimmie jones brad johnson Dennis johnson patrick krivacka Development Associate Manager of Protection Services Chief Preparator Museum Security Officer Wood Shop Manager

p. 38 Acquisitions Museum Staff p. 39 MUSEUM STAFF PART-TIME STAFF & INTERNS

Student GUARDS visitor services Katherine Franklin* Interns Hannah Torres Srujan Alluri representatives Hannah Hayward* Michael Alexander Chavaria Williams Kenny Anunike Greg Adrouny Richard Hill David Bollinger Mitu Yilma Jillian Becker Kathleen Bader Ellen Hill Kanisha Bowks Sarah Zuk Revanth Chandupatla Nico Bollerslev Jenny Leinback Betsy Bourassa Emanual Coker Jennifer Burka Kara Li* Lauren Cooper Manuel Dominguez Aurelia D’Antonio Jessica Lie* Chrissy DiNicola Justin Fox Alexandra Dodson Mary Jean Lowrie Kiki Fox Devon Gagliardi Erin Hanas Jillian Lum Shelby Hart Monica Gavirangaswamy Rebecca Keegan Rosalie Mandel Andrew Hibbard Mark Hoffman Rachel Pea Linda Margolin Beatrix Hutton Thomas Holloway Dani Potter Carole Mathison Reshma Kalimi Wendy hower Catherine V. Morris Lee nisbet nikki reeb kimerly rorschach Bree Gray Jordan Livingston Business Manager Digital Imaging Assistant Office Manager Mary D.B.T. and Emily Robertson Peggy Murray Yunyi Li Manager of Marketing & James H. Semans Director Bhavya Kothari Hilary Coe Smith Kate Newman* Madeline Lieberberg Communications Varun Kumar Jocelyn Ostomel* Christina Martin Ben Leung Jasmina Tumbas Morita Rapoza Daniel Mansfield Yanping Li Sandra van Ginhoven Patrick Light Jennifer Wei Mindy Solie Kristin Oakley Chiragh Madaiah Leah Yaffe Molly Superfine* William Passo Michael McLennon Krista White* Laura Pierce Antov Milen gallery guides *students Kelly Pugh Jordan Miller Sandy Beeman Mitali Routh Mohan Palanisamy Susana Burns part-time staff Claire Schechter Danny Parker Ruth Caccavale Lenka Becvar Jessica Silver Shahin Rawan Sharon Chan* Josephine Gaston Krishta Spuglio George Harris Ricks Shakirah Coleman Tim Swezy Megan Stanford Anthony Saint Jean Joanne Edelman Doug Vuncannon Brittany Titus Jessica ruhle Trevor schoonmaker Sarah schroth rebecca swartz Marianne EIleen Associate Curator of Education Patsy R. & Raymond D. Nasher Nancy Hanks Senior Curator Manager of Special Projects Wardle Curator of Contemporary Art Andrew W. Mellon Coordinator of Academic Programs

Volunteers

Ilona Abramova Narumon Dooduang Caroline Latta Sarah Rogers Lexi Wallace Sharon Bailey Alexandra Dunk Patricia Lee Flannery Ronsick Jenny Wang Katherine Ball Lisa Gao Isabella Leone Gary Ruhle Vanessa Ward Amrita Banerjee Jessica Greene Jo Ann Levo Kay Ruhle Mea Warren Emma Boulding Jennie Grubb Ashley Lewis Itzy Santillan Phil Watson Wyatt Broadaway Maria Grzybowski Rebecca Li Elizabeth Schoonmaker Nikkik Whang Amy weaver Kelly woolbright Kathleen wright Christina Canzoneri Mary Hall Janet Li Denice Sharpe Anglea Woods Membership Coordinator Assistant Registrar Special Events Coordinator Meng Cao Robin Heinze Ashton Madison Ognjen Sobat Eddie Wu Annie Chen George Hernandez DeDe Mann Katie Sommers Joy Xiang Maria Cho Dianna Hu Kate Markham Rebecca Teich-McGlodrick Bruce Xu Allison Cooper Beatrix Hutton Camila Martinez Tybreisha Terry Huanbing (Izzy) Xu Noelle Cunningham Rachel James Ramani Matthew Minerva Thai Justin Yi Neal Demery Lisa Ji Sean O’Connell Katri Thiele Haiyun Zhou Chrissy DiNicola Jenny Jin Charlotte Phillips Tamara Tourtillotte Joanna Zhou Judy Dodson Kirsten Johansson Fontasha Powell Emily Trinh Jordan Dodson Suzi Johnson Charles Realubit Samantha Trooper Dylan Dodson Morgan Kirkland Ladiner Rhett-Blaylock Mary Votta

p. 40 Museum Staff Part-Time Staff, Interns & Volunteers p. 41 STATEMENT OF OPERATIONS, FY 2010-2011 SUPPORT: Boards and Committees

BOARD OF ADVISORS Michael Marsicano, T’78, G’82 Kimerly Rorschach P’11, P’14 Revenue Blake Byrne, T’57, Chair President Mary D.B.T. and James H. Semans Director Earned Chairman of the Board Foundation for the Carolinas Nasher Museum of Art at Duke University Skylark Foundation Charlotte, NC Admission $94,293 Los Angeles, CA Angela O. Terry Rental Nancy A. Nasher, L’79 President, Nasher Museum Friends Board Norman Braman, GP’10 Co-President Facility 90,976 Braman Management Association NorthPark Development Company Hans Van Miegroet Exhibition 60,200 Miami Beach, FL Dallas, TX Professor and Chair, Department of Art and Art History Food service and catered events 13,847 Irma Braman, GP’10 Jack H. Neely, T’80 Duke University Royalties from Duke University Press 859 Miami Beach, FL President Ballard Management Corporation Collections Committee Catalogue sales to Nasher Store 12,672 Cynthia Brodhead Tulsa, OK Andrew C. Rothschild, Chair Durham, NC Managing Director sub-total $272,847 Katharine Lee Reid Kemnay Advisory Services, Inc. Trent A. Carmichael, T’88 Chapel Hill, NC New York, NY Forester Capital, LLC Contributed Greenwich, CT Jock Reynolds Blake Byrne, T’57 Annual university allocation $1,951,347 The Henry J. Heinz II Director Chairman of the Board Paula Cooper Yale University Art Gallery Skylark Foundation Other university funding 15,000 Paula Cooper Gallery New Haven, CT Los Angeles, CA Endowment income 272,976 New York, NY Andrew C. Rothschild Paula Cooper Other university support 365,875 Paula Hannaway Crown, T’80 Managing Director Paula Cooper Gallery Annual fund 542,134 Principal, Henry Crown & Co. Kemnay Advisory Services, Inc. New York, NY New York, NY Chicago, IL Membership 192,641 David Haemisegger Jason Lewis Rubell, T’91 Co-President Program support 131,800 James Cuno Rubell Hotels NorthPark Management Company President and CEO Proceeds from deaccession 35,043 Miami Beach, FL Dallas, TX The J. Paul Getty Trust Grants Los Angeles, CA Monica Segal, P’04, P’06, P’09 J. Tomilson Hill III, P’04 Government 13,000 Rye, NY General Partner David Haemisegger Blackstone Group foundation 113,650 Co-President Richard Segal, P’04, P’06, P’09 New York, NY NorthPark Management Company Corporate 10,500 Chairman and CEO Dallas, TX Transferred in from prior year 965,963 Seavest, Inc. Janine Hill, P’04 Rye, NY Director, Fellowship Affairs and Studies J. Tomilson Hill III, P’04 Strategic Planning sub-total $4,882,776 General Partner Mary Duke Biddle Trent Semans, Council on Foreign Relations Blackstone Group WC’39, P’62, P’63, P’64, P’85, P’06, New York, NY Estate bequests 200,000 New York, NY Hon’83, GP’86, GP’88, GP’90, GP’91, Total Revenue $5,082,776 GP’94, GP’95, GP’02 Frank Konhaus, T’80 Janine Hill, P’04 Durham, NC Chapel Hill, NC Director, Fellowship Affairs and Studies Strategic Planning Expenses William L. True, T’77 Nancy A. Nasher, L’79 Council on Foreign Relations Gull Industries, Inc. Co-President Salaries and benefits $2,279,590 New York, NY Seattle, WA NorthPark Development Company Exhibitions and publications 961,560 Dallas, TX Brenda La Grange Johnson, WC’61, P'96 Derek M. Wilson, T’86, B’90, P'15 Education programs 110,190 Vice President Co-Founder and Managing Partner Jack Neely, T’80 Brenmer Industries, Inc. Public relations and marketing 66,487 Manhattan Pacific Capital Management President New York, NY Dallas, TX Ballard Management Corporation Development, Membership, Events 390,314 Tulsa, OK David Lamond, T’97, L’06 Operations and maintenance 439,515 EX OFFICIO Lamond Capital Peter Lange Richard Powell Conservation 21,637 San Francisco, CA Provost John Spencer Bassett Professor of American, Security 190,679 Duke University Afro-American and African Art Gerrit Livingston Lansing, Jr., T’95 Art History & Visual Studies, Duke University Acquisitions 314,350 Madison Trading, LLC Scott Lindroth Durham, NC Nasher Store 50,715 New York, NY Vice Provost for the Arts Duke University Kimerly Rorschach, P’11, P’14 Transferred out for future programming 257,739 Michael J. Levine, T’84 Mary D.B.T. and James H. Semans Director Ronart Leasing Corp. Richard Riddell Nasher Museum of Art at Duke University Scarsdale, NY Vice President and University Secretary Durham, NC Total Expenses $5,082,776 Duke University

p. 42 Statement of Operations: FY 2010-2011 Support: Boards and Committees p. 43 SUPPORT: Boards and Committees (cont’d) SUPPORT: Boards and Committees (cont’d)

Monica Segal, P’04, P’06, P’09 Stefanie Kahn, P’11, P’13 Shannon Klebe, Med ‘12 GALA PLANNING COMMITTEE Diane Evia-Lanevi Whitney Wilkerson Rye, NY Raleigh, NC Brenna McNiff, T’11 In honor of Dr. Lawrence Wheeler Pepper Fluke C.T. Woods-Powell

Serena Qiu, T’11 Eunice Grossman, P'75, P'74 Richard Segal, P’04, P’06, P’09 Laura Ladd Honorary Co-Chairs Genevieve Werner , T’13 Dean Hamric Chairman and CEO Hillsborough, NC Blake Byrne, T’57 Seavest, Inc. Cameron Williams, Med’12 Larry Young Hines, G’96 P’96 P’99 Grant Hill, T’94 Rye, NY June W. Michaux Michelle Hooper Robert A. Ingram Deputy Secretary for Internal Services Juline Chevalier, Curator of Education, Ginger Jernigan, P'91 Kristine Stiles and Programs Staff Liaison Nancy A. Nasher, L’79 Suma Jones, T'87 France Family Professor of Art, Art History NC Department of Administration The Honorable Beverly Eaves Perdue, & Visual Studies Durham, NC Faculty Advisory Committee Governor of North Carolina Haleh Moddasser Kristine Stiles, Chair Duke University Susie Powell & Franklin Anderson Glenda Moser Durham, NC Jeanetta Sherrod Nelms France Family Professor of Art, Art History Doren Pinnell, T’74, G'75, G'79, P’92, P’08 Durham, NC & Visual Studies Committee Arthur Rogers Elizabeth Teasley Trope, T’92 Marilyn M. Arthur, WC’56, P'79, P'88 Christy Russell Assistant Curator, Michael C. Carlos Museum Carol O’Brien Srinivas Aravamudan , GA Founder and President Professor of English Jo Bear Elizabeth Sappenfield Carol O’Brien Associates Inc. Dean of Humanities Peter Baer Courtney Shives, T’66 FRIENDS BOARD Durham, NC Jaclyn Braddy, P’99 Anne Staple Angela O. Terry, Ph.D., President Ian Baucom Ann Craver Angela O. Terry Durham, NC Francine Myers Pilloff Professor of English Nancy Dougherty Nancy Wardropper Chapel Hill, NC Director, Franklin Humanities Institute Kathi Eason Ann Craver, Vice President Sandra White-Olden Durham, NC Arthur Henry Rogers III Adrian Bejan President J.A. Jones Professor Diane Evia-Lanevi, Secretary Eno Ventures Mechanical Engineering & Materials Science Durham, NC Durham, NC Jennifer Brody Henry Sappenfield A YEAR OF CONTRIBUTIONS Anne M. Akwari, M.D., L'95, H'79 Professor Attorney Hematologist, Preventive Medicine African & African American Studies Durham, NC Kennon, Craver, Belo, Craig & McKee, PLLC Durham, NC This list includes all gifts given to the museum made between July 1, 2010 – June 30, 2011. Tina Campt * gift-in-kind | † = deceased Marilyn M. Arthur, WC’56, P’79, P’88 Associate Professor John Schwarz Pinehurst, NC Women’s Studies Rye, NY $100,000 + $10,000 - $24,999 Cynthia & Richard Brodhead Brenda & Keith Brodie Tucker Bartlett Sheila Dillon Corporate & Foundation Corporate & Foundation Bill Shore Paula Cooper,* in memory of Executive Vice-President Associate Professor Mary Duke Biddle Foundation GlaxoSmithKline Self-Help Ventures Fund Director of US Community Partnerships Raymond D. Nasher Art, Art History & Visual Studies Andrew W. Mellon Foundation North Carolina Arts Council Durham, NC GlaxoSmithKline Deborah DeMott Research Triangle Park, NC Guo-Juin Hong Individuals Individuals Harry H. Esbenshade III Andrea Bazán Andrew W. Mellon Assistant Professor Blake Byrne Anonymous Matthew Q. Giffuni President Olympia Stone Chinese Literature & Culture Estate of J. Dudley Moylan† Anne & Robert Bass Emily Kass & Charles Weinraub Triangle Community Foundation Producer Victor & Lenore Behar, in honor Patricia Lansing & Gerrit Livingston Durham, NC Chapel Hill, NC $50,000 - $99,999 Mark Anthony Neal of the birth of Maxwell Isley Harris Lansing, Jr. Professor Individuals Stefanie & Douglas Kahn Lenore Behar, WC'59, PhD'63, P’84, P’90, Carl Webb Barbara McFadyen African & African American Studies Susan & Trent Carmichael P’92, GP’14 Partner Martha & Bruce Karsh Carol O’Brien Director Greenfire Development Janine W. & J. Tomilson Hill III Marjorie & Michael Levine Koala & Frank Phoenix Child and Family Program Strategies Durham, NC William Noland Nancy A. Nasher & David J. Haemisegger Margaret & Jack Neely Doren & Sheldon Pinnell Associate Professor of the Practice Durham, NC Charlotte & Thomas Newby* Monica & Richard Segal Christine & Joseph Popolo Art, Art History & Visual Studies Jason Rubell & Michele Simkins* Katherine U. Thorpe Melissa A. Siebel Schiller Student Advisory Board Brad W. Brinegar Alice & Bruce Whelihan Gillian & Robert Steel Richard J. Powell $25,000 - $49,999 Chairman and CEO Andrew Hibbard, Co-Chair, T’11 Ruth & William True John Spencer Bassett Professor Gibby E. & Michael B. Waitzkin McKinney Christina Martin, Co-Chair, T’11 Individuals Durham, NC of American, Afro-American & African Art $5,000 - $9,999 $2,000 - $4,999 Caroline Beaudrais, L’11 Marilyn M. Arthur Paula & James Crown Corporate & Foundation Santiago Estrada, T’88 Jenn Burka, T’11 Maureen Quilligan Corporate & Foundation Frances P. Rollins Vice-President, Associate General Counsel Sharon Chan, T’13 R. Florence Brinkley Professor of English Duke Semans Fine Arts Foundation, Inc. Alexandria Real Estate Equities, Inc. Ambassador Brenda La Grange Johnson First Citizens Bank Quintiles Transnational Corporation Wei Gan, T’11 Bank of America Raleigh, NC William Seaman & J. Howard Johnson Nordstrom Netherlands Cultural Services Sarah Goetz, T’11 Professor Kelsey & David Lamond Individuals Individuals Paula Flood Lauren Kahn, T’11 Art, Art History & Visual Studies Christen & Derek Wilson* Chapel Hill, NC Reshma Kalimi, T’12 Jo & Peter Baer Isa & Robert Allen Renee Elizabeth Becnel Morgan Kirkland, T’11

p. 44 Support: Boards and Committees A Year of Contributions p. 45 A YEAR OF CONTRIBUTIONS (cont’d) A YEAR OF CONTRIBUTIONS (cont’d)

Nancy A. Donovan Benchoff & Missy & Brad Brinegar Caroline & Arthur Rogers Cheray & Luther Hodges Vert & Vogue David Howell & Sara Miller James M. Benchoff, Jr. Joseph M. Bryan, Jr. Virginia Rorschach Monica Hunter & Robert Harper Alesia & John Hoy Individuals Barbara T. & Jack O. Bovender, Jr. Marjorie & Claude Burton Susan B. Rosenthal & Michael S. Hershfield Dr. Charles & Carol Johnson Jean & Robert Huff Anonymous Elizabeth & Thomas Caine Nancy & Charles Busch Ruth Ross Ellen & Ben Jordan Joan & Robert Huntley Myrna & Emile Adams Ann Beth Chanler & Andrew Scheman Ellen Cassilly & Frank Konhaus Rachel Schanberg Debbie & Peter Kahn Shirley M. Johnson Kaye Anne Aikins Lauren Sardina Cosulich & Jared Cosulich Gwendolyn & Walter Cleary Nancy & David Schoonmaker Pat & Allen Kelley Barbara J.R. Jones Cindy & Chuck Anderson Kathi & Steve Eason Suzanne & Robert Cochran Alan D. Schwartz & Nancy C. Seaman Betty P. Kenan Suma & Evan Jones Mary Eileen & Mark Anderson Catherine Everett & Jesse Goins Laura Colebank Anita & John Schwarz Joy & J.J. Kiser Margaret & Thomas Keller Nadia Anderson Diane Evia-Lanevi & Ingemar Lanevi, Carolyn & Bert Collins Mary D.B.T. Semans Emily Turner Knight & Falza Khanani & Eric Wegenseil Nancy C. Andrews & in honor of Angela O. Terry’s birthday Alan Copland Nancy & Dale Shaw Christopher N. Knight Monica & Justin Klein Bernard Mathey-Pervor Paula & Eugene Flood Ann & Rhodes Craver Barbara & Joel Smith Karen & J. Michael Lazarus Linda Kornberg & Steve Glantz Marcia Angle & Mark Trustin Pepper & Donald Fluke, in memory Charron & Peter Denker Mindy & Guy Solie Susan H. Lenoir Laura Anne Kreps Carla Antonaccio of Courtney Shives Margaret A. & Portia J. Dennis Laurene M. & Scott M. Sperling Linda Levin Roz & Milton Lachman Frank Baker Mr. & Mrs. Vincent Q. Giffuni Karen & Marc de Saint Phalle Tina & Mark Stacy Jane & Richard Levy Anne & John Lehigh Placide & Andy Barada Ann & Jim Goodnight Nancy & Dennis Dougherty Olympia Stone & Sims Preston Marie & Ralph Liebelt Elizabeth Lindquist & Dr. Jeffrey Kerr-Ritchie Ruth F. & William T. Barnett Anna Ho & Bob Whalen Ruth & Victor Dzau Angela O. Terry & A. Daphne Terry Rochelle Lieberman Mary & Andrew Lucas Mary & Bruce Barron Caroline & John Hollingsworth Mary Michaels Estrada & Richard Tigner David Lindquist & Paul Hrusovsky Kathryn Magruder Molly Bixby Bartlett Christine & Joel Huber Santiago Estrada, in memory Marcy & Vance Tucker Diane & Gene Linfors Catherine Maxson & Gregory Lewis Kathleen & Tucker Bartlett Thomas S. Kenan III of Sara Estrada Linda & Mebane Turner, from the Mary Louise Little Margaret & Ross McKinney Gary Beck, in memory of Jeff Beck Cynthia & Mark Kuhn Betsy & Kurt Euler Elizabeth & Robert Lyon Fund of Regina Long Ellen Medearis & Richard Superfine Roxana & Edward Bossen Robyn & Douglas Lam Blair & George Evans the Triangle Community Foundation Tracy Mancini & Norris Cotton Lorie Mertes & Lance Minor Suzanne Botts & Penny & Robert Lieberberg Carolyn & John Falletta Ruth Glesby Wagner Marion Meyer-Robboy & Diana & Charles Meyer Anne Neuenschwander Peg Palmer Vera & William Fick Carroll & Charlotte Weinberg Stanley Robboy June & Mickey Michaux Amanda Brooks-Carson & L. Richardson Preyer, Jr. & Kristine Forney & William Prizer John D. White Melissa Mills Samuel D. Middleton, Jr. Christopher Carson Marilyn Jacobs Preyer Kathleen & Michael France Sandra White-Olden & Kenneth Olden Irene & Blaine Nashold Johanne Miller Stacey & John Burkert Marilyn & Harvey Rich Elizabeth & William Gentner, in honor Alexandra Winokur The Doctors Padow, in honor of Shelly Miller & Richard Bedlack Anne Marie & Louis Cherry Kimerly Rorschach & John Hart of the 20th reunion, Class of 1991 C.T. Woods-Powell & Richard Powell the 50th reunion, Class of 1960 Mary & David Neal Maria Cho Barbra & Andrew Rothschild Susan E. & David H. Gersh Kevin Parker Laura Neely $500 - $999 Wendy & Sean Connell A. Courtney Shives, Jr. † Carol & Nicholas Gillham Josephine W. Patton Jeanetta & Charlie Helms Paul Crellin & Kelly Paul Sandra A. Urie & Frank F. Herron Catherine & Thomas Gilliss Corporate & Foundation Jane & John Pearce Elizabeth & Daniel Nord Takey Crist Nancy Palmer Wardropper, in memory Nancy & Craufurd Goodwin RBC Centura Bank Lucia Peel Powe & E.K. Powe+ Helen & Billy Olive Alexandra Darrow & Jerome Griffin of Courtney Shives Sara & Thomas Graves Smith Anderson Ann Pelham & Bob Cullen Lois Pounds Oliver Victoria & J. Porter Durham Drs. Catherine Wilfert & Samuel Katz Nancy Green & Jerome Katz Womble Carlyle Sandridge & Rice Anne Powers Perry & Gerald Perry Edith O’Rear Marion & Walter Eck Steven Winch Carol & Bill Griffith Nancy & Edward Pleasants Michelle Brassard Osenbach Individuals Jessica & Lawrence Erenbaum Pam & Joe Harris Jonathan Prinz Bette & David Ota Carolyn Aaronson Kathleen Erskine $1,000 - $1,999 Trena & Richard Hawkins Mr. & Mrs. John W. Rankin Anne Packer Lessie Arnold Beverly Falls Rita & Benjamin Holloway Tom Rankin & Jill McCorkle Mary Pardo Corporate & Foundation Susan & George Beischer David Ferriero & Gail Zimmerman Anahita Homayoun Dr. John S. & Dellanie A. Risley Lani & David Parker Blue Cross & Blue Shield of N.C. Robert Bliwise June & James Ficklen Kathy & Keith Jackson Sally & Russell Robinson Susan Peters & Stephen Nowicki Iris and B. Gerald Cantor Foundation Laird Blue Cynthia & Jeffrey Forster Patricia & Bill Joklik Judith Ruderman Marjorie & David Pearson Capitol Broadcasting Company Stuart Bondurant & Susan Ehringhaus Joyce & Robert Franke Margaret & Jeff Jones Elizabeth & Henry Sappenfield Susan & Salvatore Pizzo Liggett Vector Brands, Inc. Kathleen Bottomley & W. Jefferson Holt Cavett & Barker French Catherine Karmel & Cyril Tawa Nicole & Aaron Joseph Stahl David Powell McKinney Kayla & Dale Briggs Donna Frosco Laura & James Ladd Susan & Mark Stalnecker Betty & Thomas Powell SunTrust Bank Laura & Maya Brounstein Laura T. Gantt & Joshua Brehm Joanne & John Lott Caroline & John Stewart Susie Powell & Franklin Anderson YMCA of the Triangle Area, Inc. Libby & Lee Buck Esperanza & Gary Gereffi Bonnie Brown Marple Margot & Philip Sullivan Eileen Preiss Terry Huggins Carlitz Jennifer Goodnow & Michael Kaminsky Individuals Leslie & Michael Marsicano Josefina & Edward Tiryakian Beat Franz-Karl Reinhart Lorna & William H. Chafe Karen Gottlieb & Jason Rosenfeld Anne & Onye Akwari Susan & Ralph McCaughan, in honor Debara Tucci & Kevan VanLandingham Victoria Reynolds & John Beerman Ruth & Sidney Cox Janice R. Gregg Elizabeth Allen of the 50th Reunion, Class of 1961 Elizabeth & Edwin Vaden, in honor of Sarah Schroth Anne Prince Cuddy Geoffrey Grisham Alice Lorraine Arthur Margaret S. Morris & Loren Darden the 40th reunion, Class of 1971 Elizabeth A. Shaw & Daniel Gottlieb David Eck, in memory of Heather & Doug Griswold Cynthia & Marvin Barnes Patricia & Thruston Morton Jason Walcott, in honor of the 5th Jean Shearin Walter E. “Chip” Eck III Candace Haigler & Richard Blanton David Beaning Peggy & John Murray reunion, Class of 2005 Mary & James Siedow Joanne Edleman & Karr Linkous Jean & Russell Hall Gail M. D. Belvett Elisabeth & David Nimocks Josie & David Walker Kathleen Sikkema & Michael Merson Eleanor & James Ferguson Harry Harkins, Jr. & Kenneth Stilwell Karen & Daniel Berman Dr. & Mrs. William F. Owen, Jr. Sterly L. Wilder Catherine & William Merritt Singer Patricia Finn Lisa & David Harrington Dolores Bilangi Norman Pendergraft Anna Wu & George Truskey Kevin Sowers Joel L. Fleishman Erin Heiskell Laura Blackwelder Francine & Benson Pilloff Mary Kate Wynperle & James Moriarty Susan Spratt & David Tendler Jodi & Marc Ganz Suzanne Hellmuth & Jock Reynolds Christina L. Bognar Hunt & Harriet & James Poole Douglas & Jacqueline Zinn Cecile & James Srodes Nina Gordon Sara & William Hendrickson Ronald Hunt Nancy Ranney & David Levi Emy Strohlein Lauren C. K. Goslin $250 - $499 Mary Hern & Tennyson Williams Shawn & Susan Bonsell, in honor Adele Ray Adeline & David Talbot Eunice & Herman Grossman Harriet Herring of Victor and Lenore Behar Katharine & Bryan Reid Corporate & Foundation Louise & Banks Talley Pickett & Robert Guthrie Marjorie & Charles Hodges Kelly Braddy Van Winkle & Andrea Reusing & Mac McCaughan Hall-Wynne Funeral Service & Cremation Eleanor & Edwin Thomas Jacqueline H. Harper Ravinder & Loftin Holder Lance Van Winkle Ruth K. Rider Nana’s Restaurant Ann & Robert Timmins Larry Young Hines & Tom Hines Michelle Hooper p. 46 A Year of Contributions A Year of Contributions p. 47 A YEAR OF CONTRIBUTIONS (cont’d) A YEAR OF CONTRIBUTIONS (cont’d)

Caroline Vaughan Mary Brogdon Gail & Stephen Dula Judith & David Hinton Rae Ellen & Preston Martin Theodore Reynolds Jenny Warburg Elaine Hart-Brothers & Johanna Edens Janet Holderness & William Transou Lynn Kellmanson Metheny & Jason Kale Rice, in memory Martha & Samuel Warburton George Brothers Betsy & Ted Ellis Mary-Alice & William Holmes Richard L. Metheny III of Wallace Wilford Kale, T’43 Anne & James Weaver Alexandra Brown Eugene & Randi Ely, in memory Carmen & Richard Warrern Howe Jim May Carol & Curtis Richardson Lawrence J. Wheeler Jackson B. Browning, Jr. of Florence Ely Sarah & William Hufford Laura McBride & William Yaffe Georgia Richter Frances Widmann Jill & Stephen Buckley Edward & Stuart Embree Cynthia & David Hughey Dawn McClendon & Jon Ward Kristen Riefkohl Elisabeth & John Wiener Sally M. Bugg Virginia Greene England, in honor of Linda & William Hylander J. Lawrence & Margaret McCleskey Sarah Rivelli & Xavier Preud’Homme Whitney Wilkerson & Raven Manocchio Alice & Lance Buhl the 45th reunion, Class of 1966 Patricia Inlow-Hatcher & Eileen McCorry & John Derecki Kathy & Doug Roach Susan Williford Susan & Gilbert Buker Susan & David Lee Epstein Anthony Hatcher Nancy & Dean McCumber Dani & Robert Roach Eliza Wolf Jane Bultman & Frederic Dalldorf Jill & Mark Eshmann Melba & Joe Isley John P. McDonagh Sylvianne Roberge Deborah Wong & Richard Riddell Mary & Steven Burnett Diane & Warren Farr Joe Ivey, Jr. Marjorie MacKenzie Wyndham Robertson Kathleen Ann Wright Virginia & Robert Buysse Carrie & C. Andrew Feord Sasha Jackowich Anne Hall McMahon Mary Lou Rollins & Steve Booth Evelyne & Charles Byrd Shirley Few Sandra & Peter Jacobi Margaret McPherson Eileen & Terry Rosenfeld $100 - $249 Michelle & Russ Campbell Carolyn & Frank Field Dhruti & Ronald Jakes Donna & Jeffrey Mensh Al Ross Linda & Philip Carl Barbara & Peter Fish Corporate Noel James & Richard Ammons Joan Mertens Mary Rushing & Wayne Cherry Linda A. Carlisle Jean Fisher St. Joseph’s Historic Foundation Christa & Sheridan W. Johns Diane & Jose Mesa Joannah Saarmaa Holly Lacey Carroll Heather Jordan Fisher & Robert C. Fisher Woman’s Club of Raleigh, Inc. Marjorie & Earl Johnson Lorin, Eddie, Dylan & Matthew Michaels Noris & David Sanders Joan & Willard Cates Nicholas Fleming Jana Johnson & Kristen Rosselli Lauren Millar & Robert Bury Susan Saenger & Gary Gartner Individuals Mary & William Chambers Florence & Donald Forman Katherine B. Johnson Jon L. Miller Marjorie Satinsky Anonymous (2) Eliska Chanlett Sally & Stephen Fortlouis Willie H. Johnson III Mary Ruth Miller Carol Saur Kendall Alford-Madden & Richard Madden Janis & Robert Chevalier W. Michael Foster Rebecca & George Johnstone Kimberly & Thomas Miller Karen & Reto Schneider Lisa & Craig Allen Juline Chevalier Mimi & James Fountain Margaret Jones Dana & Peter Moller Dawn & Douglas Schocken Rachel & Robert Allen Molly & John Chiles Margaret Frampton Marty Trent & James Parker Jones Judith & Larry Moneta Meyressa Schoonmaker Sally A. Allison Marion Johnson Church Sofie Franzen-Moyle Claudia & Robert Kadis Katherine & Gregory Moore Margaret & David Schultz Jodi & John Anderson Barbara Clark Joyce E. Frederick & William T. O’Connor Cynthia & David Kahler Kathleen B. Morrison Jane Scofield Nancy & W. Banks Anderson Mary & Thomas Clayton Barbara & Mitchell Freedman Chancy & Keith Kapp Ellen & Judd Moul Cece & Peter Scott Phyllis & Robert Andrews Carolyn Cofrancesco Lorin Hord & Geoffrey Gann Karen Kariv & Amol Yajnik Ira & Bruce Mueller Gladys & Richard Seaward Janis & James Applewhite Claire Cohen Donna Gans & Michael Newman Barbara & John Kavanagh Kelly & Andrew Muir Jane Seeley C. Murphy Archibald Sandra & Harvey Cohen Alicia Garcia Sharon & Norman Kay Lee Suzanne Murnick, in memory Janet & George Seiz Jeanette Armour Arline & Michael Colvin Susan Gidwitz & B. Gail Freeman Grace & Brooks Keffer of Theodore R. Murnick Shahrazad & Aliyah Shareef Sylvia & Edward Arnett Margaret & John Confalone Muna & John Giragos Sarah Kellam Patricia Murray Sarah Sheridan Katherine & Keith Artin Drs. Keith & Carolyn Conners Carol & Ronnie Goldman Valerie & Ryan Kempf Edith & Talmadge Neece Frances Sherwin & Norman Talner Elizabeth Ash Olisa Corcoran & Richard Runyan Virginia & Henry Grabowski Ann & William Kirkland Alima & Nicholas Nickerson Kitty Sherwin Gay Atkinson Katherine Corrigan Lucy & John Grant Romy & Andrew Kirwin Caroline Nisbet Robert Shoaf Blanche & Zack Bacon Carol & Edward Cowell Jennifer Grausman Caroline Klein Sue & W. Lee Noel Sallie Shuping-Russell Mary Courtney Bailey Ruth & Carlyle Craven Mimi Gredy & Garret Warner Martha & Peter Klopfer Dorothy O’Connell Amy Siegelbaum Roslyn & Sheldon Balbirer Erble & William Creasman Kristen L. Greenaway & Lori S. Ramsey Anne & Jonathan Kotch Michael O’Connell Helen & Donald Silver Donald T. Ball, Jr. Lucy Credle Margaret & Robert Greer Elizabeth Kuniholm Noreen & John Orth Debbie Simmers & Tom Stevens Janet & Peter Bassett Lissa & Philip Crew Bill & Linda French Griffin Nancy Laszlo Richard G. Palmer Ilana Simon Suzanne & Karl Bates Elaine Crovitz Ginger & J. Caulie Gunnells Dorothy Lavine & Nancy Warwick Jean Parish Norma Sims Minta Bell & John Karakash Karen & Alvin Crumbliss Jane & John Hahn Virginia Lee Phyllis Parker Andrew & Kimberly Skelton Donna Bergholz Christine & John Culbertson Cheryl & Charles Hall Susan & Joel Leeb Sara Parker Martha & Samuel Sloan Rhoda L. & Roger M. Berkowitz Kim Curry-Evans Geneviève Hamel & Carl Fortin Bill LeFevre & Polly Nash Monica Pastor & Jonny McDonald Barbara & Charles Smith, in memory Waltraud Bernstein Patricia Daggett Martha & Milton Hamilton Jenny & Jonathan Leinbach Mary Paterson of Dr. Ed Bowen Judy Betterton & Lisa Clement Marybeth & Kenneth Dalsheimer Jane & William Hamner Claire & Fred Levitt Mary Peete Gabe Smith Joan & James Bettman Lorrie L. Dana Cheryl & Kenneth Hampton Maria & John Lewis Patricia Petersen & Douglas Young Cynthia Synder Dorothy Bevan Patty Daniel Mary Hamrick & Randy Hall Joanne & Rodger Liddle Katharine Bader Pfeiffer Meg & Jose Solera Sue Bielawski Lucy Daniels Ernestine & Merel Harmel Laura Lieber & Norman Weiner Ruth & Leland Phelps Melanie Soles Sue Ellen & David Biswell Monique Daniels & Lucas Van Rompay Ellen Harnick & Andrew Krystal Wendy & Troy Livingston Phyllis Pomerantz & Charles Hochman Michael Somich Jeanne & John Blackburn Mariza Daras Christie Harris Linda Logan & James Edney Barry Poss & Michele Pas Wendy & Steven Sorin Ilga & Kurt Blankmeyer Cathy Davidson & Ken Wissoker William Hawkins Carolyn & Frank London MaryCraven & Dennis Poteat Bettina & Donald Stanger M. Robert Blum Mardell & John De Carlo Vaughn Hayes Christine Long Welshie & Farrel Potts Kim Stanley & Ron Djuren Patricia & Stephen Bocckino Rita & Don Denne Lisa & William Heap Katie Lord Dr. and Mrs. Pradeep K. Pradhan Gertrude & John Steel Connie & Elliot Bossen Katherine de Vos Devine Robert Hellwig & Gordon Whitaker Renee Lord Joan & Jack Preiss Katherine G. Stern John Bowman Sheila Dillon & Donald Haggis Susan & Barkley Hendricks David Loven & Duncan Smith Dorothy Pugh & Karl Gottschalk June Stewart-Sansom Jennifer Box Carol & Edward Cowell Corrina & Gordon Herbert Mary Jean & Burt Lowrie Robert Quackenbush Katherine & Gary Stickley Karen Boylston Katrina & Stephen Dooda Lora & Jeffrey Hersh Burkhard MacKensen & Janet & Albert Rabil Jean & Lawrence Stith Joan & Anthony Brannon Marna L. Doucette & Stepehn Quessy Christopher Hester Jutta von Stieglitz Morita Rapoza Ellen Stone Daniel Lee Brawley, Jr. Linda & Patrick Dougherty Susan Hester & Howard M. Du-Bose Rosalie Mandel Patricia & Jerome Reichman W. Gene Story Brian Breedlove Joanne Drake Scott & Richard Hill Nancy Mangum Stephanie & Keith Reimer Barbara Strohbehn & Fred Smith Jennifer Brody Christopher D. Dryden Barbara Hindenach & Tom Kirby CoraLynn H. Marshall Molly Renda Toni Strother

p. 48 A Year of Contributions A Year of Contributions p. 49 A YEAR OF CONTRIBUTIONS (cont’d) PLANNED GIVING

Linda Stryker-Luftig & Mark Luftig Gifts in memory of PLAN YOUR GIFT TO THE NASHER MUSEUM Norma Suddreth Anne L. Schroder, Ph.D Kim & Rob Sullivan Anonymous (2) Art Inspires. Share the Inspiration. Rebecca Swartz & Marty Roupe, Victor & Lenore Behar in memory of Courtney Shives Nancy A. Nasher & David J. Haemisegger With a planned gift to the Nasher Museum of Art at Duke University, you can ensure the inspiration of future Pam & Jack Swinney Louie B. Wood generations by making a gift that will provide for the continued collection, preservation, research and exhibition of art Alan Teasley & Andrew Wheeler C.T. Woods-Powell & Richard Powell of the ages. Lorely & John Temple Rosie G. Thompson Duke University Suppport Just as art is created from different mediums, so are planned gifts: Victoria & William Thornton Center for European Studies* • Life income gifts can provide you and/or your loved ones with an income for the duration of your lives or for a Lee Ann & Larry Tilley Council for the Arts specific number of years. Dianne Timblin & James G. Lewis Department of Art, Art History & Visual Studies* Carolyn Trippe & David Beaudin Duke Magazine* • Charitable lead trusts can be used to transfer assets to a loved one with a significantly reduced tax liability. Renee & Joseph Tyson Duke Medicine Robert Upchurch Duke Performances* • Real estate, tangible property, and securities can be turned into gifts with immediate tax benefits. Kirah Van Sickle Graduate Liberal Studies • Bequests, retirement accounts, and other testamentary gift plans can allow you to make a more substantial gift Patricia Vincent Office of the President than you imagined possible. Dario Rene Vivona Office of the Provost Kimberly & Steven VanHorn Program in the Art off the Moving Image* If you plan an estate or life income gift to benefit the Nasher Museum, you are added to the rolls of the Heritage Charlotte & Stephen Wainwright The Chronicle* Society at Duke University, which honors alumni and friends who have included the Nasher Museum and/or Duke in Esten & Burt Walker their estate plans or have made some other type of planned gift. Charlotte Walton Corporate Matching Gifts Timothy Warmath & Ned Walley ADP Foundation For information about the variety of options for making a gift that best fits both your personal needs and the museum’s needs, please Elizabeth Waud Barclays Capital contact Kristen Greenaway, Director of Development and External Relations at 919-668-3527 or [email protected]. All Janie & John Whaley Burroughs Wellcome Fund inquiries are confidential and without obligation. Jeanne White & Barry Baker Carnegie Corporation of New York Patricia & Arthur Whitehurst Coca-Cola Refreshments USA Inc. Claire & Allen Wilcox Deutsche Bank Americas Foundation O’Hara & Mark Wilkiemeyer Dominion Foundation Anne Williams & John Burness ExxonMobil Foundation A Bequest by Helen & Carl Williams General Electric Company Nerissa E. Williams General Reinsurance Corporation Wallace Fowlie Giner & Gerald Wilson GlaxoSmithKline Foundation Wallace Fowlie (1908-1998) arrived in Durham in 1964 Steven Blair Wilson Goldman Sachs & Company Louie B. Wood HawkPartners LLC and taught French literature at Duke until his death in Megan Wood Hoffmann-La Roche Inc. 1998; he was named the James B. Duke Professor of Sarah & Michael Woodard Huron Consulting Services LLC French in 1968. Fowlie is best known for his critical Kara E. Worthington & IBM International Foundation readings and translations of Rimbaud, Baudelaire, Nik Panagopoulos JP Morgan Chase Foundation Cocteau, and other French writers. Fowlie left an Caroline & Richard Wright, in honor Kirkland & Ellis of Mary D.B.T. Semans Liz Claiborne Foundation unrestricted bequest to the Nasher Museum, and with Teresa Borders Wright & Jennifer Wright McKesson Foundation Inc. those funds the museum was able to purchase Marble Virginia Wu Merck Company Foundation Chair, by Ai Weiwei, one of China’s most prominent and Tiffany & John Yanuklis Occidental Petroleum Charitable Foundation provocative artists. Mr. Ai helped design the Olympic Yvette Yasui & Erik Aronesty The Mountain Company National Stadium known as the Bird’s Nest for the 2008 Dr. & Mrs. Robert K. Yowell UBS Anne Zaldastani & John Griffin Wells Fargo Foundation Summer Games in Beijing. The Marble Chair will become Donna Zapf Western Asset Management Company the focal point of other contemporary Chinese art in the Pilar & Charles Zimmerman Nasher Museum’s collection.

Gifts in honor of Blake Byrne The Nasher Museum makes every Lissa & Philip Crew attempt to ensure the accuracy of its list Susan E. & David H. Gersh of supporters. If you discover an error, Carol & Ronnie Goldman please let us know by contacting our Lorin, Eddie, Dylan & Matthew Michaels development office at 919-668-3527 Nancy A. Nasher & David J. Haemisegger or [email protected]. Please Above: Ai Weiwei, Marble Chair, 2008. Marble, 47 x 22 x 18 inches. Edition unique. Timothy Warmath & Ned Walley accept our sincerest apologies for any Collection of the Nasher Museum of Art at Duke University. Purchased in October 2011 inaccuracies or omissions. with funds provided by the Estate of Wallace Fowlie. Courtesy of the artist and Lisson Gallery, London. Photo by Peter Paul Geoffrion.

p. 50 A Year of Contributions Planned Giving p. 51 THANK YOU Nasher Museum exhibitions and programs are generously supported by the Mary Duke Biddle Foundation, Mary D.B.T. Semans and the late James H. Semans, the late Frank E. Hanscom III, The Duke Endowment, the Nancy Hanks Endowment, the James Hustead Semans Memorial Fund, the K. Brantley and Maxine E. Watson Endowment Fund, the Neely Family Fund, the Janine and J. Tomilson Hill Family Fund, the Marilyn M. Arthur Fund, the E. T. Rollins, Jr. and Frances P. Rollins Fund, the Victor and Lenore Behar Endowment Fund, the George W. and Viola Mitchell Fearnside Endowment Fund, the Sarah Schroth Fund, the Margaret Elizabeth Collett Fund, the Nasher Museum of Art General Endowment, the Office of the President and the Office of the Provost, Duke University, and the Friends of the Nasher Museum of Art.

ABOVE: Duke students demonstrate swing dancing in the Mary D.B.T. Semans Great Hall during an Art for All event drawing students and members of the community. Photo by Dr. J Caldwell. Mission Statement

The Nasher Museum of Art at Duke University promotes engagement with the visual arts among a broad community including Duke students, faculty, and staff, the greater Durham community, the Triangle region, and the national and international art community. The museum is dedicated to an innovative approach, and presents collections, exhibitions, publications, and programs that attain the highest level of artistic excellence, stimulate intellectual discourse, enrich individual lives, and generate new knowledge in the service of society. Drawing on the resources of a leading research university, the museum serves as a laboratory for interdisciplinary approaches to embracing and understanding the visual arts.

Box 90732 Durham, NC 27708 919-684-5135 www.nasher.duke.edu

COVER: Duke students engage with California artist Sean Duffy’s sculpture Burn Out Sun, a buckyball made of 20 vinyl records. Photo by Dr. J Caldwell.