11. Frithjof Schuon and the Perennialist School
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
(“At Variance with Guénon”) of "Frithjof Schuon: Messenger of The
from: Frithjof Schuon: Messenger of the Perennial Philosophy ISBN: 978-1-935493-08-2 from the free Online Library at http://www.frithjofschuon.com/ 11. At Variance with Guénon In my early youth, my salvation was Shrī Shankara, and with him, spiritual virtue; And so I was able to learn: only inspiration, And not vain thinking, can give Wisdom. Then came the notion of tradition: Only the sacred may carry the sacred. All this Guénon wrote in his works with great diligence And zeal. But much still remained to be said!1 Frithjof Schuon always respected the metaphysical and conceptual frame- work articulated by René Guénon, whose writings were particularly important to him at the time when he was beginning to formulate his own perspective. Starting in 1939 and continuing throughout the rest of his life, Schuon delved into many subjects that Guénon never considered or only touched upon lightly, including Buddhism and American Indian spiritu- ality, sacred art in its diverse forms, and, especially, the operative aspects of spiritual realization—prayer of the heart and the human virtues. Martin Lings, who was Guénon’s personal assistant in Cairo during the 1940s, later expressed an observation that first became apparent in these years: “There is nothing in Guénon that is not to be found in Schuon. There is much in Schuon that is not to be found in Guénon.”2 When, after the war, com- munication could be resumed between Guénon in Cairo and Schuon in Lausanne, Guénon was generally supportive of Schuon’s point of view on these subjects and particularly appreciative of Schuon’s interest in American Indian spirituality. -
Sufism in the Western History : a Primary Outline
Sufism in the Western History : A Primary Outline Andrew Rawlinson University of Lancaster Abstract The phenomenon of Western Sufi teachers is unique, not just because of the individuals themselves, though they are certainly fascinating, but because of what they represent: the flowering of the Western genius, which has discovered Eastern traditions, absorbed them and in the process changed them and been changed by them. This paper is a primary outline of the main contours of this phenomenon, trying to brief its history and attempt an explanation of what it means. Keywords: Sufism, Western Sufism, Mysticism, History of Sufism Introduction About a century ago there were no Western gurus - no Westerners who were Hindu swamis, Zen roshis or Sufi sheikhs. Now there are hundreds. From a standing start, the West has produced its own spiritual teachers in traditions that were originally quite foreign. And in the last 25 years, a number of independent teachers have appeared, who belong to no tradition but teach from themselves. These people are changing Western culture by making available a view of the human condition which is new in the West. This view is based on four principles: - human beings are best understood in terms of consciousness and its modifications, - consciousness can be transformed by spiritual practice, - there are gurus/masters/teachers who have done this, - and they can help others to do the same by some form of transmission. Hundreds of thousands of Westerners now accept this teaching. To begin with, it was propounded by Easterners: Buddhists, Hindus and Sufis. But gradually Westerners began to teach the Buddhist, Hindu and Sufi versions of it. -
Outline of Sufism: the Essentials of Islamic Spirituality Appears As One of Our Selections in the Perennial Philosophy Series
World Wisdom The Library of Perennial Philosophy The Library of Perennial Philosophy is dedicated to the exposition of the timeless Truth underlying the diverse reli- gions. This Truth, often referred to as the Sophia Perennis— or Perennial Wisdom—finds its expression in the revealed Scriptures as well as in the writings of the great sages and the artistic creations of the traditional worlds. Outline of Sufism: The Essentials of Islamic Spirituality appears as one of our selections in the Perennial Philosophy series. The Perennial Philosophy Series In the beginning of the twentieth century, a school of thought arose which has focused on the enunciation and expla- nation of the Perennial Philosophy. Deeply rooted in the sense of the sacred, the writings of its leading exponents establish an indispensable foundation for understanding the timeless Truth and spiritual practices which live in the heart of all religions. Some of these titles are companion volumes to the Treasures of the World’s Religions series, which allows a comparison of the writings of the great sages of the past with the perennialist authors of our time. Other WOrks by William stOddart What Does Islam Mean in Today’s World? What Do the Religions Say about Each Other? Christian Attitudes towards Islam, Islamic Attitudes towards Christianity Invincible Wisdom: Quotations from the Scriptures, Saints, and Sages of All Times and Places Remembering in a World of Forgetting: Thoughts on Tradition and Postmodernism Outline of Buddhism Outline of Hinduism Outline of Sufism The Essentials of Islamic Spirituality William Stoddart Foreword by R.W. J. Austin Outline of Sufism: The Essentials of Islamic Spirituality ©2012 World Wisdom, Inc. -
Framing Islam at the World of Islam Festival, London, 1976
Journal of Muslims in Europe 7 (2018) 73-93 brill.com/jome Framing Islam at the World of Islam Festival, London, 1976 Klas Grinell Dep. of Literature, History of Ideas, and Religion, Gothenburg University, Sweden [email protected] Abstract This article focuses on a neglected historical example where contemporary museo- logical framings of Islam in Europe were established—the World of Islam Festival in London, 1976. The material consulted consists of the publications and materials from the Festival Trust, media coverage and academic discussions of the Festival. These are analyzed from a frame theory perspective. The Festival is situated in a very specific historical period after the advent of Gulf oil money, but before the resurgence of Islam and the Iranian revolution. It was framed by the traditionalist perspective of Frithjof Schuon and Seyyed Hossein Nasr and in large part funded by the United Arab Emirates. It is argued that what might at first appear to be a festival celebrating the presence of Muslims in modern Britain acted to stabilize a dichotomy between Islam and moder- nity that is still dominant in museological framings of Islam in Europe. Keywords World of Islam Festival – museums – Islamic art – cultural heritage – traditionalism – 1970s 1 Aims and Introduction The 1976 World of Islam Festival in Britain is certain to be regarded in retrospect as an important milestone in the relations between Islam and Christianity. The effect that it has had in awakening Europeans to the sig- nificance of Islamic civilization is already apparent. © Klas GrinelL, 2018 | doi 10.1163/22117954-12341365 This is an open access article distributed under the terms of the prevailing CC-BY-NC license at the time of publication. -
What Do We Mean When We Say Islamic Art?
What do we mean when we say ‘Islamic art’? A plea for a critical rewriting of the history of the arts of Islam Avinoam Shalem In a book published in 2008, Arnold Hottinger provocatively asserted that as far as the Western stance toward Islam is concerned, Islam does not exist.1 He argued correctly that it is pure fiction to speak about Islam using one sole, monolithic and global term. Moreover, he added that the desire to see in the wide-ranging and diverse ‘worlds of Islam’ a homogenous sphere called Islam is simply an abstract cognitive notion, which, as with any general concept, has its sole origin in the mind of the person who creates this concept or theory. It is quite clear, then, that Hottinger, like many other scholars of Islamic studies, developed his ideas in the critical ‘Post-Edwardian Era’; that is, the period following the death of Edward Said in 2003, in which renewed discussion has taken place around his renowned book Orientalism, first published in 1978.2 The ‘imaginary Orient’, as termed by Linda Nochlin in 1983,3 is not restricted to Western literature but impinges on many other fields and is undoubtedly rooted in the history of European thought, especially in the construction of the image of its major ‘Other’ and the creation of its own historical narrative. And yet, this critical notion can and should also be applied to the field of art history in general, and to the construction of the field of Islamic art history within the larger discipline of Western art history in particular. -
A Hora E O Lugar Das Ordens Sufis Na Tradição Islâmica
A hora e o lugar das Ordens Sufis na tradição islâmica The Time and Place of the Sufi Orders in the Islamic Tradition Mateus Soares de Azevedo1 Investigador independiente (Brasil) Recibido: 25-01-19 Aprobado: 28-02-19 Resumo O que é o Sufismo? Em que ele acredita? O que ele pratica? É ele uma vertente mística do Islã para alguns poucos, ou uma via aberta a muitos? O que são as confrarias ou ordens sufis? Qual a sua natureza e sua razão de ser? Qual a sua origem e seu desenvolvimento histórico? São elas “iniciáticas’’ e destinadas a uma elite espiritual, ou “populares’’ e acessíveis em princípio a todos os fieis? Estas são algumas das questões que este ensaio busca responder. Palavras-chave: Sufismo, Espiritualidade, Pacto da Árvore, Gnosticismo, Esoterismo. Abstract What is Sufism? In what does it believe? What are its main practices? Is it a mystical strand of Islam for a few, or a way open to many? What are the Sufi orders? What are their nature and reason for being? What are their origin and historical development? Are they “initiatic” and aimed at a spiritual elite, or are the Sufi Orders “popular” and accessible in principle to all believers? These are some of the questions that this essay seeks to answer. Key-words: Sufism, Spirituality, Tree Pact, Gnosticism, Esotericism. 1 ([email protected]) Islamólogo e esoterismólogo brasileiro de trânsito internacional, autor de Men of a Single Book: fundamentalism in Islam, Christianity, and modern thought (EUA, 2010); A Inteligência da Fé; Cristianismo, Islã, Judaísmo (Rio de Janeiro, 2006); e Mística Islâmica (Petrópolis, 2002), entre outros livros. -
William C. Chittick Chronological List of Publications Books
1 William C. Chittick Chronological List of Publications Books 1974 The Sufi Doctrine of Rumi: An Introduction. Tehran: Aryamehr University Press, 1974, 96 pp. (New edition 2005) Muqaddima bar `irfān-i Mawlawī. Persian translation by Shihāb al-Dīn `Abbāsī. Ganjīna-yi Ma`nawī-yi Mawlānā. Tehran: Intishārāt-i Murwārīd, 1383/2004, pp. 41-119. 1975 Collaboration with Seyyed Hossein Nasr in An Annotated Bibliography of Islamic Science. Vols. 1-2. Tehran: Imperial Iranian Academy of Philosophy, 1975-78, 432, 317 pp.; Vol. 3, Tehran, 1991; vols. 1 & 2 reprinted Lahore: Suhail Academy, 1985. 1977 Edition of `Abd al-Rahmān Jāmī. Naqd al-nusūs fī sharh naqsh al-fusūs. Persian and Arabic text with critical apparatus, notes, English and Persian introductions, indexes. Tehran: Imperial Iranian Academy of Philosophy, 1977, 648 pp. 1981 A Shi'ite Anthology. Albany: SUNY Press, 1981, 152 pp. http://www.al-islam.org/anthology/index.htm Translation of J. Nurbakhsh (compiler). Sufism [I]: Meaning, Knowledge, and Unity. New York: Khaniqahi-Nimatullahi, 1981, 111 pp. 1982 Fakhruddin ‘Iraqi: Divine Flashes (with P.L. Wilson). With introduction and notes. New York: Paulist Press (Classics of Western Spirituality), 1982, 178 pp. Translation of J. Nurbakhsh. Sufism [II]: Fear and Hope, Contraction and Expansion, Gathering and Dispersion, Intoxication and Sobriety, Annihilation and Subsistence. New York: Khaniqahi-Nimatullahi, 1982, 126 pp. Translation of `Alī ibn Abī Tālib. Supplications (Du'ā). London: Muhammadi Trust, 1982, 66 pp. 1983 The Sufi Path of Love: The Spiritual Teachings of Rumi. Albany: SUNY Press, 1983, 433 pp. 2 Russian translation by Marietta Stepaniants and Andrey Smirnov. -
The Matheson Trust Frithjof Schuon and Sri Ramana Maharshi: A
The Matheson Trust Frithjof Schuon and Sri Ramana Maharshi: A survey of the spiritual masters of the 20th century by Mateus Soares de Azevedo This essay was first published in the journal, Sacred Web (www.sacredweb.com),and is reproduced here with the kind permission of Sacred Web Publishing. Among the most important pillars of spiritual wisdom in the 20th century, Frithjof Schuon (1907-1998) and Sri Râmana Maharshi (1879-1950) clearly occupy a prominent place. Both were “universalists”, that is, they believed in and, in the case of Schuon, explicitly taught, the “transcendent unity of the religions”; both expounded the purest (and also the most intrinsically orthodox) form of perennial gnosis, but each in his own way; both attracted admirers from all the major religions. Schuon in fact was a sage in the double capacity of a pure metaphysician—in the lineage of Shankara, Pythagoras, and Plato—and of an “extra- confessional”, sapiential spiritual guide, with a profound love for all authentic religions, but without attachment to their more “formalistic” and “nationalistic” aspects. Schuon was a teacher of the Uncolored Truth, of the Truth beyond form.1 There are of course distinctions to be made in the scope, completeness, and universality of the metaphysical doctrines which Schuon and the Maharshi expounded, and in the methods of spiritual realization which they advocated. We shall consider these distinctions in what follows. In selecting the German “philosopher” (in the original sense of “lover of wisdom”)—who was also an inspired poet and painter, as his productions in these fields richly show—and the Hindu sage as the main objects of this study, we do not forget the immense importance (especially in the domain of traditional metaphysics, religious symbolism, and the critique of the modern deviation in all its aspects) of the remarkable French metaphysician and esoterist René Guénon (1886-1951). -
Meditating Loss in Relation to Islamic Aesthetics and Spirituality Within Mosque Spaces in Contemporary Singapore
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The art of 'none' to 'nur' : meditating loss in relation to Islamic aesthetics and spirituality within mosque spaces in contemporary Singapore Muhammad Noor Iskandar Othman 2018 Muhammad Noor Iskandar Othman. (2018). The art of 'none' to 'nur' : meditating loss in relation to Islamic aesthetics and spirituality within mosque spaces in contemporary Singapore. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/75885 https://doi.org/10.32657/10356/75885 Downloaded on 29 Sep 2021 20:37:35 SGT THE ART OF ‘NONE’ TO ‘NUR’: MEDITATING LOSS IN RELATION TO ISLA MIC AESTHETICS AND SPIRITUALITY WITHIN MOSQUE SPACES IN CONTEMPORARY SINGAPORE MUHAMMAD NOOR ISKANDAR BIN OTHMAN SCHOOL OF ART, DESIGN AND MEDIA 2018 THE ART OF ‘NONE’ TO ‘NUR’: MEDITATING LOSS IN RELATION TO ISLAMIC AESTHETICS AND SPIRITUALITY WITHIN MOSQUE SPACES IN CONTEMPORARY SINGAPORE MUHAMMAD NOOR ISKANDAR BIN OTHMAN SCHOOL OF ART, DESIGN AND MEDIA A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirements for the degree of Master of Arts (Research) 2018 1 ACKNOWLEDGEMENT For the dreamers who feel so much spirit and consciousness in Art, And the soul craving for the Light to fill the longing in the Heart. I dedicate my gratitude to the Almighty for the bounteous blessings, both manifested and hidden, amidst this journey of discovery. To my supervisor, Dr Gül İnanç, who guided me with conviction, and all rivers of trust and patience, I am forever indebted to your presence. -
Association for Transpersonal Psychology
Volume 51 Association for PSYCHOLOGY TRANSPERSONAL OF THE JOURNAL Number 1, 2019 Transpersonal Psychology Membership Includes: One-year subscription to The Journal of Transpersonal Psychology (two issues) ATP Newsletter Editor’s Note v Professional Members Listing A Memorial Tribute to Ralph Metzner: Scholar, Listings of Schools and Programs Teacher, Shaman (18 May 1936 to 14 March 2019) David E. Presti 1 * Membership Dues: Regular—$75 per year Scientism and Empiricism in Transpersonal Psychology Paul Cunningham 6 Professional—$95 per year Vaccination with Kambo Against Bad Influences: Jan M. Keppel Student—$55 per year Processes of Symbolic Healing and Ecotherapy Hesselink, Michael Supporting—$175 per year Winkelman 28 The Meaning of an Initiation Ritual in a Giovanna Calabrese, Further Information: Descriptive brochure and Psychotherapy Training Course Giulio Rotonda, Pier membership forms available Luigi Lattuada 49 upon request Transcending “Transpersonal”: Time to Join the World Jenny Wade 70 Religious or Spiritual Problem? The Clinical Association for Transpersonal Psychology Relevance of Identifying and Measuring Spiritual Kylie P. Harris, Adam J. P.O. Box 50187 Emergency 89 VOLUME 51 VOLUME Rock, Gavin I. Clark Palo Alto, California 94303 This Association is a Division of the Transpersonal Institute, Book Reviews a Non-Profit Tax-Exempt Organization. The Sacred Path of the Therapist: Modern Healing, Ancient 119 Wisdom, and Client Transformation. Irene R. Siegel Irene Lazarus The Red Book Hours: Discovering C.G. Jung’s Art Mediums Visit the ATP and Journal Web page 124 NUMBER 1 and Creative Process. Jill Mellick Janice Geller at Psychology Without Spirit: The Freudian Quandary. Samuel 127 www.atpweb.org Bendeck Sotillos Binita Mehta Books Our Editors Are Reading: A Retrospective The website has more detailed information and ordering forms * View The second decade (1980-1989) 132 for membership (including international), subscriptions, JTP CD Archive, ATP’s other publications, 2019 and a chronological list of Journal articles, 1969 to the current volume. -
The Islam in Islamic Art History: Secularism and Public Discourse
The Islam in Islamic art history: secularism and public discourse Wendy M.K. Shaw In 1951, Richard Ettinghausen, one of the founding fathers of the discipline of Islamic art history in the United States, explained, Muslim art can also have a special significance for the Muslim world of today. Since this is its one cultural achievement widely accepted and admired by the West, a rededication to it can compensate the East to a certain degree for its scientific and technological retardation, something which neither the oil fields nor strategic location can achieve. Be that as it may, there has been and still is no better ambassador of good will than art. If these considerations are more widely understood, Muslim art and its study will have an important role to play in the future.1 Attitudes towards cultural diversity have become less patronizing over the decades, particularly among those who study cultures that are not their own. Nonetheless, historical objects from the Islamic world continue to be called upon regularly to reduce intercultural tensions in the contemporary world in a manner that often elides differences between past and present, religion and culture, geography and religion. This conjoining of art historical meaning with contemporary social function is not only an inevitable means through which the humanities often justify their funding and position within a broader public sphere, it also reflects the sociopolitical contexts in which all academic work, from the classical philology critiqued in Edward Said’s Orientalism (1978) onwards, has been and continues to be conducted, underwritten and disseminated. While the rhetoric of civilizational hierarchies and alterity revealed in the words of Ettinghausen may have become socially unacceptable in the interim, the practice of using art to represent broader culture continues to the present day, as do perceptions of the Islamic ‘other’ as something that is radically different from the West. -
Book Reviews
BOOK REVIEWS HERLIHY,JOHN. (2011). Wisdom of the senses: The untold story of their inner life. San Rafael, CA: Sophia Perennis. 208 pp. ISBN 9781597311274. Paperback, $18.95. Reviewed by Samuel Bendeck Sotillos. The eye by which I see God is the same as the eye by which God sees me. My eye and God’s eye are one and the same. (Herlihy, p. 40). — Meister Eckhart How often does one hear vague references made to the idea of—‘common sense’—without any reflection as to its underlying meaning? However, an interesting point regarding the notion of a shared world of the senses is that it is all-too-often reduced to what can be empirically verified solely by the five senses, excluding a whole dimension that has been not only acknowledged but also inseparably connected to the function of the senses since time immemorial.1 The Sufi mystical poet and metaphysician Rumi gracefully outlines the indispensable role of this mystical dimension: ‘‘Your head is but a lamp with six wicks: Without that spark, would any remain alight?’’ (p. 3) This volume penned by prolific author John Herlihy2 brings a double-edge to the material at hand. While he moves freely between the diverse spiritual traditions, he is also a committed practitioner of one of them. Readers will be drawn-in by the poetic prose, intermingled with illumined wisdom taken from the world’s religions, together with firsthand encounters with traditional peoples often allowing the reader rare glimpses into unknown worlds as if he or she were actually travelling along.