Coastal Heritage VOLUME 21, NUMBER 1 SUMMER 2006

Total Page:16

File Type:pdf, Size:1020Kb

Coastal Heritage VOLUME 21, NUMBER 1 SUMMER 2006 COASTAL HERITAGE VOLUME 21, NUMBER 1 SUMMER 2006 African roots, Carolina gold SUMMER 2006 • CONTENTS 3 AFRICAN ROOTS, CAROLINA GOLD The African contribution to the immensely lucrative South Carolina rice industry. 8 Coastal Heritage is a quarterly publication CAROLINA gold’s trAIL of the S.C. Sea Grant Consortium, a university- Researchers are using molecular tools to study Carolina Gold’s genetics. based network supporting research, education, and outreach to conserve coastal resources and enhance economic opportunity for the people of South Carolina. Comments regarding this or FORMER RICE FIELDS, DISAPPEARING future issues of Coastal Heritage are welcomed. A rare habitat could soon fade away along the Cooper River. Subscriptions are free upon request by contacting: S.C. Sea Grant Consortium 287 Meeting Street REDISCOVERING CAROLINA RICE Charleston, S.C. 29401 There is a growing interest in reviving heirloom rice varieties such as Carolina Gold. phone: (843) 727-2078 e-mail: [email protected] 4 Executive Director EBBS AND FLOWS M. Richard DeVoe • Beach Sweep/River Sweep Annual Litter Cleanup Director of Communications • 9th International Conference on Shellfish Restoration Susan Ferris Hill Editor John H. Tibbetts Art Director ON THE COVER: Inside a former rice mill at Middleton Place Carl Turner on the Ashley River, a pestle rests in a mortar. These tools were used to pound rice to remove the husks. PHOTO/WADE SPEES Board of Directors The Consortium’s Board of Directors is composed of the chief executive officers of its member institutions: Dr. Andrew A. Sorensen, Chair President, University of South Carolina James F. Barker President, Clemson University John E. Frampton Executive Director S.C. Department of Natural Resources Dr. Raymond S. Greenberg President, Medical University of South Carolina Dr. Conrad D. Festa Interim President, College of Charleston Dr. Andrew H. Hugine, Jr. President, S.C. State University LINE DRAWING COURTESY OF MIDDLETON PLACE Dr. Ronald R. Ingle President, Coastal Carolina University Lt. General John W. Rosa COPYRIGHT © 2006 by the South Carolina Sea Grant Consortium. All rights reserved. President, The Citadel • COASTAL HERITAGE African roots, Carolina gold By John H. Tibbetts n the early 1960s, when Emory S. Campbell was a young RICE TRADITION. The Gullah people “cook and man, he moved from his family home on Hilton Head eat rice today as we always did,” says Emory S. Island to Boston and suffered a bout of culinary shock. Campbell, former executive director of the Penn “It took me a long time,” he says, “to adjust to the fact that Center on St. Helena Island. Ithere was something other than rice that people could eat PHOTO/WADE SPEES for dinner.” Hilton Head’s population was tiny during Campbell’s youth, with only 1,125 residents in 1950. Connected to the Island. Since his retirement in 2003, Campbell has mainland by ferry, the island was isolated, and the Campbell continued as an educator and consultant, describing the family—like other African Americans on the island— culture of his fellow Gullah/Geechee people, descendants embraced traditional folkways. And that included eating rice of African slaves who labored on antebellum rice planta- at every evening meal. tions. Along the coast of the Carolinas, they are known The Campbells would simmer meats, vegetables, beans, as Gullah, but in Georgia and northern Florida they are or field peas in a stew, which was poured over rice. In winter, called Geechee. they’d add oysters to the mix; in the summer, shrimp or garden The Gullah people have struggled to sustain their greens. “You’d have fish or vegetables prepared in such a way folkways in a time of rapid coastal development. While that you put it over rice,” says Campbell. “Collard greens, pressures of the modern world have diluted their creole cabbage, lima beans—all those are cooked in a soup or gravy language and culture, a blend of African and European that you’d put over the rice.” For breakfast the family usually influences, the Gullah attachment to rice remains strong. ate grits, but on special occasions the children might be lucky Scholars in recent years have gained insights into enough to eat rice, a “real treat.” the African contribution to Carolina rice’s origins, rice’s After a few years in Boston, Campbell returned to South place in lowcountry history and its creole cuisine, and the Carolina as executive director of the Penn Center on St. Helena grain’s role in the Atlantic world of trade and slavery. SUMMER 2006 • 3 Joseph Opala, who teaches similar ways? Because Africans of the the region in the mid-fifteenth century. African-American history at James Rice Coast and many lowcountry blacks Before European contact, West Madison University in Harrisonburg, have a shared ancestry split by slavery. Africans knew how to grow it in dry Virginia, has examined the similarities Centuries and human bondage didn’t upland areas and in irrigated wetlands; between lowcountry Gullah culture destroy many cultural links, particularly and how to plug hollow tree trunks as and that of the “Rice Coast” of West those of traditional foodways. irrigation devices for cultivation, Africa, a 700-mile, six-nation region. Says Opala, “The dishes prepared among other techniques. Opala worked for 17 years in in Sierra Leone are very similar to By the 1720s, Carolina rice Sierra Leone, where rice is not only the ones that are traditionally prepared in growers were telling slave traders that nation’s staple crop but it is also central South Carolina, and in some cases they wanted skilled Africans from the to the people’s identity. “They’d say, have exactly the same names. When I Rice Coast above all others. During ‘Joe, we’re Sierra Leoneans, we’re rice told Sierra Leoneans that the Gullah the eighteenth century, more enslaved eaters. We eat rice three times a day, eat okra soup, red rice, and rice and Africans from the Rice Coast were morning, noon, and night. Other foods greens, they became convinced that hauled into the ports of Charleston are fine, but if we ever go to bed with lowcountry people were family.” and Savannah than any other African our bellies empty of rice, we’re just region. “Rice growing was a particu- miserable.’ ” ATTACHMENT TO RICE larly complex form of agriculture, and When Opala later visited the that’s why planters needed people from South Carolina sea islands, Campbell Over the past few decades, that part of Africa,” says Opala. met him at the airport and explained, scholars have unearthed evidence that “There’s a pretty substantial “Joe, this is your first time here on the many cultivation techniques used on literature now on technical connec- islands, and I’ve got to tell you. We’re early rice plantations in North tions between the Rice Coast and the Gullah, we’re rice eaters. If we don’t America originated on the Rice Coast lowcountry,” of South Carolina and have rice, we’re miserable.” of West Africa. Georgia, Opala adds. “We know what How could two peoples thousands West Africans had been growing kinds of rice-growing techniques of miles apart, separated by the Atlantic rice for thousands of years before existed along the Rice Coast and how Ocean, describe themselves in such Portuguese mariners began exploring that knowledge affected the rice “The slaves knew more about the business of the rice plantation than the family that had owned that plantation for generations.” — Joseph Opala In early March through April, female slaves walked barefoot between rows, dropping rice seed into holes created by their toes, then tamping it down Lowcountry slaves hoed fields three with their heels. or four times from early June to early August. Hoeing was exhausting. The month of June, not surprisingly, was 4 •• COASTAL HHERITAGE the month highest in runaway slaves. industry of the eighteenth century the best of everything: horses, houses, were completed. In the early nine- lowcountry. The slaves knew more clothes, art, furniture, and food. One teenth century, a lowcountry slave about the business of the rice observer pointed out that their noted, “Most everybody have rice of plantation than the family that had luxuries denote “a higher degree of their own, for we all had land to plant, owned that plantation for genera- taste and love of show” than those and most everyday we done our task tions. But one of the things that found in northern states. time enough to work for ourselves.” hasn’t been written about much is Although they could afford a To supplement rice dishes, Africans how rice is central to the cultures cornucopia of grains, planters paid would add fish or wild game or use of the Gullah and of the people of thrice-daily respects to rice. In planta- leftovers from the planters’ hog killings the Rice Coast.” tion houses and summer homes, rice was such as pig’s feet, ears, heads, and entrails. Rice was also precious to the at the heart of every course of every After the Civil War, the Carolina lowcountry aristocrats who enslaved meal: soups, main dishes, side dishes, rice economy struggled and then died West Africans. Particularly before desserts, and breads. Carolina Gold rice out. The grain’s importance to high the Civil War, the swells of —the variety named for its dazzling color society faded. For the Gullah people, Charleston, Savannah, Beaufort, in fields—was famous for its cooking however, rice has sustained its central and Georgetown revered the grain. qualities, aroma, flavor, and texture. place through generations, though it was From the 1720s to 1860, no other Monthly rations of rice, mean- either grown locally as a subsistence crop commodity was remotely as impor- while, were given to plantation slaves.
Recommended publications
  • SOUTHERN CUISINE Chefs Add Their Own Local Interpretations for an Eclectic Cross-Section of the Popular Regional Fare
    SOUTHERN CUISINE Chefs add their own local interpretations for an eclectic cross-section of the popular regional fare. By Amelia Levin Courtesy of Saltyard Courtesy lassic Southern dishes— cuisine is evolving in that it’s a little a lot of cured meats, pickled vegetables, thanks to their comforting less about all the butter and cream and canned fruits and jams,” he says. appeal and bold flavors— and fried food and more about the Ccontinue to rage in popularity, regardless approach to ingredients.” northern interpretations of whether or not you’re in the South. As Even KFC has gone regional, recently a cuisine type, Southern-style food ranks Kevin Sbraga, chef/owner of The introducing Nashville-style hot fried third in popularity (39% of consumers) Fat Ham, Philadelphia, has proved chicken. “Southern cuisine is sort of behind Mexican and “contemporary that Southern food can be redefined like barbecue—the flavors are very American” food, according to Chicago- no matter your location, using local different, whether you’re in Memphis or based market intelligence agency Mintel. ingredients. Longing for the cuisine he the Carolinas,” says Leahy. grew up with during his years in the Many chefs are redefining what South, Sbraga, like Leahy, puts his own Southern cuisine means in different ingredient-centric spin on hot chicken, soaking the bird parts of the South and even in the in buttermilk and frying it in lard, then Given the diversity of Atlanta, Leahy North, zeroing in on specific regions tossing it with a cayenne-based hot says he doesn’t feel as driven by region from the Carolinas to the Deep South, sauce and resting the crisp meat atop a as he does by seasonal, local ingredients, Ham The Fat of Courtesy Louisiana and beyond as they add their slice of white sandwich bread baked at Courtesy of Magnolias Courtesy though he grew up in the South.
    [Show full text]
  • Charleston Gold: a Direct When Culinary Taste Favored Rice in Composite the Civil War
    The Rice-Paper is the electronic newsletter of the CGRF. Published periodically, it collects the most recent findings in the botany, cultivation, material culture, culinary preparation, and history of Carolina Gold Rice and associated heritage grains. Contributions and editorial correspondence should be directed to Dr. David S. Shields at the University of South Carolina: [email protected]. The information published here appears as a public service. CGRF encourages republication of The Rice-Paper’s contents provided there is no alteration of the substance of the material being reproduced, that the reproducer does not profit from the republication, and that a clear and full credit is given to author and source of the material. on the plate, Carolina Gold emerged at a time years it was on the world market. It was lost with Charleston Gold: A Direct when culinary taste favored rice in composite the Civil War. Charleston Gold is a new variety Descendant of Carolina dishes—pilaus, perloos, bogs, and stews—in of the fabled grain, carrying on the tradition of which the ability to complement the flavors of Ward‟s „long grain‟ Gold Seed Rice. Gold other ingredients was paramount. Non-aromatic rices were deemed superior to aromatic varieties th By David S. Shields in the United States. During the 20 century an aesthetic shift occurred—the perfumed rices of Charleston Gold, a short-stalked aromatic South Asia and India—Jasmine and Basmati descendent of America‟s most historic rice, enjoyed rising favor in America and world wide, Carolina Gold, was approved for release by the particularly when rice operated as a separate side Texas Department of Agriculture on February 11, dish.
    [Show full text]
  • California Cuisine
    SUMMER 2016 explore California cuisine Discover Central Texas Barbecue Brisket corporate training chefs enjoy a work-life balance sizzle The American Culinary Federation features Quarterly for Students of Cooking NEXT Publisher 18 Consider the Environment IssUE American Culinary Federation, Inc. Environmental responsibility extends to a • sustainable food Editor-in-Chief restaurant’s water and energy conservation. Learn • root vegetables Jody Shee helpful measures that also save money. • home food delivery chef Senior Editor 24 Southern Cuisine Kay Orde The popular regional fare leaves room for local Graphic Designer interpretations for an eclectic cross-section of eateries and David Ristau consumer preferences. Contributing Editors Rob Benes 30 Train Others for Success Suzanne Hall Ethel Hammer Learn why some industry veterans love Amelia Levin the job of corporate training chef, where they work on restaurant openings and Direct all editorial, advertising and subscription inquiries to: then move on to the next project. 18 24 30 American Culinary Federation, Inc. 180 Center Place Way St. Augustine, FL 32095 (800) 624-9458 [email protected] departments Subscribe to Sizzle: 4 President’s Message www.acfchefs.org/sizzle ACF president Thomas Macrina, CEC, CCA, AAC, sees a bright culinary future. For information about ACF certification and membership, 6 Amuse-Bouche go to www.acfchefs.org. Student news, opportunities and more. 10 Slice of Life Anica Hosticka walks us through a memorable day in her apprenticeship program at facebook.com/ACFChefs @acfchefs the University of Notre Dame, Notre Dame, Indiana. 12 Classical V. Modern Sizzle: The American Culinary Federation Quarterly Thomas Meyer and Nate Marsh of Kendall College, Chicago, demonstrate two ways for Students of Cooking (ISSN 1548-1441), Summer Volume 13, Number 2, is owned by the of making Central Texas barbecue brisket and sides.
    [Show full text]
  • Bunce Island: a British Slave Castle in Sierra Leone
    BUNCE ISLAND A BRITISH SLAVE CASTLE IN SIERRA LEONE HISTORICAL SUMMARY By Joseph Opala James Madison University Harrisonburg, Virginia (USA) This essay appears as Appendix B in Bunce Island Cultural Resource Assessment and Management Plan By Christopher DeCorse Prepared on behalf of the United States Embassy, Sierra Leone and Submitted to the Sierra Leone Monuments and Relics Commission November, 2007 INTRODUCTION Bunce Island is a slave castle located in the West African nation of Sierra Leone. Slave castles were commercial forts operated by European merchants during the period of the Atlantic slave trade. They have been called “warehouses of humanity.” Behind their high protective walls, European slave traders purchased Africans, imprisoned them, and loaded them aboard the slave ships that took them on the middle passage to America. Today, there were about 40 major slave castles located along the 2,000 miles of coastline stretching between Mauritania in the north and Benin in the south. British slave traders operated on Bunce Island from about 1670 to 1807, exiling about 30,000 Africans to slavery in the West Indies and North America. While most of Bunce Island’s captives were taken to sugar plantations in the Caribbean Basin, a substantial minority went to Britain’s North American Colonies, and especially South Carolina and Georgia. Given the fact that only about 4% of the African captives transported during the period of the Atlantic slave trade went to North America, Bunce Island’s strong link to that region makes it unique among the West African slave castles. Bunce Island’s commercial ties to North America resulted, as we shall see, in this particular castle and its personnel being linked to important economic, political, and military developments on that continent.
    [Show full text]
  • The Cultural Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking Corey David Hotard Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Social and Behavioral Sciences Commons Recommended Citation Hotard, Corey David, "Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking" (2015). LSU Doctoral Dissertations. 1493. https://digitalcommons.lsu.edu/gradschool_dissertations/1493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JUST THROW IT IN THE POT! THE CULTURAL GEOGRAPHY OF HIDDEN LANDSCAPES AND MASKED PERFORMANCES IN SOUTH LOUISIANA GUMBO COOKING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Corey David Hotard BA, Louisiana State University, 1999 MA, Louisiana State University, 2003 December 2015 Dedicated to those who left before me: Dr. Thomas Eubanks, Lester Landry, Dr. Miles Richardson, Augie Fragala and Jamie Lapeyrouse Cox ii ACKNOWLEDGEMENTS If it takes a village to raise a child, it takes a city to complete a dissertation! The first people that deserve acknowledgements are definitely my parents.
    [Show full text]
  • Media Release
    Smithsonian Anacostia Community Museum New Media only: Marcia Baird Burris (202) 633-4876; (202) 320-1735 (cell) sAugust , 2010 Media website: http://newsdesk.si.edu; http://anacostia.si.edu (media room) “Word, Shout, Song: Lorenzo Dow Turner Connecting Community through Language” On View at the Anacostia Community Museum through March, 27, 2011 The Smithsonian’s Anacostia Community Museum presents the groundbreaking exhibition “Word, Shout, Song: Lorenzo Dow Turner Connecting Community through Language” on view from Aug. 9 through March 27, 2011. Curated by Alcione Amos and the first exhibition based almost entirely on one of the museum’s special collections, “Word, Shout, Song” looks at the life, research and scholarship of Lorenzo Dow Turner, perhaps the first African American linguist. It also focuses on how his discoveries linked communities in Africa to the New World through language. “In assembling this exhibition, most exciting to me was how I was able to connect words from Portuguese, Gullah and English to their African origins, 80 years later, based on Turner’s work in the 1930s,” said Amos. “His work is still relevant today.” “Word, Shout, Song” is three stories in one: scholarship and success against the odds, a quest to crack a linguistic code and a discovery spanning continents. The exhibition presents Turner’s pioneering work, which in the 1930s established that people of African heritage, despite slavery, had retained and passed on their cultural identity through words, music and story wherever they landed. His research focused on the Gullah/Geechee community in South Carolina and Georgia, whose speech was dismissed as “baby talk” and “bad English.” He confirmed, however, that quite to the contrary the Gullah spoke a Creole language and that they still possessed parts of the language and culture of their captive ancestors.
    [Show full text]
  • Roxbury Summer 2021 Menu
    STARTERS ENTREES Peel & Eat Edisto Shrimp Roxbury Platters - choice of two sides half order 12 / full order 17 pick one 19 / pick two 22 / pick three 25 pulled pork / grilled chicken Crab Dip 12 shrimp / flounder / oysters +2 blue crab, served chilled with ritz crackers - grilled upon request - Hickory Smoked Wings six 9 / dozen 16 Lowcountry Boil 19 original, or tossed in roxbury gold bbq, Korean pepper, honey siracha or buffalo sauce - choice of ranch or blue cheese Edisto shrimp, andouille sausage, corn, potatoes Fried Green Tomatoes 8 Chicken Tenders & Fries 13 buttermilk brined, hand breaded dusted in locally milled cornmeal, with cajun mayo Hickory Smoked Ribs - choice of two sides Pimento Cheese 6 one-third rack 17 / two-thirds 21 / full rack 28 house-made, served with ritz crackers - add chicken 6/shrimp 6/oysters 8/flounder 6 Crab Cakes 14 Shrimp & Grits 18 blue crab, topped with cajun mayo creole or bourbon-butter style, served over stone ground SOUP AND SALADS Marsh Hen Mill grits Charleston She Crab Soup cup 7 / bowl 10 SANDWICHES Clemson Wedge Salad 10 includes choice of side baby iceberg, house-made Clemson blue cheese dressing, Roxbury Burger* 12 bacon, tomato, cucumber, blue cheese crumble Brasstown grass-fed beef, shaved onion, American cheese Carolina Caprese 9 - add lettuce and tomato 1 / hickory smoked bacon 1 tomato, mozzarella, basil, olive oil, balsamic glaze Southern Burger* 15 Caesar Salad 9 fried green tomato, bacon, pimento cheese, bacon jam little gem romaine, creamy parmesan dressing Pulled Pork Sandwich 11
    [Show full text]
  • Staging the Amistad Contents
    Staging the Amistad Contents Introduction: Staging the Amistad vii Matthew J. CHRISTENSEN Timeline xxvii Sengbe Pieh: A Ballad 1 CHARLIE HAFFNER Amistad Kata-Kata 7 CHARLIE HAFFNER The Amistad Revolt 61 (Adapted from the Novel Echo of Lions, by Barbara Chase-Riboud) YULISA AMADU Maddy The Broken Handcuff 121 Raymond E. D. DE’SOUZA George Acknowledgments 161 Notes 163 Suggested Reading 167 v Introduction Staging the Amistad Matthew J. CHRISTENSEN Any black African artist who performs his art seriously, professionally and with sincere dedication to his people ought to use the past with the intention of opening up the future, as an invitation to action and a basis for hope. He must take part in the action and throw himself body and soul into the national struggle. —Yulisa Amadu Maddy (paraphrasing Frantz Fanon), “His Supreme Excellency’s Guest at Bigyard” Included HERE in print for the first time are historical dramas about the Amistad slave revolt by three of Sierra Leone’s most influen- tial playwrights of the latter decades of the twentieth century, Charlie Haffner, Yulisa Amadu Maddy, and Raymond E. D. de’Souza George. Prior to the initial public performance of the first of these plays, Haff- ner’s Amistad Kata-Kata, in 1988, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had remained an unrecognized chapter in the country’s history. For the three playwrights, the events of the insurrection provided a vii matthew j. christensen new narrative for understanding Sierra Leone’s past and for mobilizing the nation to work collectively toward a just and prosperous future.
    [Show full text]
  • Expore-Rochester.Pdf
    Three locations, endless choices. Athleta l Bar Louie Barnes & Noble Carter’s l Charming Charlie Field & Stream Forever 21 RED l Francesca’s LEGO LOFT l Regal Cinemas RPM Raceway The Melting Pot l Vera Bradley Von Maur THE MALL AT GREECE RIDGE • EASTVIEW • THE MARKETPLACE MALL WWW.ROCHESTERMALLS.COM GET THE ROCHESTER MALLS’ MOBILE APP TODAY! CONTENTS 4 UPFRONT 58 SHOPPING 87 EASY DAY TRIPS 14 SPECIAL EVENTS 62 SPORTS & RECREATION 92 ACCOMMODATIONS 26 ENTERTAINMENT & THE ARTS 72 PARKS & GARDENS 94 MAPS 38 DRINK 78 MUSEUMS 98 FOR MORE INFORMATION 46 FOOD 84 EDUCATION INDEX TO ADVERTISERS The Agitators EDIA at Geve Theatre Features M Center 12 YEAR OF DOUGLASS 56 THE PUBLIC MARKET Celebrating the 200th anniversary of the birth Hailed as one of the greatest NTERTAINMENT ACTORY of famous Rochesterian Frederick Douglass. outdoor markets in the country, E F the Rochester Public Market 24 CITY OF THE ARTS draws tens of thousands of OAT G Rochester proudly boasts one of the visitors each weekend. most vibrant arts and culture scenes you’re likely to fi nd in a midsize city. 70 120TH ANNUAL LILAC FESTIVAL 36 CRAFT BEER DESTINATION Rochester’s famous festival of fl ora Some 40 breweries dot the Greater Rochester turns 120 years old this spring. region, including several within city limits. / 24 76 DELIGHTFUL DETOURS 44 DOWNTOWN ROCHESTER COM REBIRTH Get lost in these fun experiences . at Rochester’s coveted Hip new eateries are popping up USCEMI Memorial Arts Gallery. throughout the center city, breathing B new life into downtown 86 THE CRYSTAL CITY NDY A 44 A short jaunt away, Corning, N.Y.
    [Show full text]
  • Summer/Autumn 2013 BOOK NOW Through Your TRAVELBAG Travel Agent Contents 38 12
    Summer/Autumn 2013 BOOK NOW through your TRAVELBAG travel agent Contents 38 12 FEATURES 12-27 LATIN AMERICA Ultimate to do list 28-31 COSTA RICA In need of a little Adventure? 38-65 USA Charleston - Where history lives Your Guide to the Capital Region California - Seeing Stars 00-00 Discover Vegas & The Grand Canyon 66-81 ABU DHABI Your Guide to Abu Dhabi 82-131 AUSTRALIA There’s nothing like Australia Melbourne & Beyond A barmy summer in Queensland The Legendary Pacific Coast Western Australia - Into The Blue David Gower’s Perth 136 Tasmania - This Island was made for walking South Australia - A Genuine Australian Experience Revelling in Australia’s Red Centre Not the Ashes but Alice Springs 136-139 KENYA 72 28 African Adventures 140-157 CANADA & ALASKA Alberta - River Deep, Mountain High Find Your Alaska LIFESTYLE 158 Essential Holiday Reading 159 Top Travel Apps 160 Where in the World Published by: Travelbag, 205 Kensington High Street, London, W8 6BA Web: www.travelbag.co.uk 82 Publisher: Paul Hopkinson Design: Adrian Legouix Matt Sidebottom © Travelbag 2013. The opinions in this publication do not necessarily reflect the views of Travelbag. All reasonable attempts have been made to clear copyright before publication. 140 2959 Accredited .V0654 Agent 4 Escape To book call 0844 846 8992 Escape 5 WELCOME TAILOR-MADE TRAVEL EXPERTS Whatever your dream holiday is, let us inspire you with this issue of Escape Magazine. Whether your kind of When Travelbag began back in 1979, we wanted to offer more than package holidays, and that’s just one holiday is an adventurous escape, a relaxing retreat or an urban exploration, settle down, have a read and let us of the reasons why we’re still tailor-making holidays more than 30 years after and it’s no surprise that we’ve transport you to some of the most interesting, exotic and exciting destinations in the world including Australia, established ourselves as a leader in this market.
    [Show full text]
  • NOTES Preface – Track One Introduction: 'Years of Distant
    NOTES preface – track one 1 Tim Bale, The Conservatives Since 1945: The Drivers of Party Change (2012), 00:02:04. introduction: ‘Years of Distant Wandering’ – track two 1 00:00:00 2 David Hancock, Citizens of the World: London Merchants and the Integration of the British Atlantic Community, 1735–1785 (1997), 00:03:21. 3 Anna Maria Falconbridge, Narratives of Two Voyages to the River Sierra Leone during the years 1791-1792-1793 (1794), 00:09:43. 4 Hancock, Citizens of the World, 00:13:29. 5 Falconbridge, Narratives of Two Voyages. 00:13:50 6 Among the first to work on Bunce Island was Dr M. C. F. Easmon in the 1940s. From the 1970s onwards the American archaeologist Joseph Opala became heavily involved in research into the island and its place in the Atlantic slave trade. It was Opala who made the links between Bunce Island and the Gullah people of South Carolina and Georgia. More recent work has been carried out by the American archaeologist Christopher DeCorse. 00:17:04 7 See Edward Ball, Slaves in the Family (1998). 00:18:03 8 Gretchen Gerzina, Black London: Life before Emancipation (1995), 00:26:25. 9 Geoffrey Littlejohns, Independent, 7 August 1995, quoted in Sukhdev Sandhu, London Calling: How Black and Asian Writers Imagined a City (2004), 00:26:41. 10 The date for this speech is often given as 1964. Most sources however report that it was delivered on 23 April 1961. 00:27:05 11 Ben Jackson and Robert Saunders, Making Thatcher’s Britain (2012), 00:29:31.
    [Show full text]
  • University of Florida Thesis Or Dissertation Formatting
    “I BEAR WITNESS”: AN AFRICAN’S QUEST FOR FAITH AND COMMUNITY IN THE ATLANTIC WORLD By JOSEPH ALAN BEATTY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 © 2014 Joseph Alan Beatty 2 "Do not imagine that the negroes in any condition of servitude in these countries, are a happy and contented people: believe me, there is not a man stolen from his country, and carried into slavery, who does not feel more misery, and undergo more suffering, than I have the power or inclination to describe." R. R. Madden, 1835. 3 ACKNOWLEDGMENTS I owe a great deal of thanks to many people who have guided me along the way. I am grateful for funding provided the University of Florida and the Department of History through the Alumni Fellowship and various assistantships. Thanks go to my committee: Jon Sensbach, Juliana Barr, David Geggus, Susan O’Brien, and Terje Ostebo for the guidance they offered in bringing this project to a successful end. This project bears the marks of their instruction and advice. I owe special thanks also to Dr. Sheryl Kroen who helped me to find a good heading at the outset of my writing. There are innumerable librarians and archivists who have earned my respect and admiration. In particular, Richard Phillips and Paul Losch at the University of Florida Latin American Collection for maintaining a wonderful library and archives and for allowing me liberal access to their resources. Also, thanks go to the staff of the University of Florida Special Collections Library, the Georgia Historical Society, the Hargrett Room at the University of Georgia, and the University of Georgia Marine Institute at Sapelo Island.
    [Show full text]