Coastal Heritage VOLUME 21, NUMBER 1 SUMMER 2006
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SOUTHERN CUISINE Chefs Add Their Own Local Interpretations for an Eclectic Cross-Section of the Popular Regional Fare
SOUTHERN CUISINE Chefs add their own local interpretations for an eclectic cross-section of the popular regional fare. By Amelia Levin Courtesy of Saltyard Courtesy lassic Southern dishes— cuisine is evolving in that it’s a little a lot of cured meats, pickled vegetables, thanks to their comforting less about all the butter and cream and canned fruits and jams,” he says. appeal and bold flavors— and fried food and more about the Ccontinue to rage in popularity, regardless approach to ingredients.” northern interpretations of whether or not you’re in the South. As Even KFC has gone regional, recently a cuisine type, Southern-style food ranks Kevin Sbraga, chef/owner of The introducing Nashville-style hot fried third in popularity (39% of consumers) Fat Ham, Philadelphia, has proved chicken. “Southern cuisine is sort of behind Mexican and “contemporary that Southern food can be redefined like barbecue—the flavors are very American” food, according to Chicago- no matter your location, using local different, whether you’re in Memphis or based market intelligence agency Mintel. ingredients. Longing for the cuisine he the Carolinas,” says Leahy. grew up with during his years in the Many chefs are redefining what South, Sbraga, like Leahy, puts his own Southern cuisine means in different ingredient-centric spin on hot chicken, soaking the bird parts of the South and even in the in buttermilk and frying it in lard, then Given the diversity of Atlanta, Leahy North, zeroing in on specific regions tossing it with a cayenne-based hot says he doesn’t feel as driven by region from the Carolinas to the Deep South, sauce and resting the crisp meat atop a as he does by seasonal, local ingredients, Ham The Fat of Courtesy Louisiana and beyond as they add their slice of white sandwich bread baked at Courtesy of Magnolias Courtesy though he grew up in the South. -
Charleston Gold: a Direct When Culinary Taste Favored Rice in Composite the Civil War
The Rice-Paper is the electronic newsletter of the CGRF. Published periodically, it collects the most recent findings in the botany, cultivation, material culture, culinary preparation, and history of Carolina Gold Rice and associated heritage grains. Contributions and editorial correspondence should be directed to Dr. David S. Shields at the University of South Carolina: [email protected]. The information published here appears as a public service. CGRF encourages republication of The Rice-Paper’s contents provided there is no alteration of the substance of the material being reproduced, that the reproducer does not profit from the republication, and that a clear and full credit is given to author and source of the material. on the plate, Carolina Gold emerged at a time years it was on the world market. It was lost with Charleston Gold: A Direct when culinary taste favored rice in composite the Civil War. Charleston Gold is a new variety Descendant of Carolina dishes—pilaus, perloos, bogs, and stews—in of the fabled grain, carrying on the tradition of which the ability to complement the flavors of Ward‟s „long grain‟ Gold Seed Rice. Gold other ingredients was paramount. Non-aromatic rices were deemed superior to aromatic varieties th By David S. Shields in the United States. During the 20 century an aesthetic shift occurred—the perfumed rices of Charleston Gold, a short-stalked aromatic South Asia and India—Jasmine and Basmati descendent of America‟s most historic rice, enjoyed rising favor in America and world wide, Carolina Gold, was approved for release by the particularly when rice operated as a separate side Texas Department of Agriculture on February 11, dish. -
California Cuisine
SUMMER 2016 explore California cuisine Discover Central Texas Barbecue Brisket corporate training chefs enjoy a work-life balance sizzle The American Culinary Federation features Quarterly for Students of Cooking NEXT Publisher 18 Consider the Environment IssUE American Culinary Federation, Inc. Environmental responsibility extends to a • sustainable food Editor-in-Chief restaurant’s water and energy conservation. Learn • root vegetables Jody Shee helpful measures that also save money. • home food delivery chef Senior Editor 24 Southern Cuisine Kay Orde The popular regional fare leaves room for local Graphic Designer interpretations for an eclectic cross-section of eateries and David Ristau consumer preferences. Contributing Editors Rob Benes 30 Train Others for Success Suzanne Hall Ethel Hammer Learn why some industry veterans love Amelia Levin the job of corporate training chef, where they work on restaurant openings and Direct all editorial, advertising and subscription inquiries to: then move on to the next project. 18 24 30 American Culinary Federation, Inc. 180 Center Place Way St. Augustine, FL 32095 (800) 624-9458 [email protected] departments Subscribe to Sizzle: 4 President’s Message www.acfchefs.org/sizzle ACF president Thomas Macrina, CEC, CCA, AAC, sees a bright culinary future. For information about ACF certification and membership, 6 Amuse-Bouche go to www.acfchefs.org. Student news, opportunities and more. 10 Slice of Life Anica Hosticka walks us through a memorable day in her apprenticeship program at facebook.com/ACFChefs @acfchefs the University of Notre Dame, Notre Dame, Indiana. 12 Classical V. Modern Sizzle: The American Culinary Federation Quarterly Thomas Meyer and Nate Marsh of Kendall College, Chicago, demonstrate two ways for Students of Cooking (ISSN 1548-1441), Summer Volume 13, Number 2, is owned by the of making Central Texas barbecue brisket and sides. -
Bunce Island: a British Slave Castle in Sierra Leone
BUNCE ISLAND A BRITISH SLAVE CASTLE IN SIERRA LEONE HISTORICAL SUMMARY By Joseph Opala James Madison University Harrisonburg, Virginia (USA) This essay appears as Appendix B in Bunce Island Cultural Resource Assessment and Management Plan By Christopher DeCorse Prepared on behalf of the United States Embassy, Sierra Leone and Submitted to the Sierra Leone Monuments and Relics Commission November, 2007 INTRODUCTION Bunce Island is a slave castle located in the West African nation of Sierra Leone. Slave castles were commercial forts operated by European merchants during the period of the Atlantic slave trade. They have been called “warehouses of humanity.” Behind their high protective walls, European slave traders purchased Africans, imprisoned them, and loaded them aboard the slave ships that took them on the middle passage to America. Today, there were about 40 major slave castles located along the 2,000 miles of coastline stretching between Mauritania in the north and Benin in the south. British slave traders operated on Bunce Island from about 1670 to 1807, exiling about 30,000 Africans to slavery in the West Indies and North America. While most of Bunce Island’s captives were taken to sugar plantations in the Caribbean Basin, a substantial minority went to Britain’s North American Colonies, and especially South Carolina and Georgia. Given the fact that only about 4% of the African captives transported during the period of the Atlantic slave trade went to North America, Bunce Island’s strong link to that region makes it unique among the West African slave castles. Bunce Island’s commercial ties to North America resulted, as we shall see, in this particular castle and its personnel being linked to important economic, political, and military developments on that continent. -
The Cultural Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking Corey David Hotard Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Social and Behavioral Sciences Commons Recommended Citation Hotard, Corey David, "Just Throw it in the Pot! The ulturC al Geography of Hidden Landscapes and Masked Performances in South Louisiana Gumbo Cooking" (2015). LSU Doctoral Dissertations. 1493. https://digitalcommons.lsu.edu/gradschool_dissertations/1493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JUST THROW IT IN THE POT! THE CULTURAL GEOGRAPHY OF HIDDEN LANDSCAPES AND MASKED PERFORMANCES IN SOUTH LOUISIANA GUMBO COOKING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Corey David Hotard BA, Louisiana State University, 1999 MA, Louisiana State University, 2003 December 2015 Dedicated to those who left before me: Dr. Thomas Eubanks, Lester Landry, Dr. Miles Richardson, Augie Fragala and Jamie Lapeyrouse Cox ii ACKNOWLEDGEMENTS If it takes a village to raise a child, it takes a city to complete a dissertation! The first people that deserve acknowledgements are definitely my parents. -
Media Release
Smithsonian Anacostia Community Museum New Media only: Marcia Baird Burris (202) 633-4876; (202) 320-1735 (cell) sAugust , 2010 Media website: http://newsdesk.si.edu; http://anacostia.si.edu (media room) “Word, Shout, Song: Lorenzo Dow Turner Connecting Community through Language” On View at the Anacostia Community Museum through March, 27, 2011 The Smithsonian’s Anacostia Community Museum presents the groundbreaking exhibition “Word, Shout, Song: Lorenzo Dow Turner Connecting Community through Language” on view from Aug. 9 through March 27, 2011. Curated by Alcione Amos and the first exhibition based almost entirely on one of the museum’s special collections, “Word, Shout, Song” looks at the life, research and scholarship of Lorenzo Dow Turner, perhaps the first African American linguist. It also focuses on how his discoveries linked communities in Africa to the New World through language. “In assembling this exhibition, most exciting to me was how I was able to connect words from Portuguese, Gullah and English to their African origins, 80 years later, based on Turner’s work in the 1930s,” said Amos. “His work is still relevant today.” “Word, Shout, Song” is three stories in one: scholarship and success against the odds, a quest to crack a linguistic code and a discovery spanning continents. The exhibition presents Turner’s pioneering work, which in the 1930s established that people of African heritage, despite slavery, had retained and passed on their cultural identity through words, music and story wherever they landed. His research focused on the Gullah/Geechee community in South Carolina and Georgia, whose speech was dismissed as “baby talk” and “bad English.” He confirmed, however, that quite to the contrary the Gullah spoke a Creole language and that they still possessed parts of the language and culture of their captive ancestors. -
Roxbury Summer 2021 Menu
STARTERS ENTREES Peel & Eat Edisto Shrimp Roxbury Platters - choice of two sides half order 12 / full order 17 pick one 19 / pick two 22 / pick three 25 pulled pork / grilled chicken Crab Dip 12 shrimp / flounder / oysters +2 blue crab, served chilled with ritz crackers - grilled upon request - Hickory Smoked Wings six 9 / dozen 16 Lowcountry Boil 19 original, or tossed in roxbury gold bbq, Korean pepper, honey siracha or buffalo sauce - choice of ranch or blue cheese Edisto shrimp, andouille sausage, corn, potatoes Fried Green Tomatoes 8 Chicken Tenders & Fries 13 buttermilk brined, hand breaded dusted in locally milled cornmeal, with cajun mayo Hickory Smoked Ribs - choice of two sides Pimento Cheese 6 one-third rack 17 / two-thirds 21 / full rack 28 house-made, served with ritz crackers - add chicken 6/shrimp 6/oysters 8/flounder 6 Crab Cakes 14 Shrimp & Grits 18 blue crab, topped with cajun mayo creole or bourbon-butter style, served over stone ground SOUP AND SALADS Marsh Hen Mill grits Charleston She Crab Soup cup 7 / bowl 10 SANDWICHES Clemson Wedge Salad 10 includes choice of side baby iceberg, house-made Clemson blue cheese dressing, Roxbury Burger* 12 bacon, tomato, cucumber, blue cheese crumble Brasstown grass-fed beef, shaved onion, American cheese Carolina Caprese 9 - add lettuce and tomato 1 / hickory smoked bacon 1 tomato, mozzarella, basil, olive oil, balsamic glaze Southern Burger* 15 Caesar Salad 9 fried green tomato, bacon, pimento cheese, bacon jam little gem romaine, creamy parmesan dressing Pulled Pork Sandwich 11 -
Staging the Amistad Contents
Staging the Amistad Contents Introduction: Staging the Amistad vii Matthew J. CHRISTENSEN Timeline xxvii Sengbe Pieh: A Ballad 1 CHARLIE HAFFNER Amistad Kata-Kata 7 CHARLIE HAFFNER The Amistad Revolt 61 (Adapted from the Novel Echo of Lions, by Barbara Chase-Riboud) YULISA AMADU Maddy The Broken Handcuff 121 Raymond E. D. DE’SOUZA George Acknowledgments 161 Notes 163 Suggested Reading 167 v Introduction Staging the Amistad Matthew J. CHRISTENSEN Any black African artist who performs his art seriously, professionally and with sincere dedication to his people ought to use the past with the intention of opening up the future, as an invitation to action and a basis for hope. He must take part in the action and throw himself body and soul into the national struggle. —Yulisa Amadu Maddy (paraphrasing Frantz Fanon), “His Supreme Excellency’s Guest at Bigyard” Included HERE in print for the first time are historical dramas about the Amistad slave revolt by three of Sierra Leone’s most influen- tial playwrights of the latter decades of the twentieth century, Charlie Haffner, Yulisa Amadu Maddy, and Raymond E. D. de’Souza George. Prior to the initial public performance of the first of these plays, Haff- ner’s Amistad Kata-Kata, in 1988, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had remained an unrecognized chapter in the country’s history. For the three playwrights, the events of the insurrection provided a vii matthew j. christensen new narrative for understanding Sierra Leone’s past and for mobilizing the nation to work collectively toward a just and prosperous future. -
Expore-Rochester.Pdf
Three locations, endless choices. Athleta l Bar Louie Barnes & Noble Carter’s l Charming Charlie Field & Stream Forever 21 RED l Francesca’s LEGO LOFT l Regal Cinemas RPM Raceway The Melting Pot l Vera Bradley Von Maur THE MALL AT GREECE RIDGE • EASTVIEW • THE MARKETPLACE MALL WWW.ROCHESTERMALLS.COM GET THE ROCHESTER MALLS’ MOBILE APP TODAY! CONTENTS 4 UPFRONT 58 SHOPPING 87 EASY DAY TRIPS 14 SPECIAL EVENTS 62 SPORTS & RECREATION 92 ACCOMMODATIONS 26 ENTERTAINMENT & THE ARTS 72 PARKS & GARDENS 94 MAPS 38 DRINK 78 MUSEUMS 98 FOR MORE INFORMATION 46 FOOD 84 EDUCATION INDEX TO ADVERTISERS The Agitators EDIA at Geve Theatre Features M Center 12 YEAR OF DOUGLASS 56 THE PUBLIC MARKET Celebrating the 200th anniversary of the birth Hailed as one of the greatest NTERTAINMENT ACTORY of famous Rochesterian Frederick Douglass. outdoor markets in the country, E F the Rochester Public Market 24 CITY OF THE ARTS draws tens of thousands of OAT G Rochester proudly boasts one of the visitors each weekend. most vibrant arts and culture scenes you’re likely to fi nd in a midsize city. 70 120TH ANNUAL LILAC FESTIVAL 36 CRAFT BEER DESTINATION Rochester’s famous festival of fl ora Some 40 breweries dot the Greater Rochester turns 120 years old this spring. region, including several within city limits. / 24 76 DELIGHTFUL DETOURS 44 DOWNTOWN ROCHESTER COM REBIRTH Get lost in these fun experiences . at Rochester’s coveted Hip new eateries are popping up USCEMI Memorial Arts Gallery. throughout the center city, breathing B new life into downtown 86 THE CRYSTAL CITY NDY A 44 A short jaunt away, Corning, N.Y. -
Summer/Autumn 2013 BOOK NOW Through Your TRAVELBAG Travel Agent Contents 38 12
Summer/Autumn 2013 BOOK NOW through your TRAVELBAG travel agent Contents 38 12 FEATURES 12-27 LATIN AMERICA Ultimate to do list 28-31 COSTA RICA In need of a little Adventure? 38-65 USA Charleston - Where history lives Your Guide to the Capital Region California - Seeing Stars 00-00 Discover Vegas & The Grand Canyon 66-81 ABU DHABI Your Guide to Abu Dhabi 82-131 AUSTRALIA There’s nothing like Australia Melbourne & Beyond A barmy summer in Queensland The Legendary Pacific Coast Western Australia - Into The Blue David Gower’s Perth 136 Tasmania - This Island was made for walking South Australia - A Genuine Australian Experience Revelling in Australia’s Red Centre Not the Ashes but Alice Springs 136-139 KENYA 72 28 African Adventures 140-157 CANADA & ALASKA Alberta - River Deep, Mountain High Find Your Alaska LIFESTYLE 158 Essential Holiday Reading 159 Top Travel Apps 160 Where in the World Published by: Travelbag, 205 Kensington High Street, London, W8 6BA Web: www.travelbag.co.uk 82 Publisher: Paul Hopkinson Design: Adrian Legouix Matt Sidebottom © Travelbag 2013. The opinions in this publication do not necessarily reflect the views of Travelbag. All reasonable attempts have been made to clear copyright before publication. 140 2959 Accredited .V0654 Agent 4 Escape To book call 0844 846 8992 Escape 5 WELCOME TAILOR-MADE TRAVEL EXPERTS Whatever your dream holiday is, let us inspire you with this issue of Escape Magazine. Whether your kind of When Travelbag began back in 1979, we wanted to offer more than package holidays, and that’s just one holiday is an adventurous escape, a relaxing retreat or an urban exploration, settle down, have a read and let us of the reasons why we’re still tailor-making holidays more than 30 years after and it’s no surprise that we’ve transport you to some of the most interesting, exotic and exciting destinations in the world including Australia, established ourselves as a leader in this market. -
NOTES Preface – Track One Introduction: 'Years of Distant
NOTES preface – track one 1 Tim Bale, The Conservatives Since 1945: The Drivers of Party Change (2012), 00:02:04. introduction: ‘Years of Distant Wandering’ – track two 1 00:00:00 2 David Hancock, Citizens of the World: London Merchants and the Integration of the British Atlantic Community, 1735–1785 (1997), 00:03:21. 3 Anna Maria Falconbridge, Narratives of Two Voyages to the River Sierra Leone during the years 1791-1792-1793 (1794), 00:09:43. 4 Hancock, Citizens of the World, 00:13:29. 5 Falconbridge, Narratives of Two Voyages. 00:13:50 6 Among the first to work on Bunce Island was Dr M. C. F. Easmon in the 1940s. From the 1970s onwards the American archaeologist Joseph Opala became heavily involved in research into the island and its place in the Atlantic slave trade. It was Opala who made the links between Bunce Island and the Gullah people of South Carolina and Georgia. More recent work has been carried out by the American archaeologist Christopher DeCorse. 00:17:04 7 See Edward Ball, Slaves in the Family (1998). 00:18:03 8 Gretchen Gerzina, Black London: Life before Emancipation (1995), 00:26:25. 9 Geoffrey Littlejohns, Independent, 7 August 1995, quoted in Sukhdev Sandhu, London Calling: How Black and Asian Writers Imagined a City (2004), 00:26:41. 10 The date for this speech is often given as 1964. Most sources however report that it was delivered on 23 April 1961. 00:27:05 11 Ben Jackson and Robert Saunders, Making Thatcher’s Britain (2012), 00:29:31. -
University of Florida Thesis Or Dissertation Formatting
“I BEAR WITNESS”: AN AFRICAN’S QUEST FOR FAITH AND COMMUNITY IN THE ATLANTIC WORLD By JOSEPH ALAN BEATTY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 © 2014 Joseph Alan Beatty 2 "Do not imagine that the negroes in any condition of servitude in these countries, are a happy and contented people: believe me, there is not a man stolen from his country, and carried into slavery, who does not feel more misery, and undergo more suffering, than I have the power or inclination to describe." R. R. Madden, 1835. 3 ACKNOWLEDGMENTS I owe a great deal of thanks to many people who have guided me along the way. I am grateful for funding provided the University of Florida and the Department of History through the Alumni Fellowship and various assistantships. Thanks go to my committee: Jon Sensbach, Juliana Barr, David Geggus, Susan O’Brien, and Terje Ostebo for the guidance they offered in bringing this project to a successful end. This project bears the marks of their instruction and advice. I owe special thanks also to Dr. Sheryl Kroen who helped me to find a good heading at the outset of my writing. There are innumerable librarians and archivists who have earned my respect and admiration. In particular, Richard Phillips and Paul Losch at the University of Florida Latin American Collection for maintaining a wonderful library and archives and for allowing me liberal access to their resources. Also, thanks go to the staff of the University of Florida Special Collections Library, the Georgia Historical Society, the Hargrett Room at the University of Georgia, and the University of Georgia Marine Institute at Sapelo Island.