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Filmmuseum Juni 2017 Kinoprogramm Ausstellungen · Projekte 2 Filmmuseum Juni 2017 Kinoprogramm Ausstellungen · Projekte 2 INFORMatioN & TICKETRESERVIERUNG Tel. 069 - 961 220 220 KINDERKINO Impressum DIE ROTE ZORA ≥ Seite 41 Herausgeber: Deutsches Filminstitut – DIF e.V. Schaumainkai 41 60596 Frankfurt am Main Vorstand: Claudia Dillmann, Dr. Nikolaus Hensel Direktorin: Claudia Dillmann (V.i.S.d.P.) Presse und Redaktion: Frauke Haß (Ltg.), Manfred Riepe Texte: Andreas Beilharz, Marie Brüggemann, Jonas Ebling, Natascha Gikas, Winfried Günther, Kira Katthagen, Manfred Riepe, Urs Spörri, Treppe 41, Gary Vanisian Vorführer/innen: Christian Appelt, Michael Besser, Pramila Chenchanna, Hans-Peter Marbach, Günther Volkmann Gestaltung: Optik — Jens Müller www.optik-studios.de Druck: FISSLER & SCHRÖDER GbR – Kompetenz in Print und Medien, 63571 Gelnhausen Anzeigen (Preise auf Anfrage): Presse- und Öffentlichkeitsarbeit Tel.: 069 - 961 220 222 E-Mail: [email protected] Abbildungsverzeichnis: Alle Abbildungen stammen aus dem Bildarchiv des Deutschen Filminstituts, sofern nicht anders verzeichnet. Titelmotiv: OPERA JAWA (ID / AT 2006) INHALT 3 Sonderausstellung: ROT im Film 4 Begleitprogramm: ROT im Film 6 Filmprogramm Stanley Kubrick: Carte blanche für Jan Harlan 10 Städelrundgang 16 Neue griechische Filme 17 Retrospektive Bo Widerberg 22 Fortbildungen für hessische Lehrkräfte 29 Klassiker & Raritäten: Jeanne d'Arc im Film 30 Lecture & Film: Ernst Lubitsch 32 Was tut sich - im deutschen Film? Timo Jacobs 37 Late Night Kultkino 38 Filmclub Treppe 41 39 Kinderkino 40 Specials Eduard Zuckmayer 42 Kino & Couch 42 Star Trek 43 Service Programmübersicht 44 Eintrittspreise/Anfahrt 48 Vorschau auf Juli: Technicolor 50 SPECIAL A HISTORY OF VIOLENCE ≥ Seite 42 4 AUSSTELLUNG ROT – Eine Webdoku Studierende erstellen Online-Publikation zur aktuellen Sonderausstellung ROT im Film Die aktuelle Sonderausstellung im das Deutsche Filmmuseum einen Deutschen Filmmuseum befasst sich anderen Weg gewählt und gemein- mit der Farbe Rot im Film. Viel mehr sam mit Studierenden der Tübinger noch: Entlang 229 unterschiedlicher Medienwissenschaft unter der Filmausschnitte unternimmt sie Leitung von Susanne Marschall und eine visuelle Reise, deren Dreh- und Oliver Häußler eine interaktive Web- Angelpunkt die Farbe Rot ist, sodass dokumentation erstellt. Besucher/ ihre Besucher/innen später nicht innen können die Seite im Foyer des nur den Film, sondern auch die Deutschen Filmmuseums aufrufen reale Welt mit anderen Augen sehen oder am heimischen Computer werden. ausprobieren und so verschiedene Themen der Ausstellung noch einmal Wer mehr zur Farbe Rot wissen will, vertiefen – oder sich in Vorbereitung geht ins Kino – oder liest die beglei- auf den Museumsbesuch durch tende Publikation. Einen klassischen die verschiedenen Themenbereiche Katalog gibt es nicht zur Ausstellung: klicken. in einem gedruckten Buch könnten nur Standbilder Verwendung finden, Das „Colour Science Tool“ greift Farbe im Film nimmt jedoch ihre Themen und Fragestellungen der unterschiedlichen Bedeutungen im Ausstellung auf und setzt sie in einen Verlauf der Handlung an und vollzieht tieferen wissenschaftlichen Kontext. häufig eine Bedeutungsentwicklung. Texte und Audiofiles, Videos, Bilder Um dem Rechnung zu tragen, hat und Animationen veranschaulichen 5 Rotes Haar in der Malerei in kreativer Weise aktuelle Erkennt- Blütenblättern badet (AMERICAN nisse der Farbforschung. Wo in der BEAUTY, US 1999, R: Sam Mendes), Ausstellung die rothaarige Lola über ein unaufhaltsamer Schwall tiefroten die Leinwand rennt (LOLA RENNT, Blutes einen Hotelflur flutet (THE DE 1998, R: Tom Tykwer), widmet SHINING, GB/US 1980, R: Stanley sich die Webdoku roten Haaren nicht Kubrick), und ein Superheld im nur in der Film-, sondern auch in roten Ganzkörperkostüm Manhattan der Kunstgeschichte. Wo die junge und die Welt rettet (SPIDER-MAN, Angela in einem Meer aus roten US 2002, R: Sam Raimi), erklären 6 AUSSTELLUNG 8-Bit-Animationen in der Webdoku Farbexperimente zum Selbsterpro- die wissenschaftlichen Hintergründe ben, Filmkompilationen, Lehrfilme unserer Farbwahrnehmung und -ko- und Expert/inneninterviews schlagen dierung. Während im Film ein rotes unterschiedliche Reiserouten durchs Kleid den Aufstieg zur gesellschaft- Rote Universum vor, die auch über lich anerkannten Opernbesucherin die Grenzen der westlichen Welt markieren kann (PRETTY WOMAN, hinausgehen. US 1990, R: Garry Marshall) – oder seine Trägerin zur Ehebrecherin stig- Wer es noch genauer wissen will, matisieren (GONE WITH THE WIND, findet auf der Seite weiterführendes US 1939, R: V. Fleming), erklärt die Material und Linklisten zu internatio- farbforschende Psychologin Daniela nalen Studien und Fachliteratur. Niesta Kayser in der Webdoku die gesellschaftliche Macht der Farbe Rot. ROT – eine Webdoku bereitet rot-webdoku.de die Bedeutungsvielfalt der Farbe vom Film über bildende Kunst, Kulturge- schichte, Literatur, Psychologie bis hin zur Kognitionsbiologie auf. Auch mit der Farbe in Sprache und Literatur befasst sich die Webdoku. BEGLEITPROGRAMM IM JUNI Öffentliche Einführung: Jeden Samstag um 15:00 Uhr Treffpunkt: Ausstellungsfoyer 3. OG DREHORT FRANKFURT: Stadtfotografie im Zeichen der Farbe ROT Fotoworkshop mit Ragnar Knittel Freitag, 9., bis, Sonntag, 11. Juni Eine spannende fotografische Spurensuche nach der Farbe ROT in Frankfurt: Typische Filmausschnitte dienen als Inspiration, und Fotograf Ragnar Knittel verrät Tipps & Tricks, wie die Farbe ROT fotografisch wirkungsvoll eingesetzt werden kann. Kurszeiten: Freitag 18:00 bis 21:00 Uhr, Samstag 13:00 bis 21:00 Uhr, Sonntag 11:00 bis 16:00 Uhr Kosten: 100 Euro Anmeldung und Information: Tel: 069/961 220 223 (Mo bis Fr, 10:00 bis 15:00 Uhr) [email protected] Filmmuseum after work: AbendROT 14. Juni 2017, 19:00 Uhr Eine Führung durch das rote Universum der Filme läutet den Feierabend ein. Bei einem Glas Wein lässt sich im Anschluss der Blick auf die Frankfurter Skyline vor abendrotem Himmel genießen. Eintrittspreis: 7 Euro (5 Euro ermäßigt) In Kooperation mit Weindepot in der Schweizer Straße, Frankfurt-Sachsenhausen Filmmuseum am Mittag: PausenbROT 22. Juni 2017, 12:30 Uhr Das Kombi-Angebot zur Mittagspause: Nach einer kurzen Einführung erkunden Besucher/innen die Sonderausstellung und erhalten im Anschluss ein Sandwich und ein Kaffeegetränk im filmcafé. Eintrittspreis: 10 Euro 8 AUSSTELLUNG Vortrag UND FILMVORFÜHRUNG: ALL THAT HEAVEN ALLOWS Douglas Sirk und Technicolor Zum Stil von Douglas Sirk ist viel veröffentlicht wor- den. Am Beispiel von ALL THAT HEAVEN ALLOWS betrachtet Barbara Flückiger das Werk des deutsch- amerikanischen Regisseurs erstmals im Kontext des Technicolor-Systems: Wie machte Sirk, dessen starke, charakteristische Handschrift zahlreiche Filmemacher/ innen beeinflusste, sich das kulturell und institutionell etablierte Technicolor zunutze, welche ästhetische Dimension und Wirkung erzielte er? Prof. Dr. Barbara Flückiger ist Professorin für Film- wissenschaft an der Universität Zürich und forscht unter anderem zu digitalen Medien, Filmfarbe und historischen Farbfilmprozessen. Sie untersucht systematisch die Interaktion zwischen Technologie und Ästhetik von Filmfarben. ALL THAT HEAVEN ALLOWS Was der Himmel erlaubt USA 1955. R: Douglas Sirk D: Jane Wyman, Rock Hudson, Agnes Moorehead. 88 Min. 35mm. OF Eine wohlhabende einsame Witwe verliebt sich in Dienstag, 06.06. 20:30 Uhr einen deutlich jüngeren, unkonventionellen Gärtner und bekommt die ganze Härte sozialer Zwänge im Klein- Filmbeginn: stadtleben zu spüren: Unverständnis, Widerstand und ca. 21:15 Uhr Ausgrenzung durch ihre Mitmenschen – sogar durch die eigenen Kinder. Ein Musterbeispiel für Autorenschaft im Hollywood-System, bei dem der klassische Stoff des Melodrams auf eine subversive, stilistisch hochgradig ausgefeilte Inszenierung trifft, die aufgewühlte Gefühls- welten in expressiv ausgeleuchtete Bilder übersetzt. Zu sehen ist eine rare originale Technicolor-Farbdruckkopie aus den USA. 9 Rotes MUSEUMSUFER: „DER rote FADEN“ Themenführung im Weltkulturenmuseum Die Filmfarbe Rot steht im Zentrum der aktuellen Mittwoch, 21.06. Sonderausstellung des Deutschen Filmmuseums. 19:00 Uhr Einen Einblick in die Rollen der Farbe Rot in verschie- Weltkulturen Museum, denen kulturellen Zusammenhängen bietet die aktuelle Schaumainkai 29, Sonderausstellung „Der rote Faden“ im benachbarten 60594 Frankfurt Weltkulturen-Museum (bis 27. August 2017). Eintritt Führung: In einer Führung durch die Ausstellung erklärt Vanessa 7 Euro / von Gliszczynski, wie man in Indonesien rot färbt und 3,50 Euro ermäßigt welche Bedeutungen mit der Farbe verknüpft sind. An- Eintritt Kino: schließend zeigt das Kino des Deutschen Filmmuseums 7 Euro / OPERA JAWA. 5 Euro ermäßigt OPERA JAWA Indonesien/Österreich 2006. R: Garin Nugroho. D: Martinus Miroto, Eko Supriyanto, Artika Sari Devi. 120 Min. 35mm. OmU Mit Einführung Stefanie Plappert (Deutsches Filminstitut) Vanessa von Gliszczynski (Weltkulturen- Museum) Die verhängnisvolle Geschichte eines Dreiecksverhält- Mittwoch, 21.06. nisses, bei dem das fragile Glück eines Töpfer-Ehepaars 20:30 Uhr zu zerbrechen droht, als ein mächtiger, skrupelloser Händler in Abwesenheit des Mannes die schöne Frau verführt. Die optisch überwältigende Verfilmung einer Geschichte aus dem „Ramayana“, einem Klassiker der indischen Literatur. Traditionelle Formen von Gamelan-Musik, Tanz und Performances werden mit zeitgenössischen Gesangs- und Tanzstilen zu einem Gesamtkunstwerk verbunden. Farben und Lichter charakterisieren jede der Szenen, verleihen ihnen atmosphärische
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