Exiled Collector Article

Total Page:16

File Type:pdf, Size:1020Kb

Exiled Collector Article 22 Daily Echo, MONDAY MAY 5, 2008 bournemouthecho.co.uk/news Bankes for the memory Nick Churchill looks at an extraordinary local life SEX scandal that His biographer, Anne Sebba, PIONEER: William John Bankes rocked the Dorset gen- has sold the film rights to her (1786-1855) by Sir George try and shocked highly-praised account of Hayter (1792-1871). Collector AParliament; cloak and William’s colourful life, The and traveller, rebuilt Kingston dagger dealings with the law Exiled Collector (John Murray, Lacy (above) to Sir Charles and the locals; a link to smugg- £8.99), and is hoping a good Barry's designs 1835-40. lers and priceless works of art…. script will entice the industry the life and times of a disgraced big boys to the story. ©NTPL/Angelo Hornak Dorset landowner could provide “You can just imagine it, Hollywood with its latest cos- these magnificent settings – tume drama. Kingston Lacy and Venice, William John Bankes, the maybe with someone like Jude his death in Venice. noted explorer and pioneer Law in the lead role,” she says. Bankes family lore has it that Egyptologist, who is widely “It’s very rare you get period a private Act of Parliament was credited with rebuilding the stories where the exact loca- required for his remains to be Kingston Lacy estate as it is tions still exist – it’s not like brought, but there is no such today, fled the country in shame you have to recreate a dingy Act. in 1841 having been caught in Liverpool street or make a vil- It seems William’s younger compromising circumstances lage as in Cranford.” brother Edward, who was with a young soldier in Anne met film producer Canon of Bristol Cathedral and London’s Green Park. Richard Foord after a lecture close to Queen Victoria, used Sodomy was a capital crime in she gave at Kingston Lacy about his considerable influence. those days and, on legal advice, 18 months ago. It’s now 25 years since Ralph they Bankes bequeathed the entire Bankes decamped to Venice “I was being asked questions were after signing over his interest in by a man in the audience who Bankes family estate to the archi- Kingston Lacy to his brothers was clearly very knowledgeable National Trust and Anne tect brought George and Edward. He was and enthused by the subject. He believes William would have Charles up with declared a criminal outlaw and told me afterwards that he was a been pleased with how it has Barry, who oral history, remained in exile until his producer and very interested in turned out. was also stories handed death in 1855. making a film about William “Well, I think he would have rebuilding the down the genera- Or did he? John Bankes. preferred it to be preserved for Houses of Parliament tions, rather than writ- By arrangement with Dorset’s “Often film rights are bought the family, but having it saved which had been destroyed by ten down. It makes sense that senior legal officials, politicians and nothing happens, but I just for the nation would have suited fire in 1834, to work with him on there was smuggling on the and local workers, it seems have a funny feeling that this him I’m sure. It’s certainly bet- renovating Kingston Lacy. Kingston Lacy estate as it suited William made at least one clan- one might take off. Richard has ter than seeing the collection “So many people have said to the government at the time to destine trip back to his beloved said that what they really love split up and sold off and me that it’s a poignant story, but turn a blind eye because they Kingston Lacy to check on the in Hollywood is great stories Kingston Lacy is to a great I’ve always seen it as a wanted the Napoleonic blockade progress of the work he was about plucky little Brits, that’s extent a memorial to his spirit triumphant story born of some- broken. orchestrating from afar. why Calendar Girls and films and vision.” thing quite sad,” says Anne. “William would have known like that do so well.” She also sees some similarities “Living on his wits in Venice how the local customs worked A friend of Lord Byron and an between William and the last with not much money he came as he always sent his artefacts MP from the age of 24, William Bankes – Ralph’s reclusive and as close as an 18th century gen- back through Poole, so the John Bankes became first in troubled son John, who died of tleman could do to having a familes simply arranged his safe line to inherit Kingston Lacy liver cancer in 1996 and is proper job. I really liked him in passage and made sure he could from his father Henry when his buried at St Nicholas Church, that he survived in adversity.” avoid arrest. I’m sure it hap- older brother, also called Henry, Studland. The intrigue continued pened at least once, if not twice. was drowned off the coast of “They were both exiles in throughout William’s life – and “Can you imagine the strength Tunis in 1806. effect and misunderstood by beyond. of will it took to do that? Widely travelled, as a young their family. I spoke with many Anne believes he made at least William lived in Venice but man William amassed a sizeable of John’s friends and – even one journey back to Kingston couldn’t swim, so he had to con- collection of antiquities, some of though it may have been for the Lacy in the spring or summer of quer that fear. Then landing in which he sold to the British best – he felt it was cruel that he 1854, the year before he died. choppy waters off England, wor- Museum, and earned a fine rep- couldn’t take up his birthright. She was told the story of how he rying about whether he’d be utation as a skilled translator of John had a real affinity with the slipped into the country through arrested if discovered – there’s ancient texts. place and such enthusiasm for Poole after landing at Studland so much intrigue and mystery But his private life scandalised it, as did William of course, but by the Castleman family of in this story.” high society. wasn’t able to live there.” Chettle House, adjacent to the The scheming continued even ● He was arrested, tried and Anne’s new book, Jennie Bankes estate. The Castlemans after William’s death. acquitted for sexual indecency Churchill: Winston’s American are descendants of celebrated Although branded an outlaw, with a young Coldstream Mother is published by John Dorset smuggler Isaac Gulliver his body was brought back and Guardsman in 1833. His father – Murray and available now. and it seems fairly certain that interred in the family tomb in who testified at his trial – Anne will be giving a lunchtime Gulliver and others were active Wimborne Minster. The funeral became ill and died little more talk at Kingston Lacy as part of on the Dorset estates. was held in total secrecy on than a year later. Soon after National Archaeology Week on “Teddy Castleman told me June 13, 1855 – two months after AUTHOR: Anne Sebba William appointed the eminent July 11..
Recommended publications
  • Kingston Lacy Illustrated List of Pictures K Introduction the Restoration
    Kingston Lacy Illustrated list of pictures Introduction ingston Lacy has the distinction of being the however, is a set of portraits by Lely, painted at K gentry collection with the earliest recorded still the apogee of his ability, that is without surviving surviving nucleus – something that few collections rival anywhere outside the Royal Collection. Chiefly of any kind in the United Kingdom can boast. When of members of his own family, but also including Ralph – later Sir Ralph – Bankes (?1631–1677) first relations (No.16; Charles Brune of Athelhampton jotted down in his commonplace book, between (1630/1–?1703)), friends (No.2, Edmund Stafford May 1656 and the end of 1658, a note of ‘Pictures in of Buckinghamshire), and beauties of equivocal my Chamber att Grayes Inne’, consisting of a mere reputation (No.4, Elizabeth Trentham, Viscountess 15 of them, he can have had little idea that they Cullen (1640–1713)), they induced Sir Joshua would swell to the roughly 200 paintings that are Reynolds to declare, when he visited Kingston Hall at Kingston Lacy today. in 1762, that: ‘I never had fully appreciated Sir Peter That they have done so is due, above all, to two Lely till I had seen these portraits’. later collectors, Henry Bankes II, MP (1757–1834), Although Sir Ralph evidently collected other – and his son William John Bankes, MP (1786–1855), but largely minor pictures – as did his successors, and to the piety of successive members of the it was not until Henry Bankes II (1757–1834), who Bankes family in preserving these collections made the Grand Tour in 1778–80, and paid a further virtually intact, and ultimately leaving them, in the visit to Rome in 1782, that the family produced astonishingly munificent bequest by (Henry John) another true collector.
    [Show full text]
  • National Trust Report
    England will lose all historical buildings und beautiful nature places... AUDIO (I've already sendet it to Ms Suter (N.T.2)) Kingston Lacy Library in Kingston Lacy Souvenirs from Egypt ...if the National Trust wouldn't exist. In the time of global warming it is very important that somebody looks after beautiful places, otherwise these places will be lost. But also objects which aren't in danger because of global warming are endangered if nobody looks after them. The National Trust saves historical houses und nature reserves and restores them when needed. This charity is really important for England. That is why you should learn more about this organisation. In my post you will find a lot of information about the National Trust and you will see what people who live in England think about the National Trust. The National Trust Introduction When you make a journey through England and you visit special places or buildings you might see a board with information about this place. On this board you will often see the company logo of the National Trust which is a branch of maple leaves on a green background. When I visited London, I saw many such information boards. The National Trust supports for example Carlyleꞌ s House, the Eastbury Manor House and other tourist attractions. At the beginning of my project I knew that the National Trust does exist. But I wanted to know more about this charity. I wanted to find out whether my hypothesis: “The National Trust is very important for the environment and the historical buildings of England” is true or not.
    [Show full text]
  • Find out More *Dogs Not Permitted at These Events
    Events for autumn/winter 2019 Dorset / Gloucestershire / Somerset / Wiltshire Corfe Castle Father Christmas at Christmas at Arlington Court Find out more The selection of events here is a small part of what’s on offer. You can visit the events page of the website at ©National Trust Images/John Bish Images/John Trust ©National ©National Trust Images/Hannah Burton nationaltrust.org.uk/ Events near you whats-on and use the search function to for autumn & find out everything that’s going on winter 2019 near you, or at your favourite place. Key to How to book symbols Facilities and access information can We have indicated where there is an event charge and where booking is necessary. Please note that normal admission charges apply Half-term be found on each unless you are a member. All children must be accompanied by an place’s homepage adult. And please check beforehand as to whether or not dogs are Halloween on the website, as welcome. We do take every effort to ensure that all event details are can contact details if correct at the time of going to press. The National Trust reserves the Christmas right to cancel or change events if necessary. you require further Tickets are non-refundable. Father information. Christmas ©National Trust Images/John Millar New Year’s ramble Walk with an archaeologist BATH AND NORTH Sun 5 Jan, 9.30am-2pm BRISTOL Sat 16 Nov, 2-4pm On this fairly fast-paced guided walk of the Discover the secrets of Cadbury Camp Iron EAST SOMERSET Bath Skyline you may burn off some Age hill fort on this walk with archaeologist Christmas calories, but a diversion to Prior Leigh Woods Martin Papworth.
    [Show full text]
  • 'Rubens and His Legacy' Exhibition in Focus Guide
    Exhibition in Focus This guide is given out free to teachers and full-time students with an exhibition ticket and ID at the Learning Desk and is available to other visitors from the RA Shop at a cost of £5.50 (while stocks last). ‘Rubens I mention in this place, as I think him a remarkable instance of the same An Introduction to the Exhibition mind being seen in all the various parts of the art. […] [T]he facility with which he invented, the richness of his composition, the luxuriant harmony and brilliancy for Teachers and Students of his colouring, so dazzle the eye, that whilst his works continue before us we cannot help thinking that all his deficiencies are fully supplied.’ Sir Joshua Reynolds, Discourse V, 10 December 1772 Introduction Written by Francesca Herrick During his lifetime, the Flemish master Sir Peter Paul Rubens (1577–1640) For the Learning Department was the most celebrated artist in Europe and could count the English, French © Royal Academy of Arts and Spanish monarchies among his prestigious patrons. Hailed as ‘the prince of painters and painter of princes’, he was also a skilled diplomat, a highly knowledgeable art collector and a canny businessman. Few artists have managed to make such a powerful impact on both their contemporaries and on successive generations, and this exhibition seeks to demonstrate that his Rubens and His Legacy: Van Dyck to Cézanne continued influence has had much to do with the richness of his repertoire. Its Main Galleries themes of poetry, elegance, power, compassion, violence and lust highlight the 24 January – 10 April 2015 diversity of Rubens’s remarkable range and also reflect the main topics that have fired the imagination of his successors over the past four centuries.
    [Show full text]
  • The Rosetta Stone, British Museum, London Hieroglyphic, [From the Greek=Priestly Carving], Type of Writing Used in Ancient Egypt
    T h e R o s e t t a S t o n e Languages: Egyptian and Greek, Using three scripts -- Hieroglyphic, Demotic Egyptian, and Greek. Found 1799 by the French in Egypt Originally from 196 B.C. The Rosetta Stone, British Museum, London Hieroglyphic, [from the Greek=priestly carving], type of writing used in ancient Egypt. Similar pictographic styles of Crete, Asia Minor, and Central America and Mexico are also called hieroglyphics. Interpretation of Egyptian hieroglyphics, begun by Thomas Young and J. F. Champollion and others, is virtually complete. The meanings of hieroglyphics often seem arbitrary and are seldom obvious. Egyptian hieroglyphics were already perfected in the first dynasty (3110-2884 B.C.), but they began to go out of use in the Middle Kingdom and after 500 B.C. were virtually unused. There were basically 604 symbols that might be put to three types of uses (although few were used for all three purposes). 1) They could be used as ideograms, as when a sign resembling a snake meant "snake." [See chart above.] 2) They could be used as a phonogram (or a phonetic letter similar to our alphabet), as when the pictogram of an owl represented the sign or letter “m,” because the word for owl had “m” as its principal consonant sound. [It would be like us using a picture of a snake for the letter “s.”] 3) They could be used as a determinative, an unpronounced symbol placed after an ambiguous sign to indicate its classification (e.g., an eye to indicate that the preceding word has to do with looking or seeing).
    [Show full text]
  • Webfile121848.Pdf
    0 TABLE OF CONTENTS Press release ................................................................................................................................................... 2 Catalogue text: Nico Van Hout - Curator ...................................................................................................... 6 Gallery texts ................................................................................................................................................... 11 Transversal Activities ................................................................................................................................... 14 BOZAR MUSIC ......................................................................................................................................... 14 BOZAR LITERATURE ............................................................................................................................. 17 BOZAR EXPO ........................................................................................................................................... 17 BOZAR CINEMA ...................................................................................................................................... 18 Rubens for families ...................................................................................................................................... 19 Disovery trails for families (6>12) ........................................................................................................... 19
    [Show full text]
  • Imaging the Egyptian Obelisk at Kingston Lacy
    Imaging the Egyptian Obelisk at Kingston Lacy Lindsay MacDonald Jane Masséglia Charles Crowther Faculty of Engineering Department of Classics Department of Classics University College London Oxford University Oxford University [email protected] [email protected] [email protected] Ben Altshuler Sarah Norodom Andrew Cuffley Department of Classics Department of Classics GOM UK Limited Oxford University Oxford University Coventry [email protected] [email protected] [email protected] James Grasby South-West Region The National Trust [email protected] The obelisk that stands in the grounds of the National Trust property at Kingston Lacy, Dorset, was brought from Egypt in 1821 by William John Bankes. Known as the Philae obelisk, it has hieroglyphic inscriptions on the tapered granite column and Greek on the pedestal. In a multidisciplinary project to mark the success of the Philae comet mission, the inscriptions have been digitised by both reflectance transform imaging and 3D scanning. Novel imaging techniques have been developed to stitch together the separate RTI fields into a composite RTI for each face of the obelisk in registration with the geometric structure represented by the 3D point cloud. This will provide the basis for both paleographic examination of the inscriptions and visualisation of the monument as a whole. Keywords: Digital archaeology, reflectance transform imaging, 3D scanning, palaeography, monument 1. HISTORY OF THE OBELISK Travelling up the Nile, the island of Philae (on the ancient border of Egypt and Nubia) fascinated Kingston Lacy has one of the earliest collections Bankes, as the beauty of its temples had similarly of Egyptian artefacts in Britain, including the 6.7m captivated other European visitors.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • Sir Roger Pratt's Library
    Reading as a Gentleman and an Architect: Sir Roger Pratt’s Library by KIMBERLEY SKELTON This article illuminates the changes in English seventeenth-century architectural practice when members of the gentry educated themselves as architectural professionals and as a result several became noted practitioners. The author analyses the rarely examined notes and library of Sir Roger Pratt to explore how a seventeenth-century gentleman both studied and practised architecture literally as both gentleman and architect. Also she considers Pratt’s notes chronologically, rather than according to their previous thematic reorganisation by R. T. Gunther (1928), and offers a full reconstruction of Pratt’s library beyond Gunther’s catalogue of surviving volumes. Mid-seventeenth-century England experienced a sharp change in architectural practice and education. For the first time, members of the gentry began to design buildings and to educate themselves as professionals in architecture. From the late 1650s, Sir Roger Pratt designed country houses, and several members of the landed and educated classes became prominent architects: Sir Christopher Wren, Robert Hooke, Hugh May, William Winde, William Samwell, and William Talman. These gentleman architects brought new techniques to the study of architecture since they were more highly trained in analysing text than image. Scholars have yet to consider the seventeenth-century emergence of the gentleman architect in detail; they have focused more on monographic studies of architects, patronage, and building types than on shifts in the architectural profession.1 This article explores how a seventeenth-century gentleman would both study and practise architecture; it considers the rarely examined library and manuscript notes of Sir Roger Pratt.2 I argue that Pratt practised and read as literally patron and architect – using the techniques of a patron to answer the questions of an architect designing for English geographical and social particularities.
    [Show full text]
  • 'X'marks the Spot: the History and Historiography of Coleshill House
    UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of History ‘X’ Marks the Spot: The History and Historiography of Coleshill House, Berkshire by Karen Fielder Thesis for the degree of Doctor of Philosophy June 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES DEPARTMENT OF HISTORY Doctor of Philosophy ‘X’ MARKS THE SPOT: THE HISTORY AND HISTORIOGRAPHY OF COLESHILL HOUSE, BERKSHIRE by Karen Fielder Coleshill House was a much admired seventeenth-century country house which the architectural historian John Summerson referred to as ‘a statement of the utmost value to British architecture’. Following a disastrous fire in September 1952 the remains of the house were demolished amidst much controversy shortly before the Coleshill estate including the house were due to pass to the National Trust. The editor of The Connoisseur, L.G.G. Ramsey, published a piece in the magazine in 1953 lamenting the loss of what he described as ‘the most important and significant single house in England’. ‘Now’, he wrote, ‘only X marks the spot where Coleshill once stood’. Visiting the site of the house today on the Trust’s Coleshill estate there remains a palpable sense of the absent building. This thesis engages with the house that continues to exist in the realm of the imagination, and asks how Coleshill is brought to mind not simply through the visual signals that remain on the estate, but also through the mental reckoning resulting from what we know and understand of the house. In particular, this project explores the complexities of how the idea of Coleshill as a canonical work in British architectural histories was created and sustained over time.
    [Show full text]
  • Dorset Gardens Tour
    Dorset Gardens Tour Destinations: Dorset Coast & England Trip code: LHGDT HOLIDAY OVERVIEW Dorset has a wonderful collection of stately homes surrounded by long-established gardens. Dorset’s southerly location allows subtropical plants to thrive at Abbotsbury – a garden noted for its Camellia groves and magnolias. The design of Minterne House gardens was inspired by Capability Brown while the Victorian gardens as Larmer Tree were laid out by General Pitt Rivers. From the gardens of 15th century Athelhampton House to the large formal gardens of Kingston Lacy, there’s something for everyone. WHAT'S INCLUDED • High-quality Full Board en-suite accommodation and excellent food in our Country House • The guidance and services of our knowledgeable HF Holidays’ leader, ensuring you get the most from your holiday • All transport to and from gardens on a comfortable, good-quality coach • All admission costs including those for English Heritage, National Trust, and RHS Gardens. Some venues have stately homes/houses which incur a separate admission fee should you wish to visit - you will need to pay for this yourself. www.hfholidays.co.uk PAGE 1 [email protected] Tel: +44(0) 20 3974 8865 HOLIDAYS HIGHLIGHTS • Attractive formal gardens and extensive parkland at Kingston Lacy • Magnificent garden at Athelhampton surrounding the 15th century house • Compton Acres – the south’s finest historical gardens • The subtropical gardens at Abbotsbury are famous in Dorset of their Rhodeodendrons, Hydrangea collections and a charming Victorian garden. ITINERARY Day 1: Arrival Day Check-in starts from 2.30pm (Best and Better rooms from 1pm). All guests are invited to join us for afternoon tea where we’ll introduce your leader.
    [Show full text]
  • Conservation Management Plans Relating to Historic Designed Landscapes, September 2016
    Conservation Management Plans relating to Historic Designed Landscapes, September 2016 Site name Site location County Country Historic Author Date Title Status Commissioned by Purpose Reference England Register Grade Abberley Hall Worcestershire England II Askew Nelson 2013, May Abberley Hall Parkland Plan Final Higher Level Stewardship (Awaiting details) Abbey Gardens and Bury St Edmunds Suffolk England II St Edmundsbury 2009, Abbey Gardens St Edmundsbury BC Ongoing maintenance Available on the St Edmundsbury Borough Council Precincts Borough Council December Management Plan website: http://www.stedmundsbury.gov.uk/leisure- and-tourism/parks/abbey-gardens/ Abbey Park, Leicester Leicester Leicestershire England II Historic Land 1996 Abbey Park Landscape Leicester CC (Awaiting details) Management Management Plan Abbotsbury Dorset England I Poore, Andy 1996 Abbotsbury Heritage Inheritance tax exempt estate management plan Natural England, Management Plan [email protected] (SWS HMRC - Shared Workspace Restricted Access (scan/pdf) Abbotsford Estate, Melrose Fife Scotland On Peter McGowan 2010 Scottish Borders Council Available as pdf from Peter McGowan Associates Melrose Inventor Associates y of Gardens and Designed Scott’s Paths – Sir Walter Landscap Scott’s Abbotsford Estate, es in strategy for assess and Scotland interpretation Aberdare Park Rhondda Cynon Taff Wales (Awaiting details) 1997 Restoration Plan (Awaiting Rhondda Cynon Taff CBorough Council (Awaiting details) details) Aberdare Park Rhondda Cynon Taff
    [Show full text]