Insecure "Pilot"

Total Page:16

File Type:pdf, Size:1020Kb

Insecure INSECURE "PILOT" Written by Issa Rae & Larry Wilmore Revised Seventh Draft 12/10/14 OVER BLACK: We hear a voice say: VOICE (V.O.) Today is my 29th birthday. Thanks to Facebook, I feel like people actually care. INT. STUDIO APARTMENT - BEDROOM - DAY ISSA DEE, 29, sits on the kitchen counter in her studio apartment, dressed for work, laptop in hand. She scrolls through Facebook wall posts, passively “liking” each birthday wish. Every 5 posts, she writes a “Thank you.” ISSA (V.O.) I guess I’m supposed to feel special, but I don’t. I can count on one hand the number of real friends I have. And I’m fine with that. I’m not the life of the party. I’ve never been the adventurous type. I’m not even the sassy black friend. I can’t dance. When it comes down to it, I’m just a regular, awkward black girl. Issa receives a message notification from DONNELL KING. As she reaches for her mouse, she knocks over a glass of water. ISSA FUCK! ISSA (V.O.) It’s not easy being awkward and black. I feel like I’m constantly second guessing what it means to be me. I used to keep a journal to vent. Now I just write raps. INT. STUDIO APARTMENT - BATHROOM - CONTINUOUS We JUMP CUT TO: Issa in her bathroom mirror with a notebook in hand, rapping. This is her place of solitude. ISSA Go shawty, it’s my birthday But noonecaresbecause I’m not having a party Because I’m feeling sorry For myself... 2. Back in the kitchen, Issa clicks on Donnell’s message. (We will jump cut between the bathroom and the kitchen.) DONNELL (O.S.) “Happy birthday. I miss you.” Issa smiles. It’s one of those schoolgirl crush, “memories of the way we werrrrre” smiles. She clicks on Donnell’s Facebook page. He appears to be in the music business. She looks at pics of him in the studio, the club scene and on stage. She clicks on his Relationship Status, which is set to “Single.” Issa is smug. BATHROOM: Issa transforms into a cocky gangster rapper. ISSA Ohhhh look nigga, Guess you still single, Couldn’t find another bitch, To make your toes tingle (NOPE!) She smiles. That was good. She writes down her thoughts. ISSA (V.O.) I can’t lie, a part of me wishes I wasn’t so aggressively passive. How different would my life be if I made decisions based on what I wanted instead of wondering “what if” all the damn time? We angle back on Issa’s face as she looks intently down at Donnell’s message. Just as she starts to reply, “Hey, I --” Suddenly we hear a LOUD SNORE. Across the kitchen, in her small studio apartment, we see A FIGURE in bed, under the covers. Issa quickly closes her computer, grabs her purse and keys and leaves for work. INT./EXT. COMPANY VAN - DAY ISSA looks out at the rundown middle school across the street as FRIEDA, white, late 20s, a co-worker Issa tolerates, reads stats off about the school. FRIEDA ...60% African-American, 35% Latino and 5% Indian/Other. They’ve cut on Sports, Arts, and After School programs. They’ve had 3 Principals in the last 2 years... Issa puts the car into “Park” and stares at Thomas Jefferson Middle School. 3. ISSA Don’t all of these schools start to feel the same to you after a while? FRIEDA What do you mean? ISSA Like, it’s the same story, same neglect, same struggle, same Black and Latino kids. FRIEDA It’s not a color issue, it’s a class issue. And that’s a really cynical view. I’d think that you of all people would be more sensitive. Issa bites her tongue. Music plays as we begin -- A MONTAGE OF ISSA’S JOB: ISSA (V.O.) Frieda is only one small-bitch part of a large clusterfuck of problems at my job, WE GOT YOU! A non-profit dedicated to helping underprivileged kids explore their career options. Issa sits in the office with her boss, JOANNE, white, late 40s, who has posters of Martin Luther King Jr., Malcolm X, President Obama and Beyonce in her office. JOANNE A part of me is torn between the Booker T. method and the DuBois method. Are we teaching them practical skills or encouraging intellectual thinking? What’s most beneficial for people of color? ISSA In...2014? ISSA (V.O.) I’ve been here five years, and they still haven’t realized that these kids and I have nothing in common except our skin color. Yet and still, I’m the token with all of the answers. As Issa approaches the coffee pot in the break room, a HUDDLED GROUP of co-workers turns to her. 4. CO-WORKER #1 Let’s just ask Issa. Issa, what’s “on fleek?” Issa pours her coffee. She’s used to this. ISSA I don’t know what that means. Her co-workers look disappointed, as Issa takes her coffee and leaves the break room. ISSA (V.O.) I know what that shit means. But I’m not giving them the satisfaction. Small victories. END MONTAGE: INT. CLASSROOM - MOMENTS LATER Issa stands in front of a bored 6th grade classroom as Frieda hands out brochures for “WE GOT YOU!” the educational non- profit company they work for. The school’s counselor, JUSTIN, mid-30s, Asian, stands next to her. ISSA ...WE GOT YOU! offers after-school tutoring, mentoring programs, community service, standardized test coaching, Big Brother/Big Sister and general filling in the cracks. Whatever it is you need to succeed, WE GOT YOU! As the Youth Liaison, I can assure that we’ll always have your back. Questions? Silence. ISSA (CONT’D) Don’t be shy, guys. Fire away. A 6TH GRADE GIRL raises her hand. 6TH GRADE GIRL #1 Why you talk like a white girl? Other students snicker. Frieda does, too. Issa is unsure how to answer that. ISSA (with a “BLAC-cent”) Haaa...you caught me. I’m rockin’ Blackface. 5. She laughs. Nothing. She turns to Frieda for something. Frieda mouths, “That’s racist.” ISSA (CONT’D) Any other questions? Another 6TH GRADE GIRL raises her hand. 6TH GRADE GIRL #2 What’s up with your hair? ISSA Um, I don’t know what you mean? 6TH GRADE GIRL #2 My cousin can put some tracks in it. Unless you like it like that. Issa reaches for her hair insecurely. 6TH GRADE GIRL #3 You rude. She African! ISSA We’re all from Africa, guys. JUSTIN Let’s stick to questions about the program. (to Issa) Sorry. A 6TH GRADE BOY raises his hand. 6TH GRADE BOY #1 Is this what you always wanted to do? This question actually catches Issa off guard. ISSA Um...No. But...I got this job after college and it fit my interests at the time. 6TH GRADE BOY #2 Are you single? ISSA I don’t think that’s appropriate. 6TH GRADE BOY #2 (to his friend) She’s single. 6. ISSA Ok, since you guys are SO interested in my personal life. Here it is: I’m 28-- actually, 29, today’s my birthday. I’ve been with my boyfriend for 4 years. I came from a great family. I have a college degree. I work in the corporate world, but I like to give back. And I did this to my hair on purpose. I hope that covers everything. Does anybody have any questions about WE GOT YOU? 6TH GRADE MIXED GIRL Why aren’t you married? ISSA I’m just not. Right now. 6TH GRADE MIXED GIRL My dad says nobody is checking for bitter ass black women anymore. Everyone except Justin laughs. CUT TO: BATHROOM: Issa lapses into a rap rebuttal: ISSA That’s why yo daddy ain’t shit I’m surprised you know him Old Kanye muthafucka Bet he found his Kim! CLASSROOM: A calm Issa stands as Justin intervenes again. JUSTIN Dayniece, that’s detention. Apologize! Now. 6TH GRADE MIXED GIRL Ugh! Sorry. ISSA That’s OK. And tell your dad that black women aren’t bitter, they’re just tired of being expected to settle for less. A moment of what seems like thoughtful silence turns into an eruption of laughter. 7. 6TH GRADE BOY #3 HER OUTFIT SETTLED FOR LESS, THOUGH! Issa sighs as she watches the kids laugh at her in SLOW MOTION. They don’t take her seriously, and why should they? ISSA (V.O.) I can’t stand the white people at my job and the black kids don’t fuck with me. Why couldn’t I be more like Molly. She’s like the Will Smith of corporate. CUT TO: MONTAGE OF MOLLY’S LAW FIRM: A) MOLLY, 28, Issa’s best friend, stands in the Break Room with the firm’s PARTNERS. They are cracking up. ISSA (V.O.) White people loooooooooove Molly. B) Molly plays Dominoes in the parking garage with the black and Latino security guards. ISSA (V.O.) Black people also looooooove Molly. Molly slams down her last domino. MEGAN DOM-I-NO biiiiiiiiiiitch! The guys laugh and high five Molly. ISSA (V.O.) What am I doing wrong? EXT. THOMAS JEFFERSON MIDDLE SCHOOL - MOMENTS LATER Justin walks Issa and Frieda outside. JUSTIN I am so, so sorry about that. ISSA It’s totally fine. They’re kids. I get crazy questions all the time. 8. JUSTIN Well, I’m really looking forward to working with you.
Recommended publications
  • Don't Get the Wrong IDEA: How the Fourth Circuit Misread the Words and Spirit of Special Education Law—And How to Fix It
    Don’t Get the Wrong IDEA: How the Fourth Circuit Misread the Words and Spirit of Special Education Law—and How to Fix It Michael T. McCarthy* Table of Contents I. Introduction ................................................................................1708 II. Special Education Law ...............................................................1711 A. History of the IDEA.............................................................1712 B. Free Appropriate Public Education......................................1714 1. Procedural Rights..........................................................1714 2. Substantive Rights.........................................................1715 C. Individualized Education Programs.....................................1716 III. A.K. ex rel. J.K. v. Alexandria City School Board......................1718 A. Initial Placement at Riverview School: 2003–2004 School Year .........................................................................1719 B. Disagreement over Future Placement: 2004–2005 School Year .........................................................................1720 C. Due Process Hearing ...........................................................1723 1. The Parents’ Claim........................................................1723 2. The Hearing Officer’s Decision ....................................1725 IV. The Meaning of "Location" ........................................................1726 A. Different Interpretations of "Location"................................1726 B. Judicial Interpretation
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • A Journal for Young Women Who Have Experienced Child Sexual Assault
    SEASONS OF CHANGE A Journal for Young Women who have experienced child sexual assault. A place for past reflections, present wonderings and future possibilities A Rosie’s Place Publication 2006 Acknowledgements This Journal is a result of funding granted by The Department of Corrective Services and the Mercy Foundation in 2004 & 2005. We would also like to acknowledge the writings and ideas from the many young women we have consulted with and who have contributed to the production of this journal. Thanks for your honesty, insight & thoughtfulness. You continue to inspire us with your courage and strength. The women that have contributed to this journal are:: Linda Jamie Monique Cassie Crystal Ellen Jo Rochelle Cathy Melissa Jenny Lumya Beth Contents What this journal is about…………………………………………………4 Making it your own……………………………………………….…….…6 Chapter 1 Autumn…………………………...……………………..….…..7 Your Story….…………………………………………………….……....9 Offender Tactics………………………………………………….…..…..13 Secrecy……..…………………………………………………….……...20 Breaking the Silence………………….………………………….…….…22 Culture………………………………………………………….....…....25 Chapter 2 Winter……………………………………………..….…….....27 Self Combustion…………………………………………............................28 Fear……………………………………………………………..……....29 Flashbacks, nightmares & anxiety………………………...………..….…...33 Stress and depression………………………………………………..….....40 Eating disorders…………………………………………………..……...47 Body Image………….………………………………………………......50 Substance abuse………………………………………………….…..…..55 Self harm ….………………………………………………………...…..58 Chapter 3 Spring……………………………………………………...….65
    [Show full text]
  • I. the Father— John Leonardo “Babe” Crucci
    An excerpt from MY SON by Robert McClure I. THE FATHER— JOHN LEONARDO “BABE” CRUCCI 1. (May 23, 2006) I am a week out of San Quentin when my son pulls to the curb in his Crown Victoria Police Interceptor, an unmarked one that reeks of crack. The odor stings my nose when I lean into the passenger window and say, “Hey, want to come inside, maybe have a drink?” “At ten in the morning?” he says, and the way my son looks at me makes him a kid again in my mind: He is ignoring my question about a book he thinks I’d never understand, or he is behind the glass wall of a prison visitation cubicle gawking like I am a snake on display at the zoo. What I sorely want to say to him is, What, you would rather us cruise around and get stoned in your pig rig? but I know that would ignite the tension hanging in the air with the crack fumes. So instead I say, “After paying my eight-year debt to society, I am entitled to twenty-four happy hours per day. C’mon, let’s get reacquainted before we get going.” 1 His bloodshot eyes burn holes through the windshield. No, it would take a logging chain and two-ton truck to drag him inside my house. I realize at this moment that my son has a bad feeling about the shitty little bungalow he grew up in, this nostalgic juju that has his head spinning with thoughts of where we started and where we are now, of where we are going to end up.
    [Show full text]
  • 1 Direct: 310-993-1790
    Direct: 310-993-1790 www.zoebattles.com [email protected] REEL IMDb M U S I C V I D E O S Costume Designer / Key Stylist Director 311 “First Straw” Scott Winig Airbourne “No Way but the Hard Way” Steve Jocz Against Me “I Was a Teenage An­ar­chist” Marc Klasfeld Apocalyptica “I'm Not Jesus” ft. Corey Taylor Tony Pettrosian Bad Azz “Wrong Idea” ft. Snoop Dogg Jeremy Rall Biffy Clyro “Bubbles” Marc Klasfeld Bloodhound Gang “Foxtrot Uniform Charlie Kilo” Marc Klasfeld By Chance “Baby, it’s on” Lionel C. Martin C-Murder “Back to Life” Dave Meyers Crazy Loop “Joanna (Shut up)” Marc Klasfeld Dave Matthews Band “Tripping Billies” Ken Fox Ee-De “Let’s Get to It” R. Malcom Jones Hozier “From Eden” Henry Chen & Ssong Yang Jay Chou “Double Blade” Alexi Tan Jay Z “Legacy” The Bullitts Jermaine Dupri “It’s Nothin’” ft. DaBrat & R.O.C. Darren Grant Kirk Franklin “Brighter Day” co-stylist: Arnelle Simpson Bille Woodruff Lil Bow Wow “Bounce Wit Me” ft. Jermaine Dupri, Jagged Edge & Da Brat Dave Myers Lil’ Bow Wow “My Baby” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Lil’ Bow Wow “The Don the Dutch” ft. Jagged Edge (Jagged Edge-LA) Fats Cats Liz Primo “State of Amazing” Evan Winter Master P “Oohwee” Terry Heller & Danny Passman Master P “Pockets Gone’ Stay Fat/Golds in They Mouth” co-stylist: Arnelle Simpson Christopher Morrison Mil “Ride Out” ft. Lil’ Wayne, Juvenile, Slim, Beanie Segal & Baby Sylvain White Public Announcement “A Man Ain’t Supposed to Cry” Christopher Erskin Rachelle Ferrell “With Open Arms” Pam Robinson Run the Jewels “Crown” Peter Martin Ruff Endz “No More” Bille Woodruff Seven Mary Three “Wait” John Stockwell Stone Sour “St Marie” Marc Klasfeld Travie McCoy “Billionaire” ft.
    [Show full text]
  • Tupac Shakur 29 Dr
    EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast,
    [Show full text]
  • Snoop Dogg Snoop Dogg Mp3, Flac, Wma
    Snoop Dogg Snoop Dogg mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Snoop Dogg Country: US Released: 2000 MP3 version RAR size: 1120 mb FLAC version RAR size: 1282 mb WMA version RAR size: 1300 mb Rating: 4.3 Votes: 289 Other Formats: XM MMF MP1 MPC DXD AUD APE Tracklist Hide Credits Doggystyle 1 Bathtub 2 G Funk Intro 3 Gin & Juice 4 Tha Shiznit 5 Lodi Dodi 6 Murder Was The Case 7 Serial Killa 8 Who Am I (What's My Name) 9 For All My Niggaz & Bitches 10 Aint No Fun (If The Homies Cant Have None) 11 Doggy Dogg World 12 Gz And Hustlas 13 Pump Pump Tha Doggfather 14 Intro 15 Doggfather 16 Ride 4 Me 17 Up Jump Tha Boogie 18 Freestyle Conversation 19 When I Grow Up 20 Gold Rush 21 Snoop Bounce 22 (Tear 'Em Off) Me & My Doggz 23 You Thought 24 Vapors 25 Groupie 26 2001 27 Sixx Minutes Da Game Is To Be Sold, Not To Be Told 28 Snoop World 29 I Can't Take The Heat 30 Woof! 31 Gin & Juice II 32 Show Me Love 33 Hustle And Ball 34 Don't Let Go 35 Tru Tank Dogs 36 Whatcha Gon Do 37 Still A G Thang 38 20 Dollars To My Name 39 D.O.G.'s Get Lonely 2 40 Ain't Nut'in Personal 41 DP Gangsta 42 Game Of Life 43 See Ya When I Get There 44 Pay For P 45 Picture This 46 Doggz Gonna Get Ya 47 Hoes, Money (Clout) 48 Get Bout It (Rowdy) No Limit Top Dogg 49 Dolomite Intro 50 Buck 'Em 51 Trust Me 52 My Heat Goes Boom 53 Dolomite 54 Snoopafella 55 In Love With A Thug 56 G Bedtime Stories 57 Down 4 My N's 58 Betta Days 59 Something Bout Yo Bidness 60 B Please 61 Doin' Too Much 62 Gangsta Ride 63 Ghetto Symphony 64 Party With A D.P.G.
    [Show full text]
  • Here Comes Santa Claus Christmas Song
    Here Comes Santa Claus Christmas Song Tallie often sodomize phosphorescently when saccharine Vernon whipsaw forbiddingly and misdraws her vermiculations. Prettyish and credible Sloan supplements while whelped Hammad soothsayings her drain touchingly and tats theoretically. Frigid Gerrit still smashes: starting and colloid Judson chirms quite insolently but cloy her bibliophile daringly. This photo and christmas here song written by the page load performance is a comment is entirely different characters, your server at nearly a fandom movies. Let this be adduced to correct a wrong idea that is entertained by people, that they may resist officers, doing their duty. That username is taken. The chords provided are my interpretation and their accuracy is not guaranteed. Add a coming of this elvis presley had tried to here comes santa claus compsoed by friends, levine decided to. Solo artist as christmas songs and paste to come to find music online to hearing the coming danger such. It indicates a way to close an interaction, or dismiss a notification. He also purchased the rights to films he had made for Republic Pictures from the dying company. Oakley haldeman set to here comes santa claus by gene autry christmas! Fill up your christmas song are depressing, santa claus comes tonight. How why is Mrs Claus Santa Tracker. There is nothing in the Constitution that allows for the Senate to try a private citizen. And they did so again Friday. Steal this idea for maintain own blog or confirm your thoughts in a comment here. This one interestingly does disclose that. You could rewrite any media, ever, as a dream suite of huge, and society a little embellishment it would this sense.
    [Show full text]
  • November 1915) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1915 Volume 33, Number 11 (November 1915) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 33, Number 11 (November 1915)." , (1915). https://digitalcommons.gardner-webb.edu/etude/619 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE November 1915 Founded 1883 Edward Mac Dowell PRICE 15 CENTS Pressers Musical Magazine 773 THE ETUDE The Young Folks find that A MONTHLY JOURNAL FOR THE MUSICIAN, THE THE EMERSON 1 MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by James Francis Cooke Automatic Player Piano ,premiu^t^rre*,,owedfor CONTENTS NOVEMBER, 1915 furnishes good fun for impromptu entertainment or it may be used equally as well for formal dances. Music in the special tempo and with the “dancing accent’’ — the kind that must be played right—is rendered perfectly m by the Emerson Automatic. W&MSajggi A popular feature of the Emerson Automatic: it will re-roll and play over again automatically when you wish.
    [Show full text]
  • Feat. Eminen) (4:48) 77
    01. 50 Cent - Intro (0:06) 75. Ace Of Base - Life Is A Flower (3:44) 02. 50 Cent - What Up Gangsta? (2:59) 76. Ace Of Base - C'est La Vie (3:27) 03. 50 Cent - Patiently Waiting (feat. Eminen) (4:48) 77. Ace Of Base - Lucky Love (Frankie Knuckles Mix) 04. 50 Cent - Many Men (Wish Death) (4:16) (3:42) 05. 50 Cent - In Da Club (3:13) 78. Ace Of Base - Beautiful Life (Junior Vasquez Mix) 06. 50 Cent - High All the Time (4:29) (8:24) 07. 50 Cent - Heat (4:14) 79. Acoustic Guitars - 5 Eiffel (5:12) 08. 50 Cent - If I Can't (3:16) 80. Acoustic Guitars - Stafet (4:22) 09. 50 Cent - Blood Hound (feat. Young Buc) (4:00) 81. Acoustic Guitars - Palosanto (5:16) 10. 50 Cent - Back Down (4:03) 82. Acoustic Guitars - Straits Of Gibraltar (5:11) 11. 50 Cent - P.I.M.P. (4:09) 83. Acoustic Guitars - Guinga (3:21) 12. 50 Cent - Like My Style (feat. Tony Yayo (3:13) 84. Acoustic Guitars - Arabesque (4:42) 13. 50 Cent - Poor Lil' Rich (3:19) 85. Acoustic Guitars - Radiator (2:37) 14. 50 Cent - 21 Questions (feat. Nate Dogg) (3:44) 86. Acoustic Guitars - Through The Mist (5:02) 15. 50 Cent - Don't Push Me (feat. Eminem) (4:08) 87. Acoustic Guitars - Lines Of Cause (5:57) 16. 50 Cent - Gotta Get (4:00) 88. Acoustic Guitars - Time Flourish (6:02) 17. 50 Cent - Wanksta (Bonus) (3:39) 89. Aerosmith - Walk on Water (4:55) 18.
    [Show full text]
  • Drunkenness, What It Is and How to Cure It
    ' m m ,,-., .,.. .,.,.: ..,...;,-., ,. ~ kf mm mm msam WHAT IT IS r TO CURE IT B333f& ftftSraRz ds Stace, M. D. m$, Wfflffl ft«; »££#«; vm i»* ^H iisi shs? iiilii HBKii raSSSffi ; .::"..: ::• 8H Class Book. Copyrights COPYRIGHT DEPOSIT: DRUNKENNESS WHAT IT IS ana HOW TO CURE IT By Edward Francis Stace, M. D. Chicago The Mentor Publishing Company (Not Inc.) Chicago, Illinois 1913 BC36T .5s Copyrighted 1913 by Edward Francis Stace, M. d. All Rights Reserved /2~ e)~c ©CI.A357853 CONTENTS Page A PERSONAL MESSAGE TO THOSE INTER- ESTED IN THE PREVENTION AND CURE OF DRUNKENNESS 1 Antiquity of Drunkenness—Why the usual temperance efforts fail—Drunkenness a curable disease—This book written for the drinker himself, his family, and his friends, as well as for medical men—The attitude of mind you should have for the study of Drunkenness—The path leading to freedom from drink. AN EXPLANATION OF SUCH TERMS AS MAY BE MISUNDERSTOOD 7 Definition of Intoxication, Alcoholism, Dipsomania, De- lirium Tremens, Mania a potu, Inebriety, Drunkenness, and the Drink Habit—What is understood from the terms Alcohol, Liquor and Intoxicants—The percentage of Alcohol in different drinks—Comparison of the amount of alcohol in whiskey and beer—Physiological and Psychological defined. THE PATHOLOGY OF DRUNKENNESS...... n Definition of pathology—Only proven facts will be stated —The usual conception of Drunkenness—The progres- sive symptoms of intoxication—The awakening—Where the real trouble lies—The false belief that a drinker is all right when he sobers up—How you may
    [Show full text]
  • Wanting Enlightenment Is a Big Mistake
    “Now that Soen Sa Nim [Zen Master Seung Sahn] is gone, we have only the stories, and, thankfully, books such as this one, to help bring him alive to those who never had a chance to encounter him in the flesh. In these pages, if you linger in them long enough, and let them soak into you, you will indeed meet him in his inimitable suchness, and perhaps much more important, as would have been his hope, you will meet yourself.” —Jon Kabat-Zinn, author of Coming to Our Senses “Zen Master Seung Sahn’s teachings will always bring great light into the world. His extraordinary wit, intelligence, courage, and compassion are brought to us in this wonderful and important book. Thousands of students have benefited from his great understanding. Now more will come to know the heart of this rare and profound human being.” —Joan Halifax, Abbot, Upaya Zen Center ABOUT THE BOOK A major figure in the transmission of Zen to the West, Zen Master Seung Sahn was known for his powerful teaching style, which was direct, surprising, and often humorous. He taught that Zen is not about achieving a goal, but about acting spontaneously from “don’t-know mind.” It is from this “before- thinking” nature, he taught, that true compassion and the desire to serve others naturally arises. This collection of teaching stories, talks, and spontaneous dialogues with students offers readers a fresh and immediate encounter with one of the great Zen masters of the twentieth century. HYON GAK SUNIM, a Zen monk, was born Paul Muenzen in Rahway, New Jersey.
    [Show full text]