DANIEL J. LEVITIN Curriculum Vita One-Page Summary Education A.B. (With Honors), Psychology and Cognitive Science, Stanford Univ
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The Influence of Characteristics on Music Enjoyment and Preference
Page 12 Oshkosh Scholar The Influence of Characteristics on Music Enjoyment and Preference Kristie Wirth, author Dr. Quin Chrobak, Psychology, faculty mentor Kristie Wirth is a senior at UW Oshkosh studying psychology and French. She plans to pursue a Ph.D. in counseling psychology after graduating. Her ideal career would involve both teaching and counseling at a university. She conducted the following research study as part of the McNair Scholars Program during spring 2012. Dr. Quin Chrobak received his B.A. from Drew University, his M.A. from American University, and his Ph.D. in experimental psychology from Kent State University. His research focuses on understanding how memory and cognition operate in complex real-world situations. Most recently, his research has begun to explore the notion that the nature of the relationship between witnessed and suggested/fabricated events may contribute to the false memory development. Abstract Past research has indicated that two specific personality traits, openness and empathy, may contribute to greater enjoyment of music that expresses negative emotions. Individuals with elevated levels of depressive symptoms may similarly have a preference for negative music. However, no research to date has explored the impact of both personality traits and depressive symptoms in the same investigation. The current study measured both music enjoyment (how much people like certain music) and music preference (how often people choose to listen to certain music) after exposure to negative, neutral, and positive music. Supporting prior research, this study indicated that individuals high in overall empathy (the ability to experience the emotions of another) had a greater enjoyment of negative emotional music. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
Music, the Brain and Being Human
Gustavus/Howard Hughes Medical Institute Outreach Program 2011 Curriculum Materials ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Music, the Brain and Being Human Document Overview: Lesson plan Music survey handout The Brain and Music handout Minnesota State Science Standards: 9.1.1.1.2 Understand that scientists conduct investigations for a variety of reasons, including: to discover new aspects of the natural world, to explain observed phenomena, to test the conclusions of prior investigations, or to test the predictions of current theories. 9.1.1.1.3 Explain how societal and scientific ethics impact research practices. Objectives: ● Introduce students to how the brain is part of everyday life processes ● Show relationship between music and brain functions ● Describe relevance of neuroscience to the study of human behavior ● Spark student interest in the study and general field of neuroscience in preparation for future lessons Type of Activity: Multimedia, interactive discussion, writing, observation and interpretation of phenomena, inquiry Duration: 90 minutes, but can be easily modified for any time frame Connection to Nobel speaker: Speaker: Vilayanur Ramachandran, Director of the Center for Brain and Cognition and Professor, Psychology Department and Neuroscience Program -
Music to Your Ears
baffies them as much as Beethoven's ONWAI\D A ND UPWAI\D WITH THE AI\T5 Ninth. They match at music as we snatched at movies, filli ng our heads with plural images. A friend with whom MUSIC TO YOUR EARS I was brooding over the way recorded sound supplies a soundtrack for modem The questfor 3-D recording and other mysteries ifsound life said that I ought to seek out Edgar Choueiri, a rocket scientist- really, a BY ADAM GOPNIK rocket scientist!- who has spent a good part of his life worrying about such things. C houeiri, my friend said, had broken the code of something funda mental about the reproduction ofsou nd, and so I went to Princeton, where he has two laboratories, to seek him out. Those of us who have no laboratory at all might regard what Choueiri mod estly calls his "other'' laboratory as the only laboratory that anyone would ever need. It is the size of a small airplane hangar, and it is filled with plasma rocket engines that run on electricity: instead of a wasteful explosion of liquid fuel, a judicious leak of ions pushes the craft forward through a vacuum. If we ever start commuting to Mars, it will likely be a Choueiri-style engine that gets us there and back. The president of the Electric Rocket Propulsion Society, Choueiri is also the president of the Lebanese Academy of Sciences, and is very much, in spirit and appearance, a man of the old Levant. There's the elegant classical nose, the high, anxious brows, and the worried ex pression. -
Australian Music & Psychology Society Newsletter
Australian Music & Psychology Society March, 2016 Edition 2 Australian Music & Psychology Society Newsletter Welcome to our second edition After a slight delay, we are delighted to be able to bring this second edition of the AMPS newsletter to you. This newsletter is a student led publication, to facilitate discussion within the AMPS membership, and to provide a forum for researchers to write about any Inside this issue topics which may take their fancy. Music an antidote for aging? ...... 2 This issue contains some exciting submissions, including summaries of music and neuro- In Memory of Oliver Sacks .......... 3 science, the protective effect of music against cognitive aging, and a book review. We also have an obituary to Oliver Sacks, a prominent neurologist and advocate for music New AMPS Committee ................ 3 psychology. Many of the articles feature hyperlinks and web addresses, so you can access Book Review ............................... 4 additional material, or delve more deeply into this research by exploring web content if Rhythm Tracker .......................... 4 you wish. Music and Neuroscience ............. 5 This is also the last issue that Joanne Ruksenas has worked on as editor-in-chief. All of us on the AMPS Newsletter team would like to thank her for her hard work in putting Music Trust Research Award ....... 6 together this publication, and wish her all the best on her next project! Upcoming Conferences ............... 6 For future editions, please send original articles of scholarly research, book and perfor- AMPS2016 review ....................... 7 mance reviews, discussions of current research, and other items relating to music psy- About AMPS ................................ 8 chology. All are warmly welcomed. -
The Experience of Doing’
Phenomenology and the Feeling of Doing: 1 Wegner on the Conscious Will Tim Bayne, Macquarie University [email protected] February 24, 2005 To appear in S. Pockett, W. P. Banks & S. Gallagher (eds) Does Consciousness Cause Behavior? An Investigation of the Nature of Volition. Cambridge, MA: MIT Press. Abstract In this paper I examine Daniel Wegner’s claim that the conscious will is an illusion. I begin by asking what Wegner might mean by “the conscious will”, and what he might mean by calling it an illusion. I then explore Wegner’s arguments for the claim that the conscious will is an illusion. I conclude that these arguments fail, and that although there is much we do not yet know about the structure of the phenomenology of agency, it is unlikely that the phenomenology of agency is illusory. 1. Introduction Given its ubiquitous presence in everyday experience, it is surprising that the phenomenology of doing—the experience of being an agent—has received such scant attention in the consciousness literature. But things are starting to change, and a small but growing literature on the content and causes of the phenomenology of first-person agency is beginning to emerge.2 One of the most influential and stimulating figures in this literature is Daniel Wegner. In a series of papers and his book The Illusion of Conscious Will (ICW) Wegner has developed an account of what he calls “the experience of conscious will”. In this paper I assess Wegner’s model of the conscious will and the claims that he makes on the basis of it. -
Classical Net Review
The Internet's Premier Classical Music Source BOOK REVIEW The Psychology of Music Diana Deutsch, editor Academic Press, Third Edition, 2013, pp xvii + 765 ISBN-10: 012381460X ISBN-13: 978-0123814609 The psychology of music was first explored in detail in modern times in a book of that name by Carl E. Seashore… Psychology Of Music was published in 1919. Dover's paperback edition of almost 450 pages (ISBN- 10: 0486218511; ISBN-13: 978-0486218519) is still in print from half a century later (1967) and remains a good starting point for those wishing to understand the relationship between our minds and music, chiefly as a series of physical processes. From the last quarter of the twentieth century onwards much research and many theories have changed the models we have of the mind when listening to or playing music. Changes in music itself, of course, have dictated that the nature of human interaction with it has grown. Unsurprisingly, books covering the subject have proliferated too. These range from examinations of how memory affects our experience of music through various forms of mental disabilities, therapies and deviations from "standard" auditory reception, to attempts to explain music appreciation psychologically. Donald Hodges' and David Conrad Sebald's Music in the Human Experience: An Introduction to Music Psychology (ISBN-10: 0415881862; ISBN-13: 978- 0415881869) makes a good introduction to the subject; while Aniruddh Patel's Music, Language, and the Brain (ISBN-10: 0199755302; ISBN-13: 978-0199755301) is a good (and now classic/reference) overview. Oliver Sacks' Musicophilia: Tales of Music and the Brain (ISBN-10: 1400033535; ISBN-13: 978-1400033539) examines specific areas from a clinical perspective. -
The Sense of Conscious Will
BEHAVIORAL AND BRAIN SCIENCES (2004) 27, 649–692 Printed in the United States of America Précis of The illusion of conscious will Daniel M. Wegner Department of Psychology, Harvard University, Cambridge, MA 02138. [email protected] http://www.wjh.harvard.edu/~wegner/ Abstract: The experience of conscious will is the feeling that we are doing things. This feeling occurs for many things we do, conveying to us again and again the sense that we consciously cause our actions. But the feeling may not be a true reading of what is happening in our minds, brains, and bodies as our actions are produced. The feeling of conscious will can be fooled. This happens in clinical disorders such as alien hand syndrome, dissociative identity disorder, and schizophrenic auditory hallucinations. And in people without disorders, phenomena such as hypnosis, automatic writing, Ouija board spelling, water dowsing, facilitated communication, speaking in tongues, spirit possession, and trance channeling also illustrate anomalies of will – cases when actions occur without will or will occurs without action. This book brings these cases together with research evidence from laboratories in psychology to explore a theory of apparent mental causation. According to this theory, when a thought appears in consciousness just prior to an action, is consistent with the action, and appears exclusive of salient alternative causes of the action, we experience conscious will and ascribe authorship to ourselves for the action. Experiences of conscious will thus arise from processes whereby the mind interprets itself – not from processes whereby mind creates action. Conscious will, in this view, is an indication that we think we have caused an action, not a revelation of the causal sequence by which the action was produced. -
Memory and Production of Standard Frequencies in College-Level Musicians Sarah E
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 Memory and Production of Standard Frequencies in College-Level Musicians Sarah E. Weber University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Cognition and Perception Commons, Fine Arts Commons, Music Education Commons, and the Music Theory Commons Weber, Sarah E., "Memory and Production of Standard Frequencies in College-Level Musicians" (2013). Masters Theses 1911 - February 2014. 1162. Retrieved from https://scholarworks.umass.edu/theses/1162 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Memory and Production of Standard Frequencies in College-Level Musicians A Thesis Presented by SARAH WEBER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF MUSIC September 2013 Music Theory © Copyright by Sarah E. Weber 2013 All Rights Reserved Memory and Production of Standard Frequencies in College-Level Musicians A Thesis Presented by SARAH WEBER _____________________________ Gary S. Karpinski, Chair _____________________________ Andrew Cohen, Member _____________________________ Brent Auerbach, Member _____________________________ Jeff Cox, Department Head Department of Music and Dance DEDICATION For my parents and Grandma. ACKNOWLEDGEMENTS I would like to thank Kristen Wallentinsen for her help with experimental logistics, Renée Morgan for giving me her speakers, and Nathaniel Liberty for his unwavering support, problem-solving skills, and voice-over help. -
Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2014 The niU versal Roar: Walt Whitman, John Muir, and the Song of the Cosmos Jason Balserait Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Studies Commons Recommended Citation Balserait, Jason, "The nivU ersal Roar: Walt Whitman, John Muir, and the Song of the Cosmos" (2014). Master of Liberal Studies Theses. 54. http://scholarship.rollins.edu/mls/54 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Universal Roar: Walt Whitman, John Muir, and the Song of the Cosmos A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Jason A. Balserait May, 2014 Mentor: Dr. Steve Phelan Reader: Dr. Joseph V. Siry Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements There are a number of people who I would like to thank for making this dream possible. Steve Phelan, thank you for setting me on this path of self-discovery. Your infectious love for wild things and Whitman has changed my life. Joe Siry, thank you for support and invaluable guidance throughout this entire process. Melissa, my wife, thank you for your endless love and understanding. I cannot forget my two furry children, Willis and Aida Mae. -
The Psychology of Gullibility
What is is FABBS? FABBS? The Foundation for the Advancement of Behavioral and Brain Sci- ences (FABBS) is an educational non-profit organization established to promote and enhance understanding of the behavioral, psychologi- cal, and brain sciences. cal, and brain sciences. The mission of the foundation is education directed to two important Theaudiences: mission the of publicthe foundation and researchers. is education Our directedfirst goal, to totwo enhance important the S C I E N C E C A F É audiences:public’s understanding the public and of scientific researchers. research, Our first is accomplished goal, to enhance through the educational programming and publications designed for non- public’s understanding of scientific research, is accomplished through scientists. Our second goal, to facilitate the engagement of scientists ineducational productive programming dialogue that willand improvepublications and expeditedesigned activities for non- re- Will People latedscientists. to research, Our second is met goal, through to facilitate the organization the engagement of conferences of scientists and seminarsin productive geared dialogue towards that communication will improve and and expedite interaction activities between re- Believe Anything? thoselated toinvolved research, in theis met research through process. the organization of conferences and The Psychology of Gullibility Theseminars end products geared towardsof the successful communication fulfillment and of interactionour efforts includebetween a societythose involved that is inbetter the researchequipped process. to understand the complex, scientific issues that are becoming a daily part of modern life, and a well- informedThe end products research of community the successful that fulfillmentis prepared of to our advance efforts their include field a October 10, 2008 societybeyond thatcurrent is better expectations equipped and to capabilities. -
Welcome, We Have Been Archiving This Data for Research And
Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] H & H - Deep Hackberry Ramblers - Crowley Waltz Hackberry Ramblers - Tickle Her Hackett, Bobby - New Orleans Hackett, Buddy - Advice For young Lovers Hackett, Buddy - Chinese Laundry (Coral 61355) Hackett, Buddy - Chinese Rock and Egg Roll Hackett, Buddy - Diet Hackett, Buddy - It Came From Outer Space Hackett, Buddy - My Mixed Up Youth Hackett, Buddy - Old Army Routine Hackett, Buddy - Original Chinese Waiter Hackett, Buddy - Pennsylvania 6-5000 (Coral 61355) Hackett, Buddy - Songs My Mother Used to Sing To Who 1993 Haddaway - Life (Everybody Needs Somebody To Love) 1993 Haddaway - What Is Love Hadley, Red - Brother That's All (Meteor 5017) Hadley, Red - Ring Out Those Bells (Meteor 5017) 1979 Hagar, Sammy - (Sittin' On) The Dock Of The Bay 1987 Hagar, Sammy - Eagle's Fly 1987 Hagar, Sammy - Give To Live 1984 Hagar, Sammy - I Can't Drive 55 1982 Hagar, Sammy - I'll Fall In Love Again 1978 Hagar, Sammy - I've Done Everything For You 1978 1983 Hagar, Sammy - Never Give Up 1982 Hagar, Sammy - Piece Of My Heart 1979 Hagar, Sammy - Plain Jane 1984 Hagar, Sammy - Two Sides