GHOST STORIES by Gay Authors
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Spirits of the Age: Ghost Stories and the Victorian Psyche
SPIRITS OF THE AGE: GHOST STORIES AND THE VICTORIAN PSYCHE Jen Cadwallader A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by: Laurie Langbauer Jeanne Moskal Thomas Reinert Beverly Taylor James Thompson © 2009 Jen Cadwallader ALL RIGHTS RESERVED ii ABSTRACT JEN CADWALLADER: Spirits of the Age: Ghost Stories and the Victorian Psyche (Under the direction of Beverly Taylor) “Spirits of the Age: Ghost Stories and the Victorian Psyche” situates the ghost as a central figure in an on-going debate between nascent psychology and theology over the province of the psyche. Early in the nineteenth century, physiologists such as Samuel Hibbert, John Ferriar and William Newnham posited theories that sought to trace spiritual experiences to physical causes, a move that participated in the more general “attack on faith” lamented by intellectuals of the Victorian period. By mid-century, various of these theories – from ghosts as a form of “sunspot” to ghost- seeing as a result of strong drink – had disseminated widely across popular culture, and, I argue, had become a key feature of the period’s ghost fiction. Fictional ghosts provided an access point for questions regarding the origins and nature of experience: Ebenezer Scrooge, for example, must decide if he is being visited by his former business partner or a particularly nasty stomach disorder. The answer to this question, here and in ghost fiction across the period, points toward the shifting dynamic between spiritual and scientific epistemologies. -
NON- Fiction: FICTION Easy Reader (JJ-ER)
NON- Fiction: Atlas of monsters and ghosts Magrin, Federica Children's book of mythical beasts & magical monsters. Creepy costumes : DIY zombies, ghouls, and more Meinking, Mary Eye-popping jack-o'-lanterns : DIY glares, stares, and more Meinking, Mary Laugh-out-loud Halloween jokes : lift-the-flap Elliott, Rob LEGO Halloween ideas Wood, Selina Make frightful props : DIY eyeballs, organs, and more Meinking, Mary Marisol McDonald and the monster Brown, Monica Monster jokes Spooky haunted houses Maurer, Tracy Spooky haunted house : DIY cobwebs, coffins, and more Meinking, Mary What is the story of Frankenstein? Keenan, Sheila FICTION BOARD Books: Boo, boo, I love you! Magsamen, Sandra Clifford's first Halloween Bridwell, Norman Halloween dogs. Halloween is here! Mitter, Matt Halloween Kitty Yoon, Salina. Here comes Halloween! Church, Caroline Jack and Jill : a Halloween nursery rhyme Yoon, Salina Little Blue Truck's Halloween Schertle, Alice The pout-pout fish Halloween faces Diesen, Deborah Too many monsters! : a Halloween counting book Neubecker, Robert Llama llama trick or treat Dewdney, Anna Spooky Pookie Boynton, Sandra Fly, ghost, fly! Schwartz, Betty Ann Peppa's giant pumpkin Lizzio, Samantha Easy Reader (JJ-ER) A fairy-tale fall Jordan, Apple Arthur's Halloween costume : story and pictures Hoban, Lillian Click, clack, boo! : a tricky treat Cronin, Doreen Dragon's Halloween (Series: Dragon Tales) Pilkey, Dav Happy haunting, Amelia Bedelia Parish, Herman Monster games Lagonegro, Melissa Mercy Watson :Princess in disguise DiCamillo, Kate Sharmat, Marjorie Nate the Great and the Halloween hunt Weinman Scared silly Howe, James Scooby-Doo! and the cupcake caper Sander, Sonia The haunted Halloween party Herman, Gail Turtle and Snake's spooky Halloween Spohn, Kate Picture books (JJ) 5-minute Halloween stories. -
The Ghostmodern: Revisionist Haunting in Turn-Of-The-Century American Literature (1887-1910)
THE GHOSTMODERN: REVISIONIST HAUNTING IN TURN-OF-THE-CENTURY AMERICAN LITERATURE (1887-1910) by MATH TRAFTON B.A., University of Colorado, 2003 B.S., University of Colorado, 2003 M.A., University of Colorado, 2005 M.A., University of Colorado, 2008 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Comparative Literature 2013 This dissertation titled: The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887-1910) written by Math Trafton has been approved for the Department of Comparative Literature Dr. Karen Jacobs, committee chair Dr. Mark Leiderman Dr. Eric White Dr. Sue Zemka Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Trafton, Math (Ph.D., Comparative Literature) The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887- 1910) Dissertation directed by Associate Professor Karen Jacobs This project attempts to identify and explain numerous significant transformations in the genre of the literary ghost story in the period roughly contemporary with the earliest emergence of literary Modernism. Through a detailed examination of the literary encounters with invisibility in pivotal American ghost stories from the end of the twentieth century, the project considers the rich literary trope of ghostly haunting according to its capacity to provoke an engagement with marginalized, liminal spaces. In traditional ghost stories, however, as ghosts are ultimately overcome and order is restored, normative structures resume, and such engagements are trivialized. -
Virginia Woolf; the Art Historians Clive Bell and Roger Fry; and the Economist John Maynard Keynes
NEAR EAST UNIVERSITY FACULTY OF ARTS AND SCIENCE~~ DEPARTMENT OF ENGLISH .· ·/. , ,, .. , '~:· i l.._ 1 • . ; / ~ r:-, 11 .~ ~- LANGUAGE AND LITERATURE \·;:;>., - .. ,:. :'. \ · t.;"•r c..r''"' ' : ' '~~~/ A PASSAGE TO INDIA: "CRITICAL APPROACH" A Novel By E-M FORSTER UNDERGRADUATE THESIS • Prepared By : MURAT ILHAN •• SupervisedBy: Assoc.Prof.Dr.GUL CELKAN June,1998 T.R.N.C. TABLE OF CONTENTS * PREFACE * INTRODUCTION * E-M FOSTER'S LIFE * CHRONOLOGY OF FOSTER * WHAT IS THE SUBJECT OF THE PASSAGE? * WHAT THE TITLE IS ABOUT? * THE PLOT AND STRUCTURE * THEMES OF A PASSAGE TO INDIA * E-M FOSTER'S PORTRAYS MANY CHARACTERISTICS OF STYLE IN HIS NOVEL * THE CHARACTER OF Dr. AZiZ * CONCLUSION * BIBLIOGRAPHY PREFACE The English language and literature has always been attractive to my personality; because since I was a boy, I decided to educate myself in the area of the English language and to receive all the benefits it would give me. Therefore, I have chosen to study on one, of the greatest figures of the English literature, E-M Forster and, his best novel A Passage To India. I would like to give my special thanks to my chairperson, Associate Prof. Dr. Gill Celkan for her great help through my 4- year education in the department. Murat Illian, 1998 T.R.N.C. 2 INTRODUCTION A Passage To India is E-M Forster's most ambitious, and surely one of the classic modem English novels, a work both of modem chaos and aesthetic order. The echo in the Marabar caves levels all meaning to one declares "Everything exist; nothing has value". In which the j anus- face of the universe is visible, where its horror and smallness are simultaneously known, where "neither ignore nor respect unity". -
Kissing and Telling: Turning Round in a Room with a View Author(S): Jeffrey Heath Source: Twentieth Century Literature, Vol
Kissing and Telling: Turning Round in A Room with a View Author(s): Jeffrey Heath Source: Twentieth Century Literature, Vol. 40, No. 4 (Winter, 1994), pp. 393-433 Published by: Duke University Press Stable URL: http://www.jstor.org/stable/441598 Accessed: 06-06-2018 17:39 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Duke University Press is collaborating with JSTOR to digitize, preserve and extend access to Twentieth Century Literature This content downloaded from 150.210.231.20 on Wed, 06 Jun 2018 17:39:52 UTC All use subject to http://about.jstor.org/terms Kissing and Telling: Turning Round in A Room with a View JEFFREY HEATH Yesterday had been a muddle-... the kind of thing one could not write down easily on paper.... [Lucy] thought not so much of what had happened as of how she should describe it. ... But ... her words fell short of life. (A Room with a View 68, 94, 229) A Room with a View invites the same question that Charlotte Bartlett asks when she sees George Emerson's "enormous note of interroga- tion": "What does it mean?" (43). The reply might be that Forster's novel is "about" such matters as love, art, self-realization, Edwardian manners, feminism, values and their revision, exposure and conceal- ment, completion and interruption, daily life and celestial life, the subconscious mind, language, myth-and so on. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
厦门大学博硕士论文摘要库论文答辩日期 2 0 0 1 年 6 月 学位授予单位 厦 门 大 学 学位授予日期 2 0 0 1 年 月
Introduction 学校编码 10384 分类号 密级 学 号 9804013 UDC 学 位 论 文 Only Connect: E. M. Forster’s Howards End 只 要 联 系 E. M.福斯特的 霍华德别业 肖 萍 指 导 教 师 张 礼 龙 副教授 厦门大学外文学院 申 请 学 位 硕 士 专 业 名 称 英语 语 言 文 学 论文提交日期 2 0 0 1 年 5 月 厦门大学博硕士论文摘要库论文答辩日期 2 0 0 1 年 6 月 学位授予单位 厦 门 大 学 学位授予日期 2 0 0 1 年 月 答辩委员会主席 评 阅 人 2001 年 5 月 1 Introduction Synopsis E. M. Forster (1879-1970) can be regarded as one of the most controversial writers of his time, and Howards End has always been the most controversial of his novels. Divergences of the criticism on the novel reside mainly in its ambivalence and ambiguity as a result of Forster’s “double vision,” and its happy, but unconvincing ending that seems to embody the ultimate and comprehensive “connection” of all those opposing forces Forster has discerned in modern society. The present thesis aims to reveal the connotation of the epigraphy “Only connect…” and Forster’s real intention to conceive such a happy ending whose “connection” is actually one-sided, so as to justify Forster’s “double vision.” The present thesis consists of six chapters, an “Introduction,” and a “Conclusion.” “Introduction” briefly traces the vicissitudes of Forster criticism and scholarship, then introduces the main points of controversy on Howards End: whether Forster’s “double vision” in Howards End is its strength or weakness, with Woolf on one side and Widdowson on the other. -
The Bell Witch an American Ghost Story The
peterson The Bell Witch An american Ghost Story The An American Ghost Story By Megan Cooley Peterson Snap Books are published by Capstone Press 1710 Roe Crest Drive, North Mankato, Minnesota 56003 www.capstonepub.com Copyright © 2020 by Capstone Press, a Capstone imprint All rights reserved. No part of this publication may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. Library of Congress Cataloging-in-Publication Data is available on the Library of Congress website. ISBNs: 978-1-5435-7335-0 (hardcover) 978-1-5435-7477-7 (paperback) 978-1-5435-7344-2 (eBook PDF) Editorial Credits Eliza Leahy, editor; Brann Garvey, designer; Tracy Cummins, media researcher; Tori Abraham, production specialist Photo Credits Alamy: age fotostock, 8, Trinity Mirror/Mirrorpix, 15; Courtesy of Tennessee State Library and Archives: 6, 17, 24; Shutterstock: ADragan, 23, Africa Studio, 18, avtk, Design Element, Bob Orsillo, 11, Chantal de Bruijne, Design Element, Everett Historical, 21, Giraphics, Design Element, GoMixer, Design Element, Hitdelight, 9, InnaPoka, 7, Joe Therasakdhi, Cover, LiskaM, 13, Lusica, 19, MagicDogWorkshop, Design Element, NikhomTreeVector, Design Element, NinaMalyna (frame), 9 Top, 21, 24, Prokrida (frame), 9 Left, 9 Bottom, Stefan Rotter, 12; Wikimedia: Brian Stansberry, 5, 27, Www78, 29 Direct Quotations Pages 14–15: Ingram, M.V. An Authenticated History of the Famous Bell Witch. Clarksville, TN: W. P. Titus, printer, 1894, 53. Page 20: Ingram, M.V. An Authenticated History of the Famous Bell Witch. Clarksville, TN: W. -
Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
University of Alberta Qasim's Short Stories: .4N Esample of Arnbic
University of Alberta Qasim's Short Stories: .4n Esample of Arnbic SupernaturaUGhost/Horror Story Sabah H Alsowaifan O -4 thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requiremrnts for the degree of Doctor of philosophy Comparative Literature Department of Comparative Literature, Religion, and Filmli\fedia Studies Edmonton, Alberta Spnng 200 1 National Library Bibliothèque nationale 191 ,,a& du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 WeUington Street 395, rue Wellington Onawa ON K1A ON4 Ottawa ON KlA ON4 CaMda Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Libwof Canada to Bibliothèque nationale du Canada de reproduce, ban, distniute or sell reproduire, prêter, distribuer ou copies of this thesis in micloform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fi.lm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Dedica tion To my father and mother. To my supervisor, Dr. Milan V. Dimic. To Mr. Faisal Yousef Al Marzoq. To the Commercial Bank of Kuwait. To Kuwait University. Abstract This dissertation focuses on an Arabic wnter of short stories, Qasirn Khadir Qasim. -
Supernatural Folklore of Rhode Island
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 1956 Supernatural Folklore of Rhode Island Eidola Jean Bourgaize University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Bourgaize, Eidola Jean, "Supernatural Folklore of Rhode Island" (1956). Open Access Master's Theses. Paper 909. https://digitalcommons.uri.edu/theses/909 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. ·. r1 t0IS COLl. SUPERNATURAL FOLKLORE OF RHODE ISL... l\ND BY EIDOLA J EAN BOURGAIZE A THES IS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH I t J, ) II/, I l'I \' I, r I •I ,1 1 11 I I ( UNIVERSITY OF RHODE ISLAND 1956 ~L\S TER OF ARTS THESIS OF EI DOLA J EAN BOURGAIZE Approved: Ma j or Professor _.....,C::__._..a""""""".... d~""""""jfr.:.....-....;;;G,:-.+-~~~'-='· """""""""'"------ Head of Department ~ ~~c::~ UNIVERSITY OF RHODE ISL.AND 1956 ABSTRACT Although folklore has attra cted nati on-wide atten tion in the past forty years, the task of coll ecting folk material peculia r to Rho de Island has been neglected. Several recently-published volumes have included small portions of Rhode Island folklore, but this amount has been very limited. In the past one hundred years a number of individuals have s hown interest in one particular town or section of the sta te and have gat hered material p erti nent t o their cause. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Michal Křiklava Edwardian Society, Homosexuality, and E. M. Forster’s Short Stories Bachelor‘s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, PhD. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature Acknowledgement I would like to thank to my supervisor for his unceasing support without which this paper would never have been written; to Mgr. Eva Hrkalová, who relentlessly answered all my questions; and, finally, to the Department of English and American Studies upon whose impulse this thesis was created. Table of Contents Introduction ................................................................................................ 5 Chapter I – The Edwardian/Victorian Homosexual England ............................. 7 I. I. London: Places and Practices .............................................................. 7 I. II. Stereotypes of Gayness .................................................................. 10 I. III. Private Public and Public Private ..................................................... 14 Chapter II – Literary Analysis ..................................................................... 17 II. I. ―The Life to Come‖ – Identity and Religion ....................................... 17 II. II. ―Dr Woolacott‖ – Fantasy and Passivity ........................................... 20