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Renaissance Gardens of Italy
Renaissance Gardens of Italy By Daniel Rosenberg Trip undertaken 01-14 August 2018 1 Contents: Page: Introduction and overview 3 Itinerary 4-5 Villa Adriana 6-8 Villa D’Este 9-19 Vatican 20-24 Villa Aldobrindini 25-31 Palazzo Farnese 32-36 Villa Lante 37-42 Villa Medici 43-45 Villa della Petraia 46-48 Boboli Gardens 49-51 Botanical Gardens Florence 52 Isola Bella 53-57 Isola Madre 58-60 Botanic Alpine Garden Schynige Platte (Switz.) 61-62 Botanic Gardens Villa Taranto 63-65 Future Plans 66 Final Budget Breakdown 66 Acknowledgments 66 Bibliography 66 2 Introduction and Overview of project I am currently employed as a Botanical Horticulturalist at the Royal Botanic Gardens Kew. I started my horticultural career later in life and following some volunteer work in historic gardens and completing my RHS level 2 Diploma, I was fortunate enough to secure a place on the Historic and Botanic Garden training scheme. I spent a year at Kensington Palace Gardens as part of the scheme. Following this I attended the Kew Specialist Certificate in Ornamental Horticulture which gave me the opportunity to deepen my plant knowledge and develop my interest in working in historic gardens. While on the course I was able to attend a series of lectures in garden history. My interest was drawn to the renaissance gardens of Italy, which have had a significant influence on European garden design and in particular on English Gardens. It seems significant that in order to understand many of the most important historic gardens in the UK one must understand the design principles and forms, and the classical references and structures of the Italian renaissance. -
God's Greatest Commandments
November 4, 2018 Thirty-first Sunday in Ordinary Time (B) Dt 6:2–6 Heb 7:23–28 Mk 12:28b–34 God’s Greatest What better icon is there of this love for God and Commandments neighbor than the love of a mother for her child, as shown in this wax sculpture? As the piece shows, oday’s first reading recalls the most sacred our love should be reverent, tender, compassionate, Ttext in Judaism, the Shema Israel: “Hear, [O] and unique. Only you can give him your kind of love. Israel.” These words are so sacred for Jews, they are There should be a constant flow of affection and union prayed in the most important moments of peril or between us—no separation between him and us. supreme holiness. Jews don’t take these words lightly —Fr. Mark Haydu, LC because they express the essence of their religion and relationship to God. For Reflection As Catholics, we fully agree with our Jewish How can I express greater reverence for God? brothers and sisters on this matter. Jesus himself How can I express greater tenderness toward my loving answered the question of what was the first, greatest Father? commandment—it was the Shema Israel. Why is it so important? Because it declares the unity of God: “The LORD is our God, the LORD alone!” Piece: Aetas Aurea, 1886–1887 Artist: Medardo Rosso (Deuteronomy 6:4). He is one supreme God, Location: Vatican Museums not a multitude of divinities as in the Greek and Roman polytheistic religions, or even today in Hinduism and Buddhism. -
Of the All Saints Family the Amazing Talents
November 11, 2018 Thirty-Second Sunday in Ordinary Time We say YES to God! The ^Amazing Talents of the All Saints Family 22824 Second Street | Hayward, CA 94541 | (510) 581-2570 Phone | (510) 581-9538 Fax Reading 1 1 KGS 17:10-16 Reading 2 HEB 9:24-28 Gospel MK 12:38-44 November 11, 2018 Thirty-second Sunday in Ordinary Time (B) 1 Kgs 17:10–16 Heb 9:24–28 Mk 12:38–44 or Mk 12:41–44 God Notices Our Acts of Generosity lijah is quite bold. He finds this poor woman collecting sticks to make her “last supper” on earth. She has Erun out of money, food, and energy. Even so, the prophet asks her to prepare him a cake and, in exchange for her hospitality, he promises she will not run out until God sends rain again. In her faith and humility, she says yes, and gives away all that she had to live on. God blesses her generosity! Jesus observes something similar. A poor widow willingly gives all she has when, without anyone noticing, she drops her coins in the donation basket. God always notices our acts of generosity and multiplies them into eternity. The first part of the Gospel stands in contrast with these two mighty widows. It shows us how not to be apostles. Piece: St. Stephen Distributing Alms, 1447-1449 Jesus chastises the scribes and teachers of the law for Artist: Fra Angelico three defects in their religious practice: pride, greed, Location: Niccoline Chapel, Vatican Palace and showing off. -
The Baroque Underworld Vice and Destitution in Rome
press release The Baroque Underworld Vice and Destitution in Rome Bartolomeo Manfredi, Tavern Scene with a Lute Player, 1610-1620, private collection The French Academy in Rome – Villa Medici Grandes Galeries, 7 October 2014 – 18 January 2015 6 October 2014 11:30 a.m. press premiere 6:30 p.m. – 8:30 p.m. inauguration Curators : Annick Lemoine and Francesca Cappelletti The French Academy in Rome - Villa Medici will present the exhibition The Baroque Underworld. Vice and Destitution in Rome, in the Grandes Galeries from 7 October 2014 to 18 January 2015 . Curators are Francesca Cappelletti, professor of history of modern art at the University of Ferrara and Annick Lemoine, officer in charge of the Art history Department at the French Academy in Rome, lecturer at the University of Rennes 2. The exhibition has been conceived and organized within the framework of a collaboration between the French Academy in Rome – Villa Medici and the Petit Palais, Musée des Beaux-Arts de la Ville de Paris, where it will be shown from 24 February to 24 May 2015. The Baroque Underworld reveals the insolent dark side of Baroque Rome, its slums, taverns, places of perdition. An "upside down Rome", tormented by vice, destitution, all sorts of excesses that underlie an amazing artistic production, all of which left their mark of paradoxes and inventions destined to subvert the established order. This is the first exhibition to present this neglected aspect of artistic creation at the time of Caravaggio and Claude Lorrain’s Roman period, unveiling the clandestine face of the Papacy’s capital, which was both sumptuous and virtuosic, as well as the dark side of the artists who lived there. -
Saggio Brothers
Cammy Brothers Reconstruction as Design: Giuliano da Sangallo and the “palazo di mecenate” on the Quirinal Hill this paper I will survey information regarding both the condition and conception of the mon- ument in the fifteenth and sixteenth centuries. When Giuliano saw the temple, the only fragments left standing were a portion of the façade and parts of the massive stair structure. His seven drawings of the monument were the first attempts to reconstruct the entire building, as well as the most complex and large scale reconstructions that he ever executed. The sec- ond part of this essay will compare Giuliano’s drawings with those of Peruzzi and Palladio, with the aim of demonstrating, contrary to the theory that drawings after the antique became increasingly accurate over time, that Giuliano in fact took fewer liberties in his reconstruction than did Palladio. Aside from providing some insight into Giuliano’s working method, I hope through this comparison to suggest that fif- teenth- and sixteenth-century drawings of antiquities cannot appropriately be judged according to one standard, because each archi- 1. Antonio Tempesta, Map of Rome, Giuliano da Sangallo’s drawings have suffered tect had his own particular aims. Giuliano’s 1593, showing fragments of the temple by comparison to those of his nephew, Antonio drawings suggest that he approached recon- as they appeared in the Renaissance. da Sangallo il Giovane. Although his drawings struction not with the attitude we would expect are more beautiful, they are on the whole less of a present day archaeologist, but rather with accurate, or at least less consistent in their mode that of a designer, keen to understand the ruins of representation and their use of measure- in terms that were meaningful for his own work. -
Rome in the First Century, and Later Between September 2Nd and 9Th a Newman Pilgrimage Toured Rome by Barry Riley
Rome in the First Century, and later Between September 2nd and 9th a Newman Pilgrimage toured Rome By Barry Riley Newman pilgrimages have visited Rome several times before but this time we proved deeper. We ventured into the depths of the cellars beneath Roman villas, into the lowest levels of Emperor Nero’s palace and into Jewish catacombs which few have entered for the past 1,600 years. We also descended to the level of gloomy basements where in the First Century Roman soldiers once worshipped Mithras, a God who came to earth to slay a bull. The group of some 25 pilgrims also, however, visited some more conventional attractions. Our chaplain, Mgr Patrick Kilgarriff, said Mass for us in the Crypt of St Perter’s (actually in the Irish Chapel there) and afterwards we had a guided tour of the basilica, with indications of where a number of Popes were buried. Interesting facts were pointed out to us, such as that almost all the pictures in St Peter’s are mosaics rather than paintings. Later in the week we returned to the Vatican for the evening opening of the Museum. This gave us the chance to visit the Sistine Chapel and there the tired Newman pilgrims sank gratefully on to the benches at the sides. Sitting, it was much easier to gaze up at the magnificent ceiling. All around hundreds of other visitors milled about, occasionally warned by guards to keep silent and not to use cameras. Jewish history in Rome A main theme of the pilgrimage was the early history of the Jews in Rome. -
© Hachette Tourisme 2010 Avant-Goût La Boucle 9 | Vers San Paolo 14 | Du Trastevere L’Empire Romain
© Hachette Tourisme2010 © Hachette Tourisme 2010 avant-goût La boucle 9 | Vers San Paolo 14 | Du Trastevere L’Empire romain .............................167 Les essentiels ...........................8 fuori le Mura ..................... 107 au monte Gianicolo .........127 Du Moyen Âge à l’âge baroque ...169 du Tibre ...............69 Cimitero protestante ...................108 Santa Cecilia in Trastevere ......... 130 Si vous aimez ..........................12 Ottocento romain ..........................172 4 | De la piazza Navona Centrale Montemartini ..............108 Santa Maria in Trastevere ............131 au Pantheon ........................70 De l’ère fasciste à la République ...173 Programmes ........................... 16 San Paolo fuori le Mura ..............108 Villa Farnesina .................................131 Piazza Navona ................................... 71 Un musée à ciel ouvert ........175 San Pietro in Montorio .................132 Santa Maria della Pace ..................72 La perle du monde antique ........175 15 | San Clemente Via dei Coronari ................................72 De la via del Corso Dans le trouble et le monte Caelius ..........133 des temps médiévaux .................176 ambiances Palazzo Altemps ...............................73 à la villa Borghese ... Vitalité San Clemente ..................................134 La Renaissance romaine ..............177 Sant’Agostino ....................................73 et maux chroniques ..............20 ...............................109 Santi Quattro Coronati -
Great Libraries of Rome TOUR HIGHLIGHTS
The Sistine Hall of the Vatican Library / Anna & Michal OCTOBER 3–11, 2020 Great Libraries of Rome TOUR HIGHLIGHTS Tour the most beautiful libraries of Rome and see their rare manuscript collections. By special arrangement, enter the Vatican Museums before they open to the public. Gain behind-the-scenes- access to a private villa opened by the owners exclusively for Manuscript Society travelers. Enter the Vatican Library by special permission to see important manuscripts housed in the collection. HOTEL ACCOMMODATIONS Luxe Rose Garden Hotel in Rome Enjoy the gracious amenities and central location of the Luxe Rose Garden Hotel, situated within walking distance of the Villa Borghese, the Spanish Steps, and the Trevi Fountain. The superior 4-star hotel’s Roseto restaurant allows guests to enjoy a range of Italian specialties in an idyllic rose garden setting. With a gym, spa, and lovely small indoor pool, the Rose Garden meets guests’ every need to relax after a long day of sightseeing. (left) Parnassus and School of Athens (details), Room of the Segnatura, c. 1508-1520, Raphael, Vatican Museums (Oro1) CUSTOM ITINERARY This custom travel program has been created uniquely for The Manuscript Society. SATURDAY, OCTOBER 3, 2020 Departures Travelers will board independent flights to Rome Fiumicino Airport (FCO) from the United States. SUNDAY, OCTOBER 4, 2020 Welcome to Rome Upon arrival at the Rome Fiumicino Airport (FCO), take private car transfers to the Luxe Rose Garden Hotel to check in. Gather this evening for a private visit to the French Academy in Rome, housed in the breathtaking surroundings of the Villa Medici complex. -
PRIVATE VIRTUAL EXPERIENCES Private Virtual Guided Tours of Italy and Europe: Corporate E Social Events for MICE & Clubs
PRIVATE VIRTUAL EXPERIENCES Private Virtual Guided Tours of Italy and Europe: Corporate e Social Events for MICE & Clubs The New Frontier of Cultural Travel Experience! Virtual Guided Tours with an expert Guide using the Zoom App you can connect live, interact, share with your family. Each Guided Tour is about 50 minutes to an hour of LIVE streaming time, you can ask live questions and interact with other participants and at the end take our quiz! It’s a fun and engaging and fun way to spend your time with your Colleagues and a Great Team Building tool where colleagues can learn about Leadership and Challenges in History! HOW DOES IT WORK? ► Duration: 1 hour – about 50 minutes talk plus time for Q&A ► Cost: from 250 euros total for up to 15 connections, then 10 euros per extra connection. ► Don’t know how many people are going to be joining. Not a problem, just pay the 250 euros deposit then we will charge the balance once the virtual tour is finished based on the actual participants. ► Participants from 1 to 100 (best is between 5 to 25 participants to maximize interaction) The Grand Tour Europe Ltd – Unique Guided Tours –European Boutique Tour Operator www.thegrandtoureurope.com HOW TO USE ZOOM https://support.zoom.us/hc/en-us/articles/201362193-Joining-a- meeting Watch some of our Free Virtual Experiences on YOUTUBE https://bit.ly/3dE3RhN We can create many Bespoke Experiences, anyway, these are some of our favourites: THE VATICAN The Secrets of the Sistine Chapel We will enter the Sistine Chapel in the Vatican using an official 3d photographic model that we will be able to navigate as if we were walking inside in person. -
Alone in the Vatican
Rome & Lazio D E TAIL S ALONE IN Duration: 2 Hr / Private Tour Availability: Monday-Saturday THE VATICAN Price: € Additional guests: € Additional time: € Transfer: € CONTACT ME Agent Name Ph: Mob: Email: This most prestigious of Vatican experiences grants your clients exclusive, behind-the-scenes access to the papal collection and Sistine Chapel all after the day’s crowds have dispersed. In the company of an expert art historian, your clients enjoy an intimate tour of the Vatican Museums as they are shrouded in silence, discovering secret rooms like the Cabinet of Masks and reaping the rewards of being all alone in the Sistine Chapel. Private tour 3 hours English first Family friendly, Kids REASONS TO BOOK THIS WHAT WE ARE GOING TO SEE EXPERIENCE Pinecone Courtyard Vatican Museums Raphael Rooms Counting yourself among the Highlights few people on the planet who Cabinet of Masks Sistine Chapel *Niccoline Chapel have visited the Vatican alone *Bramante Staircase *Visited only with 3:30/5:00 p.m. entrance Creating unforgettable memori- Please note that 3:30/5:00 p.m. entrance is es of wandering the Vatican's available only from December – March hallowed halls in silence Note Exploring with a passionate, private guide who will tailor the experience for you ITALY IS BEAUTIFUL LIKE NEVER BEFORE We cannot wait to welcome you to the most beautiful country in the world. In compliance with our Covid-free policy, we will provide full assistance and flexibility. We will also accept reservations and allow cancellations even if given at short notice. OUR RESERVATION AND CANCELLATION POLICY We accept reservations and allows cancellations with a 100% refund up to 48h. -
THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis. -
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations Through 1895
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations through 1895 Jessica Dello Russo “Il cimitero di Vigna Randanini e’ il punto di partenza per tutto lo studio della civilta’ ebraica.” Felice Barnabei (1896) At the meeting of the Papal Commission for Sacred Archae- single most valuable source for epitaphs and small finds from ology (CDAS) on July 21,1859, Giovanni Battista de Rossi the site.6 But the catacomb itself contained nothing that was of strong opinion that a newly discovered catacomb in required clerical oversight instead of that routinely performed Rome not be placed under the Commission’s care.1 Equally by de Rossi’s antiquarian colleagues at the Papal Court. surprising was the reason. The “Founder of Christian Archae- On de Rossi’s recommendation, the CDAS did not assume ology” was, in fact, quite sure that the catacomb had control over the “Jewish” site.7 Its declaration, “la cata- belonged to Rome’s ancient Jews. His conclusions were comba non e’ di nostra pertinenza,” became CDAS policy drawn from the very earliest stages of the excavation, within for the next fifty years, even as three other Jewish cata- sight of the catacombs he himself was researching on the combs came to light in various parts of Rome’s suburbium.8 Appian Way southeast of Rome. They would nonetheless In each case, the discovery was accidental and the excava- determine much of the final outcome of the dig. tion privately conducted: the sites themselves were all even- The CDAS had been established just a few years before in tually abandoned or destroyed.