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Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Experiencing the Identity(Ies) of the Other(S)
Experiencing the identity(ies) of the other(s), finding that of one’s own on/through the stage in Wertenbaker’s play Our Country’s Good Autor(es): Kara, enay Publicado por: Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/43216 DOI: DOI:https://doi.org/10.14195/978-989-26-1483-0_9 Accessed : 25-Sep-2021 07:37:43 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt ANA PAULA ARNAUT ANA PAULA IDENTITY(IES) A MULTICULTURAL AND (ORG.) MULTIDISCIPLINARY APPROACH ANA -
Towards a Minor Theatre: the Task of the Playmaker in Our Country’S Good
Wenshan Review of Literature and Culture.Vol 5.2.June 2012.25-48. Towards a Minor Theatre: The Task of the Playmaker in Our Country’s Good Carol L. Yang ABSTRACT Timberlake Wertenbaker’s play Our Country’s Good (1988), as an adaptation of Thomas Keneally’s novel The Playmaker (1987), traces how a group of convicts, who are isolated in an eighteenth-century Australian penal colony, work together to produce George Farquhar’s The Recruiting Officer in celebration of the birthday of King George III. Arguably, Our Country’s Good is characterized by a kind of metatheatrical minorization of the major, a subtraction of the official State representatives, such as history, power structure, society, language, and text; the play is characterized by a polemicizing the sense of other spaces, and a form of threshold traversing that is rendered possible in the context of translation/adaptation and dramatic text/performance text in the theatre. This paper aims to analyze Wertenbaker’s Our Country’s Good in terms of Gilles Deleuze’s and Félix Guattari’s theories—such as the concepts of deterritorialization, reterritorialization, lines of flight, and minor theatre—in order to explore how the dispossessed convicts traverse the threshold of “becoming other” via the historicized immigration of transportation, which opens up lines of flight and generates the unceasing mapping of a new life. I would like to suggest that Wertenbaker’s Our Country’s Good presents a subtle counterpoint between the major theatre and the minor theatre: whereas a major theatre seeks to represent and to reproduce the power structure of the dominant state apparatus, the minor theatre operates by disseminating, varying, subverting the structures of the state and major theatre. -
USC Visions & Voices: Our Country's Good by Timberlake Wertenbaker
Visions and Voices and the USC Libraries have collaborated to create a series of resource guides that allow you to build on your experiences at many Visions and Voices events. Explore the resources listed below and continue your journey of inquiry and discovery! OurBY TIM Country’sBERLAKE WERTEN GoodBAKER USC LIBRARIES RESOURCE GUIDE The USC SCHOOL OF THEATRE’s fall production is Timberlake Wertenbaker’s Our Country’s Good. Based on Thomas Keneally’s novel The Playmaker, the play is a fact-based drama. It recounts the story of how prisoners of the first British penal colony were—in the face of great hardship—organized into a theater company during the 1780s. In cooperation with the USC School of Theatre, ANTHONY ANDERSON of the USC LIBRARIES has selected resources to help you learn more about Australian history and the development of theatre in the former British penal colony. AUSTRALIAN HISTORY AUSTRALIAN THEATRE Bound for Botany Bay: O Brave New World: British Convict Voyages to Australia Two Centuries of Shakespeare on the Australian Stage By Alan Brooke By John Golder National Archives (Great Britain), 2005 Currency Press, 2001 Doheny Library H V 8 9 5 0 . A 8 B 7 6 2005 Doheny Library P R 3 1 0 9 . A 9 O 1 3 2001 A History of Australia The Australian Theatre: By C.M.H. Clarke An Abstract and Brief Chronicle in Twelve Parts Melbourne University Press, 1999 By Paul McGuire Doheny Library D U 1 1 0 . C 4 8 1999 Oxford University Press, 1948 Grand Library P N 3 0 1 1 . -
CONCLUSION This Literary Study and Close Account of Her Social
224 CONCLUSION This literary study and close account of her social philosophy has demonstrated that the novelist, Eleanor Dark, was also a vigorous social protester and moralist, both concerned with pressing contemporary problems and with their psychological origins, and bent on showing in her fiction a close connection between political forces and individual lives. It has been made clear in this critical treatment .:hat, with a romantics revolutionary turn of mind, she was determined to open her readers eyes to so many social injustices. These were all too often perpetrated by mediocre leaders, and yet the people, in their ignorance and apathy, were hardly aware of them. To illustrate this she created a series of idealistic, independently thinking characters who set out to right social wrongs by exercising heroic personal integrity, by being true to their own consciences, and by establishing ideals which would enrich, rather than constrict, both the individual and society as a whole. The study has shown, however, that Dark always emphasised the need to put theory into action, and to curb simplistic idealism with a measure of lived practicality. There was presented in Chapter 2 the writers perception of human existence as a progression or journey, with her questing protagonists energetically engaging with all aspects of life as they struggled toward the goal of social harmony and the desired realisation of personal potential. Throughout, there has been critical emphasis upon the novels impressive celebration of life, and I have endeavoured to show that the vitality of Darks daring protagonists became a means of judging the behaviour of others, as she contrasted them with those lesser and more timid characters who refused Ito participate willingly in the mortal contest. -
Judith Wright and Elizabeth Bishop 53 CHRIS WALLACE-CRABBE Newspapers and Literature in Western Australia, 1829-1859 65 W
registered at gpo perth for transmiss ion by post as a periodical category B Ne,vspapers an~l Literature in S,.,~.n River Colony Judith Wright and ElifZ,.beth Bishop Vance Palnaer-A Profile UNIVERSITY OF WESTERN AUSTRALIA PRESS Giving the widest representation to Western Australian writers E. J. STORMON: The Salvado Memoirs $13.95 MARY ALBERTUS BAIN: Ancient Landmarks: A Social and Economic History of the Victoria District of Western Australia 1839-1894 $12.00 G. C. BoLTON: A Fine Country to Starve In $11.00 MERLE BIGNELL: The Fruit of the Country: A History of the Shire of Gnowangerup, Western Australia $12.50 R. A. FORSYTH: The Lost Pattern: Essays on the Emergent City Sensibility in Victorian England $13.60 L. BURROWS: Browning the Poet: An Introductory Study $8.25 T. GIBBONS: Rooms in the Darwin Hotel: Studies in English Literary Criticism and Ideas 1880-1920 $8.95 DoROTHY HEWETT, ED.: Sandgropers: A Western Australian Anthology $6.25 ALEC KING: The Unprosaic Imagination: Essays and Lectures on the Study of Literature $8.95 AVAILABLE ALL GOOD BOOKSELLERS Forthcoming Publications Will Include: MERAB TAUMAN: The Chief: Charles Yelverton O'Connor IAN ELLIOT: Moondyne loe: The Man and the Myth J. E. THOMAS & Imprisonment in Western Australia: Evolution, Theory A. STEWART: and Practice The prices set out are recommended prices only. Eastern States Agents: Melbourne University Press, P.O. Box 278, Carlton South, Victoria, 3053. WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Fay Zwicky CONSULTANTS: Alan Alexander, Swami Anand Harid.as (Harry Aveling) Westerly is published quarterly by the English Department, University of Western Australia, with assistance from the Literature Board of' the Australia Council and the Western Australian Literary Fund. -
Trafalgar Square Publishing Spring 2016 Don’T Miss Contents
Trafalgar Square Publishing Spring 2016 Don’t Miss Contents Animals/Pets .....................................................................120, 122–124, 134–135 28 Planting Design Architecture .................................................................................... 4–7, 173–174 for Dry Gardens Art .......................................................8–9, 10, 12, 18, 25–26 132, 153, 278, 288 Autobiography/Biography ..............37–38, 41, 105–106, 108–113, 124, 162–169, 179–181, 183, 186, 191, 198, 214, 216, 218, 253, 258–259, 261, 263–264, 267, 289, 304 Body, Mind, Spirit ....................................................................................... 33–34 Business ................................................................................................... 254–256 Classics ....................................................................................43–45, 47–48, 292 Cooking ......................................................1, 11, 14–15, 222–227, 229–230–248 Crafts & Hobbies .............................................................................21–24, 26–27 85 The Looking Design ......................................................................................................... 19–20 Glass House Erotica .................................................................................................... 102–103 Essays .............................................................................................................. 292 Fiction ...............................................42, -
31.Pdf (297.6Kb)
THEATRE a remarkable amount of organised entertainment, beginning Spouting with the Brickfields Theatre, possibly operating as early as 1793, and succeeded by an equally obscure venture in the in the Colonies same area in the 1810s. He argues convincingly that Robert Sidaway’s 1796 Sydney Theatre was located just south of the Rocks in Wind- Richard Fotheringham mill Row (now under the Bradfield Expressway) rather than in Bligh Street or George Street, as previously suggested, Robert Jordan and also speculates plausibly that it operated more frequently THE CONVICT THEATRES OF EARLY AUSTRALIA and for many more years than was known before. Theatre on 1788–1840 Norfolk Island has already been documented, principally Currency House, $49.95hb, 386pp, 0 9581213 0 3 because of the well-known 1794 riot at the playhouse, as well as through interest in the later (1840) experiment in drama as OO OFTEN AS AUSTRALIANS we have preferred therapy and civility by the humane Captain Maconochie, but our history one-dimensional: terra nullius, convicts, Jordan presents major new evidence about another important Tgold rush, Federation, Gallipoli. Barren land, barren and long-running convict theatre, at Emu Plains (c. 1822–30). culture: in the grim struggle against tyranny, nature and dis- This book ought to be read in the UK as well as here, tance, hardly the place to find artists with the time to create because its first chapter, ‘Britons Abroad: The Early Convicts music, dancing, theatre or opera; or mass audiences willing to and Their Theatrical Background’, assembles evidence that spend their meagre incomes on such diversions. -
Molly Haydock
Molly Haydock Theresa Holtby Doctor of Philosophy 2018 Western Sydney University Acknowledgements Many thanks to my family and friends for their support and encouragement throughout this undertaking. I also wish to thank my supervisors, Anna Gibbs, Sara Knox and Carol Liston, for their direction and expertise. And to my husband, Derek Holtby, for gallons of tea, years of longsuffering, and generous help with all things technical, thank you. ii Statement of Authenticity The work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. iii Table of Contents Abbreviations.......................................................................................................................................v Molly Haydock......................................................................................................................................1 Writing Molly...................................................................................................................................128 Preface..............................................................................................................................................129 1Introduction....................................................................................................................................130 Molly who?..................................................................................................................................132 -
Thomas Keneally Paul Sharrad University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2015 A National (Diasporic?) Living Treasure: Thomas Keneally Paul Sharrad University of Wollongong, [email protected] Publication Details Sharrad, P. (2015). A National (Diasporic?) Living Treasure: Thomas Keneally. Le Simplegadi, XIII (14), 20-27. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A National (Diasporic?) Living Treasure: Thomas Keneally Abstract Although Thomas Keneally is firmly located as a national figure, his international literary career and his novels’ inspection of colonial exile, Aboriginal alienation, and movements of people throughout history reflect aspects of diasporic experience, while pushing the term itself into wider meaning of the transnational. Keywords treasure, keneally, living, thomas, diasporic, national Disciplines Arts and Humanities | Law Publication Details Sharrad, P. (2015). A National (Diasporic?) Living Treasure: Thomas Keneally. Le Simplegadi, XIII (14), 20-27. This journal article is available at Research Online: http://ro.uow.edu.au/lhapapers/2212 Le Simplegadi ISSN 1824-5226 Vol. XIII-No. 14 November 2015 DOI: 10.17456/SIMPLE-4 This work is lincensed under a Creative Commons Attribution 3.0 Paul Sharrad A National (Diasporic?) Living Treasure: Thomas Keneally Abstract I: Malgrado Thomas Keneally sia riconosciuto come autore nazionale australiano, la sua reputazione internazionale e l’analisi, nei suoi romanzi, dell’esilio coloniale, dell’alienazione degli Aborigeni e delle migrazioni nel corso della storia riflettono aspetti dall’esperienza diasporica che dilatano lo stesso termine sino ad abbracciare aspetti ‘trasnazionali’. -
Regionalism in Contemporary Australia-Moorhouse, Shapcott
ESTERLY stories poems reviews articles Regionalism in Contemporary Australia-Moorhouse, Shapcott, Ward, Davidson, Cowan, Jolley, Hungerford Australian Drama as Melodrama Jack Hibberd Stories by James McQueen, Victor Kelleher, Rosemary Auchmuty, John D. Simmonds a quarterly review price two dollars registered at gpo perth for transmission by post as a periodical Category 'B' WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Susan Kobulniczky, Fay Zwicky CONSULTANTS: Alan Alexander, Swami Anand Haridas (Harry Aveling) Westerly is published quarterly by the English Department, University of Western Australia. with assistance from the Literature Board of the Australia Council and the Western Australian Literary Fund. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly, Department of English, University of Western Australia, Nedlands. Western Australia 6009 (telephone 380 3838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. Whilst every care is taken of manuscripts, the editors can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted. Minimum rates for contributions-poems $7.00; prose pieces $7.00; reviews, articles, $15.00; short stories $30.00. It is stressed that these are minimum rates, based on the fact that very brief contributions in any field are acceptable. In practice the editors aim to pay more, and will discuss payment where required. -
THE NEW OXFORD BOOK of AUSTRALIAN VERSE Chosen by Les a Murray
THE NEW OXFORD BOOK OF AUSTRALIAN VERSE Chosen by Les A Murray Melbourne Oxford University Press Oxford Auckland New York CONTENTS Foreword xxi Sam Woolagoodjah Lalai (Dreamtime) 1 Barron Field (1786-1846) The Kangaroo 6 Richard Whately (1787-1863) There is a Place in Distant Seas 7 Anonymous A Hot Day in Sydney 8 The Exile of Erin 11 Hey Boys' Up Go We' 12 The Lime juice Tub 13 John Dunmore Lang (1799-1878) Colonial Nomenclature 14 Anonymous Van Diemen s Land 15 The Convicts Rum Song 16 Hail South A ustraha' 16 The Female Transport 17 The Lass m the Female Factory 18 Francis MacNamara (Frank the Poet) (b 181P) A petition from the chain gang 19 For the Company underground 22 A Convict s Tour to Hell 23 Robert Lowe (1811-1892) Songs of the Squatters I and II 28 Charles Harpur (1813-1868) A Basket of Summer Fruit 31 Wellington 32 A Flight of Wild Ducks 33 Anonymous The Song of the Transportationist 34 Children s Ball bouncing Song 35 Louisa Meredith (1812-1895) Tasmanian Scenes 36 Aboriginal Songs from the 1850s Kilaben Bay song (Awabakal) 36 Women s rondo (Awabakal) 37 CONTENTS Two tongue pointing (satirical) songs (Kamilarot) 38 The drunk man (Wolaroi) 38 Anonymous Whaler s Rhyme 38 The Diggms oh 39 WilhamW Coxon (') The Flash Colonial Barman 41 Charles R Thatcher (1831-1882) Dick Bnggs from Australia 42 Taking the Census 45 Moggy s Wedding 46 Anonymous The Banks of the Condamme 48 The Stnngybark Cockatoo 49 Henry Kendall (1839-1882) Bell birds 50 Beyond Kerguelen 51 Anonymous John Gilbert was a Bushranger 53 Jack McGuire (>) The Streets