Law and Norms and Will & Grace
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King, Michael Patrick (B
King, Michael Patrick (b. 1954) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2014 glbtq, Inc. Reprinted from http://www.glbtq.com Writer, director, and producer Michael Patrick King has been creatively involved in such television series as the ground-breaking, gay-themed Will & Grace, and the glbtq- friendly shows Sex and the City and The Comeback, among others. Michael Patrick King. He was born on September 14, 1954, the only son among four children of a working- Video capture from a class, Irish-American family in Scranton, Pennsylvania. Among various other jobs, his YouTube video. father delivered coal, and his mother ran a Krispy Kreme donut shop. In a 2011 interview, King noted that he knew from an early age that he was "going to go into show business." Toward that goal, after graduating from a Scranton public high school, he applied to New York City's Juilliard School, one of the premier performing arts conservatories in the country. Unfortunately, his family could not afford Juilliard's high tuition, and King instead attended the more affordable Mercyhurst University, a Catholic liberal arts college in Erie, Pennsylvania. Mercyhurst had a small theater program at the time, which King later learned to appreciate, explaining that he received invaluable personal attention from the faculty and was allowed to explore and grow his talent at his own pace. However, he left college after three years without graduating, driven, he said, by a desire to move to New York and "make it as an actor." In New York, King worked multiple jobs, such as waiting on tables and unloading buses at night, while studying acting during the day at the famed Lee Strasberg Theatre Institute. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Lawyer-Bracket-2.Pdf
All-Time Best Fictonal Lawyer 1st Round 2nd Round 3rd Round 4th Round 5th Round 6th Round 5th Round 4th Round 3rd Round 2nd Round 1st Round 09-Dec 23-Dec 06-Jan 13-Jan 20-Jan 27-Jan 20-Jan 13-Jan 30-Dec 16-Dec 02-Dec 1 Lionel Hutz (Simpsons) Atticus Finch (To Kill a Mockingbird) 1 16 Steve Dallas (Bloom County comic strip) Michael Clayton (Michael Clayton) 16 8 Johnnie Cochran (South Park) Charles W. Kingsfield Jr. (The Paper Chase) 8 9 She-Hulk (Marvel Comics) Lesra Martin (The Hurricane) 9 5 Phoenix Wright (Gyakuten Saiban: Sono "Shinjitsu", Igiari!) Lt. Daniel Kaffee (A Few Good Men) 5 12 Foggy Nelson (Daredevil) Reggie Love (The Client) 12 4 Harvey Birdman (Harvey Birdman Attorney at Law) Henry Drummond (Inherit the Wind) 4 FINAL 13 Michelle the Lawyer (American Dad) Vinny Gambini (My Cousin Vinny) 13 6 Hyper-Chicken (Futerama) Mitch McDeere (The Firm) 6 11 Lawyer Morty (Rick and Morty) Mick Haller (The Lincoln Lawyer) 11 3 Harvey Dent (Batman) Elle Woods (Legally Blond) 3 14 Robin (DC Earth-Two) Martin Vail (Prinal Fear) 14 7 Blue-Haired Lawyer (Simpsons) Joe Miller (Philadelphia) 7 10 Judge Dredd (Judge Dredd) Hans Rolfe (Judgement at Nuremberg) 10 2 Matt Murdock (Daredevil) Erin Brockovich (Erin Brockovich) 2 15 Margot Yale (Gargoyles) Jake Brigance (A Time to Kill) 15 FINAL FOUR CHAMPION FINAL FOUR 1 Ben Matlock (Matlock) Barry Zuckerkorn (Arrested Development) 1 16 Denny Crane (Boston Legal) Ted Buckland (Scrubs) 16 8 Claire Kincaid (Law & Order) Bob Loblaw (Arrested Development) 8 9 Alan Shore (Boston Legal) Jackie Chiles (Seinfeld) 9 5 Sam Seaborn (West Wing) Clare Huxtable (The Cosby Show) 5 12 Harvey Specter (Suits) Charlie Kelly (Its Always Sunny in Philadelphia) 12 4 Horace Rumpole (Rumpole of the Bailey) Dan Fielding (Night Court) 4 13 Ally McBeal (Ally McBeal) Will Truman (Will & Grace) 13 6 Alicia Florrick (The Good Wife) Marshall Eriksen (How I Met Your Mother) 6 11 Arnie Becker (L.A. -
Toni Basil Concerts/Tours/Events
Toni Basil Concerts/Tours/Events: Tina Turner Live 2008/2009 Associate Dir./Choreographer Tour Tina Turner "What's Love Got Choreographer To Do With It" Tour Bette Midler "Divine Co-Director/Choreographer Intervention" Bette Midler "The Showgirl Choreographer Caesars Palace, Las Vegas Must Go On" Bette Midler / Grand Opening Choreographer Harrah's Casino / Hammond, of Harrah's Casino Indiana Bette Midler "Kiss My Brass" Choreographer Tour Bette Midler "Miss Millennium" Dance Dir./Choreographer Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" '93-'94 Tour Bette Midler "Detour" Co-Director/Choreographer Bette Midler "Tour For New Co-Director/Choreographer Depression" Valora at the Troubadour 2010 Choreographer Lee Ann Womack 2002 Tour Director/Choreographer Erv Woolsey Company Enrique Iglesias "Escape" Director/Choreographer Tour Matchbox 20 1998 World Tour Choreographer Menudo "Reencuentro" Tour Choreographer Mi Bondo Toca David Lee Roth 1995 Road Choreographer Show Tour The Manhattan Transfer 1995 Choreographer Multi-Media Interactive Concept Show Shockin' The House at LA Director/Choreographer Festival Frankie Valli Las Vegas Show Choreographer Bolshoi Circus Japanese Tour Director/Choreographer 1993 David Bowie "Glass Spider" Co-Director/Choreographer Tour David Bowie "Diamond Dogs" Co-Director/Choreographer Tour Toni Basil at The Kitchen "A Director/Choreographer Decade in Street Dance" Toni Basil at The Roxy (Dir./Chor./Prod.) Toni Basil at The Fox Venice (Dir./Chor./Prod.) The Lockers at Radio City Director/Choreographer Music Hall Manhattan Transfer 1991 Tour Director/Choreographer Pee-Wee Herman at J.C. Co-Director/Choreographer J.C. Penny Fashion Show Penny Fashion Show Film: House Bunny Choreographer Dir. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
Universidade Do Estado Do Rio De Janeiro Centro De Educação E Humanidades Instituto De Letras
Universidade do Estado do Rio de Janeiro Centro de Educação e Humanidades Instituto de Letras Tatiana Moura Sandoval Queer couples in straight America: a study of representations of straight woman/gay man relationships in A home at the end of the world and Will & Grace Rio de Janeiro 2009 Tatiana Moura Sandoval Queer couples in straight America: a study of representations of straight woman/gay man relationships in A home at the end of the world and Will & Grace Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós- Graduação em Letras, da Universidade do Estado do Rio de Janeiro. Área de concentração: Literaturas de Língua Inglesa. Orientadora: Profª. Drª. Eliane Borges Berutti Rio de Janeiro 2009 CATALOGAÇÃO NA FONTE UERJ/REDE SIRIUS/CEHB C973 Sandoval, Tatiana Moura. Queer couples in straight America: a study of representations of straight woman/gay man relationships in A home at the end of the world and Will & Grace / Tatiana Moura Sandoval. – 2009. 113 f. Orientador: Eliane Borges Berutti. Dissertação (mestrado) – Universidade do Estado do Rio de Janeiro, Instituto de Letras. 1. Cunningham, Michael, 1952- . A home at the end of the world – Teses. 2. Cunningham, Michael, 1952- . – Personagens – Mulheres – Teses. 3. Teoria queer – Teses. 4. Will & Grace (Programa de televisão : Estados Unidos) – Teses. 5. Televisão – Seriados – Teses. I. Berutti, Eliane Borges. II. Universidade do Estado do Rio de Janeiro. Instituto de Letras. III. Título. CDU 820(73)-3:659.3-055.3 Autorizo, apenas para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação __________________________ __________________ Assinatura Data Tatiana Moura Sandoval Queer couples in straight America: a study of representations of straight woman/gay man relationships in A home at the end of the world and Will & Grace Dissertação apresentada, como requisito parcial para obtenção do título de Mestre, ao Programa de Pós-Graduação em Letras, da Universidade do Estado do Rio de Janeiro. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
January 11, 2021 the Ledger News
FREE EVERY MONDAY VOL. 25 ISS. 13 • JANUARY 11 2021 THETACOMALEDGER.COM theUniversity of Washington ledger Tacoma HOW TO HAVE A QUARANTINE BIRTHDAY P7 2 JANUARY 11, 2021 THE LEDGER NEWS PHOTO BY NICKOLUS PATRASZEWSKI As temperatures drop and COVID cases rise, UWT remains as engaging as ever After three quarters of remote learning, UWT faculty and organizations are still finding new ways to keep students involved. BY GARRETT YAEN clubs don’t all have to be goofing off than just studying. water bottles, but t-shirts and water interesting for everybody. NEWS EDITOR and playing games. The Accounting “It wasn’t all just studying,” Hansen bottles aren’t the only rewards students Moreover, Hansen wants students Students Association helps its members said. “They started out with games and can win. Rewards can come through to know that COVID doesn’t have to In contrast to the silence of the gain knowledge on the accounting in- then they gave out some prizes. The non-tangible forms like new friends. spoil your college experience. physical campus, the community of dustry by contacting professionals. last hour or so was people just sitting In another recent development, “The biggest things we want people UW Tacoma roars through its virtual “The Accounting Students Asso- there studying and recreating that feel- Hansen said the upcoming Virtual to know are that programs are still club meetings, study sessions, volun- ciation brought people in from differ- ing of being with other people while Involvement Fair may face a video happening,” she said. “Yes, they look teering opportunities and food as- ent accounting firms who answered they were preparing for finals.” game-like makeover. -
Adweek | April 18, 2016 | Vol
DITCHING THE PARTIES | Q&A WITH SAMANTHA BEE | BROADCAST SCHEDULERS THE VOICE OF MEDIA | APRIL 18, 2016 UPFRONT PREVIEW TheNew Guard TURNER’S DAVID LEVY, DONNA SPECIALE AND KEVIN REILLY REINVENT THE ENTERTAINMENT NETWORKS’ PROGRAM SLATES AND AD LOADS. BY JASON LYNCH SNAP IT! REAL-TIME UPFRONT COVERAGE PROGRAMMING #1 DESTINATION FOR ORIGINAL PROGRAMMING #1 SHOW ON TELEVISION THE WALKING DEAD #1 LATE NIGHT SHOW ON TELEVISION TALKING DEAD TOP 3 PREMIERES IN CABLE HISTORY FEAR THE WALKING DEAD, INTO THE BADLANDS, BETTER CALL SAUL ©2016AMCNetworkEntertainmentLLC.AllRightsReserved.Source:NMR.CY’15,Prime.A18-49,C3.#1Destination:OriginalProgramAvgamongBroadcast&Cablenets,exclsports,specialsandrepeats.#1Show:A18-49,C3.RankamongPrimeprograms,exclsports, specials & repeats for CY’12-CY’15. #1 Late Night: A18-49, C3. Rank among all talk show format programs, excl repeats for CY’12-CY’15. Top 3 Premieres: A18-49, C3. Top premieres: Historical ratings through CY’15, C3 data available ’07 to current, Prime Cable Series Premiere t/c. ADWEEK | APRIL 18, 2016 | VOL. LVII | NO. 14 UPFRONT CntsTHE WEEK 4 Facebook’s 10-year plan; Crackle on demand; Advertising Week Europe. TRENDING 8 Upfront extravaganzas are so done; VR’s next wave; inside agency hackathons. VOICE 14 Grey’s Per Pedersen on why creative awards matter. DATA POINTS 16 How millennials consume streaming music. MOVER 18 Bloomberg’s Scott Havens. FACETIME 19 THR hits NYC. PERSPECTIVE BRAND NAME 39 The dream of nurturing a newborn thanks to American Girl dolls and accessories. SWIPE 41 COVER STORY Livestreaming camera; app-connected Moleskine notebook; UnderArmourfitness Turner kit. PORTRAIT 43 Blaine Lifton’s Time Hyperbolous. -
Effeminacy and Expertise, Excess and Equality
Effeminacy and Expertise, Excess and Equality: Gay Best Friends as Consumers and Commodities in Contemporary Television © Copyrighted Material Introduction: Selling and Buying the Gay Best Friend Chapter 7 In December 2003 Vanity Fair Heat Wave’. Featuring the stars of American series Will & Grace Queer Eye for the Straight Guy cover celebrated what seemed a milestone in mainstream media: at least nine gay-centric television shows in prime time, in a period of unprecedentedSusie Khamis and Anthony Lambert visibility for gay and lesbian characters and personalities. This was, to a certain extent, an unexpected side effect of the cultural focus on gay men after the spread of AIDS in the West in the 1980s: While the AIDS crisis claimed many lives, it served as a catalyst to open conversations about sexuality and gender that had heretofore been difficult if not impossible and, consequently, the turn of the millennium ushered in a newfound examination of what had been defined as ‘‘gay,’’ and perhaps not so positively, this queered space began to make ‘‘gay’’ a commodity. Interestingly, it would only be 10 years after the height of the AIDS crisis in America that magazine dedicated its front cover to ‘TV’s Gay © 2015 the number one television sit-com would highlight the lives of two ‘‘gay’’ men (2003–2007) and From Alison Hulme (ed.), Consumerismand two ‘‘straight’’on TV: Popularwomen (all whiteMedia and from‘‘upper-middle-class’’) the 1950s to in thea manner Present , published by Ashgate Publishing.that captured See: many http://www.ashgate.com/isbn/9781472447562 of the stereotypes historically associated with gays and the women who adore them (Poole, 2014: 280). -
The Latino Media Gap a Report on the State of Latinos in U.S
OFFICER LATINA MARTINEZ WITH CARTEL HOT ACCENT GUNMAN #2 THE LATINO MEDIA GAP A REPORT ON THE STATE OF LATINOS IN U.S. MEDIA BY Frances Negrón-Muntaner with Chelsea Abbas, Luis Figueroa, and Samuel Robson COMMISSIONED BY FUNDED IN PART BY The Center for the Study of Ethnicity and Race National Latino Arts, Education, Columbia University and Media Institute Latinos are a powerful force in featuring compelling Latino talent and American society. Topping ffty-three storylines are rewarded with high EXECUTIVE million, Latinos constitute one of the ratings and revenue. fastest growing ethnic groups in the SUMMARY United States, comprising 17% of Yet, with few exceptions, Latino the population and over 20% of the participation in mainstream English- AND key 18–34 marketing demographic.1 language media is stunningly low. A Relative to the general population, review of the top movies and television KEY FINDINGS Latinos also attend more movies and programs reveals that there is a narrower listen to radio more frequently than range of stories and roles, and fewer do any other U.S. racial or ethnic Latino lead actors in the entertainment group.2 In addition, their purchasing industry today, than there were seventy power is steadily increasing. By 2015, years ago. Likewise, whereas the Latino Hispanic buying power is expected to population grew more than 43% reach $1.6 trillion. To put this fgure from 2000 to 2010, the rate of media in perspective: if U.S Latinos were to participation—behind and in front found a nation, that economy would be of the camera, and across all genres the 14th largest in the world.3 and formats—stayed stagnant or grew only slightly, at times proportionally Latinos are not only avid media declining.5 Even further, when Latinos consumers; they have made important are visible, they tend to be portrayed contributions to the flm and television through decades-old stereotypes as industries, and currently over-index criminals, law enforcers, cheap labor, as digital communicators and online and hypersexualized beings. -
The Paley Center for Media Announces Initial Talent Participants for the 35Th Annual Paleyfest La, March 16-25 at the Dolby Theatre
THE PALEY CENTER FOR MEDIA ANNOUNCES INITIAL TALENT PARTICIPANTS FOR THE 35TH ANNUAL PALEYFEST LA, MARCH 16-25 AT THE DOLBY THEATRE Lineup Includes Over 100 Stars From Television’s Hottest Shows Including: Barbra Streisand, Seth MacFarlane, Eric McCormack, Debra Messing, Elisabeth Moss, Joseph Fiennes, Anna Faris, Allison Janney, Thomas Middleditch, Kumail Nanjiani, Jared Padalecki, Jensen Ackles, Johnny Galecki, Jim Parsons, Iain Armitage, Zoe Perry, Freddie Highmore, Rutina Wesley, Ava DuVernay, KJ Apa, and Lili Reinhart JetBlue Joins as the Official Airline of PaleyFest LA BEVERLY HILLS, CA – FEBRUARY 7, 2018 – The Paley Center for Media today announced the initial group of talent who will be participating in its 35th annual PaleyFest LA, Hollywood’s ultimate TV fan festival, March 16-25, at the DOLBY Theatre in Hollywood. PaleyFest LA 2018 gives fans access to special screenings, exclusive conversations, and behind-the-scenes scoops and breaking news from the stars and creative minds behind their favorite shows. “This year’s PaleyFest has quickly become the most anticipated, can’t-miss event of the spring and is guaranteed to be filled with once-in-a-lifetime moments that fans will be talking about for years to come,” said Maureen J. Reidy, the Paley Center’s President & CEO. “We are especially privileged to have the one-and-only, phenomenal Barbra Streisand joining us on Opening Night where she will be honored – for the first-time ever – for her television work on the PaleyFest stage.” In addition to the festive opening night with Ms. Streisand, this year’s PaleyFest will feature a lineup of today’s most critically acclaimed and hottest shows including: The Orville, Will & Grace, The Handmaid’s Tale, Silicon Valley, Supernatural, The Big Bang Theory, Young Sheldon, The Good Doctor, Mom, Queen Sugar, Riverdale, and Stranger Things.