TWO DAYS in SIENA Two Days Are Sufficient to See a “Fair Amount” of Siena, Even If the City Has Such a Vast Patrimony to Offer Which Would Require Much More Time
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The Presentation of the Virgin in the Temple
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Paolo di Giovanni Fei Sienese, c. 1335/1345 - 1411 The Presentation of the Virgin in the Temple 1398-1399 tempera on wood transferred to hardboard painted surface: 146.1 × 140.3 cm (57 1/2 × 55 1/4 in.) overall: 147.2 × 140.3 cm (57 15/16 × 55 1/4 in.) Samuel H. Kress Collection 1961.9.4 ENTRY The legend of the childhood of Mary, mother of Jesus, had been formed at a very early date, as shown by the apocryphal Gospel of James, or Protoevangelium of James (second–third century), which for the first time recounted events in the life of Mary before the Annunciation. The iconography of the presentation of the Virgin that spread in Byzantine art was based on this source. In the West, the episodes of the birth and childhood of the Virgin were known instead through another, later apocryphal source of the eighth–ninth century, attributed to the Evangelist Matthew. [1] According to this account of her childhood, Mary, on reaching the age of three, was taken by her parents, together with offerings, to the Temple of Jerusalem, so that she could be educated there. The child ascended the flight of fifteen steps of the temple to enter the sacred building, where she would continue to live, fed by an angel, until she reached the age of fourteen. [2] The legend linked the child’s ascent to the temple and the flight of fifteen steps in front of it with the number of Gradual Psalms. -
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
Lavazza Coffee Museum 8 Valeria Merlini at Work Siena Seeing Roman Art from a Dream of ® New Angle Am Forever in Search of New Perspectives on Rome and Its I Art
INSIDE: Siena Tour Guides 4 Recipes From Siena 6 Touring An Art Restoration Lab 7 20th-Century Art in Rome 8 Lavazza Coffee Museum 8 Valeria Merlini at work Siena Seeing Roman Art From A dream of ® New Angle am forever in search of new perspectives on Rome and its I art. In a city with endless treasures and infinite guides available, it’s increasingly rare to find a tour that gives you a one-of-a-kind publication Dream Of point of view. I was lucky enough to Volume 17, Issue 8 www.dreamofitaly.com October 2018 ITA LY join a Roma Experience Tour, which gave me just that. Our Roma Experience tour guides, The INSIDER’S GUIDE to Siena Francesca and Davide, meet us in a corner of Piazza del Popolo and within f you’re traveling in the region Siena grew in importance from an minutes our small group is equipped of Tuscany, a trip to the economic, strategic, and military with headphones and a hearty dose I medieval city of Siena is a perspective until the 12th century. of intrigue. Francesca sets the scene, beautiful and quiet diversion. During the 13th and 14th whispering dramatically into her You won’t be disappointed. centuries, Siena and microphone, telling us about the Some of the most unique Florence became bitter painter, Michelangelo Merisi, famously treasures of art and history enemies, with constant known as Caravaggio. If it weren’t for await you. battles for land and power. Francesca, I would have missed the Florence eventually won masterpieces right before my eyes in Siena, originally an Etruscan over in 1555, and Siena was the Cerasi Chapel: Caravaggio’s settlement, was later incorporated as a Florentine Conversion of Saint Paul and his established as a trading post as territory. -
Trek Urbano-Giovani Espl-ING
notepad useful numbers WHAT TO EAT AND DRINK TOURIST INFORMATION APT SIENA Tel. 0577.280551 Urban Trekking Panforte, Ricciarelli, local TOUR GUIDE ASSOCIATION OF THE CITY AND PROVINCE OF SIENA Tel. 0577.43273 Urban cinta pork salami, pecorino TAXI - ACTIVE 24 HOURS A DAY - Tel. 0577.49222 Trekking for cheese EMERGENCY ROOM POLICLINICO LE SCOTTE Tel. 0577.585807-0577.585809 trekking WHAT TO BUY in Siena young explorers Wooden balls and tin air check horses with the colors of the Air check is an “environmental traffic light” contradas, toy carts and bells Y Urban trekking is a sport that measures the level of air quality. ou are the star of this adventure. We shall WHAT TO SEE for all. Following an The polluting agents monitored by it are carbon dioxide, explore the secret parts of Siena and you can Accademia dei Fisiocritici, Church of San itinerary on foot through hilly city streets does not Clemente in Santa Maria dei Servi, Church of San ozone, and noise. The green light means excellent air tell your friends that you discovered a Domenico, Church of San Francesco, Church of Santa Maria quality, yellow indicates fair quality, and red indicates a fantastic city among the museums, parks, require any special training. It is a perfect way of in Provenzano, Baptistry of San Giovanni, Saint Catherine heavily polluted atmosphere. fountains, games, shows, and ghosts. Ready toning up the mind and body for everyone who is of Siena’s house and sanctuary, Cathedral, Church of forced to live in cramped spaces and feels the need Sant’Agostino, Church of Santa Lucia, Santa Maria della to start? One, two, three: GO!!! IN COOPERATION WITH Scala museum complex, Children’s Art Museum, Cathedral AUTOMOBILE CLUB D'ITALIA to liberate pent-up energies. -
Maestà (Madonna and Child with Four Angels) C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Thirteenth and Fourteenth Centuries Master of Città di Castello Italian, active c. 1290 - 1320 Maestà (Madonna and Child with Four Angels) c. 1290 tempera on panel painted surface: 230 × 141.5 cm (90 9/16 × 55 11/16 in.) overall: 240 × 150 × 2.4 cm (94 1/2 × 59 1/16 × 15/16 in.) framed: 252.4 x 159.4 x 13.3 cm (99 3/8 x 62 3/4 x 5 1/4 in.) Samuel H. Kress Collection 1961.9.77 ENTRY This panel, of large dimensions, bears the image of the Maestà represented according to the iconographic tradition of the Hodegetria. [1] This type of Madonna and Child was very popular among lay confraternities in central Italy; perhaps it was one of them that commissioned the painting. [2] The image is distinguished among the paintings of its time by the very peculiar construction of the marble throne, which seems to be formed of a semicircular external structure into which a circular seat is inserted. Similar thrones are sometimes found in Sienese paintings between the last decades of the thirteenth and the first two of the fourteenth century. [3] Much the same dating is suggested by the delicate chrysography of the mantles of the Madonna and Child. [4] Recorded for the first time by the Soprintendenza in Siena c. 1930 as “tavola preduccesca,” [5] the work was examined by Richard Offner in 1937. In his expertise, he classified it as “school of Duccio” and compared it with some roughly contemporary panels of the same stylistic circle. -
Program Overview
Live the Language Learn the Culture Foreign Language and Cultural Immersion Since 1968 NATIONAL REGISTRATION CENTER FOR STUDY ABROAD Italy 2008-2009 For more information please visit: www.nrcsa.com NRCSA is a proud member of: National Registration Center for Study Abroad PO Box 1393 Milwaukee, Wisconsin 53201 USA Tel: (414) 278-0631 Email: [email protected] SCUOLA ITALIANA –SIENA,ITALY ABOUT THE SCHOOL AND THE CITY Professional Italian Scuola Italiana is a school of Italian language and culture for 30 hours per week: 20 Group + 10 Tutor. Intermediate level is foreigners, with a branch in Florence, in the shadow of required. Classes with a private Tutor focus on vocabulary from Brunelleschi's great Dome, and a branch in Siena near the Piazza one of the following areas: general business, banking, law, del Campo. The school attracts many different types of students, tourism, medicine, fashion, architecture, literature, cinema, or with sixty percent of students aged between 17 and 30 seeking to theatre. improve their Italian language skills and awareness of Italian culture. All teachers are highly qualified. Most of them have Optional History and Humanities Courses studied Italian language and literature. All teachers have been The History and Humanities courses are organized on a two-week specially trained in teaching Italian to foreigners. basis and can be extended to four weeks (art courses are always 4 weeks). They are held in the afternoon or evening. Siena has an abundance of artistic and historical points of * Italian Cooking Course, 2 weeks, 2 evenings. interest. There is the wonderful Piazza del Campo dominated by * Italian Wine Course, 2 weeks, 2 evenings. -
Nevola Siena Companion Volume Essay 201216
Pre-print text, not for circulation. Fabrizio Nevola (University of Exeter) ‘“per queste cose ognuno sta in santa pace et in concordia”: Understanding urban space in Renaissance Siena’, in Santa Casciani ed., A Companion to Late Medieval and Early Modern Siena (Leiden and Boston: Brill 2018). Abstract: This chapter offers a longue durée history of Siena’s urban development from the fourteenth century through to the early years of Medici domination (c. 1300-1600). As is well known, Siena offers a precocious example of urban design legislation around the piazza del Campo, which included paving, zoning rules, and rulings on the aesthetics of buildings facing onto the piazza. Such planning rules spread to encompass much of the city fabric through the fifteenth century, so that when the Medici took over the city, there is evidence of their surprise at the way urban improvement was enshrined as a core civic duty. While a focus of the chapter will look at urban planning legislation and its effects on the evolving built fabric over nearly three centuries, it will also consider how public urban space was used. Here too, there are continuities in the ritual practices that activated and inscribed meaning on the squares and streets as well as religious and secular buildings and monuments. It will be shown then that, as Bernardino da Siena’s commentary on Lorenzetti’s famous frescoes show, the built city is integral to the social interactions of its citizens. Illustrations: 1. Ambrogio Lorenzetti (1338-40), Sala della Pace, Palazzo Pubblico, Siena 2. Piazza del Campo with Palazzo Sansedoni and Fonte Gaia, showing market stalls in place in a photo by Paolo Lombardi, c. -
PALAZZO PUBBLICO a SIENA…E DINTORNI I Palazzi Pubblici Nel Medioevo
PALAZZO PUBBLICO A SIENA…E DINTORNI I Palazzi pubblici nel Medioevo •I Palazzi Pubblici si diffusero dal XIII secolo, a partire dall’Italia settentrionale. Prima della loro realizzazione, fino al Duecento, le rappresentanze delle magistrature civili erano costrette ad essere itineranti o a riunirsi nelle chiese. I nuovi palazzi erano posti in diretto rapporto con lo spazio urbano, generalmente una piazza, separata da quella della chiesa principale. Il Palazzo pubblico era generalmente separato dalla cattedrale, a testimonianza di una palese contrapposizione politica tra i due sistemi di potere. Nell’Italia settentrionale, generalmente, il palazzo presentava portici al piano terra, dove si svolgevano il mercato o assemblee pubbliche; al piano superiore era un ampio e luminoso salone per le riunioni del consiglio, con un balcone prospettante sulla piazza. Vedi Palazzo pubblico a Bologna Nell’Italia centrale, i palazzi civici fungevano spesso anche da residenza dei magistrati e degli amministratori, per cui viene eliminata la loggia, luogo pubblico per eccellenza. Ne sono esempio il Palazzo della Signoria a Firenze e il Palazzo Pubblico di Siena. PIAZZA DEL CAMPO •1169, è questo l’anno in cui viene diffuso un primo documento che parla di questa piazza. E’ l’anno in cui la comunità di Siena acquista questo terreno fragile e fangoso su cui convergevano le piccole strade dell’antica città. Verso la fine del 1100 il grande spazio viene diviso, probabilmente, da un ampio muro divisorio contribuendo a creare la caratteristica forma a conchiglia. •Piazza del Campo è un unicum tra le piazze realizzate in epoca medievale, notoriamente legate da una planimetria convenzionale. -
MONTEPULCIANO's PALAZZO COMUNALE, 1440 – C.1465: RETHINKING CASTELLATED CIVIC PALACES in FLORENTINE ARCHITECTURAL and POLITI
MONTEPULCIANO’S PALAZZO COMUNALE, 1440 – c.1465: RETHINKING CASTELLATED CIVIC PALACES IN FLORENTINE ARCHITECTURAL AND POLITICAL CONTEXTS Two Volumes Volume I Koching Chao Ph.D. University of York History of Art September 2019 ABSTRACT This thesis argues for the significance of castellated civic palaces in shaping and consolidating Florence’s territorial hegemony during the fifteenth century. Although fortress-like civic palaces were a predominant architectural type in Tuscan communes from the twelfth century onwards, it is an understudied field. In the literature of Italian Renaissance civic and military architecture, the castellated motifs of civic palaces have either been marginalised as an outdated and anti-classical form opposing Quattrocento all’antica taste, or have been oversimplified as a redundant object lacking defensive functionality. By analysing Michelozzo’s Palazzo Comunale in Montepulciano, a fifteenth-century castellated palace resembling Florence’s thirteenth-century Palazzo dei Priori, this thesis seeks to address the ways in which castellated forms substantially legitimised Florence’s political, military and cultural supremacy. Chapter One examines textual and pictorial representations of Florence’s castellation civic palaces and fortifications in order to capture Florentine perceptions of castellation. This investigation offers a conceptual framework, interpreting the profile of castellated civic palaces as an effective architectural affirmation of the contemporary idea of a powerful city-republic rather than being a symbol of despotism as it has been previously understood. Chapters Two and Three examine Montepulciano’s renovation project for the Palazzo Comunale within local and central administrative, socio-political, and military contexts during the first half of the fifteenth century, highlighting the Florentine features of Montepulciano’s town hall despite the town’s peripheral location within the Florentine dominion. -
Marco Giamello Researcher (Aggregate Professor)
Curriculum vitae PERSONAL INFORMATION Marco Giamello 8, Via Laterina, I-53100 Siena (Italy) (+39) 3204374436 [email protected] Date of birth 01/08/1959 | Nationality Italian POSITION Researcher (Aggregate Professor) in the University of Siena (Italy), Department of Earth, Environment and Physical Sciences, Disciplinary sector GEO/09 (Mining Resources and Mineralogical - Petrographic Applications for the Environment and Cultural Heritage) WORK EXPERIENCE 2001–Present Researcher (since 2005 Aggregate Professor) University of Siena, Department of Earth, Environment and Physical Sciences 8, Via Laterino, I-53100 Siena (Italy) https://www.dsfta.unisi.it/en - Scientific Responsible of the Research Unit “Conservation of Cultural Heritage and Archaeometry" (since 2011) - Scientific Responsible of the Laboratories: Thin and ultrathin Sections, Optical Microscopy, X-ray diffraction, Determination of physical properties, 3D digital microscopy (since 2011) 2017–2019 Leader, scientific and operational contact person Tuscany Region 10 Piazza Duomo, Florence (Italy) Research collaboration agreement between the Tuscany Region (Department for Infrastructure and Mobility, Management of Mobility, Infrastructure and Local Public Transport Policies) and the Universities of Siena, Florence and Pisa, and the Institute for the Conservation and Promotion of Cultural Heritage of the Italian National Research Council (CNR). - Target of the research was the characterization of the natural stones used in the Tuscan historical centres, including the World Heritage -
Siena Is a Famous Medieval City, Located in the Heart of Tuscany. It Is One of the Most Popular and Visited Cities in Tuscany As
SIENA Siena is a famous Medieval city, located in the heart of Tuscany. It is one of the most popular and visited cities in Tuscany as it is extremely rich in history and art and with strong local traditions such as the famous Palio di Siena, the biggest annual event taking place in the city twice a year in summer. 1 FOCUS ON HISTORY The legend says that Siena was founded by Senius and Ascanius, sons of Remus, of the famous twins Romulus and Remus, who founded Rome. Statues of the wolf feeding the twins are spotted throughout Siena. In 30 A.D. the Romans established a military outpost called Siena, which developed into a busy little trading post in the following years. The Lombards arrived in the 6th century A.D. , and the Franks also governed the city. Great works were carried out, the most important was the famous Via Francigena, the road which linked Rome to France , used by pilgrims and travellers; this greatly increased Siena’s importance. The Church was actively involved in governing the city, especially between the 9th and 11th centuries, but later the Sienese people claimed their right to govern and administer the city. Siena’s economic and military power grew enormously and inevitably friction grew between Siena and Florence, as both cities tried to enlarge their territory. There were many battles between the two cities between the 13th and 15th centuries. Eventually Siena was incorporated into the Florentine territory and administration. Despite both external disputes with neighbours and internal disputes over government, in the years from 1150 to 1300, great artists were discovered and the city was adorned with beautiful monuments such as the Cathedral, “Palazzo Pubblico” and “Torre del Mangia”. -
From the Tower of Pisa to Piazza Del Campo in Siena
AETAS VIAGGI – TEL. + 39 06 71 58 40 64 – [email protected] – www.aetasviaggi.com FROM THE TOWER OF PISA TO PIAZZA DEL CAMPO IN SIENA A journey to discover the most beautiful cities in Tuscany. Day 1: Arrival in Pisa, transfer to the hotel. Guided walking tour of the historic center: Piazza dei Miracoli, with the Basilica of Santa Maria Assunta, founded in 1063 in the Pisan Romanesque style, the Baptistery, dedicated to St. John the Baptist, which began in 1153, the Leaning Tower, which is the bell tower of the cathedral, and the Monumental Cemetery. Dinner and overnight. Day 2: After breakfast, departure to Florence. Visit to the historical center : Piazza Duomo, where we find the Cathedral of Santa Maria del Fiore, with its dome by Brunelleschi, the Baptistery, with the Gates of Paradise, and Giotto's bell tower, from which we can enjoy the panoramic view of the city, continue to Piazza della Signoria, which is overlooked by Palazzo Vecchio, the town hall and splendid museum, the Loggia della Signoria, with its imposing statues including the Perseus of Benvenuto Cellini, the Fountain of Neptune and the equestrian statue of Cosimo I. Free lunch. Right next to the Palazzo Vecchio, we find the Uffizi Gallery, one of the most important museums in the world, which houses works of art Renaissance priceless and rare beauty, such as Primavera and Birth of Venus by Botticelli. Here we will spend the afternoon. Return to the hotel for dinner and overnight. Day 3: After breakfast, guided tour. Crossing the Ponte Vecchio, perhaps the most famous symbol of Florence and looking at the characteristics goldsmith shops, you arrive in the Oltrarno area, where there is the beautiful Palazzo Pitti, which contains within it important museums such as the Palatinae Gallery and the Gallery of Modern Art, and it is the gateway of the magnificent Boboli Gardens.