Ella Discografie

Total Page:16

File Type:pdf, Size:1020Kb

Ella Discografie FAVOURITES – Ella Fitzgerald »It Don't Mean A Thing« Boswell Sisters Nothing Was Sweeter Than Ace of hearts The Boswell Sisters 1931 »Stompin' At The Savoy« Ella Fitzgerald & Louis Armstrong Ella And Louis Again Verve Records Ray Brown, Louie Bellson, 1957 Herb Ellis und Oscar Peterson Video »A-Tisket A-Tasket« Ella Fitzgerald https://www.youtube.com/watch?v=1bgFkeDLpSI »Flying Home« Ella Fitzgerald Lullabies Of Birdland Decca Records 1947 Bob Haggart and his Orchestra »Can't We Be Friends« Ella Fitzgerald & Louis Armstrong Ella And Louis Verve Records 1956 Ray Brown, Buddy Rich, Herb Ellis und Oscar Peterson »Mack The Knife« Ella Fitzgerald Mack The Knife – Ella In Berlin Verve Records Paul Smith Quartet 1960 »Shiny Stockings« Ella Fitzgerald Ella And Basie Verve Records 1963 Count Basie And His Orchestra Video »Duke's Place« Ella Fitzgerlad & Duke Ellington, 1966 https://www.youtube.com/watch?v=PlCDIuASObM »Imagine My Frustration« Ella Fitzgerald The Stockholm Concert, 1966 Pablo Records 1966 | 1984 Duke Ellington Orchestra, Jimmy Jones, Joe Comfort, Gus Johnson »Lush Life« Ella Fitzgerald & Joe Pass Take Love Easy Pablo Records 1974 Video »It don't mean a thing« Ella Fitzgerald Live in Germany, 1974 https://www.youtube.com/watch?v=wakHHqpIRWc »Billie's Bounces« Ella Fitzgerald Montreux '77 Pablo Records 1977 Tommy Flanagan, Keter Betts und Bobby Durham Ella Fitzgerald Mack The Knife – Ella In Berlin Verve Records »How High The Moon« Paul Smith Quartet 1960 Video »Summertime, 1968« Ella Fitzgerald & The Tee Carson Trio https://www.youtube.com/watch?v=u2bigf337aU Buch Johannes Kunz Ella Und Ihre Zeit ISBN: 978-3-7844-3410-0.
Recommended publications
  • The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information
    Cambridge University Press 978-1-108-42353-3 — The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information Index Aarons, Alex, 7 Barkleys of Broadway (1949) film, 206, 214 Ager, Cecelia, 294 Bartók, Bela, 119 Ager, Milton, 294 “Battle Hymn of the Republic,” 36 Albee, Edward, 67 Bauer, Marion, 222 Alberts, Charles S., 138 “Beale Street Blues,” 238 Alda, Robert, 134 Beethoven, Ludwig van, 9, 35, 76, 225 Alexander III, Czar of Russia, 5 Rondo a Cappricio, Op. 129, 37 Allen, Gracie, 207, 212, 213 Sonata in F Minor, Op. 57 (“Appassionata”), Americana (1928) musical, 10 37 An American in Paris (1951) film, 214, 240, 262 Sonata Op. 110, 37 An American in Paris (2015) musical, 262, 264, Sonata Op. 81, 37 265, 266, 267, 269, 270 String Quartet, Op. 18, No. 4, 37 Anchors Aweigh (1945) film, 254 “ ” Anderson, Marian, 191 Symphony No. 3 ( Eroica ), 37 Antheil, George, 155–56, 229 Symphony No. 5, 248 Ballet mécanique, 155, 156 Symphony No. 7, 37 Jazz Symphony, 156 Bennett, Robert Russell, 47, 199, 201, 211, 212, Anything Goes (1936) film, 200 214, 216 Arcadelt, Jacques, 36 Bennett, Tony, 238 Arden, Victor, 93, 97, 268 Benton, Thomas Hart, 162 Arlen, Harold, 9, 47, 49, 199, 276, 277 Berg, Alban, 162, 225, 229 “Stormy Weather,” 277 Lyric Suite, 33, 162 Arlen, Michael, 154 Wozzeck, 231 Armitage, Merle, 48, 53, 291 Bergere, Valerie, 72 Armstrong, Louis, 244, 277 Berkeley, Busby, 45 Arvey, Verna, 25 Berlin, 161 Asian American Jazz Orchestra, 256 Berlin, Irving, 44, 48, 53, 61, 64, 68, 69, 93, 154, Askins, Harry, 132 225, 239, 244,
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
    BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6.
    [Show full text]
  • Comes to Life in ELLA, a Highly-Acclaimed Musical Starring Tina Fabrique Limited Engagement
    February 23, 2011 Jazz’s “First Lady of Song” comes to life in ELLA, a highly-acclaimed musical starring Tina Fabrique Limited engagement – March 22 – 27, 2011 Show features two dozen of the famed songstresses’ greatest hits (Philadelphia, February 23, 2011) — Celebrate the “First Lady of Song” Ella Fitzgerald when ELLA, the highly-acclaimed musical about legendary singer Ella Fitzgerald, comes to Philadelphia for a limited engagement, March 22-27, 2011, at the Annenberg Center for the Performing Arts. Featuring more than two-dozen hit songs, ELLA combines myth, memory and music into a stylish and sophisticated journey through the life of one of the greatest jazz singers of the 20th century. Broadway veteran Tina Fabrique, under the direction of Rob Ruggiero (Broadway: Looped starring Valerie Harper, upcoming High starring Kathleen Turner), captures the spirit and exuberance of the famed singer, performing such memorable tunes as “A-Tisket, A-Tasket,” “That Old Black Magic,” “They Can’t Take That Away from Me” and “It Don’t Mean A Thing (If It Ain’t Got That Swing).” ELLA marks the first time the Annenberg Center has presented a musical as part of its theatre series. Said Annenberg Center Managing Director Michael J. Rose, “ELLA will speak to a wide variety of audiences including Fitzgerald loyalists, musical theatre enthusiasts and jazz novices. We are pleased to have the opportunity to present this truly unique production featuring the incredible vocals of Tina Fabrique to Philadelphia audiences.” Performances of ELLA take place on Tuesday, March 22 at 7:30 PM; Thursday, March 24 at 7:30 PM; Friday, March 25 at 8:00 PM; Saturday, March 26 at 2:00 PM & 8:00 PM; and Sunday, March 27 at 2:00 PM.
    [Show full text]
  • Bright Moments!
    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
    [Show full text]
  • CELEBRATING OSCAR PETERSON Posted on February 16, 2021
    BLACK HISTORY MONTH | CELEBRATING OSCAR PETERSON Posted on February 16, 2021 Category: News Oscar Emmanuel Peterson (1925–2007) | Agent of Change | Remembered as a virtuoso jazz pianist and composer of Hymn to Freedom, an international anthem to civil rights. The son of immigrants from the West Indies, Oscar Peterson was born in Montréal, Québec and grew up in Little Burgundy, a predominantly Black neighbourhood of the city where he was immersed in the culture of jazz. He was five years old when he began taking music lessons from his father. He also studied classical piano with his sister, Daisy Peterson Sweeney, who went on to teach other renowned jazz artists. Peterson later attended the Conservatoire de musique du Québec è Montrèal and studied classical piano with Paul de Marky, but with a deep interest in jazz, he also played boogie-woogie and ragtime. At only 14 years old, Peterson won the national Canadian Broadcasting Corporation music competition, after which he dropped out of high school and joined a band with jazz trumpeter and classmate Maynard Ferguson. While still a teenager, Peterson played professionally at hotels and at a weekly radio show. He also joined the Jonny Holmes Orchestra as its only Black musician. From 1945 to 1949, Peterson recorded 32 songs with RCA Victor. Beginning in the 1950s, he released several albums each year while appearing on over 200 albums by other artists including Billie Holiday, Louis Armstrong, Count Basie, Ella Fitzgerald, and Dizzy Gillespie. In 1949, jazz impresario Norman Ganz was on his way to the airport in Montréal, when hearing Peterson playing live on radio, asked the cab driver to take him to the club where the concert was being aired.
    [Show full text]
  • Masteroppgave Ingrid Liland Blokkjustert
    Musical Analysis and Vocal Jazz Investigating Form in Ella Fitzgerald’s solo in “How High the Moon” (1960) Ingrid Husby Liland Master thesis in Musicology – Spring 2015 The Department of Musicology – University of Oslo © Ingrid Husby Liland 2015 Musical Analysis and Vocal Jazz Investigating Form in Ella Fitzgerald’s solo in “How High the Moon” (1960) Ingrid Husby Liland http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo 2 Acknowledgements I extend sincere appreciation to my thesis adviser, Anne Danielsen, for her support and guidance and detailed feedback. I also extend gratitude to Asbjørn Eriksen, my secondary thesis adviser, for constructive feedback on my analysis. Thank you to Anne Hagen for proof reading my thesis and to Eivind Dale for helping me with the layout. Thank you to the Department of Musicology for five great years of education. I offer a special thanks to my mother, my aunt and my sister for necessary advice and support. Thanks to my colleagues for necessary reality checks during the past year. Finally, I need to mention the moral and practical support and the promise of a long, happy summer from, among others: Eivind, Kristin, Rachel and Trøyel. 3 4 Contents Acknowledgements...........................................................................................................3! Chapter515Introduction ....................................................................................................7! The5Structure5of5this5Thesis....................................................................................................9!
    [Show full text]
  • Jo Jones the Main Man Mp3, Flac, Wma
    Jo Jones The Main Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Main Man Country: Brazil Released: 1978 Style: Hard Bop MP3 version RAR size: 1767 mb FLAC version RAR size: 1978 mb WMA version RAR size: 1164 mb Rating: 4.7 Votes: 123 Other Formats: AHX AU VOC DTS WAV WMA DXD Tracklist Hide Credits Goin' To Chicago A1 9:09 Written-By – Basie*, Rushing* I Want To Be Happy A2 4:48 Written-By – Caesar*, Youmans* Adlib A3 8:12 Written-By – Jo Jones Dark Eyes B1 10:20 Arranged By – Buck Clayton Metrical Portions B2 5:51 Written-By – Budd Johnson Old Man River B3 4:25 Written-By – Kern*, Hammerstein* Companies, etc. Phonographic Copyright (p) – Pablo Records Recorded At – RCA Recording Studios Mastered At – Kendun Recorders Distributed By – Companhia Brasileira De Discos Phonogram Manufactured By – Companhia Brasileira De Discos Phonogram Credits Bass – Sam Jones Drums – Jo Jones Engineer – Bob Simpson Guitar – Freddie Green Layout, Design – Gribbitt*, Norman Granz Photography By – Phil Stern Piano – Tommy Flanagan Producer – Norman Granz Tenor Saxophone – Eddie Davis* Trombone – Vic Dickenson Trumpet – Harry Edison, Roy Eldridge Notes Série De Luxo Barcode and Other Identifiers Matrix / Runout (Side A): 2310 799 A Matrix / Runout (Side B): 2310 799 A Mould SID Code (Side A): JA 200 2310 799 A1 Mould SID Code (Side B): JA 200 2310 799 B1 Label Code: 3254 Other versions Category Artist Title (Format) Label Category Country Year The Main Man (LP, 2310-799 Jo Jones Pablo Records 2310-799 US 1977 Album) The Main Man (LP, 2310
    [Show full text]
  • Ella Ella and Louis Again Mp3, Flac, Wma
    Ella Ella And Louis Again mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Ella And Louis Again Country: South Africa Style: Easy Listening, Vocal, Swing MP3 version RAR size: 1475 mb FLAC version RAR size: 1522 mb WMA version RAR size: 1943 mb Rating: 4.9 Votes: 474 Other Formats: AUD FLAC AIFF ADX WMA DMF MIDI Tracklist Hide Credits Don't Be That Way A1 Written-By – Goodman*, Sampson*, Parish* Makin' Whoopee A2 Written-By – Kahn*, Donaldson* They All Laughed A3 Written-By – George & Ira Gershwin Comes Love A4 Written-By – Tobias*, Brown*, Stept* Autumn In New York A5 Written-By – Duke* Let's Do It (Let's Fall In Love) B1 Written-By – Porter* Stompin' At The Savoy B2 Written-By – Razaf*, Goodman*, Webb*, Sampson* I Won't Dance B3 Written-By – Hammerstein-Kern, Fields - McHugh*, Harbach* Gee, Baby, Ain't I Good To You? B4 Written-By – Razaf*, Redman* Let's Call The Whole Thing Off C1 Written-By – George & Ira Gershwin These Foolish Things (Remind Me Of You) C2 Written-By – Maschwitz*, Link*, Marvell*, Strachey* I've Got My Love To Keep Me Warm C3 Written-By – Berlin* Willow Weep For Me C4 Written-By – Ronell* I'm Puttin' All My Eggs In One Basket C5 Written-By – Berlin* A Fine Romance D1 Written-By – Fields*, Kern* Ill Wind D2 Written-By – Arlen*, Koehler* Love Is Here To Stay D3 Written-By – George & Ira Gershwin I Get A Kick Out Of You D4 Written-By – Porter* Learnin' The Blues D5 Written-By – Silvers* Credits Bass – Ray Brown Drums – Louie Bellson* Guitar – Herb Ellis Piano – Oscar Peterson Producer – Norman Granz Trumpet – Louis Armstrong (tracks: A5, B2, B4, C4, D3, D5) Vocals – Ella Fitzgerald (tracks: all except A2, B1, C4, D4), Louis Armstrong (tracks: all except A1, B2, D1) Notes Label A1 - F.D.
    [Show full text]
  • Ella Fitzgerald with the Tommy Flanagan Trio
    Ella Fitzgerald Montreux '77 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Montreux '77 Country: Europe Released: 2002 Style: Latin Jazz, Swing, Bossa Nova MP3 version RAR size: 1822 mb FLAC version RAR size: 1152 mb WMA version RAR size: 1164 mb Rating: 4.8 Votes: 109 Other Formats: AC3 MP4 MP2 AU AA DTS DMF Tracklist 1 Too Close For Comfort 3:27 2 I Ain't Got Nothin' But The Blues 4:07 3 My Man 3:48 4 Come Rain Or Come Shine 2:30 5 Day By Day 1:46 6 Ordinary Fool 3:20 7 One Note Samba 6:26 8 I Let A Song Go Out Of My Heart 4:31 9 Billie's Bounce 4:49 10 You Are The Sunshine Of My Life 3:53 Companies, etc. Recorded At – Montreux Jazz Festival Credits Bass – Keter Betts Drums – Bobby Durham Piano – Tommy Flanagan Producer – Norman Granz Vocals – Ella Fitzgerald Notes Made in Germany by ZYX Manufactured under license for distribution by ZYX-Music. Issued in digipak with a 4-page booklet. Barcode and Other Identifiers Barcode: 0 90204 87185 8 Other versions Category Artist Title (Format) Label Category Country Year Ella Fitzgerald Ella Fitzgerald With The 2308-206 With The Tommy Tommy Flanagan Trio* - Pablo Live 2308-206 US 1977 Flanagan Trio* Montreux '77 (LP, Album) Ella Fitzgerald Ella Fitzgerald With The 2308 206 With The Tommy Tommy Flanagan Trio* - Pablo Live 2308 206 UK 1977 Flanagan Trio* Montreux '77 (LP, Album) Ella Fitzgerald With Ella Fitzgerald Original OJC20 Tommy Flanagan Trio - OJC20 With Tommy Jazz Spain 2004 376-2 Montreux '77 (CD, 376-2 Flanagan Trio Classics Album, RE) Ella Fitzgerald Ella Fitzgerald With
    [Show full text]
  • Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
    Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1.
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]