DOCSLIB.ORG

Steps Ahead Magnetic Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steps Ahead Magnetic Mp3, Flac, Wma Steps Ahead Magnetic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Magnetic Country: Poland Style: Fusion MP3 version RAR size: 1428 mb FLAC version RAR size: 1817 mb WMA version RAR size: 1745 mb Rating: 4.9 Votes: 192 Other Formats: DMF VOC AU MMF DXD AA AIFF Tracklist Hide Credits Trains Acoustic Guitar, Electric Guitar, Guitar [Guitar Synthesizer] – Chuck LoebBass – Victor BaileyDrums [Acoustic, Electric], Percussion – Peter ErskineEngineer – Malcolm Pollack, Neil Dorfsman, Rick KerrEngineer [Assistant] – Jamie Chaleff, Ken Steiger, Rick A1 7:31 Begin*Guitar – Hiram BullockMixed By – Malcolm PollackProgrammed By [Synthesizer Programming] – Robby Kilgore*Synthesizer – Kenny KirklandTenor Saxophone [Steiner Ewi] – Michael BreckerVibraphone [Synthi-vibes], Keyboards – Mike MainieriWritten-By – Mike Mainieri Beirut Bass – Victor BaileyDrums [Acoustic, Electric], Percussion – Peter ErskineEngineer [Assistant] – Scott AnsellEngineer, Mixed By – James FarberGuitar, Guitar [Guitar A2 Synthesizer] – Chuck LoebProgrammed By [Synthesizer Programming] – Robby 8:15 Kilgore*Saxophone [Steiner Ewi, Oberheim Xpander] – Michael BreckerVibraphone [Synthi-vibes], Keyboards – Mike MainieriWritten-By – C. Loeb*, M. Brecker*, M. Mainieri*, P. Erskine*, V. Bailey* Cajun Banjo – Peter SchwimmerBass – Victor BaileyDrums – Peter ErskineEngineer [Assistant] – Scott AnsellEngineer, Mixed By – James FarberGuitar, Guitar [Guitar Synthesizer] – Chuck A3 6:16 LoebProgrammed By [Synthesizer Programming] – Robby Kilgore*Tenor Saxophone [Steiner Ewi, Oberheim Xpander] – Michael BreckerVibraphone [Synthi-vibes] – Mike MainieriWritten-By – Michael Brecker In A Sentimental Mood Engineer – Joe BarbariaEngineer [Assistant] – Bridget DalyKeyboards – Mike A4 MainieriMixed By – Michel SauvageProgrammed By [Synthesizer Programming] – Phil 3:30 AshleySaxophone [Steiner Ewi, Oberheim Xpander] – Michael BreckerWritten-By – Duke Ellington Magnetic Love Backing Vocals – Diva Gray, Janis Pendarvis*, Jocelyn BrownDrum Programming – Jimmy BralowerEngineer – Jay Rifkin, Joe Barbaria, Malcolm PollackEngineer [Assistant] – Bridget B1 Daly, Jamie Chaleff, Robin Lane*Guitar – Paul Jackson*Lead Vocals – Dianne ReevesMixed 5:33 By – Michael Brauer*Synthesizer – Mike Mainieri, Scott Martin Synthesizer [Synclavier Sampling] – Andy TopekaSynthesizer, Synthesizer [Sequencing] – Phil AshleyTenor Saxophone – Michael BreckerWritten-By – Mike Mainieri, Scott Martin Sumo Bass – Victor BaileyDrum Programming – Jimmy BralowerDrums, Percussion – Peter ErskineEngineer – Neil Dorfsman, Rick KerrEngineer [Assistant] – Kevin Killian, Rick B2 Begin*, Tim PurvisGuitar, Guitar [Guitar Synthesizer] – Chuck LoebMixed By – Tom Lord- 5:50 AlgeProgrammed By [Synthesizer Programming], Piano – Robby Kilgore*Tenor Saxophone [Steiner Ewi] – Michael BreckerVibraphone [Synthi-vibes] – Mike MainieriWritten-By – Michael Brecker All The Tea In China Bass – Victor BaileyEngineer – Andrew Heermans*Engineer [Assistant] – Tim PurvisGuitar – Chuck LoebMixed By – Tom Lord-AlgeProgrammed By [Oberheim Xpander Programming] B3 5:03 – Robby Kilgore*Synthesizer – Mitchel FormanSynthesizer, Percussion – Peter ErskineTenor Saxophone [Steiner Ewi, Oberheim Xpander] – Michael BreckerVibraphone – Mike MainieriWritten-By – Peter Erskine Something I Said Bass – Victor BaileyDrums, Synthesizer – Peter ErskineEngineer – James FarberEngineer B4 [Assistant] – Ken Steiger, Scott AnsellGuitar – Chuck LoebMixed By – Malcolm 4:23 PollackPiano [Acoustic], Synthesizer – Warren BernhardtTenor Saxophone – Michael BreckerVibraphone [Synthi-vibes] – Mike MainieriWritten-By – Peter Erskine Reprise (Magnetic Love) B5 1:15 Written-By – Mike Mainieri, Scott Martin Credits Art Direction – Bob Defrin Art Direction, Design – Carol Bobolts Coordinator [Production And Technical Co-ordination] – Dennis Alichwer Mastered By – Greg Calbi Photography By [Cover Photo] – David Dimitri Producer – George Duke (tracks: B1, B5), Mike Mainieri (tracks: B1, B5), Scott Martin (tracks: B1, B5), Steps Ahead (tracks: A1 to A4, B2 to B4) Notes A1: Recorded at Bear Tracks Studios, Suffern, N.Y. and Electric Lady Studios, New York Mixed at Power Station, New York A2, A3: Recorded & mixed at Skyline Studios, New York A4: Recorded and mixed at Electric Lady Studios, New York B1: Recorded at Electric Lady Studios, New York Mixed at The Village Recorder, West L.A. B2: Recorded at Bear Tracks Studios, Suffern, N.Y. and Electric Lady Studios, New York Mixed at Unique Recording, New York B3: Recorded at Plant Sound, New York Mixed at Unique Recording, New York B4: Recorded at Skyline Studios, New York Mixed at Electric Lady Studios, New York Mastered at Sterling Sound ℗ 1986 Elektra/Asylum Records © 1986 Elektra/Asylum Records Barcode and Other Identifiers Barcode: 0 7559-60441-1 Other versions Category Artist Title (Format) Label Category Country Year 60441-1 Steps Ahead Magnetic (LP, Album) Elektra 60441-1 US 1986 960 441-1 Steps Ahead Magnetic (LP, Album) Elektra 960 441-1 Germany 1986 960 441-2 Steps Ahead Magnetic (CD, Album) Elektra 960 441-2 Germany 1986 960441-4 Steps Ahead Magnetic (Cass, Album) Elektra 960441-4 Spain 1986 960 441-4 Steps Ahead Magnetic (Cass, Album) Elektra 960 441-4 Germany 1986 Related Music albums to Magnetic by Steps Ahead Mouritz/Hørslev Projektet - Blik, Bang Bang Michael Gregory - What To Where Rick Rhodes - Now You See It Dangerzone - Dangerzone Carly Simon - Spoiled Girl Kazumi Watanabe = 渡辺香津美 - To Chi Ka = トチカ Kazumi Watanabe - To Chi Ka Jay W. McGee - Survivor Smith & Mudd - Gorthleck Nigel Foote - Dangerous Game.
Load more

Recommended publications
  • Michael Brecker Chronology
    Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson.
    [Show full text]
  • Steps Ahead Steps Ahead Mp3, Flac, Wma
    Steps Ahead Steps Ahead mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Steps Ahead Country: US Released: 2005 Style: Contemporary Jazz MP3 version RAR size: 1851 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1719 mb Rating: 4.4 Votes: 465 Other Formats: TTA AUD ASF APE DXD XM WMA Tracklist Hide Credits Pools 1 11:15 Written-By – Don Grolnick Islands 2 6:23 Written-By – Mike Mainieri Loxodrome 3 5:25 Written-By – Eddie Gomez Both Sides Of The Coin 4 6:10 Written-By – Michael Brecker Skyward Bound 5 4:03 Written-By – Mike Mainieri Northern Cross 6 5:50 Written-By – Peter Erskine Trio (An Improvisation) 7 7:32 Written-By – Eddie Gomez, Michael Brecker, Mike Mainieri Credits Bass – Eddie Gomez Drums – Peter Erskine Piano – Eliane Elias Tenor Saxophone – Michael Brecker Vibraphone [Vibes], Synthesizer [Synthivibe], Marimba – Mike Mainieri Barcode and Other Identifiers Barcode: 0 90431 65452 1 Other versions Category Artist Title (Format) Label Category Country Year Elektra 9 60168-1, Steps Steps Ahead Musician, 9 60168-1, US 1983 60168-1 Ahead (LP, Album, SP) Elektra 60168-1 Musician Steps Steps Ahead Elektra 96-0168-1 96-0168-1 Netherlands 1983 Ahead (LP, Album) Musician Steps Ahead Steps Elektra WPCR-27928 (CD, Album, WPCR-27928 Japan 2014 Ahead Musician Ltd, RE, RM) Steps Steps Ahead Elektra 9 60168-4 9 60168-4 US 1983 Ahead (Cass) Musician Steps Ahead Steps Elektra 7559-60168-2 (CD, Album, 7559-60168-2 Europe Unknown Ahead Musician RE) Related Music albums to Steps Ahead by Steps Ahead Mike Mainieri Quintet - Live At Seventh Avenue South Steps Ahead - Michael Brecker, Warren Bernhardt, Peter Erskine, Eddie Gomez, Mike Mainieri - Modern Times Steps Ahead - Live in Tokyo 1986 Steps Ahead - Magnetico 3 Steps Ahead - Drop It Mike Mainieri & Friends - White Elephant Vol.
    [Show full text]
  • Grammy Award-Winning Jazz Drummer Peter Erskine Develops Rich Content for New Beamz Player Compositions
    Grammy Award-Winning Jazz Drummer Peter Erskine Develops Rich Content for New Beamz Player Compositions Peter Erskine’s Music Featured at Summer NAMM During Demonstration of New Beamz Player Interactive Music System Nashville, TN – June 18, 2010 – Beamz Interactive, an interactive music products company that develops innovative musical instruments and music entertainment products to enable people of all ages and skill levels to play music, today announced top jazz musician Peter Erskine’s involvement in the development of original rich content for the Beamz Player Interactive Music System. Erskine contributed a series of drum sounds, rhythmic loops and beats that were composed into original Beamz songs that are packaged with the new Beamz Player Interactive Music System, which is being demonstrated at the 2010 Summer NAMM Conference in Nashville (Booth #405). “I’m a dedicated Mac user, and felt a little like a stranger in a strange land when I first was introduced to the PC-based Beamz,” said Peter Erskine. “Within moments, I thought, ‘This is far out!’ I was instantly attracted to the immediacy that the instrument offers to everyone. The Beamz is a musical gateway or doorway that allows anyone to enter the world of sampling, loops and sound manipulation. For me the interest lies in reaching budding musicians who don’t necessarily have technical or musical instrument expertise, but who have music in their hearts. It’s one of the more user-friendly interfaces I’ve ever seen.” For over 35 years, Peter Erskine has been delighting his fans with award-winning, world-class Jazz ensembles.
    [Show full text]
  • No Beethoven an Autobiography & Chronicle of Weather Report by Peter Erskine
    No Beethoven An Autobiography & Chronicle of Weather Report by Peter Erskine edited by Rick Mattingly book design by Kio Griffth photography by Shigeru Uchiyama, Peter Erskine & others 1 of 338 About the Author Peter Erskine has played the drums since the age of four and is known for his versatility and love of working in different musical contexts. He appears on 700 albums and film scores, and has won two Grammy Awards plus an Honorary Doctorate from the Berklee School of Music. Fifty albums have been released under his own name or as co-leader. He has played with the Stan Kenton and Maynard Ferguson big bands, Weather Report, Steps Ahead, Joni Mitchell, Steely Dan, Diana Krall, Kenny Wheeler, The Brecker Brothers, The Yellowjackets, Pat Metheny and Gary Burton, John Abercrombie, John Scofield, et al, and has appeared as a soloist with the London, Los Angeles, Chicago, Oslo, Helsinki, Bremen, Beethovenhalle, Frankfurt Radio, Scottish Chamber, Royal Opera House, New York City Opera, L.A. Opera, BBC Symphony and Berlin Philharmonic Orchestras. Peter has been named ’Best Jazz Drummer of the Year’ ten times by Modern Drummer magazine and was inducted into the magazine’s Hall of Fame. Peter graduated from the Interlochen Arts Academy and studied at Indiana University under George Gaber. He is currently Professor of Practice and Director of Drumset Studies at the Thornton School of Music at the University of Southern California. Peter is married with two children and has lived in Santa Monica since 1987. 4 of 338 Table of Contents Foreword by Mitch Haupers . 8 1.
    [Show full text]
  • Brecker's Blues
    BRECKER’S BLUES: TRANSCRIPTION AND THEORETICAL ANALYSIS OF SIX SELECTED IMPROVISED BLUES SOLOS BY JAZZ SAXOPHONIST MICHAEL BRECKER DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By David Rawlings Freedy, M.M. ***** The Ohio State University 2003 Document Committee: James Akins, Advisor Joseph Duchi Dr. Russel Mikkelson ABSTRACT The following is an analysis of selected musical improvisations of tenor saxophonist Michael Brecker. The improvisations span the years 1987-99 and are all characterized by a shared underlying 12-bar chord structure commonly known as “Blues.” The improvisations at hand were chosen by the author by means of six necessary characteristics: 1. Performance over a 12- bar Blues (major or minor) harmonic progression; 2. Profundity or “specialness” of the improvisation as determined by the author; 3. Theoretical complexity of the improvisation sufficient to warrant an extended analysis as determined by the author; 4. Historical placement of the improvisations from 1987 to the year of Document submission; 5. Commercial availability of Compact Disc recordings of all of the improvisations; 6. Lack of availability of other transcriptions of the improvisations from either commercial or academic sources. It is the author’s contention that the transcriptions and analyses of the selected improvisations will help illustrate Mr. Brecker’s approach to the Blues as well as identify the theoretical underpinnings upon which these improvisations rest. ii ACKNOWLEDGMENTS I wish to thank my advisor, Professor James Akins, for his patience, support, and encouragement throughout my entire Doctoral degree program at Ohio State University.
    [Show full text]
  • Eliane Elias Seduces at Toronto Jazz Festival Posted 7/2/2013
    Eliane Elias Seduces at Toronto Jazz Festival Posted 7/2/2013 A modest Chet Baker revival seems to be under way, judging by the recent release of several albums summoning the spirit of the ultra-low-key trumpeter-singer and the romantic, melodic songs he favored. In one of the highlights of this year’s Toronto Jazz Festival (June 20–29), pianist-singer Eliane Elias and her trio showcased her own recently issued Baker set, I Thought About You: A Tribute To Chet Baker (Concord Jazz). Unlike last year’s hypnotic, Grammy-nominated The Book Of Chet (Sunnyside) by Luciana Souza, which focused on Baker’s mournful ballads, the Elias album features more mid-tempo and uptempo songs; indeed, Baker’s output over his long career included many such tunes. It’s no coincidence that both albums are from outstanding Brazilian musician/singers. Baker profoundly changed the trajectory of Brazilian jazz—the tradition in which both Elias and Souza are steeped. “Chet Baker and the cool jazz movement had an enormous influence on the originators of bossa nova, like João Gilberto and Antônio Carlos Jobim,” Elias said between songs during her sold-out show at the Old Mill, an enormous Swiss chalet of a country inn not far from downtown Toronto. “In fact, Jobim used to tell me how much Chet had influenced him.” She cited Baker’s unaffected singing and his tendency to phrase over the bar line, both hallmarks of bossa nova. There’s an important similarity between Baker and Elias: He was decidedly a trumpeter who sang, not a singer who played trumpet; Elias is, first and foremost, a classically trained pianist and a composer, who also happens to sing.
    [Show full text]
  • Brecker and Patterns
    Brecker and Patterns An Analysis of Michael Brecker's Melodic and Instrumental Devices Thesis for the degree of Master of Music Sibelius Academy (Helsinki, Finland) Department of Composition and Music Theory Autumn 1998 - Spring 1999 Ari Poutiainen © Ari Poutiainen 1999 ALL RIGHTS RESERVED Brecker and Patterns - An Analysis of Michael Brecker's Melodic and Instrumental Devices ABSTRACT Only a few scientific studies or articles exist on Michael Brecker's improvisational style. The present work approaches Michael Brecker's style through a detailed analysis of his solos in the compositions "Straphangin'," "Nothing Personal," and "Peep." The approach to this analysis is similar to that of which jazz musicians use themselves. The analysis is based on selected audio material and transcriptions. David Baker's "Giants of Jazz" series was applied as a model for the form of the study. The applied theoretical framework of contemporary jazz improvisation is based on David Liebman's "A Chromatic Approach to Jazz Harmony and Melody," and various other works. In this study, the aim was to define and describe certain melodic and instrumental devices which are characteristic of Brecker's expression. In the analysis, attention was given to the melodic devices which are based on the diminished, altered, pentatonic, and augmented scales, and on the superimposed "Giant Steps" chord progressions. For the instrumental devices, the focus of the analysis was on alternate fingerings, multiphonics, and fingering mannerisms. The use of these devices was divided into functional and non-functional. Some of the devices and their usage could not be discussed deeply enough in the three solo analyses alone, and further examples were therefore traced from Brecker's other performances.
    [Show full text]
  • Marc Johnson Shades of Jade
    ECM Marc Johnson Shades of Jade Joe Lovano: tenor saxophone; John Scofield: guitar; Eliane Elias: piano; Marc Johnson: double-bass; Joey Baron: drums; Alain Mallet: organ ECM 1894 CD 06024 987 1477 (5) Release: October 4th, 2005 The album’s title has biographical significance. Marc Johnson first came to the attention of players and listeners around the world as the bassist with Bill Evans’ last great piano trio in the period 1978-80. The title track of Johnson’s new album “Shades of Jade” was inspired by the bassist in the first of Evans’ great trios, Scott La Faro, whose “Jade Visions”, on 1961’s “Sunday At The Village Vanguard” provided an object lesson in how intensity could be focused in inward-looking music, of enduring beauty. Johnson’s ECM debut recordings, in 1985, were with his own Bass Desires quartet, foregrounding the guitars of Bill Frisell and John Scofield – a group frequently as outgoing as the Evans trio was introverted – and as a member of John Abercrombie’s trio. “Shades of Jade” is only Johnson’s third leader date for the label, but he has been an important contributor to many ECM recordings. His list of session credits for the label includes albums with Ralph Towner (“Lost and Found”), pianist John Taylor (“Rosslyn”), saxophonist Charles Lloyd (“Lift Every Voice”) and bandoneon master Dino Saluzzi (“Cité de la Musique”). He continues to be associated with John Abercrombie and appears on his most recent discs, “Cat’n’Mouse” and “Class Trip”. In all of these contexts his touch and tone and advanced harmonic understanding are well-deployed.
    [Show full text]
  • ELIANE ELIAS- BIO Pianist/Singer/Songwriter Eliane
    ELIANE ELIAS- BIO Pianist/singer/songwriter Eliane Elias is known for her distinctive and immediately recognizable musical style which blends her Brazilian roots and her sensuous, alluring voice with her virtuosic instrumental jazz, classical and compositional skills. Elias’ 2015 twice GRAMMY® nominated release “Made In Brazil”, a #1 Best Seller on Amazon, reached #3 on the Billboard Charts and #1 on iTunes in several countries including the USA, marks a musical homecoming for Elias. In her three-decade long career as a solo artist, Elias has sold over 2 million albums. “Made in Brazil” results from the first time she’s recorded a disc in her native Brazil since moving to the United States in 1981. Elias wears many hats on this project as producer, composer, lyricist, arranger, pianist and vocalist. Along with co-producers, Steve Rodby and Marc Johnson, her bass playing musical partner, Elias ventured ‘home’ and recruited a splendid cast of Brazilian musicians that include electric bassist Marcelo Mariano; guitarists Marcus Teixeira and Roberto Menescal; drummers Edu Ribeiro and Rafael Barata; and percussionists Mauro Refosco and Marivaldo dos Santos. Elias peppered the sessions with delightful special guest performances from Mark Kibble and the multi-GRAMMY® Award winning Gospel vocal group Take 6, her singer/songwriter-daughter Amanda Brecker, one of Brazil’s most celebrated R&B stars, Ed Motta, and renowned bossa nova composer Roberto Menescal. Elias also invited Rob Mathes to handle orchestral arrangements on seven of the 12 tracks, which were recorded in London at the legendary Abbey Road studios. Made in Brazil contains six Elias originals plus two Ary Barroso standards, two Roberto Menescal chestnuts, and two Antônio Carlos Jobim world- renowned gems.
    [Show full text]
  • Michael Brecker Family Tree
    Michael Brecker Family Tree (1970–2006) Michael Brecker Family Tree Part 1 DREAMS #1 1970 (1970–1978) Doug Michael Randy Billy Edward Jeff John Lubahn Brecker Brecker Cobham Vernon Kent Abercrombie HAL GALPER GUERILLA BAND 1970 Hal Victor Steve Charles Bob Michael Randy Galper Gaskin Haas Allen Mann Brecker Brecker Recording Sessions, Guest Apperances and/or Short-period Sessions DREAMS #2 1971 RANDY BRECKER “Score” 1968 Randy Michael Jerry Larry Hal Eddie Chuck Mickey Bernard Bob Michael Randy Billy Edward Will Don Brecker Brecker Dodgion Coryell Galper Gomez Rainey Roker Purdie Mann Brecker Brecker Cobham Vernon Lee Grolnick WHITE ELEPHANT 1969–72 JAMES TAYLOR BAND 1972 Mike Randy Michael Ronnie Frank George Jon Nat David Mainieri Brecker Brecker Cuber Vicari Young Pierson Pavone Spinozza Barry Daniel Craig Leland Russ James Michael Randy Bob Joe Paul Hugh Warren Tony Steve Donald Nick Rogers Kortchmar Doerge Sklar Kunkel Taylor Brecker Brecker Mann Beck Metzke McCrackenBernhardt Levin Gadd MacDonald Holmes HORACE SILVER QUINTET #1 1973.4 form Bob Mickey Horace Michael Randy The Section Cranshaw Roker Silver Brecker Brecker BILLY COBHAM “Crosswinds” 1974 Randy Michael John George John Billy HORACE SILVER QUINTET #2 1973.7 Brecker Brecker Abercrombie Duke Williams Cobham Will Alvin Horace Michael Randy BILLY COBHAM “A Funky Thide Of Things” 1974 Lee Quinn Silver Brecker Brecker Randy Michael Barry John Milcho Alex Billy Brecker Brecker Rogers Scofield Leviev Blake Cobham PLASTIC ONO BAND 1973–74 DON SEBESKY “The Rape Of El Morro” 1975 Don Joe David Michael Randy Don Will Ron Steve Steve Gordon John Yoko Rick Michael Randy Sebesky Beck Sanborn Brecker Brecker Grolnick Lee Carter Gadd Gadd Edwards Lennon Ono Marotta Brecker Brecker BRECKER BROS.
    [Show full text]
  • Eddie Gomez Biografia.Pdf
    Il leggendario bassista, vincitore per due volte dei Grammy Awards, Eddie Gomez è una delle punte di diamante del panorama del Jazz internazionale, avendo suonato con musicisti del calibro di Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Nato nel 1944 a Puerto Rico, si trasferì a New York con la famiglia quando ancora era molto giovane. A soli 11 anni iniziò a studiare contrabbasso nella scuola pubblica, poi fu ammesso all'High School of Music and Art e iniziò a prendere lezioni private con Fred Zimmerman. Eddie continuò i suoi studi alla Juilliard School of Music, i suoi compagni erano Chick Corea, Hubert Laws, James Levine, Itzak Perlman, Paula Robinson and Gary Karr. Dopo la fine della scuola, si unì a Gary McFarland e subito dopo al Gerry Mulligan Quintet. Nell'estate del 1966, sia il gruppo di Mulligan, con Eddie al basso, e il Trio di Bill Evans si esibirono al Village Vanguard. Quella settimana cambiò la vita di Eddie per sempre. Non appena Bill Evans sentì quel giovane fenomeno, decise di assumerlo. Bill chiamò poche settimane dopo il bassista: il sogno di Eddie si stava finalmente realizzando. All'età di 21 anni, era il bassista del Trio di Bill Evans, e questo aumentò subito la sua fama. Il Time Magazine dichiarò, nella sua recensione della prima registrazione del Trio: “Eddie Gomez ha il mondo nelle sue corde”. Unirsi al Trio di Bill Evans fu un momento cruciale nella carriera di Eddie. Era arrivato sulla strada del successo, e il mondo del Jazz lo notò.
    [Show full text]
  • 2014-Tour-Dates
    Randy Brecker 2014 Tour Dates Website: www.randybrecker.com Email: [email protected] January 2-5 Dizzy''s Club NYC with Kenny Werner 5tet David sanchez,ari hoenig,scott colley January 8 11 JEN Convention with Caleb Chapman's Crescent Super Band and others January16-19 Blues Alley Wash DC with All Star Band...Jeff Lorber, Dean Brown Eric Marienthal etc Live Recording January 25 Randy brecker band feat Don Friedman Delray Beach Fla Arts Garage 180 NE 1st January 26 - February 2 the Jazz Cruise February 6 concert with Lew Tabackin for Jack Kleinsingers' Highlights in Jazz February 8-March 31 NEWPORT JAZZ FESTIVAL NOW 60 2014 TOUR February 8 Atlanta, GA - Schwartz Center for Performing Arts, Emerson Concert Hall, Emory University February 13 Boston, MA - Berklee Performance Center February 15 Pittsburgh, PA - Manchester Craftmen’s Guild February 16 Bethesda, MD - Music Center at Strathmore February18-19 U of Chicago with Prof. Andy Baker - Concert and Clinics February 20 Cutting Room NYC with Joe Caro's Met band February 23 Record with Ruria Duprat, Ron Carter and others February 24 Benefit for Japan NYC Blue Note February 28 Spencerport High School NY - Concert Clinics March 4-8 jazz standard newport now 60 March 9th merriam theater, philly newport now 60 March 14th santa barbara labero theater newport Now 60 march 16th randy brecker wth peter erskine trio The Auditorium at the Scripps Research Institute San Diego, 92121 april 2 berks jazz fest w/ chuck loeb jazz bass club april 3 berks with jeff lorber jazz bass club april 4 all star
    [Show full text]