Michael Brecker Lps-Cds
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
By Anders Griffen Trumpeter Randy Brecker Is Well Known for Working in Montana
INTERVIEw of so many great musicians. TNYCJR: Then you moved to New York and there was so much work it seems like a fairy tale. RB: I came to New York in the late ‘60s and caught the RANDY tail-end of the classic studio days. So I was really in the right place at the right time. Marvin Stamm, Joe Shepley and Burt Collins used me as a sub for some studio dates and I got involved in the classic studio when everybody was there at the same time, wearing suits and ties, you know? Eventually rock and R&B started to kind of encroach into the studio system so T (CONTINUED ON PAGE 42) T O BRECKER B B A N H O J by anders griffen Trumpeter Randy Brecker is well known for working in Montana. Behind the scenes, they were on all these pop various genres and with such artists as Stevie Wonder, and R&B records that came out on Cameo-Parkway, Parliament-Funkadelic, Frank Zappa, Lou Reed, Bruce like Chubby Checker. You know George Young, who Springsteen, Dire Straits, Blue Öyster Cult, Blood, Sweat I got to know really well on the New York studio scene. & Tears, Horace Silver, Art Blakey, Billy Cobham, Larry He was popular on the scene as a virtuoso saxophonist. Coryell, Jaco Pastorius and Charles Mingus. He worked a lot He actually appeared on Ed Sullivan, you can see it on with his brother, tenor saxophonist Michael Brecker, and his website. So, all these things became an early formed The Brecker Brothers band. -
Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Never Die Young (Never Ever Grow Old)
Haus im Park | Sa 01.02.2014 | 20 Uhr Never Die Young (never ever grow old) Ein Crossover KonzertAbend mit SIRIUS VIOLS und der Band DAED POETS SOCIETY. Never Die Young (never ever grow old) Konzept: Lee Santana Ein Crossover KonzertAbend mit SIRIUS VIOLS, dem Gambenconsort von Hille Perl und Lee Santanas Rock Band ‚Dead Poets Society‘ und weiteren Gastmusikern. Die Lieder und ausgewählten Musikstücke kommen einerseits aus der europäischen Renaissance (Spanien und England), haben andererseits ihre Wurzeln im amerikanischen Jazz und der amerikanischen Popkultur der 1960er Jahre. Dahinter stehen Songpoeten wie John Dowland, David Crosby, Neil Young, James Taylor, Pink Floyd oder Jethro Tull und Robbie Robertson. In ihren Songs geht es um Endlichkeit, Einsamkeit, um Liebe und um Begegnung von Alt und Jung. Dies alles aus dem Blickwinkel verschiedener Jahrhunderte, Kulturen und Generationen. Die Themen finden sich immer wieder - ob biblisch- religiös oder ganz diesseitig, ob traurig oder ironisch, ob realistisch oder ganz fantastisch. Wir danken der Waldemar Koch Stiftung für die Ermöglichung dieses Projekts! 1. A dormido se á el buen viejo (Enriquez de Valderrábano/ Lee Santana) 2: Wish You Were Here (David Gilmour) 3. Reelin In The Years (Walter Becker/ Donald Fagen) 4. Guinnevere (David Crosby) 5. Lachrimae Antiquae (John Dowland) 6. Old Folks (Williard Robinson) 7. Too Old to Rock’n‘Roll, Too Young To Die (Ian Anderson) - Pause - 8. Never Die Young (James Taylor) 9. When The Night Was Young (Robbie Robertson) 10. Time’s eldest son, Old Age (John Dowland) 11. In Darkness Let Me Dwell (John Dowland) 12. Old Man (Neil Young) 13. -
'Door De Globalisering, Is Alle Muziek Van De Wereld Vandaag Toegankelijk En Onderdeel Van Ons Culturele Leven Geworden.'
3 door: Rosalien van der Poel RvdP: Wat is het belang voor studenten aan een conservatorium om in hun klassieke Op dinsdag 25 maart heeft Joep Bor zijn inaugu- muziekopleiding niet-westerse muziek rele rede gehouden. Hiermee aanvaardde hij het gedoceerd te krijgen? ambt van hoogleraar Extra-European Performing Arts Studies bij de Faculteit der Kunsten van de Bor: ‘Door de globalisering, dat wil zeggen: migratie, Universiteit Leiden. Een interview met de kersverse mobiliteit, de muziekindustrie, de media en het web, hoogleraar. is alle muziek van de wereld vandaag toegankelijk en onderdeel van ons culturele leven geworden. RvdP: Je oratie begint met de zin: In 1987 was er Daarom ben ik van mening dat een inleidende cursus plotseling wereldmuziek. Kan je uitleggen wat Muziek wereldwijd onderdeel moet zijn van elke er zo ‘plotseling’ aan was? conservatoriumopleiding. De ervaring op het Rotterdams Conservatorium heeft geleerd dat studenten zo’n cursus Bor: ‘De titel en eerste zin van mijn oratie zijn ironisch bijzonder boeiend vinden. Voor studenten klassieke bedoeld. In 1987 werd de term ‘wereldmuziek’ door een muziek en jazz is het van belang om te weten dat veel aantal Britse platenlabels als een marketingconcept componisten en vernieuwers in de jazz door oosterse en gelanceerd. Toen besefte men dat er overal in de wereld andere niet-westerse muziek beïnvloed zijn.’ fabuleuze muziek werd gemaakt, en dat daar geld aan te verdienen was. Wereldmuziek werd big business. RvdP: In je oratie zeg je dat niet-westerse collega’s Maar uit mijn verhaal blijkt duidelijk dat er eigenlijk een stem in het internationale muziek- en altijd belangstelling is geweest voor de muziek en dans dansgebeuren hebben en dat zij een actieve uit de wereld. -
Curriculum Vitae
Michael Jefry Stevens - Curriculum Vitae 32 Seldom Home Drive Black Mountain, NC 28711 Phone 828 277 7647 Mobil 917 916-1363 [email protected] www.michaeljefrystevens.com I EDUCATION 2009 – 2011 Private piano instruction with Sheila Paige. 1995 – 98 Member of BMI Jazz Composer’s Workshop. Studies in Jazz Composition and Arranging with Manny Albam and Jim McNeely. 1991-92 Masters Degree of Arts in Jazz performance from Queens College, Queens, New York. Composition studies with Thea Musgrave, Henry Weinberg, Jimmy Heath and Sol Berkowitz. Piano instruction with Sir Roland Hanna. 1983-89 Private Piano Instruction with Stephen Masi of the Julliard School of Music, New York, New York. 1985-86 Jazz Piano studies with Jazz Master Jaki Byard. 1983-85 Composition instruction with Edgar Grana and Stanley Wolfe of Julliard School, New York, New York. 1979-80 Piano studies with Chuck Marohnic, Director of Jazz Studies, Arizona State University, Tempe, Arizona. 1977 Studies at Berklee College of Music in Boston, Massachusetts. 1975 Bachelors of Arts Degree from Florida International University, South Miami, Florida. 1975 Studies at the Creative Music Center, Woodstock, New York. Classes with Jack DeJohnette, Karl Berger, Anthony Braxton and Dave Holland. 1972 Associate of Arts Degree from Miami Dade Junior College, Miami, Florida 1971 Private piano instruction with Frank Stagnitta. II SELECTED CONCERT PERFORMANCES (2003-2014) 2014 Fonda/Stevens Group concerts and recording in Warsaw, Poland with Polish saxophonist Irek Wozneik. 2014 Generations Trio European tour featuring Oliver Lake. 2013 Fonda/Stevens Group 20th Anniversary European tour. Performances at Festivals in Italy and Poland. 2013 Eastern Boundary Quartet European tour. -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
JOX YOX Not 301 KERSHAW (Sheffield Ebeneezen) 53 65 HUSTLE BUS STOP, Mastermind CBS Happening INT 558)
Sword Mirror, June 1G. 1978 A OF HONEYt 'Rosen Ongee Oag4' (LF art Taste Of Haney lamer P.8? HOT VINYL 11754), Forget the 40, here's GRAHAM CANTER (Mayfair Gunner.) import ups Ratty the funky DJ - favoured MU Wright 'Clean Up Woman (Live)' (Aletoe LP). Special I length 5.87 duce mix or the C 'Get Up And Express (retread J/P H/. Delivery Yourself' LP), love rldleulously catchy hit Committee 'Saw And Order' (Shield LPG Hues (locomotion bound girlie group hot flier! ' //e/tell 'Get Up Off Your Backside' (Warner Bros LP), G ham LOLEATTA 1101.LON AI': Central Station 'POW / 'My Radio Sure Rounds Good To 1111 And Rum (Mind II Me' (Warner Bros LP), Patti LaBelle 'Save The last Dance 450E lnx), Finally eel here For Me' (Epic LP), Low Klrterl New York City' (Aiston) on dynamite hull 11:00 121n, Nate Branch 'Midnight Dream' (La Fay). Teddy last year's US disco hit a Pendergrass 'Dose The Door' (Phil Ent), Etta Janes 'Deep develops Into a powerhouse In The Night' (Warner Bros LP), and revives ~achy Jr hypnotically chugging goo Walker A Thelma Houston 'I Need TOO Right Now' (Motown peI-type wailer with an 'Hot Sho1' LP), exciting Intensity that's totally lacking on7 tn. MF.LODIANR: 'Rivers Of DISCO NEWS Roby ion' (Island WW 8447), NI(hIT SANDS of Power Exchange, 474 Harrow Road, Hurrah It's the far inset London W9, needs more Top Rank / Mecca -type jocks for subtle reggae original , - hie nulling 1st, but they must be working at leant 11 nights a and about time, teal week, Polydor's Theo Loyla wants to know It earn. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Personality and Dvds
personality FOLIOS and DVDs 6 PERSONALITY FOLIOS & DVDS Alfred’s Classic Album Editions Songbooks of the legendary recordings that defined and shaped rock and roll! Alfred’s Classic Album Editions Alfred’s Eagles Desperado Led Zeppelin I Titles: Bitter Creek • Certain Kind of Fool • Chug All Night • Desperado • Desperado Part II Titles: Good Times Bad Times • Babe I’m Gonna Leave You • You Shook Me • Dazed and • Doolin-Dalton • Doolin-Dalton Part II • Earlybird • Most of Us Are Sad • Nightingale • Out of Confused • Your Time Is Gonna Come • Black Mountain Side • Communication Breakdown Control • Outlaw Man • Peaceful Easy Feeling • Saturday Night • Take It Easy • Take the Devil • I Can’t Quit You Baby • How Many More Times. • Tequila Sunrise • Train Leaves Here This Mornin’ • Tryin’ Twenty One • Witchy Woman. Authentic Guitar TAB..............$22.95 00-GF0417A____ Piano/Vocal/Chords ...............$16.95 00-25945____ UPC: 038081305882 ISBN-13: 978-0-7390-4697-5 UPC: 038081281810 ISBN-13: 978-0-7390-4258-8 Authentic Bass TAB.................$16.95 00-28266____ UPC: 038081308333 ISBN-13: 978-0-7390-4818-4 Hotel California Titles: Hotel California • New Kid in Town • Life in the Fast Lane • Wasted Time • Wasted Time Led Zeppelin II (Reprise) • Victim of Love • Pretty Maids All in a Row • Try and Love Again • Last Resort. Titles: Whole Lotta Love • What Is and What Should Never Be • The Lemon Song • Thank Authentic Guitar TAB..............$19.95 00-24550____ You • Heartbreaker • Living Loving Maid (She’s Just a Woman) • Ramble On • Moby Dick UPC: 038081270067 ISBN-13: 978-0-7390-3919-9 • Bring It on Home. -
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available.