28 September 2018 Page 1 of 23
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Upbeat Autumn 2011
The Magazine for the Royal College of MusicI Autumn 2011 What’s inside... Welcome to upbeat… This issue we’re celebrating the 25th anniversary of the Britten Theatre, so we’ve been out and about collecting memories from those involved in the Contents opening of this much-loved venue. 4 In the news The theatre was opened in November 1986 with three spectacular gala concerts. Hidden away in the chorus was none other than leading mezzo- Updating you on recent College activities including museum soprano Sarah Connolly! Turn to page 11 to hear her memories of performing developments and competition with leaping Lords and dancers dressed as swans, all in aid of raising funds for successes the theatre. We also talk to Leopold de Rothschild, who as Chairman of the Centenary 9 New arrivals Appeal, played a significant role in making sure the project came to fruition. The RCM welcomes a host of new On page 14, he remembers conducting the RCM Symphony Orchestra and faces to the College reveals what the Queen said to him on opening night… We’re always keen to hear from students past and present, particularly if you 10 The Britten Theatre… the perfect showcase have any poignant memories of the Britten Theatre. Send your news and pictures to [email protected] by 9 January 2012 to be featured in the next As we celebrate 25 years of the edition of Upbeat. Britten Theatre, Upbeat discovers how the College is seeking ways to update and improve it for the NB: Please note that we cannot guarantee to include everything we receive and that we 21st century reserve the right to edit submissions. -
Hiver 2017 Éditorial
HIVER 2017 ÉDITORIAL DE RETOUR DES TRANS Dimanche 4 décembre à 10h57, je me pose dans le train qui me ramène de Rennes avec ma valise à roulettes bruyantes dans une main et un grand café fumant dans l’autre, les yeux encore mi-clos mais des sons et des images pleins la tête. La 38ème édition des Transmusicales de Rennes fut ma 5ème d’affilée. Je regarde les paysages défiler à la vitesse du Train à Grande Vitesse en songeant aux quelques soixante groupes que j’ai dû voir en quatre jours, remontant sur mon petit carnet le nom des groupes appréciés ou qui m’ont déçus lors du festival, potentiellement programmables ou pas à la Cave aux Poètes. Je me pose alors une question essentielle, voire existentialiste : est-ce que je vais vraiment aux Transmusicales pour programmer les groupes dans la foulée sous le prétexte qu’ils ont tous des agents en France déjà au travail sur leur imminente tournée française ? Et là je me dis, en retraçant les cinq éditions écoulées à vitesse grand V, que finalement je vais un peu aux Transmusicales de Rennes comme les gens de la mode vont au Salon « Première vision » : on y découvre les tendances de demain, et pas seulement des groupes en particulier. Alors j’examine la programmation, lis quelques premiers articles, et tente de me remémorer certaines conversations avec d’éminents confrères programmateurs… Et pour parler de tendances, il y alors trois idées majeures qui me viennent à l’esprit pour les années à venir. La première est qu’une large place est donnée cette année aux musiques du monde, comme une sorte de barrage aux élans nationalistes actuels ou comme une capacité d’ouverture de la jeunesse qui prend aujourd’hui l’avion comme on prend le métro. -
Ryokoakamaexploringemptines
University of Huddersfield Repository Akama, Ryoko Exploring Empitness: An Investigation of MA and MU in My Sonic Composition Practice Original Citation Akama, Ryoko (2015) Exploring Empitness: An Investigation of MA and MU in My Sonic Composition Practice. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/26619/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ EXPLORING EMPTINESS AN INVESTIGATION OF MA AND MU IN MY SONIC COMPOSITION PRACTICE Ryoko Akama A commentary accompanying the publication portfolio submitted to the University of Huddersfield in partial fulfillment of the requirements for the degree of Doctor of Philosophy ! The University of Huddersfield School of Music, Humanities and Media April, 2015 Title: Exploring Emptiness Subtitle: An investigation of ma and mu in my sonic composition practice Name of student: Ryoko Akama Supervisor: Prof. -
Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto Gli Orari Indicati Possono Variare Nell'ambito Di 4 Mi
Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Sabato 2 gennaio 2016 00:00 - 00:02 euroclassic notturno schubert, franz (1797-1828) der hirt auf dem felsen per sopr cl e pf op. 129 barbara hendricks, sopr; martin fröst, cl; leif ove andsnes, pf; (reg. 2001) durata: 10.53 NRK radiodiffusione nazionale norvegese nielsen, carl (1865-1931) ouverture dall'opera masquerade norwegian radio orch dir. ari rasilainen durata: 5.00 NRK radiodiffusione nazionale norvegese vivaldi, antonio (1678-1741) concerto in re mag per vl e orch RV 234 "l'inquietudine" giuliano carmagnola, vl; sonatori de la gioiosa marca (reg. mozart-saal vienna 19/01/1997) durata: 5.59 ORF radiotelevisione austriaca dutilleux, henri (b. 1916) sonatina per fl e pf duo nanashi: line møller, fl; aya sakou, pf (reg. 25-29/02/2004) durata: 8.38 DR radiotelevisione di stato danese kuhlau, friedrich (1786-1832) introduzione e variazioni sulla romanza dell'opera euryanthe durata: 12.20 DR radiotelevisione di stato danese prokofiev, sergey (1891-1953) valzer di cenerentola dall'opera omonima dalla suite n. 1 op. 107 BBC philharm dir. vassily sinaisky (reg. hanley, Inghilterra 10/12/1999) durata: 5.04 BBC british broadcasting corporation rameau, jean-philippe (1683-1764) suite dalla comedie-lyrique platée, ouverture - passepieds I e II - tambourins I e II - loure - orage - menuets I e II - dans le gout de vieille - airs pour les foux gaix et triste - passepieds I e II - rigaudons I e II. concerto copenhagen dir. -
Il Programma Di Sala
Ludwig van Beethoven Bonn 1770 - Vienna 1827 Sonata in sol maggiore op. 31 n. 1 (1801-1802) Allegro vivace Adagio grazioso Rondò. Allegretto Nikolaj Karlovič Medtner Mosca 1880 - Londra 1951 da 2 Skazki (2 Fiabe) op. 20 (1910) n. 1 Allegro con espressione da Zabýtye molítvy (Preghiere dimenticate) op. 38 (1919–22) n. 6 Canzona Serenata Karlheinz Stockhausen Kerpen 1928 - Kürten 2007 Klavierstück VII (1954) Marco Stroppa Verona 1959 da Miniature estrose (Primo Libro 1991-2002) Birichino, come un furetto Franz Liszt Raiding 1811 - Bayreuth 1886 Réminiscences de Norma S. 394 (1841) Ludwig van Beethoven Sonata in sol maggiore op. 31 n. 1 (1801-1802) L’opera 31 è costituita da tre sonate dal carattere spiccatamente contrastante: comica la prima, tragica la seconda, lirica la terza. Posta spesso in secondo piano rispetto alla seconda e più celebre “La Tempesta”, una delle poche composizioni beethoveniane ad avere un riferimento esplicito all’opera di Shakespeare, la n. 1 è invece un’opera straordinaria e innovativa, il cui carattere giocoso e umoristico è chiaro fin dal primo movimento. L’adagio grazioso è scritto nello stile operistico italiano precedente a Rossini: è presente una varietà di articolazioni, che sembrano di volta in volta pronunciare, declamare e cantare il materiale musicale e tematico. Il Rondò allegretto, presenta un tema tipico di questa forma con molte ripetizioni. Alla fine, frammentate da pause, le ripetizioni dell’accordo di tonica spaziano dal pianissimo al fortissimo, ricordando le ultime battute del Primo movimento. Nikolaj Karlovič Medtner da 2 Skazki (2 Fiabe) op. 20 (1910) da Zabýtye molítvy (Preghiere dimenticate) op. -
Xamsecly944104z Ç|Xamsecly944784z
dal 24-10-2012 al 23-11-2012 ALEXANDER BORODIN 1833 - 1887 Borodin Edition Sinfonie n.1, n.2 e n.3, Nelle steppe dell’Asia centrale, Il principe Igor, Quartetti per archi n.1 e n.2, Quintetto per archi e pianoforte, Quintetto per archi, Serenate e altro Orchestra Sinfonica del Teatro Bolshoi; Orchestra Filarmonica Armena, Loris Tjeknavorian; Moscow String Quartet, Marco Rapetti, Daniela de Santis, Giampaolo Nuti e altri MARK ERMLER Dir Nato a Leningrado in una famiglia con una profonda vocazione artistica, Mark Ermler (1932-2002) si mise in evidenza soprattutto nel repertorio tardo romantico e nel 1985 venne nominato principale direttore ospite del Royal Ballet di Londra. Durata: 613:14 Sebbene oggi sia ricordato soprattutto per essere stato membro del Gruppo dei Cinque, un 10 CD BRIL 94410 gruppo di compositori che si proponeva di dare il massimo risalto alla tradizione musicale Economico Ç|xAMSECLy944104z russa sganciandola il più possibile dagli stili accademici provenienti dall’Occidente , Alexander Borodin fu uno scienziato di professione e si dedicò alla musica solo nel tempo libero. Nella sua – relativamente ridotta – produzione si nota però la mano di un grande maestro, in grado di creare melodie romantiche e architetture armoniche molto elaborate e Articoli Correlati: BRIL 93894 ALEXANDER BORODIN Integrale della musica per pianoforte MARCO di evocare un gradevole colore locale (come si può notare per esempio nel celebre poema RAPETTI pf sinfonico Nelle steppe dell’Asia centrale) senza indulgere troppo al folklore russo. Questo BRIL 93973 ALEXANDER BORODIN Integrale della musica da camera cofanetto di 10 CD della Brilliant propone la più vasta panoramica sulla produzione di Borodin attualmente disponibile sul mercato, comprendente tra le altre cose le tre sinfonie, l’ opera Il principe Igor e una vasta scelta delle sue opere da camera, vocali e per pianoforte . -
SXSW Music Full Artist Press Release
SXSW - A Destination for Unexpected Discovery SXSW Music Festival Announces Full Artist List, Notable Panels and Panelists Austin, Texas - March 8, 2018 - Every March the global music community journeys to the South by Southwest® Music Festival (SXSW®) in Austin, Texas for seven days and nights of music discovery, networking and the opportunity to share ideas. To help manage this endeavor, SXSW is pleased to release the full list of 1,982 artists scheduled to perform at the 32nd edition of the SXSW Music Festival taking place Monday, March 12 - Sunday, March 18, 2018. As well as the performing artists, numerous music industry professionals will be participating in the SXSW Conference. The SXSW Conference line-up is filled with notable artists, panelists and music-focused panels including: Music Keynote Lyor Cohen; Keynote Conversation with Linda Perry & Kerry Brown; A Conversation with Keith Urban; Music Business 101 - A Q&A with Legendary Music Icon Nile Rodgers; A Conversation with Kim Deal & Steve Albini; Featured Session: Superchunk; From Bronx To Billions: A Hip-Hop History Lesson; New Jack Swing: The Renaissance of Hip Hop and R&B; Changing the Game: Artists as Leaders w/ Ted Leo; Featured Session: Elvis Presley: The Searcher; From CBGB to the World: A Downtown Diaspora; Music Tech: A Gateway to Awaken America's Youth w/ Young Guru; How About A Little Fanfare? w/ Todd Rundgren, Matthew Caws, Matt Lowell & More; Raw: U-God's Journey into the Wu Tang; Teamwork, Innovation & Rock n' Roll with Kenny Aronoff; It's a Fan's World: The Life of Superfans; In Conversation: Ruben Blades; Featured Speaker Daniel Glass; Merlin at 10: Independent Labels are Streaming Ahead; Sexual Misconduct in the Music Industry; From Invisible to 8Bi Views: Kondzilla; Instagram for Music: Best Practices; Blockchain, Cryptocurrencies and Music; and Why Music Journalism Matters in the Streaming Era. -
Vanessa Benelli Mosell
7/10/2019 biography printable Vanessa Benelli Mosell "The diva of the piano" - La Repubblica Powerful, emotional, romantic and dramatic, she sweeps us along in a dazzling display of assured technique.” - The Guardian "Mosell is a serious artist with a formidable technique and forthright musical personality.” - The Telegraph "Stockhausen is enlivened by bright and enthusiastic reading by Vanessa Benelli Mosell" "She plays with fearless determination" - La Repubblica "Vanessa Benelli Mosell has the power to let people appreciate my music." - Karlheinz Stockhausen Italian pianist Vanessa Benelli Mosell is a rising star on the international music scene, continuously praised for her dazzling virtuosity, technical brilliance and the sensitivity of her musical insight that she brings to her piano playing , as well as to her conducting and directing from the keyboard. Benelli Mosell’s charismatic artistry and natural leadership are quickly establishing her as one of the most interesting personalities in the young conductor’s generation. Combining sheer power and boundless imagination, her electrifying musicality has been shaped significantly in mentorships with Karlheinz Stockhausen and Yuri Bashmet. Vanessa is acclaimed for her passion, in equal measure, for the great classics of the repertory and her championing of the newest composers. She has received universal praise for her recordings of Stockhausen for DECCA and for her concerto debut CD of Rachmaninov’s Piano Concerto No.2 with the London Philharmonic Orchestra. She now has six releases for DECCA CLASSICS, most recently an album of Ravel, featuring the Concerto in G with the Royal Scottish National Orchestra. The upcoming 19/20 season will see her making her debut with the Orchestre National de France under the baton of Sir George Benjamin, performances at the Al Bustan Festival in Beirut and with the Orquesta Sinfónica Simón Bolívar de Venezuela, among others. -
Liszt, Roma, Sgambati... E Altro Novembre 2014 - Marzo 2015
SOPRINTENDENZA PER I BENI ARCHITETTONICI E PAESAGGISTICI PER LE PROVINCE DI ROMA, FROSINONE, LATINA, RIETI E VITERBO CON IL PATROCINIO DEL COMUNE DI TIVOLI (G.P. Pannini) (G.P. ( 28 maggio 1841 – 14 dicembre 1914) ( 22 ottobre 1811 - 31 luglio 1886) T Z SGAMBATI SGAMBATI IS L Franz Giovanni Roma - Fontana di Trevi Il “suono” di Liszt a Villa d’Este III edizione Direzione artistica Giancarlo Tammaro Liszt, Roma, Sgambati... e altro Novembre 2014 - Marzo 2015 Rassegna di concerti con un pianoforte Erard del 1879 della stessa marca e modello di quelli che ebbero e usarono Liszt e Sgambati nel centenario della scomparsa di Giovanni Sgambati (1841 - 14/12/1914) I concerti si terranno nella SALA DEL TRONO della VIlla d’EstE Piazza Trento, 5 - TIVOLI (Roma) Franz LISZT (22 ottobre 1811 - 31 luglio 1886) Giovanni SGAMBATI Presentazione (28 maggio 1841 - 14 dicembre 1914) i sono luoghi deputati per natura all’arte e alla bellezza. Villa d’Este è uno di questi. Nata dal sogno di un cardinale a dalla fantasia di artisti eruditi, da quasi cinquecento anni testimonia l’eccellenza della Cproduzione dell’ingegno umano. Anche quando la cura per questo complesso architettonico venne meno, nei difficili anni che seguirono alla caduta della Casata Estense, e il giardino abbandonato soggiaceva al processo di riappropriazione da parte della natura, un’aura romantica e sublime spirava comunque tra le sue fontane ricoperte di muschio e tra i suoi vetusti cipressi . È così che Franz Liszt vide la prima volta questo luogo, in compagnia del cardinale Gustav de Hohenlohe in visita a Tivoli per decidere sui lavori da effettuarsi sul complesso architettonico appena avuto in affitto da una proprietà ormai disinteressata alla “meraviglia” di Pirro Ligorio. -
1 12In 14.06.2019 ABBA 7-DOES YOUR MOTHER
Artist Title Units Media Release A TRIBE CALLED QUEST 7-SCENARIO 1 12in 28.06.2019 ABBA 7-CHIQUITITA -PD- 1 12in 14.06.2019 ABBA 7-DOES YOUR MOTHER.. -PD- 1 12in 14.06.2019 ABBA 7-GIMME! GIMME!.. -PD- 1 12in 14.06.2019 ABBA 7-I HAVE A DREAM -PD- 1 12in 14.06.2019 ABBA 7-SUMMER NIGHT CITY -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS.. -PD- 1 12in 14.06.2019 ABBA 7-VOULEZ-VOUS: THE SIN.. 7 12in 14.06.2019 ABDELWAHED, DEENA KHONNAR REMIXES 1 12in 07.06.2019 ABSTRAKT CRISTALLI IONICI -EP- 1 12in 19.07.2019 ACID HORSE NO NAME, NO.. -COLOURED- 1 12in 14.06.2019 ACIMO KIMONO 1 12in 24.06.2019 ACIMO/SEQUEL FRAMEWORK EP 1 12in 24.06.2019 ADULT MOM 7-SOMETIMES BAD HAPPENS 1 12in 06.07.2019 AJU, DAVE LOVE IN ZERO GRAVITY 1 12in 05.07.2019 ALEKSANDIR ARS003 1 12in 21.06.2019 ALTONS 7-DARLING GIRL 1 12in 10.06.2019 AMIT NAKED FUSE / DIVIDE &.. 1 12in 14.06.2019 AMPS, KYM YOU DON'T KNOW MY NAME 1 12in 14.06.2019 ANDRAS BOOM BOOM 1 12in 12.07.2019 AQUARIANS 7-ARISE (HORNS CUT).. 1 12in 28.06.2019 AQUARIANS (H2O) 7-MEDUSA PART 1 & 2 1 12in 28.06.2019 ARABROT 7-FOR LACK OF.. 1 12in 07.06.2019 ARIAS, RICAURTE Y SU CONJ 7-FIESTAS / ESTAMBUL 1 12in 19.07.2019 ARMON-JONES, JOE ICY ROADS -10"- 1 12in 28.06.2019 ASTROLOGICAL PRIVATE WORLD -EP- 1 12in 21.06.2019 ATTARI MERIDIAN 1 12in 28.06.2019 AUGUST, DAVID /RON TRENT ELYSIAN FIELDS 1 12in 07.06.2019 AUNTIE FLO BRASIL NOVAS FREQUENCIAS 1 12in 14.06.2019 AUSER, ROBERTO CHAOS NEVER DIES -EP- 1 12in 14.06.2019 AVVOLTOI 7-ACCIDENTI 1 12in 21.06.2019 BAND OF ENLIGHTMENT REASO 7-ZOTA YINNE/STARLET. -
Radio 3 Listings for 11 – 17 June 2016 Page 1 of 21 SATURDAY 11 JUNE 2016 Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Radio 3 Listings for 11 – 17 June 2016 Page 1 of 21 SATURDAY 11 JUNE 2016 Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) SAT 01:00 Through the Night (b07dkk8p) 4:45 AM Weber, Dvorak and Brahms from the Romanian National Radio Rachmaninov, Sergey (1873-1943) Orchestra Romance and Waltz The Dutch Pianists' Quartet - Niek de Vente, Marian Bolt, Corien Jonathan Swain presents a programme of Weber, Dvorak and van den Berg and Robert Nasveld (2 pianos 8 hands) Brahms with the Romanian National Radio Orchestra conducted by Cristian Macelaru, and violinist Alexandru Tomescu. 4:51 AM Vivaldi, Antonio (1678-1741) 1:01 AM Concerto da Camera in C major (RV.87) Weber, Carl Maria von [1786-1826] Camerata Köln Overture Der Freischütz Romanian National Radio Orchestra, Cristian Macelaru 5:01 AM (conductor) Kajanus, Robert (1856-1933) Finnish Rhapsody No.1 1:11 AM Finnish Radio Symphony Orchestra, Leif Segerstam (conductor) Dvorak, Antonin [1841-1904] Concerto in A minor Op.53 for violin and orchestra 5:11 AM Alexandru Tomescu (violin) Romanian National Radio Orchestra, Schütz, Heinrich (1585-1672) Cristian Macelaru (conductor) Magnificat anima mea Dominum (SWV.468) Schütz Akademie, (voices and instruments: violins, cornetts, 1:44 AM sackbutts and continuo), Howard Arman (conductor) Enescu, George [1881-1955] Impressions d'enfance Op.28 - The Fiddler 5:22 AM Alexandru Tomescu (violin) Chopin, Frédéric (1810-1849) Polonaise in F sharp minor (Op.44) 1:48 AM W.S. Heo (piano) Brahms, Johannes [1833-1897] Symphony no. 4 in E minor Op.98 5:32 AM Romanian National Radio Orchestra, Cristian Macelaru Jiranek, Frantisek (1698-1778) (conductor) Concerto in F major for bassoon, strings and continuo Collegium Marianum, Sergio Azzolini (Bassoon), Jana 2:28 AM Semeradova (Director) Beethoven, Ludwig van (1770-1827) Quartet for strings (Op.59 No.3) in C major 'Razumovsky' 5:42 AM Yggdrasil String Quartet Suk, Josef (1874-1935) Elegy (Op.23) arr. -
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.