Tenth Anniversary Edition Contemporary Art Museum St

a Mesh 2013–14

Contemporary Art St. Louis Museum 2013–14 Magazine

Tenth Anniversary Edition Mesh Contents

CAM PeopleCAM Information & Member Visitor Board of Directors of Board the from Director Letter is 10 CAM Artistsof 10 Years Art is:Contemporary Exhibitions of Years 10 in Context CAM the SpacePlace is Voice Architect’s 10 Years by the Numbers by Years 10 Gala CAM:10 40 49 02 04 06 10 12 13 14 16 Groundbreakers 18 20 Year in Review Year Highlights 2012–13 Ball & Bash Dada Annual Giving 2012–13 2012–13 Annual Report Major Exhibition Support Major Exhibitions 2013–14 Programs & Family Youth Preview Programs 2013–14 Mesh 32 35 36 38 2013–14 22 23 28 30 Community Fund of Boeing; J.P. Morgan; Morgan; J.P. Boeing; of Fund Community state agency; Arts Council, a Missouri National the Arts; The Endowment for Bank, U.S. Trust, Charitable Brown Dana Whole Advisors; Fargo Wells Trustee; Jim Dorte and Target; Market; Foods D. Terry Cahn; and Paul Elissa Probstein; and Fund; Education Youth M.D. Weiss Fund. The Honey Special thanks to ALIVE Magazine; ARC- FEAST Companion Bakery; TURIS; Blu Dot; KDHX 88.1; Magic Magazine; Kraftig; Hat; Parking; Valet Inc.; Midwest Brands, Major Purus Organic American Breweries; North Times; Schlafly Riverfront Vodka; Wheat Public Radio. Beer; and St. Louis Design: Practise Reinhard James Goggin & Scott Print: The Advertisers Printing Company The Contemporary Art Museum St. Louis (CAM) (CAM) Art Museum St. Louis The Contemporary our the art of celebrates supports, and presents, dedicated in St. Louis museum the premier time. It is array dynamic on a art. Focused to contemporary thought- a provides CAM changing exhibitions, of to and contributes that reflects program provoking the diverse Through landscape. the global cultural public programs, in its exhibitions, offered perspectives engages a actively CAM and educational initiatives, perceptions. their to challenge audiences of range to which gathering place in a discovery, for site It is a visual culture. contemporary and enjoy experience

William E. Weiss Foundation; National Foundation; Weiss William E. Arts; Charter; the and the for Endowment Foundation. Taylor Crawford exhibition programs specific for Support New Gladstone Gallery, by is provided enterprise; Regen Brown’s Gavin York; Projects, Angeles; Los Visual Art Frame The Finland; Anonymous; Art Broad - Foun El- Roth; F. Steven Monica; dation, Santa gebauer; Gió len and Durb Curlee; carlier Finland, of Consulate General Marconi; Fields; Marylyn and Larry AVEK; York; New Goethe Institute; American-Scandinavian Shainman Gallery; and Jack Foundation; Lumpkin. Carmine Boccuzzi and Bernard education initiatives CAM’s for Support is programs and exhibition-related The Middle Fund; Emerson; by provided Fund; Monsanto Maritz; PNC Foundation; Employees Week; Design STL/STL AIGA Inside front cover (II), and I, Horizontal You McCall: Anthony Contemporary view, installation 6– September St. Louis, Art Museum 29, 2013. December - - Place is Place is view, ft. Installation 16 × ft 16 ×

General operating support is provided by by support is provided operating General Arts Com- Regional Foundation; Whitaker state Arts Council, a mission; Missouri Foundation; Kemper T. William agency; The Council; Arts and Education Bank of St. Louis; of Foundation Trio Nancy Charitable Foundation; America Alison Brown; P. Dwyer and Reynolds and David Davis Clare Ferring; John and and mem- Trustees; of Board the Obedin; Art Museum the Contemporary bers of exhibition CAM’s for Support St. Louis. and Jeanne by is provided program Foundation; Gateway Sinquefield; Rex ations are privately funded privately ations are generous from contributions through public individuals, corporations, funders, and foundations. The Contemporary Art Museum St. Louis Art Museum St. Louis The Contemporary organization. tax-exempt non-profit, is a oper and general Exhibitions, programs, cover Front Charred Hütte, 2013. Der Iñigo Manglano-Ovalle, 16 ft cedar, , Contemporary Art Museum St. Louis, Sep St. Louis, Art Museum , Contemporary the Space tember 6–December 29, 2013. Photo: David Johnson David 29, 2013. Photo: 6–December tember About CAM About

b Mesh 2013–14 Pat Whitaker, Phyllis Langsdorf Michael Chair Katherine Lazar Staenberg Board Jacob W. Reby, Sandy Lehrer Donald Suggs Secretary Judith W. Levy Gary Wolff David Gantt, Ann Sheehan Jackie Yoon of Directors Treasurer Lipton Kimberly MacLean Emeritus Bradley Bailey Joan H. Markow Barbara Z. Cook 2013–14 Susan Barrett Susan McCollum Charles Cook Holly Benson Isabelle Montupet Eleanor W. Nanette Boileau Dean H. Mutter Dewald Mark Botterman Rebecca Nelson Terrance Good Dwyer Brown David S. Obedin Joan Goodson Sarah Carlson Lawrence K. Otto Henry O. Johnston Alexis M. Cossé Dorte Probstein Marylen Mann Arnold Donald Emily Rauh Donna Moog David Drier Pulitzer Ann Ruwitch Jamey Edgerton Julian Schuster John Ferring Thad Simons Ex-officio Matthew Fischer Rex A. Sinquefield Vincent C. Nancy Kranzberg Andrew Srenco Schoemehl, Jr. 02 Mesh

CAM Letter from is 10 the Director

Dear Friends, Perhaps as remarkable as our ability to work with some of the most surprising, unexpected, and life-changing art Looking back after one year at CAM, I feel extremely of our time, is how we are sewn into the very fabric of the fortunate to be here at the crossroads of the tenth city through our creative collaborations—over fifty in the anniversary of the Museum’s building. I’m aware of last year alone—and in the uniqueness of what we offer. this extraordinary chance to understand the institution as we celebrate our history—why we came to be and I am immensely grateful for all you have done to help why CAM is necessary for St. Louis—but even more make CAM so vital to this community and the world thrilling is the chance to look forward to the next ten as we arrive at this ten-year milestone. Please join me years and beyond. in celebrating as we look excitedly and with great expectation to the future. CAM holds an essential place in the landscape of St. Louis. As an institution dedicated to contemporary art and nimble in its non-collecting nature, the Museum is a vehicle through which St. Louisans can regularly see the world Lisa Melandri anew and have transformational experiences. Director 05 CAM is 10

Erika Erika Wanenmacher Wardill Emily Warhol Andy Waterman Alex Gillian Wearing Clemens von Wedemeyer William Wegman Weinmayr Eva Weiser Claudia Weiss David Piotr Weyzykowski White Flag Projects Rachel Whiteread William David Williams Brett Sam Windett Susanne M. Winterling Wong Tobias Erwin Wurm Sislej Xhafa Young Carey Zarevac Dragan Zhang-ke Jia J. Parker J. Parker Valentine den Van Steve Bosch Vance Lesley Stan VanDerBeek Philip Vanderhyden Chris Verene Justin Visnesky Chris Vogt Vonna- Tris Michell Vuckovic Pavle Cy Twombly Cy Tykkä Salla

Mika Taanila Mika Zin Taylor Tellez Javier Patricia Teodorescu Terziev Krassimir Thiebaud Wayne Michael Thomas Wolfgang Tillmans Rikrit Tiravanija Tompkins Hayley Sue Tompkins Tóthová Magda Trad Mel Jason Triefenbach Trockel Rosemarie Tschäpe Janaina Tuazon Oscar James Turrell Tuttle Richard Muhidin Tvico Gedi Sibony Gedi Sienna James Signer Roman Laurie Simmons Sinister Dexter Smith Parma Greg Smith John Kiki Smith Matt Sheridan Smith Michael Smith Michael E. Smith Snowflake/ Citystock Sean Snyder Spaulings Reena Eric Spehn Sprague Mary Stark Frances Jennifer Steinkamp Stella Frank Mladen Stilinovic Maryann Strandell Strauss Matthew Sugimoto Hiroshi Killu Sukmit

Tom Sachs Tom Salmon Margaret Sanditz Lisa Sawa Hiraki Jason Schiedel Julien Schnabel Schramm Roman Schuh Mike Allison Schulnik Max Schumann Schutz Dana Zineb Sedira Serra Richard Serrano Andre Shahbazi Shirana Shapiro Joel Sherman Cindy Erin Shirreff David Reed David Reed Tom Reese Trevor Reinfurt David Rhodes Robin Riboli Laura Damon Rich Richtor Gerhard Rist Pipilotti Rødland Torbjørn Milton Rogovin Ross Alexander Douglas Ross Rossell Daniela Rotzel Meg Thomas Ruff Ruilova Aïda Mondini Franco Ruiz Ruscha Ed Rylan Jessica Ryman Robert Artists

. R.H. Quaytman Radic Jelena Raila Arturas Raissnia Raha Rakauskaite Egle Rascic Lala Raskin Jimmy Adrian Paci Adrian Pan Marta Christodoulos Panayiotou Pardo Gemma Alix Pearlstein Pearson Anthony Chihcheng Peng Diego Perrone Perrone Serena Dominique Petitgand Pettus Robert Peyton Elizabeth Jane Philbrick Phillips Roxanne Pijnappel Pablo Piper Keith Pisano Falke Lari Pittman William Pope.L BREYER P-ORRIDGE Pranschke Peter Rit Sreshta Premnath Stephen Prina Pryde Josephine Florian Pumhösl Yoko Ono Yoko Michelle Oosterbaan Opera John Julian Opie Gabriel Orozco Orr Christopher Osorio Ruby Overton Virginia Owusu-Ankomah Ozbolt Djordje of

Ovalle Yoshitomo Nara Yoshitomo Nashashibi/Skaer Hajnal Németh NataSsa Bruce Nauman Dustin Newman Anna Niesterowicz Simone Nieweg Nikolic Vladimir Nipper Kelly Noonan David Odili Donald Odita Anneè Olofsson M.Ho Maciunas George Duncan MacKenzie Iñigo Manglano- Mangold Robert Marcaccio Fabian Ari Marcopoulos Marcus Peter Brice Marden Malerie Marder James Kerry Marshall Martin Cameron McCall Anthony McLean Jesse Mekas Jonas Mendiata Ana Dan Mihaltianu Miller Jason W. Minx Tiffany Moffat Tracey Monk Jonathan Morandi Giorgio Morgan Paul Moses Mosset Oliver Sam Moyer Matt Mullican Bruno Munari Vik Muniz Takashi Murakami Murphy Kindra Musgrave David Ingrid Mwangi Ene Liis Lin Maya Michael Lin Lindman Pia Marie Lund

Jonathan Jonathan Horowitz Horvat Vlatka Zhang Huan Hubbard Alex Huck Tom Kim Humphries Mari Laanemets Lacy Emily Lahs- Olivia Gonzales Sean Landers Langa Moshekwa Thomas Lanigan- Schmidt van Rezi Lankveld Larson Pam Lasker Jonathan Elad Lassry Lawler Louise Lee Belinda Lee Paul Leko Kristina Lempert Jochen Lidaka Peteris Lieb Wolfgang Oliver L. Jackson Oliver Margarete Jakschik Bill Jensen Ji Yun-Fei Johannson Tiia Johns Jasper Johnson David Johnson Tom Jones Sarah de Jong Folkert Donald Judd Kai Kaljo Kalleinen Tellervo Kazmi Asma Kelly Ellsworth Kelly Mike William Kentridge Ki’Wa Kim Sung Hwan Kimura Yuki King Scott Karin Kneffer Kochta- Oliver Kalleinen Bill Kohn Krone Larry Katharine Kuharic Kusama Yayoi

Lucientes Sibylle Hagmann Sibylle Ashton Lyle Harris Harrison Rachel Henson Courtney Hewitt Leslie Gregor Hildebrandt Hill Gary Hirsch Tad Hocking Scott Jim Hodges Hodgkin Howard Hofer Candida Holland Richard Katie Holten Holzer Jenny Horisaki Takashi Horn Roni Dan Gouldini José Francisco de Goya y Grannan Katy Green Brent Aneta Grzeszykowska Gyula Varnai 2003 2013

Meschac Gaba Meschac Ellen Gallagher Geers Kendell Beatrice Gibson Wojciech Gilewicz Gober Robert Goetz Robert Nan Goldin Gonzalez- Felix Torres Tony Feher Tony Hans-Peter Feldmann Felipov Oana Fella Ed Finch Spencer Fischli Peter Alen Floricic Fontaine Claire Frelin Adam Lucien Freud Fried Zipora Friedlander Lee Friedman Tom Froment Aurélien Frost Sarah Fuller Cameron

Years Thomas Demand Simon Denny Dijkstra Rineke Dill Leslie Djordjadze Thea Godfried Donkor Donovan Tara Jill Downen Dunham Carroll Eric Duyckaerts Dzama Marcel Dzine Andrew Falkowski Andrew Faught Josh Michael Eastman Eide Gardar Einarsson English Kelly Haris Epanimonda Mitch Epstein Erkmen Ayse Escoto Corey Jan Estep Evans Mary Evans Claire Prints Evil

Alex DaCorte Alex Hanne Darboven Manon de Boer Castillo Mariana Deball Deller Jeremy Caeckenbergh Miguel Calderón Cannistra Kathy Cantor Mircea Alejandro Cardenas Cha Xavier Charfi Fatma Juan William Chávez Olga Chernysheva Christo Chuck Close Colby Sarah Muriel Cooper Coplans John Crowner Sarah Dorit Cypis Patrick van van Patrick Elina Brotherus Elina Browder Amanda Büchler Pavel Ian Burns Burton Mikey

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CAM ( Art Space Britto Paul Matthew Barney Matthew Barney Tina Bartlet Jennifer Jean-Michel Basquiat Thomas Bayrle Becirovic Alma Beier Nina Benzel Scott Berlant Tony Richard Billingham Hai Bo Cezary Bodzianowski Boetti Alighiero Miriam Böhm Boots Contemporary Bornstein Jennifer Bourgeois Louise Bradley Slater Braila Pavel Breer Robert Breuer George Breyer Nell Martin Brief Michael Marcel Broodthaers Brooks Roy 10

Dan Acostioaei Adams Lauren Agency Aggour Yasser Ahtila Eija-Liisa Chantal Akerman Aksamija Aldrich Richard Ali Laylah Siemon Allen Almond Darren Alvaer Jesper Brandon Anschultz Janine Antoni Apfelbaum Polly Applebroog Ida Ei Arakawa Armanious Hany Armleder John & Arocha Schraenen Richard Artschawager Augustijnen Sven Azorro , we , we Mesh celebrate this this issue of With looking back at some event, remarkable and years ten the past the highlights of of ahead. year to the forward The opening of the building at 3750 at 3750 building the of opening The a signaled in 2003 Boulevard Washington Founded this institution. for identity new later in 1980 and Forum the First Street as Art, Contemporary for the Forum as known Contemporary the became the Museum St. Louis Art Museum name. the new with along permanent home Lutz Bacher Backström Fia Donald Baechler William Bailey Hullfish Dave Bailey Bajevic Maja Stephan Balkenhal Bankston John Baran Jessica Barba Rosa Dario Bardic

04 CAM is 10 7 Mesh 2013–14 art 26 21 art 07 10 25 06 20 15 05 14 09 08 19 24 13 18 23 04 is: 03 17 12

Contemporary

22 16 6 Mesh 2013–14 11 9 Mesh 2013–14 is: 43 38 48 34 47 Contemporary 37 42 33 46 29 36 32 41 31

28 35

45 40 art

27 44 8 Mesh 2013–14 39 Jun 30–Aug 20, 2006 Reena Spaulings, Sep 12–28, 2008 20 For the blind man in the dark room Thea Djordjadze & George Maciunas, 41 Takashi Horisaki presents Social Dress 2003 Selections from the Contemporary’s Aïda Ruilova: The Singles 1999–Now, looking for the black cat that isn’t Feb 22–Mar 20, 2011 St. Louis: Learning and Unlearning, A Fiction of Authenticity: Flat Files, Jun 30–Aug 20, 2006 Sep 12, 2008–Jan 4, 2009 there, Sep 11, 2009–Jan 3, 2010 Margaret Salmon, Mar 8–27, 2011 Jun 14–15, 2012 Contemporary Africa Abroad, 06 Larry Krone: Artist/ Entertainer, 14 Lutz Bacher: Spill, 33 Pavel Büchler, Mar 22–Apr 17, 2011 Serena Perrone: Maintaining a Sep 20, 2003–Jan 3, 2004 Sep 15–Dec 31, 2006 Sep 12, 2008–Jan 4, 2009 Tellervo Kalleinen and Oliver Safe Distance and Living to Tell, 07 Janaina Tschäpe: Melantropics, Wojciech Gilewicz, Sep 23–Oct 5, 2008 2010 Kochta-Kalleinen, Apr 7–17, 2011 Jul 19–Aug 12, 2012 Sep 15–Dec 31, 2006 Chihcheng Peng, Oct 2–30, 2008 26 Xavier Cha, Jan 22–31, 2010 34 Scott King & Richard Serra, Lauren Adams: Hoard, 2004 Michael Paul Britto: Dirrrty Harriet Claudia Wieser & Andrew Falkowski & Torbjørn Rødland, Jan 22–Feb 28, 2010 Apr 19–May 1, 2011 Sep 7–Oct 14, 2012 Yun-Fei Ji: The Empty City, Tubman, Sep 15–Dec 31, 2006 Elad Lassry, Oct 7–19, 2008 24 Stephen Prina: Modern Movie Pop, 28 Cryptic: The Use of Allegory in 38 Jonathan Horowitz: Your Land/My Land: Jan 23–Mar 28, 2004 Gregor Hildebrandt, Oct 21–Nov 2, 2008 Jan 22–Apr 11, 2010 Contemporary Art with a Master Class Election ’12, Sep 7–Nov 11, 2012 Diego Perrone, Nov 8, 2008 Sean Landers: 1991–1994, Improbable from Goya, May 20–Aug 14, 2011 Rosa Barba: Desert–Performed, 2007 Hany Armanious, Nov 4–23, 2008 History, Jan 22–Apr 11, 2010 Yoko Ono: Play it by Trust, Sep 7–Dec 30, 2012 09 I Remember Heaven: Jim Hodges Beatrice Gibson & Alex Waterman, Greg Parma Smith & Zin Taylor, Sep 9–Oct 9, 2011 40 Leslie Hewitt: Sudden Glare of the Sun, and Andy Warhol, Jan 26–Apr 8, 2007 Nov 21–23, 2008 Feb 3–14, 2010 Jonas Mekas: Walden Sep 7–Dec 30, 2012 Contemporary Project Series 2007, Ian Burns, Nov 25–Dec 7, 2008 David Musgrave & Erin Shirreff, (DIARIES Notes and Sketches) 39 Lauren Adams: We the People Slater Bradley: Year of the Roman Signer, Dec 6–7, 2008 Feb 17–28, 2010 Part 6, 1969, Sep 9–Oct 9, 2011 (at EXPO Chicago), 10 Doppelganger & My Conclusion/ 15 Claire Fontaine, Dec 10–21, 2008 Pablo Pijnappel, Feb 20–21, 2010 30 Emily Wardill: Sick Serena and Dregs Sep 20–23, 2012 My Necessity, Jan 26–Apr 8, 2007 M.Ho, Dec 24, 2008–Jan 4, 2009 Roman Schramm & Haris Epanimonda, and Wreck and Wreck, Anthony Pearson, Oct 18–Nov 25, 2012 Katie Holten: Paths of Desire, Mar 3–14, 2010 Sep 9–Dec 30, 2011 Sreshta Rit Premnath: Folding Rulers, Polly Apfelbaum: Crazy Love, Love Crazy, Apr 27–Aug 5, 2007 Jochen Lempert, Mar 3–Apr 18, 2010 Nov 29–Dec 30, 2012 10 Jan 23–Mar 27, 2004 11 Shoot the Family, May 18–Aug 5, 2007 2009 Leslie Hewitt: Untitled (Level), 11 William Pope.L: eRacism:electronic, 10 Maya Lin: Systematic Landscapes, Dexter Sinister (carte blanche), Mar 17–28, 2010 Apr 23–Jun 27, 2004 Sep 7–Dec 30, 2007 Jan 7–18, 2009 22 Machine Project, Mar 31–Apr 18, 2010 2013 Michael Lin, Apr 23–Jun 27, 2004 16 Fia Backström, Jan 23–Feb 8, 2009 21 Great Rivers Biennial 2010: 46 Jeremy Deller: Joy in People, Great Rivers Biennial 2004: Jill Downen, 17 Gedi Sibony: My Arms Are Tied Behind Martin Brief, Sarah Frost, and Feb 1–Apr 28, 2013 CAM is 10 Adam Frelin, and Kim Humphries, 2008 My Other Arms, Jan 23–Apr 19, 2009 Cameron Fuller, Apr 11–Aug 8, 2010 43 Bad at Sports, Apr 24–May 5, 2013 CAM is 10 Jul 16–Aug 22, 2004 12 White Flag Projects, Feb 1–Feb 17, 2008 Bruce Nauman: Dead Shot Dan, 25 Thomas Lanigan-Schmidt, of Kerry James Marshall: New Video, New Europe, Great Rivers Biennial 2008: Juan William Jan 23–Apr 19, 2009 Apr 30–May 23, 2010 Garden of Delights, Sep 10–Nov 21, 2004 Chávez, Corey Escoto, and Michelle Sean Snyder, Jan 23–May 3, 2009 Claire Evans & Gemma Pardo & 29 David Noonan, Sep 9–30, 2011 May 24–Jul 7, 2013 Keith Piper: Crusade, Oosterbaan, Feb 1–Apr 20, 2008 Raha Raissnia, May 26–Jun 13, 2010 Scott Benzel, Oct 11–Nov 6, 2011 47 Lari Pittman: A Decorated Chronology, Sep 10–Nov 21, 2004 Evil Prints, Feb 13–Mar 2, 2008 Scott Hocking, Jun 16–Jul 11, 2010 Yuki Kimura, Oct 11–Nov 6, 2011 May 24–Aug 11, 2013 03 Yoshitomo Nara: Nothing Ever Happens, Snowflake/Citystock, Feb 19–22, 2008 Cellar Door: Alex DaCorte, Michael E. Smith, Nov 8–27, 2011 48 Mika Taanila: Tomorrow’s New Dawn, Dec 3, 2004–February 27, 2005 Boots Contemporary Art Space, Trevor Reese, and Justin Visnesky, 27 Aneta Grzeszykowska, May 24–Aug 11, 2013 Laylah Ali: Paintings and Drawings, Mar 4–16, 2008 Jul 14–Aug 1, 2010 Nov 29–Dec 30, 2011 Josh Faught: Snacks, Supports, Dec 3, 2004–Feb 27, 2005 Maps Contemporary Art Space, RBMBKESHKM: Roy Brooks, and Something to Rally Around, Mar 18–30, 2008 Years Mikey Burton, Kelly English, Sibylle 2012 Jul 10–Aug 11, 2013 Homegrown, Apr 1–13, 2008 Hagmann, and Kindra Murphy, Thomas Bayrle: Chrysler Tapete, 2005 Apop Records, Apr 15–20, 2008 Aug 4–29, 2010 Robert Breer: 1957, Jan 27–Feb 19, 2012 Sep 6–Oct 27, 2013 Dzine: Punk Funk, Mar 18–Jun 12, 2005 Olga Chernysheva & R.H. Quaytman & Sung Hwan Kim & Clemens von Nina Beier & Marie Lund, 35 Christodoulos Panayiotou: Audible Interruptions: Alexander Ross: Survey, Josephine Pryde, May 8–May 31, 2008 Wedemeyer & Alix Pearlstein & Sep 10–Oct 3, 2010 One Thousand and One Days, Jessica Baran & Brett Williams, Mar 18–Jun 12, 2005 Ei Arakawa, May 9–25, 2008 Sven Augustijnen & Aurélien Froment, 19 Elad Lassry: Sum of Limited Views, Jan 27–Apr 22, 2012 Sep 6–Dec 29, 2013 Ruby Osorio: A Story of a Girl John Armleder and Oliver Mosset, Feb 11–22, 2009 Sep 10, 2010–Jan 2, 2011 36 Figure Studies: Recent Representational Place is the Space, (Who Awakes Far, Far Away), May 9–Aug 3, 2008 Susanne M. Winterling, Feb 28, 2009 23 Richard Artschwager: Hair, Works on Paper, Jan 27–Apr 22, 2012 Sep 6–Dec 29, 2013 Mar 18–Jun 12, 2005 Alex Hubbard and Oscar Tuazon, Hayley Tompkins & Sue Tompkins, Sep 10, 2010–Jan 2, 2011 37 Jesse McLean: REMOTE, 42 Anthony McCall: You and I, Horizontal (II), Katharine Kuharic: The World Brought Low, May 27–Jun 8, 2008 Mar 11–22, 2009 Zipora Fried & Margarete Jakschik & Feb 23–Mar 18, 2012 Sep 6–Dec 29, 2013 Mar 18–Jun 12, 2005 Christopher Orr & J. Parker Valentine & Florian Pumhösl, Mar 20–22, 2009 Sam Windett, Zipora Fried, 01 Girls’ Night Out, Sep 16–Dec 31, 2005 Rezi van Lankveld, Jun 3–Jun 28, 2008 Between Beach Ball and Rubber Raft, Oct 5–31, 2010 02 Cindy Sherman: Working Girl, Gardar Eide Einarsson, Mar 25–29, 2009 18 Agency & Miriam Böhm, Nov 20–28, 2010 Sep 16–Dec 31, 2005 Jun 10–22, 2008 Tris Vonna-Michell, Apr 1–21, 2009 John Smith, Nov 23–Dec 5, 2010 Jan Estep, Jun 14–15, 2008 Tom Johnson, Apr 15–26, 2009 Laura Riboli, Nov 30, 2010–Jan 16, 2011 2006 Max Schumann, Jun 24–Jul 6, 2008 Cezary Bodzianowski, Simon Denny, Dec 7, 2010–Jan 9, 2011 Vlatka Horvat and Eva Weinmayr, Apr 29–May 3, 2009 Exhibitions Great Rivers Biennial 2006: Jul 8–18, 2008 Carey Young: Speech Acts, 05 Jason Wallace Triefenback, Jia Zhang-ke, Jul 12, 2008 May 8–Aug 2, 2009 2011 04 Moses, and Matthew Strauss, Ed Fella, Jul 19–25, 2008 Chantal Akerman: Moving Through 31 John Opera & Matt Sheridan Smith, Brandon Anschultz: Pacer, 45 Brett Williams and Kevin Harris: Jan 20–Mar 26, 2006 Brent Green, Jul 26–Aug 10, 2008 Time and Space, May 8–Aug 2, 2009 Jan 21–Feb 20, 2011 Mar 22–Apr 22, 2012 Feedback 2 (at EXPO Chicago), Contemporary Masterworks: Center for Advanced Visual Studies Sam Moyer & Lesley Vance & Richard Aldrich and the 19th Century Oliver L. Jackson, May 11–Jun 10, 2012 Sep 19–22, 2013 St. Louis Collects, Apr 7–Jun 11, 2006 at MIT, Aug 12–30, 2008 Stan VanDerBeek, Jul 1–26, 2009 French Painting, Jan 21–May 1, 2011 Great Rivers Biennial, 2012: Street Views: Jennifer Steinkamp, 08 The Collectibles, Apr 7–Jun 11, 2006 13 Spencer Finch: Sunset (St. Louis, Douglas Ross & Philip Vanderhyden, 32 Manon de Boer: Between Perception David Johnson, Asma Kazmi, and Oct 11–Dec 29, 2013 Centering on Grand, July 31, 2008), Sep 4–Oct 17, 2008 Jul 29–Aug 16, 2009 and Sensation, Jan 21–May 1, 2011 Mel Trad, May 11–Aug 12, 2012 44 Ed Ruscha: Miracle, Nov 1–Dec 29, 2013 CAM Place Museum St. Louis, September 6-December 29, 2013. Place is the Space , installation view, Contemporary Art is

A series of special programs throughout 2013–14 celebrates CAM’s tenth Brad Cloepfil, sketch, Contemporary Art Museum St. Louis. Art Museum St. Contemporary sketch, Cloepfil, Brad York. and New Portland Architecture, Works Allied Courtesy anniversary by exploring aspects of the Museum in the context of its history, city, and global community. 12 In honor of the building’s 13 tenth anniversary, the Place Architecture for Art is the Space exhibition is Monday, September 23, 2013, 7:00 pm an unprecedented curatorial CAM is 10 in CAM is 10 Architecture for Art—the opening event for the collaboration with CAM’s 2013 STL Design Week—presented a panel of architect, Brad Cloepfil, distinguished architects who have designed founding principal of Allied museums of contemporary art that are intimate in size and global in scope. Moderated by Works Architecture. practitioner and professor Eric Hoffman, the panel examined the relationship between architecture and the display of contemporary art, Susan Sherman featuring Brad Cloepfil, CAM (2003), and Kyu Distinguished Speakers: Sung Woo, Nerman Museum for Contemporary Art, Overland Park, Kansas (2007). The Non-Collecting Museum Monday, March 10, 2014, 7:00 pm Featuring Beatrix Ruf, Director/Chief Curator The floor plan has been returned to its original design of the Kunsthalle Zürich, Amy Sadao, Director to allow the artworks in Place is the Space to better of the Institute of Contemporary Art at the highlight the most distinctive aspects of CAM’s University of Pennsylvania, Philadelphia and moderated by Lisa Melandri, this panel discus- structure. Representing a range of innovative site- the sion on the Kunsthalle, or non-collecting specific work, international and US-based artists Carla museum, will examine how the model works in Arocha and Stéphane Schraenen, Jill Downen, Iñigo CAM: Concept the US and elsewhere as well as its essential Manglano-Ovalle, Virginia Overton, and Dominique contribution to the global cultural environment. Petitgand were each commissioned to respond to to Creation different aspects of the museum’s architecture, looking Space Thursday, June 19, 2014, 7:00 pm especially at what Cloepfil identifies as the key features Betsy Millard, former director of the Forum for of boundary, intersection, public accessibility, scale, Contemporary Art, will discuss the transforma- surface, and transparency. tion of the Forum into the Contemporary Art Museum St. Louis, recognizing the key players who helped make it happen and considering CAM’s place in the cultural life of St. Louis. Context Brad Cloepfil on Richard Museum St. Louis, September 6-December 29, 2013. Place is the Space , installation view, Contemporary Art Serra, designing for the unknown, and the bizarre beauty of St. Louis.

Lisa Melandri recently spoke with CAM architect and founding principal of Allied Works Architecture Brad Cloepfil about his curatorial collaboration with the Museum on Place is the Space and his thoughts on designing the Museum building. 14 15 CAM is 10 Architect’s Voice CAM is 10

Lisa Melandri I would like to begin know, the center that’s not there? to it a cup shape facing up—con- space, and it was exciting because Yeah, we spent a couple of days Once we had the concept of these by asking about your curatorial I have a picture of the gas station trasting the two institutions. The the quality of work was so high— together, which was spectacular. two simple, powerful walls that sort collaboration work with Dominic across the street with a burned-out Ando was very much an insular they weren’t kidding around! I was When we met, the interspace of weave over each other, it was a Molon to organize the anniversary car. And then that completely chapel for art—a beautiful chapel— envious. That a city of that size between the Contemporary and matter of just tuning it for the scale exhibition Place is the Space. Have undifferentiated rolling grassland, kind of a privileged domain. So I could have that kind of art was the Pulitzer was entirely different. and proportion of spaces. But then you done anything like this before? which was bizarrely beautiful. That wanted this building to be much pretty thrilling. There was a large platform on once it was being built, there were was my introduction to the city. more open—open to interpretation, our side and the Serra was up surprises all over the place! Brad Cloepfil No, I’d never done And I thought it was really an open to the city. The contrast of And do you consider yourself on a plinth. anything like this, and I would love important American landscape to the pairing was how the whole thing well-versed in contemporary art? Surprises with materials? Site? to do it again. Dominic tried to find work in. You know, it’s not a roman- began—with the realization that Richard and I started talking about artists that would really engage tic American landscape but a very they were ideally two different insti- I would say familiar and sort-of it, and I said, “Well, it doesn’t make Scale—the scale of rooms, the with the building—not just physi- real American landscape. And tutions with two different missions. related in spirit. I’ve always taken sense to have that giant steel piece scale of space. Because, as cally but spatially—and that’s what that’s what I was excited about. inspiration from the work of artists, sitting on a classical plinth.” I non-collecting contemporary art I really wanted. I mean, the sound It’s a foil and a complement. What probably more than architecture. wanted the space to move through space, you’re trying to accommo- piece is fantastic. How did Tadao Ando’s design did you know about CAM’s mission In fact, without question, more the Contemporary, out into that date the unknown. And it’s a for the Pulitzer Foundation for and how did you design towards it? than architecture. Sol LeWitt and courtyard, and really engage the range of unknown. The director When you began designing the the Arts affect the way that you Richard Serra kind of got me boundary of the Pulitzer. And so we and board and I talked about building in 1999, how familiar were thought about CAM? There were particular things about through post-modernism ... kept lowered it to the ground, where it someone who would need to you with St. Louis? What was the the site and the relationship with me believing in art. That Serra became that hinge point that it is reconstruct a semi-truck in there state of the neighborhood? It affected more the spirit of the the Pulitzer, but otherwise it was piece—the one at MoMA—that today. It’s sited between those two or hang an airplane! You don’t building. I knew Tadao Ando’s work typology. It was mainly a conversa- started in four corners and didn’t worlds, and I think that was exactly know. So we were partly scaling it Construction was just starting on really well, and my work has tion about non-collecting space— meet in the middle? As soon as what he wanted. for that, but we were also scaling the Pulitzer. I’d never been to St. certainly come out of the same designing for the absolute unknown. I walked into that, it blew my mind. it for the city—the building is Louis, and I was really awestruck, lineage. So when it came to the I talked a lot with Betsy Millard, Completely blew my mind. What challenges and surprises really trying to be a bridge between because I’d never seen that kind interview, I did a sketch. And it was the director at the time, about the did you encounter as you worked the city and the art that’s going to of devastated, urban center—you a cup shape facing down and next kind of shows they’d had in the old You met Serra here? on the design? happen inside. already existed in St. Louis. At that very abstract, but very exciting. You Were there any things that were time, Laumeier, the Washington Uni- could tell he had really put a lot of planned for the building that versity Art Gallery (now the Mildred thought into his presentation and wound up not making the cut? Ground- Lane Kemper), the Saint Louis Art that he was excited—he was just Museum were collecting contempor- as excited about our project as we BM When we were designing it, ary art. We realized pretty quickly were about his work. It was a clear there were certain things that we As research for the upcoming Place is the Space exhibition that it didn’t make sense to collect. decision at that point. knew were absolute must-haves— catalog, former chief curator Dominic Molon spoke with Collecting also changes your ability superstructure of the upper several CAM associates who were instrumental in the to build; you have to give over all BM Brad came in with an incredible register of concrete and that sort creation of the building at 3750 Washington and the forging that square footage. There’s also amount of energy and incredible of thing. There were great ideas of the identity of the Contemporary Art Museum St. Louis. something about collecting and clarity about his ideas. He under- for sliding walls between the [the art] staying contemporary. At stood the Ando building, he performance space and the gallery a certain point, it no longer is. respected the Ando building, but space, but they were very expen- he also didn’t have any qualms sive. We didn’t want a lot of What tipped the commission in about challenging it. And he kept high-end materiality. We didn’t Brad Cloepfil’s favor? I’m curious the mission of the institution in want fancy floors because the breakers Millard Betsy about the selection process for mind. We were trying very much to floors were going to get drilled how the architect was chosen. find important emerging artists into. We knew there were going to 16 Following are excerpts from cultural center downtown. We did a museum was not to simply go out but also clarify what had been going be cracks. Our construction 17 Molon’s interviews with Emily Rauh broad spectrum of exhibitions, and hire somebody and build a ERP The feeling was that we needed on in the art world over the last manager said, “It’s gonna crack— Pulitzer, CAM board member and which continued when we moved building, in that sort-of traditional to have a really creative archi- twenty-five years. We felt Brad was you’ve got to pour seams.” But member of architect selection to 555 Washington. When Andrea “Hey, let’s just go pick an architect tect—and that we needed to be part of the next generation of putting in those seams would CAM is 10 committee; Donna Moog, former Kirsh came as the director, she and do it” way. So we decided to as creative in the selection of an architects, which fit the profile of the kill the whole idea. Now that CAM is 10 board chair and member of archi- realized that nobody knew what we make it a very public process. And architect as we were in our art kind of artists that we’d like to show. crack is actually an iconic part of tect selection committee; and were because we were something that’s how we got to the idea of the programming. After we’d narrowed the building. Betsy Millard, former director, about different each time we did a show. short list and asking each of them the selection down to six archi- Is there anything in terms of under- the construction of the building, She looked at the St. Louis commu- to give a public lecture. Nothing tects, each one gave a lecture at standing the development of the How do you feel the building was selecting architect Brad Cloepfil, nity and said, “There’s really no one like that had happened before in Washington University, which building that I shouldn’t leave out? received, not only in St. Louis and the legacy they hoped to inspire focusing on contemporary art.” The St. Louis. It was pretty exciting. meant that the community got at the time but nationally, inter- with CAM. Saint Louis Art Museum showed involved and gave the architects a BM Most architects would say, nationally? Is there an element contemporary art, but we really Donna Moog First we had the chance to look at the site. Then the “Okay, here’s the Ando, here’s the of the building that you find to be Dominic Molon What were the needed a larger presence with more concept of open space. And flexibil- next step was to go and look at street, here’s that curve.” Brad did most successful? key elements that shaped the diverse views. So we changed our ity. A desire to have a more concrete projects by each of these architects. this thing where he drew a line decision to pursue a new building mission. The next director, Betsy presence in the community—the across the page that went up and for what was then the Forum for Millard, was very effective in change of name and of venue were DM Toward the end there were only down and curved out and curved Contemporary Art? carrying out the new mission of ways to achieve this. A permanent a few candidates we were really up and then curved down again. We focusing on contemporary art. This presence required a name that considering. There were a couple were looking at it, saying, “What is Emily Rauh Pulitzer We started out was all a process of maturing. was more in line with a museum. who just didn’t fit well with our this?” And he said, “This is your site. as the First Street Forum on We wanted a building that was concept. There were a couple who The Mississippi River is over here …” Laclede’s Landing. The motivation Betsy Millard [Through our various worthy of being a partner to the we felt lacked interest in the project. He started thinking about the site behind the creation of the [original] moves and locations,] we realized Pulitzer. That reinforced the desire And then there were two—of which at the Mississippi River and the way institution was that there was no that you’re never really home until to have something that was spe- Brad was one. A number of us had the land rises out of the river and you own your own space. Every time cial, that set us apart, and that was gone to Portland to see his work, dips down again around Washing-

we moved, the community said, consistent with our mission— and we were very impressed. He ton. He made us think about where Moog Donna “You’re still in business? And where which was showing the best didn’t have a huge number of pro- we fit within the whole landscape. DM It has so much integrity and are you located?” It’s kind of a contemporary art in the world. jects but the main project he had, And then, at the meeting with Tadao consistency. From the inside, from mental thing—having a place that which was the white Infinity building, Ando and Richard Serra, all of a the outside—the vision of space will forever be the Contemporary Was the intent always to retain was extremely appealing, and we sudden it was: “Well, we’re going to is very thoughtful. One of the Art Museum’s—or the Forum for CAM’s status as a non-collecting were impressed with the quality of have this curved wall, and the Serra things that I really like about it is Contemporary Art. We wanted to institution? his work. He was a talented archi- is going to be the joint that holds that big curve at the corner. It’s create the building in such a way tect who didn’t really have a lot of these two things together—these elegant, it’s different, and it makes that aligned with the mission of the BM It was very pragmatic decision. national exposure. One of the sket- two parts of the same limb.” And it a statement. What’s inside is a

Emily Rauh Pulitzer Rauh Emily museum. And the mission of the First the board talked about what ches that he did was very simple, just took off from there. little unexpected. 421 32,824 artists students exhibited served $26.8 M raised 18 19 CAM is 10 10 Years CAM is 10 24 books and 153 catalogs exhibitions published by the 493 public $330,000 301,007 programs awarded to visitors Numbers local artists 21 Mesh 2013–14

2013– 2014

September 6–December 29, 2013. Photo: David Johnson. David Photo: 2013. 29, 6–December September

Louis, St. Museum Art Contemporary view, installation , Space the is Place Photo: Hélène Binet Hélène Photo: Julian Schuster Michael Shapiro William Shearburn Isabel M. Shepley Yoshiaki Shibusawa Short Kevin Simons Betty Thad Simons A. Rex Sinquefield Smith Guy Sprague Mary Srenco Andrew Michael Staenberg Stonecipher Joan Donald M. Suggs Sutton Edward Milton Svetanics Stuart Symington Eric Thoelke Brian J. Thomas Jerome Thomasson Tucker Jean James Turley Doren Van John G.H. Walker William Wallace Wallis Franklin F. Watts Harry Anabeth C. Weil Whitaker Patricia Wilkinson Donna Wolff Gary Kathryn B. Wright Jackie Yoon William Peacock Nicholas G. Penniman Peroni David William L. Polk Ponturo Ruthe Ponturo Tony James Probstein Thomas W. Purcell Raclin Grier Reay Charles P. Jacob Reby Thomas Rich G. Roach John Roth Hannah Rae Drew Roy A. Edward Ruesing Ann R. Ruwitch Sanders David Jane Sauer Charles Saulsberry Carlin Scanlan Vincent Schoemehl William P. Schuchard Carl F. Schumacher

Michael Lottman Douglas B. MacCarthy E. Mackey John Kimberly MacLean Marylen L. Mann Marcus Peter Philip Maritz H. Markow Joan M. Martinez Linda A. John McArthur McClellan Guy Susan B. McCollum William B. McMillan McNally Margaret William Melzer Millard Betsy Ben Miller Isabelle Montupet J. Eleanor Moore Moskowitz Neva Nelson Rebecca Newman Evelyn North John Obedin David K. Otto Lawrence J. Deborah Patterson Gala

Alfred J. Alfred Guillaume Guyton Fred Ha Paul Hagee Lynn James Hageman Hager W. August Shaun Hayes Heiman John Henges Ronald Carrick Hill H. David Hoffmann Meredith Holbrook Charles Houghton Hubert Becky Michael Isaacson Ruth K. Jacobson James C. Jamieson Jensen Richard O. Henry Johnston Jostrand Pat E. Karakas Linda Kemper Laura Fields Kermes Kenneth Kesteloot Emory Kranzberg Nancy Langsdorf Phyllis Katherine Lazar Lee C. Christopher Lehrer Sandra Levy Mont Alan Liebert Ann S. Lipton Litwin Barry

Saturday, April 26, 2014 Saturday, John Capps John Carlson Sarah Carnahan Robin Cavelli Paul Tim Cerny Charles Reuben Bates Childress Kimble Cohn Z. Cook Barbara Charles J. Cook Belle Cori Couch Robert Jack Cowart Degener Patricia W. Eleanor Dewald Diener David Arnold Donald Drier David Barbara Eagleton Edgerton Jamey R. Jeffrey Edwards C. Farrell David Alison Ferring Ferring John Fischer Matthew Fisher T. Richard Ford Richard Fort Jeffrey C. Fox Barcy Fumagalli John C. Gantt David Jan Goldstein Goodson Joan Grant Gary Ronald Greenberg Grote Richard

Bridgewater Brown P. Dwyer Brian Bruce Donald L. Bryant Burson Bunny Susan Cahan M. Cahn Elissa Honorary Honorary Committee Bruce Adaire Daniel J. Anderson Arnold Fred Atwood Frederick Atwood Ted Bailey Bradley Clarence Barksdale Susan Barrett A. Benson Holly Bierbusse John E. Nanette Boileau Vincent Bommarito Bond F. Leslie Mark Botterman Donald Brandin Barbara Honorary Chairs Honorary Good Terry Moog Donna Rauh Emily Pulitzer Susan Sherman Chairs Cossé Alexis Dorte Probstein

The CAM:10 Gala will honor the museum museum the will honor Gala CAM:10 The the museum, the inside Held itself. building CAM’s of the importance will highlight gala us on Join mission. in our space physical into and send-off celebration a for April 26 innovative the most bringing decade of another St. Louis. to art and relevant contemporary CAM:10

20 CAM is 10 Place is the Space Major Gateway Foundation Featuring five new site-specific commissions by 2013–14 major contemporary artists, Place is the Space is an Exhibition January 2013 unprecedented curatorial collaboration with the build- The Gateway Foundation continued its generous ing’s architect, Brad Cloepfil, founding principal of support of the Great Rivers Biennial this year. Allied Works Architecture. Each of the works responds Support With a gift of $155,000, the foundation ensures to different aspects of the structure—including sur- the sixth edition of the collaborative initiative Fall 2013 face, scale, transparency, and boundaries—and invites that identifies talented emerging and mid-career September 6–December 29, 2013 viewers to consider the building in a new light. artists working in the greater St. Louis metro Innovation Grant, area, provides them with financial assistance, Regional Arts and elevates their profile across the Midwest and national arts communities. Commission of St. Louis A panel of distinguished jurors—artist Mel Chin; Exhibitions January 2013 Lowery Stokes Sims, Curator at the Museum CAM was one of only nine recipients of the of Arts and Design; and Lynne Warren, Curator at 22 2013–14 Regional Arts Commission’s innaugural Innova- the Museum of Contemporary Art Chicago— 23 2013–14 tion Grant—created to support groups that chose three winners, who each receive a grant think in new ways and take risks to accomplish of $20,000 and will be featured in the Great Rivers artistic or administrative goals—and received Biennial 2014 exhibition at CAM. $100,000—the highest amount awarded in 2013. The funding established the Museum’s new exterior video exhibition program, Street Views, which launched in fall 2013 and repurposes the Museum’s facade, increasing the community’s access to contemporary art and visually redefining the Grand Center Arts and Entertainment District.

Andy Warhol Foundation for the Visual Arts

July 2013 Orbit , Steinkamp: installation view, Jennifer 29, 2013. 11–December October Art Museum St. Louis, Contemporary CAM received a $75,000 grant from The Andy Warhol Foundation for the Visual Arts for a

major solo exhibition of the work of American Audible Interruptions artist Nicole Eisenman, which will be on view Anthony McCall: Brett Williams: Slow Nature Memory during spring 2014. The exhibition will be Jessica Baran: A Direction Is Just Like That (His & Hers) the artist’s most comprehensive mid-career You and I, Horizontal (II) survey to date and the first in the United You and I, Horizontal (II) is the first solo museum presen- States. The Andy Warhol Foundation is a leading tation in the Midwest by British-born, New York-based Street Views supporter of some of the most significant artist Anthony McCall. McCall has been a key figure in Jennifer Steinkamp: Orbit contemporary art programs throughout the avant-garde cinema and contemporary art since the

country, and the grant links CAM to an important x 60 , 2011. Oil on canvas, 76 the Stranger Reading Nicole Eisenman, Guy York; & Clinton, New the artist; Konig collection. Courtesy inches. Private Berlin. Weiss, and Galerie Barbara Angeles Projects; Los Vielmetter Susanne 1970s. At CAM, his installation presents a slowly shifting network of visual arts organizations. beam of “solid light” whose physical properties become Front Room outlined within the haze-filled space of the gallery and Thomas Bayrle: Chrysler Tapete are further enhanced through viewer interaction. Ed Ruscha: Miracle 2013–14 Exhibitions 25 2013–14

Spring 2014 January 24–April 13, 2013 24–April January Silver Batman II, 2012, Enamel on linen, Silver Pensato, Joyce Photo. collection, Lamay 72 x 64 inches. Private Readykeulous by by Readykeulous Ridykeulous: Like™ Feels Liberation What Entrance Gorchov: Ron Views Street Murata Takeshi Interruptions Audible Cook Nathan James Andrew Room Front Kowalski Tomasz

New York. Photo: Vito Schnabel and Cheim & Read, New York New Read, & Cheim and Schnabel Vito Photo: York. New

Courtesy the artist and Salon 94, New York. New 94, Salon and artist the Courtesy 15 feet × 20 ½ inches. Courtesy the artist and Cheim & Read, Read, & Cheim and artist the Courtesy inches. ½ 20 × feet 15

, 2003. Video, 3:50 minutes. minutes. 3:50 Video, 2003. , 2 Melter Murata, Takeshi canvas, on cotton on Oil 1972/2005. , Entrance Gorchov, Ron

I KILLED KENNY Joyce Pensato: Pensato: Joyce Nicole Eisenman: Nicole Nemesis My with In Love the artist’s first the museumartist’s Pensato: I KILLED KENNY, Joyce monumental enamel paintings and a features survey, onto CAM’s directly rendered painting large-scale Appropriating walls. iconic American gallery cartoon Pensato’s gestural departure, point of as her characters menacing encompass both paintings and drawings and comedic representation. abstraction This definitive mid-career survey of the work of cele- of work the of survey mid-career This definitive the charts Nicole Eisenman American artist brated from media various across practice her of development comical drawings her From the present. to the 1990s she in monotype, executed to much-lauded portraits work influences, creating of spectrum broad mines a pace and shifting complexion frenetic the that echoes brings presentation CAM’s life. contemporary of art—including early of works fifty than more together recent and her paintings, drawings, ink-on-paper printmaking and sculpture. in explorations

Los Angeles Projects; and Galerie Barbara Weiss, Berlin. Weiss, Barbara Galerie and Projects; Angeles Los

the artist; Konig & Clinton, New York; Susanne Vielmetter Vielmetter Susanne York; New Clinton, & Konig artist; the

collection. Courtesy Private inches. 43 x 56 panel, on

media mixed and Oil 2011. , Breakup Eisenman, Nicole

24 Mesh 2013–14

27 Mesh 2013–14

Vermont. Courtesy the artist. the Courtesy Vermont. 12 inches. Courtesy the artist. the Courtesy inches. 12 x 8 40 feet. feet. 40 x 22 x 18 Bills, Dollar Fundred hand-drawn unique 6,000 thumbtacks, brass

Hand-cut wallpaper. Site-specific installation in Johnson, Johnson, in installation Site-specific wallpaper. Hand-cut linen, Belgian raw on wool and silk, cotton, one-ply Gatorboard ®, lead-encapsulation paint, automotive body and paint finishes, 12,000 12,000 finishes, paint and body automotive paint, lead-encapsulation ®, Gatorboard

, 2012. 2012. , 1 Room Intervention: Kowalsky Trosclair, Carlie embroidery: Hand 2012. Martina, Zavaglia, Cayce , 2008–10. Existing house, stainless steel, steel, wood, plywood, plywood, wood, steel, steel, stainless house, Existing 2008–10. , Safehouse Chin, Mel

Fall 2014 Fall September 5–December 28, 2014 5–December September Front Room Room Front von Brandenburg Ulla Mel Chin: Rematch Mel Since the 1970s, artist Mel Chin has influenced a Chin has influenced the 1970s, artist Mel Since art in conceptual artists interested of generation retrospective This major and political awareness. including works, Chin’s of some seventy-five features video, installation, paintings, sculptures, drawings, land-based major several and documentation of Themes such as and public collaborations. projects and empathy memory, violence, soil, alchemy, a new time in each reconfigured work, in his appear practice Chin’s showcases the exhibition and context, and re-examination. constant evolution of

All That Allows, Heaven

, installation view Open Plain, from installation view

Summer 2014 Summer May 9–August 10, 2013 9–August May Brenna Youngblood Brenna Front Room Room Front Audible Interruptions Audible Fort Gondo, 2013. Acrylic paint over wire, plastic and canvas, oil paint and and canvas, plastic wire, paint over Acrylic Gondo, 2013. Fort the artist. Courtesy variable. glass; dimensions tempered oil under gloves, vinyl Biennial Rivers Great Brandon Anshultz, Brandon Brandon Anschultz Brandon Carlie Trosclair Zavaglia Cayce Chin, jurors—Mel distinguished three Chosen by St. Warren—the Sims, and Lynne Stokes Lowery Rivers sixth Great the in featured artists Louis-based styles and media— of range a Biennial represent installation, and including painting, sculpture, creativity of wealth the embroidery—highlighting community. within our talent and artistic Cameron Fuller Cameron Paulsen Sarah McElwee Van

2013–14 Exhibitions 26 2013–14 Stroller Tours Designed for families with babies and young toddlers, Stroller Tours offer a way for parents and caregivers to Youth engage with contemporary art while introducing the youngest audiences to the Museum. Private tours focus on different aspects of the exhibitions each month, led by welcoming staff members who are aware of the & Family needs of young families. Morning Play Dates Morning Play Dates offer a playful introduction to the New Art in the Neighborhood Museum for children age two to five and their families. Since 1995, New Art in the Neighborhood has sought CAM partners with local artists and performers to to nourish the creative minds of our city’s talented present unique art activities and performances, engag- young artists. Every Saturday during the school year, ing the young audience in making their own art and in up to twenty teens selected through a competitive experiencing the Museum. application process come to CAM for pre-professional level art instruction with educational staff and visiting Free Family Days 28 2013–14 artists. This nationally acclaimed program engages Held twice a year, Free Family Days act as on-site out- 29 2013–14 students with the materials used at the forefront of art reach, introducing new families and communities to today, and it enables them to build a portfolio of work CAM in a fun, accessible way. Working with a variety they can use to apply to college or employment. of local artists and the New Art in the Neighborhood students, CAM presents an afternoon festival—featur- ArtReach ing activities such as face painting, dance workshops, CAM brings contemporary art and ideas directly to crafts, and museum tours—to a wide audience that St. Louis Public High School students through the encompasses all ages. ArtReach program. The program, which is tailored to meet the needs of individual schools and teachers, includes a curriculum-based program of museum tours, school visits, and workshops with artists-in-residence. The program is designed to provide opportunities Programs for raising student awareness of contemporary issues through an exploration of contemporary art.

Teen Museum Studies CAM offers an innovative way for teens to learn about museum careers with its Teen Museum Studies program. Held each summer, Teen Museum Studies offers a small group of teens the opportunity to learn from CAM staff members in all departments—from curatorial to public relations to accounting. The program culminates in an exhibition planned from start to finish by the teens in the program.

LEAP Middle School Intensive CAM’s newest education program, launched in fall 2012, is the LEAP Middle School Intensive. Designed for the young artist interested in an in-depth exploration of contemporary art practices and mediums, this ongoing after-school program gives students the opportunity to work closely with St. Louis-based artists and educators in an atmosphere of focused attention and mentorship. 31 Mesh 2013–14

Year in

Review

Contemporary Art Museum St. Louis, May 24–August 11, 2013. 11, 24–August May Louis, St. Museum Art Contemporary

view, installation , Dawn New Tomorrow’s Taanila: Mika

View all upcoming programs at at all upcoming programs View camstl.org/calendar. The first Friday of each month, 5:00–9:00 pm each of Friday first The June 27–29 June First Fridays Friday first the and culture art, music, of an evening Enjoy and with KDHX, DJs month. In partnership every of the exhibitions, to music responding musicians present open. are and café the bar and tours, lead Museum staff free are Center Grand throughout Arts organizations part- list of complete a For evening. the entire and open icipating institutions, visit firstfridaysgrandcenter.org. Open Studios STL Studios Open more features Open Studios STL year, its ninth in Now studios their who open artists St. Louis-based than 170 one the course of the public over to and art spaces open Saturday are spaces and gallery Studios weekend. with 29, 11:00 am–6:00 pm, June 28 and and Sunday, and open on Saturday Grand Blvd. locations east of CAM open on Sunday. Grand Blvd. of west locations June the Museum on Friday, at party kick-off will host a and share tours, guided of variety a 27, organize taking place events about artist-organized information the weekend. throughout Programs Preview

$75; $50 for members for $75; $50 March 10, 7:00 pm March November 15, 8:00 pm November students and members, NMC members, for $10 $20;

Each season, CAM presents an intimate four-course four-course an intimate presents Each season, CAM St. Louis’s one of by view the art on by meal inspired the most creative . Experience some of esteemed chefs one of incarnation of this new at town dining in as part of redesigned programs, most popular CAM’s critically CAM’s of celebration tenth-anniversary the Magazine acclaimed building. to Feast Special thanks support. and program media for

Feast Your Eyes Your Feast - wel CAM Music Circle, the New with In partnership Gibson and Luis film artists Sandra comes renowned light shifting abstract slowly will present who Recoder, and simple film projectors with created sculptures noted accompanied by are They mechanical means. musician, and sound artist electronic composer, Gibson, soundtrack. live a will provide who Block Olivia unique their will demonstrate and Block Recoder, workshop a hands-on film and sound at to approach as part is presented This program day. following the International Film Festival. the St. Louis of

Performance: Performance: Gibson, Block, Sandra Olivia

and Luis Recoder and Luis 2013–14

30 2013–14 Jeremy Deller: Joy in People “…one of the most enjoyable art shows of the year.” 2012–13 —The Guardian, December 2012 Highlights

CAM organized fourteen exhibitions and more than eighty public programs from July 1, 2012 to June 30, 2013. In addition to artist talks, curatorial tours, and film screenings, the groundbreaking and innovative programming included the US premiere of Jeremy Deller’s 32 Acid Brass concert, presidential debate- 33 watching parties, and an intimate performance Year in Review by rock legend Patti Smith. Year in Review

Jonathan Horowitz : Your Land/My Land: Election ‘12 “…a strange mélange of sculpture, town-hall-debate stage, interac- tive artwork and glorified television lounge.” —The New York Times, November 2012 Lari Pittman: A Decorated Chronology “CAM St. Louis’s modest survey… and its catalogue…promise to kick-start a nationwide reckoning with one of our greatest living artists.” —Artforum, May 2013

Leslie Hewitt: Sudden Glare of the Sun “Two multi-part works comprise this elegant, nuanced exhibit…” —Riverfront Times, September 2012

Rosa Barba: Desert—Performed Mika Taanila: “…a stunning multi-media Tomorrow’s New Dawn installation…almost hypnotic…” One of the “25 Most Anticipated —Temporary Art Review, Exhibitions Of The New Year” September 2012 —Huffington Post, December 2012 2012–13 Highlights Patti Smith reads from her memoir Just Kids in between songs, May 2013. Dada

Known for wild costumes and dancing into the night, the Dada Ball & Bash took on an additional British flair this year by taking its inspiration from spring exhibition Jeremy Deller: Joy in People. The gala fundraiser generated more than $430,000 through ticket sales, sponsorships, and auctions and had approximately |||CONTEMPORARY|ART|MUSEUM|ST.|LOUIS||| 750 attendees, with 500 people at the Ball and an additional 250 at the Bash after-party. All proceeds will The Dada Ball was chaired by Devon Fischer and Sam benefit CAM’s internationally recognized exhibitions Foxman. The Bash was chaired by Jim Arsenault, Kevin 34 and award-winning education programs. Byerley, and Bridget Melloy. Special thanks to Special 35 Events Committee Chair Phyllis Langsdorf. The lead Highlights of the evening included a live auction led by sponsor was Wells Fargo Advisors. Major funding for Year in Review Year in Review guest auctioneer Sarah Mudge Sapirstein of Phillips, a the Dada Ball & Bash was also provided by Alison and “fund the need” paddle raise that generated $67,000— John Ferring, Nancy and Kenneth Kranzberg, Novus the highest in the Museum’s history—and the Neiman International, Clare Davis and David Obedin, and Marcus fashion show, “The Art of Fashion,” curated Renaissance Financial. Special thanks to Major Brands, by Ken Downing, Neiman Marcus fashion director and retail sponsor Neiman Marcus, art auction preview international spokesperson. sponsors Aon and AIG, and TOKY for design services.

Thelma Golden, director and chief curator at The Studio Museum in Harlem, delivers CAM’s 2012 Susan Sherman Distinguished Speaker lecture, November 2012. Ball & Bash

Over 170 artists participated in Open Studios STL (pictured: Robert Longyear and Dickson Beall), June 2013.

First Fridays is a popular monthly event presented in partnership with Grand Center and KDHX. 37 Year in Review ✳ Deceased as of September 2013 September Deceased as of Best Transportation of St. Louis of Transportation Best Block Terrence and Susan Bradford and Gene Maria and Michael Brent Tamara Jack Burke and Sara Brian Byrne Bank Jürgen and Susan Cahan Danesh Sohaila Kathryn Dean Marjorie Eddy Eisel Tony Ann and Eulich John Muriel and Fischhoff Kathleen and David Fox and Gary Christy Fuerst Katherine and Peter Garland Alyson Gervais Barbara Gilb Marlene and Neal Glaser Andy Nancee and and Michael Gross Paula Grossman Jennifer Cap and Hendin Adam Hentz and Kurt Sara Christine House James Howard Cabanne and Kara McBride Jacobson and Joe Design Jamieson Interior Jamieson III James C. Jarrett Jeff Bettie S. Johnson Klearman Jeff and Glenda Kraftig Jim Krekeler and Pam Krusoe Jenny Lange Steven Jill Lebsack and Charles Lowenhaupt Rosalyn Susan and Dan Luedke Marusic and Branko Gina Boo McLoughlin Gaunce Jordan and Melandri Lisa Melloy Bridget Metcalfe Walter and Cynthia Waxer and Leon Nagasako Elna Jim O’Brien and Rita Pettus and Robert Sharon Marshall and Dana Reardon Kathy Ryhasiewicz Mark and Heather Susan and Benjamin Schwartz Derrick Sharp Philip Slein Brian M. Swift Thompson Russell Todd Adrienne Watson Shelby Anabeth Weil and John Weiss D. and Peter A. Horn Barbra Williams Ronda ✳ Amanda and Paul Cambridge Paul and Amanda Cervantes T. Barry Curlee and Durb Ellen Daniel & Henry Amit Dhawan Dingledine Travis and Quintus Drennan Carol Cole Durrill and Jennifer Stephen Emer Crawford Aaron and Eyerman Charlotte Friedman and David Paula Weisman Laurie Garland and Michael Gershman Bettie Givens and Shawn Givens Jan Leach Goldstein Jan and Rand Inc. Center, Grand Cheri Hoffman Jim Holbrook and Meredith Nicole Hollway Horowitz and Merle Margie Howard Sara Hughes and Greg Lynn Jack Shainman Gallery Johnston O. and Henry Sally Erin King Harris and Michelle Lowe David Lukeman Greg and Daniel Macia Alaina Maloney V. James and Gay Jacobs Marylen Mann and Franklin Matuschak Sandy McPheeters John Connie and Miles Joe and Carolyn Mitchell Jane and Steve Moorehouse Jennifer Neuman and Neal Pamela American North Breweries Prinster Tiffany Putzel and Paul Judy Rajendran Pradeep Ratcliffe Kitty Byerley Chloé Risto and Kevin Goldman and Roger Stephanie Riven Samuels David Justin Scarbrough See, Inc. Shannahan Carie and Mike and Mark Spreitler Karen Stephens Katherine and Howard Thomas and Ted Sissy Toolan Liz and Zariel Kathryn Trout Villa and Matt Laura Werremeyer Susan and Rob Winter Kathie and Richard Nicole Young Contributors ($250–$499) and Jim Arsenault Shelby Dennis Barnard Endowment Fund Endowment Benefactors ($500–$999) Benefactors Ackerman and Ronald Sandra Margaret M. Adams Sam Bae Barksdale Nini and Clarence Lumpkin Carmine Boccuzzi and Bernard Boekholt Alex and Natasha Sigrid Brooks Brown David John Brase and Edward Giganti and Edward Brase John Institut Goethe Good Terry Goodson Joan Granger Jim Karinn and Wasserman Gary and Greenbaum Sheila H. Grizzell John Hart Marcia Jensen and Richard Louise John G. Joyce Claudia KDHX 88.1 FM Kent Jerald and Judy Krosch and Gary Patty Levy and Mont Karen and Chak Lattanand Lim Tiya Jamie Lister and Carol MacLean Kimberly Marglous and Sawyer Jean Sue McCarthy Parking Valet Midwest J. Eleanor Moore Mulcahy J. Patrick Midge and Peck and Kevin Kelly Philip Slein Gallery Reed Jeff and Paula LLC Rungolee Sankovich Paul Beer Schlafly Schlafly David and Tricia Jr. Vincent Schoemehl, and Lois Schonwald Alexander and Sam Foxman Alison Sieloff Sinton and Peter Lisa Alvin Siteman and Ruth Spener Todd and Market Restaurant Sqwires St. American Louis Strauss Mary Stuckenschneider Ken Target Thoelke and Eric Mary Trapp and Greg Pam Sarah H. Trulaske Tuteur Susan and Peter Horn Van and Roger Renee Weil and Richard Josephine Barnes and Harper Weiss Roseann Education Youth M.D. Weiss D. Terry Root Jonathan Zimmerman and Deborah

Kelley Johnson Kelley James T. Espy T. James Fields and Larry Marilyn Marketworks Firecracker Gantt and David Sandra Gió Marconi Six-Eighteen Gallery B. Goodman Barbara Electric Graybar Greenberg Jan and Ronald and Matt Hall Lisa and Milton Hieken Barenholtz Barbara Suzanne and Jim Johnson and Co. LaCHEF Lazar Katherine and Marc Lehrer Joe and Sandy Levy Jerome Judith and LS Associates McDonald Margaret Nelson and David Rebecca K. Otto Jill and Lawrence Jacob Reby and Leslie William Shearburn Julie and Thad Simons and Betty Julian Schuster and Sanya Dispatch Post St. Louis Public Radio St. Louis Donald M. Suggs US Bank University Webster Anderson and Scott Weinberg Robin Jackie Yoon Patrons ($1,000–$2,499) Patrons Anonymous Dianna Adorjan and J. Joseph Foundation American-Scandinavian Novik and Steve Barancik Cathy Alan Ratchford and Baxter Kyle Jolly William and Beasley-Jolly Tania Jim Berges and Cathy Coomi and Sahil Bhasin and Charles Burson Bunny Caito Karin and Dave Carnahan Tom and Lisa LLC Productions, Contemporary Cornelius Joe and Lynn Davis Adrienne and A. Descours-Johnson Stephanie Dolan Larry Arnold Donald and Hazel Edgerton Jamey Jewelers Fine Heffern Elleard Inc. Elsevier Foundation Enterprise Holdings Susan Ferguson Forrester Margretta Fox Jeff and Lotta H. Friedman and Robert Lois Judith Gall

St. Louis Dorte and Jim Probstein and Dorte Financial Renaissance Arnold Fox John and Ruwitch Ann R. Siefert John Ann Srenco Mary and Andrew St. Louis of Foundation Trio The and Dick Miles Whitaker Pat Foundation Kemper T. William Curator Circle ($5,000–$9,999) Circle Curator Anonymous Corporation Aon Gladstone Gallery Barbara Bhasin Enterprises Inc Art Foundation The Broad Cahn and Paul Elissa Centene Charitable Foundation Communications Charter Trust Charitable Brown Dana Downing Ken Jones Edward Boeing of Fund Community Employees and Dale Fiehler Sharon Culture of Flemish Ministry Visual Art Frame Finland enterprise Brown’s Gavin Hurst Eva Kamra Atul Anjali and Kruszewski Ronald Langsdorf and Kenneth Phyllis Brands Major Art Marciano Collection Landsbaum and Leonard Moog Donna Projects Regen Business Council Regional Consulting RKL Roth Steve and Michael Staenberg Carol Studio 2108 LLC & Style Town US Bank Mortgage Home Fargo Wells Market Whole Foods Wolff and Gary Sherry Sustainers ($2,500–$4,999) Anonymous A. Benson Holly Nan E. Boileau Chick E. Boileau and Loran Nanette Cave Bryan Buckingham Asset Management Berlin | gebauer, carlier Carlson Andrew and Sarah Congruence, Inc. Finland of Consulate General and Charles Cook Barbara Foundation Taylor Crawford Drier Julie and David

the Visual Arts

Chairman Circle ($25,000+) Chairman Circle Foundation for Warhol The Andy CAM is grateful for the many donors the many for is grateful CAM year. this support who provided Obedin and David Davis Clare Emerson Ferring John Alison and Foundation Gateway Kranzberg and Kenneth Nancy Susan McCollum The Middle Fund state agency Arts Council, a Missouri Arts the National for Endowment Marcus Neiman Pulitzer Rauh Emily Arts Regional Commission Brown P. and Dwyer Reynolds Nancy Sherman III Susan and David A. Sinquefield and Rex Jeanne Soper Amy and Rob Advisors Fargo Wells Foundation Whitaker Foundation Weiss William E. Director Circle ($10,000–$24,999) Circle Director Anonymous ARCTURIS Council Arts and Education Charitable Foundation America Bank of The Boeing Company and Chris Poehler Susan Barrett M. Cossé and Erik Karanik Alexis Dentons Foundation Graham Firestone Elizabeth Morgan JP Lipton Ann and Randy Maritz and Mitchell Markow Joan Fund Monsanto L. Montupet Jean-Paul Isabelle and International, Inc. Novus PNC Foundation 2012–13 Giving Annual

36 Year in Review Revenues Where Funding Comes From (%) Annual Individual contributions $535,469 Grants & sponsorships $655,468 4 Investment income $491,362 Earned income Public funding $265,825 Fundraising events (net) $256,241 11 Report Earned income $99,071 Fundraising events (net) 29 Total revenues $2,303,436 Grants & 12 Scholarships 2012–13 Public funding Contemporary Art Museum St. Louis 38 21 23 39 Investment Individual Fiscal year July 1, 2012– income contributions Year in Review June 30, 2013 Year in Review

523 Expenses Where Funding Goes (%) Members Exhibitions & programs $1,996,287 Administration $115,063 Fundraising $240,248 5 124,921 Total expenses $2,351,598 Administration 24,175 Unique visitors 10 Total attendance to camstl.org Fundraising 9,261 10,574 Public program Facebook fans attendance (as of Sep 2013) 85 Exhibitions & programs 2,204 7,451 Net Assets

Students served through Twitter followers Beginning of year $12,493,670 education programs (as of Sep 2013) End of year $12,445,508 Victoria Donaldson Mary Keen Jen Meyer Ron Gore Alyssa Knowling Cheresse Pentella CAM Jordan Jacks Ryan Neely Dorte Probstein Make a night of it! Every first Friday Josef Kanak Sherry O’Connell Alan Ratchford of the month, museums and Chris Lujan Maggie Officer Justin Scarbrough galleries in Grand Center are free and People Dani Radoshevich Robert Reavis Susan Sherman open until 9:00 pm. Shelby Schroll Kendra Reed Philip Slein Jamie Wiechens Felicia Reum Rob and Amy Soper Austin Roberds Ellen Soule Bruno David Gallery Interns Chris Ryan Mary Ann Srenco Contemporary Art Museum St. Louis Alina Cohen Jennifer Sheely Eric Thoelke Craft Alliance Christine Collins John Skaggs Edie Thompson Museum of Contemporary Religious Art Abby Detweiler Elizabeth Sutton Joan Tracy Claire Fox Norma Vance Susan Werremeyer Portfolio Gallery Kate Goldkamp Lulu Westbrook The Pulitzer Foundation for the Arts Faith Herrera Samuel A. Zinkan 2013 Dada Bash Committee Saint Louis University Museum of Art Laura Jablonski Jim Arsenault, Co-Chair Sheldon Art Galleries Amelia Colette Jones Junior Board Members Kevin Byerley, Co-Chair Megan Koboldt Jim Arsenault Bridget Melloy, Co-Chair Sophie Lipman Kevin Byerley Eric Barr

40 Mesh Victoria Liu Paul J. Cambridge Paul Cambridge Staff Christine Lujan Adam Hendin John Carroll Lisa Melandri, Director Nelleke Mack Jeff Jarrett Stav Dor Brie Alley, Assistant Director Madison Mann Bridget Melloy Carine Doyle of Development Brianne Moylan Tara Pham Amelia Glass Alex Elmestad, Manager of Katherine Nachbar Pradeep Rajendran Rhiannon Gurley Public Programs Alexander Phillips Amy Soper Beth Ingram and Interpretation Danica Radoshevich Brian M. Swift David Johnson Alex Ihnen, Director of Bre Revell Adrienne Todd Chris LeBeau Illustration Development Natalia Roberts Todd Wolff Abbey Lemmons Unitey Kull, Director of Maria Rogers Becca Levy Marketing and Netta Sadovsky 2013 Dada Ball Committee Julie Mannarino Audience Development Julie Schnabel Devon Fischer, Chair Courtney Meyer Ida McCall, Shelby Schroll Sam Foxman, Chair Mollie Mohan PR/Marketing Manager Anna Shaver Phyllis Langsdorf, Special Kelly Peck BJ Nebrida, Gwen Unger Events Committee Chair Lesley Poggemoeller Facilities Coordinator Leslie Wilson Allen Barber Chloé Risto Tuan Nguyen, Melanie Woody Susan Barrett Shelby Watson Director of Education Dawn Brandt Ronda Williams ✳ De Andrea Nichols, Volunteers Samantha Chadwick Seth Williams Education Assistant and Kathy Budai Alexis Cossé Outreach Coordinator Sandy Butler Clare Davis and David Obedin ✳ Deceased as of Carianne Noga, Venetia Conyer Amit Dhawan September 2013 Visitor Services Manager Madeline Dierker Shereen Fischer Kelly Shindler, Victoria Donaldson Laurie Garland Associate Curator Arthurina Fears Jan Leach Givens David Smith, Registrar Missy Fish Jan Goldstein Mary Walters, Director of Holly Foster Barbara B. Goodman Finance and Administration Gina Gottlob Jan Greenberg Congratulations Melanie Woody, Sara Gulbrandsen John Grizzell Development Assistant Rhiannon Gurley Matt Hall Kris Hansford Sara Hentz to CAM on a great Lead Visitor Jonathan Havlik Meredith Holbrook Service Associates Laura Jablonski Cabanne Howard first decade! Ann Blakemore Jim Jeske James C. Jamieson Matthew Hannon Aida Jones Anjali Kamra Tim Young Dorcy Jones Katherine and Marc Lazar Bella Kanak Tiya Lim Alison and John Ferring Visitor Service Associates Josef Kanak Greg Lukeman Erin Alderson Milena Kanak Margaret McDonald Using creative business and personal planning, we help our clients achieve financial freedom . . . one relationship at a time.

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orApp Store Google Play Free museum admission Free guest passes free (4) Four member to exclusive Invitations including and programs, events and the Curators with Breakfast Previews Opening Night Member Discounts on exhibition fees and education program Discounts in the gift shop and café Membership of work the members support CAM artists. most innovative today’s some of thriving art to a contribute Members it and make scene in St. Louis to bring contemporary us for possible community. thousands in our to art receive: Members All CAM — — — — — Connect with CAM Visit camstl.org @contemporarystl on Twitter Follow contemporaryartmuseumstl Like on Facebook at camstl.org/news enews for Sign up app STL the CAM Download the from to 1-170 south I-270 Directions the North From - south. Pro Boulevard to Grand I-70 Take three approximately ceed south on Grand Washington right onto (west) Turn miles. Take Boulevard. Take Parkway. Park at Forest and exit Vandeventer to east Parkway Park Forest and proceed (north) left Turn Avenue. one approximately right Turn Boulevard. Washington to mile Boulevard. Washington on (east) the South From the Take I-55 north to west. I-44 Take exiting (upon north exit Boulevard Grand on turn right). Proceed the highway reach you until Boulevard Grand (west) left Turn Boulevard, Washington Boulevard. on Washington the East From I-44 to I-64/US 40 or Highway Take north. Proceed Boulevard Grand Washington reach you until on Grand onto (west) left Turn Boulevard. Boulevard. Washington From the West to Grand east I-44 I-64/US 40 or Take you until on Grand Proceed Boulevard. left Turn Boulevard. Washington reach Boulevard. Washington onto (west) to 1-170 south east to 1-70 I-270 Take Take Parkway. Park at Forest and exit Vandeventer to east Parkway Park Forest right Turn (north). turn left and Avenue Boulevard. Washington onto (east)

Hours 11–6 Wednesday 11–9 and Friday Thursday 10–5 and Sunday Saturday Admission members CAM for Free $5 adults $3 seniors and students children for Free valid ID) (with visitors every all for Free and Saturday Wednesday and Parking Address Art Museum St. Louis Contemporary Boulevard 3750 Washington MO 63108 St. Louis, just Center, is located in Grand CAM of the corner at Theater, the Fox of west and Washington Spring Avenue on parking is available Free Boulevard. Boulevard Washington along the street also Visitors may Avenue. and Spring parking numerous of advantage take district. Center the Grand in lots Visitor & Member Information

©2013 Wells Fargo Advisors, Fargo Member LLC. SIPC. Wells ©2013 1013-02145 [87128-v2] Congratulations to CAM on 10 artfully brilliant brilliant on 10 artfully CAM to Congratulations home. sweet home in its years more beautiful St. Louis beautiful more we invest in a stronger, better, better, a stronger, in invest we When we invest in the arts, in the invest we When Non Profit Org. Profit Non Postage U.S. PAID MO St. Louis, 364 No. Permit 2003 2013

St. Louis, MO 63108 MO St. Louis, | camstl.org 314.535.4660 Contemporary Art Art Contemporary Museum St. Louis Museum Blvd Washington 3750

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