MUSIC 2020

Leonard Bernstein and Washington, DC Works, Politics, Performances Augusta Browne The first comprehensive biography of an antebellum American woman composer Telemann Compendium The first guide to research on Telemann in any language Beethoven’s 250th A salute to the legendary composer

PLUMBAGO BOOKS CONTENTS

Aaron Copland and the American Legacy of MUGMON 9 Karl Muck Scandal BURRAGE 7

Aaron Copland’s Hollywood Film Scores MUSEGADES 9 Kitty Clive, or The Fair Songster JONCUS 12

Adolf Busch POTTER 8 and Washington, DC WEAVER / KOPFSTEIN-PENK / ABRAHAM 9 “Allegri’s Miserere” in the Sistine Chapel O’REILLY 3 Listen with the Ear of the Heart GUARINO 14 Anneliese Landau’s Life in Music HIRSCH 9 Liszt and Virtuosity DORAN 5 Augusta Browne MILLER 6 Liszt’s Representation of Instrumental Sounds on the Piano KIM 6 Bach and Mozart MARSHALL 4 Maurice Duruflé FRAZIER 15 Bach’s Famous Choir MAUL / HOWE 4 Music, Indigeneity, Digital Media HILDER / STOBART / TAN 13 Beethoven’s Cello MOSKOVITZ / TODD 16 Music, Myth and Story in Medieval and Early Modern Culture Beethoven’s Chamber Music in Context WAT SON 16 BUTLER / BASSLER 3

Beethoven’s Conversation Books ALBRECHT 16 Musical Exchange between Britain and Europe, 1500-1800 Beethoven’s String Quartet in B Flat Major, Op. 130 KELLER / WINTLE 16 CUNNINGHAM / WHITE 11

Before the Baton HOLMAN 4 Musical Journeys SCHEDING 11

Beyond Fingal’s Cave PORTER 12 Musical Salon Culture in the Long Nineteenth Century BUNZEL / LOGES 6

Brahms and His Poets LOGES 15 Musical Theater in Eighteenth-Century Parma BUTLER 12

Brahms’s A German Requiem LOTT 6 Music and Faith ARNOLD 11

British Music after Britten WHITTALL 10 Music for St Cecilia’s Day WHITE 4

Cheer Up! WRIGHT 13 Music in Elizabethan Court Politics BUTLER 14

City Songs and American Life, 1900-1950 LASSER 13 Music in Their Time LLOYD / SPARKES / SPARKES 8

Claude Debussy LESURE / ROLF 7 Music in Vienna JONES 14

Composing History HECKERT 11 Music of James MacMillan COOKE 10

Composing Myself and Other Texts PANUFNIK / ANDERSON 9 Music of Peter Maxwell Davies JONES / MCGREGOR 10

Coquettes, Wives, and Widows RAY 12 Nadia Boulanger BROOKS / FRANCIS 8

Critical Companion to Medieval Motets HARTT 3 Operas of GUILLAUMIER 12

Cyril Scott Companion SCOTT / FOREMAN / DE’ATH 8 Opposing Apartheid on Stage FLEMING 12

Dedicating Music, 1785-1850 GREEN 5 Organ-building in Georgian and Victorian England THISTLETHWAITE 5

Discovering Berlioz CAIRNS 5 WAT SON 7

Drama in the Music of Franz Schubert DAVIES / SOBASKIE 5 Piety and Polyphony in Sixteenth-Century Holland JAS 4

Engelbert Humperdinck MELTON 7 Postmodernity’s Musical Pasts FRÜHAUF 11

From Silence to Sound YUDKIN 16 Richard Wagner in Paris COLEMAN 6

Gay Guerrilla PACKER / LEACH 15 Segovia Manuscript FUHRMANN / URCHUEGUÍA 3

George Rochberg, American Composer WLODARSKI 9 Self-Quotation in Schubert MESSING 5

Gregory Haimovsky SILVERMAN 10 Sir Henry Wood FRENCH 8

Harmonious Musick of John Jenkins ASHBEE 3 Songs for a Revolution JOHN / ROBB 11

Heinrich Neuhaus RAZUMOVSKAYA 8 Telemann Compendium ZOHN 4

Heinrich Schenker’s Conception of Harmony WASON / BROWN 13 Tuning the Kingdom KAFUMBE 13

Howard Skempton CAVETT / HEAD 10 Verse and Voice in Byrd’s Song Collections of 1588 SMITH 14

Italian Guitar Music of the Seventeenth Century EISENHARDT 14 Widor NEAR 15

Janáček Compendium SIMEONE 7 Widor on Organ Performance Practice and Technique NEAR 7

Julian Anderson ANDERSON / DINGLE 10 With Mornefull Musique GRAPES 3

Cover image: Leonard Bernstein on the White House lawn with the Presidential Scholars, June 10, 1964. Courtesy of the Leonard Bernstein Office and the White House Press Office.

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PREVIOUSLY ANNOUNCED NEW PREVIOUSLY ANNOUNCED A Critical Companion “Allegri’s Miserere” in With Mornefull Musique to Medieval Motets the Sistine Chapel Funeral Elegies in Early Edited by JARED C. HARTT GRAHAM O’REILLY Modern England Motets constitute the most The Miserere attributed to the K. DAWN GRAPES important polyphonic genre Italian composer Gregorio This book looks at the of the thirteenth and Allegri (1582-1652) is one of musical culture of death in fourteenth centuries, the most popular, often early modern England. In intrinsically involved in its performed and recorded particular, it examines early development. This choral pieces of late musical funeral elegies and volume aims to provide a Renaissance/early Baroque the people related to comprehensive guide to music. This book is the first commemorative tribute – the them, from a number of detailed account of this departed, the composer, different disciplines and perspectives. It addresses iconic work’s performance history in the Sistine potential patrons, and friends such crucial matters such as how the motet Chapel, in particular focussing on its heyday in and family of the deceased – to determine the developed; the rich interplay of musical, poetic, the eighteenth and nineteenth centuries. Rather place these musical-poetic texts held in a society and intertextual modes of meaning specific to the than looking at the Miserere as a work on paper, in which issues of death were discussed regularly, genre; and the changing social and historical the key to its genesis – as this book reveals – can producing a constant, pervasive shadow over circumstances surrounding motets in medieval only be found in a performance context. The book everyday life. France, England, and Italy. concludes with a look at today’s performance K. DAWN GRAPES is Assistant Professor of Music practice. Appendices present key source JARED C. HARTT is Associate Professor of Music History at Colorado State University. Theory at the Oberlin College Conservatory of transcriptions and two performance editions. $99.00/£60.00(s) November 2018 Music. GRAHAM O’REILLY is founder and conductor 978 1 78327 351 5, library e-book 978 1 78744 324 2 For a full list of contributors, please visit of the French-based Ensemble William Byrd, 8 b/w illus.; 290pp, 23.4 x 15.6, HB www.boydellandbrewer.com which recorded the Miserere from a late Vatican Music in Britain, 1600-2000 $99.00/£60.00(s) May 2018 manuscript in 2000. 978 1 78327 307 2 10 b/w illus.; 420pp, 24 x 17, HB $80.00/£45.00(s) May 2020 Studies in Medieval and Renaissance Music 978 1 78327 487 1 30 b/w illus.; 368pp, 23.4 x 15.6, HB PREVIOUSLY ANNOUNCED Music, Myth and Story in Medieval NEW and Early Modern Culture NEW Edited by KATHERINE BUTLER The Segovia Manuscript The Harmonious Musick & SAMANTHA BASSLER A European Musical of John Jenkins Myths and stories offer a Repertory in Spain, c.1500 window onto medieval and Volume Two: The Fantasia-Suites Edited by WOLFGANG FUHRMANN early modern musical & CRISTINA URCHUEGUÍA ANDREW ASHBEE culture. Far from merely John Jenkins (1592–1678) was both the most offering material for musical The Segovia Manuscript settings, authoritative tales (Cathedral of Segovia, prolific and the most esteemed of English composers in the fifty years or so between the from classical mythology, Archivo Capitular) has ancient history and the Bible puzzled musicologists ever death of Byrd and the rise of Purcell. During his long life he was employed as a resident musician were treated as foundations since its rediscovery at the for musical knowledge. Looking beyond the beginning of the twentieth in households of the nobility, where his duties would include the composing and copying of well-known figure of , this collection century. It is unique: no other explores the myriad stories that shaped not only manuscript of the period music. Although elderly, Jenkins briefly became a court musician to Charles II. musical thought, but also its styles, techniques, transmits a comparable blend and practices during this period. It shows that Jenkins’ preferred medium was instrumental of late fifteenth-century music consisting of 204 music itself performed and created knowledge in music, and he came to maturity in the 1620s, sacred works and vernacular pieces in Flemish, ways parallel to myth, and worked in tandem with when the consort fantasia of viols was in its prime. French, Italian, and Spanish. The essays here aim to old and new tales to construct social, political, This book – the second in a two-volume study treat every dimension of this fascinating source. and philosophical views. New discoveries help date the manuscript and of Jenkins and his music – focuses on Jenkins’ KATHERINE BUTLER is a senior lecturer in music explain how it came to Segovia; particular attention prodigious output of fantasia-suites. It is profusely at Northumbria University. SAMANTHA BASSLER is paid to the main scribe, now determined to be illustrated with music examples, and virtually is a musicologist of cultural studies, a teaching Flemish, and his relation with northern composers every work receives individual comment. artist, and an adjunct professor in the New York and repertory; and the vexed question of the $59.00/£45.00(s) November 2019 metropolitan area. conflicting attributions is considered afresh. 978 0 90768 947 8 8 b/w & 82 line illus.; 320pp, 22 x 14, HB For a full list of contributors, please visit WOLFGANG FUHRMANN is Professor of www.boydellandbrewer.com. TOCCATA PRESS Musicology at Leipzig University. CRISTINA $99.00/£60.00(s) March 2019 URCHUEGUÍA is Professor of Musicology at the 978 1 78327 371 3, library e-book 978 1 78744 440 9 University of Bern. 10 colour illus.; 5 b/w illus.; 342pp, 23.4 x 15.6, HB For a full list of contributors, please visit Studies in Medieval and Renaissance Music www.boydellandbrewer.com $99.00/£60.00(s) November 2019 978 1 78327 463 5, library e-book 978 1 78744 551 2 24 b/w illus.; 350pp, 23.4 x 15.6, HB Studies in Medieval and Renaissance Music www.boydellandbrewer.com 3 EARLY MUSIC / 18TH CENTURY MUSIC

PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED NEW Piety and Polyphony in Music for St Cecilia’s Day Bach and Mozart Sixteenth-Century Holland From Purcell to Handel Essays on the Enigma of Genius The Choirbooks of BRYAN WHITE ROBERT L. MARSHALL St Peter’s Church, Leiden This book examines the The essays in this volume, by ERIC JAS social, cultural and religious one of America’s leading The musical culture of the significance of celebrations of authorities on Bach and Low Countries in the early St Cecilia’s Day in the British Mozart, serve a single modern period was a Isles and explores the music objective: to promote a flourishing one, apparent and poetry that originated deeper understanding of beyond the big cathedrals and from them. The annual feasts those two great composers monasteries, and reaching of the Musical Society are both as supremely gifted down to smaller parish analysed in detail, as is the creators and as human churches. Unfortunately, very role they played in the development of the ode. beings. After a preliminary historiographical few manuscripts containing The book also considers how advances in musical contemplation of the “Century of Bach and the music have survived from the period, and what culture in London were imitated in the provinces, Mozart,” fifteen numbered chapters follow in we know rests to a considerable extent on six music and provides a detailed discussion of the variety roughly chronological succession. Among the books preserved from St Peter’s Church, Leiden. of Cecilian celebrations held at provincial centres issues addressed: the artistic consequences of This volume presents a study of the books, putting throughout the British Isles. Bach’s orphanhood, his relationship to Martin them into a wider context, looking at their contents BRYAN WHITE is Senior Lecturer in Music at the Luther, his attitude toward Jews, his relationship (including works by such composers as Josquin des University of Leeds. to his sons, the stages of his stylistic development, Prez and Clemens non Papa), and showing how A fascinating account of British music seen through and his position in the history of music; and, they were used. It also offers insights into the laity’s the prism of compositions written specifically to moving to Mozart, the composer’s portrayal in involvement with music and the church at the time. celebrate the feast of the patroness of music St Amadeus, his wit, his indebtedness to J. S. Bach, and aspects of his compositional process. ERIC JAS is a lecturer in music at the University of Cecilia . . . exemplary scholarship . . . that will Utrecht. enhance the bookshelves of any interested reader. The volume concludes with a factually informed BRITISH MUSIC SOCIETY speculation about what Mozart is likely to have $99.00/£60.00(s) November 2018 978 1 78327 326 3, library e-book 978 1 78744 319 8 $80.00/£45.00(s) February 2019 done and to have composed, had he lived on for 43 b/w illus.; 432pp, 23.4 x 15.6, HB 978 1 78327 347 8, library e-book 978 1 78744 503 1 another decade or more. Studies in Medieval and Renaissance Music Personal e-book 978 1 78744 524 6 ROBERT L. MARSHALL is Sachar Professor of 15 b/w illus.; 399pp, 23.4 x 15.6, HB Music in Britain, 1600-2000 Music Emeritus, Brandeis University. $49.95/£30.00 September 2019 978 1 58046 962 3 NEW 7 b/w illus.; 356pp, 9 x 6, HB Eastman Studies in Music The Telemann Compendium NEW STEVEN ZOHN Before the Baton The Telemann Compendium Musical Direction and Conducting PREVIOUSLY ANNOUNCED is the first guide to research in Stuart and Georgian Britain on the composer in any Bach’s Famous Choir language. Although the PETER HOLMAN scholarly ‘Telemann The focus of this book is on The Saint Thomas School Renaissance’ is now a direction in two strands of in Leipzig, 1212-1804 half-century old, there has music making in Stuart and MICHAEL MAUL never been a book intended Georgian Britain: choral Translated by RICHARD HOWE to serve as a gateway for music from Restoration The musical, social and political further study and the field of Telemann studies cathedrals to the oratorio history of the renowned St has been slow to develop in the English-speaking tradition deriving from Thomas School and Church. world. And yet the veritable explosion of Handel, and music in the MICHAEL MAUL is Senior performances, both live and recorded, of the theatre from the Jacobean Scholar at the Bach-Archiv composer’s music in recent decades has won him masque to nineteenth-century opera. Part social Leipzig and lecturer in an ever-increasing following among musicians and musical history based on new research into musicology at the universities and concert-goers worldwide. As with other surviving performing material, documentary of Leipzig/Halle. He is also books in the Composer Compendia series, the sources and visual evidence, and part polemic the artistic director of the book includes a brief biography, dictionary, intended to question the use of modern baton annual Leipzig Bach Festival. works-list, and selective bibliography. conducting in pre-nineteenth-century music, STEVEN ZOHN is Laura Carnell Professor of Before the Baton throws new light on many This is a book that was just aching to be written. Music History at Temple University. hitherto dark areas, though the heart of the book Originally in German, at last we have the long- awaited English edition of it that sheds considerable $99.00/£55.00(s) January 2020 is an extended discussion of the evidence relating 978 1 78327 446 8, library e-book 978 1 78744 705 9 to Handel’s operas, oratorios and choral music. light on a great institution which, by its existence, 15 b/w illus.; 304pp, 23.4 x 15.6, HB PETER HOLMAN is Emeritus Professor of had been a catalyst for and source of musical Historical Musicology at Leeds University. creativity that had acquired a significant standing throughout Germany long before Bach arrived on $90.00/£50.00(s) March 2020 978 1 78327 456 7, library e-book 978 1 78744 630 4 the scene in 1723. LONDON BACH SOCIETY 50 b/w illus.; 410pp, 23.4 x 15.6, HB $95.00/£55.00(s) November 2018 Music in Britain, 1600-2000 978 1 78327 169 6, library e-book 978 1 78744 436 2 68 b/w illus.; 462pp, 23.4 x 15.6, HB

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NEW NEW NEW Organ-building in Georgian Self-Quotation in Schubert Discovering Berlioz and Victorian England “Ave Maria,” the Second Piano Essays, Reviews, Talks The Work of Gray and Trio, and Other Works DAVID CAIRNS Davison, 1772-1890 SCOTT MESSING For the past half-century and NICHOLAS THISTLETHWAITE Enthusiasts and experts have more David Cairns has been This book charts the firm’s long relished Schubert’s one of the world’s pre- evolution from a typical quotations of his own music. eminent Berlioz scholars, instrument-making This study centers on a translating Berlioz’s workshop of the mid- previously unidentified freewheeling memoirs and Georgian period into a pairing: “Ave Maria,” one of writing a monumental Victorian organ factory. At his most beloved songs, and biography of the composer the same time, it describes the Piano Trio no. 2, a that earned a procession of changes in musical taste and masterpiece that holds a awards. In Discovering Berlioz, Cairns presents organ design and liturgical unique position in his career. Messing’s Self- nearly 40 essays from the past five decades that use. Among other topics, the book discusses Quotation in Schubert interrogates the concept of even now throw unexpected light on this most provincial music festivals, the town hall organ, self-quotation from the standpoints of quixotic and profound of composers – firebrand domestic music-making and popular terminology and authorial intent, and it and philosopher almost in the same breath. entertainment, the building of churches and the demonstrates, for the first time, how Schubert’s These articles follow the chronology of Berlioz’s impact on church music of the Evangelical and practice of self-quotation relates to prevailing life, examine the influences of his provincial Tractarian movements. It will appeal to organ practices in the late eighteenth and early childhood on his music, the revelations of aficionados interested in historical organ nineteenth centuries. Messing goes on to analyze Virgil, Gluck, Shakespeare and Beethoven, the manufacturing, design and workshop practice as in detail the musical relationships between the two tribulations of his professional life in Paris, and well as scholars of eighteenth- and nineteenth- works and to investigate the circumstances that led finally focus on the masterpiece that crowned century music and cultural historians. Schubert to compose each of them. Berlioz’s difficult life, the operatic epic Les NICHOLAS THISTLETHWAITE has written SCOTT MESSING is Charles A. Dana Professor of Troyens. Discovering Berlioz also charts the extensively on the history of the English organ Music Emeritus at Alma College. history of Berlioz reception: the composer who and other aspects of English church music, and $110.00/£90.00(s) May 2020 in the mid-twentieth century was regarded as an his book, The Making of the Victorian Organ 978 1 58046 965 4 eccentric outsider is now seen as one of the most (1990) is recognised as the standard work on the 302pp, 9 x 6, HB vital figures in the history of western music – a Eastman Studies in Music subject. re-assessment for which David Cairns himself deserves much of the credit. $115.00/£65.00(s) February 2020 978 1 78327 467 3, library e-book 978 1 78744 667 0 $59.00/£39.50 November 2019 99 b/w illus.; 564pp, 23.4 x 15.6, HB 978 0 90768 958 4 Music in Britain, 1600-2000 PREVIOUSLY ANNOUNCED 100 b/w & 5 line illus.; 300pp, 16.5 x 25.4, HB Drama in the Music TOCCATA PRESS of Franz Schubert PREVIOUSLY ANNOUNCED Edited by JOE DAVIES NEW & JAMES WILLIAM SOBASKIE Dedicating Music, 1785-1850 This book provides a timely Liszt and Virtuosity EMILY H. GREEN re-evaluation of Schubert’s Edited by ROBERT DORAN The use of title page operatic works, while In the annals of music history, Franz Liszt has dedications in the late demonstrating previously long dominated the discussion of virtuosity. This eighteenth- and early unsuspected locations of collection of new essays by an international group nineteenth-century dramatic innovation in his of preeminent scholars offers a reevaluation of marketplace for printed vocal and instrumental the concept and practices of virtuosity in the music reflects a changing music. The volume draws on works of Liszt and other major and lesser-known financial and aesthetic a range of critical approaches musical figures (including Czerny, Schubert, landscape in which patronage and techniques, including semiotics, topic theory, Paganini, Berlioz, Chopin, Brahms, Debussy, and was waning and independent literary criticism, narratology, and Schenkerian Marie Jaëll). Set in the context of larger trends artistry surging. Title-page dedications designated analysis, to situate Schubertian drama within its within music history, analysis, and performance written music as a noncommodifiable gift while musical and cultural-historical context. In so studies, these wide-ranging explorations show the presenting composers with opportunities for doing, the study broadens the boundaries of what significance of Lisztian virtuosity for the music self-promotion. They also contributed to a new might be considered ‘dramatic’ within the world today. kind of branding by communicating composers’ composer’s music and offers new perspectives for ROBERT DORAN is Professor of French and friendships and artistic allegiances. Dedicating its analysis and interpretation. Comparative Literature at the University of Music considers dedications issued in print JOE DAVIES is College Lecturer in Music at Lady Rochester and an affiliate faculty member in the between 1785 and 1850 in sets of overlapping Margaret Hall, University of Oxford. Music Theory Department at the Eastman School corpuses: offerings to peers, patrons, and friends, JAMES WILLIAM SOBASKIE is Associate Professor of Music. and dedications issued by publishers. of Music at Mississippi State University. $125.00/£95.00(s) June 2020 EMILY H. GREEN is Assistant Professor of Music at For a full list of contributors, please visit 978 1 58046 939 5 George Mason University. www.boydellandbrewer.com. 304pp, 9 x 6, HB Eastman Studies in Music $95.00/£75.00(s) May 2019 $99.00/£70.00(s) February 2019 978 1 58046 949 4 978 1 78327 365 2, library e-book 978 1 78744 439 3 17 b/w illus.; 260pp, 9 x 6, HB 378pp, 24 x 17, HB Eastman Studies in Music www.boydellandbrewer.com 5 19TH CENTURY MUSIC

PREVIOUSLY ANNOUNCED NEW NEW Liszt’s Representation Augusta Browne Brahms’s A German Requiem of Instrumental Sounds Composer and Woman of Letters Reconsidering Its Biblical, on the Piano in Nineteenth-Century America Historical, and Musical Contexts Colors in Black and White BONNY MILLER R. ALLEN LOTT HYUN JOO KIM Augusta Browne’s five-decade Despite its entirely biblical This book provides a career in music and letters text, Brahms’s A German comprehensive survey of reveals a gifted composer and Requiem is widely considered Liszt’s reworking of author. Hailed as “one of the to espouse a theologically instrumental colors and most prolific women universal view. Lott idiomatic gestures. It relates composers in the USA before systematically documents the Liszt’s sonic reproductions to 1870,” Augusta Browne Requiem’s early performance the widespread nineteenth- Garrett (c. 1820-1882) was history, critical reception, century interest in visual-art also a dedicated music and musical style, revealing reproduction. Hyun Joo Kim educator and music journalist. The Americanness that the work was widely regarded as a Christian illustrates Liszt’s diverse approaches to the of her story resounds across the decades: an and, indeed, a specifically Protestant one. Lott also integrity of the music in a detailed, insightful, and earnest little girl growing up amidst a troubled explains how a knowledge of the biblical context vivid manner through close study of his family business; a young professor of music who of Brahms’s selected verses leads to a thorough arrangements of Beethoven’s symphonies and burst onto the New York City musical scene; and reappraisal of Brahms’s masterpiece. Rossini’s Guillaume Tell Overture, his two-piano an entrepreneur who resolutely sought R. ALLEN LOTT is Professor of Music History arrangements of his own symphonic poems such publication of her music and prose to her final in the School of Church Music and Worship at as Mazeppa and Hunnenschlacht, and his day. In this book, author Bonny Miller presents Southwestern Baptist Theological Seminary in Hungarian Rhapsodies. Browne’s unfamiliar story, assesses her musical Fort Worth. works, and describes her literary publications. HYUN JOO KIM holds a PhD from Indiana $125.00/£95.00(s) March 2020 University and is an independent scholar in Seoul, BONNY H. MILLER is a pianist and independent 978 1 58046 986 9 15 b/w illus.; 506pp, 9 x 6, HB South Korea. scholar who has taught at universities in Georgia, Florida, Louisiana, and Virginia. Eastman Studies in Music $90.00/£75.00(s) March 2019 978 1 58046 946 3 $125.00/£95.00(s) May 2020 3 b/w illus.; 238pp, 9 x 6, HB 978 1 58046 972 2 Eastman Studies in Music 20 b/w illus.; 427pp, 9 x 6, HB Eastman Studies in Music PREVIOUSLY ANNOUNCED Musical Salon Culture in the NEW Long Nineteenth Century Edited by ANJA BUNZEL Richard Wagner in Paris & NATASHA LOGES Translation, Identity, Modernity Drawing on a wide range of JEREMY COLEMAN scholarly approaches, this book uses the idea of the Friedrich Nietzsche more salon as a springboard to than once claimed that examine issues such as Wagner’s only true home was gender, religion, biography Paris. This book is the first E-BOOKS and performance; to explore major study to trace Wagner’s the ways in which the salon relationship with Paris from was represented in different his first sojourn there media; and to showcase the heterogeneity of the (1839-1842) to the Paris salon through a selection of case studies. It offers Tannhäuser (1861). How did reconsiderations of familiar salons based in large Wagner’s experiences in Paris influence his works cultural centres, as well as insights into lesser- and social character? And how does his sometime known salons in both Europe and the United desire for recognition by the French cultural States. Bringing together an international group of establishment square with his German national scholars, the collection underscores the enduring identity and with the related idea of a universally impact of the European musical salon. valid art? Through an examination of previously neglected source materials, the book engages with ANJA BUNZEL holds a research position at the ideas in the so-called ‘Wagner debate’ as an Czech Academy of Sciences. NATASHA LOGES is Head of Postgraduate Programmes at the Royal ongoing philosophical project that tries to come In order to give librarians and to terms with the composer’s Germanness. College of Music, London. researchers a real choice, many of For a full list of contributors, please visit JEREMY COLEMAN gained his PhD from King’s the books in this catalogue will be www.boydellandbrewer.com. College London and is a Teaching Fellow in Music available as eBooks. $115.00/£65.00(s) April 2019 at the University of Aberdeen. 978 1 78327 390 4, library e-book 978 1 78744 534 5 $90.00/£50.00(s) October 2019 Librarians should contact their 35 b/w illus.; 302pp, 23.4 x 15.6, HB 978 1 78327 442 0, library e-book 978 1 78744 589 5 usual suppliers for further details of 1 b/w illus.; 219pp, 23.4 x 15.6, HB availability and price. A small selection of eBooks are available to buy directly from us at www.boydellandbrewer.com

6 www.boydellandbrewer.com 19TH - 20TH CENTURY MUSIC

PREVIOUSLY ANNOUNCED NEW PREVIOUSLY ANNOUNCED Widor on Organ Performance Humperdinck Practice and Technique A Life of the Composer A Critical Biography JOHN R. NEAR of Hänsel und Gretel FRANÇOIS LESURE In his Preface to the complete WILLIAM MELTON Translation and Revised Edition by organ works of J. S. Bach, Engelbert Humperdinck’s MARIE ROLF Charles-Marie Widor opera Hänsel und Gretel is François Lesure’s “critical (1844-1937) – a leading one of the best-known in the biography” of Claude figure of the French repertoire, its melodies as Debussy (Fayard, 2003) is Romantic organ school – familiar as folk-tunes – and widely recognized by scholars conveyed what he considered yet no full-length biography as the most comprehensive the essential maxims of organ of Humperdinck (1854– and reliable account of that performance practice and 1921) has ever been composer’s life and career. technique. These principles extend to his and his published in English. This Lesure’s book presents a followers’ organ compositions. John Near book sets a pioneering examination of wealth of new information translates for the first time all the statements from Humperdinck’s entire output in a biographical while debunking a number of myths that had Widor’s Bach Preface that reflect his distinctive framework, with detailed, illustrated descriptions developed over the years since the composer’s and influential approach to performance style and accompanied by quotations from Humperdinck’s death in 1918. artistic awareness. The volume also includes contemporaries. The present English translation and revised correlative source material and further writings by $59.00/£39.50, November 2019 edition, by noted Debussy authority Marie Rolf, Widor on the organ. 978 0 90768 992 8 reflects recent scholarship and augments Lesure’s JOHN R. NEAR is Professor Emeritus of Music, 70 b/w & 61 line illus.; 450pp, 16.5 x 25.4, HB seminal work with thousands of new notes, Principia College. TOCCATA PRESS providing more precise information on crucial John Near’s most recent study of Charles-Marie and sometimes contentious points. Widor . . . has as its primary goal to bring FRANÇOIS LESURE (1923-2001) was director of PREVIOUSLY ANNOUNCED together all of the available information, the music division of the Bibliothèque nationale drawn from Widor’s own writing and from that The Karl Muck Scandal de France. of his contemporaries, that illuminates Widor’s MARIE ROLF is Professor of Music Theory at the views on organ playing. In this, he has been Classical Music and Xenophobia Eastman School of Music. eminently successful. in World War I America $49.95/£40.00 June 2019 – WILLIAM PORTER, EASTMAN SCHOOL OF MUSIC MELISSA D. BURRAGE 978 1 58046 903 6 544pp, 9 x 6, HB $60.00/£50.00(s) May 2019 The demonization, Eastman Studies in Music 978 1 58046 944 9 internment, and deportation 168pp, 9 x 6, HB Eastman Studies in Music of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, PREVIOUSLY ANNOUNCED finally told, and placed in the PREVIOUSLY ANNOUNCED context of World War I Paul Dukas anti-German sentiment in Composer and Critic The Janáček Compendium the United States. LAURA WATSON NIGEL SIMEONE MELISSA D. BURRAGE, a former writing consultant at Harvard University Extension School, holds This book is the first This compendium includes degrees from Harvard University and the full-length Anglophone study entries on all of Janáček’s University of East Anglia. of Dukas. It perceives his significant works, providing critical essays as a form of the latest information to Nothing in the tangled history of “The Star- creative, philosophical emerge about some of the Spangled Banner” quite compares to a 1917 thought that synthesised the composer’s most famous incident involving Karl Muck, the music director of riches of the Parisian music pieces, and reflects his wider the Boston Symphony. As Melissa D. Burrage relates scene yet also represented the activities. An extensive in her new book . . . a brouhaha over the anthem formation and development bibliography, in Czech, led to the public shaming and eventual arrest of one of his own artistic voice. Investigating Dukas’s English and German, supports the entries, which of the world’s leading conductors. Burrage’s book interrelated identities as composer and critic, it are extensively cross-referenced to enable fruitful is commendably even-handed in its treatment of seeks to explain his broad aesthetic motivations exploration of particular topics. Muck, declining to make an innocent victim out of and artistic agenda. him. – ALEX ROSS, THE NEW YORKER NIGEL SIMEONE is a widely respected writer and LAURA WAT SON is Lecturer in Music at Maynooth lecturer on music, with a lifelong interest in Czech Powerful . . . an exemplary piece of scholarship. It University. music. He is a regular broadcaster on BBC radio. is painstakingly written, offering a compelling (and $99.00/£60.00(s) April 2019 Omits little or nothing that even the most terrifyingly relevant) discussion of the power-play 978 1 78327 383 6, library e-book 978 1 78744 510 9 demanding seeker for information and opinion between culture, politics and the darker forces of Personal e-book 978 1 78744 709 7 6 b/w illus.; 305pp, 23.4 x 15.6, HB about Janácek could expect to find. GRAMOPHONE humanity.  BBC MUSIC MAGAZINE $99.00/£60.00(s) March 2019 $34.95/£25.00 June 2019 978 1 78327 337 9, library e-book 978 1 78744 508 6 978 1 58046 950 0 Personal e-book 978 1 78744 522 2 85 b/w illus.; 456pp, 9 x 6, HB 21 b/w illus.; 300pp, 23.4 x 15.6, HB Eastman Studies in Music

www.boydellandbrewer.com 7 19TH - 20TH CENTURY MUSIC

PREVIOUSLY ANNOUNCED NEW REPRINT Sir Henry Wood Nadia Boulanger Adolf Busch Champion of J.S. Bach Thoughts on Music The Life of an Honest Musician HANNAH FRENCH Edited and translated by JEANICE BROOKS TULLY POTTER This book uncovers Wood’s & KIMBERLY FRANCIS Adolf Busch (1891-1952) was pivotal role in the English The impact of Nadia Boulanger (1887-1979) not only an all-round Bach revival. Wood’s on twentieth-century music was vast: as musician; he was also a moral performances of works such pedagogue, composer, keyboardist, conductor, beacon in troubled times. as the St Matthew Passion and impresario. Her extensive musical networks Now remembered as the first and B Minor Mass caused a included figures such as Fauré, Stravinsky and violin of the Busch String stir; the Brandenburg Poulenc, and her advocacy helped establish the Quartet, which he founded in and Orchestral compositions of her sister Lili Boulanger. 1912, he was the greatest Suites became staple fixtures Boulanger wrote numerous essays and reviews quartet-player of the last in the musical calendar; and his orchestral throughout her career. Nadia Boulanger: Thoughts century and also the busiest solo violinist of the arrangements of Bach’s solo works and cantata on Music presents the most important of these inter-War years, regularly performing the great arias were key to the popularisation of the little-known texts, providing unparalleled insight concertos with such conductors as Toscanini, composer in England. Illuminating a significant into her thinking and illuminating aspects of Walter, Furtwängler, Boult, Barbirolli and many new aspect of the musical life of England before musical culture in Europe and America from the others. He was, moreover, an outstanding WWII, the book also demonstrates that Wood’s point of view (unusual in that day) of a woman composer whose works enjoyed performances advocacy continues to influence perceptions of working in the performing arts at the highest both at home in Germany and further afield. Bach even today. level. This biography, based on more than thirty years’ HANNAH FRENCH is an academic, broadcaster, and JEANICE BROOKS is Professor of Music at the research, documents Busch’s life, examining Baroque flautist based in London. She broadcasts University of Southampton. KIMBERLY FRANCIS his exemplary behaviour in the context of the regularly on Radio 3 and has appeared as a TV is Associate Professor of Music at the University tumultuous period in which he lived. Two volume presenter and commentator for the BBC Proms. of Guelph. set including two CDs. $95.00/£55.00(s) June 2019 $99.00/£80.00(s) May 2020 Winner of the 2011 ARSC Award, category Best 978 1 78327 385 0, library e-book 978 1 78744 495 9 978 1 58046 967 8 Research (History) in Recorded Classical Music 50 b/w illus.; 353pp, 23.4 x 15.6, HB 10 b/w illus.; 389pp, 9 x 6, HB Eastman Studies in Music $130.00/£100.00 March 2020 978 0 90768 950 8 150 b/w illus.; 1408pp, 25 x 15, HB PREVIOUSLY ANNOUNCED TOCCATA PRESS PREVIOUSLY ANNOUNCED The Cyril Scott Companion NEW Unity in Diversity Heinrich Neuhaus Edited by DESMOND SCOTT, A Life beyond Music Music in Their Time LEWIS FOREMAN & LESLIE DE’ATH MARIA RAZUMOVSKAYA The Memoirs and Letters of Cyril Scott (1879-1970) was Heinrich Neuhaus (1888- Dora and Hubert Foss an English composer, writer 1964) was one of the most Edited by STEPHEN LLOYD, and poet. Scott was a prolific charismatic and sought after DIANA SPARKES & BRIAN SPARKES composer, writing over 400 pianist-pedagogues of his works including four age. This first critical study Hubert J. Foss (1899-1953) is symphonies, three operas and explores his life and career best known for his work as concerti for piano, violin, and his friendships with the the first music editor for cello, oboe and harpsichord. era’s greatest figures including Oxford University Press, He became a pioneer of the composer Karol while his wife, Dora, was a British piano music, and his music was admired Szymanowski (his cousin) and the poet Boris professional singer. Through by composers as diverse as Debussy, Strauss, Pasternak. It draws on previously unseen the presentation of letters and Stravinsky and Percy Grainger, the last a lifelong documents relating to his imprisonment for memoirs, the book recreates a friend. This Companion explores the life and criticizing the Soviet regime. Revealing how these vivid picture of the musical work of this remarkably creative man. influences shaped Neuhaus’s distinct vision of a world during the inter-war period, when there was LEWIS FOREMAN edited with Susan Foreman performer’s subjectivity (what he called a renaissance of English music. It includes letters Felix Aprahamian (Boydell Press, 2015). “autopsychography”), it illuminates how creative sent to and received from such luminaries as DESMOND SCOTT is the son of Cyril Scott. artists escaped the limitations imposed by Hamilton Harty, Constant Lambert, Edith Sitwell, He has contributed to The New Percy Grainger Socialist Realism. Donald Tovey, , William Companion (Boydell Press, 2010). LESLIE D E ’AT H MARIA RAZUMOVSKAYA, a recital pianist and Walton, Henry J. Wood, and many more. Many of is Professor, Faculty of Music, Wilfrid Laurier researcher, teaches at the Guildhall School of the letters presented here have never been University. Music and Drama. published before. STEPHEN LLOYD For a full list of contributors, please visit $99.00/£80.00(s) August 2018 is the author of : www.boydellandbrewer.com. 978 1 58046 932 6 Muse of Fire and Constant Lambert: Beyond the $48.00/£45.00(s) October 2018 9 b/w illus.; 268pp, 9 x 6, HB Rio Grande (both published by Boydell Press). 978 1 78327 286 0, library e-book 978 1 78744 629 8 Eastman Studies in Music DIANA SPARKES is the daughter of Hubert and 34 colour illus.; 27 b/w illus.; 722pp, 23.4 x 15.6, HB Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology. $80.00/£45.00(s) October 2019 978 1 78327 413 0, library e-book 978 1 78744 585 7 42 b/w illus.; 316pp, 23.4 x 15.6, HB

8 www.boydellandbrewer.com 20TH CENTURY MUSIC

NEW NEW NEW Aaron Copland’s Composing Myself Leonard Bernstein Hollywood Film Scores and Other Texts and Washington, DC PAULA MUSEGADES SIR ANDRZEJ PANUFNIK Works, Politics, and Performances One of America’s most beloved composers, Aaron Edited by MARTIN ANDERSON Edited by ANDREW WEAVER, Copland played a critical role in establishing a At the centre of this volume ALICIA KOPFSTEIN-PENK recognizable “American sound.” He is widely of Panufnik’s writings is & DANIEL ABRAHAM recognized as achieving this in concert-hall Composing Myself, the Composer, conductor, activist, and icon of works and ballets, but he did so also, and no less autobiography he wrote in twentieth-century America, Leonard Bernstein influentially, in his film scores for Hollywood 1985, long since a collector’s (1918-90) had a rich association with Washington, films, including Of Mice and Men (1939), Our item and here republished in DC. Although he never lived there, the US capital Town (1940), The North Star (1943), The Red a fully annotated new edition. was the site of some of the most important Pony (1949), and The Heiress (1949). Through his It is complemented by the moments in his life and work, as he engaged work in the Hollywood film industry, Copland complete programme notes with the nation’s struggles and triumphs. By introduced the moviegoing public to modern he wrote to shed light on the impulse behind, and examining Bernstein through the lens of DC, this musical styles, while also establishing a lasting design of, his music, complete with the often book offers new insights into his life and music impact on Hollywood’s sound. visually striking diagrams he drew to articulate from the 1940s through the 1980s, including PAULA MUSEGADES is an Assistant Professor their formal logic. A third section includes his few his role in building DC’s artistic landscape, his in Music and American Studies at Brandeis other essays, including a 1955 report to the political-diplomatic aims, his works that received University. unsuspecting West of the true nature of Polish premieres and other early performances in DC, intellectual life under Communism, an insightful $99.00/£80.00(s) June 2020 and his relationships with the nation’s liberal 978 1 58046 991 3 radio broadcast on Szymanowski and a brief and conservative political elites. The collection 240pp, 6 x 9 tribute to Bartók. Finally, Part IV collects a sample Eastman Studies in Music also contributes new perspectives on twentieth- of the interviews that Panufnik – wary of the century American history, government, and microphone as a result of his experiences in culture, helping to elucidate the political function Communist Poland – gave over the course of his of music in American democracy. career. NEW DANIEL ABRAHAM is Professor of Music at $70.00/£40.00 November 2019 American University, ALICIA KOPFSTEIN-PENK 978 0 90768 990 4 Aaron Copland and 20 colour & 80 b/w illus.; 650pp, 25.4 x 16.5, HB is Adjunct Professorial Lecturer at American the American Legacy Musicians on Music University, and ANDREW H. WEAVER is Professor of Musicology at The Catholic University of America. of Gustav Mahler TOCCATA PRESS $99.00/£80.00(s) May 2020 MATTHEW MUGMON 978 1 58046 973 9 Although Aaron Copland PREVIOUSLY ANNOUNCED 30 b/w illus.; 284pp, 9 x 6, HB (1900-1990) is often credited Eastman Studies in Music with creating an Anneliese Landau’s unmistakably American Life in Music musical style, he was strongly PREVIOUSLY ANNOUNCED attracted to the music of Nazi Germany to Émigré California Gustav Mahler. Drawing LILY E. HIRSCH , extensively on archival and Musicologist Anneliese American Composer musical materials, this is the Landau worked in early first detailed exploration of Copland’s German radio, the Nazi-era Personal Trauma and multifaceted relationship with Mahler’s music and Jewish Culture League, and Artistic Creativity its lasting consequences for music in America. the Jewish Centers AMY LYNN WLODARSKI Matthew Mugmon demonstrates that Copland, Association in Los Angeles. This book is the first inspired by Mahler’s example, blended In these roles, she came to comprehensive study of the and romanticism in shaping a vision know many significant musical and intellectual work for American music in the twentieth century, and historical figures: among of George Rochberg, widely that he did so through his multiple roles as them, the composer , acknowledged as one of the composer, teacher, critic, and orchestral conductor Bruno Walter, and rabbi-philosopher most prominent musical tastemaker. Copland’s career-long engagement Leo Baeck. Hirsch’s biography of Landau offers postmodernists. Drawn from with Mahler’s music intersected with Copland’s fresh perspective on the Nazi period as well on unpublished materials own Jewish identity and with his links to such musical life in southern California. It is also a including diaries, letters, towering figures in American music as Nadia unique story of survival: an account of one sketches, and personal papers, the book traces the Boulanger, Serge Koussevitzky, and Leonard woman’s confrontation with other people’s impact of two specific personal traumas – Bernstein. expectations of her, as a woman and a Jew. Rochberg’s service as an infantryman in World MATTHEW MUGMON is Assistant Professor of LILY E. HIRSCH is the author of A Jewish Orchestra War II and the premature death of his son – on Music at the University of Arizona. in Nazi Germany: Musical Politics and the Berlin his influential postwar ideas about humanism, $49.95/£30.00 August 2019 Jewish Culture League. musical quotation, and neotonality. 978 1 58046 964 7 $99.00/£80.00(s) March 2019 12 b/w illus.; 240pp, 9 x 6, HB AMY LYNN WLODARSKI is Associate Professor of 978 1 58046 951 7 Eastman Studies in Music 9 b/w illus.; 246pp, 9 x 6, HB Music at Dickinson College. Eastman Studies in Music $99.00/£75.00(s) April 2019 978 1 58046 947 0 4 b/w illus.; 254pp, 9 x 6, HB Eastman Studies in Music

www.boydellandbrewer.com 9 20TH - 21ST CENTURY MUSIC

PREVIOUSLY ANNOUNCED NEW NEW Gregory Haimovsky The Music of Peter Julian Anderson A Pianist’s Odyssey to Freedom Maxwell Davies JULIAN ANDERSON MARISSA SILVERMAN NICHOLAS JONES & CHRISTOPHER DINGLE & RICHARD MCGREGOR This book is the Julian Anderson is renowned internationally as extraordinary story of a This book provides a global one of the leading composers of his generation. Russian-Jewish concert view of Peter Maxwell This substantial book of conversations with the pianist who resisted and Davies’s music, integrating a scholar and critic Christopher Dingle provides insights into the practicalities and psychology of triumphed over the USSR’s number of resonant themes cultural prohibitions. In in the composer’s work while composing. Of particular value are the glimpses doing so, he succeeded in covering a representative of Anderson’s thoughts on works in progress, performing and recording cross-section of his vast including the period from finishing the score for contemporary Western output – his work list his ENO opera Thebans to its first production, music, especially works by that encompasses nearly 550 compositions in every as well as his violin and his Berlin had been banned until then. Through Messiaen’s established genre. Making sustained reference to Philharmonic commission Incantesimi. While profound and complex works, Haimovsky found Davies’s own words, articles and programme notes these conversations reflect the fact that Anderson his path to spiritual and artistic freedom. Here is as well as privileged access to primary source is first and foremost a composer, his extensive his story, told in part through his own words and material from his estate, the book illuminates the cultural hinterland is apparent. Revealing much those of people who worked closely with him in composer’s practices and approaches while about the workings of the musical world, these his daring efforts. shaping a discourse around his music. conversations will not only be essential reading for composers and composition students, but also MARISSA SILVERMAN is Associate Professor NICHOLAS JONES is Senior Lecturer in contemporary music lovers more generally. of Music at the John J. Cali School of Music, Musicology at Cardiff University.RICHARD Montclair State University. MCGREGOR is Emeritus Professor of Music at the CHRISTOPHER DINGLE is Professor of Music at University of Cumbria and part-time Lecturer at Royal Birmingham Conservatoire. $99.00/£60.00(s) June 2018 978 1 58046 931 9 the Royal Conservatoire of Scotland. JULIAN ANDERSON is a renowned contemporary 14 b/w illus.; 280pp, 9 x 6, HB $99.00/£60.00(s) March 2020 composer and Professor of Composition and 978 1 78327 483 3, library e-book 978 1 78744 682 3 Composer in Residence at the Guildhall School 5 colour illus.; 336pp, 23.4 x 15.6, HB of Music. $80.00/£45.00(s) May 2020 PREVIOUSLY ANNOUNCED 978 1 78327 498 7 15 b/w illus.; 400pp, 23.4 x 15.6, HB Howard Skempton PREVIOUSLY ANNOUNCED Conversations and Reflections on Music The Music of James MacMillan Edited by ESTHER CAVETT PHILLIP A. COOKE & MATTHEW HEAD NEW This is the first scholarly study Howard Skempton (b. 1947) of MacMillan’s life, work and has contributed to British British Music after Britten aesthetic. From his musical life for more than ARNOLD WHITTALL beginnings in rural Ayrshire half a century, as composer, and his early work with Sir This book considers the performer and commentator. Peter Maxwell Davies, impact of the life and work of His music is characterised by through the international (1913-1976) simplicity yet sophistication breakthrough success of The on British composers who, and is appreciated by both lay Confession of Isobel Gowdie with the exception of Michael and specialist listeners in (1990), the continuing success of works such as the Tippett and Robert Simpson, equal measure. Skempton studied in London with percussion concerto Veni, Veni, Emmanuel (1992) were all born between the Cornelius Cardew in the late 1960s, co-founding and his choral pieces, to his current position as 1930s and the 1980s. Bringing the Scratch Orchestra, and has written over 600 one of the most prominent British composers of together revised reprints of pieces since then, informed by and informing his generation, the book explores MacMillan’s essays, reviews and analyses first published compositional trends. This book offers an intimate compositional influences over time. The book also between 1995 and 2018, it offers a survey of a view of a composer’s creative world and how considers MacMillan’s strong Catholic faith, cross-section of contemporary classical others may interpret it. It includes manuscripts of politics and his on-going relationship with Scottish composition in the UK. six previously unpublished compositions and nationalism. With unprecedented access to ARNOLD WHITTALL is Professor Emeritus of images of Skempton and his collaborators. interviews, compositional drafts and previously Music Theory & Analysis, King’s College London. ESTHER CAVETT is Senior Research Fellow at unpublished materials, the book offers insights $115.00/£65.00(s) May 2020 King’s College, London. MATTHEW HEAD is into what it means to be a prominent composer 978 1 78327 497 0 Professor of Music at King’s College, London. and artist in the twenty-first century. 304pp, 23.4 x 15.6, HB For a full list of contributors, please visit Aldeburgh Studies in Music www.boydellandbrewer.com. PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of $80.00/£45.00(s) February 2019 978 1 78327 321 8, library e-book 978 1 78744 513 0 Aberdeen. Personal e-book 978 1 78744 523 9 $39.95/£30.00 June 2019 26 b/w illus.; 296pp, 23.4 x 15.6, HB 978 1 78327 370 6, library e-book 978 1 78744 548 2 Personal e-book 978 1 78744 715 8 4 b/w illus.; 317pp, 23.4 x 15.6, HB

10 www.boydellandbrewer.com 20TH - 21ST CENTURY MUSIC / MUSIC HISTORY

PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED NEW Music and Faith Composing History Musical Journeys Conversations in a Post-Secular Age National Identities and the English Performing Migration in JONATHAN ARNOLD Masque Revival, 1860-1920 Twentieth-Century Music This book explores examples DEBORAH HECKERT FLORIAN SCHEDING of how the Christian story is This book focuses on the Focussing on migratory still expressed in music and masque, an early modern moments in the works of how it is received by those English musico-dramatic Hanns Eisler in 1930s Paris, who experience that art form, genre that was reinvented Mátyás Seiber in mid-century whether in church or not. during the Victorian period London, and István Anhalt in Through conversations with a as a vehicle for nationalistic, 1990s Montreal, Musical variety of writers, artists, historically inflected popular Journeys explores concepts of scientists, historians, atheists, entertainments. As migratory aesthetics and church laity and clergy, the term post-secular conceptions of national links these to wider musical emerges as an accurate description of the identity became increasingly dependent on the and socio-cultural contexts. At the same time, it relationship between faith, religion, spirituality, image of “Merrie England” located in the English tackles some of the broad themes that such agnosticism and atheism in the west today. Music Renaissance and in the folk traditions of the migratory moments invoke, such as nationalism, and Faith is centred on those who, by-and-large, countryside, genres such as the masque that were the role of cultural institutions, and Jewishness. are not professional musicians, philosophers or integrally connected to these ideological The book weaves detailed biographical and theologians, but who find that music and faith are constructions became important ways in which contextual historical knowledge, analytical bound up with each other and with their own national identity was represented. This in turn had insights into music, and a broad understanding of lives. profound ramifications for the ideologies of the concepts and ideas from migration studies and JONATHAN ARNOLD is Dean of Divinity and English Musical Renaissance and its construction other historiographic fields into a complex fabric Fellow of Magdalen College, Oxford. of a national musical idiom at the turn of the that does justice to the complexity of the $39.95/£30.00 May 2019 twentieth century. migratory experience and creative musical 978 1 78327 260 0, library e-book 978 1 78744 514 7 DEBORAH HECKERT is a Lecturer at Stony Brook responses to it. Personal e-book 978 1 78744 718 9 University and has taught at the University of FLORIAN SCHEDING is Senior Lecturer in Music 8 colour illus.; 288pp, 23.4 x 15.6, HB Virginia, Utah State University, and Brooklyn at the University of Bristol. College-CUNY. $95.00/£55.00(s) October 2019 $99.00/£60.00(s) September 2018 978 1 78327 461 1, library e-book 978 1 78744 660 1 206pp, 23.4 x 15.6, HB NEW 978 1 78327 207 5 18 b/w illus.; 250pp, 23.4 x 15.6, HB Music in Society and Culture Music in Britain, 1600-2000 Musical Exchange between Britain and Europe, 1500-1800 Essays in Honour of Peter Holman NEW NEW Edited by JOHN CUNNINGHAM Songs for a Revolution & BRYAN WHITE Postmodernity’s Musical Pasts The German Protest Inspired by Peter Holman’s research and Edited by TINA FRÜHAUF Tradition of 1848 performing activities, the essays in the volume This book considers music develop the theme of exchange and dialogue ECKHARD JOHN & DAVID ROBB after 1945 as a representation through the lenses of people, practices and The socially volatile period of of concepts such as repertory and consider the myriad ways in which the Vormärz and the 1848 “historicity” and musical culture participated in the dynamic Revolution in Germany “temporality”. The volume relationship between Europe and Britain. Key produced a wealth of political understands postmodernity areas addressed are music and travel; music protest song. This book as a period in which both publishing; émigré musicians; performing makes available twenty-two modernism and practice; dissemination of music and musical protest songs from that time, postmodernism co-exist. It is practice; and instruments. Following avenues both lyrics and melodies. It attracted to a wider interpretation of “historicity” opened up by Holman’ scholarship, contributors also charts the history of that focuses on the complex nexus of past- to this volume explore a variety of ways in which their reception-from their point of origin up until present-future. The collection covers topics from the cross-fertilization of music and musicians has their revival in the folk and political song classical to popular and neo-traditional musics to enriched European, and especially British, culture movements of East and West Germany. That concerns of the disciplines of musicology. Such a of the early modern period. appropriation of the songs has shaped today’s wide range of topics from musicology mirrors the cultural memory of the 1848 period, which in JOHN CUNNINGHAM is a Reader and Director eclectic and diverse nature of the postwar era turn illuminates the functioning of political of Research at the School of Music and Media, itself. Bangor University. BRYAN WHITE is Senior ideology in these reception processes. TINA FRÜHAUF is Adjunct Assistant Professor at Lecturer and Director of Research at the School of ECKHARD JOHN is Senior Research Fellow in Columbia University, New York and serves on the Music, University of Leeds. the Center for Popular Culture and Music at the faculty of The Graduate Center, CUNY. $99.00/£60.00(s) June 2020 University of Freiburg. DAVID ROBB is Senior 978 1 78327 492 5 $120.00/£70.00(s) April 2020 Lecturer in Music at Queens University Belfast. 15 b/w illus.; 336pp, 23.4 x 15.6, HB 978 1 78327 496 3, library e-book 978 1 78744 626 7 $99.00/£80.00(s) June 2020 Music in Britain, 1600-2000 15 b/w illus.; 272pp, 23.4 x 15.6, HB 978 1 64014 048 6 40 b/w illus.; 314pp, 9 x 6, HB Studies in German Literature Linguistics and Culture

www.boydellandbrewer.com 11 MUSIC IN LITERATURE / THEATRE AND OPERA / POPULAR MUSIC

PREVIOUSLY ANNOUNCED NEW NEW Beyond Fingal’s Cave The Operas of Sergei Prokofiev Opposing Apartheid on Stage Ossian in the Musical Imagination CHRISTINA GUILLAUMIER King Kong the Musical JAMES PORTER The operas of Sergei Prokofiev TYLER FLEMING Beyond Fingal’s Cave: Ossian (1891–1953) mark a In 1959, King Kong, an interracial jazz opera, in the Musical Imagination is significant contribution to swept across South Africa. Despite taking place the first study in English of twentieth-century music and roughly ten years after the beginning of apartheid, musical works stimulated by theatre. Opera was Prokofiev’s this production, with its white directors and James Macpherson’s Poems of preferred genre; not counting producers and African cast, orchestra and Ossian, published in the juvenile and unfinished works, composer, received near-universal acclaim across 1760s and purported to be he wrote a total of eight. Yet, the country. Often considered a key turning point the work of an ancient to date, little has been within South African popular culture, the King Scottish bard. It examines the published about the context, rationale or musical Kong musical, its performers, and their combined effect of the poems on composers, especially as and compositional processes behind this output. legacies significantly shaped South African the Romantic Era in literature and the arts began This book is the first in the English language to cultural history and global popular culture. to take shape. The poems were a central element engage with the composer’s operatic output in its Using the story of the jazz opera as a means to in the development of Romanticism, and over 300 entirety and provides a contextual, critical and explore various aspects of South African cultural musical works based on the poems survive: musico-analytical account of all of Prokofiev’s history, Opposing Apartheid on Stage unpacks the Beethoven, Schubert, Mendelssohn, Brahms and operas, including those juvenile works that are musical’s importance and historical significance. unpublished as well as the incomplete works Massenet are but the best known figures to have TYLER FLEMING is an Associate Professor of Pan- composed towards the end of his life. It also found the poems a source of compositional African Studies and History at the University of includes synopses of the operas. Drawing on a inspiration. Louisville. wealth of archival material and other sources, the JAMES PORTER is Professor Emeritus, UCLA, and book provides the compelling untold story of $125.00/£95.00(s) April 2020 Honorary Professor, University of Aberdeen. 978 1 58046 985 2 Prokofiev the opera composer. 406pp, 9 x 6, HB $99.00/£80.00(s) June 2019 CHRISTINA GUILLAUMIER is a music historian, Rochester Studies in African History and the Diaspora 978 1 58046 945 6 424pp, 9 x 6, HB pianist and writer on music. She is currently Eastman Studies in Music Head of Undergraduate Programmes at the Royal College of Music in London. NEW $70.00/£40.00(s) March 2020 978 1 78327 448 2, library e-book 978 1 78744 623 6 NEW 11 b/w illus.; 296pp, 23.4 x 15.6, HB Kitty Clive, or The Fair Songster BERTA JONCUS Coquettes, Wives, and Widows Kitty Clive (1711-1785) was a top London stage star. Singing Gender Politics in French PREVIOUSLY ANNOUNCED Baroque Opera and Theater powered her ascent and, for twenty years, was MARCIE RAY Musical Theater in foundational to her success as Baroque French dramatists Eighteenth-Century Parma she came to dominate spoken and opera librettists Entertainment, Sovereignty, Reform as well as musical comedy. repudiated contemporary MARGARET R. BUTLER Her protean powers transfixed literary women’s free- audiences, whether in thinking ideas about French and Italian varieties of low-style productions or in works by masters like marriage. Their stage works opera have informed one Purcell, Shakespeare, and Dryden. Celebrities such portray independent women another from the genre’s first as Handel and Henry Fielding wrote vehicles for as depraved, truculent, and decades onward. Yet we still her. In the 1740s, critical opinion turned against destructive. Coquettes, Wives, have only a hazy view of what Clive and the financial power she wielded. She quit and Widows explores how works such as those intersections meant to a serious song and took to caricaturing herself on Jean-Philippe Rameau’s Platée, ou Junon jalouse, given opera’s creators and stage. Clive’s career reveals to us gorgeous song André Campra’s Aréthuse, ou la Vengeance de audiences. Margaret Butler’s otherwise lost. For music historians, theatre l’Amour, and several works from the Comédie Musical Theater in Eighteenth- scholars, and anyone curious about performance Française, the Comédie Italienne, and fairground Century Parma: Entertainment, Sovereignty, history and star production in eighteenth-century theaters exemplified contemporaries’ fear about Reform examines performance, spectatorship, and Britain, her story is not to be missed. how society might change if women became politics at the Bourbon-controlled Italian city of BERTA JONCUS is Senior Lecturer in Music at Parma in the mid-eighteenth century. The book responsible for the choices in their own lives. Goldsmiths, University of London. elucidates the complicated circumstances in which MARCIE RAY is an Assistant Professor of Berta Joncus has masterfully described the career entertainments were created that that spoke not Musicology at Michigan State University. of singer-actress-playwright Catherine Clive, a only to Parma’s multicultural audiences but also to $85.00/£65.00(s) June 2020 neglected star of the eighteenth-century English and an increasingly cosmopolitan Europe. 978 1 58046 988 3 Irish theatres from a charismatic ingénue songstress 3 b/w & 20 line illus.; 176pp, 9 x 6, HB MARGARET R. BUTLER is Associate Professor into a plump, carping older woman. . . . This Eastman Studies in Music of Musicology at the University of Florida and brilliant book highlights the triumphs and visiting associate professor at the University of challenges facing a talented, determined woman Wisconsin-Madison. in an age that regularly satirized the second $99.00/£80.00(s) January 2019 sex. – FELICITY NUSSBAUM, DISTINGUISHED 978 1 58046 901 2, 35 b/w illus.; 196pp, 9 x 6, HB RESEARCH PROFESSOR, UCLA Eastman Studies in Music $99.00/£55.00(s) June 2019 978 1 78327 346 1, library e-book 978 1 78744 556 7 32 b/w illus.; 541pp, 23.4 x 15.6, HB

12 www.boydellandbrewer.com POPULAR MUSIC / ETHNOMUSICOLOGY / THEORY

NEW PREVIOUSLY ANNOUNCED NEW Cheer Up! Tuning the Kingdom Heinrich Schenker’s British Musical Films of the 1930s Kawuugulu Musical Performance, Conception of Harmony ADRIAN WRIGHT Politics, and Storytelling in Buganda ROBERT W. WASON & MATTHEW BROWN Cheer Up! is the first book to DAMASCUS KAFUMBE What makes the deal exclusively with the Examines how the compositions of Handel, British musical film from the Kawuugulu Clan-Royal Bach, Haydn, Mozart, very beginning of talking Musical Ensemble uses Beethoven, Schubert, pictures in the late 1920s musical performance and Schumann, Chopin, and through the Depression of storytelling to manage, Brahms stand out as great the 1930s up to the end of structure, model, and works of art? Heinrich World War II. The treatment legitimize power relations Schenker (1868-1935) tried of the films discussed is among the Baganda people of to answer this question in his linear, each film dealt with in order of its release south-central Uganda. deceptively titled Harmonielehre (roughly: Treatise on Harmony, 1906), but this treatise has date, and allowing for an engaging narrative DAMASCUS KAFUMBE is Assistant Professor of never been studied systematically and in close packed with encyclopaedic information. Music at Middlebury College. ADRIAN WRIGHT is a performer, novelist and detail. Heinrich Schenker’s Conception of Harmony There is no other book I know that does the work writer, whose previous publications from Boydell approaches the 1906 book as a synthesis of of this one. It is beautiful, rich in ethnographic Press include Must Close Saturday: The Decline ancient ideas and very new ones. It also delves materials, and an important intervention in the and Fall of the British Musical Flop (2017). into Schenker’s later ideas on harmony and the contemporary study of African music-making and $39.95/£30.00 May 2020 origins of the much-used (but seriously abridged) 978 1 78327 499 4 meanings. – CAROL MULLER, UNIVERSITY OF English translation (1954). 30 b/w illus.; 368pp, 23.4 x 15.6, HB PENNSYLVANIA ROBERT WASON is Professor Emeritus of $34.95/£25.00(s) May 2018 Music Theory and Affiliate Faculty in Jazz and 978 1 58046 904 3 Contemporary Media at the Eastman School of 25 colour illus.; 180pp, 9 x 6, HB Music. MATTHEW BROWN is Professor of Music Eastman/Rochester Studies Ethnomusicology PREVIOUSLY ANNOUNCED Theory at the Eastman School of Music. $135.00/£110.00(s) April 2020 City Songs and American 978 1 58046 575 5 Life, 1900-1950 30 b/w illus.; 398pp, 9 x 6, HB NEW LOWER PRICE Eastman Studies in Music MICHAEL LASSER An insightful look at the Music, Indigeneity, urban sensibility that gives Digital Media the Great American Edited by THOMAS R. HILDER, Songbook its pizzazz. HENRY STOBART & SHZR EE TAN MICHAEL LASSER, a former While communication teacher and theater critic, technologies have long been is host of the syndicated tools for imperial expansion, public-radio show Fascinatin’ digital media have more Rhythm (winner of the 1994 recently become a creative Peabody Award) and the author of two previous and political resource for books. working towards Indigenous Michael Lasser’s City Songs is the most engaging, sovereignty. This book comprehensive, and provocative examination of the explores how digital Great American Songbook that I’ve encountered technologies have become embedded in and . . . . Lasser writes with the “dazzling economy” of transformed Indigenous musical performance. the best lyrics and lyricists that he elucidates. His Bringing together the work of scholars and What Makes a City Song? book convinced me that the songs of the first half of musicians across five continents, the volume the twentieth century were indeed “urban creatures” addresses issues of music production, Read Michael Lasser’s article on that “sang the city electric” by merging sentiment transnationalism, representation, transmission, what gives the Great American and wit into a unique amalgam, mingling the and virtuality. Offering new perspectives on Songbook its syncopated swing at “jingle of jazz and the jangle of slang” with “the Indigenous music and digital culture, Music, https://boybrew.co/2FrphyT clang and clamor” of the American metropolis, as Indigeneity, Digital Media is essential reading in Lasser so unforgettably characterizes it! the fields of ethnomusicology, Indigeneity, and – KIM KOWALKE, EASTMAN SCHOOL OF MUSIC, media studies. UNIVERSITY OF ROCHESTER THOMAS R. HILDER is postdoctoral fellow in $34.95/£25.00 June 2019 musicology at the University of Bergen. HENRY 978 1 58046 952 4 STOBART is reader in music at Royal Holloway, 30 b/w illus.; 318pp, 9 x 6, HB University of London. SHZR EE TAN is senior lecturer at Royal Holloway, University of London. For a full list of contributors, please visit www.boydellandbrewer.com $39.95/£30 February 2017 978 1 58046 573 1 11 b/w illus.; 236pp, 9 x 6, HB Eastman/Rochester Studies in Ethnomusicology Read notes from our world and subscribe at boydellandbrewer.com/blog www.boydellandbrewer.com 13 NEW AND RECENT IN PAPERBACK

Verse and Voice in Byrd’s Italian Guitar Music of the Listen with the Ear of the Heart Song Collections of 1588 Seventeenth Century Music and Monastery JEREMY L. SMITH Battuto and Pizzicato Life at Weston Priory William Byrd (c. 1540-1623), LEX EISENHARDT MARIA S. GUARINO England’s premier One of Europe’s foremost Benedictine monks gather for Renaissance composer, experts on early guitar music communal prayer upwards of devoted considerable explores this little known but five times per day, every day. attention to the poetry and richly rewarding repertoire. Their prayers, called the prose of his native language. LEX EISENHARDT is one of Divine Office, are almost This book, the first Europe’s foremost experts on entirely sung. Benedictines full-length study specifically early guitar. He teaches both are famous for Gregorian devoted to Byrd’s English-texted music, provides a classical guitar and historical Chant, but the original close reading of all of the works he published in plucked instruments at the folk-inspired music of the the late 1580s, constituting nearly half of his total Conservatory of Amsterdam. monks of Weston Priory in Vermont is among the song output. It delves into the musical, political, [E]ngaging, well written, and well researched. It is a most familiar in post-Vatican II American literary, and, specifically, the sequential qualities of Catholicism. Using the ethnomusicological Byrd’s 1588 and 1589 published collections as a much-needed contribution to the current discussion of baroque guitar history [ . . . ], stringing, and methods of fieldwork and taking inspiration from whole, revealing, explaining, and interpreting an the monks’ own way of encountering the world, overall grand narrative. performance. Eisenhardt’s summary of past and current thought on performance related issues, this book offers a contemplative engagement with JEREMY L. SMITH is Associate Professor of combined with his references to translated original music, prayer, and everyday life. Musicology at the University of Colorado Boulder. source material, allows even novices to understand MARIA S. GUARINO received her PhD in [V]ital reading for musicologists, contains much of and engage with the issues presented. critical and comparative studies in music from great value for literary scholars, and must not be LUTE SOCIETY OF AMERICA the University of Virginia. She specializes neglected by historians. BRITISH CATHOLIC HISTORY in ethnography, religious life, Benedictine $34.95/£25.00(s) February 2019 monasticism, and contemplative practices. $25.95/£19.99 January 2020 978 1 58046 957 9 978 1 78327 466 6 10 b/w illus.; 268pp, 9 x 6, PB $34.95/£25.00 March 2020 337pp, 23.4 x 15.6, PB Eastman Studies in Music 978 1 58046 992 0 Studies in Medieval and Renaissance Music 18 b/w illus.; 214pp, 9 x 6, PB Eastman/Rochester Studies Ethnomusicology Music in Vienna Music in Elizabethan Court Politics 1700, 1800, 1900 DAVID WYN JONES KATHERINE BUTLER The image of Vienna as a Music and musical musical city is a familiar one. entertainments are here This book explores the shown to be used for history of music in Vienna, different ends, by both focussing on three different monarch and courtiers. epochs, 1700, 1800 and 1900. KATHERINE BUTLER COURSE ADOPTION DAVID WYN JONES is is a Senior Lecturer at Professor of Music at Cardiff Northumbria University, At Boydell and Brewer we offer a number University. Newcastle. of books ideal for course adoption across a David Wyn Jones’s stupendous study manages to range of subject areas, including music! A fascinating book. THE CONSORT have the reader learn anew many facets of the Our books can be adopted in the following [A] major undertaking of importance, a careful and seemingly standard musical fare of classical music ways: inspection copies, examination thorough study of numerous examples of secular in Vienna . . . rich material that is presented in such copies, and desk copies. music that is undergirded by a keen understanding a persuasive and superbly written manner that Visit https://boydellandbrewer.com/course- of music’s role in the political life of a fascinating the work will reward the reader with a new and adoption-music for more information. era. EARLY MUSIC comprehensive perspective. Tightly organized and impeccably researched, JOURNAL OF AUSTRIAN STUDIES this engaging study triangulates the disciplines of David Wyn Jones’s triumphant volume tells the musicology, literary history, and iconography to story of musical Vienna . . . the thoroughness of present the political roles music could play within his research has resulted in vivid and compelling Elizabeth’s court, and adds welcome nuance to the portraits of Vienna . . . and Jones proves an pre-existing scholarly narratives of monarchial impeccably informed and wry chronicler of the control over the arts. RENAISSANCE QUARTERLY fortunes of the City of Music. GRAMOPHONE $25.95/£19.99 June 2019 $24.95/£16.99 October 2019 978 1 78327 403 1, library e-book 978 1 78204 431 4 978 1 78327 429 1 2 b/w illus.; 271pp, 23.4 x 15.6, PB 16 b/w illus.; 287pp, 23.4 x 15.6, PB Studies in Medieval and Renaissance Music

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Brahms and His Poets Maurice Duruflé A Handbook The Man and His Music Information NATASHA LOGES JAMES E. FRAZIER This catalogue lists all new Boydell & Brewer Music Studies titles scheduled for publication Covering Brahms’s 32 song A deeply researched through to June 2020, as well as a selection opuses published during four biography of the great French of backlist titles. Further information on decades of song-writing, this organist, who composed all titles, including lists of contents and book offers a way of some of the best-loved works contributors, can be found on our website understanding what Brahms in the organ repertory – and www.boydellandbrewer.com. believed to be the right poetic the masterful Requiem. Prices and details were correct at time of basis for his immortal music. JAMES E. FRAZIER holds catalogue production but are subject to It is designed to be an advanced degrees in change without notice. essential reference tool for philosophy, organ, theology, students and scholars of Johannes Brahms, as well and sacred music from St. Alphonsus College, Mt. Editorial Information as performers and lovers of his songs. St. Alphonsus Seminary, Hartt School of Music, Editorial inquiries should be addressed NATASHA LOGES is Head of Postgraduate the Yale University Divinity School, and the Yale by email to University of Rochester Press Programmes at the Royal College of Music. Institute of Sacred Music. Editorial Director, Sonia Kane, at Turn to any one of these entries and your Frazier’s book will no doubt stand as a defining [email protected]; or to understanding of why and how Brahms set a work in Duruflé scholarship and nurture scholars of Boydell & Brewer Editorial Director of particular text will be deepened many times over... 20th-century French organ music for years to come. Modern History and Music, Michael the book’s value to interpreters as well to the THE AMERICAN ORGANIST Middeke, at [email protected]. If much wider community of Lieder-lovers cannot contacting by post, please make sure to One of the best musical biographies I have read be overestimated – it will surely be regarded as an include your email address. for many years: sound in musical and, for the indispensable resource, but can also be dipped into most part, in historical judgment . . . , sympathetic Review Copies for pleasure as well as information and insight. without being sycophantic, and most gracefully  BBC MUSIC MAGAZINE If you are interested in review copies please written. Duruflé deserves no less. GRAMOPHONE contact for North and South America: $34.95/£25.00(s) March 2020 $39.95/£25.00 April 2019 [email protected]; for Europe & 978 1 78327 502 1 978 1 58046 960 9 40 b/w illus.; 496pp, 23.4 x 15.6, PB International: [email protected] 18 b/w illus.; 406pp, 9 x 6, PB Eastman Studies in Music Course Adoption Titles are available for adoption Widor consideration by university teachers. Gay Guerrilla Detailed information about our Course A Life beyond the Toccata Adoption policy can be found at: JOHN R. NEAR Julius Eastman and His Music https://boydellandbrewer.com/course-adoption This book brings to light the Edited by RENÉE LEVINE PACKER life and work of one of France’s & MARY JANE LEACH eBooks We publish two types of ebooks, those most distinguished musicians A compelling portrait of for institutional/library use and those in the most complete composer-performer Julius for personal e-readers (Kindle, iBooks, biography in any language of Eastman’s enigmatic and Kobo, Nook, Overdrive, to name but a Charles-Marie Widor. intriguing life and music. few). Libraries and institutions can order JOHN R. NEAR is Professor RENÉE LEVINE PACKER’s their editions through all the major ebook Emeritus of Music, Principia book This Life of Sounds: aggregators, while e-reader editions are College. Evenings for New Music in available for personal download from www. Buffalo received an ASCAP John R. Near has honoured his subject by boydellandbrewer.com and your favourite Deems Taylor Award for combining powerfully muscular English prose retailers. If you have any queries about ebooks excellence. MARY JANE LEACH is a composer and with research so staggeringly comprehensive as to please email [email protected] be what fashionable circles would call ‘a game- freelance writer. changer.’ . . . New insights aplenty. . . . A pleasure to A composer of visionary power, a singer with Social Media read and to own. THE ORGAN a cavernous bass voice, a collaborator with the Join us on social media for news on our latest diverse likes of Meredith Monk and , publications and events! The definitive work about the composer of one of Eastman had long been a fixture of the New York the two most famous organ pieces in the world Music scene . . . . Part of the pleasure of Eastman’s [the Toccata from Organ Symphony No. 5]. John rediscovery has been the belated, deserving Near struck pay dirt when he located a 103- reinsertion of a black, gay figure into music history. page manuscript of an unpublished “Souvenirs THE NEW YORK TIMES Autobiographiques” [that] allows Widor to speak For a full list of contributors, please visit for himself and allows his biographer many www.boydellandbrewer.com. www.facebook.com/boydellandbrewer opportunities to elucidate those events. Absolutely $19.99/£16.99 October 2018 www.twitter.com/boydellbrewer indispensable! THE AMERICAN ORGANIST 978 1 58046 956 2 18 b/w illus.; 284pp, 8.75 x 5.56, PB www.pinterest.com/boydellbrewer $49.95/£30.00 May 2019 Eastman Studies in Music www.instagram.com/boydellandbrewer 978 1 58046 959 3 36 b/w illus.; 614pp, 9 x 6, PB Eastman Studies in Music

www.boydellandbrewer.com 15 BEETHOVEN 2020 Celebrate the 250th birthday of Ludwig van Beethoven with one of our new and recent titles on the legendary composer

Beethoven’s From Silence to Sound Beethoven’s String Quartet Conversation Books Beethoven’s Beginnings in B Flat Major, Op. 130 Edited and translated by JEREMY YUDKIN Four Lectures THEODORE ALBRECHT This book discusses the HANS KELLER A complete new edition of myriad ways in which Edited by CHRISTOPHER WINTLE et al. Beethoven’s conversation Beethoven begins his works This is the first-ever books, now translated into and the structural, rhetorical, publication of Hans Keller’s English in their entirety for and emotional implications of celebrated broadcast lectures the first time. Covering a these beginnings for listeners. on Beethoven’s String period associated with the Examining the opening Quartet Op. 130, along revolutionary style of what we moments of nearly 200 with a supplementary call “late Beethoven”, these compositions, it offers a new volume of music examples, often lively and compelling method of analysis of Beethoven’s music. At the including the entire score of conversations are now finally accessible in English same time, it sets Beethoven’s work in context Op. 130, and is illustrated for the scholar and Beethoven-lover. through a close study of beginnings in the with lively string-quartet drawings by Keller’s THEODORE ALBRECHT is Professor of Musicology compositions of the Classical Era. wife, Milein Cosman. at Kent State University, Ohio. JEREMY YUDKIN is Professor of Music and Co- $25.95/£19.99 October 2019 Volume 1: Nos. 1 to 8 (February 1818 to March 1820) Director of the Center for Beethoven Research at 978 0 99319 836 6 Boston University. 10 b/w illus.; 224pp, 23.4 x 15.6, PB An extraordinary in-depth portrait of the The Hans Keller Archive composer’s last years... state-of-the-art scholarship $115.00/£65.00(s) April 2020 978 1 78327 479 6, library e-book 978 1 78744 688 5 PLUMBAGO PRESS in an enjoyably accessible manner.  9 b/w illus.; 432pp, 23.4 x 15.6, HB BBC MUSIC MAGAZINE $80.00/£45.00(s) May 2018 Beethoven’s Cello 978 1 78327 150 4 Five Revolutionary Sonatas 1 b/w illus.; 424pp, 23.4 x 15.6, HB Beethoven’s Chamber and Their World Volume 2: Nos. 9 to 16 (March 1820 to September 1820) Music in Context MARC D. MOSKOVITZ $80.00/£45.00(s) June 2019 ANGUS WATSON & R. LARRY TODD 978 1 78327 151 1 This book provides 1 b/w illus.; 400pp, 23.4 x 15.6, HB Beethoven’s Cello is the ideal professional and amateur companion for cellists, pianists, Volume 3: Nos. 17 to 31 (May 1822 to May 1823) musicians and music lovers musicologists and chamber- $80.00/£45.00(s) May 2020 generally with a complete music devotees desiring a 978 1 78327 152 8 survey of Beethoven’s 1 b/w illus.; 400pp, 23.4 x 15.6, HB comprehensive understanding chamber music and the of this beloved repertoire. background to each individual work - the loyalty Winner of the 2018 CHOICE Outstanding Academic Title of patrons, musicians and Award friends on the one hand; increasing deafness and MARC D. MOSKOVITZ is principal cellist of the uncertain health on the other. Attention is paid to ProMusica Chamber Orchestra. the influence of his large-scale compositions on his chamber music and the author lays stress on Recognized as ‘Mendelssohn’s most authoritative Beethoven’s ever-increasing freedom of form. biographer’ (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. ANGUS WAT SON, a violinist and conductor, has been Director of Music at Stowe School, Winchester $39.95/£29.95 October 2017 978 1 78327 237 2, library e-book 978 1 78744 136 1 . College and Wells Cathedral School, UK Personal e-book 978 1 78744 130 9 $24.95/£17.99 April 2012 22 b/w illus.; 274pp, 23.4 x 15.6, HB 978 1 84383 716 9 Personal e-book 978 1 78204 148 1 300 line illus.; 318pp, 23.4 x 15.6, PB

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