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Laurence Hobgood
Laurence Hobgood "One of the *inest pianists out there. Period." --All About Jazz “ . one of the most incredible pianists I’ve ever heard.” --Dave Brubeck "Welcome to a new piano star . Laurence Hobgood . --The Independent (UK) Best known for his collaboration with vocalist Kurt Elling, multiple Grammy-nominee and 2010 Grammy-winner Laurence Hobgood has enjoyed a multi-faceted and dynamic career. Musical Director for Elling since 1995, he’s played on, composed, arranged and co-produced all of Elling’s CDs (six for Blue Note and three for Concord), each Grammy- nominated. 2009’s Dedicated To You: Kurt Elling Sings The Music Of Coltrane and Hartman, recorded live at Lincoln Center, won the 2010 Grammy Award for Best Vocal Jazz Record. Hobgood began formal piano study at age six in Dallas, Texas, where his father was Chairman of the Southern Methodist University theatre program. At age 12, he was introduced to gospel and blues through his family's church. Several years later, after moving to Illinois, he began formal training in jazz. He attended the University of Illinois, where he played for three years in the "A" jazz ensemble led by John Garvey. During that time his classical study continued with Ian Hobson. After moving to Chicago in 1988, he established a local presence leading his own quintet and joining forces with some of Chicago's premier players, including Ed Peterson, Fareed Haque, and most importantly seven-time Grammy Award-winning drummer, Paul Wertico. The group, Trio New, with Hobgood, Wertico, and bassist Eric Hochberg, played to critical acclaim and established a serious connection with Wertico that spans many projects and ensembles. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Contact: Lydia Penningroth [email protected] 312-957-0000
Contact: Lydia Penningroth [email protected] 312-957-0000 FOR IMMEDIATE RELEASE Chicago Philharmonic Chamber Players Present the Best of Gershwin and Bernstein Chicago, IL – (January 5, 2017) The Chicago Philharmonic Chamber Players (cp2) explore iconic Broadway classics and early cinema hits by Gershwin, Bernstein, Kerns, Rogers and Hammerstein, Cole Porter, and more at City Winery Chicago (1200 W Randolph St, Chicago.) An accomplished, inventive cp2 quintet performs selections from the beloved American hits such as “Porgy and Bess” and “West Side Story.” Doors open at 11:00 A.M., and brunch will be available for purchase before and during the performance. Casual attire is encouraged. Broadway on Randolph Music of Gershwin and Bernstein Sunday, January 15, 2017, Noon City Winery Chicago (1200 W Randolph St, Chicago) Bill Denton, trumpet Ed Harrison, vibraphone and percussion Pete Labella, piano Collins Trier, bass Eric Millstein, drums “Different Folks” is the first concert in the Chicago Philharmonic Chamber Players (cp2) Spring 2017 Series at City Winery Chicago. Other concerts in this series include Sounds of Change (February 19) and Mozart & Mimosas (March 19). About The Chicago Philharmonic Society The Chicago Philharmonic Society is a collaboration of over 200 of the highest-level classical musicians performing in the Chicago metropolitan area. Governed under a groundbreaking structure of musician leadership, the Society presents concerts at venues throughout the Chicago area that cover the full spectrum of classical music, from Bach to Britten and beyond. The Society’s orchestra, known simply as the Chicago Philharmonic, has been called “one of the country’s finest symphonic orchestras” (Chicago Tribune), and its unique chamber music ensembles, which perform as the Chicago Philharmonic Chamber Players (cp2), draw from its vast pool of versatile musicians. -
Uncorrected Transcript
1 DEBT-2015/03/13 THE BROOKINGS INSTITUTION SAUL/ZILKHA ROOM REACHING THE LIMIT: ENDING THE CYCLE OF DEBT CEILING SHOWDOWNS Washington, D.C. Friday, March 13, 2015 PARTICIPANTS: Introduction and Moderator: RON HASKINS Senior Fellow and Co-Director, Budgeting for National Priorities Project The Brookings Institution Panelists: STEVE BELL Senior Director of Economic Policy Bipartisan Policy Center DOUGLAS HOLTZ-EAKIN President American Action Forum MAYA MacGUINEAS President Committee for a Responsible Federal Budget DAVID WESSEL Director, Hutchins Center on Fiscal and Monetary Policy, and Senior Fellow, Economic Studies The Brookings Institution * * * * * ANDERSON COURT REPORTING 706 Duke Street, Suite 100 Alexandria, VA 22314 Phone (703) 519-7180 Fax (703) 519-7190 2 DEBT-2015/03/13 P R O C E E D I N G S MR. HASKINS: (in progress) -- thanks to everybody that we ought to do something about the debt. And as you can see, we've been extremely successful in getting the Federal debt way down. So we are -- MR. HOLTZ-EAKIN: If the deficit is going the right way? MR. HASKINS: The deficit, yes, but -- MR. HOLTZ-EAKIN: They’ve got to take credit for something. MR. HASKINS: I know, but it's still higher than it's almost ever been except for the last couple years, but -- So, we should have called this event. Here we are again, the debt ceiling has been increased something like 100 times, actually more than 100, and 18 times just during the Reagan Administration. And in recent years it has been the cause of great sound and fury, including playing a major role in the 17-day Government Shutdown in 2013. -
Ecad Agosto 2020
PLANILHA DE PROGRAMAÇÃO MUSICAL - RÁDIO RAZÃO SOCIAL: SISTEMA 103 DE RADIOS LTDA - EPP CNPJ: 82721226000146 NOME FANTASIA: DIAL: 103.7 CIDADE: UF: EXECUÇÃO DATA HORA MÚSICA INTÉRPRETE AUTOR GRAVADORA AO VIVO MECÂNICA 01/08/2020 00:01 JUST LIKE YOU LOUIS TOMLINSON X 01/08/2020 05:31 SONHO LOUCO CHRYSTIAN E RALF X 01/08/2020 05:34 SEM VOCE ME DESESPERO CELITA X 01/08/2020 05:37 MAIS UMA CARTA TRIO PARADA DURA X 01/08/2020 05:40 AS PAREDES AZUIS JOÃO MINEIRO E MARCIANO X 01/08/2020 05:47 VAI DURVAL E DAVI X 01/08/2020 05:50 A CARNE É FRACA CHITÃOZINHO E XORORÓ X 01/08/2020 05:53 VOCE MARCOU PRA MIM CEZAR E PAULINHO X 01/08/2020 05:57 PORTA FECHADA TEODORO E SAMPAIO X 01/08/2020 06:02 X - SALADA BOB E ROBISON X 01/08/2020 06:06 ESTRELA DE OURO FELIPE E FALCAO X 01/08/2020 06:09 AGULHA CHICO REY E PARANÁ X 01/08/2020 06:12 APAIXONADO DEMAIS GILBERTO E GILMAR X 01/08/2020 06:19 DE CARA COM A SAUDADE MILIONARIO E JOSE RICO X 01/08/2020 06:23 SOU LOUCA POR ELE AS MINEIRINHAS X 01/08/2020 06:26 CAMINHOS ROBERTO E MEIRINHO X 01/08/2020 06:30 PELA PORTA DA COZINHA PEAO CARREIRO E PRAIANO X 01/08/2020 06:40 PARA QUE CHORAR DUDUCA E DALVAN X 01/08/2020 06:43 PISCINA CHRYSTIAN E RALF X 01/08/2020 06:52 VOCE EM MINHA VIDA GIAN E GIOVANI X 01/08/2020 06:55 VOCÊ É TUDO QUE PEDI PRA DEUS CEZAR E PAULINHO X 01/08/2020 07:03 NAO SEI MAIS DORMIR SOZINHO LEANDRO E LEONARDO X 01/08/2020 07:07 VOCE SO ME FAZ FELIZ ADALBERTO E ADRIANO X 01/08/2020 07:12 BRIGUE COMIGO MAS NAO VA ZEZE DI CAMARGO E LUCIANO X 01/08/2020 07:16 AINDA FAÇO AMOR COM ELA RENÊ E RONALDO -
Downloadable Software, Such As Spreadsheets, Or Simulations That Enable Students to Create Data Sets and See Immediate Changes in a Bar Graph Or
TEACHERS’ USE OF INSTRUCTIONAL MOVES DURING TECHNOLOGY-BASED MATHEMATICAL ACTIVITIES by Susan B. Miller B.S. Chemical Engineering, Bucknell University, 1989 M.B.A., University of Denver, 2000 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy School of Education 2017 This dissertation entitled: Teachers’ Use of Instructional Moves During Technology-Based Mathematical Activities written by Susan B. Miller has been approved for the School of Education __________________________________ David C. Webb __________________________________ Daniel Liston __________________________________ Joseph Polman __________________________________ Edd V. Taylor __________________________________ Ben Shapiro Date_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 13-0182 ii Miller, Susan B. (Ph.D., Curriculum and Instruction [Mathematics], School of Education) Teachers’ Use of Instructional Moves During Technology-Based Mathematical Activities Dissertation directed by Associate Professor David C. Webb ABSTRACT This study investigates instructional moves by teachers in mathematics classrooms in which technology-based activities (i.e., student-oriented simulations) and features of those simulations influence classroom practices. Four teachers were studied over the course of a year as an exploratory study to build interpretive cases that described instructional practices in technology- based lessons. Teachers developed lessons using PhET simulations designed to support algebraic reasoning. Data sources included teachers’ process of selecting and designing lessons, observations of teachers’ non-technology and technology-based mathematical activities, and teacher interviews and reflections. -
Bird's Bebop Brother Goes Home
gram JAZZ PROMOTING AND NURTURING JAZZ IN CHICAGO SEPTEMBER 2020 WWW.JAZZINCHICAGO.ORG BIRD’S BEBOP BROTHER GOES HOME JOE SEGAL, JIC CO-FOUNDER, 2015 NEA JAZZ MASTER, REMEMBERED BY MUSICIANS AND MUSIC LOVERS BY COREY HALL While our current reality resembles Orson Welles’ War of the Worlds on steroids, let us escape and celebrate Joe Segal -- April 24, 1926-August 10, 2020 -- who brought jazz to Chicago for more than seven decades. Imagine… Scene: August 10, 2020. Place: Tadd’s Hot House. Charlie Parker, firm, fit, and poison-free since March 12, 1955, is sheddin’ “Just Friends” when in walks Joe. “Hey, man! It’s about time!” Bird exclaims, embracing his brother in bop. “What were you up to? Reading the list of upcoming cats?” “I was busy saving the youth,” Joe replies, while readjusting his Cubs cap. “Keeping them safe from the ‘Yookey Dukes!’” Both brothers laugh, embrace again, and then cast their sights down at this page, now a stage, where dudes and dudettes carrying voices, horns and guitars gather to take on this thought prompter: “What song sums up your experience with and/or appreciation of Joe Segal?” (The tunes designated with an asterisk are accompanied by a video available by clicking on the link or thumbnail). Solitaire Anna Miles, vocalist: (*) “I did every gig at the Jazz Showcase with Willie Pickens. We always opened with “Exactly Like You," and if Joe was there, he would sing it with me from the audience, so I think he liked the tune…or at least the way Willie and I did it. -
ROXETTE Aflyser Alt !
2016-04-18 17:20 CEST ROXETTE aflyser alt ! Roxette were supposed to start the last leg of their massive RoXXXette 30th Anniversary Tour on June 3rd. However, singer Marie Fredriksson has been advised by her doctorsto refrain from touring and as a consequence all the summer shows are cancelled. Their last performance was to be at the Grand Arena in Cape Town, South Africa on February 8 earlier this year. Marie Fredriksson:”It’s been an amazing 30 years! I feel nothing but joy and happiness when I look back ontheRoxette world tours. All our showsand memories over the years will forever be a big part of my life. I’m particularly proud and grateful for coming back in 2009 after my severe illness and to have been able to take Roxette around the globe a couple of more times. Sadly, now my touring days are over and I want to take this opportunity to thank our wonderful fans that has followed us on our long and winding journey. I look forward to the release of our album ”Good Karma” in June – for me it’s our best album ever!” Per Gessle: Who would have thought this small town band from the Swedish west coast wereto be still on the looseafter 30 years! We’ve done mind-blowing gigs all over the world that has taken us far beyond our wildest and craziest dreams. I want to thank all our fellow musicians and collaborators on and off the road. Thanks also to our beautiful fans, all of you who have listened, encouraged, waited, travelled, all of you who have shared the singing, laughter, joy and tears. -
Paul Wertico Bio Hailed in the Press As “One of the Most Versatile And
Paul Wertico bio Hailed in the press as “One of the most versatile and musical drummers in music today,” Paul Wertico was a member of the Pat Metheny Group from 1983 to 2001. During that time, he won seven Grammy Awards (three for Best Jazz Fusion Performance, three for Best Contemporary Jazz Performance, and one for Best Rock Instrumental Performance), won numerous magazine polls, received several gold records, and played drums & percussion on David Bowie’s hit recording (with the Pat Metheny Group), “This Is Not America.” In addition to winning awards as a member of the PMG, Wertico has also been voted "Fusion Drummer Of The Year" in DRUM! magazine's Reader's Poll and he was voted in the "Top Five in the Electric Jazz Category" in Modern Drummer magazine's Reader's Polls. In 2004, Wertico was also named a Chicago Tribune “Chicagoan of the Year.” In 2010, the Cape Breton International Drum Festival honored him with a “Lifetime Achievement Award” for his “Major Contribution To The World Of Drumming & Education,” and that year he was also a recipient of the Montréal Drum Fest’s “Lifetime Achievement Award.” As Musical Director for the crowdsourced TV video series INVENTING THE FUTURE, Wertico was nominated for a 2012-2013 Emmy Award in the “Outstanding Achievement In Interactivity” category by The National Academy of Television Arts & Sciences, Midwest Chapter. From 2010 to 2012 he hosted his own weekly radio show, PAUL WERTICO’s WILD WORLD OF JAZZ. He's also the inventor of his signature product, TUBZ, manufactured by Pro-Mark, who also makes the “Paul Wertico Signature Drum Stick”. -
Dr. Dechene's World Religions Course, Study Guide #1, Religious
Austin Community College Austin, Texas, USA Professor Arthur C. Dechene, Jr., Phd Some Quotations Relevant to My Courses The fact that I included a quote here does not mean I agree with it. I agree with most of the quotations, but some I disagree with totally, but think they are interesting and significant. Some others I’m not even sure I understand, but they seem pregnant with insight. 1. It is necessary to say and think that being is and not-being is not. Parmenides (fl. 475 BCE, Greek philosopher from Velea, Italy), On Nature, B-6.1-2 (condensed pa- raphrase) 2. Nothing real can be threatened. Nothing unreal exists. Herein lies the peace of God. A Course in Miracles 3. Being is the most obvious and most important fact of all, but it is the most ignored. In this is the whole problem of existence. AD, January 16, 2006 4. God is pure being—not a person ruling over us, but a presence moving within us. Meister Eckhart 5. All words are meaningless because they describe a meaningless world—a world of not-being. AD, March 20, 2011 (first day of spring) 6. Joe don’t belong to you. White folks think they can take hold of things and own ‘em, even people, and it ain’t so. And ever’ time while folks see that something they think belongs to them might be took away, they get scared and then they get violent. You take care of your boy real fine, but he don’t really belong to you. -
Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström
Online version of Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström Stockholm, Svenskt visarkiv, 2003 Publications issued by Svenskt visarkiv 18 Translated by Kristina Radford & Andrew Coultard Illustrations: Ann Ahlbom Sundqvist For additional material, go to http://old.visarkiv.se/online/online_mmm.html Contents Preface.................................................................................................. 9 AIMS, THEMES AND TERMS Aims, emes and Terms...................................................................... 13 Music as Objective and Means— Expression and Cause, · Assumptions and Questions, e Production of Difference ............................................................... 20 Class and Ethnicity, · From Similarity to Difference, · Expressive Forms and Aesthet- icisation, Visibility .............................................................................................. 27 Cultural Brand-naming, · Representative Symbols, Diversity and Multiculture ................................................................... 33 A Tradition of Liberal ought, · e Anthropological Concept of Culture and Post- modern Politics of Identity, · Confusion, Individuals, Groupings, Institutions ..................................................... 44 Individuals, · Groupings, · Institutions, Doers, Knowers, Makers ...................................................................... 50 Arenas ................................................................................................. -
Download the File “Tackforalltmariebytdr.Pdf”
Käraste Micke med barn, Tillsammans med er sörjer vi en underbar persons hädangång, och medan ni har förlorat en hustru och en mamma har miljoner av beundrare världen över förlorat en vän och en inspirationskälla. Många av dessa kände att de hade velat prata med er, dela sina historier om Marie med er, om vad hon betydde för dem, och hur mycket hon har förändrat deras liv. Det ni håller i era händer är en samling av över 6200 berättelser, funderingar och minnen från människor ni förmodligen inte kän- ner personligen, men som Marie har gjort ett enormt intryck på. Ni kommer att hitta både sorgliga och glada inlägg förstås, men huvuddelen av dem visar faktiskt hur enormt mycket bättre världen har blivit med hjälp av er, och vår, Marie. Hon kommer att leva kvar i så många människors hjärtan, och hon kommer aldrig att glömmas. Tack för allt Marie, The Daily Roxette å tusentals beundrares vägnar. A A. Sarper Erokay from Ankara/ Türkiye: How beautiful your heart was, how beautiful your songs were. It is beyond the words to describe my sorrow, yet it was pleasant to share life on world with you in the same time frame. Many of Roxette songs inspired me through life, so many memories both sad and pleasant. May angels brighten your way through joining the universe, rest in peace. Roxette music will echo forever wihtin the hearts, world and in eternity. And you’ll be remembered! A.Frank from Germany: Liebe Marie, dein Tod hat mich zu tiefst traurig gemacht. Ich werde deine Musik immer wieder hören.