Home Files/Martin Huberty CV.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

MARTIN HUBERTY UK 07817 862 617 US +1 209 728 2085 [email protected] www.martinhuberty.co.uk PRODUCER / DIRECTOR CREDITS FEATURE FILM TELEVISION Director / Producer Producer Producer AN ENGLISH LEGIONNAIRE SERAGLIO FOR THEIR OWN GOOD (a.k.a Deserter) Paul Fox, Tom Hardy ACADEMY AWARD Nominated Short Film Elizabeth Perkins, Laura San Giacomo Simon Film Productions Ltd. Grand Prix Deauville Film Festival Avnet/Kerner Co. & NBC Based on the best selling book, this film Audience and Jury Award - New Haven documents a young Englishman’s five year Silver Medal Award - Houston Worldfest Producer ordeal in the French Foreign Legion Debra Christofferson during the Algerian uprising in the 1960’s. Gail Lerner, Colin Campbell - Directors THE SWITCH Gary Cole, Craig T Nelson Avne/Kerner Co. & CBS Co-Producer Universal Supervisor RED CORNER Associate Producer THE BONE COLLECTOR Richard Gere, Bai Ling Denzel Washinton, Angelina Jolie The Avnet/Kerner Company - MGM HEAT WAVE Bregman Productions - Universal ACE AWARD-Best TV Film of the Year Jon Avnet - Director /Producer Avnet/Kerner Co. Phillip Noyce - Director Chuck Mulvehill - Producer & Turner Network Television Marty Bregman- Producer David Ladd, Jeff Coleman -Studio Executives James Earl Jones, Cicely Tyson, Kool Marder - Studio Executive Blaire Underwood Co-Producer THE WAR Associate Producer Co-Producer Kevin Costner, Elijah Wood BREAKING POINT UP CLOSE AND PERSONAL The Avnet/ Kerner Company Avner/Kerner Co. Robert Redford, Michelle Pfeiffer Universal Pictures & Turner Network Television The Avnet/Kerner Company - Touchstone Jon Avnet - Director / Producer Production Supervisor Jon Avnet - Director / Producer Kool Marder-Studio Executive David Nicksay - Producer THE SECRET LIFE OF Donald Deline - Studio Executive IAN FLEMMING ASSISTANT CREDITS Turner Network Television THE GHOST OF MONTE CARLO Co-Producer FUNNY ABOUT LOVE Turner Network Television FRIED GREEN TOMATOES Gene Wilder - Paramount Pictures Jessica Tandy, Kathy Bates MEN DON’T LEAVE Assistant Producer The Avnet/ Kerner Company - Jessica Lange - Warner Brothers Pictures Universal Pictures SIDE BY SIDE Jon Avnet - Director / Producer LESS THAN ZERO Robert Downey Jr. - 20th Century Fox Kool Marder - Studio Executive COMPANY DIRECTOR YOU CAN’T HURRY LOVE Bridgit Fonda - Lightning Pictures SIMON FILM PRODUCTIONS Ltd. Co-Producer Film Production and development THE MIGHTY DUCKS Current Projects: Emilio Estevez U.S.Research and Buyer THREE AND OUT The Avnet/ Kerner Company - THE BOURNE ULTIMATUM Buena Vista International THE MOTHER OF THE FOREST Universal Pictures Steve Herek - Director HOUSE AT THE EDGE OF THE JUNGLE Tina Jones -Set Decorator Jordan Kerner - Producer YOSEMITE Grant Armstrong - Art Director Ross Fanger - Studio Executive FUNNY GIRLZ.

Copy Link

Recommended publications

Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
[Show full text]
I PUFFI 2 in 3D
Columbia Pictures e Sony Pictures Animation presentano in associazione con Hemisphere Media Capital una produzione Kerner Entertainment Company un film di Raja Gosnell I PUFFI 2 in 3D (The Smurfs 2) Neil Patrick Harris Brendan Gleeson Jayma Mayscon ed Hank Azaria nella parte di Gargamella. Regia: Raja Gosnell Prodotto da: Jordan Kerner Basato sui personaggi e sulle opere di Peyo Soggetto: J. David Stem & David N. Weiss & Jay Scherick & David Ronn Sceneggiatura: J. David Stem & David N. Weiss e Jay Scherick & David Ronn e Karey Kirkpatrick Produttori esecutivi: Ezra Swerdlow, Ben Haber e Paul Neesan Direttore della Fotografia: Phil Méheux Scenografie: Bill Boes Montaggio: Sabrina Plisco Effetti Speciali Visivi: Sony Pictures Imageworks Inc. Supervisione Effeti Speciali: Richard R. Hoover Costumi: Rita Ryack e Véronique Marchessault Musiche: Heitor Pereira Data d’uscita: 19 settembre 2013 Distribuzione: Warner Bros. Pictures Italia Durata: 105 minuti Materiali stampa: www.cristianacaimmi.com/materialipuffi2.zip I PUFFI 2 Nel sequel della commedia campione d’incassi I Puffi, un mix tra live action e animazione della Columbia Pictures/Sony Pictures Animation, il perfido mago Gargamella crea una coppia di dispettose creature dalle sembianze dei Puffi, chiamati Monelli, che spera di sfruttare per conquistare la potente essenza magica dei Puffi. Ma quando scopre che, solo un vero Puffo può dargli quello che desidera e che solo un incantesimo segreto, noto a Puffetta, può trasformare un Monello in un Puffo, Gargamella rapisce Puffetta e la porta
[Show full text]
BUDDY JOE HOOKER 2ND UNIT DIRECTOR, STUNT COORDINATOR DGA SAG AFTRA AMPAS Office: 818-501-1970 Email: [email protected]
BUDDY JOE HOOKER 2ND UNIT DIRECTOR, STUNT COORDINATOR DGA SAG AFTRA AMPAS Office: 818-501-1970 Email: [email protected] H.R. – STUNT COORDINATOR – Lifetime Television Pilot; Hilton Smith, Producer RAKE – STUNT COORDINATOR – 20th Century Fox; Fox Television Series KING AND MAXWELL – STUNT COORDINATOR/2ND UNIT DIRECTOR TNT Pilot; CBS NECESSARY ROUGHNESS – STUNT COORDINATOR- USA Network; Kelly Manners, Prod. COMMON LAW - STUNT COORDINATOR - USA Network TV Series; Jon Turteltaub, Prod. TORCHWOOD – STUNT COORDINATOR/2ND UNIT DIRECTOR - STARZ Network Series CRIMINAL MINDS SUSPECT BEHAVIOR – STUNT COORDINATOR -- CBS Television Series MEMPHIS BLUES – STUNT COORDINATOR - Pilot and Series; Warner Bros. TV PLEADING GUILTY – STUNT COORDINATOR - TV Pilot; Fox TV; Jon Avnet, Director BUNKER HILL – STUNT COORDINATOR - TV Pilot; Millenium Films; Jon Avnet, Director RIGHTEOUS KILL – STUNT COORDINATOR - Millenium Films; Jon Avnet, Director 60 MINUTE MAN – STUNT COORDINATOR - Touchstone TV Pilot; Jon Avnet, Director 88 MINUTES – STUNT COORDINATOR 2nd Unit -Millenium Films; Jon Avnet, Director 40 YEAR OLD VIRGIN - STUNT COORDINATOR -Universal Studios; Judd Apatow, Director CONVICTION - STUNT COORDINATOR - Warner Bros. Pilot - Jon Avnet, Director MURDER BOOK - STUNT COORDINATOR - Fox TV Pilot; Antoine Fuqua, Director SKELETON KEY - STUNT COORDINATOR - Universal Studios; Iain Softley, Director MEDICAL INVESTIGATION - STUNT COORDINATOR - NBC TV Series/Paramount Pictures HAWAII - 2nd UNIT DIRECTOR/STUNT COORDINATOR - NBC TV Series HOMELAND SECURITY - STUNT
[Show full text]
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey.
[Show full text]
MADE in HOLLYWOOD, CENSORED by BEIJING the U.S
MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence 1 MADE IN HOLLYWOOD, CENSORED BY BEIJING The U.S. Film Industry and Chinese Government Influence TABLE OF CONTENTS EXECUTIVE SUMMARY I. INTRODUCTION 1 REPORT METHODOLOGY 5 PART I: HOW (AND WHY) BEIJING IS 6 ABLE TO INFLUENCE HOLLYWOOD PART II: THE WAY THIS INFLUENCE PLAYS OUT 20 PART III: ENTERING THE CHINESE MARKET 33 PART IV: LOOKING TOWARD SOLUTIONS 43 RECOMMENDATIONS 47 ACKNOWLEDGEMENTS 53 ENDNOTES 54 Made in Hollywood, Censored by Beijing: The U.S. Film Industry and Chinese Government Influence MADE IN HOLLYWOOD, CENSORED BY BEIJING EXECUTIVE SUMMARY ade in Hollywood, Censored by Beijing system is inconsistent with international norms of Mdescribes the ways in which the Chinese artistic freedom. government and its ruling Chinese Communist There are countless stories to be told about China, Party successfully influence Hollywood films, and those that are non-controversial from Beijing’s warns how this type of influence has increasingly perspective are no less valid. But there are also become normalized in Hollywood, and explains stories to be told about the ongoing crimes against the implications of this influence on freedom of humanity in Xinjiang, the ongoing struggle of Tibetans expression and on the types of stories that global to maintain their language and culture in the face of audiences are exposed to on the big screen. both societal changes and government policy, the Hollywood is one of the world’s most significant prodemocracy movement in Hong Kong, and honest, storytelling centers, a cinematic powerhouse whose everyday stories about how government policies movies are watched by millions across the globe.
[Show full text]
Using Films to Teach Comparative Law Joseph W
International Journal of Legal Information the Official Journal of the International Association of Law Libraries Volume 36 Article 10 Issue 1 Spring 2008 4-1-2008 Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law Joseph W. Dellapenna Villanova University School of Law Follow this and additional works at: http://scholarship.law.cornell.edu/ijli The International Journal of Legal Information is produced by The nI ternational Association of Law Libraries. Recommended Citation Dellapenna, Joseph W. (2008) "Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law," International Journal of Legal Information: Vol. 36: Iss. 1, Article 10. Available at: http://scholarship.law.cornell.edu/ijli/vol36/iss1/10 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in International Journal of Legal Information by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law JOSEPH W. DELLAPENNA* Table of Contents I. Introduction II. Selecting the Films III. The Films A. The Return of Martin Guerre B. Dingaka C. The Story of Qiu Ju D. A Question of Silence E. The Conviction F. The Red Corner I. Introduction The last four decades have seen the emergence of the “law and literature” movement.1 Although numerous stories in the common law world turn on the trial of cases,2 many studies in the law and literature vein use * Professor of Law, Villanova University School of Law, Villanova, Pennsylvania.
[Show full text]
KIM TILLMAN Costume Designer Kimtillman.Com
KIM TILLMAN Costume Designer kimtillman.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MACHINE Peter Atencio LEGENDARY Feature Film Herb Gains Add’l Costume Designer ATOM Brandon Caruso Elena Bawiec, Tay Centineo Short Film Cynthia Jean Hajj ONE OF US IS LYING Jennifer Morrison UCP / PEACOCK Pilot Brian Parker, Erica Saleh BLOODSHOT Dave Wilson ORIGINAL FILM / SONY Feature Film Neil Moritz THE GOOD DOCTOR Seth Gordon SONY PICTURES TV / ABC Pilot Ron French UNDER THE BRIDGE Victoria Mahoney JERRY BRUCKHEIMER TV / CBS Pilot Don Tardino, Rina Mimoun SANDY WEXLER Steven Brill HAPPY MADISON PRODUCTIONS Feature Film NETFLIX FEATURES Barry Bernardi, Adam Sandler xXx: THE RETURN OF XANDER CAGE DJ Caruso ROTH FILMS Feature Film Ric Kidney, Samantha Vincent THE DO OVER Steven Brill HAPPY MADISON PRODUCTIONS Feature Film NETFLIX FEATURES Barry Bernardi, Adam Sandler SNEAKY PETE Seth Gordon AMAZON / Bryan Cranston Pilot David Shore, Erin Gunn, Mark Baker BATTLE CREEK Various Directors SONY / CBS / David Shore Pilot & Series Vince Gilligan, Erin Gunn DOUBT Thomas Schlamme SONY / ABC / David Shore Pilot Erin Gunn, Julie DeJoie SAVE ME Scott Winant ORIGINAL FILM / SONY TV / NBC Pilot & Series John Scott Sheperd, Joanne Toll BATTLESHIP Peter Berg UNIVERSAL Feature Film Duncan Henderson, Sarah Aubrey Shared Credit Braden Aftergood, Scott Stuber MEN IN TREES James Mangold ABC / WB TV Pilot Stuart Besser, Cathy Conrad SPEAKING OF SEX John McNaughton LIONSGATE / Pierre Edelman Feature Film Alain Sarder, Rob Scheidlinger MY FIRST MISTER Christine
[Show full text]
Thomas Newman
THOMAS NEWMAN AWARDS / NOMINATIONS 92ND ACADEMY AWARDS NOMINATION (2020) 1917 Achievement in Music Written for Motion Pictures (Original Score) 73rd BRITISH ACADEMY FILM AWARDS 1917 NOMINATION (2020) Best Original Score 25th CRITICS’ CHOICE AWARDS NOMINATION 1917 (2020) Best Score THE SOCIETY OF COMPOSERS AND LYRICISTS AWARD (2020) Sprit of Collaboration Award 77th GOLDEN GLOBE AWARD NOMINATION 1917 (2020) Best Original Score EMMY AWARD NOMINATION (2020) CASTLE ROCK Original Main Title Theme Music HOLLYWOOD MUSIC IN MEDIA NOMINATION VICTORIA & ABDUL (2017) Original Score - Feature Film ACADEMY AWARD NOMINATION (2017) PASSENGERS Best Original Score GRAMMY NOMINATION (2016) BRIDGE OF SPIES Best Score Soundtrack for Visual Media, Best Instrumental Composition ACADEMY AWARD NOMINATION (2015) BRIDGE OF SPIES Best Original Score BAFTA AWARD NOMINATION (2016) BRIDGE OF SPIES Best Original Music HOLLYWOOD MUSIC IN MEDIA NOMINATION BRIDGE OF SPIES (2015) Original Score-Feature Film 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 THOMAS NEWMAN ACADEMY AWARD NOMINATION (2013) SAVING MR. BANKS Best Original Score GRAMMY AWARD (2013) SKYFALL Best Score Soundtrack for Visual Media BAFTA AWARD NOMINATION (2013) SAVING MR. BANKS Best Original Music CRITICS CHOICE AWARD NOMINATION (2013) SAVING MR. BANKS Best Score ACADEMY AWARD NOMINATION (2012) SKYFALL Best Original Score BAFTA AWARD (2012) SKYFALL Best Original Music GOLDEN GLOBE AWARD NOMINATION (2011) THE HELP Best Original Song * “The Living Proof” from THE HELP CRITICS CHOICE AWARD NOMINATION
[Show full text]
Thomas Newman
THOMAS NEWMAN AWARDS / NOMINATIONS ACADEMY AWARD NOMINATION (2013) SAVING MR. BANKS Best Original Score GRAMMY AWARD (2013) SKYFALL Best Score Soundtrack for Visual Media BAFTA NOMINATION (2013) SAVING MR. BANKS Best Original Music CRITICS CHOICE AWARD NOMIN ATION (2013 ) SAVING MR. BANKS Best Score ACADEMY AWARD NOMINATION (2012 ) SKYFALL Best Original Score BAFTA AWARD (2012 ) SKYFALL Best Original Music GOLDEN GLOBE AWARD NOMINATION (2011) THE HELP Best Original Song * “The Living Proof” from THE HELP CRITICS CHOICE AWARD NOMINATION (2011) THE HELP Best Song * “The Living Proof” from THE HELP ACADEMY AWARD NOMINATION (2009) WALL -E Best Original Score “Down to Earth” from WALL-E Best Original Song * BAFTA AWARD NOMINATION (2008) WALL-E Music GOLDEN GLOBE AWARD NOMINATION (2008) WALL-E Best Original Song “Down To Earth” from WALL -E GRAMMY AWARDS (2008) Best Song Written for a Motion Picture “Down To Earth” from WALL-E Best Instrumental Arrangement “Define Dancing” from WALL -E GRAMMY AWARD NOMINATIONS (2008) WALL -E Best Score Soundtrack Album WORLD SOUNDTRACK AWARD (2008) WALL-E Best Original Song Written for the Film “Down To Earth” from WALL-E 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 THOMAS NEWMAN WORLD SOUNDTRACK NOMINATION (2008) WALL-E Best Original Score of the Year ACADEMY AWARD NOMINATION THE GOOD GERMAN Best Original Score (2006) ACADEMY AWARD NOMINATION LEMONY SNICKET’S A SERIES OF Best Original Score (2005) UNFORTUNATE EVENTS GRAMMY AWARD NOMINATION ANGELS IN AMERICA Best Score Soundtrack Album (2004) HOLLYWOOD
[Show full text]
Alcon Entertainment Prescribing “Chicken Soup for the Soul”
THE ANGELLOTTI COMPANY NEWS 12423 Ventura Court . Studio City, CA 91604 . 818/506-7887 . FAX 818/506-8822 Press Contact: Christine Foy 818/506-7887 Rusty Shelton Shelton Interactive 512/206-0229 [email protected] ALCON ENTERTAINMENT PRESCRIBING “CHICKEN SOUP FOR THE SOUL” Warner Bros. based Alcon Entertainment Developing The Iconic Brand, Chicken Soup for the Soul, as a Major Theatrical Feature With The Kerner Entertainment Company LOS ANGELES, CA., AUGUST 8, 2013—Alcon Entertainment (“The Blind Side,” “Dolphin Tale,” “P.S. I Love You”) has acquired film and television rights to the famed Chicken Soup for the Soul brand from Chicken Soup for the Soul Publishing, LLC, as was announced by Alcon co- founders and co-CEOs Broderick Johnson and Andrew Kosove. Alcon is set to finance and produce a major feature film that shares the brand’s name, “Chicken Soup for the Soul.” The film will be produced by The Kerner Entertainment Company and its principal Jordan Kerner (“The Smurfs 1&2”, “Charlotte’s Web,” “George of the Jungle,” “Fried Green Tomatoes,” and many others) along with Johnson and Kosove. Writer Brandon Camp (“Love Happens”) will write the screenplay, which is inspired by a variety of characters and stories from the “Chicken Soup for the Soul” series. Warner Bros will release via Alcon’s output deal. The film will be Executive Produced by Ben Haber (“The Smurfs,” “Across the Universe”), Bill Rouhana and Tim Rouhana (“The Path of Most Resistance”) with Kate Moulene set as co- producer. Stated Kosove and Johnson: “We’re thrilled to partner with ‘Chicken Soup for the Soul,’ the world renowned brand that has become synonymous with inspiration and life improvement and has touched hundreds of millions of readers through the power of storytelling.
[Show full text]
Looper and the Rise of China In
“I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Communication By Robert Gordon Joseph UNIVERSITY OF DAYTON Dayton, Ohio May, 2014 “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon APPROVED BY: ___________________________________ Joseph Valenzano III, Ph.D. Committee Chair Assistant Professor ___________________________________ Jeffrey Griffin, Ph.D. Committee Member Associate Professor ___________________________________ Andrew Slade, Ph.D. Committee Member Associate Professor ii ABSTRACT “I’M FROM THE FUTURE. YOU SHOULD GO TO CHINA.” LOOPER AND THE RISE OF CHINA IN AMERICAN SCIENCE-FICTION CINEMA Name: Joseph, Robert Gordon University of Dayton Advisor: Dr. Joseph Valenzano III The past decade has seen a large number of film co-productions between Hollywood studios and Chinese production companies. These co-productions reflect the continued rise of the Chinese box office, and a desire by Hollywood to cash in on the emerging market. Among these co-productions is Looper, a cinematic collaboration between Tri-Star Pictures and DMG Entertainment. Along with its co-production status, Looper is significant in its unique portrayal of a future featuring a dystopic United States and a prosperous China. Viewing the film as a “representative anecdote,” this thesis argues that Looper represents United States cultural apprehensions towards China. By the circumstances of the film’s production and its on-screen portrayal of the future, the film reflects the distinct American fear in which China is the dominant world economic power.
[Show full text]
Salli Newman
SALLI NEWMAN PRODUCER TELEVISION VARSITY BLUES (Limited Series) Paramount TV/Quibi Exec Prod: Peter Gruber, Tova Laiter, Mike Tollin Dir: Anne Fletcher DELILAH (Pilot) Kapital Ent/HBO Max Exec Prod: Aaron Kaplan, Dana Honor, Dir: James Griffiths Sharon Horgan, Kirker Butler GREENLEAF (Seasons 3&4) Lionsgate/OWN Exec Prod: Oprah Winfrey, Craig Wright, Dir: Various Clement Virgo, Kriss Turner Tower STEP UP: HIGH WATER (Seasons 1&2) Lionsgate/YouTube Premium Exec Prod: Holly Sorensen, Adam Shankman Dir: Various CHARLIE FOXTROT (Pilot) ABC Studios/ABC Exec Prod: Aaron Kaplan, Dana Honor, Dir: Todd Holland Todd Holland, Tim Doyle SMILF (Pilot) ABC Signature/Showtime Exec Prod: Michael London, Frankie Shaw, Dir: Frankie Shaw Janice Williams, Lee Eisenberg AMERICAN HOUSEWIFE (Pilot) ABC Studios/ABC Exec Prod: Aaron Kaplan, Sarah Dunn, Dir: Ruben Fleischer Kenny Schwartz, Rick Wiener CHASING LIFE (Seasons 1&2) Prodco/Lionsgate/ Exec Prod: Aaron Kaplan, Sean Smith, Dir: Various ABC Family Susanna Fogel, Joni Lefkowitz, John Ziffren BUNHEADS (Season 1 – back 8 Eps.) Prodco/ABC Family Exec Prod: Amy Sherman-Palladino Dir: Various LOVESTRUCK: THE MUSICAL (MOW) ABC Family Exec Prod: Debra Martin Chase Dir: Sanaa Hamri 12 DATES OF CHRISTMAS (MOW) ABC Family Exec Prod: Frank von Zerneck, Beth Miller Dir: James Hayman HIGH NOON (MOW) Mandalay/Lifetime Exec Prod: Stephanie Germain, Peter Guber Dir: Peter Markle MATTERS OF LIFE & DATING (MOW) Barbara Lieberman Prod/ Exec Prod: Barbara Lieberman, Salli Newman Dir: Peter Wellington (Executive Producer) Firebrand
[Show full text]