The Afterlives of the Terror
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THE AFTERLIVES OF THE TERROR THE AFTERLIVES OF THE TERROR FACING THE LEGACIES OF MASS VIO LENCE IN POSTREVOLUTIONARY FRANCE Ronen Steinberg CORNELL UNIVERSITY PRESS Ithaca and London This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosys- tem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Michigan State University. Learn more at the TOME website, available at: openmonographs.org. Copyright © 2019 by Cornell University The text of this book is licensed under a Creative Commons Attribution 4.0 International Public License: https://creativecommons.org/licenses/by/4.0/legalcode. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. First published 2019 by Cornell University Press Library of Congress Cataloging- in- Publication Data Names: Steinberg, Ronen, 1970- author. Title: The afterlives of the Terror : facing the legacies of mass vio lence in postrevolutionary France / Ronen Steinberg. Description: Ithaca [New York] : Cornell University Press, 2019. | Includes bibliographical references and index. Identifiers: LCCN 2018047446 (print) | LCCN 2018048276 (ebook) | ISBN 9781501739255 (pdf ) | ISBN 9781501739262 (epub/mobi) | ISBN 9781501739248 | ISBN 9781501739248 (pbk.: alk. paper) Subjects: LCSH: France— History— Reign of Terror, 1793–1794— Psychological aspects. | Po liti cal vio lence— France— History—1 8th century. | France— History— Revolution, 1789–1799— Influence. | France— Social Conditions—18th century. Classification: LCC DC183.5 (ebook) | LCC DC183.5 .S74 2019 (print) | DDC 944.04/4— dc23 LC rec ord available at https:// lccn . loc . gov / 2018047446 Cover illustration: Poirier de Dunckerque, Les formes acerbes, ca. 1796. Etching, hand-colored; 23.1 x 36.2. cm. Bibliothèque nationale de France, département Estampes et photographie, RESERVE QB-370 (45)-FT 4. For Geneva, whose love, support, and sense of humor have seen me through the writing of this book. Violent action is unclear to most of those who get caught up in it. Experience is fragmentary; cause and effect, why and how, are torn apart. Only sequence exists. First this, then that. And afterward, for those who survive, a lifetime of trying to under- stand. — Salman Rushdie, Fury Contents List of Illustrations ix Acknowl edgments xi Introduction: Approaching the Aftermath of the Terror 1 1. Nomenclature: Naming a Difficult Past after 9 Thermidor 17 2. Accountability: The Case of Joseph Le Bon 43 3. Redress: Les Biens des Condamnés 65 4. Remembrance: The Mass Graves of the Terror 90 5. Haunting: The Ghostly Presence of the Terror 117 Conclusion 146 Notes 153 Selected Bibliography 195 Index 215 Illustrations 1. Frontispiece, Prudhomme’s Histoire Générale, 1796–1797 35 2. Prudhomme’s “General Table of the Disasters of the French Revolution,” 1796–1797 37 3. “The Cruelties of Joseph Le Bon in Arras,” 1795 58 4. The cenotaph at Brotteaux, Lyon, c. 1795 103 5. The expiatory monument in Brotteaux, Lyon, 1821 113 6. The phantasmagoria at the Capuchin Convent, c. 1798 127 7. Giovanni Aldini’s experiments on severed heads, 1804 137 ix Acknowl edgments When I was a gradu ate student, I used to roam the library stacks, wondering whether my own book would, one day, be among these volumes on the shelves. I suppose there was a touch of vanity in this, but there was also a genuine desire to be let into this company of schol- ars, who have devoted much of their lives to understanding something that, often, only they could see. Now that this dream of mine appears to have been realized, it is a great plea sure and a great honor to thank the people and the institutions who have helped it come true. This proj ect began at the University of Chicago. I am deeply grateful to Jan Goldstein, Michael Geyer, and Bill Sewell for their support and hope this book justifies the trust they have placed in me. Thanks also to Bernard Was- serstein, the late Moishe Postone, Ibrahim Kaya Sahin, Joyce Cheng, Karin Nisenbaum, Hsia Ke- Chin, Dan Koehler, Ari Joskowicz, and Zhu Jingsheng. My colleagues at Michigan State University have been a model of support and encouragement. A heartfelt thanks for their general bonhomie: Leslie Moch, Lewis Siegelbaum, Karrin Hanshew, Sean Forner, Naoko Wake, Steve Stowe, Ed Murphy, Charles Keith, Heleh Veit, Lisa Fine, and John Dunn. I am very grateful to Walter Hawthorne for his support during his time as chair of the department. An early version of chapter two was presented at the Eu ro- pean History Colloquium at MSU. I am grateful to the graduate students and faculty for their helpful comments. Thanks also to Beth Drexler and to the Program in Peace and Justice Studies at MSU. I have been fortunate enough to receive financial support from various institutions in the course of my research. I am deeply grateful to The Eisen- berg Institute for Historical Studies at the University of Michigan, the Ameri- can Philosophical Society, the Institute for Historical Studies at the University of Texas at Austin, and the Humanities and Arts Research Program at Michi- gan State University. The year I spent as a fellow of the Institute for Historical Studies at UT Austin was especially impor tant in the evolution of this proj ect. I am very grateful to the other fellows, the faculty members, and the graduate students xi xii ACKNOWL EDGMENTS for creating such a rich environment for intellectual work: Leslie Harris, Carel Bertram, Dominic Yang, Seth Garfield, Julie Hardwick, James Vaughn, Lina del Castillo, Tarek El- Ariss, Chloe Ireton, Sandy Chang, Lior Sternfeld, Eyal Wein- berg, and Courtney Meador. I learned a lot about intellectual history and many other things from my conversations with Tracie Matysik and Ben Brower. Yoav di- Capua has helped me to think through most parts of this manuscript. I am very grateful to him and to Stephennie Mulder for their friendship and hospitality. In the course of doing my research, I have benefitted from the expert ad- vice of countless librarians and archivists here and in France. I am grateful to all of them, but especially to Marie- Laure Imbert at the Archives Municipales d’Orange, Pierre Quernez at the Archives Départementales du Rhône, Jérôme Triaud at the Bibliothèque Municipale de Lyon, and the staff at the Archives Mu- nicipales de Lyon. I am also grateful to the staff at the Bibliothèque Nationale de France, the Special Collections at the University of Chicago, the University of Minnesota Libraries, and the Special Collections at Michigan State University for helping with the reproduction of images. I’ve received generous help from many scholars along the way. Jean- Clément Martin, Dan Edelstein, Sam Moyn, Rafe Blaufarb, Alex Fairfax-Cholmeley, Caro- lyn Purnell, and Hannah Callaway have responded kindly to vari ous queries. Denise Davidson and Ann Larabee have read parts of the manuscript and of- fered invaluable critiques. Howard Brown has been especially generous in shar- ing his deep knowledge of the period and its archives; I am very grateful to him. Writing a book is a solitary undertaking for the most part. One spends a lot of time in one’s head. This book would not have been written without the many friends who listened patiently as I rambled on about this or that part of the project, laughed with me, worried about me, and knew when it was time to take me out for a drink. For this and much more, a big, warm thank you to Mickael Vaillant, Dani Aragon, Haviv Mizrahi, Chen Shoshani, Joseph Barash, Uzi Shamosh, Seth Kopald, Caroline Boerwinkle, Mark Shilkrut, Peter Hafford, Robert Hartle, Joie Pickett, Maya Haber, Sean Guillory, Doron Galili, Deborah Margolis, Valentina Denzel, Anne Verjus, and Lucero Radonic. Thanks to Guy Beiner for his friendship and for inspiring me to go to grad school in the first place. Dorothee Brantz has shared my interest in the bizarre and the morbid and has believed in this proj ect from its inception. Thanks to Xuefei Ren for her support. I am very fortunate to have found Yvon le Bot and Janine Perrimond, landlords who have become dear friends. We had, and continue to have, many memorable eve nings debating politics and ideas over wine in their lovely Pari - sian home. A special thanks to Sophie Wahnich, historienne extraordinaire de la Révolution française, for her friendship and inspiring scholarship. Parts of this ACKNOWL EDGMENTS xiii book were written at the home of Lauren Ross and Lisa Fithian in Austin; I am grateful for their hospitality. Bette Oliver has edited the manuscript. I am very grateful to her for this and for the many years we’ve spent discussing the French Revolution, poetry, and cats. I have been talking about history, theory, and life with Pablo Ben for almost twenty years now: the imprint of his sharp, knowledgeable mind is all over this work. When I first met Emily Andrew, my editor at Cornell University Press, I remember thinking “she understands what I am trying to do better than I do!” I am deeply grateful to her for guiding this project expertly to its frui- tion, for knowing what to say and when, and for her patience with the recur- ring e- mails, whose content boiled down to: “Eh, I am going to need a few more days.” I am also grateful to the two anonymous readers at Cornell for their helpful suggestions. My deepest gratitude is to those with whom I share the most intimate bonds. My mother, my father and his partner, and my brother have supported my vari ous endeavors over the years.