Copyrighted Material

Total Page:16

File Type:pdf, Size:1020Kb

Copyrighted Material bindex.qxp 6/12/07 10:47 AM Page 267 Index Page numbers in italics indicate illustrations Abbott and Costello Meet Frankenstein (film), 135 The (book), 220 About Last Night (film), 195 Asther, Nils, 76 Act, The (play), 138 Astin, John, 18–19 Addams, Family, The (TV series), 13 At Close Range (film), 90 Adventures of Robin Hood, The (film), 227 Atomic Kid, The (film), 242 After the Fox (film), 94 Atonement of Gosta Berling, The (film), 76 Air America (film), 110 Ava, My Story (book), 231 Airport 1975 (film), 203 Aykroyd, Dan, 101–2 Alfie (film), 234 All About Eve (film), 31, 87, 89 Babes in Arms (film), 117 All Ashore (film), 123 Bacall, Lauren, 243, 245, 253 Allen, Woody, 60–63, 61, 92 Back to Broadway (record album), 55 All the King’s Men (film), 236 Bad and the Beautiful, The (film), 250 Ally McBeal (TV series), 111 Bain, Conrad, 10, 11 Almost Heroes (film), 113 Baldwin, Alec, 67–68 Altered States (film), 5 Ball, Lucille, 18, 137 America’s Got Talent (TV series), 121 Bananas (film), 62 Anchors Aweigh (film), 244 Band Wagon, The (film), 86 Anderson, Loni, 24, 47, 49 Barrymore, Diana, 99–100 Angel (film), 225 Barrymore, Drew, 4, 4–6, 100 Anna and the King of Siam (film), 33 Barrymore, Ethel, 4, 98, 100 Anna Christie (film), 77 Barrymore, John, 4, 98, 98–100, 228 Anne of the Thousand Days (play), 33 Barrymore, John, Jr., 4, 99–100 Annie Get Your Gun (play and film), 80, 118 Barrymore, Lionel, 4, 98 Another Evening with Harry Stoones (play), 54 Basinger, Kim, 66–68, 67 Another World (TV series), 20 Batman (film), 67 Apocalypse Now (film), 71, 150 Baywatch (TV series), 120–21 Apocalypto (film), 162, 164–65COPYRIGHTEDBaywatch MATERIAL Nights (TV series), 121 Apprentice: Martha Stewart, The (TV series), Beaton, Cecil, 76 175 Beatty, Warren, 42, 108, 206–8, 207, 218–19 Are You Hot? The Search for America’s Sexiest Beau Brummel (film), 99 People (TV reality series), 233 Beery, Wallace, 201 Arnaz, Desi, 137 Being Bobby Brown (TV series), 127 Arnaz, Desi, Jr., 18, 137 Being John Malkovich (film), 150 Arthur (film), 138 Being There (film), 92 Arthur, Jean, 63–65, 64 Bellboy, The (film), 39 Artificial Intelligence (film), 235 Belle of the Nineties (film), 57 Art of Living Well: Looking Good, Feeling Great, Belushi, Jim, 101 267 bindex.qxp 6/12/07 10:47 AM Page 268 268 Index Belushi, John, 100–3, 101, 112, 114, 139 Brolin, James, 55 Bening, Annette, 206, 208 Brooks, Louise, 212–14, 213, 217 Berle, Milton, 35 Brooks, Mel, 146 Berman, Ingrid, 171 Brown, Bobby, 126–27 Beserk! (film), 74 Bugsy (film), 208 Best Foot Forward (play), 136 Burlesque (play), 85 Betty Hutton Show, The (TV series). See Goldie Burns, George, 35 (TV series) Burton, Richard, 26–28, 148, 247 Beverly Hills Cop (film), 160 Bus Stop (film), 88 Beverly Hills Ninja (film), 113 Buster Keaton Story, The (film), 130 Beverly Hills, 90210 (TV series), 23, 23, Butcher’s Wife, The (film), 196 Bey, Turban, 229, 251 Butterfield 8 (film), 248 Bhowani Junction (film), 231 Bible, The (film), 231 Cabaret (film), 137 Billie (film), 17 Café Istanbul (radio program), 225 Birth of a Nation, The (film), 167 Call Me Anna (book), 19 Bitch, The (film), 219 Camelot (play), 27–28 Black Pirate, The (film), 199 Camille (film), 77 Black Sheep (film), 113, 135 Canary Murder Case, The (film), 64, 214 Blake, Robert, 156 Candy, John, 14–15 Blame It on Rio (film), 195 Cannonball Run, The (film), 48 Blaue Engel, Der (film), 224 Cannonball Run II (film), 47 Blazing Saddles (film), 146 Cantor, Eddie, 35 Blind Date (film), 67 Capra, Frank, 65 Bobby (film), 21 Captain Blood (film), 227 Body Brokers, The (book), 251 Carey, Harry, Jr., 44 Bodyguard, The (film), 126 Caron, Leslie, 206 Body of Evidence (film), 41 Carson, Johnny, 156–59, 158, 252 Body Rock (film), 233 Carson’s Cellar (TV series), 157 Bogart, Humphrey, 29, 245 Carter, Dixie, 10 Bold and the Beautiful, The (TV series), 234 Castenada, Movita, 71 Bonaduce, Danny, 6–9, 7 Catherine Was Great (play), 57 Bonnie and Clyde (film), 207 Catlett, Mary Jo, 10 Boogie Nights (film), 49 Cat on a Hot Tin Roof (film), 247 Born Yesterday (play), 65 Cellular (film), 68 Boston Strangler, The (film), 222 Certain Sacrifice, A (film), 42 Bounty, The (film), 163 Chaney, Lon, 167 Bow, Clara, 134, 209–11, 210 Change of Habit (film), 144 Boxing Helena (film), 68 Chaplin (film), 110 Boys Town (film), 241 Chaplin, Charlie, 12, 128, 167, 181, 199, Brando, Christian, 71 213–17, 215 Brando, Marlon, 1, 68–71, 70, 252–53 Charlie Bubbles (film), 137 Bratt, Benjamin, 239 Charlie Chan at the Opera (film), 85 Braveheart (film), 164 Charlie’s Angels (film and TV series), 4, 6, 22 Breaking Bonaduce (TV series), 8–9 Charlie’s Angels: Full Throttle (film), 197 Brent, George, 29, 76 Charlie Wilson’s War, 239 Bridges, Todd, 9–10 Chase, Chevy, 101 Brilliant Madness, A: Living with Manic Depres- Chase, The (film), 71, 150 sive Illness (book), 19 Chevalier, Maurice, 224 Broken Dishes (play), 30 Chicago (play), 121 bindex.qxp 6/12/07 10:47 AM Page 269 Index 269 Child Is Waiting, A (film), 118 Curtis, Tony, 220–22, 221 Chin Chin (play), 181 Choices (film), 195 Dahl, Arlene, 232 Christie, Julie, 206, 208 Damn Yankees (play), 40 Cimber, Matt, 46 Dance, Fools, Dance (film), 73 Circle, The (play), 34 Dance of Life, The (film), 85 City Heat (film), 48 Dancing Co-Ed (film), 250 Claudia (play), 82 Dangerous (film), 30 Cleopatra (film), 27, 32, 247 Danny! (TV talk series), 8 Click (film), 121 Daredevil Jack (film), 57 Clift, Montgomery, 1, 69, 103–5, 104, 139 Darin, Bobby, 106–8 Closer (film), 239 Darin, Dodd, 108 Cobweb, The (film), 86 Dark Blood (film), 141–42 Cochran, Steve, 57 Davies, Marion, 170, 180–82, 181, 217 Cohn, Harry, 63, 175 Davis, Bette, 28–31, 29, 44, 74, 193 Cold Mountain (film), 234–35 Davis, Sammy, Jr., 137 Coleman, Gary, 9–11, 10 Day the Clown Cried, The (TV film), 39 Colgate Variety Hour, The (TV series), 62 de Acosta, Mercedes, 76 Collateral Damage (film), 51 Dean, James, 1, 69 Collier, William “Buster”, Jr., 213–14 Dee, Sandra, 106–8, 107 Collins, Jackie, 218 Defector, The (film), 105 Collins, Joan, 206–7, 218, 218–20 Defiant Ones, The (film), 220 Color Me Barbra (TV show), 53 de Havilland, Olivia, 105, 193 Colors (film), 90–91 Deliverance (film), 48 Come September (film), 106 DeMille, Cecil B., 202 Conan the Barbarian (film), 51 De Niro, Robert, 126 Coneheads (film), 113 Depp, Johnny, 133 Confessions of an Heiress (book), 190 Desire (film), 225 Confessions of a Teenage Drama Queen (film), 20 Desperately Seeking Susan (film), 42 Confessions on a Dance Floor (record album), 43 Destry Rides Again (film), 225 Connery, Sean, 47, 252 DeSylva, Buddy, 79 Conspiracy Theory (film), 239 Devil Is a Woman, The (film), 224 Constant Husband, The (film), 33 Diamond Lil (play), 57–58 Continental Divide (film), 102 Diane (film), 251 Conversations with Michael Eisner (TV series), Diary of a Lost Girl (film), 214 162 Diary of Anne Frank, The (play and film), 136, Coogan, Jackie, 12–14, 13 254 Cooper, Gary, 65, 210, 224–25 Diaz, Cameron, 4 Coquette (film), 200 Dick Tracy (film), 42, 208 Cover Girl (film), 253 Dietrich, Marlene, 223–25, 224, 243 Cox, Wally, 69 Diff’rent Strokes (TV series), 9–11, 10 Crane, Cheryl, 251 Diller, Barry, 160–61 Crawford, Christina, 74 Dillon, Matt, 195 Crawford, Joan, 31, 72–74, 73, 167 DiMaggio, Joe, 88, 243 Crawford, Robyn, 126 Dinner at Eight (film), 167 Criss Cross (film), 221 Disney, Roy E., 160–62 Crosby, Bing, 84, 182, 244 Disorderly Orderly, The (film), 39 Cuban Rebel Girls (film), 228 Dr. Jekyll and Mr. Hyde (film), 99 Culkin, Macaulay, 14–16, 16 Dr. Strangelove or: How I Learned to Stop Worry- Curtis, Jamie Lee, 222 ing and Love the Bomb (film), 92 bindex.qxp 6/15/07 12:26 PM Page 270 270 Index Doherty, Shannen, 23 Far from Home (film), 5 Domergue, Faith, 183 Farley, Chris, 112–14, 139 Don Juan (film), 99 Farley, Kevin, 112 Don’t Change Your Husband (film), 202 Farrell, Colin, 22 Don’t Hassel the Hoff (book), 121 Farrow, Mia, 62, 245 D’Orsay, Fifi, 76 Fast Times at Ridgemont High (film), 90 Double Life, A (film), 253 Father Takes a Wife (film), 203 Dove, Billie, 192 Faye, Alice, 34–35 Downey, Robert, Jr., 109–11, 110 Female Jungle (film), 45 Dracula (play and film), 133–35, 211 Field, Sally, 47, 238 Dream Girl (film), 80 Fields, W. C., 57, 114–16 Duff, Hilary, 19 Fiendish Plot of Dr. Fu Manchu, The (film), 95 Duff, Howard, 230 50 First Dates (film), 6 Duke, Doris, 188 Finney, Albert, 137 Duke, Patty, 16–19, 17 Firstborn (film), 109 Dunaway, Faye, 207 First Deadly Sin, The (film), 245 Dynasty (TV series), 23, 218, 220 First Monday in October (play), 65 Fisher, Eddie, 27, 225, 247 East of Eden (book and film), 1 Flatliners (film), 238 Eburne, Maude, 202 Fleet’s In, The (film), 79 Eden, Uli, 41 Flesh and the Devil (film), 77 Ed Wood (film), 133 Flora, the Red Menace (play), 136 Eight Men Out (film), 151 Florodora Girl, The (film), 182 Eisner, Michael, 159–62, 161 Flynn, Errol, 123, 131, 149, 226–28, 227, 253 Ekland, Britt, 94–95 Fonda, Jane, 20, 207 Elvis (TV film), 254 Fontaine, Joan, 193 Enemy at the Gates (film), 235 Foodfight! (film), 152 Entertaining (book), 173 Footballers’ Wives (TV series), 220 Equus (film), 28 Foreign Affair, A (film), 65, 224 Erin Brockovich (film), 239 Fortune Hunter, The (play), 99 Erlandson, Eric, 6 40 Carats (play), 185 Estevez, Emilio, 150, 196–97 Forty Little Mothers (film), 131 E.T.: The Extraterrestial (film), 4–5 Fox, Michael J., 152 Evening Shade (TV series), 49 Franciosa, Anthony, 252–53 Ever Since Eve (film), 182 Francis, Kay, 223–24 Every Day’s a Holiday (film), 57 Franco, James, 21 Evita (film), 42–43 Frankenstein (film), 134 Execution of Private Slovik, The (TV film), 150 Frankenstein Meets the Wolfman (film), 135 eXistenZ (film), 235 Freaky Friday (film), 20 Ex-Mrs.
Recommended publications
  • A Hero Reborn Alicia Vikander Talks Tomb Raider
    MARCH/APRIL 2018 | VOLUME 19 | NUMBER 3 A HERO REBORN ALICIA VIKANDER TALKS TOMB RAIDER Inside JAMES MCAVOY KATE MARA PUBLICATIONS MAIL AGREEMENT NO. 41619533 THE NINE MUST-SEE MOVIES OUT THIS SPRING & SUMMER, PAGE 38 CONTENTS MARCH/APRIL 2018 | VOL 19 | Nº3 COVER STORY 34 GAME ON! Oscar-winning actor Alicia Vikander unleashes her inner action hero to portray Lara Croft in Tomb Raider, the reboot of the videogame- based adventure series. Here the Swedish talent talks about her love of adventure movies and how her training as a ballerina helped prepare her for the physically demanding role BY MARNI WEISZ REGULARS 4 EDITOR’S NOTE 6 SNAPS 8 IN BRIEF 16 ALL DRESSED UP 18 IN THEATRES 44 RETURN ENGAGEMENT 46 CINEPLEX STORE 50 FINALLY… FEATURES BROS. PICTURES FRANK OCKENFELS/WARNER BY PHOTO COVER 14 HORSE POWER 28 COVER UP 32 LOVER & FIGHTER 38 MOVIE PREVIEW! Canadian Ajuawak Kapashesit Kate Mara talks about The star of Submergence, Nine must-see movies explains how The Revenant playing Mary Jo Kopechne, James McAvoy, reveals what hitting screens in May, steered him into acting and his the woman at the centre of it’s like to play a smitten lover June and July, beginning eventual part in this month’s Chappaquiddick’s scandalous, and a torture victim in the with the star-studded Marvel Indian Horse real-life tragedy same film pic Avengers: Infinity War BY INGRID RANDOJA BY BOB STRAUSS BY INGRID RANDOJA BY MARNI WEISZ MARCH/APRIL 2018 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA CREATIVE DIRECTOR LUCINDA WALLACE GRAPHIC DESIGNER DARRYL MABEY VICE PRESIDENT, PRODUCTION SHEILA GREGORY CONTRIBUTORS BOB STRAUSS ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA.
    [Show full text]
  • Original Article Being John Malkovich and the Deal with the Devil in If I Were
    Identificação projetiva excessiva – Rosa Artigo original Quero ser John Malkovich e o pacto com o diabo de Se eu fosse você: destinos da identificação projetiva excessiva Antonio Marques da Rosa* Um fantoche mira-se em um espelho e não A produção artística sempre proporcionou gosta do que vê. Inicia, então, uma agitada boas oportunidades para ilustrar conceitos da dança, na qual quebra todos os objetos do psicanálise. Freud, apreciador da psicanálise cenário. Após desferir murros e pontapés de aplicada, exercitou-a magistralmente em forma descontrolada, faz algumas piruetas diversos momentos, como em 1910, com as acrobáticas, dá alguns saltos mortais de costas telas de Leonardo. Mais adiante, em 1957, e deixa-se repousar no chão, abandonado, Racker, na área da filmografia, ofereceu um amolecido, desmembrado. brilhante estudo da cena primária baseado em Assim começa a história de Craig Schwartz A janela indiscreta, de Hitchcock. Em 1994, por (John Cusack), um titereiro que se expressa ocasião de um evento científico em Gramado, através de seus bonecos. Ele é o que, na Kernberg sustentou que o cinema, na sociedade americana, convencionou-se atualidade, é o setor das artes que mais chamar de loser: alguém que não consegue ricamente expressa os conflitos humanos. progredir na carreira e vive “dando errado”. Penso que, como qualquer criação, um filme Apesar de seu inegável talento, não é está impregnado de fantasias inconscientes, reconhecido e não alcança sucesso no mundo só que não de um único criador, como uma das marionetes. Não sem razão, a cena inicial tela, mas de vários: do autor da obra original, da marionete foi batizada por ele de a “Dança do roteirista, do diretor e dos atores que nos do Desespero e da Desilusão”.
    [Show full text]
  • Mustang Daily, January 10, 1975
    Mustang Daly Volume 39: Number 2 California Polytechnic State University, San Luis Obispo Friday, January 10, 1975 Group claims state colleges Suit charges are slighted • Funding policies racial bias called unjustified BY TOM McCABtIiY at Cal Poly Controversy is growing as a group persists in its attempts to win more money for the system by MARK GROSSI from the State Education fund. Cal Poly has been charged with According to Acala, the whole The Committee for Equal racial discrimination against state university and colleges Treatment in Higher Education Mexican-American employees in system will oe affected by the (CETHE) is gaining recognition a class action suit filed Thursday decision. as it continues to publicize its in San Francisco U.S. District “We were looking for the best belief that each student who Court by the Mexican-American case to bring to court. Cal Poly attends a branch of the Legal Defense and Education represents the best case of University of California (UC) Fund (MALDEF). discrimination in the California annually receives close to $300 The case cited in the suit is that state university and colleges more than do students who are of Dr. Manuel Guerra, demoted sytem.” enrolled in comparable programs head of Poly’s Foreign Language Guerra was demoted from at a state college or university. Department. According to Carlos photo by DAVID STUBBS department head, the suit According to CETHE co­ Alcala, national director of charges, after Kennedy learned founder J. William Leasure, the educational litigation for he had filed a complaint with the discrepency in funding is due to Steve Archer sings praises to God in a performance here MALDEF, $810,000 in damages Thursday.
    [Show full text]
  • Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966).
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Journal of Writing and Writing Courses
    TEXT creative TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT creative Contents page Poetry Richard James Allen, Click here to allow this poem to access your location Gayelene Carbis, Oranges Edward Caruso, Potsherds Becky Cherriman, Christina Tissues a Script (or what my Otter app misheard) Abigail Fisher, A un poema acerca del agua Carolyn Gerrish, Aperture Lauren Rae, Hemispheric March Script Cailean McBride, Be Near Me (after In Memoriam) Prose Julia Prendergast, Mothwebs, spinners, orange Patrick West, Pauline Laura Grace Simpkins, Vanilla Phillip Edmonds, Giving it away Rosanna Licari, Fiona and the fish Georgia Rose Phillips, On the Obfuscations of Language Diane Stubbings, From Variation for three voices on a letter to nature Ariel Riveros, Planetary Nephology Calendar App Dean Kerrison, 2 stories Lachie Rhodes, The Silver Locket Tara East, Story Monster Ned Brooks, This is Not a Film TEXT Vol 24 No 2 October 2020 www.textjournal.com.au General editor: Nigel Krauth. Creative works editor: Anthony Lawrence TEXT poetry Richard James Allen Click here to allow this poem to access your location TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT poetry Richard James Allen Click here to allow this poem to access your location I couldn’t lasso it but I drew a line from there to here and swung between [Michigan] and the moon. Richard James Allen is an Australian born poet. His latest book is The short story of you and I (UWAP, 2019). His writing has appeared widely in journals, anthologies, and online over many years.
    [Show full text]
  • Old Loves Bloom, New Romances Bud Coordinate School
    tHGH SCHOOL LIB DARIEN, rONN. \iiiiiiiiI.-. Volume LXXV, Number 7 Darien High School, Darien, Connecticut February 11, 1975 Committee To Examine Options, Coordinate School Involvement mittee on Options or Coordinating By SUE ALLARD Committee comprised ofstaffmembers Open-ended morning, co-op teaching, and students whose duty it will be to alternative high school programs,final oversee the entire operation. According ..: exams, and a pass·fail optionfor a sixth to Mr. Catania, members of the Com­ ;; subject are but a few ofthe possible sub­ mittee on Options will not necessarily jects open for investigation and action do the work in individualcommittees: by separatecommittees under a new ad­ "Its object is to try to give overall direc­ hoc committee associated with the tion and c<HJrdination to all activities." School Council. "With imagination and co-operative In addition to Mrs. Marshall as effort we could get a lot of things done chairperson of the Coordinating Com­ that we'd like to do," stated Salvatore mittee, other faculty members include: Jose Leon and Christl Anastasio of the Foreign Language Department Catania, DHS principal. This new William Jacobs, John Rallo, James both are organizing excursions abroad during April vacation. system, a network of committees, was Nicholson, Donald MacAusland, Jim Clark) introduced at a recent faculty meeting. David Herbert, Joan Walsh, Matthew Many teachers have expressed a desire Tirrell, David Hartkopf, and Marjorie Teachers To Lead Tours to become involved in different Ro demann. Mr. Catania will serve as programs. This system is designed to an ex-officio member. try to get some objectives realized by Four seniors and two juniors, from Europe - A 'Great Escape' providing "an effective mechanism to both the School Council and Neirad, support and coordinate these ideas and will also serve on the Coordinating Several members of the faculty have During April vacation Jose Leon of integrate projects into the existing Committee.
    [Show full text]
  • Subjectivity, Difference, and Proximity in Transnational Film and Literature
    UNIVERSITY OF CALIFORNIA RIVERSIDE Errancies of Desire: Subjectivity, Difference, and Proximity in Transnational Film and Literature A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Vartan Patrick Messier March 2011 Dissertation Committee: Dr. Marguerite Waller, Co-Chairperson Dr. Marcel Hénaff, Co-Chairperson Dr. Sabine Doran Dr. Jennifer Doyle Copyright by Vartan Patrick Messier 2011 The Dissertation of Vartan P. Messier is approved: _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ Committee Co-Chairperson _________________________________________________________________ Committee Co-Chairperson University of California, Riverside ACKNOWLEDGMENTS This project has benefited considerably from the guidance and suggestions of professors and colleagues. First and foremost, Margie Waller deserves my utmost gratitude for her unwavering support and constructive criticism throughout the duration of the project. Likewise, I would like to thank Sabine Doran for her commitment and dedication, as well as her excellent mentoring, especially in the earlier stages of the process. My thanks go to Marcel Hénaff who graciously accepted to co-chair the dissertation, and whose unique insights on intellectual history proved invaluable. As well, revisions were facilitated by Jennifer Doyle’s refined critique on the ideas permeating
    [Show full text]
  • «Destry Rides Again»
    «Destry Rides Again» In the film's pre-credits opening sequence, a sign reading "WELCOME TO BOTTLENECK" is shot up. Bullets smash a whiskey bottle next to the sign and another one that is tied and hanging from the sign. [A real bottleneck is left swaying.] The camera pans right across a 'Boot-Hill' cemetery and scenes of the brawling, wild frontier town of Bottleneck, characterized by fist fights and lawlessness. The credits play, accompanied by Frank Skinner's thrilling stagecoach music, ending with a view of the LAST CHANCE SALOON. There is complete mayhem in the wicked town - raucous riders shoot their guns into the sky and gallop on horseback into the gambling bar through swinging doors. In a series of economical shots in the film's first few minutes, most of the major characters in the cast are introduced or glimpsed. A crane takes the camera up above the front porch into a dissolve through the lighted windows on the second floor, where a crooked card game is in progress. The saloon's owner is gambler and slick rogue Kent (Brian Donlevy) - his face obscured by his tilted hat, setting up a rancher/farmer named Lem Claggett (Tom Fadden) in a poker game. Kent deals himself out of the next hand after losing - a calculated move, and wanders around on the upper interior hallway of the saloon - his steely-eyed dominance and control of the saloon are evident. He hits the agitated bartender Loupgerou (Billy Gilbert) on the back of the head with a half-eaten apple, signaling him to notify his star attraction to join him upstairs.
    [Show full text]
  • Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
    DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*.
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
    [Show full text]
  • 1 Column Unindented
    DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat.
    [Show full text]