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Your Itinerary
Discover the Baltics and Russia Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 Bohemian Quarter with its colourful wooden buildings. Arrive Warsaw (2 Nights) Included Meals - Breakfast Tucked away, but not forgotten, the Baltics stand at the edge of Europe revived and Day 9 reinvigorated after years of Nazi and Soviet occupation. Storybook capitals and stunning natural landscapes lie ahead, but first Poland's capital gets the nod as your Tallinn – St. Petersburg (4 Nights) launchpad to a region that has emerged vibrant despite its tragic history. Meet your Head east to the town of Narva, dominated by the mighty Hermannsburg Fortress, Travel Director and fellow travellers, then enjoy dinner together. where we cross the River Narva, which forms the Russian border. Then, it's on to St. Petersburg, founded by Peter the Great. This port city is Russia's cultural centre Holiday Inn Express Hub Hotel - and with its worldfamous opera, ballet and art museums, it offers a fascinating look into Russia's past. Included Meals - Dinner Day 2 Hotel - Park Inn by Radisson Pribaltiyskaya Warsaw sightseeing and free time Included Meals - Breakfast, Dinner A lesson in courage and perseverance awaits this morning as you join a Local Day 10 Specialist to visit Warsaw's Old Town. Its façades are more modern than medieval and a testament to the resilience of the Poles who have lovingly restored their St. Petersburg sightseeing and free time capital city after it was razed to the ground in retaliation for the 1944 Warsaw The tales of Romanov royalty come to life as you join a Local Specialist for an Uprising. -
Connecticut Student Writers
Connecticut Student Writers Excerpt from “The Seven Deadly Sins” Anne Whitehead, Grade 11 Rockville High School i Volume XXI May 2009 ii Connecticut Student Writers A publication sponsored by the iii Selection Committee Evangeline Abbott Donna Ozga Brina Abrahams Joanne Peluso Kelly Andrews‐Babcock Kim Roberts Fran Cohen Alex Rode Tulani Gant Marcia Rudge Lisa Higgins Jenny Shaff Jepsen Cathy Holdridge Kathy Uschmann Nadine Keane This publication was produced by the Connecticut Writing Project‐Storrs. Director Jason Courtmanche, Ph.D. Program Assistant Graduate Assistant/Layout Sharlene Smith Amanda Friedman Department of English 215 Glenbrook Road Unit 4025A University of Connecticut Storrs, CT 06269‐4025 (860) 486‐2328 (860) 486‐9360 fax [email protected] http://www.cwp.uconn.edu 1 FOREWORD As is implied by the cover of this year’s Connecticut Student Writers, pride in excess can be sinful, but pride in moderation is nothing more than the pleasure and satisfaction that come from diligent and superior work. The teachers of the Connecticut Writing Project are exceedingly proud to present the 21st volume of Connecticut Student Writers. The pages of this year’s magazine emanate pride. Over 1,000 Connecticut students, grades kindergarten through twelve, took such pride in their writing that they submitted hundreds of stories, poems, essays, and plays for publication. The 78 pieces selected for publication reflect our students’ strong sense of pride in their imaginations, their writing, and themselves. The Connecticut Writing Project‐Storrs congratulates the young writers whose work is published in the 2009 Connecticut Student Writers. Furthermore, we would like to thank the writers’ parents and teachers for their proud support and encouragement. -
5. Calling for International Solidarity: Hanns Eisler’S Mass Songs in the Soviet Union
From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union by Yana Alexandrovna Lowry Department of Music Duke University Date:_______________________ Approved: ___________________________ Bryan Gilliam, Supervisor ___________________________ Edna Andrews ___________________________ John Supko ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 i v ABSTRACT From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union by Yana Alexandrovna Lowry Department of Music Duke University Date:_______________________ Approved: ___________________________ Bryan Gilliam, Supervisor ___________________________ Edna Andrews ___________________________ John Supko ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Yana Alexandrovna Lowry 2014 Abstract Group songs with direct political messages rose to enormous popularity during the interwar period (1918-1939), particularly in recently-defeated Germany and in the newly- established Soviet Union. This dissertation explores the musical relationship between these two troubled countries and aims to explain the similarities and differences in their approaches to collective singing. The discussion of the very complex and problematic relationship between the German left and the Soviet government sets the framework for the analysis of music. Beginning in late 1920s, as a result of Stalin’s abandonment of the international revolutionary cause, the divergences between the policies of the Soviet government and utopian aims of the German communist party can be traced in the musical propaganda of both countries. -
Rem Koolhaas and Dasha Zhukova Build a Moscow Museum
Rem Koolhaas and Dasha Zhukova Build a Moscow Museum Art collector and philanthropist Dasha Zhukova is launching an ambitious campaign to connect Moscow to the international art world, and she’s tapped architect Rem Koolhaas to execute her vision BY TONY PERROTTET ON THE COVER | Dasha Zhukova and Rem Koolhaas photographed by David Bailey. Zhukova wears Saint Laurent by Hedi Slimane wool gabardine jacket, $3,790, pants, $990, and silk georgette shirt, $1,290, all 212-980- 2970 PHOTOGRAPHY BY DAVID BAILEY FOR WSJ. MAGAZINE IT’S A RADIANT DAY in Moscow, and two of the city’s most creative collaborators, Dutch architect Rem Koolhaas and Russian-born art impresario Dasha Zhukova, have donned white construction helmets as they stride excitedly through Gorky Park, the 300-acre riverside expanse that was, until recently, a symbol of Russia’s urban blight. Created in the 1920s as a Soviet recreational paradise, the once-verdant park fell into decay after the collapse of the U.S.S.R. in 1991, its barren fields scattered with broken carnival rides and roamed by drug dealers. The $2 billion renovation, which began in 2011, has transformed Gorky Park overnight into an Oz-like retreat, amid Moscow’s economic tumult, that would not seem out of place in Seattle or Barcelona. We pass manicured lawns adorned with flower gardens; chic cafes serving gyoza and wood-fired pizza; and yoga and capoeira classes by the Moscow River. There are jogging trails and a state-of-the-art bicycle-sharing program. Wi-Fi is available in every leafy nook. -
Developing the Space Shuttle1
****EU4 Chap 2 (161-192) 4/2/01 12:45 PM Page 161 Chapter Two Developing the Space Shuttle1 by Ray A. Williamson Early Concepts of a Reusable Launch Vehicle Spaceflight advocates have long dreamed of building reusable launchers because they offer relative operational simplicity and the potential of significantly reduced costs com- pared to expendable vehicles. However, they are also technologically much more difficult to achieve. German experimenters were the first to examine seriously what developing a reusable launch vehicle (RLV) might require. During the 1920s and 1930s, they argued the advantages and disadvantages of space transportation, but were far from having the technology to realize their dreams. Austrian engineer Eugen M. Sänger, for example, envi- sioned a rocket-powered bomber that would be launched from a rocket sled in Germany at a staging velocity of Mach 1.5. It would burn rocket fuel to propel it to Mach 10, then skip across the upper reaches of the atmosphere and drop a bomb on New York City. The high-flying vehicle would then continue to skip across the top of the atmosphere to land again near its takeoff point. This idea was never picked up by the German air force, but Sänger revived a civilian version of it after the war. In 1963, he proposed a two-stage vehi- cle in which a large aircraft booster would accelerate to supersonic speeds, carrying a rel- atively small RLV to high altitudes, where it would be launched into low-Earth orbit (LEO).2 Although his idea was advocated by Eurospace, the industrial consortium formed to promote the development of space activities, it was not seriously pursued until the mid- 1980s, when Dornier and other German companies began to explore the concept, only to drop it later as too expensive and technically risky.3 As Sänger’s concepts clearly illustrated, technological developments from several dif- ferent disciplines must converge to make an RLV feasible. -
Worldwide Equipment Guide
WORLDWIDE EQUIPMENT GUIDE TRADOC DCSINT Threat Support Directorate DISTRIBUTION RESTRICTION: Approved for public release; distribution unlimited. Worldwide Equipment Guide Sep 2001 TABLE OF CONTENTS Page Page Memorandum, 24 Sep 2001 ...................................... *i V-150................................................................. 2-12 Introduction ............................................................ *vii VTT-323 ......................................................... 2-12.1 Table: Units of Measure........................................... ix WZ 551........................................................... 2-12.2 Errata Notes................................................................ x YW 531A/531C/Type 63 Vehicle Series........... 2-13 Supplement Page Changes.................................... *xiii YW 531H/Type 85 Vehicle Series ................... 2-14 1. INFANTRY WEAPONS ................................... 1-1 Infantry Fighting Vehicles AMX-10P IFV................................................... 2-15 Small Arms BMD-1 Airborne Fighting Vehicle.................... 2-17 AK-74 5.45-mm Assault Rifle ............................. 1-3 BMD-3 Airborne Fighting Vehicle.................... 2-19 RPK-74 5.45-mm Light Machinegun................... 1-4 BMP-1 IFV..................................................... 2-20.1 AK-47 7.62-mm Assault Rifle .......................... 1-4.1 BMP-1P IFV...................................................... 2-21 Sniper Rifles..................................................... -
Lockheed-Martin OV-200 Class Space Shuttle (2011 –2138)
- 1 - Original texts and document concept copyright © 2007 by Richard E. Mandel STAR TREK, its on-screen derivatives, and all associated materials are the property of Paramount Pictures Corporation. Multiple references in this document are given under the terms of fair use with regard to international copyright and trademark law. This is a scholarly reference work intended to explain the background and historical aspects of STAR TREK and its spacecraft technology and is not sponsored, approved, or authorized by Paramount Pictures and its affiliated licensees. All visual materials included herein is protected by either implied or statutory copyright and are reproduced either with the permission of the copyright holder or under the terms of fair use as defined under current international copyright law. All visual materials used in this work without clearance were obtained from public sources through public means and were believed to be in the public domain or available for inclusion via the fair use doctrine at the time of printing. Cover art composited from the work of Andrew J. Hodges (DY-100) and Industrial Light and Magic (Excelsior) This work is dedicated to Geoffery Mandel, who started it for all of us. Memory Alpha and SFHQ/Mastercom cataloging data: UFP/SFD DTA HR:217622 - 2 - Gfefsbujpo!Tqbdfgmjhiu!Dispopmphz! First History (Prime Two) Edition Modified Okuda Timeline preview build 20070915 by Richard E. Mandel - 3 - Table of Contents Notes to self: no more than five major starships per section, ONLY canon/semi-canon/licensed/“reality” -
Death of an African Student in Moscow Race, Politics, and the Cold War
Cahiers du monde russe Russie - Empire russe - Union soviétique et États indépendants 47/1-2 | 2006 Repenser le Dégel Death of an African Student in Moscow Race, politics, and the Cold War Julie HESSLER Édition électronique URL : http://journals.openedition.org/monderusse/9591 DOI : 10.4000/monderusse.9591 ISSN : 1777-5388 Éditeur Éditions de l’EHESS Édition imprimée Date de publication : 1 juin 2006 Pagination : 33-63 ISBN : 2-7132-2096-3 ISSN : 1252-6576 Référence électronique Julie HESSLER, « Death of an African Student in Moscow », Cahiers du monde russe [En ligne], 47/1-2 | 2006, mis en ligne le 01 janvier 2006, Consulté le 30 avril 2019. URL : http:// journals.openedition.org/monderusse/9591 ; DOI : 10.4000/monderusse.9591 2011 JULIE HESSLER DEATH OF AN AFRICAN STUDENT IN MOSCOW Race, politics, and the Cold War On December 19, 1963, newspapers around the world carried a story about an unusual political demonstration that had taken place the day before. The number of participants, estimated at 500-700, was not large by international standards, but this was the first recorded political protest in Moscow’s Red Square since the late 1920s, and as such, automatically newsworthy. It was also an incident with international ramifications. Demonstrators comprised African students enrolled in Soviet universities and institutes, and if this fact disallowed an interpretation of the protest as evidence of any “awakening” of Soviet “civil society,” it did provide an embarrassing commentary on the Soviet courtship of the Third World. Student protesters carried placards with such inflammatory slogans as “Moscow — center of discrimination,” “Stop killing Africans!” and “Moscow, a second Alabama,” all the while shouting protests in English, Russian, and French.1 What had incited the students’ outrage? Most immediately, the protest was triggered by the death of a Ghanaian medical student, Edmund Assare-Addo, whose corpse was discovered in a stretch of wasteland along a country road leading to the Moscow outer ring highway. -
Round Trip to Orbit: Human Spaceflight Alternatives
Round Trip to Orbit: Human Spaceflight Alternatives August 1989 NTIS order #PB89-224661 Recommended Citation: U.S. Congress, Office of Technology Assessment, Round Trip to Orbit: Human Spaceflight Alternatives Special Report, OTA-ISC-419 (Washington, DC: U.S. Government Printing Office, August 1989). Library of Congress Catalog Card Number 89-600744 For sale by the Superintendent of Documents U.S. Government Printing Office, Washington, DC 20402-9325 (order form can be found in the back of this special report) Foreword In the 20 years since the first Apollo moon landing, the Nation has moved well beyond the Saturn 5 expendable launch vehicle that put men on the moon. First launched in 1981, the Space Shuttle, the world’s first partially reusable launch system, has made possible an array of space achievements, including the recovery and repair of ailing satellites, and shirtsleeve research in Spacelab. However, the tragic loss of the orbiter Challenger and its crew three and a half years ago reminded us that space travel also carries with it a high element of risk-both to spacecraft and to people. Continued human exploration and exploitation of space will depend on a fleet of versatile and reliable launch vehicles. As this special report points out, the United States can look forward to continued improvements in safety, reliability, and performance of the Shuttle system. Yet, early in the next century, the Nation will need a replacement for the Shuttle. To prepare for that eventuality, NASA and the Air Force have begun to explore the potential for advanced launch systems, such as the Advanced Manned Launch System and the National Aerospace Plane, which could revolutionize human access to space. -
Part 2 Almaz, Salyut, And
Part 2 Almaz/Salyut/Mir largely concerned with assembly in 12, 1964, Chelomei called upon his Part 2 Earth orbit of a vehicle for circumlu- staff to develop a military station for Almaz, Salyut, nar flight, but also described a small two to three cosmonauts, with a station made up of independently design life of 1 to 2 years. They and Mir launched modules. Three cosmo- designed an integrated system: a nauts were to reach the station single-launch space station dubbed aboard a manned transport spacecraft Almaz (“diamond”) and a Transport called Siber (or Sever) (“north”), Logistics Spacecraft (Russian 2.1 Overview shown in figure 2-2. They would acronym TKS) for reaching it (see live in a habitation module and section 3.3). Chelomei’s three-stage Figure 2-1 is a space station family observe Earth from a “science- Proton booster would launch them tree depicting the evolutionary package” module. Korolev’s Vostok both. Almaz was to be equipped relationships described in this rocket (a converted ICBM) was with a crew capsule, radar remote- section. tapped to launch both Siber and the sensing apparatus for imaging the station modules. In 1965, Korolev Earth’s surface, cameras, two reentry 2.1.1 Early Concepts (1903, proposed a 90-ton space station to be capsules for returning data to Earth, 1962) launched by the N-1 rocket. It was and an antiaircraft cannon to defend to have had a docking module with against American attack.5 An ports for four Soyuz spacecraft.2, 3 interdepartmental commission The space station concept is very old approved the system in 1967. -
Gorky Park (1983), Directed by Michael Apted
Secret Police Procedural Gorky Park (1983), Directed by Michael Apted By Fearless Young Orphan Back in 1983 they had us pretty convinced that the Soviet Union was coming to get us! That is why it is interesting to see a 1983 film that is set in Moscow that features Russians as our main characters. The movie was not really filmed in Moscow; they would not have been allowed. Instead, Gorky Park was filmed in Finland and thereabouts. This kind of goes to show you how tense things were between us and them at the time: no cameras inside the USSR. So I think you have to respect Gorky Park for showing us a movie about workaday Russians without beating us over the head with ideology. Most particularly we can admire the character of Arkady Renko (William Hurt), a Russian policeman who is a devoted citizen of his country and who does not spend the whole movie wishing he were in America. He is a good, smart man who has learned to work around the bureaucracy of his country to get results. The best part of this movie is watching Arkady methodically work his investigation, even while knowing that doing so will give him nothing but trouble. Arkady begins the story in the middle of the night, as he and his team of police are called to a murder scene. Three people are found shot in the snow by the skating pond of Gorky Park, with their faces expertly removed, thus ensuring that identifying the victims will be nearly impossible. The KGB also shows up and Arkady all but begs them to take the case off his hands: investigating murder is a good way to get in big trouble with the KGB, because it seems fairly common that murders are committed by the KGB. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.