MURRAY STEALING BEAUTY by Richard E
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The American Voice Anthology of Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Creative Writing Arts and Humanities 1998 The American Voice Anthology of Poetry Frederick Smock Bellarmine College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Smock, Frederick, "The American Voice Anthology of Poetry" (1998). Creative Writing. 3. https://uknowledge.uky.edu/upk_creative_writing/3 vice ANTHOLOGY OF POETRY EDITED BY FREDERICK SMOCK THE UNIVEESITT PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the Kentucky Foundation for Women, Inc., and the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data The American Voice anthology of poetry / edited by Frederick Smock. -
Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry's One! Hundred! Demons!
http://wjel.sciedupress.com World Journal of English Language Vol. 8, No. 2; 2018 Decoding the Visual Rhetoric: Memory and Trauma in Lynda Barry’s One! Hundred! Demons! Partha Bhattacharjee & Priyanka Tripathi Department of Humanties and Social Sciences, Indian Institute of Technology Patna, India. Correspondence: E-mail: [email protected] Received: September 2, 2018 Accepted: September 20, 2018 Online Published: September 23, 2018 doi:10.5430/wjel.v8n2p37 URL: https://doi.org/10.5430/wjel.v8n2p37 Abstract Memory is an important tool in Lynda Barry’s One! Hundred! Demons! (2002) as she reconnoitres in non-linear fragments the personal trauma she faced while she was growing up. Layered into nineteen disjointed chapters, Barry’s graphic narrative is an amalgamation of images, collages and photographs, often following the pattern of a scrapbook style that justifies not only the events drawn in her narrative but also the motive of visual rhetoric in comics where visual images communicate and concretize meaning. Initially published as web comics (slate.com), each chapter consists of hand-painted vignettes of multifarious themes which are directly or indirectly linked to Barry’s life, covering from her childhood to adulthood. In the backdrop of these tools, techniques of visual rhetoric the objective of this paper is to investigate the form of the graphic narrative, the visual language employed in order to explore the traumatised childhood, memory and truth-telling in comics. Keywords: Trauma, Memory, Collage, Visual Language 1. Introduction Comics Studies emerges as a scholarly field in the second half of the 20th century and gains its boost to reach the acme in the current century. -
Judy Bowman Casting
judy bowman casting FILM & TELEVISION features: SEPARATION dir. William Brent Bell/Yale Productions TRICK dir. Patrick Lussier/Film Bridge International TWELVE dir. Stephen Grimaldi DEAD SOUND dir. Tony Glazer/Choice Films ONE MOMENT w/Danny Aiello dir. Deirdre O’Connor T-11: INCOMPLETE dir. Suzanne Guacci NO ALTERNATIVE w/Harry Hamlin & Kathryn Erbe dir. William Dickerson GOLD STAR w/ Robert Vaughn dir. Victoria Negri (avail on Amazon) HURRICANE BIANCA w/Bianca Del Rio & Rachel Dratch dir. Matt Kugelman/Cranium Ent/Wolfe Films (avail ondemand) LOST CAT CORONA w/Ralph Macchio dir. Anthony Tarsitano/Choice Films (avail on Showtime) THE PLAGUE dir. Christopher Raney THE DWARVES OF DEMREL dir. Christopher Raney LOVE AND EVERYTHING IN BETWEEN dir. Jeremiah Kipp MY FIRST MIRACLE dir. Rudy Luna/Yale Productions ELI MORAN dir. TJ Collins STRANGER IN THE HOUSE dir. Devon Gummersall ADDICTION: A 60s LOVE STORY dir. Tate Steinsiek/Ironclad Pictures COPENHAGEN dir. Mark Raso/Fidelio Films THE WORD dir. Greg Friedle TIGER LILY ROAD dir: Michael Medeiros DRAWING HOME dir. Markus Rupprecht/NY Casting GERTRUDE STEIN’S BREWSIE & WILLIE dir. Rosalind C. Morris BENNY THE BUM writer/dir. Paul Cantagallo PERVERTIGO writer/dir. Jaron Henrie-McCrea BODY/ANTIBODY dirs: Jordan Hoffman & Kerry Dye DUANE INCARNATE writer/dir: Hal Salwen 508 NELSON dir: Joshua B. Hamlin SHORTBUS Casting Associate dir: John Cameron Mitchell NOWHERE TO GO BUT UP Casting Associate dir: Amos Kollek ROAD Casting Associate dir: Leslie McCleave MEAN GIRLS Casting Associate NY Casting SOMETHING'S GOTTA GIVE Casting Associate NY Casting FREAKY FRIDAY Casting Associate NY Casting tv: BIG DOGS Choice Films/Aurelian Films THAT 70s SHOW Casting Associate Carsey-Werner/NY Casting GRACE UNDER FIRE Casting Associate Carsey-Werner/NY Casting MEN BEHAVING BADLY Casting Associate Carsey-Werner/NY Casting WGA AWARDS 2009 presenters & host short films: I LIFE dir. -
HERMIT International Art Symposium GROWTHRINGS
HERMIT international art symposium GROWTHRINGS time-place-rhythm-light-matter-energy from baroque till present LETOKRUHY cas-misto-rytmus-zvuk-svetlo-hmota-energie v promenach casu od baroka k dnesku under auspicies of Czech Ministery of Culture poradano s podporou Ministerstva Kultury Ceske Republiky PLASY 1th JUNE - 30th 1993 Bohe is The Monastery in Plasy The theme of the second international symposium-meeting-exposition and work- shop in the ancient cistercian monastery in Plasy (West Bohemia) will be the stintu- iation of interrelations between the seeing and heating, between the past and the present, between cctttrunt and province, high and low, matter and energy, relation between people and their cultural and natural environtent. 44 artists, musicians and intermedia artists from Czecho-Slowakia, Netherland, Belgium, USA, Australia, Germany and Great Britain took part in the first symposium HERMIT 92. The installations, sound sculptures, performances were mostly realised directly in the complex of this former monastery founded in 114?. Especially ill the huge building of the baroque convent rebuilt by the famous architect Jail Blazcj Santini-Aichl in the 18th century. The second location was the space of the early baroque granary. The building of the convent contains many different spaces - from dark my- sterious subleractian cellars with underground watcrsystcttts to light chapels and huge corridors . The ideal sonic conditions of the interiors were used for many sound insta llatious and music performances. The interiors of the granary with it's early gothic King's chapel are considered by artists as outstanding exhibition space for con- temporary art. In the four floors of this unique monumental building with old tower- clock are four big cellars and four large rooms with original wooden construction from 17th century. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Library Public Programming
Comics and Medicine: Access Points Public programming June 16th-17th, 2017 Seattle, WA All events are located on 1st and 4th floor levels of The Seattle Public Library, Central Location. Please make arrangements for ASL interpreting or other accommodation at least 7 calendar days in advance. Please contact [email protected] by June 9th, 2017. Friday, June 16th 9:00-10:00 Keynote Talk: Hillary Chute, “Comics and Psychic States: Access, Interiority, Circulation” Introduction by Susan M. Squier (Pennsylvania State University) Hillary Chute is the author of Graphic Women: Life Narrative and Contemporary Comics (Columbia UP, 2010), Outside the Box: Interviews with Contemporary Cartoonists (University of Chicago Press, 2014), and Disaster Drawn: Visual Witness, Comics, and Documentary Form (Harvard University Press, 2016). She has also co-edited two journal special issues: Mfs: Modern Fiction Studies on “Graphic Narrative” (2006) and Critical Inquiry on “Comics & Media” (2014), and she is Associate Editor of Art Spiegelman’s MetaMaus (Pantheon, 2011). Main Auditorium (1st floor) 10:20-11:50 HEALTHCARE ACCESS/HEALTHCARE BARRIERS (Moderated by Michael Green) Main Auditorium (1st floor) “How to save a life: A graphic novella for Chinese speakers” Hendrika Meischke, PhD (University of Washington) "Covering healthcare in crisis: Comics journalism from a pop-up clinic” Meredith Li-Vollmer (Public Health - Seattle and King County) “The Experience of Disability: A Patient’s Perspective Through Historical Comics” Amy Wagner, PT, DPT, GCS (University of the -
DONALD E. PEASE 6032 Sanborn House Dartmouth College Hanover, NH 03755 (603) 646-2927
DONALD E. PEASE 6032 Sanborn House Dartmouth College Hanover, NH 03755 (603) 646-2927 CURRICULUM VITAE PRINCIPAL EMPLOYMENT: 1973-1989 Assistant, Associate and Full Professor at Dartmouth College 1990-1996 Ted and Helen Geisel Third Century Professor in the Humanities 1996-2011 Avalon Foundation Chair in the Humanities 2011- Ted and Helen Geisel Third Century Professor in the Humanities 1999 - Head of the Master of Arts in Liberal Studies at Dartmouth 1996-Founding Director of the Futures of American Studies Institute at Dartmouth College 2000-2001 Drue-Heinz lecturer in American literature and Lord Rothermere Visiting fellow in American Studies at Oxford University 2003- Board of Governors of Clinton Institute in American Studies at University College, Dublin 2007 Visiting Professor at Freie Universitaet, Berlin 2008 Distinguished Visiting Scholar in the Humanities at SUNY Buffalo 2009 Elected to Board of Governors of JFK Institute in American Studies at Freie Universitaet, Berlin 2010 Distinguished Visiting Scholar at the University of Rome Tor Vegata 2011 Honorary Doctorate, the degree of Doctor of Philosophy honoris causa, by the Faculty of Languages at Upssala University. 2012 Distinguished Visiting Professor in the Humanities Institute at the University of Pittsburgh. 2012 Elected to International Academic Advisory Board in American Literature and Culture, Uppsala University Sweden. 2012 Elected to Academic Advisory Board of the 2013 International American Studies Association Congress. 2012 Awarded American Studies Association’s Carl Bode-Norman Holmes Pearson Prize for life-long service to American Studies. CONCURRENT POSITIONS: Indiana University, Summer, 1973 Wesleyan University, Summer, 1976 Dartmouth MALS Program, Summers 1977- Columbia University, Visiting Professor, Fall 1988 NEH Seminar for College Teachers, Director, Dartmouth College, Summer 1990 University of Pittsburgh, Visiting Mellon Professor, Fall 1991 Director, Mellon Humanities Institute "The U.S. -
The Demographics and Production of Black Poetry
Syllabus Week 1: The Demographics and Production of Black Poetry Resident Faculty: Howard Rambsy Visiting Faculty: James Smethurst, Kathy Lou Schultz, Tyehimba Jess, Brenda Marie Osbey Led by Rambsy, the Week 1 readings, activities and lectures will address significant recurring topics in the discourse on African American poetry—black aesthetics, history, cultural pride, critiques of anti-black racism, music and performance—and concentrate on major trends, popular poets and canonical poems and genres. We will identify and discuss several major poets, including Amiri Baraka, Jayne Cortez, Nikki Giovanni, Carolyn Rodgers, and Dudley Randall whose works began circulating widely during the late 1960s and early 1970s. We will consider how the BAM intersects with and distinguishes itself from other related poetry movements like the Beat Generation. We look at the configuration of contemporary black poetry, as poets become identified by subject matter, region, movement and/or collective like Cave Canem Poets, the Affrilachian Poets, and the National Poetry Slam Movement that began in 1990. Rambsy, Kathy Lou Schultz, Smethurst and Graham will give lectures that provide NEH Summer Scholars with an overarching sense of poets in the field as well as major events and circumstances that have shaped African American poetry. As specialists who have written about poetry and literary history, Rambsy, Schultz, and Smethurst will collectively provide foundational concepts and material for understanding and teaching black poetry. The week will also include discussions and readings by poets Tyehimba Jess and Brenda Marie Osbey, which will give NEH Summer Scholars chances to consider persona poetry and the presence of history in contemporary poems. -
Erich Von Stroheim, the Child of His Own Loins Fanny Lignon
Erich von Stroheim, the child of his own loins Fanny Lignon To cite this version: Fanny Lignon. Erich von Stroheim, the child of his own loins. 2017. hal-01638172 HAL Id: hal-01638172 https://hal.archives-ouvertes.fr/hal-01638172 Submitted on 19 Nov 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. http://www.thalim.cnrs.fr/ http://www.univ-lyon1.fr/ Fanny Lignon Maître de conférences Etudes cinématographiques et audiovisuelles Université Lyon 1 Laboratoire THALIM / Equipe ARIAS (CNRS / Paris 3 / ENS) E-mail : [email protected] LIGNON Fanny, « Erich von Stroheim, the child of his own loins », OUPblog, Oxford University Press, 22 septembre 2017. [En ligne : https://blog.oup.com/2017/09/erich-von-stroheim-child-loins/] ERICH VON STROHEIM, THE CHILD OF HIS OWN LOINS Fanny Lignon (Translated by Civan Gürel) Even though Erich von Stroheim passed away 60 years ago, it is clear that his persona is still very much alive. His silhouette and his name are enough to evoke an emblematic figure that is at once Teutonic, aristocratic and military. No one has forgotten his timeless characters—among others, Max von Mayerling in Sunset Boulevard, a talented film director who has become the devoted servant of the almost-forgotten silent film star whose movies he used to make, or von Rauffenstein, the prisoner of war camp commandant of La Grande Illusion with his neck stiff in a brace, perfectly symbolizing at once a world that is gradually passing away and a world that is being born. -
Myra Jehlen English Department Rutgers University New Brunswick, N.J
Myra Jehlen English Department Rutgers University New Brunswick, N.J. 08901-1167 email: [email protected] VITA Degrees: B.A., City College of New York, 1961. Ph.D., University of California at Berkeley, 1968. Dissertation: William Faulkner and the South, directed by Henry Nash Smith. Employment: New York University, Instructor, 1966-68. Columbia University, Assistant Professor, 1968-72. State University of New York, College at Purchase, Associate Professor and Professor, 1972-85. Rutgers University, Professor, 1985-1989. University of Pennsylvania, Chaired Professor, 1989-1992. Rutgers University, Board of Governors Professor, 1992-present. Grants and Fellowships: Woodrow Wilson Fellow, 1961-1962, Dissertation Fellow 1964-1965; National Endowment for the Humanities, Fellow; 1974-1975; National Humanities Center Fellow, 1985-1986; Guggenheim,1990-1991 (declined ACLS Fellowship to accept Guggenheim). Professional Service and Affiliations: Editorial Board, PMLA,1985-87. Executive Council, MLA, 1988-1992. Executive Committee, MLA section on American literature to 1800, Chair 1989-1990. Selection Panels: Woodrow Wilson National Fellowships, National Endowment for the Humanities Fellowships, National Humanities Center Fellowships, Charlotte Newcombe Fellowships, Burkhardt Fellowships. FIPSE Advisory Project, 1992-1994. Board of Trustees, Wenner-Gren Foundation, 1994-1999. Advisory Board, Woodrow Wilson National Foundation, 1993-1999. Selected Publications: Class and Character in Faulkner’s South,Columbia University Press, 1976; paperback 1980. "The Novel and the Middle Class in America," Salmagundi,Winter 1977. "J. Hector St. John de Crevecoeur: A Monarcho-Anarchist in Revolutionary America," American Quartely, Summer 1979. "The American Landscape as Totem," Prospects 1981. "Archimedes and the Paradox of Feminist Criticism," Signs, Winter 1981; reprinted in Feminist Theory, A Critique of Ideology, edited by Nannerl O. -
Graphic Storytelling: Exploring Contemporary Comics (Issues and Problems in Twentieth-Century Literature and Culture)
1 Rutgers University, Department of English Spring 2013 Graphic Storytelling: Exploring Contemporary Comics (Issues and Problems in Twentieth-Century Literature and Culture) 03:350:393 Instructor: Tahneer Oksman Murray Hall, Room 301 Contact: [email protected] Tues./Thurs., 1:10 – 2:30 PM Office: Murray Hall, 036A Office Hour: Tues., 2:30 – 3:30 PM and by appointment COURSE DESCRIPTION In her introduction to The Best American Comics 2011, cartoonist Alison Bechdel writes, “Art and language are always in flux, of course, but the somewhat younger mode of comics seems to be in a particularly molten state. Close readers may observe rivulets of lava cooling into new conventions right before their eyes” (xv). In this course, we will read a variety of contemporary comics, mostly from North America, in order to examine how comics can help us rethink genre. Specifically, we will attempt to decipher what graphic narratives can teach us about the assumptions that we make about storytelling conventions, and how contemporary cartoonists play with or breach such conventions. Some forms of storytelling that we will consider through readings of comics of various lengths, including texts commonly referred to as “graphic novels,” are documentary, fantasy, diary, short story, and memoir. We will focus heavily on the formal complexities of reading visual-textual interactions, with the goal of developing a common vocabulary for thinking, discussing, and writing about comics. We will address questions such as, is there an equivalent, in comics, of what we commonly refer to as “voice” in works of prose? In what ways do comics differ from other media, including film and prose? We will also briefly consider digital comics, and the ways that they force us to rethink the possibilities of the medium. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa.