DOCSLIB.ORG

Runequest Is a Trademark (TM) of Issaries, Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Runequest Is a Trademark (TM) of Issaries, Inc Credits and Contents MAGIC OF GLORANTHA Credits Contents Author Publications Manager Credits & Contents 1 Aaron Dembski-Bowden Ian Belcher Introduction 2 Editor Production Director Ian Belcher Alexander Fennell Draconic Mysticism 4 God Learner Sorcery 44 Cover Art Proofreading Tony Parker Brian Leech The Old Ways 56 HeroQuesting 61 Cover Design Playtesters Bob Cram, Dan Howard & Mark Billanie, Daniel Haslam, Tony Magicians of the Jeff Koch Higgins, Mark Howe, Scott Hughes, Imperial Age 87 Alan Moore, Daniel Scothorne, Mark Index 96 RuneQuest Logo Sizer, Michael J Young Anne Stokes Special Thanks Interior Illustrations Ian Barstow, Richard Ford, Roderick Nathan Furman, Slawomir Maniak, Robertson, Nick Robinson & Greg Pascal Quidault, Tony Parker Stafford Copyright Information Magic of Glorantha ©2006 Mongoose Publishing. All rights reserved. Reproduction of of this work by any means without the written permission of the publisher is expressly forbidden. All significant characters, names, places, items, art and text herein are copyrighted by Mongoose Publishing. This game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Game License, please go to www.mongoosepublishing.com. This material is protected under the copyright laws of the United Kingdom. This product is a work of fiction. Any similarity to actual people, organisations, places or events is purely coincidental. RuneQuest is a trademark (TM) of Issaries, Inc. Produced under license from Issaries. All rights reserved. Printed in China. 1 INTRODUCTION o be a magician in the Imperial Age is to know, ends the era and opens the way for the Hero Wars. The without a shadow of doubt, that you command the rot is already beginning to set in as the Third Age nears, Tmost powerful magic that can ever be harnessed for despite grand designs, great lore and new boundaries by mortals. In reading through the pages of this book, of magic, the energies required for creating the Great Games Masters and players get the chance to see how the Dragon To Come leech the Empire and its people of sorcerer-lords of the God Learners and the dragonspeakers necessary resources. Though they will not discover the of the EWF possess power far above that of the other truth until it is too late, in building the Great Dragon the Gloranthan cultures. This is as it should be in this era of wyrmfriends are killing their Empire. The flaws in their Empires that threaten the stability of the world itself. plan are beginning to show and those with the power to do anything about it are the ones least likely to surrender The Empire of Wyrm’s Friends embodies the glorious, the magical might they have amassed. It is this state that decadent rise of world-altering magic in the Second Age. we find the Empire and its Dragonlord leaders – also Likewise, its eventual destruction is one of the most called the Wyrm’s Eye Ascendants – at the apex of their significant peals of thunder in the cataclysmic storm that power in the Second Age. Opposing the Empire of Wyrm’s Friends is a kingdom equally blinded by a glorious Introduction A God Learner assaults a dragonspeaker rival rise to ascension. The Middle Sea Empire, called ‘God Learners’ by their allies and enemies alike, share the guilt that will come when the Second Age finally ends in chaos. The misguided conceit of the EWF is internal: they seek to transform what is theirs into the Great Dragon, altering themselves to fit an otherworldly ideal. The hubris of the Gods Learners is external: they manipulate the faiths of other cultures in order to increase their own power, altering the world around them rather than themselves. The Dragonlords will fall because they are parasites over their people, leeching belief and resources to fuel a doomed dream. It will be a grand failure but will seem as nothing compared to the toppling of the God Learners, who will fall because they are parasites over the faith of others, leeching power from the legends of myth and history, siphoning strength from the world itself. Players choosing to portray characters tied to the dragonspeaker cults stand on the stage of a culture in its glorious twilight. They will be the magic-wielding imperial 2 nobility, following their cult of choice towards the Great Work, or they will be among the legion of mercenaries who A Note on Game Balance sign on for a taste of draconic power. In this book, the rules provided for God Learner Sorcerers Players allied with the God Learners are and EWF dragonspeakers allow characters to possess powers trained and equipped to venture into the that will put them in positions of magical might and political influence that standard Gloranthan residents (and even other Hero Planes, violating the legends of Player Characters) can only ever dream of. If some characters immortal deities and plundering them of within an adventuring group follow these paths and others do mythic wealth. not, the imbalance between party members can start to show during long campaigns. The stage is set for the death of The Second Age of Glorantha is not an era based on equal Empires. Empires and worldly balance. In fact, the exact opposite is true. The Imperial Age is an era where the two dominant Empires have Chapter One: Draconic divided most of the world between them through invasion and Introduction Mysticism magical power. God Learner sorcerers and EWF dragonspeakers The first chapter reveals the hierarchical will demonstrate their cultures’ respective achievements and incredible levels of power and may end up towering above those society and mystic arts of the they meet in all political, military and magical respects. This dragonspeakers that oversee the Empire imbalance is not a problem with the setting that Games Masters of Wyrm’s Friends. Though they are often need to work around – it is an integral feature of Glorantha’s reluctant to use their magic, the Draconic doomed Second Age. If it creeps into your group’s games, then Mysticism of the Dragonlords is a run with it. discipline that offers almost unrivalled Enjoy the fruits of God Learner HeroQuesting. Command the physical enhancement, complementing power of the Dragonlord magicians. Revel in the decadence of the dances and martial arts of the imperial these great magical cultures, as they begin their long falls from leaders. The dragonspeaker cults that glory. make up the pyramidal hierarchy of the EWF are locked in political infighting which spreads instability through the Empire. In this chapter, players will find all the rules they Chapter Four: HeroQuesting need to carve out their own slice of influence within the Herein are the rules for HeroQuesting, which the God treacherous imperial courts. Learners practically hold the monopoly over in the Second Age. The bulk of this chapter is given over to assessments Chapter Two: God Learner Sorcery of the gods of the popular pantheons and their various This chapter focuses on the Sorcery mechanics and deeds in mythology. In this light, God Learner players spells of the Middle Sea Empire, which the God Learner are free to enter these legends and emulate the actions of magicians use to assert their dominance over Glorantha these ‘primitive’ gods. and infiltrate the Hero Planes. The spreading doctrines of the Zistorites – combining flesh, magic and machinery – is also detailed for characters with involvement in the Chapter Five: Magicians of the great Machine City. Imperial Age Finally, the book rounds out with a chapter detailing Chapter Three: The Old Ways some of the most powerful and influential God Learner The two largest cultural faiths in the Second Age are and dragonspeaker magicians of the Imperial Age. From detailed here: the Orlanthi faith in the Storm Tribe and the legendary Vistikos Left-Eye to the Arch-Sorcerer the Dara Happan faith in the Sky Gods. Chapter Three Lurghalos himself, each is given a detailed description provides guidance and new spells for players to portray and notes on how best to serve these immensely potent characters channelling the Divine Magic of the Old figures. Ways. 3 DRACONIC MYSTICISM n the Second Age, the Empire of Wyrm’s Friends is in effort into bringing about the Great Dragon. In the years part a repressive, stagnating culture and part a mystical to come all of their great achievements will be burned Iideology founded on the principles of enlightenment in the fires of insurrection, betrayal by their dragonewt and evolution for all. It is this clashing contrast in the allies and the storm of flawed magic. imperial doctrine that makes the EWF such a volatile culture and what makes their magic so compelling. With This is how Empires die. restrictions on the Old Ways and the suppression of any ‘false worship’ of ancient gods, the Empire’s burgeoning Draconised Faith (if ultimately damning) draconic Mysticism is reaching With the rise of the Wyrm’s Eye Ascendants and the Empire incredible potency. And yet the rise of this magic at the from their base in Maniria over the past few centuries, cost of religious freedom is governed with the aim of the religious beliefs of the cultures they have conquered benefiting every citizen within the Empire. As a final come under the increasing pressure of draconisation. The paradox in the Dragonlords’ scheme, it is the devotees imperial faith is in the dragonspeaker cults: the groups with the smallest portions of magical power that are the devoted to the birth of the Great Dragon. This mandate most inclined to use it, while the mystics commanding leaves conquered populations in a dangerous position true mastery over the art are loathe to expend any power should they not desire to convert directly to the beliefs of Draconic Mysticism in the physical world, instead hoarding their energies for their conquerors.
Load more

Recommended publications
  • Magicrealm.Net Forum Archive
    WWW.MAGICREALM.NET FORUMS ARCHIVE This archive contains a complete record of all messages posted on the forums at MagicRealm.net The last message posted here is dated 14 Feb 2004. The archive is organized in the same manner as the forums were: two main sections, and seven subsections. Each discussion topic is linked to a bookmark. The discussion topics are sorted from oldest to newest within each subsection. This is the opposite of how they were sorted in the original forums, but it was easier to build and maintain the archive in this way. Known problems: The polls in the “Software” subsection could not be archived. Many of the URL’s came through as blank lines. The forum software had a flaw: at the start of each discussion topic, it lists the topic name followed by “started by [name]” – but instead of using the name of the person who started the topic, it used the name of the last person to post to that topic. MRNet Forums [Powered by Ikonboard] http://www.magicrealm.net/cgi-bin/ikonboard/ikonboard.cgi... Printable Version of Topic -MRNet Forums +--Forum: Expansions and Variants +---Topic: New Characters started by fiscused Posted by: fiscused on Sep. 04 2001,07:28 Thought I'd throw up the beginning of a new character idea here. Monk: A quiet, dedicated man, the monk is master of dealing damage, either with his bare hands or with weapons. advantages: Poverty: The monk begins with zero gold and may never gain gold in any way. He can barter with others using the gold value of items, but he may never acquire gold.
    [Show full text]
  • Computer Gaming World Issue
    I - Vol. 3 No. 4 Jul.-Aug. - 1983 FEATURES SUSPENDED 10 The Cryogenic Nightmare David P. Stone M.U.L.E. 12 One of Electronic Arts' New Releases Edward Curtis BATTLE FOR NORMANDY 14 Strategy and Tactics Jay Selover SCORPION'S TALE 16 Adventure Game Hints and Tips Scorpia COSMIC BALANCE CONTEST WINNER 17 Results of the Ship Design Contest KNIGHTS OF THE DESERT 18 Review Gleason & Curtis GALACTIC ADVENTURES 20 Review & Hints David Long COMPUTER GOLF! 29 Four Games Reviewed Stanley Greenlaw BOMB ALLEY 35 Review Richard Charles Karr THE COMMODORE KEY 42 A New Column Wilson & Curtis Departments Inside the Industry 4 Hobby and Industry News 5 Taking a Peek 6 Tele-Gaming 22 Real World Gaming 24 Atari Arena 28 Name of the Game 38 Silicon Cerebrum 39 The Learning Game 41 Micro-Reviews 43 Reader Input Device 51 Game Ratings 52 Game Playing Aids from Computer Gaming World COSMIC BALANCE SHIPYARD DISK Contains over 20 ships that competed in the CGW COSMIC BALANCE SHIP DESIGN CONTEST. Included are Avenger, the tournament winner; Blaze, Mongoose, and MKVP6, the judge's ships. These ships are ideal for the gamer who cannot find enough competition or wants to study the ship designs of other gamers around the country. SSI's The Cosmic Balance is required to use the shipyard disk. PLEASE SPECIFY APPLE OR ATARI VERSION WHEN ORDERING. $15.00 ROBOTWAR TOURNAMENT DISK CGW's Robotwar Diskette contains the source code for the entrants to the Second Annual CGW Robotwar Tournament (with the exception of NordenB) including the winner, DRAGON.
    [Show full text]
  • 1466655020695.Pdf
    1 Empi res Credits Contents Author(s) Introduction 2 Lawrence Whitaker Empires Defined 4 Editor Charlotte Law Characteristics 6 Layout and Graphic Design Imperial Economics 19 Will Chapman Emipires at War 32 Interior Illustrations Religion, Magic and Myths 48 Kim Feigenbaum, Claudio Cassini, Esther Sanz, Sean Thornton and Devin Platts Factions and Guilds 57 Proofreading Imperial Service 75 Nick Robinson Building Kingdoms 89 Playtesters James Carrington, Chris Donnelly, Chris Furness, Bruce Renown 109 Mason, Ben Quant, Douglas W. Wacker, Ioan Wigmore Imperial Characters 113 Special Thanks Sample Empires 117 Pete Nash, John Hutchinson, Simon Bray, Jeff Richard and Greg Stafford Index 126 Copyright Information RuneQuest Empires ©2010 Mongoose Publishing. All rights reserved. Reproduction of this work by any means without the written permission of the publisher is expressly forbidden. All significant characters, names, places, items, art and text herein are copyrighted by Mongoose Publishing subject to its licence from Issaries, Inc. This game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Game License, please go to www.mongoosepublishing.com. This material is protected under the copyright laws of the United Kingdom. This product is a work of fiction. Any similarity to actual people, organisations, places or events is purely coincidental. RuneQuest is a trademark (TM) of Issaries, Inc. Produced under license from Issaries. All rights reserved. Printed in the USA. Introduction This book deals with states and empires: how they are made, how they function and how they die. History has taught us that no New Realms empire is permanent; some are long-lasting, with the benefits they RuneQuest Empires also takes the RuneQuest game into new bring echoing down through the ages, yet no empire lasts forever.
    [Show full text]
  • FANTASY GAMES and SOCIAL WORLDS Simulation As Leisure
    >> Version of Record - Sep 1, 1981 What is This? Downloaded from sag.sagepub.com at SAGE Publications on December 8, 2012 FANTASY GAMES AND SOCIAL WORLDS Simulation as Leisure GARY ALAN FINE University of Minnesota As the longevity and success of this journal attest, simulation games have had a considerable impact on the scholarly commun- ity, spawning cottage industries and academic specialties. Simu- lation gaming is now well established as a legitimate academic pursuit and teaching tool. Simultaneous with the growth of educational games, the 1970s witnessed the development and popularity of other role-playing games, essentially simulations, which have enjoyment and fantasy as their major goals. These games are known generically as fantasy role-playing games. My intent in this article is to describe the games, discuss the relationship of these games to similar activities (including educational simulations), describe the players, and examine their reasons for participating in this social world. By studying these play forms, researchers who specialize in educational simulations can observe parallels in this leisure activity. AUTHOR’S NOTE: The author would like to thank Sherryl Kleinman and Linda Hughes for comments on previous drafts of this article. SIMULATION ~c GAMES, Vol. 12 No. 3, September I981 251-279 @ 1981 Sage Pubhcations, Inc. 251 Downloaded from sag.sagepub.com at SAGE Publications on December 8, 2012 252 WHAT IS FANTASY ROLE-PLAY GAMING? A &dquo;[fantasy] role-playing game&dquo; has been defined as &dquo;any game which allows a number of players to assume the roles of imaginary characters and operate with some degree of freedom in an imaginary environment&dquo; (Lortz, 1979b: 36).
    [Show full text]
  • Heroquest Glorantha: Highwall
    Highwall Inn by Ian Cooper Honoring Greg Stafford October 10th, 2019 #WeAreAllUs HIGHWALL INN WHAT IS THIS? CREDITS ighwall Inn is a scenario for Chaosium’s HeroQuest Author Glorantha role-playing game. A copy of that book is Ian Cooper necessary to play this game. No other HeroQuest game H Editing titles are required to play this game, but Sartar: Kingdom of Susan O’Brien Heroes and The Coming Storm expand upon the background of this scenario. Cover Art This scenario is the HeroQuest Glorantha scenario Valentina Romagnoli for #weareallus, the inaugural Greg Stafford memorial Art day. Greg created the world of Glorantha and founded Chaosium. Simon Bray, Eli Maffei, Cory Trego-Erdner, Petr Stovik On this day we hope that you will gather some friends and play a game together in his memory. Additional Contributions Jeff Richard Producer CORE ACTIVITY Michael O’Brien Graphic Design & Layout The PCs are travelers who take shelter in a remote inn, trying to Nicholas Nacario evade both a storm and a pack of ghouls. Cartography EMOTIONAL STAKES Simon Bray Play Testing The PCs have different reasons for being on the road in winter: Thanks to the many fans at conventions such as some seek to free a comrade captured by a Lunar bounty hunter, UK Games Expo, Dragonmeet and Kraken others to rob a wealthy merchant, one to proselytize his faith. All who have braved Highwall Inn. of them will come into conflict, either with each other or other travelers sheltering at the inn. As always, a special thank you and credit goes to At the same time, the ghouls and the inn’s murderous innkeepers Greg Stafford, without whom none of us would be reading this or playing games in Glorantha.
    [Show full text]
  • Debtbook Diplomacy China’S Strategic Leveraging of Its Newfound Economic Influence and the Consequences for U.S
    POLICY ANALYSIS EXERCISE Debtbook Diplomacy China’s Strategic Leveraging of its Newfound Economic Influence and the Consequences for U.S. Foreign Policy Sam Parker Master in Public Policy Candidate, Harvard Kennedy School Gabrielle Chefitz Master in Public Policy Candidate, Harvard Kennedy School PAPER MAY 2018 Belfer Center for Science and International Affairs Harvard Kennedy School 79 JFK Street Cambridge, MA 02138 www.belfercenter.org Statements and views expressed in this report are solely those of the authors and do not imply endorsement by Harvard University, the Harvard Kennedy School, or the Belfer Center for Science and International Affairs. This paper was completed as a Harvard Kennedy School Policy Analysis Exercise, a yearlong project for second-year Master in Public Policy candidates to work with real-world clients in crafting and presenting timely policy recommendations. Design & layout by Andrew Facini Cover photo: Container ships at Yangshan port, Shanghai, March 29, 2018. (AP) Copyright 2018, President and Fellows of Harvard College Printed in the United States of America POLICY ANALYSIS EXERCISE Debtbook Diplomacy China’s Strategic Leveraging of its Newfound Economic Influence and the Consequences for U.S. Foreign Policy Sam Parker Master in Public Policy Candidate, Harvard Kennedy School Gabrielle Chefitz Master in Public Policy Candidate, Harvard Kennedy School PAPER MARCH 2018 About the Authors Sam Parker is a Master in Public Policy candidate at Harvard Kennedy School. Sam previously served as the Special Assistant to the Assistant Secretary for Public Affairs at the Department of Homeland Security. As an academic fellow at U.S. Pacific Command, he wrote a report on anticipating and countering Chinese efforts to displace U.S.
    [Show full text]
  • Twixt Ocean and Pines : the Seaside Resort at Virginia Beach, 1880-1930 Jonathan Mark Souther
    University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1996 Twixt ocean and pines : the seaside resort at Virginia Beach, 1880-1930 Jonathan Mark Souther Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Souther, Jonathan Mark, "Twixt ocean and pines : the seaside resort at Virginia Beach, 1880-1930" (1996). Master's Theses. Paper 1037. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. TWIXT OCEAN AND PINES: THE SEASIDE RESORT AT VIRGINIA BEACH, 1880-1930 Jonathan Mark Souther Master of Arts University of Richmond, 1996 Robert C. Kenzer, Thesis Director This thesis descnbes the first fifty years of the creation of Virginia Beach as a seaside resort. It demonstrates the importance of railroads in promoting the resort and suggests that Virginia Beach followed a similar developmental pattern to that of other ocean resorts, particularly those ofthe famous New Jersey shore. Virginia Beach, plagued by infrastructure deficiencies and overshadowed by nearby Ocean View, did not stabilize until its promoters shifted their attention from wealthy northerners to Tidewater area residents. After experiencing difficulties exacerbated by the Panic of 1893, the burning of its premier hotel in 1907, and the hesitation bred by the Spanish American War and World War I, Virginia Beach enjoyed robust growth during the 1920s. While Virginia Beach is often perceived as a post- World War II community, this thesis argues that its prewar foundation was critical to its subsequent rise to become the largest city in Virginia.
    [Show full text]
  • GURPS Glorantha.Book
    Role-Playing in the World of the Hero Wars by Douglas Bailey Additional Material by Thomas Barnes, Bryan J. Maloney, Phil Masters, and S. John Ross Illustrations (used without permission) by Angus McBride, J. Kevin Ramos and John Snyder GURPS System Design by Steve Jackson Editing, Page Layout and Typography by Douglas Bailey Playtesters: Seann Ives, Dan Hodgkins, Harrison Ripps, Michael Kowalchik GURPS Glorantha is copyright © 2000 by Douglas Bailey. The material in this book represents unofficial, unauthorised supplementary material to the GURPS system and the Glorantha fantasy world. GURPS is a registered trademark of Steve Jackson Games Incorporated. The names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated. Glorantha is the trademark of Issaries, Inc., and is used with their permission. Issaries, Inc. is the trademark of Issaries, Inc. No infringement of any of these rights is intended or implied. TABLE OF CONTENTS INTRODUCTION.................. 4 Ranged Weapons ..................................29 Enchantment Rituals.............................40 About This Book.....................................4 Bows and Archery .....................................30 Summon Rituals....................................40 About the Author ....................................4 Arrow Types .........................................30 What is GURPS?.....................................4 Arrow Quality .......................................30 Bow Strength ........................................30
    [Show full text]
  • Adventures in the World of Glorantha
    ADVENTURES IN THE WORLD OF GLORANTHA BY CHRISTOPHER KLUG, STEVE PERRIN, JEFF RICHARD, GREG STAFFORD, AND JASON DURALL ADDITIONAL WRITING: Jerry Thorpe COVER ARTIST: Andrey Fetisov EDITOR-IN-CHIEF: Jeff Richard EDITORS: Jaym Gates, Jason Durall ART DIRECTION: Jon Hodgson, Jeff Richard DESIGN & LAYOUT: Simeon Cogswell ADDITIONAL DESIGN & LAYOUT: Rick Meints, Malcolm Wolter CARTOGRAPHY: Olivier Sanfilippo, Tobias Tranell ARTISTS: Dimitrina Angelska, Antonia Doncheva, Jon Hodgson, Jennifer Lange, Pat Loboyko, Eli Maffei, Magdalena Mieszczak, Sara Otterstätter, Scott Purdy, Corey Trego-Erdner, Chris Waller SPECIAL THANKS GO to these people who contributed greatly or a little, but whose impact has affected the game: Ellie Akers, Shannon Appelcline, Nick Brooke, Pam Carlson, Ian Cooper, David Dunham, Eden Durall, Todd Gardiner, Chris Gidlow, Finn Loroff-Richard, Lara Loroff-Richard, Ed McDonald, Sandy Petersen, David Scott. Our apologies to any others who were unrecorded. PLAYTESTERS include Ellie Akers, Al Bairley, Mike Bandoian, John Briquelet, Naomi Burgess, Dimitri del Castillo, Andrew Cator, Tim Challis, Gil Cruz, Mark Durston, Mason Ettinger, Frisbee, Michael “Finn” Glenn, Alison Gondek, Tony Hughes, Will Johnson, Chris Klug, Kevin Mantle, Gianna Masetti, Shirley Park, Roderick Robertson, Ted Shambaris, Colin Spears, Andy Staples, Matthew Tyler-Jones, Nick Walsh, Steven Warzeha, Phillip Wright and others whose names may unfortunately have been overlooked. As always, a special thank you and credit goes to Greg Stafford, without whom none of us would be reading this or playing games in Glorantha. SampleMay Ernalda, Mother of Earth, bless and shelter those who readfile these pages. “I want to have goblins about me, for I am courageous. The courage which scareth away ghosts, createth for itself goblins—it wanteth to laugh.” — Friedrich Nietzsche, Thus Spoke Zarathustra RUNEQUEST A Chaosium Game RuneQuest © copyright 1978–2020 by Moon Design Publications LLC.
    [Show full text]
  • A Special Preview of Classic Fantasy for Mythras & Runequest 6
    Classic Fantasy Dungeoneering Adventures, d100 Style! A Special Preview of Classic Fantasy for Mythras & RuneQuest 6 CLASSIC FANTASY 0: Introduction lassic Fantasy is a return to the golden age of roleplaying, particularly authors Lawrence Whitaker and Pete Nash, without a period between the late 1970s through the 1980s. During whose excellent work, this game would not be possible. this time, the concept of roleplaying was relatively new and Without the aforementioned games and their creators, Classic Fan- Cit had an almost magical feel. There were only a handful of popu- tasy would be but a shadow of the game I hope it will become. lar fantasy games on the market during this time, with Advanced Dungeons and Dragons and RUNEQUEST being two of the biggest. Rip open the Cheetos and pass out the Mountain Dew. It’s Classic Fantasy takes us back to a time when we would gather with time to play some Classic Fantasy! our friends and spend countless hours bashing down doors, slaying Rodney Leary, December 2015 hordes of orcs and goblins, and throwing another +1 Ring of Pro- tection into our Bag of Holding. Those were the “classic” adven- tures that my friends and I still talk about to this day. Those were the days of Classic Fantasy. Which Rules? This is not the first iteration of Classic Fantasy, which had its start This is not a standalone game. Game Masters and players will need as a Monograph for Chaosium’s versatile Basic Roleplaying sys- access to either the RUNEQUEST 6th Edition or Mythras rules to tem.
    [Show full text]
  • Lootboxes" in Digital Games - a Gamble with Consumers in Need of Regulation? an Evaluation Based on Learnings from Japan
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Koeder, Marco Josef; Tanaka, Ema; Mitomo, Hitoshi Conference Paper "Lootboxes" in digital games - A gamble with consumers in need of regulation? An evaluation based on learnings from Japan 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018 Provided in Cooperation with: International Telecommunications Society (ITS) Suggested Citation: Koeder, Marco Josef; Tanaka, Ema; Mitomo, Hitoshi (2018) : "Lootboxes" in digital games - A gamble with consumers in need of regulation? An evaluation based on learnings from Japan, 22nd Biennial Conference of the International Telecommunications Society (ITS): "Beyond the Boundaries: Challenges for Business, Policy and Society", Seoul, Korea, 24th-27th June, 2018, International Telecommunications Society (ITS), Calgary This Version is available at: http://hdl.handle.net/10419/190385 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte.
    [Show full text]
  • Acquire: Fun-And-Fortune Game for 2 Players. 1 Hour 15 Min Game Time
    List of 2-player games available to borrow from Bowdoin Board Game Club: Acquire: fun-and-fortune game for 2 players. 1 hour 15 min game time. Beyond Baker Street: A card-based Sherlock Holmes mystery game. 30 min game time. Carcassonne the Castle: the two-player version of the classic. 30-45 min game time. Chess: two players battle to death. Game time varies. Clans: A board game set in late pre-history. Easy rules, challenging game. 30 min game time. Cosmic Encounter: the sci fi game for everyone. Very cool board. “A teeth-gritting, mind-croggling, marvelously demanding exercise in ‘what if’.” – Harlan Ellison Coup: Only one can survive. Secret identities, deduction, deception. 15 game time. El Grande Big Box – (includes 6 expansions): Spain in the late middle ages, win with cunning and guile. 60 min game time. Evolution: A dynamic game of survival. 60 min game time. FLUXX: The card game with ever-changing rules. 5-30 min game time. Forbidden Island: Adventure if you DARE! 30 min game time. Gobblet: The fun strategy board game for 2. 10-20 min game time. Grifters: are you devious enough to rob the corporations blink, swindle your opponent and pull off daring heists? 30 game time. Hanabi: A cooperative firework launching game for 2. 30 min game time. Inis: immerse yourself in celtic legends. A truly beautiful game. 60 min game time. Jaipur: A subtle trading game for 2 players. 30 min game time. King of New York: You are a giant monster and you want to become King of New York.
    [Show full text]