P38 Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

P38 Layout 1 lifestyle MONDAY, AUGUST 18, 2014 FEATURES A Clown Festival Malaysian clown Mohammad Bukhari, aka Mr JAJA, gestures during a Clown Festival. Clowns pose for a selfie after a parade during the Clown Festival in Kuala Lumpur yesterday. (Right) Malaysian clown Sam Tee, aka Uncle Button, rides a bicycle. — AFP photos A Malaysian clown named Mr Potato drives his Beetle during the Clown A clown’s shoes are seen prior to a parade. Malaysian clown Sam Tee, aka Uncle Button, prepares to take part in a Festival. Clown Festival. Laughing matter: ‘Patch Adams’ brings ‘Expendables 3’ fumbles with humor therapy $16.2 million, ‘Ninja Turtles’ tops charts he Expendables 3’ looked like a controversy played out in Ferguson, Mo., franchise that needs to be put out where the shooting death of an unarmed ‘Tto pasture after the latest film in the 18-year old by police led to protests. action junkie series debuted to a scrawny Aronson said there was no impact on “Let’s $16.2 million this weekend, according to Be Cops’” box office, noting that art didn’t studio estimates. “Expendables’” lack of mus- really imitate life in this case. “As unfortu- cle allowed “Teenage Mutant Ninja Turtles” nate as that situation is, audiences aren’t to retain the box office crown it wore last making a connection,” said Aronson. “This is weekend. Paramount Pictures’ reboot of the a flat-out farce.” reptile martial artists series grabbed first place on the charts with $28.4 million in its Impressive legs Hunter Doherty, the US physician and clown who sophomore weekend. That brings its domes- It counts as a win for Fox, in a summer inspired the movie ‘Patch Adams’ starring Robin tic total to $117.6 million. filled with them-one that’s seen the releases Williams, gestures during a meeting with support Another holdover, Marvel’s “Guardians of of “X-Men: Days of Future Past,” “The Fault in the Galaxy,” scored runner-up status. The Our Stars” and “Dawn of the Planet of the groups participating in the ‘Tell me everything comic book adaptation pulled in $24.7 mil- Apes,” which danced past $200 million about Cancer’ symposium, at a cancer treatment lion, driving its total domestic box office to on Tuesday. expected the picture to perform even more domestically this weekend. The weekend’s hospital in Lima on August 13, 2014. —AFP $222.3 million. It looks like it will end up as “My take away? Audiences want to strongly, possibly passing $20 million for the other wide release, “The Giver,” took in a the summer’s top grossing domestic release, laugh,” said Chris Aronson, Fox’s distribution weekend, but the critics were savage, which middling $12.8 million over 3,003 locations. ubbling with optimism and energy, the US physician chief. “Any time you can gross more than likely held down numbers slightly. who was the inspiration for the Robin Williams film passing “Transformers: Age of Extinction’s” The Weinstein Company backed the $25- $243.3 million haul. “Expendables 3’s” open- your budget in three days is pretty cool.” The film, which pokes fun at boys in blue, million budgeted film, which adapts Lois B“Patch Adams” will do anything to elicit a soothing Going into the weekend, some analysts arrived while a real life law enforcement laugh. Even something as bawdy as flatulence is not out of ing was a low-point for Sylvester Stallone’s Lowry’s widely-read futuristic novel. bounds for Hunter Adams. He addressed that earthy issue geriatric heroes on a mission pictures. The The studio had expected the film to this week during a visit to Peruvian children with cancer and original film launched to $34.8 million in debut in the mid-teens and was disappoint- brought the house down. Adams works on the premise that 2010 while the second installment debuted Jackie Chan approached for ed by the results. “The Giver” brought in a humor and clowning around is good for sick people. to $28.6 in 2012. Audiences may have grown crowd that was two-thirds female, and 53% During a recent visit to a hospital for cancer patients, the tired of watching AARP members with guns, ‘Expendables 4,’ ‘Rush Hour 4’ under the age of 25. It played particularly 69-year-old doctor told stories of sick people who learned to even if the producers excavated a few new well to girls under the age of 17. “For its core be happy through compassion and laughter. He wants to Box Office aging Reagan-era stars in the form of ackie Chan is in high demand. week during a Q& A in London pro- demo, they really like it,” said Erik Lomis, The spread the message around the world. “My job is to love and Harrison Ford and Mel Gibson. According to the legendary action moting his film “Chinese Zodiac.” “Unless Weinstein’s Company’s head of theatrical be affectionate, to help those who are suffering. Spirituality It’s been nearly a decade since Indiana Jstar, he’s been approached for three we have a better script. Just like lately distribution. “Young girls go crazy for it and cures,” he told dozens of cancer patients at a seminar on Jones and Martin Riggs opened a picture, potential sequels: “Expendables 4’ “Rush they want to make ‘Rush Hour 4.’ I said we’ve had a lot of success in middle breast cancer. but “The Expendables 3’ may also have been Hour 4’ and “Drunken Master 3.” “Sly ‘No, show me the script first. I don’t need America. When the dust settles, the movie With a bright, multicolored outfit and the round, red nose hurt by piracy. Three weeks before the film (Stallone) wants me for ‘Expendables 4,’” another ‘Rush Hour 4.’ You need ‘Rush will find its audience.” of a clown, Adams and a group of aides visited children, hit theaters, a leaked copy was downloaded he told Den of Geek earlier this week. “I “The Hundred-Foot Journey” barely reg- youths and adults who suffer from cancer. He made them 189,000 times through piracy sites. said, ‘okay.’ Because they already asked istered last weekend, when the news was all laugh, and helped them forget their illness for a while. “There Lionsgate, which is distributing the film in me to be in two and three, but I refused. about “Teenage Mutant Ninja Turtles’” box is something that is funny in all countries: how we emit gas, North America, did not release a budget, Well, I didn’t refuse, but I said, ‘Sly, can’t office dominance, but the dueling chefs dra- or farts, something which is common and normal in all but if Stallone and company want to get we just do you and me’ Not just a bunch ma has some impressive legs. The film humans,” said the doc, triggering roars of laughter at the into profitable terrain, they’ll need to do so of people and me only coming out for dropped a mere 35% in its second weekend, seminar. “For me, being a clown is a trick to bring love” to overseas where audiences have fonder five minutes.’” picking up $7.1 million and pushing its people in need, said Adams, who has spent the last 30 years memories of “Cliffhanger” and Jason It appears that Chan is holding out for domestic tally to $23.6 million. In art house traveling the globe, even to war zones and those areas hit by Statham is next to godliness. Millennium news, “The Trip to Italy” opened on three a bigger role or an anti-”Expendables” pic natural disaster. He said he hand-writes responses to the backed the picture. Stateside, the film screens, picking up $71,577 for a strong hundreds of letters that he receives from at least 120 coun- debuted in 3,221 theaters and attracted an with just two action stars. That’s proba- $23,859 per screen average. The film tries in his post office box in the United States. audience that was 61% male and 66% over bly best as “Expendables 3” flopped in reunites gastronomic travelers Steve the age of 25. the box office on Friday when it made its Coogan and Rob Brydon, who memorably Death of Williams franchise-worst debut. The pic is also set unveiled dueling Michael Caine impressions Despite all the clowning around there was a definite Less impulsive to be the series’ lowest-grossing open- in 2010’s “The Trip,” but substitutes pasta for something hanging over all the laughter. Adams avoided Those who saw it liked it, apparently, ing. “So if I’m in ‘Expendables 4,’ I want it British cuisine this go round. Probably a mentioning the death of his friend Williams, who played the rewarding it was an A- CinemaScore rating. to be me and him,” he said. “Then it good thing for those with a more refined role of Adams in the 1998 movie that bore his name. Williams The older crowds could bode well for the might be interesting. Otherwise you just palate, though no offense to bangers and died Monday of an apparent suicide at his home in California. picture, according to Lionsgate President of come out for five minutes.” mash aficionados. Sony Pictures Classics But on Facebook, writing from the Peruvian jungle where he Domestic Distribution Richie Fay. “Our audi- Chan also said that he’s waiting for expanded “Magic in the Moonlight” from was holding a workshop with local groups, Adams said he ence being older has a tendency to come the right scripts before agreeing to 170 to 964 screens, picking up $1.9 million was deeply saddened.
Recommended publications
  • Investigating Box Office Revenues of Motion Picture Sequels ⁎ Suman Basuroy A,1, Subimal Chatterjee B
    Available online at www.sciencedirect.com Journal of Business Research 61 (2008) 798–803 Fast and frequent: Investigating box office revenues of motion picture sequels ⁎ Suman Basuroy a,1, Subimal Chatterjee b, a College of Business, Florida Atlantic University, Jupiter, Florida 33458, United States b School of Management, Binghamton University, Binghamton, New York 13902, United States Received 26 October 2006; accepted 21 July 2007 Abstract This paper conceptualizes film sequels as brand extensions of a hedonic product and tests (1) how their box office revenues compare to that of their parent films, and (2) if the time interval between the sequel and the parent, and the number of intervening sequels, affect the revenues earned by the sequels at the box office. Using a random sample of 167 films released between 1991 and 1993, we find that sequels do not match the box office revenues of the parent films. However, they do better than their contemporaneous non-sequels, more so when they are released sooner (rather than later) after their parents, and when more (rather than fewer) intervening sequels come before them. Like other extensions of hedonic products, sequels exhibit satiation to the extent that their weekly box office collections fall faster over time relative to contemporaneous non- sequels. Managerial implications of the results are discussed. © 2007 Elsevier Inc. All rights reserved. Keywords: Sequels; Brand extensions; Box office revenues; Satiation 1. Introduction Spider-Man and Shrek, as well as Ocean's Thirteen, The Bourne Ultimatum, Rush Hour 3, the fourth edition of Die The study of motion picture sequels is important, both from a Hard and the fifth edition of Harry Potter.
    [Show full text]
  • Fenton Police Go Live with New Crime-Mapping Website CRIMEMAPPING
    Sunday, August 10, 2014 Featured Section tctimes.com More to life after FEATURED SECTION: Get up-to-date SPORTS 15A Text the word FiftyWork for fun as a retiree MORE TO LIFE AFTER FIFTY area garage PG 5 Eye your nutrition GARAGESALE Frederick leaps to for best vision as you age sales sent to PG 8 Work for fun Bond between (all one word, upper case) top of our boys grandparents and grandkids benefits both your phone in PG 10 as a retiree to 810-475-2030 track team Bonus advance! Section ! PAGE 5 $1.00 PAGE 3A: Community Life | Active Living | Healthy Choices SUNDAY EDITION SCUBA DIVING... A TREAT FOR THE SENSES Weekend VOL. 21 NO. XXXII SUNDAY, AUGUST 10, 2014 2012 & 2013 NEWSPAPER OF THE YEAR tctimes.com ONLINE Fenton police go live with new crime-mapping website CRIMEMAPPING. COMMENTS Maps, alerts, reports just a click away for residents COM This Crime- By Sharon Stone other cities in Michigan that show We built the Panama Mapping. [email protected]; 810-433-6786 crimes on this website. Canal. We built an intercon- com screen ‘‘ tinental railroad. Have you ever found yourself In an effort to help reduce We build the peeking through your living room crime and further strengthen lo- shot of Hoover Dam. blinds in an attempt to find out why cal community-oriented policing Fenton City We build coast- police are at your neighbor’s home? efforts, the Fenton Police Depart- Thursday to-coast ex- If you live in Fenton City, a new ment (FPD) decided to go live at morning pressways.
    [Show full text]
  • Hollywood's Ageing Ensemble Action Hero Series
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies 2017 Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, and the Film and Media Studies Commons Recommended Citation Gates, Philippa, "Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series" (2017). English and Film Studies Faculty Publications. 13. https://scholars.wlu.ca/engl_faculty/13 This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Ageing in Action: Hollywood’s Ageing Ensemble Action Hero Series By Philippa Gates Note: This is the English language version of a paper published in French as « Vieillir, agir: les héros d’âge mûr dans deux séries de films d’action hollywoodiens.» L’Âge des stars: des images à l’épreuve du vieillissement. Eds. Charles-Antoine Courcoux, Gwénaëlle Le Gras, Raphaëlle Moine. L’Âge d’homme, 2017. pp 130-50. Permission to reprint the paper in English is graciously given by the editors of the collection. Summary This paper explores the treatment of ageing in the ensemble action hero series RED (2010 and 2013) starring Bruce Willis and Helen Mirren and The Expendables (2010, 2012, and 2014) starring Sylvester Stallone and other 1980s action stars.
    [Show full text]
  • Arxiv:1908.09083V2 [Cs.CL] 8 Oct 2020 Existing Supervised Approaches Suffer from Two Sig- Get Reviews fluctuates a Lot
    Multi-view Story Characterization from Movie Plot Synopses and Reviews Sudipta Kar|, Gustavo Aguilar|, Mirella Lapata♠, Thamar Solorio| | University of Houston ♠ ILCC, University of Edinburgh fskar3, [email protected], [email protected], [email protected] Abstract Plot Synopsis In late summer 1945, guests are gathered for the wedding reception of Don Vito Corleone's daughter Connie (Talia Shire) and Carlo Rizzi This paper considers the problem of charac- (Gianni Russo). ... ... The film ends with Clemenza and new ca- terizing stories by inferring properties such as poregimes Rocco Lampone and Al Neri arriving and paying their re- spects to Michael. Clemenza kisses Michael's hand and greets him as theme and style using written synopses and "Don Corleone." As Kay watches, the office door is closed." reviews of movies. We experiment with a Review multi-label dataset of movie synopses and a Even if the viewer does not like mafia type of movies, he or she will tagset representing various attributes of sto- watch the entire film ... ... Its about family, loyalty, greed, relationships, and real life. This is a great mix, and the artistic style make the film ries (e.g., genre, type of events). Our pro- memorable. posed multi-view model encodes the synopses violence action murder atmospheric and reviews using hierarchical attention and revenge mafia family loyalty shows improvement over methods that only greed relationship artistic use synopses. Finally, we demonstrate how can we take advantage of such a model to ex- Figure 1: Example snippets from plot synopsis and review of tract a complementary set of story-attributes The Godfather and tags that can be generated from these.
    [Show full text]
  • Brett Ratner
    SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films.
    [Show full text]
  • RUSH HOUR Original Screenplay by Ross Lamanna
    RUSH HOUR Original Screenplay by Ross LaManna FADE IN: EXT. LOS ANGELES - DAY The whole dysfunctional megalopolis, beige and blurry in the summer smog. If this is the American Dream, do me a favor and wake me up. EXT. LAX - DAY The traffic loop outside the terminals is gridlocked -- mostly with stretch limousines. INT. LAX - (INCLUDE NEWS REPORT MONTAGE) - DAY Inside, the airport is done up with festive posters, streamers and banners: Welcome - Pacific Partners Summit A planeload of cheerful CHINESE DELEGATES come into the crowded terminal. Some sport red T-shirts with a picture of Mao wearing Mickey Mouse ears. They get onto the people mover, passing by a TV REPORTER: REPORTER (to TV CAMERA) Eager to mend its tarnished image, Los Angeles has really put out the welcome mat for tomorrow's summit. The city promises quite a party as leaders from Japan, China, South Korea, Australia, the U.S. and others begin talks for the largest free-trade treaty in history. The SCENE changes to TAPE of DELEGATES from other countries arriving. Then, we see massive SECURITY PREPARATIONS all around the city. REPORTER (VO) (continuing) The one sour note is North Korea, the only Pacific Rim country not participating. There are rumors of secret meetings with North Korean representatives, but U.S. officials insist the North must first hold democratic elections, and halt its nuclear weapons program -- as they claimed to have done back in 1995. We CUT TO a heated debate in the UN SECURITY COUNCIL. Then ARTILLERY FIRE over the Korean DMZ. The SCENE returns to LAX.
    [Show full text]
  • The Birth of Haptic Cinema
    The Birth of Haptic Cinema An Interactive Qualifying Project Submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science by Panhavuth Lau Jordan Stoessel Date: May 21, 2020 Advisor: Brian Moriarty IMGD Professor of Practice Abstract This project examines the history of The Tingler (1959), the first motion picture to incorporate haptic (tactile) sensations. It surveys the career of its director, William Castle, a legendary Hollywood huckster famous for his use of gimmicks to attract audiences to his low- budget horror films. Our particular focus is Percepto!, the simple but effective gimmick created for The Tingler to deliver physical “shocks” to viewers. The operation, deployment and promotion of Percepto! are explored in detail, based on recently-discovered documents provided to exhibitors by Columbia Pictures, the film’s distributor. We conclude with a proposal for a method of recreating Percepto! for contemporary audiences using Web technologies and smartphones. i Contents Abstract .......................................................................................................................................... i Contents ........................................................................................................................................ ii 1. Introduction .............................................................................................................................. 1 2. William Castle ..........................................................................................................................
    [Show full text]
  • November 2014 Vol
    Weeks Public Library Bulletin November 2014 Vol. 26, No. 11 Put Your Retirement Plan to Work Baby Lap Sit presented by John St. Pierre, Tuesdays Edward Jones Financial Advisor 10:30am Wednesday, November 12 Join us for stories, finger plays 6:30pm and open play Tuesday mornings Retirement can mean different things through November 25th. to different people. Maybe you want Ages 0 to 24 months. No registration needed. to travel, volunteer, start your own No class Tuesday, November 11th, Veteran’s Day. business, or go back to school. Be financially prepared for whatever you Lego Building Day decide! Join us for this informational Wednesday, November 5 session on the importance of saving 222-2---3pm3pm3pm3pm for retirement, how to save through your employer- Come and build with Lego bricks. All builds will be put sponsored plan, and other tax-advantage options for on display until the next Lego day. building your retirement savings. Snacks and drinks are allowed. All bricks will stay at the library. Classic Movie Night Captain Courageous starring Spencer Tracy © Warner Bros. Monday, November 17 6pm6pm6pm In Spencer Tracy’s Academy Award per- formance as a fisherman who saves a Family Story Time drowning boy, the boy learns life- changing lessons about the importance Thursdays of friendship and the dignity of labor in 10am this adventure saga based on a story by The last day this session is November 13. Next ses- Rudyard Kipling. Local film buff, Glenn sion begins December 4. Join us for stories, a craft, Bergeron will introduce the film. This and fun! All ages welcome, no registration required.
    [Show full text]
  • 2018 Television Report
    2018 Television Report PHOTO: HBO / Insecure 6255 W. Sunset Blvd. CREDITS: 12th Floor Contributors: Hollywood, CA 90028 Adrian McDonald Corina Sandru Philip Sokoloski filmla.com Graphic Design: Shane Hirschman @FilmLA FilmLA Photography: Shutterstock FilmLAinc HBO ABC FOX TABLE OF CONTENTS INTRODUCTION 2 PRODUCTION OF LIVE-ACTION SCRIPTED SERIES 3 THE INFLUENCE OF DIGITAL STREAMING SERVICES 4 THE IMPACT OF CORD-CUTTING CONSUMERS 4 THE REALITY OF RISING PRODUCTION COSTS 5 NEW PROJECTS: PILOTS VS. STRAIGHT-TO-SERIES ORDERS 6 REMAKES, REBOOTS, REVIVALS—THE RIP VAN WINKLE EFFECT 8 SERIES PRODUCTION BY LOCATION 10 SERIES PRODUCTION BY EPISODE COUNT 10 FOCUS ON CALIFORNIA 11 NEW PROJECTS BY LOCATION 13 NEW PROJECTS BY DURATION 14 CONCLUSION 14 ABOUT THIS REPORT 15 INTRODUCTION It is rare to find someone who does not claim to have a favorite TV show. Whether one is a devotee of a long-running, time-tested procedural on basic cable, or a binge-watching cord-cutter glued to Hulu© on Sunday afternoons, for many of us, our television viewing habits are a part of who we are. But outside the industry where new television content is conceived and created, it is rare to pause and consider how television series are made, much less where this work is performed, and why, and by whom, and how much money is spent along the way. In this study we explore notable developments impacting the television industry and how those changes affect production levels in California and competing jurisdictions. Some of the trends we consider are: growth in the number of live-action scripted series in production, the influence of digital streaming services on this number, increasing production costs and a turn toward remakes and reboots and away from traditional pilot production.
    [Show full text]
  • CHAPTER 7 • Movies and the Impact of Images 231 7 Movies
    SOUNDS AND IMAGES 7 Movies and the Impact of Images “A long time ago in a galaxy far, far away . .” So 233 Early Technology begins the now-famous opening credit crawl of and the Evolution Star Wars. The first appearance of those words of Movies was in movie theaters on earth, but the time now 238 is rather long ago: May 25, 1977. The Rise of the Hollywood Studio System The space epic changed the culture of the movie industry. Star Wars, produced, written, and 241 The Studio System’s directed by George Lucas, departed from the per- Golden Age sonal filmmaking of the early 1970s and spawned 251 a blockbuster mentality that formed a new primary The Transformation audience for Hollywood: teenagers. It had all of the of the Studio System now-typical blockbuster characteristics, including 255 massive promotion and lucrative merchandising The Economics of the Movie Business tie-ins. Repeat attendance and positive buzz among young people made the first Star Wars the most 262 Popular Movies successful movie of its generation. and Democracy Star Wars has impacted not only the cultural side of moviemaking but also the technical form. In the first Star Wars trilogy, produced in the 1970s and 1980s, Lucas developed technologies that are now commonplace in moviemaking: digital animation, special effects, and computer-based film editing. With the second trilogy (which was a prequel to the narrative of the original Star Wars), Lucas again broke new ground in the film industry. © Lucasfilm Ltd./Everett Collection CHAPTER 7 • MOVIES AND THE IMPACT OF IMAGES 231 7 MOVIES Several scenes of Star Wars: Episode I— creativity across multiple platforms, busi- The Phantom Menace (1999) were shot on nesses, and markets to generate sustained digital video, easing integration with digital growth and drive significant long-term special effects.
    [Show full text]
  • 'Geri-Action' Film
    Narratives of cultural and professional redundancy: Ageing action stardom and the ‘geri-action’ film Glen Donnar (RMIT University) Abstract Focusing on The Expendables films, I identify the importance of discourses of professional and cultural redundancy in ‘geri-action’, an emergent subgenre of Hollywood action film that has revitalised the careers of ageing action stars such as Sylvester Stallone and Arnold Schwarzenegger. These redundancies, which hold long-standing significance in 1980s action film, are compounded in geri- action by advanced age and diminished physical capacity. In geri-action, the spectacle of once idealised, muscled bodies is concealed and displaced onto oversized guns, fetishised vehicles and younger action bodies. However much geri-action resists 1980s action stars’ use-by dates, it ultimately admits physical and generic exhaustion. Keywords: geri-action, Hollywood action films, ageing stars, Expendables The Rise of ‘Geri-action’ The release of a third Expendables film in 2014 extended the twilight of ageing 1980s action idols in the so-called ‘geri-action’ subgenre, that is, action films predominantly showcasing male stars ranging in age from their mid-50s into their 70s. The Expendables series (Stallone 2010; West 2012; Hughes 2014) features a motley team of elite mercenaries, led by Barney Ross (Stallone), recurrently motivated to take revenge on the all-star action villain after a local woman or beloved colleague is killed, injured or captured. The third film in the series adds such ageing action film luminaries as Mel Gibson, Wesley Snipes and Harrison Ford (replacing Bruce Willis, who left the series after a conflict with Stallone) to the already extensive aged cast led by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris.
    [Show full text]
  • Lights, Camera, Collection
    From Rush Hour to X-Men: The Last Stand, Brett Ratner has directed some of Hollywood’s most successful films. He’s also rewarded himself with some very coveted watches. Lights, BY Camera, CollectioMARK BERNARDO n PHOTO: TIERNEY GEARON PHOTO: 124 WatchTime October 2009 CONNOISSEURS Brett Ratner Ratner’s many “I’VE BOUGHT CARS AND GIVEN The watch itself came about through Rolexes include a Ratner’s involvement in Chrysalis, a rare Paul Newman THEM BACK. WITH WATCHES, I charitable organization that helps place model (third from poor and homeless people into jobs. bottom). NEVER WANT TO DO THAT. THERE’S Chrysalis had contacted Khankin about JUST TOO MUCH HISTORY THERE.” JOHN RUSSO PHOTO: creating four celebrity-branded time- pieces, a portion of whose proceeds would go toward the organization’s cause. Actor Eric Dane, singer Mary J. Blige and music mogul Russell Simmons also contributed their names to watches in the “Time for Change” collection, but while each of those stars offered input, Ratner was the only one who took a per- sonal hand in the concept and design of n the sumptuous living room, which dou- his watch. As an introduction to the un- bles as a screening room, of his historic veiling of his collection, he is showing home in the upscale Hollywood Hills en- me — and the impromptu entourage clave of Benedict Canyon, Brett Ratner is that has gathered here for his interview putting the finishing touches on his latest and photo shoot — the vintage watches project, one near and dear to his heart. that inspired different aspects of that With the meticulous, critical eye of a sea- watch’s design: its 47-mm size is taken soned Hollywood director and producer, Ratner strokes his famously stubbled from a Panerai, its military-style canvas he scrutinizes the latest draft submitted chin and stares intently at the watch, with strap from a Breitling, its tri-compax for his approval, nods his head in appre- its black PVD-coated case and vintage- subdial design from a Heuer.
    [Show full text]