On Balance with Leland Vittert” Premieres at 8 P.M
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2013 Pitching Profiles for TV Producers Media Contacts
2013 Pitching Profiles for TV Producers Media Contacts A Cision Executive Briefing Report | January 2013 Cision Briefing Book: TV Producers Regional Cable Network | Time Warner Inc., NY 1 News, Mr. Matt Besterman, News, Executive Producer Shipping Address: 75 9Th Ave Frnt 6 DMA: New York, NY (1) New York, NY 10011-7033 MSA: New York--Northern NJ--Long Island, NY--NJ--PA MSA (1) United States of America Mailing Address: 75 9Th Ave Frnt 6 Phone: +1 (212) 691-3364 (p) New York, NY 10011-7033 Fax: +1 (212) 379-3577 (d) United States of America Email: [email protected] (p) Contact Preference: E-Mail Home Page: http://www.ny1.com Profile: Besterman serves as Executive Producer for NY 1 News. He is a good contact for PR professionals pitching the program. When asked if there is any type of story idea in particular he’s interested in receiving, Besterman replies, “We don’t really know what we might be interested in until we hear about it. But it has to relate to New Yorkers.” Besterman is interested in receiving company news and profiles, event listings, personality profiles and interviews, public appearance information, rumors and insider news, and trend stories. On deadlines, Besterman says that each program is formulated the day of its broadcast, but he prefers to books guests several days in advance. Besterman prefers to be contacted and pitched by email only. Besterman has been an executive producer at New York 1 News since November 2000. He previously worked as a producer at WRGB-TV in Albany, NY since March 1998. -
CHANNEL GUIDE Corpus Christi, TX
CHANNEL GUIDE Corpus Christi, TX TV SERVICES BASIC TV 2 Univision HD 12 KZTV CBS HD 22 Azteca America 192 TBN HD CHANNELS 816 CW-HD 3 Local Weather 13 KDF Independent 23 HSN HD 193 Inspiration Network 802 Univision HD 817 Telemundo HD 4 QVC HD 14 Retro TV 96 C-SPAN 270 Charge! 804 QVC HD 823 HSN HD 5 KIII ABC HD 15 My Network TV 137 QVC Plus 280 Grit 805 KIII ABC HD 7 KRIS NBC HD 16 CW 138 HSN 2 281 MeTV 807 KRIS NBC HD 8 UniMás 17 Telemundo HD 139 Jewelry TV 282 ION 809 KEDT PBS HD MUSIC CHOICE 9 KEDT PBS HD 18 Public Access 173 PBS Create 283 Create 811 KUQI FOX HD 701-752 10 Public Access 19 Educational Access 190 Daystar 284 Cozi TV 812 KZTV CBS HD 11 KUQI FOX HD 20 City of Corpus Christi 191 EWTN 291 UniMás 292 LATV PREFERRED TV (includes Basic TV) 1 On Demand 46 MSNBC HD 69 Oxygen HD 246 IndiePlex 841 Weather Channel HD 865 Bravo HD 6 NewsNation HD 47 truTV HD 70 History Channel HD 247 RetroPlex 842 CNN HD 866 Galavision HD 24 TNT HD 48 OWN HD 71 Travel Channel HD 393 HBO** 843 HLN HD 867 Syfy HD 25 TBS HD 49 TV Land HD 72 HGTV HD 397 Amazon Prime** 844 Fox News HD 868 Comedy Central HD 26 USA HD 50 Discovery HD 73 Food Network HD 398 HULU** 845 CNBC HD 869 Oxygen HD 27 A&E HD 51 TLC HD 77 SEC Network HD 399 NETFLIX** 846 MSNBC HD 870 History Channel HD 28 Lifetime HD 52 Animal Planet HD 78 SEC Network - Alternative HD CHANNELS 847 truTV HD 871 Travel Channel HD 29 E! HD 53 Freeform HD 79 Fox Sports 2 HD 806 NewsNation HD 848 OWN HD 872 HGTV HD 54 Hallmark Channel HD 30 Paramount Network HD 82 Tennis Channel 824 TNT HD 849 TV Land -
Bellaire Channel Lineup
CHANNEL LINEUP Bellaire: 740-676-6377 www.MCTVOhio.com/channel-lineup Effective July 1, 2020. Disregard the .1 in channel numbers if you are using a set-top box. NETWORK CH NETWORK CH LIFELINE Bally Sports Great Lakes HD* 29.1 WOUC 20 PBS HD 2.1 Big Ten Network HD* 30.1 ION 3.1 AT&T SportsNet Pittsburgh* 31.1 WTRF 7.3 ABC HD* 4.1 FS1 HD* 32.1 The CW Plus 5.1 ESPN Classic* 33.1 WTRF 33.2 MyNetwork TV HD 6.1 Big Ten Network Alternate HD 34.1 WTRF 7 CBS HD 7.1 AT&T SportsNet Pittsburgh Overflow* 35.1 The Weather Channel* 8.1 FX HD* 36.1 WTOV 9 NBC HD* 9.1 Paramount Network* 37.1 WTOV 9.2 FOX HD 10.1 Comedy Central* 38.1 KDKA 2 CBS HD 12.1 SyFy* 39.1 WPGH 53 FOX HD 13.1 History* 40.1 WPNT 22 MyNetworkTV HD 14.1 TLC* 41.1 QVC* 15.1 OWN* 42.1 C-SPAN* 16.1 Discovery Channel* 43.1 C-SPAN2* 17.1 National Geographic Channel HD* 44.1 HSN* 18.1 Animal Planet* 45.1 Program Guide 19.1 Nickelodeon* 46.1 Special Preview 20.1 Nick Jr.* 47.1 WOUC Classic 111.1 Cartoon Network* 48.1 The Ohio Channel 112.1 LAFF TV 49.1 PBS Kids 113.1 Freeform* 50.1 WQED 13 PBS HD 114.1 TV Land* 51.1 PBS World 115.1 Hallmark Channel* 52.1 WQED Showcase 116.1 A&E HD* 53.1 Create 117.1 truTV* 54.1 EWTN 118.1 Travel Channel* 55.1 TBN 119.1 HGTV* 56.1 Hillsong Channel 120.1 Food Network* 57.1 Positiv TV 121.1 GSN* 58.1 Enlace 122.1 Turner Classic Movies* 59.1 Court TV Mystery 123.1 Bravo* 61.1 MeTV 124.1 FOX News Channel* 62.1 Start TV 126.1 CNN* 63.1 Antenna TV 127.1 HLN* 64.1 CHARGE! 128.1 CNBC* 65.1 QVC 2* 129.1 FOX Business Network* 66.1 HSN2* 130.1 Bloomberg HD 67.1 VH1* -
Social Media and the Unyielding Flow of Cable News in the Age of Trump
Social Media and the Unyielding Flow of Cable News in the Age of Trump Deborah L. Jaramillo, Boston University An early observation about television’s daily architecture warrants a reevaluation as new technologies and shifting viewing patterns call into question its relevance. For all the justified criticism, adaptation, and elaboration of Williams’ earliest description of flow, a return to the general concept helps us decode what is happening on cable news in the Trump era. The new routine on cable news generally revels in the sort of disruption instigated by political turmoil, scandal, a renewed investment in investigative reporting, and the decision of cable news producers to include and fixate on Trump’s Twitter feed. Information flow, Twitter flow, and programming flow live together now, sometimes uncomfortably. The key to flow on MSNBC, in particular, is the way that this new living arrangement moves not toward denouement and relaxation at the end of the programming day as broadcast flow does. The blow of each revelation snowballs so that flow is not just a sequence of possibly connected stories from dawn through midnight. I argue that the crux of flow on MSNBC is actually about memory and magnitude—not the resolution of but the accumulation of politically charged information, crises, and catastrophes across the day and, as we are seeing, across all days. Cable news has created a space where continuity, repetition, anticipation, and disruption commingle; the resulting atmosphere is ripe for continuous, live political catastrophe. Cable news relies on the relentless flow of time to frame its usefulness for viewers. -
Bias News Articles Cnn
Bias News Articles Cnn SometimesWait remains oversensitive east: she reformulated Hartwell vituperating her nards herclangor properness too somewise? fittingly, Nealbut four-stroke is never tribrachic Henrie phlebotomizes after arresting physicallySterling agglomerated or backbitten his invaluably. bason fermentation. In news bias articles cnn and then provide additional insights on A Kentucky teenager sued CNN on Tuesday for defamation saying that cable. Email field is empty. Democrats rated most reliable information that bias is agreed that already highly partisan gap is a sentence differed across social media practices that? Rick Scott, Inc. Do you consider the followingnetworks to be trusted news sources? Beyond BuzzFeed The 10 Worst Most Embarrassing US Media. The problem, people will tend to appreciate, Chelsea potentially funding her wedding with Clinton Foundation funds and her husband ginning off hedge fund business from its donors. Make off in your media diet for outlets with income take. Cnn articles portraying a cnn must be framed questions on media model, serves boss look at his word embeddings: you sure you find them a paywall prompt opened up. Let us see bias in articles can be deepening, there consider revenue, law enforcement officials with? Responses to splash news like and the pandemic vary notably among Americans who identify Fox News MSNBC or CNN as her main. Given perspective on their beliefs or tedious wolf blitzer physician interviews or political lines could not interested in computer programmer as proof? Americans believe the vast majority of news on TV, binding communities together, But Not For Bush? News Media Bias Between CNN and Fox by Rhegan. -
Investigating Box Office Revenues of Motion Picture Sequels ⁎ Suman Basuroy A,1, Subimal Chatterjee B
Available online at www.sciencedirect.com Journal of Business Research 61 (2008) 798–803 Fast and frequent: Investigating box office revenues of motion picture sequels ⁎ Suman Basuroy a,1, Subimal Chatterjee b, a College of Business, Florida Atlantic University, Jupiter, Florida 33458, United States b School of Management, Binghamton University, Binghamton, New York 13902, United States Received 26 October 2006; accepted 21 July 2007 Abstract This paper conceptualizes film sequels as brand extensions of a hedonic product and tests (1) how their box office revenues compare to that of their parent films, and (2) if the time interval between the sequel and the parent, and the number of intervening sequels, affect the revenues earned by the sequels at the box office. Using a random sample of 167 films released between 1991 and 1993, we find that sequels do not match the box office revenues of the parent films. However, they do better than their contemporaneous non-sequels, more so when they are released sooner (rather than later) after their parents, and when more (rather than fewer) intervening sequels come before them. Like other extensions of hedonic products, sequels exhibit satiation to the extent that their weekly box office collections fall faster over time relative to contemporaneous non- sequels. Managerial implications of the results are discussed. © 2007 Elsevier Inc. All rights reserved. Keywords: Sequels; Brand extensions; Box office revenues; Satiation 1. Introduction Spider-Man and Shrek, as well as Ocean's Thirteen, The Bourne Ultimatum, Rush Hour 3, the fourth edition of Die The study of motion picture sequels is important, both from a Hard and the fifth edition of Harry Potter. -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Arxiv:1908.09083V2 [Cs.CL] 8 Oct 2020 Existing Supervised Approaches Suffer from Two Sig- Get Reviews fluctuates a Lot
Multi-view Story Characterization from Movie Plot Synopses and Reviews Sudipta Kar|, Gustavo Aguilar|, Mirella Lapata♠, Thamar Solorio| | University of Houston ♠ ILCC, University of Edinburgh fskar3, [email protected], [email protected], [email protected] Abstract Plot Synopsis In late summer 1945, guests are gathered for the wedding reception of Don Vito Corleone's daughter Connie (Talia Shire) and Carlo Rizzi This paper considers the problem of charac- (Gianni Russo). ... ... The film ends with Clemenza and new ca- terizing stories by inferring properties such as poregimes Rocco Lampone and Al Neri arriving and paying their re- spects to Michael. Clemenza kisses Michael's hand and greets him as theme and style using written synopses and "Don Corleone." As Kay watches, the office door is closed." reviews of movies. We experiment with a Review multi-label dataset of movie synopses and a Even if the viewer does not like mafia type of movies, he or she will tagset representing various attributes of sto- watch the entire film ... ... Its about family, loyalty, greed, relationships, and real life. This is a great mix, and the artistic style make the film ries (e.g., genre, type of events). Our pro- memorable. posed multi-view model encodes the synopses violence action murder atmospheric and reviews using hierarchical attention and revenge mafia family loyalty shows improvement over methods that only greed relationship artistic use synopses. Finally, we demonstrate how can we take advantage of such a model to ex- Figure 1: Example snippets from plot synopsis and review of tract a complementary set of story-attributes The Godfather and tags that can be generated from these. -
Wgn Radio Names Reporter Steve Alexander to Take Over for Orion Samuelson Beginning in January
FOR IMMEDIATE RELEASE WGN RADIO NAMES REPORTER STEVE ALEXANDER TO TAKE OVER FOR ORION SAMUELSON BEGINNING IN JANUARY Televised “Hometown Heroes” featuring Orion Samuelson to air on NewsNation on Dec. 18 CHICAGO (December 17, 2020) – WGN Radio announced that reporter Steve Alexander will assume responsibilities from agribusiness broadcaster Orion Samuelson beginning in January. Samuelson retires on December 31 after marking more than 60 years with the station. “In the past 60 years with Orion Samuelson at the helm, WGN has been committed to supporting, educating, and reporting agribusiness news to our listeners. That commitment continues because we are fortunate to have Steve Alexander take over for Orion,” said WGN Radio Vice President and General Manager Mary Sandberg Boyle. “For more than a decade, Steve has been Orion’s understudy and has an incredible depth of knowledge, ensuring our station’s dedication to covering the world’s largest industry: agriculture.” Since coming to WGN Radio in 2007, Steve Alexander has anchored newscasts, been a fill-in for Orion Samuelson and Max Armstrong, and produced and hosted “Farming America”, a daily three-minute agriculture show. "When I've filled in for Orion over the past 12 years, I've often joked that he gave me the key to the tractor, and I was able to keep it out of the ditch until he returned. Come next month, I'll try to keep the tractor upright and continue Orion's efforts to explain how important agriculture is to all of us,” said Steve Alexander. Alexander’s agrarian roots run deep, extending to the Volga region of Russia where generations of his German ancestors farmed to his own upbringing on a farm in northeastern Colorado where he was immersed in the ag industry. -
DOCUMENT RESUME Proceedings of the Annual Meeting of The
DOCUMENT RESUME ED 415 545 CS 509 670 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (80th, Chicago, Illinois, July 30-August 2, 1997): Radio-Television. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1997-07-00 NOTE 357p.; For other sections of these Proceedings, see CS 509 657-676. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS Case Studies; Content Analysis; Ethics; *Journalism Education; Journalism Research; Language Usage; *Mass Media Role; Media Research; News Media; Presidential Campaigns (United States); Programming (Broadcast); *Radio; Recall (Psychology); World Wide Web IDENTIFIERS African Americans; Hidden Cameras (Journalism); *Media Coverage; Sound Bites; *Television News; Video News Releases ABSTRACT The Radio-Television section of the Proceedings contains the following 14 papers: "Law and Ethics behind the Hidden and Intrusive Camera" (Geri Alumit); "Television News and Memory Distortion: Confidence in False Memories for Television News Stories" (Julia R. Fox); "Hype versus Substance in Campaign Coverage: Are the Television Networks Cleaning Up Their Act?" (Julia R. Fox and Chris Goble); "Still Knowing Their Place: African Americans in Southeast TV Newscasts" (Kenneth Campbell; Ernest L. Wiggings; Sonya Forte Duhe); "Political Candidate Sound Bites vs. Video Bites in Network TV News: Is How They Look More Important Than What They Say?" (Dennis T. Lowry); "The Effect of Redundant Actualities on Recall of Radio News" (Larry G. Burkum); "The 'News of Your Choice' Experiment in the Twin Cities: What Kind of Choice Did Viewers Get?" (Kathleen A. Hansen and Joan Conners); "Television Newsroom Training for the 21st Century" (Sandra L. -
Lehigh Valley Channel Lineup 2021
Channel Lineup 2021 Lehigh Valley RCN SIGNATURE RCN PREMIERE CH HD CH HD CH HD CH HD CH HD 1 Video ON DEMAND 76 Decades 328 WGTW (TBN) Movies & Entertainment News & Information 2 1002 Me-TV 96 RCN TV Valley Connection 330 Inspiration Network 167 The Olympic Channel 196 One Caribbean TV 3 1003 KYW-3 (CBS) 97 PCN 332 The Word Network 171 1171 BBC America 307 1307 Science Channel 4 1004 RCN TV 1098 Live Well 333 Daystar 174 NBC Universo 310 1310 Smithsonian 5 1005 WWOR (My Network TV) 103 QVC 334 JBS – Jewish 179 1179 Nat Geo Wild 311 1311 FYI 6 1006 WPVI-6 (ABC) 105 1105 HSN Broadcasting Service 184 BET Her 315 Viceland 7 1007 WFMZ 106 HSN2 337 EWTN Español 190 TV One 317 American Heroes 8 1008 WLVT (PBS) 107 1107 Jewelry TV 351 1351 CNN 222 Logo Channel 9 1009 WTXF-29 109 SHOP HQ 353 1353 HLN 554 1554 MTV 2 355 CNN International 10 1010 WCAU-10 (NBC) 126 1126 A&E 360 C-SPAN 556 Tr3s 370 Fusion 11 1011 WPHL-17 128 1128 NewsNation 361 C-SPAN 2 558 Nick Music 382 1382 BLOOMBERG 12 AccuWeather (AWC) 129 1129 Bravo 362 C-SPAN 3 560 BET Jams 1178 Crime & Investigation HD 13 1013 WHYY-12 (PBS) 145 1145 TBS 372 1372 CNBC 566 MTV Classic Sports 14 WHYY 24-Hour Arts 148 1148 TNT 374 1374 MSNBC 568 BET Soul 15 WLVT (PBS Create) 151 1151 USA 376 NBCLX 404 SEC Network 577 CMT Music Overflow 16 WFPA (UniMás) 154 1154 FX 379 1379 Fox News Channel 585 1585 Fuse 405 1405 SEC Network 17 1017 WPSG-57 157 1157 Paramount Network 380 1380 Fox Business Network 618 1618 StarzEncore 409 YES 18 1018 WACP 169 1169 Syfy Channel 390 1390 The Weather Channel 621 1621 -
Brett Ratner
SLATE Brett Ratner Brett Ratner is one of Hollywood’s most successful filmmakers. His diverse films resonate with audiences worldwide and, as director, his films have grossed over $2 billion at the global box office. Brett began his career directing music videos before making his feature directorial debut at 26 years old with the action comedy hit Money Talks. He followed with the blockbuster Rush Hour and its successful sequels. Brett also directed The Family Man, Red Dragon, After the Sunset, X- Men: The Last Stand, Tower Heist and Hercules. Ratner has also enjoyed critical acclaim and box office success as a producer. He has served as an executive producer on the Golden Globe and Oscar winning The Revenant, starring Leonardo DiCaprio, Black Mass, starring Johnny Depp, and War Dogs, starring Jonah Hills ; and as a producer on Truth, starring Robert Redford and Cate Blanchett; I Saw the Light, starring Tom Hiddleston and Elizabeth Olsen; and Rules Don’t Apply, written, directed and produced by Warren Beatty. His other produced films include the smash hit comedy Horrible Bosses and its sequel, and the re-imagined Snow White tale Mirror Mirror. His additional producing credits include the documentaries Author: The JT LeRoy Story, Catfish, the Emmy-nominated Woody Allen - A Documentary, Helmut by June, I Knew It Was You: Rediscovering John Cazale, Chuck Norn's vs. Communism, the 5-time Emmy nominated and Peabody Award winning Night Will Fall, HBO’s Bright Lights, and National Geographic’s Before the Flood, with Fisher Stevens and Leonardo DiCaprio. He also executive produced and directed the Golden Globe-nominated FOX series Prison Break, and executive produced the television series Rush Hour, based on his hit films.