Reclaiming Public Life, Building Public Spheres: Contemporary Art, Exhibitions and Institutions in Post-1989 Europe
RECLAIMING PUBLIC LIFE, BUILDING PUBLIC SPHERES: CONTEMPORARY ART, EXHIBITIONS AND INSTITUTIONS IN POST-1989 EUROPE by Izabel Anca Galliera B.A., Troy University, 2001 M.A., University of South Florida, 2005 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Izabel Anca Galliera It was defended on April 4, 2013 and approved by Barbara McCloskey, Associate Professor, University of Pittsburgh Kirk Savage, Professor, University of Pittsburgh Grant Kester, Professor, University of California, San Diego Committee Chair: Terence Smith, Andrew W. Mellon Professor, University of Pittsburgh ii RECLAIMING PUBLIC LIFE, BUILDING PUBLIC SPHERES: CONTEMPORARY ART, EXHIBITIONS AND INSTITUTIONS IN POST-1989 EUROPE Izabel Anca Galliera, Ph.D. University of Pittsburgh, 2013 Copyright © by Izabel Anca Galliera 2013 iii RECLAIMING PUBLIC LIFE, BUILDING PUBLIC SPHERES: CONTEMPORARY ART, EXHIBITIONS AND INSTITUTIONS IN POST-1989 EUROPE Izabel Anca Galliera, Ph.D. University of Pittsburgh, 2013 This Ph.D. dissertation traces the emergence and development of an important current of socially engaged art in Central and Eastern Europe after the fall of communism. It examines various participatory, collaborative and dialogic projects in public spaces by contemporary artists, working in Bulgaria, Hungary and Romania. These works often directly engaged marginalized communities, such as the homeless, members of immigrant groups and the Roma. In various ways, these artworks revived leftist traditions in a local context where, as political ideologies and economic orders, socialism had become equated with authoritarianism and democracy with neoliberalism.
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