Clifford Curzon Schubert: Sonata in D, Op

Total Page：16

File Type：pdf, Size：1020Kb

Clifford Curzon Schubert: Sonata In D, Op. 53 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Schubert: Sonata In D, Op. 53 Country: Canada MP3 version RAR size: 1887 mb FLAC version RAR size: 1900 mb WMA version RAR size: 1245 mb Rating: 4.5 Votes: 918 Other Formats: MP4 AIFF DTS AC3 MP1 DXD MMF Tracklist A / B Sonata In D, Op. 53 A Allegro Vivace / Con Moto / Scherzo (Allegro Vivace) B1 Rondo (Allegro Vivace) B2 Impromptu In G Flat, Op. 90, No. 3 B3 Impromptu In A Flat, Op. 90, No. 4 Other versions Category Artist Title (Format) Label Category Country Year Schubert*, Clifford Curzon - Schubert*, Sonata In D, Op.53 / SXL 6135, Decca, SXL 6135, Clifford Impromptu In G Flat, Op.90 UK 1964 SXL.6135 Decca SXL.6135 Curzon No.3 / Impromptu In A Flat, Op.90 No.4 (LP) Clifford Schubert: Sonata In D, Op. London CS 6416 CS 6416 US 1964 Curzon 53 (LP) Records Schubert*, Clifford Curzon - Schubert*, Sonata In D, Op.53 / SXL 21092 Clifford Impromptu In G Flat, Op.90 Decca SXL 21092 Germany 1964 Curzon No.3 / Impromptu In A Flat, Op.90 No.4 (LP) Schubert* – Clifford Curzon - Schubert* – Sonata En Re, Op.53 / SXL 6135, Decca, SXL 6135, Clifford Impromptu Sol Bemol, Op.90 Spain 1970 SXL.6.135 Decca SXL.6.135 Curzon No.3 / Impromptu En La Bemol, Op.90 No.4 (LP, RE) Schubert*, Clifford Curzon - Schubert*, Sonata In D, Op.53 / LXT 6135, Decca, LXT 6135, Clifford Impromptu In G Flat, Op.90 UK 1964 LXT.6135 Decca LXT.6135 Curzon No.3 / Impromptu In A Flat, Op.90 No.4 (LP, Mono) Related Music albums to Schubert: Sonata In D, Op. 53 by Clifford Curzon Franz Schubert - Trio No. 1 In B Flat Major, D.898 / Sonata In B Flat Major, D.28 Schubert, Curzon With Members Of The Vienna Octet - The "Trout" Quintet Schubert, Walter Klien - Piano Sonatas Vol. 2 Stephen Bishop-Kovacevich - Schubert - Piano Sonata In B Flat Major, D960 Mozart, Clifford Curzon, Benjamin Britten, English Chamber Orchestra - Piano Concertos No.20 K.466 & No.27 K.595 Ludwig van Beethoven, Franz Schubert, Clifford Curzon - Beethoven Fifteen Variations Eroica Theme And Fugue; Schubert Moments Musicaux Franz Schubert, Leon Fleisher - Sonata For Piano in B-Flat Major • Ländler, Op. 171 Franz Schubert / Wilhelm Kempff - Piano Sonatas Franz Schubert, Alfred Brendel - Sonata In A Minor, Op. Posth. D.784 / Sonata in A minor, Op. 42, D.845 Schubert - Curzon With Members Of The Vienna Octet - The "Trout" Quintet.

Copy Link

Recommended publications

The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176
[Show full text]
James Dick Press Kit
James Dick Press Kit Information and Booking – Jan Lehman – 512.478.1131 TABLE OF CONTENTS Cover….................................................…......................................................... 1 Table of Contents....................................…........................................................ 2 Biography................................................…........................................................ 3 Grey-Scale Photo...................................…........................................................ 4 References and Reviews........................…........................................................ 5 Concerto and Solo Repertoires …............…........................................................ 6 Chamber Music and Recordings............…........................................................ 7 Information and Booking – Jan Lehman – 512.478.1131 BIOGRAPHY Recognized as one of the truly important pianists of his generation, internationally renowned concert pianist and Steinway artist James Dick brings keyboard sonorities of captivation, opulence and brilliance to performances that radiate intellectual insight and emotional authenticity. Raised in Hutchinson Kansas, his talent moved him from the farm to the University of Texas Music Building and out to the world's great concert halls. He received a scholarship to the University of Texas in Austin, studying with Dalies Frantz. Later, he was a Fulbright Scholar and studied with Sir Clifford Curzon in England. Dick's early triumphs as a major
[Show full text]
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
[Show full text]
Decca Discography
DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable.
[Show full text]
Bartlett & Robertson
BARTLETT & ROBERTSON Selected recordings 1927–1947 THE MATTHAY PUPILS BARTLETT & ROBERTSON Selected NGS, Homocord, HMV, & English/American Columbia Recordings 1927–1947 COMPACT DISC 1 (74.02) 1. BARTLETT (arr.) Elizabethan Suite (14.16) American Columbia set X-256 (XCO 34062, 34144, 34064, 34063) recorded on 2 January 1945, except ‘His Conceit’ and ‘Earl of Salisbury’ recorded on 12 January 1945 BYRD Jhon Come Kisse Me Now – FA R N A BY His Conceit – BYRD The Earle of Salisbury’s Pavane FA R N A BY A Toye – PEERSON The Fall of the Leafe – FA R N A BY Gigg Tower Hill FA R N A BY Tune for Two Virginals – FA R N A BY A Dreame – BULL The King’s Hunting Jigge 2. BACH-MEDNIKOFF Little Fugue in G minor BWV578 (3.13) English Columbia DB 2371 (CA 20387-1); recorded on 12 May 1947 3. BACH-HORNE Jesu, joy of man’s desiring from Cantata BWV147 (3.20) English Columbia DB 2371 (CA 20388-2); recorded on 12 May 1947 4. BACH-HOWE Sheep may safely graze from Cantata BWV208 (4.30) American Columbia 69818D (XCO 25637); recorded on 3 January 1940 BACH Concerto in C major BWV1061 (17.04) HMV C-2648, 2649 (2B 5836-1, 5837-2, 5838-2, 5839-2); recorded on 20 December 1933 5. [Allegro] (7.16) 6. Adagio ovvero Largo (4.10) 7. Fuga (5.28) ORCHESTRA / JOHN BARBIROLLI 8. SCHUMANN-DEBUSSY Étude in the form of a canon Op 56 No 4 (3.38) American Columbia set X-213 (XCO 29803); recorded on 29 January 1941 9.
[Show full text]
Rezension Für: Clifford Curzon Wolfgang Amadeus Mozart
Rezension für: Clifford Curzon Wolfgang Amadeus Mozart: Piano Concertos No. 21 & No. 24 Wolfgang Amadeus Mozart CD aud 95.453 Klassik heute Dezember 1998 (Matthias Thiemel - 1998.12.01) Clifford Curzon (1907-1982) war Schüler u.a. von Arthur Schnabel und Wanda... Full review text restrained for copyright reasons. Applaus 4/2000 (Martina Kausch - 2000.04.01) Großes Staunen Live-Mitschnitte von Mahler- und Mozart-Konzerten unter Rafael Kubelik beweisen einmal mehr den Rang des BR-Symphonie-Orchesters Großes Staunen Full review text restrained for copyright reasons. El País 19.04.2003 (Javier Pérez Senz - 2003.04.19) Kubelik, en el corazón de Mahler Dos sinfonías de Gustav Mahler grabadas en vivo abren la edición que el sello Audite dedica al director checo Rafael Kubelik, uno de los grandes mahlerianos de la historia. [...] dirige el célebre adagietto con un encendido lirismo y una intensidad que hipnotiza al oyente –, situándose entre las mejores de la discografía. Full review text restrained for copyright reasons. page 1 / 17 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de CD Compact n°174 (marzo 2004) (Francisco Javier Aguirre - 2004.03.01) Audite/Rafael Kubelik Audite/Rafael Kubelik Full review text restrained for copyright reasons. Ritmo Num. 754, junio 2003 (E.G.S. - 2003.06.01) - - - Full review text restrained for copyright reasons. ABC – Blanco y negro Cultural (Alberto González Lapuente - 2003.03.29) Puede sonar mágico lo que no es más que la natural prolongación de un... Full review text restrained for copyright reasons. Pianiste Juillet-Août 2001 ( - 2001.07.01) Les concertos pour Piano de Mozart – Les versions incontournable Les concertos pour Piano de Mozart – Les versions incontournable Full review text restrained for copyright reasons.
[Show full text]
26-Oct-40 Halle Orchestra Blackpool JSB+ Pilgrim Trust Concert in the Tower Ballroom, Conductor Sir Henry Wood, Leader Laurance Turner
26-Oct-40 Halle Orchestra Blackpool JSB+ Pilgrim Trust concert in the Tower Ballroom, conductor Sir Henry Wood, leader Laurance Turner. John Bridge was among the second violins. Sat. 3pm. including Beethoven 5th symphony. This is the first concert in which John Bridge played when he returned due to the orchestra's wartime depletion. 02-Nov-40 Halle Orchestra Morecambe JSB+ Conductor Sir Henry Wood, leader Laurance Turner Winter Gardens, Saturday 2.30pm. programme M/C archives 16-Nov-40 Halle Orchestra Blackpool JSB+ Pilgrim Trust concert in the Tower Ballroom, conductor Sir Henry Wood, leader Laurance Turner. John Bridge was among the second violins. Sat. 3pm. 30-Nov-40 Halle Orchestra Hanley JSB+ Conductor Sir Henry Wood, leader Laurance Turner. Including Beethoven 5th symphony Victoria Hall, Saturday 6.30pm. programme M/C archives 01-Dec-40 Halle Orchestra Manchester JSB+ Conductor Malcolm Sargent, leader Laurance Turner inc. Beethoven triple concerto soloists Lucy Pierce, Laurance Turner and Haydn Rogerson. Odeon, Sunday 2.30pm. Guardian 07-Dec-40 Halle Orchestra Bradford JSB+ Conductor Malcolm Sargent, leader Laurance Turner, piano soloist Moiseivitsch who played Tchaikovsky's piano concerto in B flat minor and Rachmaninoff Rhapsody on a theme of Paganini. Easterbrook Hall, Saturday 2.30pm. 08-Dec-40 Halle Orchestra Manchester JSB+ Conductor Malcolm Sargent, leader Laurance Turner. Same programme and soloist as Bradford concert above. Odeon Theatre, Sunday 2.30pm. Manchester Evening News 14-Dec-40 Halle Orchestra Morecambe JSB+ Conductor Malcolm Sargent, leader Laurance Turner Winter Gardens, Saturday 2.30pm. programme M/C archives 15-Dec-40 Halle Orchestra aft.
[Show full text]
Harold Lawrence Discography 2
-1- B=:lrt6k Concerto for Orchestra London Symphony Orchestra/Dorati :Mennin Symphony No 5 Eastman-Rochester orchestra/Hanson Prokofiev Romeo & Juliet . Minneapolis Symphony/Skrowaczewski Schumann Piano Concerto Byron Janis, Minneapolis Sym/Skrowaczewski Schubert Symphony No 5 Minneapolis Symphony/Skrowaczewski Picchi Balli d'ArEicordo Rafael fuyana, harpsichord Ravel Orchestral Works Detroi t Symphony/paray Schubert Symphony No 7 Minneapolis Symphony/Skrow~czewski Mendelssohn Symphony No 4 Minneapolis Symphony/Skrowaczewski Mozart Symphony No 40 Haydn Symphony No 45 London Symphony Orchestra/Dorati Beethoven Violin Concerto Joseph Szigeti, London Symphony Orchestra/Dorati Racbmaninov Piano Concerto No 3 Byron Janis, London Symphony Orchestra/Dorati MacDowell Suite No 2 Eastmn:n-Ro'chcster Orchestral/Hanson Gabrieli Music for Brass E~stman Wind Ensemble/Fennell Sousa Marches Eastman-Wind Ensemble/Fennell Debussy Orchestral Works Detroit Symphony/paray Shostakovich Symphony No 5 Minneapolis Symphony/Skrowaczewski Schubert Symphony No 8; Rosamunde: Incidental Music Minneapolis Symphony/Skrowaczewski -2- Thomson The Feast of Love Donald Cla~orthy, Eastman-Rochester Orchestra/Hanson Hanson Piano Concerto; Four Psalms Soloists, Eastman-Rochester Orchestra/Hanson La Montaine Birds of Paradise '.J Composer, pianist; Eastman-Rochester Orch/Hanson Thomson Symphony on a Hymn Tune Eastman-Rochester orchestra/Hanson stravinsky Song of the Nightingale (with Fireworks, Four Etuqes, Tango, Scherzo) London Symphony Orchestre./Dorati Bart6k Wooden Prince
[Show full text]
Endangered Species the Harpsichord and Its New Repertoire Since 1960
Endangered Species The Harpsichord and its New Repertoire since 1960 Chau-Yee Lo Submitted in accordance with the requirements for the degree of PhD The University of Leeds School of Music July 2004 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. II Contents Contents List of Examples iv Preface vi Acknowledgements viii Abstract ix Chapter 1 Introduction 1 Chapter 2 The Twentieth-Century Harpsichord 12 The Landowska Pleyel and the Modern Pedal Harpsichord 13 The Historical Harpsichord 19 Chapter 3 A Historical Narrative 27 Chapter 4 Finding New Sounds: Maurice Ohana's Carillons 47 Chapter 5 Continuum and After: Texture as a Formal Determinant 66 n'Dame scheert haar benen (1981) by Chiel Meijering 71 Schrootsonate (1990) by Ton Bruynel 81 Khod (1976) by Iannis Xenakis 88 Conclusion 102 Chapter 6 A Masterpiece, by an American Composer: Elliott Carter's Double Concerto for Harpsichord and Piano with Two Chamber Orchestras (1961) 105 Introduction and Context 105 Elliott Carter and the Harpsichord 106 The Double Concerto 114 Preliminaries to the Analysis 118 Texture and Continuity: An Analysis of the Double Concerto 121 Towards a Critical History 168 Conclusion 170 Chapter 7 Conclusion: Endangered Species 173 Appendix A GyOrgy Ligeti: Facsimile of the Autograph Manuscript of
[Show full text]
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 2000 – July 2001 .................................................................................................................................. 24 September 2001 – July 2002 .................................................................................................................................. 46 September 2002 – July 2003 .................................................................................................................................. 74 September 2003 – July 2004 .................................................................................................................................. 98 September 2004 – July 2005 ................................................................................................................................ 128 September 2005 – July 2006 ................................................................................................................................ 155 September 2006 – July 2007 ...............................................................................................................................
[Show full text]
Rezensionen Für
Rezensionen für Ludwig van Beethoven: Piano Concertos No. 4 & No. 5 aud 95.459 4009410954596 American Record Guide 01/2001 (John P. Mckelvey - 2001.01.01) Clifford Curzon was a finicky perfectionist who never liked the recording process and never seemed satisfied with his recorded performances, however favorably they were viewed by everyone else. His repertoire was not very extensive, but what he played, he played exceedingly well. In this respect he resembles Michelangeli and Lipatti. We are left with a somewhat sparse catalog of mostly splendid performances--far less complete than it could have been. Curzon recorded expressive and powerful accounts of these two concertos with Knappertsbusch and the VPO in the mid-1950s. They are scheduled to be released soon on a low-cost Decca CD. Why, then, do we need these items from Audite? Well, simply because these 1977 performances are even more poetic, grandly shaped, spontaneous, luminous, splendidly proportioned, and totally effective than the earlier ones. What is more, Kubelik and his great orchestra supply as sensitive and romantically supportive an orchestral backing as one could imagine--a framework for Curzon\'s pianism even more elegant than the formidable Knappertsbusch manages. Also, the sound here, though exhibiting less warmth and resonance than one expects from the Herculessaal, is more spacious, better focussed, and precisely imaged than in the earlier issue. Curzon is more expansive, and his sensitive and poetic shaping of phrases and paragraphs puts this release right into the top drawer. This is most impressive in No. 4, a work that is clearly structured on a Mozartean model.
[Show full text]
SCHUMANN • Piano Quintet Budapest Quartet
110306 bk CurzonUS 15/12/2004 12:01pm Page 4 Producer’s Note This disc is the first of two volumes devoted to the complete studio recordings of Clifford Curzon with the SCHUMANN • Piano Quintet Budapest Quartet. The second volume (8.110307) will contain Brahms’s Piano Quintet in F minor, Op.34, and Dvorˇák’s Piano Quintet in major, Op.81. The transfers have been taken from American LP pressings. BRAHMS • Piano Quartet No. 2 Mark Obert-Thorn GREAT CHAMBER MUSIC RECORDINGS ORD CUR FF ZO LI N SCHUMANN: Quintet in E flat major for Piano and Strings, Op. 44 30:51 C 1 Allegro brillante 9:10 2 In modo d’una Marcia 9:26 3 Scherzo: Molto vivace 4:54 4 Allegro ma non troppo 7:22 Recorded 28th-29th April, 1951 in the Coolidge Auditorium, Library of Congress, Washington, DC Matrices: XCO-46097 through 46104 First issued as Columbia ML-4426 BRAHMS: Quartet No. 2 in A major for Piano and Strings, Op. 26 46:12 5 Allegro non troppo 12:23 6 Poco adagio 12:09 7 Scherzo: Poco allegro 11:13 8 Finale: Allegro 10:27 Recorded 27th-28th April, 1952 in the Coolidge Auditorium, 19 s 51- ding Library of Congress, Washington, DC 52 Recor Matrices: XLP-9712 and 9713 First issued as Columbia ML-4630 Clifford Curzon, Piano Budapest String Quartet: Budapest String Quartet Joseph Roisman, Violin I Jac Gorodetzky, Violin II (tracks 1-4) Joseph Roisman • Jac Gorodetzky, Violins Boris Kroyt, Viola Mischa Schneider, Cello Boris Kroyt, Viola Producer and Audio Restoration Engineer: Mark Obert-Thorn Mischa Schneider, Cello 8.110306 4 110306 bk CurzonUS 15/12/2004 12:01pm Page 2 1863, he gave the first performance of the Piano on 4th January 1931 but the following year the leader Robert Schumann (1810-1856): Piano Quintet, Op.44 Quartet in A major with the same string players, Emil Hauser left, to be succeeded by Roisman, while Johannes Brahms (1833-1897): Piano Quartet No.2, Op.26 members of the Hellmesberger Quartet.
[Show full text]