Palgrave Handbooks in German Idealism
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Paolo Stellino
Philosophical Perspectives on Suicide Paolo Stellino Philosophical Perspectives on Suicide Kant, Schopenhauer, Nietzsche, and Wittgenstein Paolo Stellino Nova Institute of Philosophy Universidade Nova de Lisboa LISBOA, Portugal ISBN 978-3-030-53936-8 ISBN 978-3-030-53937-5 (eBook) https://doi.org/10.1007/978-3-030-53937-5 © Te Editor(s) (if applicable) and Te Author(s), under exclusive license to Springer Nature Switzerland AG 2020 Tis work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Te use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Te publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. Te publisher remains neutral with regard to jurisdictional claims in published maps and institutional afliations. Tis Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG. -
Handlungsspielräume Von Frauen in Weimar-Jena Um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette Von Egloffstein
Handlungsspielräume von Frauen in Weimar-Jena um 1800. Sophie Mereau, Johanna Schopenhauer, Henriette von Egloffstein Dissertation zur Erlangung des akademischen Grades Doctor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena von Julia Frindte geboren am 15. Juni 1976 in Erfurt Gutachter 1. Prof . Dr. Siegrid Westphal 2. Prof. Dr. Georg Schmidt 3. ....................................................................... Tag des Kolloquiums: 12.12.2005 Inhalt 1. EINLEITUNG ......................................................................................................... 1 1.1 FRAGESTELLUNG................................................................................................. 3 1.2 UNTERSUCHUNGSGEGENSTAND .......................................................................... 6 1.3 FORSCHUNGSSTAND ............................................................................................10 1.4 QUELLENGRUNDLAGE .........................................................................................17 1.5 VORGEHENSWEISE...............................................................................................25 2. DAS KONZEPT ‚HANDLUNGSSPIELRAUM’...........................................................28 2.1 HANDLUNGSSPIELRAUM IN ALLTAGSSPRACHE UND FORSCHUNG .......................29 2.2 DAS KONZEPT ‚HANDLUNGSSPIELRAUM’ ...........................................................38 2.2.1 Begriffsverwendung............................................................................38 -
The Affirmation of the Will
Cambridge University Press 978-1-107-62695-9 - Schopenhauer: A Biography David E. Cartwright Excerpt More information 1 The Affirmation of the Will RTHUR SCHOPENHAUER VIEWED himself as homeless. This sense of A homelessness became the leitmotif of both his life and his philos- ophy. After the first five years of his life in Danzig, where he was born on 22 February 1788, his family fled the then free city to avoid Prus- sian control. From that point on, he said, “I have never acquired a new home.”1 He lived in Hamburg on and off for fourteen years, but he had his best times when he was away from that city. When he left Hamburg, he felt as if he were escaping a prison. He lived for four years in Dresden, but he would only view this city as the birthplace of his principal work, The World as Will and Representation. More than a decade in Berlin did nothing to give him a sense of belonging. He would angrily exclaim that he was no Berliner. After living as a noncitizen resident in Frankfurt am Main for the last twenty-eight years of his life, and after spending fifty years attempting to understand the nature and meaning of the world, he would ultimately conclude that the world itself was not his home. If one were to take this remark seriously, then even Danzig had not been his home. He was homeless from birth. But being homeless from birth did not mean that there was no point to his life. Schopenhauer would also conclude that from birth he had a mission in life. -
Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer
03/05/2017 Arthur Schopenhauer (Stanford Encyclopedia of Philosophy) Stanford Encyclopedia of Philosophy Arthur Schopenhauer First published Mon May 12, 2003; substantive revision Sat Nov 19, 2011 Among 19th century philosophers, Arthur Schopenhauer was among the first to contend that at its core, the universe is not a rational place. Inspired by Plato and Kant, both of whom regarded the world as being more amenable to reason, Schopenhauer developed their philosophies into an instinctrecognizing and ultimately ascetic outlook, emphasizing that in the face of a world filled with endless strife, we ought to minimize our natural desires for the sake of achieving a more tranquil frame of mind and a disposition towards universal beneficence. Often considered to be a thoroughgoing pessimist, Schopenhauer in fact advocated ways — via artistic, moral and ascetic forms of awareness — to overcome a frustrationfilled and fundamentally painful human condition. Since his death in 1860, his philosophy has had a special attraction for those who wonder about life's meaning, along with those engaged in music, literature, and the visual arts. 1. Life: 1788–1860 2. The Fourfold Root of the Principle of Sufficient Reason 3. Schopenhauer's Critique of Kant 4. The World as Will 5. Transcending the Human Conditions of Conflict 5.1 Aesthetic Perception as a Mode of Transcendence 5.2 Moral Awareness as a Mode of Transcendence 5.3 Asceticism and the Denial of the WilltoLive 6. Schopenhauer's Later Works 7. Critical Reflections 8. Schopenhauer's Influence Bibliography Academic Tools Other Internet Resources Related Entries 1. Life: 1788–1860 Exactly a month younger than the English Romantic poet, Lord Byron (1788–1824), who was born on January 22, 1788, Arthur Schopenhauer came into the world on February 22, 1788 in Danzig [Gdansk, Poland] — a city that had a long history in international trade as a member of the Hanseatic League. -
František Kupka: Sounding Abstraction – Musicality, Colour and Spiritualism
Issue No. 2/2019 František Kupka: Sounding Abstraction – Musicality, Colour and Spiritualism Anna-Maria von Bonsdorff, PhD, Chief Curator, Finnish National Gallery / Ateneum Art Museum, Helsinki Also published in Anne-Maria Pennonen, Hanne Selkokari and Lene Wahlsten (eds.), František Kupka. Ateneum Publications Vol. 114. Helsinki: Finnish National Gallery / Ateneum Art Museum 2019, 11–25. Transl. Tomi Snellman The art of František Kupka (1871–1957) has intrigued artists, art historians and exhibition visitors for many decades. Although nowadays Kupka’s name is less well known outside artistic circles, in his day he was one of the artists at the forefront in creating abstract paintings on the basis of colour theory and freeing colours from descriptive associations. Today his energetic paintings are still as enigmatic and exciting as they were in 1912, when his completely non- figurative canvases, including Amorpha, Fugue in Two Colours and Amorpha, Warm Chromatics, created a scandal when they were shown in the Salon d’Automne in Paris. It marked a turning point in many ways, not least in the decision of the Gaumont Film Company to use Kupka’s abstract works for the news in cinemas in France, Germany, the United States and England.1 And as we will see, Kupka’s far-reaching shift to abstraction was a long process which grew partly out of his childhood interest in spiritualism and partly from Symbolist and occultist ideas to crystallise into the concept of an art which could be seen, felt and understood on a more multisensory basis. Kupka’s art reflects the idea of musicality in art, colour and spiritualism. -
Now You See It, Now You Don't!
CALIFORNIA STATE SCIENCE FAIR 2009 PROJECT SUMMARY Name(s) Project Number Stephanie S. Manson-Hing J1315 Project Title Now You See It, Now You Don't! Abstract Objectives/Goals The objective of my science project is to explore how the perception of objects, using peripheral vision, is affected by the objects' color. Methods/Materials I tested ten people from two different age groups: 30-60 year old adults and 13-15 year old adolescents. Using a vision protractor I designed and created myself for the project (made out of foam core), I tested which out of the colors blue, red, yellow, and green was percepted easiest and at the earliest degree on the protractor. Each person must focus on a pin in their direct line of central vision (90 degree mark on the vision protractor) thus forcing them to use their peripheral vision to detect the different, nickel sized, colored objects. I tested both eyes/sides of peripheral vision in my experiment. Results After gathering together my data, I concluded that the object colored yellow, for both age groups, was detected earliest and was easiest to see. For the 13-15 year old age group, the average perception was 9.5 degrees and the average for the 30-60 year olds was 11 degrees. I also figured out that green was the most difficult color of object to recognize. The younger age group recognized the objects earlier in general (with all four colors) by about 2-4 degrees on both sides. Conclusions/Discussion My hypothesis: If I test peripheral vision using the colors blue, red, yellow, and green, then the brightest color, yellow will be detected earliest and easiest out of the four colors, was proven correct by my experiment#s data. -
Two Fundamental Problems of Ethics
Great Clarendon Street, Oxford Ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With oces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York Translation, Note on the Text and Translation, Select Bibliography, Chronology, Explanatory Notes © David E. Cartwright and Edward E. Erdmann 2010 Introduction © Christopher Janaway 2010 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published as an Oxford World’s Classics paperback 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above -
|||GET||| Arthur Schopenhauer: the World As Will and Presentation 1St
ARTHUR SCHOPENHAUER: THE WORLD AS WILL AND PRESENTATION 1ST EDITION DOWNLOAD FREE Arthur Schopenhauer | 9781315507880 | | | | | Schopenhauer: 'The World as Will and Representation': Volume 1 I can say this was add-on because they really don't flow with how he dealt with Christianity anywhere else within the Volume. This volume is divided into four books. Essentially all of philosophy. The book is easy to read and assimilate compared to the works of other philosophers I have read. To be blunt: I cannot recommend this work to anyone. The Will wills, and the character and motivation of the person make it possible to learn, to gain knowledge, and this might alter the way the Will objectifies itself in us. If the whole world as representation is only the visibility of the will, then art is the elucidation of this visibility, the camera obscura which shows the objects more purely, and enables us to survey and comprehend them better. The happiness that we seek is more inclined towards self preservation and satisfaction of vanity. True, compared to Kant, Schopenhauer developed a more consistent and complete philosophy. With Schop, the Will, the thing-in-itself, is in you as much as it is in anything else. More generally, although S was an atheist, there is a lot of religion in the book, more of the order of religion as philosophy. Conceived and published before the philosopher was 30 and expanded 25 years later, it is the summation of a lifetime of thought. The only hope for the individual is to save his own soul; and even this he can do only by avoiding worldly entanglements. -
Front Matter
Cambridge University Press 978-0-521-87185-3 - Arthur Schopenhauer: Parerga and Paralipomena: Short Philosophical Essays: Volume 2 Edited by Adrian Del Caro and Christopher Janaway Frontmatter More information ARTHUR SCHOPENHAUER Parerga and Paralipomena The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer’s work in a uniform format suitable for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus. With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as ‘incomparably more popular than everything up till now’, Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, history of philosophy, and nineteenth-century German philosophy. adrian del caro is Distinguished Professor of Humanities and Head of Modern Foreign Languages and Literatures at the University of Tennessee. He has published many books, including The Early Poetry of Paul Celan: In the beginning was the word (1997) and Grounding the Nietzsche Rhetoric of Earth (2004). He has published numerous articles in journals including Journal of the History of Ideas, Philosophy and Literature, and German Studies Review. -
Jugendleben Und Wanderbilder
Brigham Young University BYU ScholarsArchive Prose Fiction Sophie 1839 Jugendleben und Wanderbilder Johanna Schopenhauer Follow this and additional works at: https://scholarsarchive.byu.edu/sophiefiction Part of the German Literature Commons BYU ScholarsArchive Citation Schopenhauer, Johanna, "Jugendleben und Wanderbilder" (1839). Prose Fiction. 125. https://scholarsarchive.byu.edu/sophiefiction/125 This Article is brought to you for free and open access by the Sophie at BYU ScholarsArchive. It has been accepted for inclusion in Prose Fiction by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Johanna Schopenhauer Jugendleben und Wanderbilder Johanna Schopenhauer: Jugendleben und Wanderbilder Unvollendet, mit Notizen zur geplanten Fortsetzung. Erstdruck in: Johanna Schopenhauer’s Nachlaß. Herausgegeben von ihrer Tochter [Adele Schopenhauer], 1.–2. Band, Braunschweig (George Westermann) 1839. Die im Anhang versammelten Fragmente und Briefe werden hier nicht wiedergegeben. Textgrundlage sind die Ausgaben: Johanna Schopenhauer’s Nachlaß. Herausgegeben von ihrer Tochter. Band 1, Braunschweig: Verlag von George Westermann, 1839. Johanna Schopenhauer’s Nachlaß. Herausgegeben von ihrer Tochter. Band 2, Braunschweig: Verlag von George Westermann, 1839. Dieses Buch folgt in Rechtschreibung und Zeichensetzung obiger Textgrundlage. Die Paginierung obiger Ausgaben wird hier als Marginalie zeilengenau mitgeführt. Inhalt Erster Band .................................................................................................... -
NASS MONOGRAPH #15 (2011) on the Specter of Speciesism in Spinoza
North American Spinoza Society NASS MONOGRAPH #15 (2011) On the Specter of Speciesism in Spinoza Michael Strawser University of Central Florida Copyright 2011, North American Spinoza Society San Diego, California North American Spinoza Society (NASS) The North American Spinoza Society (NASS), an organization of professional philosophers, philosophy students, and others interested in Spinoza, aims to foster and to promote the study of Spinoza’s philosophy, both in its historical context and in relation to issues of contemporary concern in all areas of research, and to foster communications among North American philosophers and other Spinozists world-wide through other national Spinoza societies. NASS fosters the study of Spinoza through the publication of the NASS Newsletter, org anization of regional meetings in association with meetings of the American Philosophical Association, and circulation of working research papers related to Spinoza and/or Spinozism. The NASS Monograph Series is an occasional one, offering papers selected by the NASS Board. Official languages of NASS are English, French, and Spanish: communications from members and publications may be in any of these. Membership in NASS is open to all who are in agreement with its purposes. Dues are $10.00 per year for regular memberships. Student membership dues are $5.00 per year. Membership for retired or unemployed academics is $5.00 per year. 20% of all membership income is allocated for support of Studia Spinozana. Members receive the NASS Newsletter, NASS Monograph for their membership year, and program papers. NASS Monographs: Purchase Prices Domestic (USA): 3.00 USD postpaid via third class. Foreign (all others): 5.00 USD postpaid via airmail. -
"Reisen, Sollte Ich &En! England Sehen! " by a Thesis Submitted to The
"Reisen, sollte ich &en! England sehen! " A Study in Eighteent h-century Travel Accounts: Sophie von La Roche, Johanna Schopenhauer and Others by Helen Lowry A thesis submitted to the Department of German Language and Literature in conformity with the requirements for the degree of Doctor of Philosophy Queen's University Kingston, On tario, Canada October, 1998 Helen Lowry, 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A W OüawaON K1AW Canada canada The author has granted a non- L'auteur a accordé une Licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distri-bute or sen reproduire, prêter, distniuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantiai extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent êîre imprimes - reproduced without the author's ou autrement reproduits sans son permission. autorisation. -. 11 ABSTRACT This study considers the travel accounts of Great Britain by Sophie von La Roche and Johanna Schopenhauer as disparate representatives of the Geman anglophilia prevalent in the latter stages of the long eighteenth century. These women journeyed to Britain as products of the burgeoning bourgeois inclination to travel in an age of gemgraphical and metaphysical discovery.