NOVEMBER 13, 1971

MM ON STAGE! Blues and jazz ·kings on the way GIANTS of jalt and blues ate on their way to Britain for concerts sponsored by the Melody Maker. Blues legend 8. 8. King tt,.. into London next Th1Jt'$d8y for his ,two Btitis:h conee,,u PfO.. moted by Robert Paterson In association with the Mt\.1. The concerts - at London's New Victoria Theatre on Nov­ embM 20- and Colston Hau, Bristol on November 21 - come before a series of con• certs on the Conrlnent. Probo Reet>rds have just. .-.leased a nftW 8, 8. King Jlbum, titled .. 8. 8 . King. fn London." to coincide vAth his vl&it. The •lbl.srl features ~s recorded in London ..-Oer this ~ar. air,o among :the music:Jans taking p.art are Ringo Starr, Alexis Komer, Jlm Price. Bobby Ke)'8, Gary Wright t

THIS IS the first official picture of Wings - Paul McCartney's new group - released exclusively to the Their first album is due for refease MM this week. It will also be featured on Apple in two weeks. in posters promoting Paul's new band. Picture shows McCanney (l&ft), Wings,. music w-as heard for the Linda McCartney (bottom). drummer r,,..t time at a •~ial launching ball at Denny Seiwell (top) and guitarist tho Empffe Ballroom in London#s Denny Laine (right). Leicester Square on Monday. They ere e McCartney'c party: $81! pagt,; 9. P.&.8<' 2-MELODY MAKER, Nov~ber 13. 1971 A NEW Co I osseum album - pas• sibly the last from the I group who split I as t week - is to be released by Bronze at SINGLES ALBUMS the end of (1) REASON TO BELIEVE/MAGGIE MAY 1 (1) EVERY PICTURE TEUS A STORY . Rod S18Wclrt, Mercury November. Rod Stewart, Mercury 2 (5) IMAGINE ...... John Lennon, A'pple Titled "Col, (2) WITCH QUEEN OF NEW ORLEANS 3 (3) TAPESTRY ...... , ...... Carole King, A & M lectors Colos• Redbone. Epic 4 (6) T AMLA MOTOWN CHARTBUSTERS Vol 6 seum," it con• 3 (6) TIRED OF BEING ALONE ...... Al Green. London Various Artists, Temla Motown taJns some new 4 (18) COZ I LOVE YOU ...... Slade, Polydor 5 (2) TEASER ANO TME FtRECAT .....•.....• Cat St•vcns. Island never 6 (4) ELECTRIC WARRIOR ...... T, Rex, Ry tracks 5 (9) TILL ..., ...... , ...... Tom Jones, Decca released in this 6 (4) SIMPLE GAME ...... Four Tops, Tamra Motown 7 (8) MUD SLIDE SLIM AND THE Bl.UE HORIZON James Teyto,, Warner Bros country before, 7 (3) SULTANA .. .. Titanic. CBS and an early 8 (8) THE NIGHT THEY DROVE OLD DIXIE DOWN 8 (7) WHO'S NEXf ...... Trock 9 {9) BRIOGE OVER TROUBLED WAT£R studio version Joan Baei, Vanguard Simon and Garlurtkef, CBS of " Rope Lad• 9 (5) FOR ALL WE KNOW io {10) FIREBALL ...... Deep Purple, Hervest der To The Shirley Bassey, United Artists '1 (13) EVERY GOOD BOY DESERVU FAVOUR Moon." 10 ( 21) I WILL RETURN Springwater, Polydor Moody Sluss, ThteshOkt Also featured 11 (16) LOOK AROUND ...... Vine& Hal, Columbia 14} BLUE , ..••. •. ,,.,, ,,, •.. . ,,. , ..... ,,., Joni Mitchell, Reprise a re selections 12 (15) BRANDY ...... Scott English, Horse Hoss 13 U P1LGRIMAGE ...... , .... Wi•hbooe Ash, MCA from $ome of the 14 18 HOT HtiS Vol 1 ..... 04 ...... ~...... VarlOO$ Arti$ts, MFT gs:oup•s previous 13 (24) SANKS OF THE OHIO Olivla Newt~n-John, Pye is -1 SANTANA - THE THIRD ALBUM ...... CBS albums including 14 (10) KEEP ON DANCING ...... Bay City Rollers, Bell 16 1'1 SWEET BABY JAMES . ,...... James Taylor. Warner Btos 15 (7) TWEEDLE DEE TWEEDLE OUM 17 ,16 1ND ALBUM ..•. . , ...... , , .. Curved Air, Warner Bros ~~sean~•~l! DICK HECKSTAll•SMITH: Middle of the Road, RCA 18 17 FOG ON THl TYNE . . , , ...., . . .. . Lindisfarne, Charisma ware The Ides Or album 19 - ) THE CARl'ffiTERS ...... •. .•. . .•...... A & M March." 16 (11) FREEDOM COME, FREEDOM GO 20 (20) WORtO OF YOUR 100 BEST 1\JNES Vol 2 The album t, al• Fortun8s, Capitol . V,at;ous An:ists, Decca rcody ◊n r-clea,e 17 (-) JOHNNY REGGAE ...... Piglets, Beil 21 26! TOP OF THE POPS Vol 19 .... , . Various Artists, Hallmari< thn>u&h6ut the con• 18 (30) RUN BAaY RUN ...... Newbeats. London 22 23 ANDY WIUIAMS GREATEST HITS .... , ...... CBS tioe'At and was to Colosseum have been released 19 (13) SPANISH HARLEM .. , Aretha Franklin, Atlantic ~ ~ . ~~o~~ ~Jm'J i>'vrttoo··nEi~/°','·.T~mi.~~~;;'.;Z In the UK early ln 20 (26) SURRENDER ...... Diana Ross, Tamie Motown 25 20 WORLD OF YOUR 100 BEST TUNES Various Artists, Decca the New Yea.-, but with the newr ot 21 (20) SUPERSTAR/FOR ALL WE KNOW .ns/ MRC Mu11c {Tim M.trdin/ A Moody Bluos. Thr11shoJd ~i~mwi~~~f'tri:ifbea~~,. in & M Q\JlllOtHOl'I) ; 2 No1t11 l11t10/April/ 8 ('8 CARPENTERS ...... A & M 9 (99 WHO'S NEXf ...... , Th• Who, Oecca They 1eavt 'On NovtitmbO( 12 6ltck"W0<>4 (f'•t l wny v119as): 3 au,, irid' wur b~ su.pporune tbt GREENWICH SPECIALS li~\01'1 {Al O,-..~}• 4 10 ( 14 HAJIMONY ...... ThY Cl\ari&rna on Nov• ~!i"'t!~liA!b ::n::1/Art11ut Jam") 14 15 JESUS CHRIST SUPERSTAR ...... Oeeca eml>et 12 10 J,g ·saw (PM co,deU), ll hMOII$/ 1S 11 BARK ...... •... ,...... • , ... Jefferson Airptane, Grunt 8::rti,~~bi!'1·'~~re~~): ~!,~::~ 16 ·201 RAINBOW 8RIDGE •.. • ...... Jifm Hendrix. Reprise ABRAHAMS ADDITION 1 1 17 19 CAHOOTS ...... The Bend, Cepitol ~~ t~l11>!?i ~'.s:i.:)t:v.}~~l~~r• f& 18 - THtR£1S A RIOT GOIN' ON Sty and The FamJfy Stone, Epi<:: MlCK AUR.Att.AMS Band, fr'~'g!ot;~~y Sro(~~.~ Mt:tk/FJ:;!~ 19 2:2 GOtN' BACK TO INDl'ANA ...... ,. .. Jackson 5. Motown which teatu,es Abratwa.ms on 2D (•17} WB:COME TO THE CANTEEN , ...., Tnifftc, United Arti$fa lead guitar and VO(itll, 80b 21 16! MASTER OF REALITY ...... 81:,cJt Sabblfth, Wamer Bros ~~nt~:ltor;_roi,~~z~ 4~ AMERICA'S TOP 10 22. l21 BARBRA JOAN STREISAND ...... , Columb.a ba:.s auitar and vocals and Ritchie Dha.rma on drums. 1 ("3~ THEMf.1!!~MK:::FTE111erptie.e 8 {10) INNER c,-r;,,~~fJll)'C, To.ml~ ~ ~: ~~A:s··oiiEATE'sl: 'HiTS .. ::::::··,;:;otb;·-;:~~~kii~:·Att~:; have a.dded multi•instrumcntal• 25 FOR l.AOtES ONLY ...... , ...... DunMI l'st J•ck Lan(j,tter to lbcir 2. (1) GYPSYS. TRAMP$ ANP ? (B} Pl!ACt" lRA~~1 SteVIJ"IS, A&.M 231 Steppcnwolf. Jinc•up. TIOEVlS Cltttr, Kepp I (6) 1·vE FOUNO S0Mf:ON6 OF 261-1 CHICAGO AT CARNEGIE HAU ...... Columb;e l..ill)CUU!t jolns to pl3,y alto, {'1) IMAGIN'( Jotltl L'OMO,,. /1,l)pfe ::*v":,WN Free M<,ven111N1.t. 27 32 WHArs GOING ON ...... Mervin Gayo, Motown tt-nC>r and soprano .sax, nuie­ {;i:) MAGGIE'. MAY t (-> BABY t•M A WANT YOU 1 and vlolin. Rod Siewen. M,rcu,y 1Sre1(J. Eleltf• ~ (~l ~Df(~Pf,J:1~~~~~.:··.·::·:.:.·j8fl\~~ ·T~~:~ tv~~~ :r~ Lancaster tn6 Abrah•ms & {5) YO·YO O•monCI Sros., M.G.M. tO (7} SOPERSTAR Cetpeltlet$, A&:M JO (34} GIVE MORE POWER TO THE PEOPLE Chi•lites, Brunswick FROM •. <;tt.SHIJOX " F"JtOM •• CASHBOX '' ~i:~Ol1:~::to;rr:~p :.c;c:~ )'HT The-y j~n~ forces for a

BBUCE"S JIJ:COBDS Tho 8-=i11$$. HevJudo. 1~. U . ?s Ye;a.. fr~ile- t2..3S fl:evi Sh,ataB with Al'idro M.M. NUlll Pre,mt. How lP . £2.16 Van Mor11eon. Tupn-ln Hcwi.ty tl,29 ENTERTAINMENT ADVERTISEMENTS 1 s-11i.i..u "~ 0 1...... ,.,o.ri,.u2n10 l101t-.t1.. ~...... SI,,.~ SECUNDUS WILL BE FOUND ON PAGES 52, 53. 54, 55, 56, 57 & 58 MELOOY MAKER, November 13. 1971-Pagt 3 Charisma Bootleg tome a trapper ALL THE Cbarl.sma bands have been ban­ ned by Brighton Dome bashing following a concert when Lindisfarne were topping the bill last week. During Undlsfarne's set audience. started dand.03 In the aisles and on the s~e and Cbarism.a. boss Tony Stratton,.Smlth was told by begins the Dome manaeement that DO lluthtr co...... would be hdd reaturlng Chatisma BRITAIN is among 23 countries who have S-tratt0n~"M.!Ui told the MM banded together to deliver a knock-out blow Of) ~l()t)day: •• W.1 a plty that at the bootleg record operators, which are -·t.40 people at the only plact COHEN costing the recording industry a Joss of over ~~t~t~~~ of t0ucb wJth th• matie £100 million a year. bu:&in.est today aftd. expeet an Aim is to up fines from the present £50 to £400 aud14mce to react u U they or £500 for the criminal ;:e .:!;~;bin& Dot& 8eyan or COMING offence of "pirating" to cl&mp down on thc boot­ protection which only 11 A.mot\& tM bands thus tecgin& or records and tapes covered sheet musk: up to rot'lfr:i~ .s~f:i~ Th~k!~r: a#.C:ted by tbe declsio.n art OATES were lhls week con­ artists performances Liodisfame. Van Der G...at firmed for LeQnard Co.hen's W':'1$ ma.de by 23 countrle-$ - now. rn:ny intta~ces ot l>fXlple without their permis­ f~i:u~~fla:ntaln - In Cene-;·• The convention can now be -smugglin e: in tape r~ordtrs G&nerator, Au4teACt, Genesis British and European to:.>r sion. signed by any member coun• in purse& or carrin bags to and Bell 'n' Are. next spring. Cohen will play The delegates spent two try of the United Natloru: till live. c6ncc,rts. and then ma.k• Mr D. Reed, m.a.u,u of tbe 18 British CQncert.s - many Imprisonment is mooted week& ha.mmcri.ng out detallB next April. ing boot.leg recal'dlngs. .>' Dome. told the MM on for repeated offences. MOnday: "Lindisfiu:ne bclt:a:v• at unlvers;tles - o-n the ol an International Phono• Ex~rts who reported to the Adds Keith Turne, : " h i.S MAM-prom().Led tour. GINGER'S FILM The .Britl.$h Phonoaraphlc gramme Prot~tlon Convel'ltiO(I conference cakulate that the a.rtl.st& who suJf~r from InJb~ ~y He open$ at Watford Town Industry - th~ aMociati()n 8 about 90 per cent of the boot• such recording.s of live con• =, '~':::1 ~:l; HaO on March L3 and oon• represernln_g Britain's retord T:!ch w~~; !f~ting:niJi:!~: c-ens. The Performers Protec­ GINGER BAKER returned behaved correctly. W6 lu&ven•t was ooJned U an umbroll• le\~~:e pg:a:u~Jc. che fro(n Nlg~rta: la.st we,elc and Is banned them. tinues at Sheffield Unh•er$il-Y manufacwrt;r$ - has already ~d•s, tfon Act$ ot 19-SS to 1063 " We are not golna to have {JS), Livt:rOOOl University {IG), formed a sub-committee to teJ"n\ tor both discs and re• American dcleg.ati-On to mtans that co»iet of r~otd­ eurttntly working on a fUm oorded t.lpes. of his drive from London to UndJri'arn~ back ill ~ Dome Un(Mlttr lJnivtn.ity (l 7}. deal with the bootlag men:ice. Geneva, said the U.S. makes ings should not ~ given with, beeauae lhey encouraged. Ute R enac:t their enahit;; stem lhe- wave of -bootleg 'Baker I.Old the MM Uus week: rave II'\ DritoJo on Novetober Univenity (AprlJ 22\ De Mr '1'\mier l01d the Melody a.lbums, which ha$ l)een WILD TURKEY a.re to under.. " We were filming and record. - to suit leetb into the con• take ~wo major tours in the 17 Montfort Han. 1,.eicesier (27). Maker: "We hope to intro­ vention. ing the whole time. Th~ wti.OI• The tou.r Optns at the South• Vold.stnit.h Colle&e, l.OndOn duce a biU into the present 1 he conftre:oce. organised ~~a~~L f::'!'!ts.throughout th (28), ~er.er Universi1-y (29) i:::.infri:?: .:;'thThB~!c>te.r~a,~ tri a fas~ btu,.k Polytechnlc on Novem. sessKln of Parhament so that by UNESCO and the World Mr E. G, Han, leg.'11 adviser ~!:t:~'fn~~~- bu 19 and other date& Include and E.'lst Analio University, a Jaw to lncrene fines for Intellectual Propercy Orgllrtli;a. to Decc:a, commtmttd: "we bath th.is month opening at .. Wt made record tJme on Norwich (30). the Guildhall. SOuthampton. Birmingh.am University 1 tion. toUows l'l)easvres by the the drive back, avere.ain&" be• Manche,-ter Unive-rsJty i~•, From April 3 to 2Q Inclusive ~f~~,t:a,n:;:i ote19~,ted US Government. two wee.kl! ~!'~:r~:n~f mJi'i:s lfifng~toft on November 16. tween 600 and 700 mllet • Cohen plays continental <;.On· MC11nwhile. on the Inter• is a very $@rJous mauer - Early In tht New Year they Speakeas London 30 , ce.ru. day when sometimes we did· Brunel ~nlversity, Uxb da~ ruational front.. the first move :~toefi~~"\o ~~~ ari°J>y~t! partkutart,y in \he 'f'ar East, llte ~et to make a EurQJ)«R n·i even b1v·, uy roads.•• (December 3).

Nobody can tell a drummer Choose from 3 fantastic what sound is the right sound. metallic colour finishes. With But the kind of sound you Avedis Zi ldjian cymbals as an want is more likely to come from optional - but real ly essential the new Shaftesbury drum than extra. anywhere else. Listen. You know that sound? The head is where it's all That beautiful, fat, clean sound? been happening. We've really Come and work it out. worked on it. We even spent six months asking drummers about their pet likes and dislikes. And the result? Attention to detail. Like the Shaftesbury rim. Instead of curving inwards as in other drums it curves outwards To: Rose, Morris & Co. Lid. (Dept. A) So the head never chokes the 32i34 Gordon House Rd, London NW5 1N E sound. And rirn shots break Please $end me your free. colour brochure 011 crisp and even every time. Snaflesbury drums-A New Sound Dimension. Drum shells are Narne symmetrically tested to ensure Address. perfect roundness- perfect sound. Our new Headmaster head is specially tone blasted. Great for ,,;,m4;,,,§§§j MM 13/11 brush work. Cuts out sound bounce and overtones. Stops stick skid. W!tlJ P.age. Wbt,n he was 22, five years !a.ter he 'FLU KNOCKED out two top British rock wa, known tor his arranae. groups last week causing cancelled gigs for 0 111 loe:;:,.: a::: ?,!Wee~~ ::; both Black Sabbath and the Moody Blues. "Chuattin' ") a.nd for Anit• O'D"J'. Black Sabbath's seven venue British tour due to Bue this form~, Bentlee begin next week is now "doubtful," and the first !::S~~~':!11i,t'1ube!t•:r,t:; gig at Southampton Guildhall on Tuesday Is defi­ mu11Jc rrom the •how llow_ To nitely cancelled, because of illness within the Succeed In Bu.stneu Without group. Really Trying was released. In Drum.mer Bill Ward is eonotrt scheduled for Novem• Wll~ a c-onshl~r•ble c.rltfoaJ suffering from •• total pby. ber 15 aod 16 Ill London's $UCC@5$, and l&t to album, Ro;•al Festival Hall and BeJle with SUI £vans,, Stati Getz. sical and menta1 exhaust· Vue. Manchest-er, respect.lv~ly. and John LewJ,. For • short ion " following th~ir A.me,ti• According to organiser Kt!n time, his w.14 one. ol the can tour whi-ch finished two Woollard, who r-e<'eivtd • totern.oit names .unona Juz weeks ago, and gtaita,rist tCltPh<>nC <:ill from Travis arrangu,. fony Iomrni Js confined Lo last Friday. the guitarist's In l984 he develoc,td • bed with flu. on doctors' oondiLlon Is thought to be convncrciill so1u1d hued on orders. 1 his own humming, and !~t ~~~~~ 0fa:l~o1n~t$$t~: worked It Into a commordal Meanwhile the MoO(lies not kn.own album called " SO~ Samba " were forced to can¢el five which t-stablisbed hlm tn the dates on thefr t0ur la,sL weefl BLACK SABBATH'S TONY IOMMI: flu stricken " ~Oc>d mu.sic" maricet. But aru:r bassist J,;>bn Lodge MOUNTAIN'S THANKS lln<:,e, then be. made little atl.r uugtn gastro~enteritis. in the jaz,; WOtld. THE TWO winning groupa in on Friday 11nd S-atvrday, visit is really a speeia1 trip to manager, told the MM th,is The cancelled ooncerts - say thank•you to the fans. who week. A. mt:morial .service was a1 "Lancaster University, t iver• th!!- Melody Maker's "Bright• Mountaln fl y into Lond-on Judd at tb.e Fifth Avenve est Hope•· section ot the ff:· for tbeir two ¢0n¢trts in Wed• ..-o-ted for thel1) ill the po-U$," Aho on the btlt are With• pool tJnivers:ity. Leicester De bone Ash, who won the .British Pr"'ibyterla.n Chureh last Montfott Hilll, C.udift Caphol cel\l Reader's' P<;ill are on stage nesday. and leave afmosi. im• Peter Rudge, of Track Inter• ...Frida.y, with a private funeral and Sqo(hll.mpton Gau.mom - at 1..-0f\dcn's R.aiobOw Theatre ml:di•te:ly arwwstds. · '' Tbelr natlonal, tbt: &roup'$ £:uropean section of the poll. on S.at1,1rday. wiJJ be re•scheduled for hUcr ,his vtar. although the \fnh'tr• sities may have 10 w:t.it u.ntil CURVED CONCERTS BURNIN RED OFF :, new term in the ocw year, CURVED AIR, currc.ntly in the The group lire to resume S1a1es on their second tour, BURNlN- RED lvsnhoe's Ulte.$1 Beaty, Big and Bouncy Who their tour at Manchester .iirtl ..set for • sho rt Briti..Sh tour Bri1bh tour was <:ante.lY Ja~" "l are new re-oordtnlt$ 'ltOt The group are writing and ~~vedJ'!/o~:d t:/'~;;": groop previously ts.sued C.n See For Miles," "Pk.• prevlousf}' re,le,ased. recording mat~tlal and a sinale permits. tore$ 0t UI)'."' 0 My Gen~ Track told the MM this wlll be relcmsed to ooioci.de by the Brunswick label Is witti tht Stitlst, d:nes. The. appce1ed lO 1t1t Musi­ eration," "The Seeker," week: ·• A lot ot people TRAVIS Ill set for release by Trad:( " Anyhow, Anywhe,e, Any. we.re.n't (l,ITlltd Oil. to the They return On Oc¢ember 11 cia.m.' Unlon, ~n+ at the end of November. an(.I, alter a short rest, open Pl3y all their g:i~ either free way." "Pinball Wizard/' Who ut1tJI aher •Tommy' M'E.RLE TRAVIS, perhaps the The album, titled " Legal ..Mauer," .. Bon.fl 11nd we h:We ju.it reeenlly the wur a1 8irl)lin&)l~l'll Town o, to ~ve their fffs 40 1 charity, bur the (J-n.lon t.()l(J MO$' wldely•imitated of 311 ,. M:11\il!IY, Beaty, 8lg Antt fbc Spidtt," "' Magit: Bus,' acquJrec, th~ right to these Hall on December 17. Other Ametic-an counlrv g_ultarlJH,S', datci; llre IMds Town Hall them it QOL l)(lUibl~. bou.l\cy," sen, for U.ts '' Substitute •• and " f'm A recordlnas. Ther-erore we w~, hns been admJtted to tl\e aod teature. 14 tracks. (18), Newcas1le City Hall (19), The group have ¢0!'l)1)(eted 80)"." reel there ls a gnu d~ Mayo CJini¢, Minnesota_. and They W6 ,.. l C•n't f.x. 1be versions ot " r-u.a,ic m..a.nd for them." Dome l3ri&ht~ (ZO), South• their ne.w .album, wbidl will he W'Jll not. now ~ appearing ampton GuHdhatl ("ll) and released In Britaln won. ir\ tht! fOrtltcOming Pop Roots R.Ambow TbeAtre. L9nc:\On {23). MEGAWATTS

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MEJ..OO'V MAKER. N<>v~r 13, t.97l-t'a.ao. 5

£1000 worth of musical instruments in prizes­ plus EMI record contract EVERY YOUNG musician is looking ...... •••••---- ■■ •••1 JONATHAN KING: catering for the kids for a short cut to the top. Now • To: The Organisers, National Rock/folk Centest, JONATHAN KING, there's a great new contest, designed whose record "Johnny to give the very best of them expo- 26 Ecclestoa Street, Londo■ SWIW 9PY Reggae " by the Piglet$ Jonathan has }umped into the sure, encouragement, and worth- MM chart at number while prizes. Name of group/band/soloist 17, blasted out this The 1972 Roek-Folk Contest, aooounced week at see'tions of the and the music tndustry who in l&st week's MM. is organised by the 1 ignore the demand for Musical Jnstrument Promotion Association Group/band fllHp bubblegum records. bubblegum and sponsored by the Melody Maker. .. There is a place tor Qll I Open only to amatecr and seml-profossionol kinds ol mu&ic and I expe-zt lhls t(l be. num~1 one g,_ and •olo inabunentali.,,., it could b& !ho Date it was funned within tour weeks," he told backlash ban­ lm>ughout tho c ...,by d..-lng Ma-eh next Y0"1 and p.ublic - the kids, and most oing,·• which King produeed. is at numbtr 14. tho national Anal la to be held at the Rainbow = Address i;:eople- now ar(! ccmpletefy The:atre, Lendon, in May ignoring them. An initial' form is printed apposite. " For I.be last $be years t,h~ PURPLE RECORDING mu$ic bu.sine$$ fill$ ~n Or.E~ PUR.Pl,E. who bad to You muot fiQ In 8'11he detlll• to,_.,. an entry ~!:h~ffte~et,f~~t ~tY 1~:J:~ .-baod<>n their four-weelc tour fom,. i the.m make up ~eir own ot America be-Cause of Singer PIOaae enc:looo a •-~d. addr- envelope. Dllndt. J tnow lh•y' cl like thfB l1;1n Gillan•s l1loets, have r~­ rec().rd, lilnd tbe pu})!Jc will sche.duled th~r datu from Priies for lho lucky winners wlll lncludo °""" Style of IIIIISic buy what they w-a:nc t<> l'Jear. Ja,niiary 13 to the e.nd ot t~i £1,000 worth of musical instrument& - PLUS e The business ls very sl<>w in month. 5 1 (HllJq, wl'IO i.s now at home recording contn,ct wittl the gient EMI organisation. I rt~?fi.~r~~ !n.)'bO

their tint &hl9lc - titled " HObO" - 01111 Nonmb•r 1t. ·~ h IS the first. s.l~le: releaH o" lh• ,ur,,, l;aM:J. QUf~E!f,:"~•:.~~:; "' thir departlloJ'CI f'f'om 111.al:KI, ...... They :iro curt'G.11tly rttordlau I 'l~fll , • 11•w album wltlclll Is ut tor l rtk.•kt itt tit• N•w Year, and THE Four T•ps ••Pt•r 011 ! 11 ~::l::ut.,~~r'~~t«fO~ta ~ Yowng S:!!, c1!~t~; u:!~~,i t -.a. -. I dOn'1, A:oy•I Alben Hall •n a.m, s.lot rrom Novemhr 1,5 SAvo: •c~~::n e,~.,l:i~ December io. to 19. TJ'le ,e.sMons by \h.1. 1 T- ►_.,. the,lr 10th tour 01 Amtrlc..i Tops wtr-e t't<'Otdtd dMrillB wflith opens Oft NOV~ntbtl' 1htir ■rilith tovr ;a"d teat.. rec -~ lT. ounn9 the thre~ week QUl~t~ :::d.!!:S::i/!:':. mcatorial f!rom tholr ~~•nt ... tour th•)' will pn,moi. U1•fr ~elitd a sell.. ~ t&ur •r _... •lbum., lncludll'lll • ver~♦ n .. - new sJ•glt "Tell Ha,n,~ " tai11, will bt. r'tlumin9 nc,c.i ot Jl,n Wfbt,,15 "H•cAtthMr .. which is ~ready In ttle US fl:lr - 11r-0 blabJy anuouf Park.. ii.rid llltir tlf.rrent , ...... ,_. c:tla.rts.. Savoy 8'r'oWB re-tum SeptQmber, slngle. lo Amcnu for en e.igh.i wotek tour at tti• on .. of Febrw,uy. suoo:•• !~~ :~t ~:c::d T°M a:":::"H.i~•~P',_c:! thelr c-urre1n British tou,- at (tnn-Cognlto) Club, i1t Wtn,. auu~'n,;;• b:e~~~At::1: lpswklt 1-..t FrldiiY, tOl'IUflUe dUl's WHlbo11,11e Grcrvt.. 0-lt Ro-0stcr mtn J.olii11 Cann ah.d wltlll dllH tO .. i$1it (Thwn-­ Ncn1~mbcr 24 'Wlti, Ms p,o­ Pauf Hamrt10,1d, ""'" rllHH d.iy) at Colston Hell, •nstol, tcgc .Jot11, O•nver,

Rev. Gary Davis started recording his latest album eight years before anyone ever tliought of Freebies. In the years between 1962 and 19i0, ingredients of Davis' elusive art. wherever Rev Gary Davis made "Ragtime Guitar", the first of a sefies his music, Stefan Grossman was there to be issued from those eight years, is to record it. devoted entirely to his instrumental style. At home. In concert. At church All the recordings are new, making meetings. it a fine introduction to his work. Previously, the Reverend's studio as wel l as an invaluable addition to recordings have lacked the true essence any Blues collection, of his music. Listen to it on TRA 224. But by recording him 'Jive', Stefan We think you'll agree it was eight has succeeded in capturing all the years well spent. , P-.t.t;c; 6-MELODY MAKER, Novembef 13, 1971

MELODY MAKER REPORTERS COVER A■BRICl THE WIDE MUSIC WORLD IN THE USA Flofd pe.rtori"ll- the same ha.U, W HEN Paul Anka HEN a 1 manages y o u , W record 1!ier ~t)!~~iiTtm:ur ~6eid!~-! Carly Sim()n and .Jose company has opposite extreme from show­ a valuable mai:i Slac'.kmordi vir11;t:il~• . ig · Feliciano are waiting Japes ~:rcnid~e t~i>b::f:· t~ dig~ group, the Jdea playing a.nc.t, i l ooc p<>.i.nt. to hear you, and Bob is to let the Dylan comes down band know ~ l;g wJi~wbis <>iaJ1e to~~= crowd. But Gi1mour ls doJng to your opening night t ha t old iouediblc thin.is witn his at The Bitter End, Mother Com­ instrument, and the au-difflce. pany is think­ with wisely Judg~ him only with their ears. Th♦ 360.:de,:ne you must be d o i n g ing of them sound system was a dls~ something right. all the time. appointment in Floyd"s show, Also, from the turn­ But Jethro Tull but nothing: e lse was. When h.!lve i,ped up hot. Every nlg,111 back in tbe hoLel $tandt:11s' Old " Dirty Water," totally In L.heir music and John and Steve. are long­ rooms a.nd CQrrldors. he holds which was a " bosstown '' h1t. up lhi! d;'lrt board white the ~~~e ~ ~~~t ~~ a~ieo~~~ time friends but ·the master­ boy1 pl~ gruelling practice st~~h~pty~ V! i:1~~: (fienc;e. Moybe this ls why link is Kris Kristofferson. game., i.o keep in tratn1r\g. co.go. The day rlty flew in, 1hey have yet to win a hvae Good.man was appearing in Jethro had. ~he misf1h are:, I l.hin~ song• t)la1 such a n C-$Oteric band :~~~~~y. w~it, 10 rockers. wrlU!fS; before- th.e:,,'re perr.or­ h.a.!I. built .a. .hu2.e following jn 8 rn"rs, but Hstenfng to their Americ.·a. shows, at JeasL, that ~: ~::;, E~:sor:estt.e~j The fitst half of the1.r 1,et sty1e and lyrlc;s .:after a whi! c­ ~ucJit nce tastes are risinJ; Purp!e~s American tour was w..LS a~most entirely n~ makc!l )"Ou immune to how -ca.nc~ Jl e-d. numbe.rs worked -ie lhc.)''rc i,ttsentlng th:: 1'hc Purple openers. flee,, month 1hey haYl; be-en rc­ m:HE;t~. .Steve wot4 Witt\ an wood Ma.c won Ov-.tr the hea~lng whh Godchaux. Unknowns Cf'QW(I, 100, allhOugh th e-)' 1 he$'e song.t, newer even Lhao :td.dition~ two musicians. t he. new live. album, show the John doing it right would Mve done better to get a~ompanying him.se1f on Freedom op-e-ned the .sh(w.• Chti$tine McVie OUl front and Dtad ls still on a tQUOt,y gultu. !rip, bul the,: rock is getting They both do a set and newoomens write. The 5,~nd as complett unknowns but mure than held their own be~i:~i::,s guitar playing 11-troager "-3ain, and one song, then t~am up to fin ish off from VICKI WICKHAM in New York Crazy Hocso aJbum cillled seem, to be -go1hg cht'O'Ugb a "One More Saturdsy r-.ight-:· Sohts· Jl.ste,n lO John's " Loose" wlll be out early with nice hatmonies. -beautiful •· Jl!CJral Smile.'' " Your Flag 1 ~er1ocl Uke Jlml Hend.r£x wer)t l Uto$ loto A wild Uttlc move everything jn it wouJd Seen Htll'." T'he- number W.39 rie,c:t year. %~i~ ~!d ~~tdo~~-n:~!l t hrc11,14h to.r a time, wJth the Rlchard..-Jerry Lee 1.twl• Decal Won't Ctlt You Any­ be de!l.troyed. So tt-10 tenam is Qc\ their t:urrcn< hit aJbum Leslie Wc-:it. Mo-u.ntiiin's scre:m'lcr a t the -end. The mofe" :11\<1 " bonii.ld ~od and 12,.,trirt&er, snd nice gimJntcks s.tart.in_g to gd in suint. Atld they wl!l't torce.d to 1ake gu-irari.u b casl as a killer in piano work of Roae.t Sau.n~ tbe way of -creauvity. a\ldlence tu.rned up their seats Lvdia • or " Sam Stone" and it off as a sing.le '005 several a J\f.M' mo\t.ie being shot in I i.~e n to Steve's ·• The J Don't Ttinpttatl0tis, OtJs WUUam.s, ders. tn this setting where­ and danced in thelt places for Dennis EdW'aTds and j\teMn 011'1er people ha.d covered it, Mant,uun. Tl)t moYie ls M*yor (Boss) Daley outraged aS:::nl afr,~~ Ibis one. Know Whete rm Cc,.ing out Donnie Elbert. ()C " Little Honor aod is a.bout corrupt ~i:red:Jr I'm Goin' No-where ln A Ft'ankJln are producing two P-i~ of Leather" fame some cops. Melvin Van Pecblu, g.rOu P,!i, The swJ~ Movem"e1t Btoadw~y t>b1 Ain't. SU))· 1 and United 5-wncf COmpan.)• way back. ts out and on- the ~~.~ry ~j;I~~~.. ?¥ .. 8iferc!i d\Uts, with ·• Wh.ert- O!id Our posed T <> Die .i. Natvril.l Death ..,. :N. different 6l)'Jts bul l◊r RCA via tbeir own Love Go·• and Sa.n.dra Tucku. ~ s.u1ff good ~ sre made production ,company. Gamble ~c. $~ffi~g !~rlA~ s~ul~~ and Huff just wito -can be heard -along with t ·ha.,-c finished Ari Stevie wo11der on hH cur-­ super¥)! t:o J. C. Super.stat ·\p,1rt fcom litttDfng lO album with Tb& Ch•mb-eo ren1.. "JJ You R~Hy r.ove though It doesn't have the J,,hn and Stove, Bob Oyfan it llrOlhers, thE(( afso have. tbe -S)it.t« And t.iits.e:1 but does The Toronto Folies new sin< by IOe Slm011, and Me " is beading the tine or the flrst .9ing.le from the p0Hlbl~ to {ttilace Cindy have Oulria.b.L -ond d0wn.~1Q· for r-a.dio al'ld 1'V, re-cotdln& r.~!:f l~u!d vt~&~ :=~:~~ 8ir<1$0ng in Tb.e- Suprt-m♦s, eanh reaJness aod !I.Offle..thing Toronco·s biggest and VQices ()f Eut H.arlem'.s Canadian news from sessions, radio ·:aQd com~ Boh Qwns. The tenant says See.mt tbete are -deflnitely co say. The characters lndlvtd­ plushest cabaret room merclalst tot s-orqe -0t etin.a.d.a·~ thst he w-as told b}' Dy~n·s recent sassions produce,d by dhanges afoot Oier,e. u.ally arci betutilvlly ac;curat.e :i.uorney l~t b e- was no Oon,py Hath.away l$ out-rc,:­ the music is brittiant. Briltianl BRIAN HETHERINGTON - the Imperial Room b'8gtst advertisers. and a longer (though he'd lived VAmped or Oy141 n',s "Qxfol'd t.h2:!!fves h:::ln - il'.s a true $¢0r'e-. wlLh no,rte of Roya.I r'"°gul.ar, one week-,-month Town." Funky but nol ,a hit. ~~~er :J the York $pot at -. Toronti) re.:1ta1.mmt. thu-e for I J years) able lo &.rEI 3;bout t◊ hit the road. HE more well-heeled :s ior~ aro-· tbtng in Che ba&.c,, Jnstant-smash. That's The ~~op U,~r d~atl~~shan~ng~he~ Hotel. 1, wHI be 800d t-0 see h-im .a;et 1 T set are moaning To l a I y unexpectedly iome pubhc; rewgnition again. mcnt end that if ihe dJdtt't ChJHtes CUf"ffflt •• Have You ~tt!:, d~!~bN:nd a::r: J :~\1o~h~~hotctdn:n<4s ~~ loudly at the moment MOx.io Whitney, entertain~ A pli\n to txi)()$c some of ments director of the HoteJ, the country~& best musical --~======;;;;;--7 I!e~~=s=~t o~o:;;:J, e!!eUtn'" APfsf1. fro1t1 • U tht~~ ll al a surprising change tafonts to British and 'Etil'O· Gng Leroy ,guitar too and is honest bla.c-.k.oess wfth no of direction in the pean music authorities has Jolln Blanton on piano, AH Unclt Tom Jive. but not ~ Jg;~~cn!ei;hi!;Hct~t been accepted by ttie- exec;u• fi..,a Si.r1g -and all three o:llen.:ri'1e. entertainment· pJans for 1 0 Uve of the Caoadlan. Reoord• Ina Manufa.ct.Urtrs' A.st:ocla• e~n,;ro/~ ~~!~ ~~!~ tion. The J)lan is th,1t with ty~gl:i{ i~ ~~;·tions wiU be Governmental dt:pa,Ttment.$ 1 O-On.lri~uling .a ~um of 20,000 JAZZ SCENE USA !~un~ fo~~!ny 41:: doUars - equal co the his 32-piece Qr-c;bestcare~~:t and contribution of t,he CR,MA - tVexf week Ithe,!! Love1aee Wat.kin--, prevkn.1sly and a further 5,000 dollars J,u aho ,uophorilst ~ plan­ Arta: at N,Y.'s Llnco.Jn fl'(ln\ pr-!vate .ource:s in Od commenforallve postage before -an invited audience Sprin5, L sUl!mp, $~ttrng bl' a per~ was the public.don by the 1 t11J1J()t1ncemen t a on&--hOut TV Jan. rotmln.& aTi.s academy. sU.8:1n& N{nl.• York LD>nuy ()f Moplhfr, X~~!llaJur:':;.erik:'tcr";:: About JOO mus:tc journal­ special lo Toronto called a musical and other $0dal and colle~ed- works. Th• p.fV• dec;es$-Ors thls season, Sonny lst~, rad.Jo ano TV rou,slc •• The Lionel Hampton .rll.sttc e-ventS. and Cb«, Guy J..omba.rdo and programme eite-c,,itfve,s a nd t1botrl Str/Yrday Special: On<: Nlght Sland." c1~'s.1:if: Al Martino ..she did sell-out l'ecc>rd <:Omo,;,n_y eit.tc.ulivc-, :r;::e b~~::1 t.11asinei;s. Many or the reg-µ­ will be Gown to Toronto for a Gueits l.ncluded John~ to!.:":r.~~~n orle.nte-d pianists - ,fo..5hwa Mer-c:er, Geno Kr\lpa, Buddy J:n::i~ !1 Rlfk.h1 and William Bok.om - lars au:· saying they w1U not thret•d.i,y· ex~6 of what is the R.a.i.obow GrilL H e. drew .a be re-turning to see &Ulie happening on t-be musi c; seene Mtm,'n.J ffctllres. Ric~ Joe Bu.sb.ldn, Roy £16- luge, enthu.sJast]c audlence and b!tt jau 9la-nlst M.u'f LOu -here. has been e shows. It would appear the. It bard 51 on openina 11Jatic lnclud.lpg WUlianu. Thcrt- were also Te~ onl~• way of geulng tbe bi8 1 ~f:On, ~~ee G~en'¼ another clarinCU.st Anh: tour- r.electlons from Joplin's Mmes ~a~"k to T6«mto Caba• ~,:~•e tharerih!! "\ave t.h: Shaw. B. G. ll backed ~ ur\l)rOduced ragdme opera, •• Treemonisba.'' ret wm b<: if audien¢es faU hlghly ntarkt:tablc ~oomn,Odity. ~°:"if:' al. ~m' Hln':!':•~=i Ul'ble Greett, trorobaQe; Peter off drAm~ticalJ y. lt's pOssib:e. b\lt il.- could (10w ht that the. Le:wls, I. 8. King~ Dusty The Count llule Band u d s-tarUlnR growth of Canadian Sprina'fieJd and .Mel Torme. The Swingin• Shepherd is ~Jra~:r:1,~k ~:"~,:~~ s.Jnger- Joe WUJJ.ams ani merg• c.;>rni.ns back from the hills to h\Usic and recording will foon Th11 is the ft:rst in a aeries Goora:t Ouv-lvle:r, bass a.ocl ing on~ ,agaJA in ch& tamed Jel the world bur Wis latest of S8 'r'V spe,clals that Hamp Ronnie Zjto, dru.m.s. Blue R()Om Qf the 'l'ropicana nuu, compositions. Moe t,!\~,;'f: t~:a .wider basis. It is ph,nnin,g in th~ next th.rte Arter succe-sst\11 eye s:ur• Ko·1e1 In Las Veps whete Koffman. who shot co world~ y~ u.ndu his Beth.ton gory. EIJa FU~era.l,d rerurned they have jusl ~tiled a fame in 1958 w(th .his ceCQrd banner. He will r~tu:re Ame­ th~e-weelt stint. The Tropi­ NJW VtCTOUA. SATURDAY, HOVIMllt 20th, at 6.,0 Otld 9 .0 p--:' rica's greatest Juz combol, cana al$0 <>ft~ the Red ~fswl~~ln' o;~eph:;:'Pfi~i:;;i ROl.dt PAft.RSON •114 MELODY MAfCIJt ,,.._h :,:::!~h~ s::.?J::~ musicians, t ingcr., and btg Room in Las Veau. Norvo Trio on the Ctslno has been one- ~t (:4oaW, Lucille-. According om Jones-. pi1100: em l'e.mb4:-.r­ least not pu.b1idy Mknbw• to a. wUI probated, In Queetu SOil Sqvue. Garden Last monlh , on, bus and Oliver ,ack:to.n, 0 fot the .,e,cond Big: Band drum$, ha, rCWmtd Co IJ.mmy le1~ he has •i.81:l-td 11 ~r:!~~:,v, J!'o" f~u.;<:t~ Festival Wh.lcl\ re~tured Tele contr,,.L't with GRT RCcordS Beneke's O~estra WiU) Ray We$t.Ol\'f on 1'\otaohatta.rn1 F"Ast $5,001> to his slster, Bea.trtee Sid& wbete tMy wlU stay and ha.s released a new Collini aod $5,090 to a Eberle- and. The MOdtrn.alrtt. until lanpry. al-bum. "~toe Koffm·an Pia.ya cousin, Cl&Nnctt Hatfield. Woody Hetman•, Herd, Stat• &ach, · in which he has. M;a)'Or Cha.rtes W. Wheele-r Ktntoa•s Ordtfftra, BIiiy £ck. Back on the New York Jazz gathered togethet some B. B. KING o,f Kans.as City has dfflgi,ated s.Urte and ROH ma ry Cloone~. sc'en,e,~ tenor saxfst Lucky 1971 as Ch.rUe •• 8,ltd " The ftnt c.oncert ,wer ~~t~ ~u;!c~~~!n 'gf l~ Parker \'ea:r for his clty. The devoted to composer Soou !r.C::c!Onl) ~.ro:ln~i~"'t:! orientated corntOlftlon.s he Cb.a.rtJt Puke.r Memorial Joplin's m.usic wu rece:ntly tlll Major Holley Jr's Quutcl Ms writ~n dUr-m& the past Fo-uNlation io a dri•• co presented. tn the Llbnry and at the Uncolr. Square Motor ytat A m1,1-3ic;ian•s musician. commem.onte the late grta\ .MUU41tr\ ot Use Pfffonnlng Inn•, Julllard Suite . whO is ln c:onstant dtmand MELODY MAKER. November 13, 1971- Page 7

The Polydor Syndrome 2

Jlml _ HendrlX ISie OfWight PagE 8-iAELOOY MAKER, Novembct 13, 1971 The ca11m1ower Hoti!l. IUOJd, at Sunday luntMJri-u,s. Practical Christmas t i(t, sug, gcs.tiOn fot friends Jiving: or working in noiSy $Urr ha$ e-verylhing: conu!:s the Survey Meter, wbo.sc rt-0 lamp IWlts up wt.eu guide noise re.t<:he1 da.nger level-­ Ear Defi&tder tO proteet whttn it doe:i. Handsome for bQrlng concerts: • . . You're wise JOfl• to the atha n King, wise:. (!:Qmposer ht EVID.$ has for w me tulle ~tn Intrigued by week \~~i~~~!~~~!~e~e!.~eJr~::; b>' mixOd med.ta t«:hniQ\lf$. fbt 51Jccess of previous eliC· ■ IIAHVEST FREE CON~ 'C'£8.T (Ra1nbow 1beatre, .London, toclay, Thursday). Mark Almond and Bard•y one, isn't It? Of coutse, they llmtit l(.arvHt suppty the WHAT'S it like to had a greai. coach - Phil School, this ye.ar, ,how tbe music. CUm111K Chicago the SptltlOr produced th.at onct, unconsclou5 demands tor the bluts, and East or £4ea. be The Raver? bacli Y.-hen the PhlJadelphia de$ttuct.lon of walls b~ween somo sl:Lltaloed. fuu.. Tick• It's a question seldom Sound was in," Ob YEAMl audience. and artists . • , ets ar& free tr0m £Mr. Audr.y Wa~er, who works asked. Is it a life of gay l\lld M•tO t>y somebody in ll'I paint, fabrics tnd threads, abandon? Well, yei and ■ AFllO ROCK .CONCERT ~t~::io:~•/!=. ~!Kfo ~~ no. Abandon, yes, gay? ~~~ ~a~:!':A:r"!fpr~e'£'u{: (fop Rank Suile:3; Watford, net; ·• F'oJks, the Moody BJu,e,s, her art. This oolb11:>0t3Lion be· tQd~, 1lwrsday : Osibiil\ - only hotel walls and get • toueb ot ch1s from htad the 1>Jn wl Assapl. • Evccy Gf repQrters from Sunday sttldel'lt$ and musicians Of Pat Goiualts ~114 OJ•b- Fathor' .•. , The) nevec tOlUnd.!l A,ioud N'1ne has loch. who launched hi:t otw John, the well­ produced a ri<:b experience answer. whi<:h you_ should not mis&­ ■ /\TO~flC ROOS'l"&R bsfid, Bent Frame Jan week:, known musi• frown HalJ, 7t1iddJe,brough, SUnday's expose of Mar­ lua.s U.ampst.tad Countl'y Club, Nov~ h~d his (;il':$on SG (C3S0) clan, pictured ember 19, 7.30. today. Thunday). TbeY'•e mAlade didn't shock your Dicked. If that i.Qhm::st.l y(>u, w,hat b«n a ltJt out of MM staff. We've seen bands outside the clrculatiop n::cenU)' \\ith on t.he road, we've see,n the Hanover Grand ;r:verfus1~!:fng1i?d ing Th~ Am.rkan 1oun. Dlfterent shocking games of chess and Alice Banqueting­ band thJ.s time rOl.lnd, with thte.e•catd brag in hotcl d]anges belag hal~ed Rooms last rrom "'ltbin. rooms after hours .. , We've After Nie• Coope.r"'s equJp• Wednesday on Prison seett grown men drink mtmt ardved at Binnin&h4m'& his return from b-Ot1les of w~isky, and J.Oke Ken.sit.as in bec.1 .• . them to appear la.st 'Thursday, Australia. Mr ,A~:~TK~~ '8r.Jt •el BuJler have contlrrned that (New Victoria, LOndc>t1. 8 We've seen young girls 8 1 the Deaa and Chapter of St. ~:~ ~-~• i~fi::eib!~t ~h; John Is seen pm t'rlday): Somo of the. 11bUsed by s.9.1es-reps from with his collec­ Pau1's have agreed to \be r• .iuthenUc: Ne.w Orleam Jan: Inter.Chy fob '' m.akltaR the Qve&; Of the t a.s~ of Hair 10 Blackpool on weeke-nd goh1.g easier.'' d-ecldtd tQ re• tion of badges OMO, bound to sh1ddt:tl thf' jaunt~ in London .. \Ve've. take ·part in t,he H'Ol)' con,. hean. turn to London oa Lb.e mid• which he has mulUon in St. Paul's Cathedral, ;ten writers w.itbout intros oighl trafo . . . They could on December 12. to celebrate write: rubbish to catch your ho1vc h•d thr~ lhnmaift~. hut acquired from 1be thitd aMIVersary ot Jialr attention, all ·over the in Londoo • . , some tbin&S ~e~e ~~{oyfu;n:~ir· ti~t ~er. world. Every tend to get aho\'C themselves, llih ,ra.in jOurney, unUJ a lack really • • . Don't lnvfte Mrs. ot electricity forocd the 1,rain picture tells a Ge<,,:g• Martfn .i.nd Mrs. Peter Tops to • haJt just QUts:ide Rugby. sto,y. Townshend to the same party. They .,at irt lhetr compart• And aow n. last line: WO Ever listened to the Amer• ment.s ror half ao hour. aei.­ £:ot a Jetter trom Kevin MJ(l. ican torces NetworlO Lste on ting colder and colder, before dJeton, residing: it li.M. Priso.a, Saturday n.ights, the:}' have rOlldie S hep l~d AUce and Gr'eel'\w0¢4. for the moment, othec PUSCUICJ$ alone tbe show - by road_ ce,.ster cons""lxdarly parking (voc.als), Keith Moon (drums), R~~!f~w~A~dotz~~ i:{te i!.f~~:tr~~am;& track lO Rugby. Security backstage a~ the. ticket . , . On produc tion of Pete Town.sbend (drUl1l$) .• . ~;mfejf t/souJ.1o1:~~e~g unt.AY): Mile, blew hlJ ala rrall)' bJQtted his copybook. A stan led station master re• Congress Hall, in Warsaw, \he ticket h~ W8$ uShertd It oOuld of oour.sc be • met.a• concert (be•s discharged: on at the Pr-•gue Festival. but Our ageni in B-erlla reports (used to make them tea. Re­ 4t1rin ,e: the Jazz Ja.mbone wu 11-acks:tage. phor, but 1s he that clever? November 1-G). be ha• qsured, everyone. that, after playinJl o,e 'f'ou lict train eveotuaUy ~rrived; tight. So when British joumal­ MJebltel W ale's article on Michael Goffl, who- nir'lt. We got Jn touc'h with Rikki "h•t he will be tbue for fQps' c,laute, "R~ach Out, 1'11 party hit London at 5 a.m••.• h,t "f:d: MarW n lt:ft his P&ss and The Who {f'lmes. Novem~r 6) yea.rs aao astow,ded the musi. Farr, whQ'S dolna the gig, and ,his trl;,, Be There.'' the man q_uoth They went back to Blrmlng• Pre:$s cud at the hotel. he lncJudeci 1.hUI Un t--vp John Ent• ca.I world wJth bis dtumm.lng ht'$ glvlna Ke\tin. two ticlt.lrtS. thus: '' Yeah, tl'l4t's 4 great h.am on M

ROBERT PATERSON and GEORGE WEIN in association with MELODY MAKER present THIS WEEKEND IS 11THE JAZZ-WEEKEND''

This Friday, November 12th This Saturday, November 13th This Sunday, November 14th NEW VICTORIA THEATRE ROYAL FESTIVAL HALL NEW VICTORIA THEATRE (opposite Victoria Station) (opposite Victoria Station) 6.15 and 9.00 p.m. 6._00 and 8.3(? p.m. 6.30 p.m. First British appearance of the "GIANTS OF JAZZ" Pioneers of New Orleans Jazz MILES T-MELONIOUS MONK KID THOMAS DAVIS DIZZY GILLESPIE SEPTET SONNY STITT PRESERVATION· ART BLAKEY Only British appearances HALL BAND KAI WINDING AL McKIBBON 9.00 p.m. The legendary Sextet together for the first time in 20 years ORNETTE COLEMAN NEW VICTORIA THEATRE (01-834 5732/3) and agents QUARTET TICKETS NOW All Shows: £1.50, £1.25, £1 .05, 85p, 70p, 50p RO,YAL FESTIVAL HALL (01-928 3191) and agents Only British appearance ON SALE Miles Davis: £2.00, £1.50, £1.25, £1.00, 75p, 50p MELODY M.4-k ER, November 13, l971-hge 9 Ray Coleman and Chris Charlesworth reP.orting on an ex-Beatle's odd 'h~

JN THEORY, it threatened to be the non-event of all time. But only an ex-Beatie could stage a glorified Saturday-night-hop-style dance In the Wesi End of London on a Monday night in cold November - and come up smlllng lil\e a winner. The bizarre Pent was Paul and U nda McCart.ney's party thls \ltek to l:au,ich tMir new group Wings. pictured cm t.()11.UJ y•s MM front page.. They hi.red the Empi.rt, Ballroom In Leicester Square for 800 popblz gue,ts - and the Ra)' McVa.y dance band play,e(l for quk:ksteps. waJt:ie,.. ~au • nd format~n displays. It was a weird idea ftom the m.tnd or one reeognised as being hip. Bue then_ Mc-Canney has always beert rather eonvenUonat - a t entl.me.ntaJ troditionaUSt at heart. And when they'd been there fO? a n. OOUl' or So and realised lt wasn't a stunt but as stralg.t,tfotwanl as it ap­ peared. even. the heavie.st of rock a:ultari!its jolned In and had a ball. A strange on~Mo::a ~ BaU,oom ''Why oo,~. Pllul a'DSW♦red. "We thought," said Unda, "It would be a ntce. tdea to hwhe a whole lot or oor trleads to a big: oarty - whe.re lhey could brin,: tb.. ir wive;.•• '' ~1) att payh1& tafore, boarded the sl~.r tri&Jn g,~":e,.t~•>,o ~,~= hqmt betore pJayina bo,;t Ind hoS1.ttt ai the ball.

play • Be11tlie ~1(1,dy. Midway through the eve.n­ tr: :: orv: " • thnrtd lbt s.hetp ln8 a lttm o( tonnat.lon 'ffftk& teddy.boy,~=~et ydterd•1 bd<>r.e c.omJng.· • dancm took the, floor to He. was the Bd;de. rffllem• -McCartney s.ald. " We Ion it hilulous applau.se. It must bu. whet wanted the. r;rouo &o, ~a•::rea1~:: 1:!•~~re~ have bee.a Paul".s idea of a rn~· ,~•twn:, i!ea~= 9fu•t4 wtth it • •• Nally thts t~r!,:1.sk•a:2'~•:Jc t!'Tr:! at th• o•k of their c~r. Now he II YUJ' COIi• th• Wl.a.ntng RffJ• tlelc.e,. 'fbt plans «> return to hi& is 1loritied press roou - wttb Wint,;, r~entt- - to make SUtt priu - • .ma,num ot chain,, cvmbody came:• p.agne - W..1 "On bt DJ left ~nd t.be McCartntfs Dexter. ~~•~eie:~~:ftf:5~~!,~C,.~ Jimmy Paae,, S:111)dy oe·nn:,, t.Jton ,John, Mary HopJdn. ~e word Bta-Ue 'Wal n,w•r m.eifttloned In hit p.resen,ee., ~!.t.~:Pl!;,d~ei:Cn1tf:O~ Win&s never actually NoM> of lh• other B.a,le.s F;aces Ronnie Wood, Ronnie pJA.11 ed, u,oul,h they were all wu presfllt, Nor wett aoy LMt, Ian McLagen and tht>ri', Between b~tk11 In th~ of the Apple ero~'d at the K~y Joaea, ma.ny d!se dance muslc, 1he.lr ntW album bidL Jotkeys .and othtt group mu.ii• \l,: &f i,layed. The danti»R CU· c.Jans, • The invitation card ... handWritten by Paul McCartney i:ied Oil •fld AOOSU c-Jappqd tb!t a'n!fr •:::e n:~~le~~ ft bad • U Lhe trapplna, of alter e.acb track was pbf~- albutn was still pb.f1ng b\lt an lmp,ortant fllm pr~miere, Alibo111r4 lUtenlna con• the gue,ts bad dwindled. C rowds thronatd o » a premium - tout, cow.d vi1a1lon• were strictly vett.?d a.od bread and cheese tour~ dltlons were J>OO'- the Wh'l&S Pal,I] llrul U11d3 H I Of\ {he 1 ih •l pavement ovu~e, .l)Oli«m~ probably have ~ up C.O •nd punctied as the doors ie-sy of tbe tios-u., bvt u,e. mu l.1 sttmed much bettG< alkJ edge of staae the front d eartd II paJh ttm>u.gh fOT tile -£20 for the p"cf

THE STORY OF THE MAN THEY COULDN'T HANG NOVEMBER DATES: IN CONCERT: Friday, 12th GREEN S PLAYHOUSE GLASGOW Sunday, 2 1st· CITY HALL NEWCASTLE Saturday, 13th USHER HALL EDINBURGH 'Tuesday, 23rd GUILDHALL PORTSMOUTH Monday, 15th ST. GEORGE'S HALL BRADFORD Wednesday, 24th THE DOME BRIGHTON Tuesday, 16th CITY HALL SHEFFIELD Friday, 26th COLSTON HALL BRISTOL Friday, 19th -TOWN HALL BIRMINGHAM Saturday, 27th RAINBOW THEATRE LONDON

Saturday, 20th FREE TRADE HALL MANCHESTER Sunday, 28th FAIRFIELD HALL CROY·DON Tuesda}', 30th OE MONTFORT HALL LEICESTER Pagt tO-MEr-Or.r, MAfCER, N0Vt[llbe1 13.. l971

~ci'~i:~ ~:~~djnfho~cbt~~ Jan ~teman. U'arvey irnrn, and a Dani.sh bras, band catted Kaerne. The result is 0 Rory's Be grateful ~tspe~i:r :f:es i':e{te ~~sl:, ~~!rst!:f:.!infhi$~rrira:~onf: p_.i.rtkular injects certa(n of the srttentions­ for the toward!i a theme, others Deuces obviously do and yet their ,itorjes are often obscure. Pe,rl'),aps th~ tn~nliOn is dlteet.ed towar(ls radi~~ a mood rathtr than C'Ccitina a sWef. or even~. sceta.n hat r,he- abUlty to dwell on • vocal phrase to adv.antaJe, He employ$, the ebetaetenstics on his n\oodier 1Ma.s here. Dead live aJthQOlh tht~ l,s b. tendency lO laboOl' the eltecL - A.M. RARE. EAkl'H.: " One, WO!'Ld •• t~ ,~i:'~1 b~~; 1 :hi~ ~ ~~~e:~0~"~Y i~~~o~~ too.sid'eN .o mediocre a band worthy of such an hOnor.ar. ~: ~l: tor 5~~ :e:; Rar• Earth gained their firsl successes a year or cwo bac)I: With some supcl'Tichilly e-xcit­ in,e- rehashes of old T.e.mpta­ tiOnt songs. With their heavy ~cussion, white-soul unison rg::a~a~i ~8{al &,~; really aren t taYl~ anythlng that hasn't boon said by bands t~:·ce~~•:.itt~~e a: i!!: the panache of the Fudge and I.he ·ughLneu or touch or the Ratcals, 1'hey pJsy with great austo f;nd tompet.ence and try h.ard to w-rJl6 meanll'IQftil $Ona• (1111:e " Under God's­ U&bt .. and the inevitable eooJoav •011&, '' '{'he- Soed "). But bMica.Uy, Uke so msny bands, they hive no rais-On d'etre. At heart thtir music contain.a nothioa---t..xcel)t.. pe,r• ha~ a desire to play as loud!)· 4$ possible. Tbtir cur.. rent s~le, "1 Ju.$.t want To Celebtato" (ineluded ho.rt) i$ a· fair o)d atompru, and reoUy thete'$ no tee.son to jnvest more than the. pdc-ec of a $1.ngle in the band.~

and •• teJJ tXl)te$· Wdlitma is some• th~ or an a.nchro-nisrn. lt ~ there's no pl.3.oe ~~Z'~ ~k~k~f·s!t:!~ nlftcent powe.C' aod majesty; 3 voice wtuch s«ms to tl»· f3:Ya:JI ~ttor:r•~r~~~ people. lven Atlantic, who have had plenty of oxptrie..nce v.1th ~t. Black voice&, seem unceiuln how ·to handle her on the evidence. or thi$ album, In tbeir ll~pl t() popularise ~r ~a~:fyve R1;:!~i~ae:;o~af•~ ffe'!vy~"nf:~fl Ukt, · ~erot!f•' ., 1 My Sweet l,Qrl• •· Heaven Help Us All," ••Put Your Hand In The. H&Dd " and "Kar.e JCtis.b.na," She tran• scends and tri:l\ffONnt them alt of course, but. uHJmatety one ls left with the (fflJng t.hat a glan1, ulcnl has ~I\ t.rJvtallied. Quite si{l'lpty, the m3te,-taJ is not Wt>rtby ot her. Similarly. the acoomi,animent, RIO GRANDE: "Jllo Gtud~" (RCA Victor). AJtho(t&h t.be COl.lnLty Influence Js .strongly irhprinted on their wort, JUo Graode .t.l.$0 ll'Jck \11 t.he rooming nic~. and some of tbest s0QU don•t ~~u;':ttJL,~~~"• ftncai:o': call for tha1 cabaret (fye). covet pktwe of the lady. so life.lik6 Ud real it Jumpt out JIM R.ttVES stHl commend• ot tM cardboard. Tho m1,1sic a loyal foJlowtog. yeart •fter ,, OK. loo, tor COUl'lU'y musk his dutb. Ke tind a velvet ,~l'\dets'. .. Joy T() Th♦ World,"' 1 ~~ ~h ~!i~1r.::n::r~: "P.roud ,1tfa.ey' a.ad '"Knock tJon. 0 rm Gonna Ch•nae Tb.rtt- T~" ,nJg;bt not ~eeythlng,'' " Gunty •• and 50\ln.d c&W•MI. btU l.)'n" h.$ Pt.TULA CLARK must be- one a voice that has. a Na&:brille '' Wt)ctutte "f)' hty World" are o( t.b~ rtw b,iulad .i.lngert to sng the winni,ntt 'Rtov"et ml,ve lcnp·roved •s tile.h ydt W

Pi~ftoid l'\EDDLE ~gc 12-MElO0Y MAKER, Novcmbet J-3, J971

befit, bJs background, Wind~ l.ng iJ a 1echnlcall)' e.xce,ll~l'H This week the Giants of Jazz blow tr<>mbonis:t whose st:ttJc apdy contrasted with th♦ machine.. gun (;&(:lies Qf bj$ ers1whUe into London for the MM shows. l)Qrtne,. J,J. SONNY STITT: Shortly bc- Richard Williams looks at the star rir~~h~~i1!,aerk::.ddJ;:n~; St1tl: '' l'tn handing you the names in the line-up keys to Lhe kingdom." rt led to • reputation which bas dogged Stitt ev~r 6ince. line-up of the Giants of Jazz is like a He's never been able to get THE out of the shadow of tile dream come true. For years, many fans 8reatti.r man, ~ut be•s always been a damn ftne have been hoping that the legendary figures playe:r. of the Bebop Era would reunite in some kind One Of the [cw genuinely of glorious apoulypse, and at last the time nisi&uotly swirlalng ~rror• they and O:tar1ie Parke, lie't not alon~ arooog the mors In cootCmp()rary Jau. The Giants of Jazz Chllnts jn ~ina a tnlJI ioi.o both Qn •l1e> and tenor recorded for Nonnan whom thls tour could breathe: .saxes." is: the rounder father of LOu.ic Am,strons, and King musi-t-," Even Arinttronst waa ne,·er been equalled. new muslc:al life. Gra.nz. G.rtat Monk and Blakey. Qf modern Lrumpet - e\len Oliver. hea.. 1Jy critkAI - All 111.JLude Jau. WJISR't a payio.g TifF.LONlOUS MONK: For course, is one ot the ireat Lhough the mainstream de­ l>tu_y began modifying hit which Wh 10 alter over the KAI WINDIN&. Paradoxi­ more than J5 years, Monk st)'Je whiJe jn th~ Gab Callo­ yean, whep the two became fe~!.!:::·to~~d~~to~b~!: caUy. Kai Winding's Ja,;.7. was the most mysterious veJopmenl of the instrume:rtt way band In l939, and sl).Ort\y nr.m friends. in& an ente-rt.al.ner __. spttnd• f:e~e~:!rr r!uJl"to hi=~~t'le" ba$ shifted emphasis in re­ ln 194!5, GiUespie formed toe more time c:townlng that r epulation rests almost ex­ anc:1 most misundersto6d of sJ)arks off each OLher. and it"5 aJrerwardJ he met Charlie cent years. towards the: less .Plrker. No-<>ne wlll ever ti.is flrt1\ blg band. But H playing lhe trum~t. &nd play­ clusively on a two-year all jazz musicians. Bis un· sigoifi.cant that 81aKey was bravura approach of Miles period of hi.$ 31-year career. usually r-etioent demeanour. pte-scnt cm 9erhap$ Mon\c's know qu.ite who contributed wasn·t uotil 1948 lhal he ing t,anal materlal. Davi$. what, bul between them. Par­ really got it wOrltini, and He Jed .some quite good During that period he ou• and 0<:casJonal pera.onal ec­ ,«~test single recording - bands fn the FifdCII, tbOugh, ltd ll two•trO'mbone qulotet of " 'Dilly's first .. rw.me tx,.n.d " ker· And Gmesple wwed the many peop:c believe that thi1 centricities, combined wtth the trit, \'er:sJon Blue stg was with the Frank. Fair• Hed5 (>f the. Beboo RtvoJu• was the greateit big Juz. ba.nd h)cludlng a large ensemble with the more illustrious J. J. the uncompromislng aspects Monk.'' Johnson. which bec_ame briefly word has it that the Qlbf!r fu outfit in Philadelphia. and rlon. nt all tune: it -wedded the which may have bee.n but a or his music to persuade two years latn he toolc. Roy pLaye-c, at Mlnton's, in Uthenets of s.maJl..combo bop shadow of tht ori&lmll outfit. members - altobt sonny They ve2' ~~la~bo emignitcd_ t.o listeners that he was " just Stitt uomb011lst KJ.l Winding, J:ldrldge"s chair in the Teddy Hlltf(lffl, W'h.~b tqmed into a to the thrilling sound ot mu­ wierd," They dubbed him ilnd. bJt.!ibt Al Mc:Kibbon - Hill band, 1:11:;htJy after-hours worksboP sed brast and reeds, and what !~tth:4e~~mor:~r s:a~e •b: New -York with hls parents at FJdridge w~ Gilh:::$pje'ti tor the new mu.sic.. and even• it Jocked in preclsfon It moro began to .lead il tine quittteL the 3gC ot 1.2, Winding wor'lced The Mad M011k. and The :fde '2~::. means ltJtUDi the pdmary tnftuence - ln fact 1 -.ban m,.ide up for in. sbeer with Stan Kenton durinx tbe­ Hi3b Prjest or Bop. and c!~$d f·ortles, a nd later became a wrote him off. F'Or those whQ're not too he bi:1an his career bv s(av- !~~ fck:e5s~,r·ic:;::~:,. s~~~rr~p1~:!f~~l't~~~ 8 Night ln Tunisia.... :~1t=~enta1t~':,onlm:!1ea:!~~ ham (bass). ttn(J Rudv COiiin$ sLu:dio musician When the F.atabUshment Jamiliar Wil,b. the ecXtensive CiJIC$pie's style was the barhonist Cecil Fayne, and (drums). tcblevements ()f these sJ.ants, :~yt~~j~r~.!~ :~ ~1:•~ ~ct Une: Of dt$Ctmi io the tnOlt organlcally VlrtUQSlC pianist John Lewis, while nn 6vtr the pa,st ten yeatS, ~o~s~~~ftw~~! ~~pl:e~~ !~nf~o :::~,a~~~~! ·hf!~ bents. a potted biog.r lllPb.Y on 4 trumpet hierarchy. whlcb Jau bad seen, and &Orne of «:easion thi; Cuban CQnga­ Dluy has toured everywhere. ncm•jQ.U idburn,, and baa IIS() In t.he mid Fiftiea, they dis.- each. stretched W:ck p-.at Eldridge his eld~r& dbmissed him pJaycr Chano .Por..o added a .i.nnounced his candidacy for be,en musical director of the OIZZIE GILLESPJ'E: Dizzy to Rex Stewart. Red Allen, ror pJa.yln& ·· that Chinese pttCUSSIVt lite which bas the American pre.ldenty, .and New Yotk_ Playboy Club. As MOR£ ON P 58

~ 6 McKeodrec Spring •t Csrnegie Hall McKer?dree Sp1ing at Fillmore E'ast Mcl

Next came J.ouls A'J.· Friday, in case zzi,;uz.nevcr. from Paris.'' " I Rod, rc-prE'sent zi' Mediterra­ nean countrJes 11.•bere people don't work !lo muc.h. Ah. jok.e. you didn't know, 8ut hert b o gold. And. Rod we will d(I any&hiflli to pro1note you, a nd ma.Jte yQu ..i was Rod Stewart 8UCteS$.'' J t. was :ill 8t!lhnn r.Kher much, Everyone W-A$ ◊ut to Day. sl~P <.•ver)fUnt 's ~Q-uldc:1'$, Our Ma9ter or Crrcm<>oirs then ~poke again. "And now fre Roy Hollingworth ~~~h~al~~i.. i :], ~°6 f~~f!~ ~~ faot that It took fiye minutes to dnd tuto. reports from · H~ ,appeared as an elderly chap, (ibviau.ily a lad '·" hil day. One- of the ,op boys of Amsterdam on PhilfJ!,s. 'the conversaUon went like this: the celebrations H;; i~~~ r~~ ~~ri~t~l ~~~ St.cwar< now J ha,ve f!lw.ays could well have admked you. 1 sm going baek r been a sales con­ t~hi~~J 1~: ,~a~~~()~o;~ vention for a big indus. ~dit()n StiUU~ for Your old rl&incoot., yah? trial complex. A cele• "Yeh, can'l be- bad," says bration, if you like, to Rod. drink the glory of - " ,\.lay I s.ay )'OU are wunnerful. Old raincoats yab? sav - a w a s h i n g . . . Never Jet you down." machine, the biggest, ROd was 1:Skin& H IIJ I well. besl seller of the year. St.it it WA$ embllrr.a.SsinQ:. How had you pro­ $1()Ckh(llni foH()Wed, and lhe moted your product? ~fict•;:i, ~tp~l~~~ 8lt.j~~~ lhen gave Rod a Viking "Henri, I booked two drinking horn. " Ze Vikings Rod ~tewart vind1>ws in celebrated zt( tours. of Den­ Dusseldorf, lhey vent a mark. and other countries by bomb " - dinner cable drinking from ~i»:• conversation. wumaJi.st the)I th<>ua.l:lt discussions on Rod Stewart. hair to find aJtetnarive soh.-.• jum'.>lilli, entou.raJt>, Rod ar­ bel~." m~~~ lS:t. ,~;~~otcn:.r. M~ lhe produc:r. til>os, They found one - -, rived rn startling ve.Jveu, "Jolly good." saio Roo. 11iis was possibly the ~t~;:d.ew[!,;'hi.~i-:i~tc';"dh:~ Rod js --now a superslar. ll'_. trip down tbe canals. Btu lrVIA Stf'lnbe.rg, Preside:nL ot most ~mbarrassing day in And then rhey took over th~ ~~~~d:d jo~e bfo/:i~fprone, but Mercury Reoords, Chicago. 1\~e$t A!~:~fl!n 11~=~~:oot~:t~:! ~ho life of Rod Stew~n. :~.f~a:~•~~·!tfd ~~-e, ~~•xr:"~\:h~':iol~~n\,~~• ~:c Ile thtn vanished from the air. A real b<>aut wa'& old ROd ~O~. plag~~m :11f:~. fo~e~~~ ~~ w~~~t btt~e~eow:'%~ (or Mus.sivc just Isn't tC': Off. view of most poc>ple. He was Two sitve.r aw31'ds for "Embarras.sing," said Rod. who didn't know why the~·'d word, But Rod knows thal They made a lOn(":y jour­ hundred thousand sales for well ~,auered. picked 10 tlHt t 1 " Maggie ~fay " _ . . " H3lf a albums and tapes of 'E-.•ery be.:en O◊wn in.. There were I.he-. pre.sent .$1:ltc of affafn;. ney, mantled by a toupk (If mi;Jion sales in thee UK, aod bone by 100 rut twice a year Rod And 12 countr[es. Rod Stewar-t. who they wtre. Thero were whlsper3 among the Stewart ~e:fetf:J'~~n~~~t◊l.tll , tQ IOQ,000 [n the UK, 0N'lltt theo -stormed the rt'()nt., It sa:es now CAn J i.ntroduco Mr the. Golden Boy of PhiJips pe()f)lc there w.ho dldn'l kn-ow camp th:u ttie;+ didn'1 wi::.n~ But I.here W8$ a.c.UOn. Yi1'1• like somt ve:ry triendy wlJo Rod Stewart was, and o.n Ehon John •tc:>ry. S-0 The Fleuotheque Ji th~ R~JSi"?~~•od, •• said Rod. ft.()$tmcrant~. Good news. it',i; Rec:ords tld. ·"The Guv'. wedding, with everyone wAil• fi.mastlo money. nor" '>''as inscribed on thto n<,body knew who to tell coote.d it will be. Hilton, dubby-wubbv jive rni for lhe speeches. And now. from Phonogram. w~ to do, A r~cce, -0h yes. 'fnd~y nopped, for a eeotre, built onto the' rombl~ "I vi:sh to gi\•e you a m,ol\t Hamburi:tt Miss Bunke.t. "The ,µ-eat money from Gold Albums thal were Yov hear about Gold number or _reason$ - che ing ho~J. It's typiN.I of he:irty velcome to Am$ier­ "Htrt. lS II good c.lbum from this. What with th~ Ltade. gh·eo LO him one :1 minute. Albums, Bul dO y~ ~ver slOO matn ooe being that Face$ ccu'ltrnenl•I discos, de.signed dam " Uid '"' suit over the Cerm:any .ROd, ana now J balance and au that, Mr for ten or so minu1.es ''Glad to l,.h1nJ( wb~t th4t 3C(uAIIY ror dWll.tb. and no.t man)' at ml)(e... a nd now I'd Jike to wish io kiH you, The &irlli, Ni>con •ain't gonna :Jke all th.l'i doesn'I happen once • means? 3on;;.m:ithKe:'ioi,on::d w~~; lhat. Wet•, by lunc:htlme it 1nt~duce our mM from they 11sk 1ne to k iss you." thi$: ' Lo11,,g"hter, week, eno\l'gb to Wive a lad \Veil, 1t means not j U1't q:JcOration gig. planned for was steaming, ht:Jiving. -and PftUlp.$ Au$tf'Q:21$ia," Various anlmat noises oon,c The rr.osi tragjc point of mad," ssid Rod, who got a SUCCE$!l fot lM artist. but a Gronmatn that night, was just everyQnl'! \\·as clutchin,; A.n All$t.r•Jlan 11 ccent from Rod, ud •one who's. had p1,1'. lt.d out, 0 probed the sit. " We·,·t sold (subslitute foreign n:ctme;, ~t: ~p~te u~;~ ~·;s R~ ~~ plane, and went home. th Th~t (T'lt;:<1nl the c~u:u:ellation fJ!:s a ~to~~~·eind Pi~~ 25.000 copies ot 1he album. rpeaks for the ije,,elu:< ~~~e:o b~i.:~~~ =~: i:e~~: of the- Ftod Stewan .Express. " was That mJy appear a ~all countries, and hands Over -:C~i: .. poe~'?; H;~s whJ~f.J co;~ t4~Q d!ha~ fh~da ~f p~~:..i d:~ have the!:' sa:e$men - aod ~: r~o%"\~~~YW 3 amount consiclerin,g the iJi:tt t.bey're ty~ ~t!fip~!oli~k~r.t~/f~~d~~ The champers .nowed. and heavJty, ecpteiaUy the poetry when ihmpi tecQrds flew lhe .same vou'JJ or the Par East. In fact h m'?~J~d c'!::J~!· s~d Rod. bit, Rod must ha\·e been just ilb-Oul cv,:ry not:ible- boss­ find ~elllng MY viable prl'I• from t,m£Ler<1arn. Otgt1 ni.$e,s the tasty tit-hit, Were may n9t • ppear much.. . . " ·• very sir:rular to c.he OJ.her& pulled out alre3-.I)' lhinn!nA ctie.... ed, and then amid a ernharrlised. man 1hey crnployt-f.l, eve-ry d11ci, 11•3 sad wnen you ht':Jr chokir,a tor words ••• " t-ut ll s~n•, they?" Jolly good. LEONARD COHEN sends a message to BELL & ARC

ZCZC LL:.2}16 EF LS71X :,tJE.521 TJ E0720 56 36440

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YOUk PE"FOt<,1ANCt:: OF SO LON(; ,1AfirANNE IS 4REA T STOP THANK

YOU STOP

BELL & ARC OUT THIS FRIDAY PRODUCED BY BOB JOHNSTON THE FIRST ALBUM: CAS 1053

Marketed by B&C Records · SUPREMES & FOUR TOPS: " You Gotta Have cope wlth most of Ufe's 1n11JmH.: /',n d , ~oov $()Unds ~~~~cit s~f!~~:!!• an~e~! Love . In Your Heart" (Tamla Motown). T he like he $h0Uld make hl!I going. Okay, let'$ have it . . magnificent seven ride again with a triHmphant. mark ()n the chart. . ~fork Lindsay, ch? ,\h ye'I, leaping s?ng of love. Jean Terrell gallops out t){-Paul Revere, bul noL KEN OQDO; .. This Is Our vina.ice ceenyb<>p and thus front em1tt1ng a cry DaMe,. (Columbla). D81'1• there is Insufficient dng is a strllnge rite. When evidence co create a new­ ?f. freedom •. swiftly ~f!:~ ~~:e K'!!'et~ve;:t I.he lOwn on my Lam- souraj~ here come tM guys look ~!!~1v;f:ar;:i~s~oc';}~ :it'! bibcd one (an do pra.c• monf¢a brt•ki. Quite !t«>d, ing for 1aiobow·$ end, good song. btil is- it. t.hc right material a-round the bend, next ~l~~l~ !fY~~r;f• r!:p°ec!~i,: tor Black. Wtdow? Still, not EffllOPlANS: " Lot's W!fe •• and ~rhaJ)s ndddle-aged All of us have long time. h's- all optimism acdvity. memoriu. Jn fact m1. :i.nd roek and they $Ute 2en° (Song Bird). It IJ «it.her es~ fee'lir'tg together­ 11e ntial 10 llslen to thl5 41$· ~ eratc a or ::;1ow0 ,b~t~Rln~ac.o f!~ ne.s::s. UAIUlON KNlGUTS: .. Popu­ !!:~"lb~" :w;:~ng rttt,';~~ mcnl.vy 11 •• (Medley). drums v.--ith the Artwoods? that permits a VCfUCJl (Penny f"arching), Basjn,i; Oh Keef Moon. No, no, It sbouodng movem~nt Jig up their ~jalogue and twisted was Ginger Hartley. I gfve Al~~etC!f'P~"~!!,ndeBro~f. and down - tbat·s It foll(s . delivery or various current Over 10 reader Ed Spottem, hits On package holidays urve AG1o!;r;a~o~::,$Ywi~ :~ckrock~ic:nio~~;~p~ac~ 1 tho Knights produce faugh, Not to mention Ede. petulant foot In ga}J .ab3n• ~\~n :hh~~?r Uk~$1 :!;~j another entertaining selec­ MARMALADE: •• Bac.-k Ot1 The don. She has a powetful 0 TONY ASHTON: r.-e and finesse tion whidt will amuse votct:i i,nd oJt.houah the f!!~ I~~~ ~~J[ s! Road " (Decca). So many of prodqction is. .a mess il gen• 11:· Thankg:,~i::c~· ~d. Have you us are g-0lnJi. back on the iearehlng ror a hit, flere it featuring (a) good song, (b) writinJ a new history of ~:i~:!'lt~,r ~~: :~pa~: etatc.s a perfectly accep­ IIOLlced how Ed is bec()Mlng and j mitaHna the sound t~i~t' t.iblt deg,te or excitement, £11ghd y less t.3gre$$ive tin aocient lf()up cf)at hu nict- vocsls, {c) wlTat I roe.k to t)elp y"ou with this of a parrot. Over ,o ~~~c ~~a':~: S:i!~ improved with. .tjl!e, and mean, O ver to Gil~ Prob­ one. Con you call my se• (;lrcufar, Canned Heat are and bv Gcor1e. th~t·s my (;rat1dad for his view: uu& in a twenty-ton ar, main aim hr life. frc!,nk1y SEARCHER$: •• Love IS presents U'i with • fine l)br• eS;h-.w, rock, crhic: "Ae.. cre.tary bad! next week? " frankly old bOy I'd I'm living- for kicks man, I Everywb~"' (RCA). Still tormart(e and producllnn lually rrn far too busy Cot o meeting with my .ac­ ticulated lorry at Oulwich coun tttnl - must dash... $()0Mir peel wallpJpfr. Afld an1,1 Jamef' 1'.11yt(lr ls what'!l 1111 this about rne wedxtd betwe,el'I , doubJe TONY ASlfrON: "You. tvie in,itatJni;i the ~ound of • deoker- bus and two i¢e A.od A Friend Ot Mine" parrot? .Absolute rubbish, cream V:!lls just 01.1U:lde (Capjtol). Mr. Ashton wJlh absolut• rubbish:' StrNtham . .MeAnwhil~, back a song from the sound at the cab rnk, Marmalade track Of the Rlm ., The L..sl M.i\RK UNOSAY: '"Aff YQu just keep gdlin,: better Rebel;· which he intones Old £11ough '' (CBS). ts tbis with choice of mitf?riAJ and with a mJxmre. of fire .ind the new Elton John? Over vocal harmonies: lt"s. finesse. "When L see this to our S;Jlghlly confused snotber happy hit and world, il make~ me want to rock COJTUJ)OnderH, Giles r,roof that this long c:itob• cry.'" he annQUnce.s gloom• Probeshaw~ ·· Really, this ls The drum Hy. Never miod, •$ long as too m uch. I'm lrying to ai!~e~o~:pint~e a~•;~ri, s~ectacular you've got friends, you can oomplle my phqtO-monttge con~itte'c\cy.

■ Called In as a replace­ ment for Tony lommi. who is s:tr-icken with 'flu. Gra• of the year! ham Bett. voc,tist with Belt ·n• Are, did not like one record. Falling dead to the noor es Three Man Army Premier present one of the greatest drummers of all time otO$ed th6 show. Gra­ ham's -SCl'fflm was eoough to echo ms teeUogs on the pick of 1Ns week's re.leases. H£ BEACH BOYS: .. Don't T Go Near The Water,.. (Stateslde). rm $9rry but J thJnk lhJs is re.a6ly wet. It sucks, sucks and sudunds like one of Tues, Nov. 16. BOURNEMOUTH Wed. Nov. 24. COVENTRY Graham t.hos~ W(lrt)l.wort-h rocordii:, but Minns, 5. 7 Gervis Place. Cranes, 127 Far Gosford St my cousin. in Ncwc:astJc would r,'!llt ~~p~isJ~mJ~j~~ Wed. 17. PLYMOUTH Thurs. 25. LEICESTER w,nulel have, played Barry Yardleys, 14 Cornwall St Moore & Stanworth, 67 Belgrave Rd. Bell S«omt,e. I tt,lnk il"t; SQt. to di11.n&t, it reaiUy tiJs, fkJC I 28. GUILDFORD don't thi.nk it CYer will. Thurs. 18. BRISTOL Sun. ;~~A~;t ·~ Browns, 35 St. Stephens St Andertons, 5 Stoke Fields. LEE o:,:.. Sat. 20. NEWCASTLE Mon. 29. BIRMINGHAM f~~ames Brown's brother? M1~11¢J\N~~= .,fi!~ sounUOm Thurs. bit, Tako it off J d dnk ft''$ a Hotl& JJ:rOup& Uout t-hat we dldn.'t aod muski~ i,n4 expects t(l see U. ricvlaceo by m(lr.ci unity, 6nd 01.1l. but wr were common purpc>se aod int:erC()mmunication, Tho !)(>mt Jed him 10 Ul.ldn1 it from th~ the- mu$iC prm. He began w1th the accu.s.ati()-n t.h.it they wert' bol:nt of vl•w ol t.1vit. basically out to jump on the lalt$t trend. take: it as their own making and flOg it until it dt0pped. People who were In fl\'OlU' <>f social I~ :u!f~\l=~•:f 1!l~ c.banec but not OOmJ'(l ittcd to lut.ion h11d no torm n he could sec roi; a<>loa t b o (6rthecnnlna ~u~b.,:~ was tbe mini,, and ri~ht then stwws were an• :!"°t::!° T~JeAL,~rms hi~: that. WHn'1-enou.a:h on 1ts O\\'l'l, nounced in tho MM BackgrouM fflennces &0me. months a.so. fo'r lnstanc.. When Groundhogs ~ince Tony Th$ Groun-dhois• succeff we were .in Mempltl.t, stvry Is doubly .a.ma.Ung- wbt)n 1be dlows talce McPhee dedicated him­ ooe conaid(:'l'S tbaL the capi~l over the AU our just for example.,. we were al ~ American self to writing material Yesterdays s.lo"' and Studlo$, wbkh 1$ an t~t :rr b~e ~e~ ~ 21-tt will be. aired from 4 for the group. dovel0prt1~n Qr tht..ir ac-1 has to S pm. Incred ibly f'wlJcy studio where they " l3lues Obituary ,. took a depended upon tti.1,. to tha~ Tbt massive prO}e<:.t ban had all sorts or step ba<::k in Ot'de.r to see the mooiey n:ta<1e ftom the last two w.t.1 put toaeth~r ln • hits and Uttrary hun­ taie that threatened the a1butat hM been fed straight ~Mpplo.R 11 wetks. dred,J of cb•rt rtieon:ls bluos style. 1)8¢k Into equipment.. Mac. fs ~ay.s ocoOvc:er Ron - lff tin( t-tli.diO J•cobs, •"Jbe. reseueh lb.at Elvis recol'ded in. ~~\~:~~~;~st ~ ~dt"f.a:JJus~w:OUitdl!, n~ti; WH alrtad>' C.Om- in Me,mpbis alter he ,,!ll~ p.a. system and are currently pkted by Jerry ~.uted a &Ul a-s three stony silco.1, introv:wts, ~ano!~~J.,r;u:;:e p~:: tC:°l~tw~~~~!~r ~h~fr ~~t ,::.er~:~ cnm. w•~ the ,ype t~t jQumali&t.t, exp,e,ct progre18ic>1, is, It is fair to envisnc(I that it will cont•in ~Jcmetlts of "The portr• lt is ian Bl•I• on the road and c;rs:t;:;ed J:b,/i ac:('urate one. Ron.a the11 ...,'t stan~ 1.alk• ::wy h~~e to Qiv.c one word answers to imp,rovifatJon :1nd electronic •sound_ l11t1 about thOM se;.. intelligent id~,s ond -oMervt­ ill! thceir well prepared ques­ Barre.it (a national en­ tiOM. down by not tertalmnent column• :&IOD5 at1d 90 l just tions an~ two word IMW¥$ wl~rlJl?ruTt:. ~n°J1l~~c~ :~~mtm~!!~i~e!l:"JS'~h~r t~~:: got the Idea to ask Partly the: C'a\ise h1 ..a throw­ whm tpo$,e r1;1u out, Drumm« K it lsl) c.lled when the bs.ck to W. d.ay, when the Thcrc can be liUte dOObt that bsss guita.tist about to start recording Ute '°"ti' de,i.gn b-ti-lltd 1,1pon l,he 1teard about this pro­ Ma,ty to describe to Marvel comics ariwork, aod idelll6 for • therr-e will bt 1,Uterl lrom us o tr ll were hap­ 11 l'c,nl' McPhee, Pi.t:t: Cruicu-.h8nk to expl.U.Q chtir chis. Ken intended that they ,11ho1.1ld u.se i1,. ~3 3 plattottn t.o ;xit gram and wanted to ~~ penl-ng right aow, ~:0ftu:S~:na :~e-oat":~! and Ktn Putttlnlk could, tr tbek mlnti8t• 1a point ,acroS& in th♦ &a01e w.iy as tho 1sn 1hrtt records, know what we had bttn. though~ as n corny Ktn did mon of found oul about Elvis' whti the .,etdng In or tbe: •tudi() was When caricature- who can barely ~hefar w~1~ ~::e ~~tseih:: the 11 thr~ Ground• They may even .1.(';hleve a doubt~. by putti~ a thought- .lltl)t Ure, but I told hff stutter, '11\e blues is jusl w.hat ar~ - way of publlcity, hogts 1>«>v-Okine creaUC>n llk,3 "Th~uik. (~hrlst" oo one side .and concen­ f Wll~ P'()re htltR3ted lbtty recorded • In thi, fy 0-heuo • whi~tl is a: ete. AU the ts.me, their reluc­ their trating on something With the mus:lcal ,mpa.ct ot ''Split" on ~ in nll' 1•,c. Utt: ChM in r:e.~ec ~~fl~~- man. ye just t.au;c.e to draw attention. to ,,nd Ken is the y on~ w Oth(l'J", · Elvis' and. we were ::2 hn~iclt C()7!'. pa:t0 \lh:heg~:fpo1:s~t}ui!,cce~~ tl'iemselvei ln that way w'as .&eel'. It in eri at(h··c IO(lal JIIIDREW MEANS !'!ft~•c~il;g ~l e::; Etvi,1." reoeru.ly breached by a lcttN te..-olutionary context. concerned wttb l'lvls JACOB.\ ATLAS Pas.-; 1$--M"ELODY MAKER. November 13, 19'1 CAUGHT" IN THE ACT

Uta\ lhreattntd to k,,. ;a teol• tlilNMtQh the. centre of U.e- earth, - CHRIS W■LCH. STEPHANE GRAPPEl.ll

·~ · J ALICE COOPER: gift-wrapped emptiness Alice's moving performance

wife.red from a p.ala(MU)' ~11d tead 91,1ftarf.t1. N•lc•lm Price, wh• add.cl Ill• HANK SNOW Uj;Uoll u.ny hUfflOUI" lo th• even,. ~t: ..,~:~;•:~".~• •=· 1lven • aec• itll)' voted 8r'l~ll\'S top co1utU')' 1J1t1er, Withers ,ave • g,ood i1«41!nt of hlmte.W b1.1t tic ed9• was ta.kon ott Ms act ttY ti!• Ton11 e1s-ce F•ur. who at• 1 co;~:~~: h~,ma 90Wfffu.l volce th&\. NCllllrtf., il gutsy bac.kl11a and •". satunfa)' the aceom­ pa11lm 111t was 1Mt.br a11d uninspi red. 81itYAM CHALKER. TERRY REID w•T:.r:, ~le~d '::!--~:!~e -;: Crows~ It •~ 11ot su.rpri.sln■ there. nre. .om• tunlly s1twn~• al Tb• Mfr')', $utton Coldfi.ehl, near alrmlt19h;111", on Saturday. 1, ftll ,o Ter"'Y to a-t thiegS moving and he rtUtd ilgJnly on matc.riel Mnt ltlJ t-orth.comina album, "Watitr," ttew ~ctt for BUDDY RICH 11 J 1uuuuy rll.lt&M, H• dilll aot •Y a word to tho audknai from start to finish, pa,tty tt.c.a.asc most., Ills flltffl.. -•l"t d-•t have tltlu ,H~Y• SOLD OUT'' l,ut m ainly becau.te- ~1, m11$IC , rovldo all th• comtt1unlcaOu "· 11t•ed1. o , onin1 wfth on.o of Ute new owing to demand 2nd CONCERT for the FOLLOWING DAY. SUNDAY, NOV. 21st, at EMPIRE POOL • WEMBLEY

T,ekets will go on sale at au branches of Harlequin Rerord Shops at 75p on Friday, November 12th, at 10 a m .. or by post sends a.e. with postal ouler 10 Harlequin Record Shops Ltd.. 67 Gr8ilt Titchfi&ld Street London W.1 MELOl>V MAKER, November 13, 1911- ·Pag~ 17

MELODY MA.KER, NOWMt)er 13. 1971- P:i._gc 19

Detroit is not quite the Dancing In The Street city of Motown mythology­ as Roy Hollingworth found when he joined RORY GALLACHER there on a Saturday night gig DOWNTOWN DETROIT on a Saturday afternoon is not one of the most comfortable walkarounds available. It sort of makes the East End resemble Cornwall, If you see what r mean. "When you gel out of the air­ port you'll see a big tot on your right. It's full of used Sherman tanks. Hire yourself one. Also don't walk around alone after dark, and that's from lZ midday on­ wards •· - a little jestfuJ advice, but no exaggeration in the Motor City. No daJ1cing

RORY GALLAGHER: bottom of the bill with nothing to lose. And he won.

or a tttulon WJS:On. 11n It. There's an ~tching of with a cross oo che beck., and Michaels. Loud, exoeUent Back ,t() 1he Holiday Inn, a -absurdly tmall (t>uL nevet• Mid'our f! gl:eat v~~ Aaob~i ~~. ,p~~agc:r :::~• \!! ~~~ 'fsh~e~e~~E:ra~ s.elJ.contained outfit. ~~~. ~ag :rcA~;nt~c d![J balry d buu around the <:ut'" very hot. tafns. r take a W'Qlk out to tbc hlD ,with Linda. who ,ays ~~n:~~Pr!ff~ h~:~t there-. t-.-Ven here it's oot safe. have no vou•ve got. -to ge, into your ...we head that nowhere·, sate In Oettolt.''

rrs :r'~ t~f~tit r~ clever words IJlce a greasy, $tlntinl ~n on tt.c Aoor. The sroeU Of dope Is incre41blY $U'OJ.\tl, o.nd tbtr~-s mon- t.ha1;1 one p,enOn resigu­ e4 to dreamt, m t huddle,. in a mtl'1 b1,1t too,kio, ba·ppy ·· Ttie.re't notMn& we can ...we have do about the dOpe situotion in Detroit.. It's t 'liabJe busints& that makt1t a beauti!ol profit, You.' \'e toi 1.0 act it into Y(lol' head Lhat d<>l)ie rolkes kids Colin Blunstone·s feel &OOd" - Dett<>lt Anti• Narootic::.11 <:hi~, on De1rOit. tcletisiOo that evenioa. ,J~k tr~t~{:kl~aw~~n'l~~ smell$ GaUa.gher wipes hi& new album stdnas, Adjusts h is )XI.per bagr, and gets oul qufcldy to !,°.:nts~~l~~e }.~;f~n. eve.ryone ·one Year·

lt':t)'~1l .~~~ l~~l :r::t aad he. has three ColO\lred c:h:IG;)c$ on back•U.P voe.al$, •nd a large band. They blQ.W wlth litt1o ball.; but the $lage,. show ja 1 so well done that It becomes (()lourfUl en,. t.trt.a.tntna, There are tea.rs on many t•ee,s lLS Mvlon delivers a k>n,:, chokJn'1 ~ar pathetic ~ lribtit.e to his old U'iend 0 i:~bea/':tm:rm.:: ~ Aa::! ti~ noticeably up,:et by the nowa. They ..iJ sing a Jesus song f« Du.aoe, tt'a au very humble• , 110d nc-ar to betng just too needs But one that ...who more? d~.tuc. rem there. UI a tittle slice of Detro;c beint very civilised ror juat one hour of Detroit's nevett.ttdlng 24-hours da,y, Wt stay to "ear a Ut.t1e lAe 64557 P3$!( 20-MEI.OOY MAJ(ER, Novemtie1 13 1971

programmes with n folk ltt:..el Wonderful Radio 1? PERSONAL OPINION we have t,ecn allowl'd to Hstc,n lo the m1ait; rn'9kmg of James 'raytor. 11 by KARL DALLAS l~ci~~rd ~~~i~~•' ra11 ~~~~h('w&~~nn"J~ -You're joking ... Robert$ a nd th t• tl!S-1 of them because t~ Y h.a.ven't airril'tged with tbal lf'l (IM damn.Ing a folksong they'ct prol)ai)ly of faint praist".i;. thf' wotd!I •• .min­ 11 --te!J you " Blowing in the orflv Interest ' AH~e~~J~~~J::Ji~~~"~!1~~: t:!i!~ prophet 00£11 anyone dOubt lh:ll this a:nd progenitc,,r of prog.ressiveness. c.reatlve Wind." would not have been PQSsibl(' If it ~auguard, musical epicentre. - a havtn tor this rock Jr you asked them. lO nam~ hlladn'L bce.n lor thos0 dcdic:tt-:d PiO· and roll review~ on vacation. Who0$ht a folk sittg('r )'ou' Lhc E.urcwision Song Con· whole .'lrgument Ignores the rac-t lhd.r tesL that the new tmitude to l>•rks is a dft«t outcO(l'le of the fol~ nvh·•J ,lanm ,oe ,_ I 1ike bubl,ltegum. lhls, to J o-e Public, is wh.it Perhaps it js better this way. lt'.s in s.malJ w•ds, at least. But lbat•.s the poUl,t: Tbere.'s too twenty ~,ears of tht'" f-Olk rcvivuJ much talk, a.nd not enough music. tt~vc adtieved, I What's re.all~• _needed 1$ compctlth)n. I Uve a.ear J suppo~ it is prO{ll't$S of a son, ~;~t>iu'i h!~uf:1~~~:l~~i~ J~,~~~ 1 II there was one eie~rir. folk musi• oeuolt. suJTOundOO by 40 statJon, <,r q:,ore, AM' ud fM. ~r,~m :re da.rs when a f9lk sonli~!! ~fin oia~:Jees~!nft!t1nfol~..,~1! :; :~~~ 1h!J1:J:~fi~! t~eX:r ':o~l~~ !~•tf!"! !&~~ze 001. Bu~ fr•JrmlfAI~ or tbe audience.. CurreinUy there are three full•time rOm tho sQngs like the 8~d's " The Ntgb, Top 30 ~tyh- itatiQn.s and ,e.veraJ other!l' tha1 dtlbble. ln Tney Drove Old Dtxle Down " or tbOua:ht 6 th rtlt.llit be rO\l,nd tbt. C::0Q1<:.r bi!,.C:k in !~d::~ (a1ThJM)~ f:o ~a~k ~~1 =~i~~ J~f~si\>e-rcxk lht d;)ys wl;sen i.k irrte fir$t lOOk (Olk ; ~~ts "!hi:~• 1~!:!l i~re:i,~~ei; atadon, a 'iarylila number of coyntry•wt ttem stations. tnto t)le cholrls. folk ritt.1t1l an~ the .stru.1tgle. for Of coun..-, \his is ;, vtr:,· i,infair :a.s­ &0ciat pro&res$ much mor.? r,aturaJty an~~:si~ ~~\,:'n~}t :=: ~v::r:!~~~t,O:~~ sbows. thao the ~lf-consciouslY s◊ciathn S<"ism~nt, If I.he progros. of pe,pular realist follc epics whJc-b roly uj)l) n 0 11 0 music wo..& rneti:rnre<1 purel:,\ by t his J:i.e;;:~, ~!;o:! ~1tt!~i~~~eX'!:blfnet.0::f1y~ durina lowest common denomiotltor, :any­ ar<"hli.ic phraseolo~y and m<>rk•m()dal the Oa)' It wlU sound mass prod\leed - a for(!, melodics to &iYt them that aut.hentlr thing th.It s t<"pped outside the -sound. not a Roll$--ltoyce. t,,ounds 3et t,y the. app1ause mc~or But •ven the ear-builder$ cb.inge w'1h th..: tlmtt (a lllde 0 Apart from the .narrO\\•~miod­ Motor City wi.sdom. lb«-e). Radio Oo.e's: daytJme ?;,~·~lp~~i~l 1:p~~~~ -~~ ~fJ)t cdness ot the media planncr:s, the 1 lfa1..e. :So Suite Jud y Blue E"'""· N9 <)tie thins: bo1ding b:u:.k lhe revlvat ~~~~~:::~rnc"~~r;,'rit i!1it!~s ~~~=~c:iM,1. s~mpal.hy for lhe Devi( And at all oomts i.s an incredibl~ formal• ••-Persoa:11iiy,oop"' radio has beEn outdated in North deflnnely no An~cl D<'littht, on thii; 1~m. a conee-rn with lo.bets [Ot their Am.erlc-A tor better lban. bait a dec:ad~. ()t any other nigh~. ol:J~OR/JoN1 MITCHELL/LEONARD COHEN/ o"'n ~ake-, couplc-d wit.h ;i -i;tubt:iorn Let me tdl you about Much Mort Mu,k. In contrast wnh this gloom.y ~!~ii~ MMM has rewired pc,p 1.idio in NOrlh America. view, the effect that foJk mu~lt has ~~~f:/ ~~nc:!~~ ~f r;;:s '~~~~. •:,eh~h OeveloP«) by a nidia c:oo•u!t•nt (m tflt Wtst Cout. 0111 hs.d on the main$troam of popular is mo:t and m,c:ire the C$$Cn c.'A: o( t he Di•ke and his a Sioc.1Are3-. Mll)1 hi$ been hrvlnclbk in tbe n'tll$k Js. almost unCllk1.1l~blt. W"tth 8 made up main!; of e.uract$ tom finee e.)mpetltlon tor rad.lo ratings. t,c:,:1:l of pop., too. Put ,1mpty, MMM ,~ :t torm-ula for runtttna u Top SO out t he exlnenc.e of the fol~ ~~~1nJ fi~!!!!e:o3Yw~~:it!:fel~ fleld Jt-¢ordlr1g1'- ot lt3dit,i()n8J $inj:~Jt Wt are still tlp;htlng th.e Mtdes <>f mov.:mem 1n B.fitaln and Am,rit a., rcp1escnt the Establis.hmotll for us over r~dfo station - a "format.'' lt strta1t1llne,f and 111JJ Brita.in. the Fiftits, betm,e 1he long-pJay tlghttnt old Radio jt'i; rah to sa\· l,ha1 if lt !:uidri'1 t;>een on Gnt tell}• show.after ar.othe-r,-ia ~.eo di~ )'OU last. hear a the ~abby peNonaUt,-• ron'nat One now an lndic:Atfou of tha progress thar record bnd t,bc Cl'Cl nsl-staf radio had uses, aJ\d which UHd to be tlu• -ruJ~ in tht! colonl~ too, to. folk wi'd -still be- m thMt tradm.~>nal smaer on the ra;dio? And rcvchi(i(lni$td the wav we listen 10 bor,ng moon-a,~d-June days of be­ we....,•t made. flOW tbat they•ve SXrd ~\lyCr$ mo~ tb111n an hou:r or ao, 1oday would be cpmpletrly 1)n3W3re S1,1nday morning 1n the radio sl-Ct 1 11 ~~~c:~ co~t~tmiio~:~. ~~~~~s fl wt~~~ But who w.anlt ,o listen co Top 30 music tot longer t hat !hlC:h an atdtuCc {(J lwiC wl'lt, ~ow oe<:upied by Famih• Favl)Uf" ¥•~kl~°ri bn~r:s i~1;ts~~~ :~:a~: lhan tbat a.1:1yhow? lf'lg ever e.x1s:ted. wen~ il nOt rcr the dl~ best place tt, hear fQlk music on we've ~01 t <.) uut it, l'i5i:ht IA the here and n(Jw, And ut le.a.st th,o. mu:slc Js allowed to s.peaft fqr 1t11elf - Ancieni Mo(luments Pres.erYatfon ~~~r~~~;; ~s 1~afi!f!1~~1 po,::;?;. radio OJ TV hA$ t>een Ollts.lde the ~urely wh.8t a "mus.le'' radlo oudct .should ~v1de. l'U bet even tourlsb wot.1Jd Usten. MF:LQDY MAKER, November 13, 1971-f'age 21

JOHN & TONY SMITH in association with E.G. Management present

DECEMBER DATES: Wednesday 8th, 7 p.m. & 9.30 p.m. CITY HALL, NEWCASTLE Thursday 9th, 6 p.m. & 8.30 p.m. CITY HALL, SHEFFIELD EMERSON Frida)· 10th, 8 p.m. & 10.30 p.m. FREE TRADE HALL, MANCHESTER Saturday 11th, 6 p.m. & 8.30 p.m. OOEON, BIRMINGHAM Sunday 12th, 5 p.m. & 7.30 p.m. CAPITOL, CARDIFF Monday 13th,} Tuesday 14th, 6.30 p.m. & 9 p.m. LONDON PAVILION LAKE & Wednesday 15th, Friday 17th, 7.30 p.m. CAIRO HALL,·DUNDEE Saturday 18th, 11.30 p.m. EDINBURGH EMPIRE PALMER IN CONCERT Sunday 19th, 6 p.m. & 8.30 p.m. GREENS PLAYHOUSE, GLASGOW * Plus MICHAEL CHAPMAN* & Spontaneous Combustion

* MICHAEL CHAPMAN appears on all dates excluding Scotland. SPONTANEOUS COMBUSTION to appear on Scottish dates. Par.r 12-\1ELODY '.\tAKt.R, NO\

The soul of Bald Mountain BY ARD RAY of While Lightnin', in London lo see Zachariah, his debut movie, talks to Mark Plummer

CHAPPEL~S. ON THEW SIDE OF BOND STREET.

T1,tte·s- a grt>tll nc:v. 11IJ1C'~ 01, the 'A' For your infarn,atinn.Ou,~1 '1 ha,e an in!orm.amm dc:-k. whic-h 11; manned Mdt \t,~~i;~~~!,t •:(~f!~~o~~?r';~~~~-. c11mtLc:;. and <:arttic4;e:, thi-s Sldc of the :i:~~1;;;~1~~•;c~J'~i(~~i·:::~~ip~~~~- Atlnntic. Over 25.000 rt«ird'il, over 5,000 progress.h·e and clAii)lc;al musk Or­ nu,~11.:,1"-Setl~ aod ~lc:-tt'0 fl c,1rtrid,gcb to nrw~ of the ll'll~I rf1"3~" and h ,~ tVextMElYcn-Chappclt ·._ makes sound IC't\K toit:t ex.pert &d\'tCC 1,/nno(,(/J~ Durin,rthewf'tk we·rt open from 9.30 from people who rt-ally know about M>Und I ill {;JJ(), cxcepl for ThutP..da)' when wc'n:: quality. open 1111 7.00. 50 l'hilipa Porrnble Cnsis-0ttc t:J/Jl)ttf $111Yrday Wr:'tft lhtre lV htll) )'tJU CH\ SaturdJYi, Pla)e'r'lJ tobe wo,,r Wfltch om for 1wwt<1f roo. from 9.30 till 3.00. famous penon.ahues srh•mg, awa~ rrte h's all oan of theCh2pPtll'sse1,·,ce. pon.a.ble Phibptt caMtttf' plarers m CbappeU-s. Momin.fftdilres'. CHAPPELCS. Opt,o fro1119,30 am. to t>.00 p.m. weekda)'&. . Late night ahoppin2 on 'rhursday oll 7.00 p.m. Saturdaya 9.30 a.m. ull 5.00 p.m, ~F,U)OV MAKltR, November 13. 1971-J>ate 2.1 ICHARD R Perrv is a producer with an im­ pressive list Perry of performers to his credit. Captain Beef­ heart, Ella F i t z gerald, Barbra Strei­ sand, Fanny, Safe Tiny Tim, and Nllsson have all worked with this New York - born milk ElLA FITZGERALD/BARBRA STREISAND/HARRY NILSSON/TINY TIM musical director. Perry has an exten­ Now in the honoured sive background in position of being at music from college writing in the in­ the top or profession. musical comedy to famous Brill Building. Harry's girl

AlfA GIIAHAM: ex~R:aefet FREE! Fabulous Full Colour Posters with Scotch Cassettes and Tapes Savo up the tanan 1abs from lhe Scotch packs And we'll send you a free 3$" x 25" poster o~ J ulie Ege, Elvis P

Harlem

Ptrry produce,d h(s l'lt$t g.r91.1p, ft bundl of HarJem kid$, b.iek in 'M. At that lime he .\nd .i friend had an 9ffke jn one of the mu&fo bu.il(lin&,$, •• The SU&el tr•ffic was incredibt~... he. $.lys now. laughing, " Yo\l never bad to leJi'le your offict1 and bait 1.h~ perfor­ mers and wrUen fo the world would cnme t◊ y~. T opened lhe ()ffioi: tor a couple of reason$, bul oo~ of th~~ W'h I Hrcd of ~~~.!~B ()n other people's It w~ the.I'\ th;it Richard l'eny fl~st mc1 Tiny Tim. '' We'd aet \\11 LhC! New Yotk freak.s as wfllJ as the ghetto kids," Perry's flr$t session for .t 'five There's no limit to the number of ::ade:;.u~.hl~k,e~t;: li~~r~ retatlve$ st ~he 3e$$iQ-n than posters you can have - free mus:lclans.·• rn the betnnlng Pci:rY w~ See how last your tabs add up to posters I :r:re~o!!h~~~c~. f'I' ~ 3 Tabs lor 1 Poster. 5 fabs tor 2 Posters, 7 Tabs what I Wit.ntt:d, but l was for 3 Pcstors. 9 Tabs for 5 Posters. ai- the mercy Of the etlg• In VOtlr w i1h an application form. 1ri~e-r, NOW J J-Amtric.n&, as .seU,con .. trom me '1, she- is a seiOus oHx>ut sou1 mu$1ic M protegt ol producer/ tbey wert. .tbOut soul f◊Od. writer/bsndlt-ader Willie just didn't talk about blues Or jCfCC,I\S, l\otitcheU and ~ords ror 1 his Hi Records ltibel in s1n~:~:"~bo ~:~e ~t~~e: ~:! Memphl$, Tennessee. And line into general acceptanee. like Green•s hil, her Witherspoon bas agon$ aloog record hu tl,i.at honed~ sugar with the concept or giving down, beautifully­ pop m.atNial a stooe--blues RaVour. Pr'OJM?rtloned arra.ngffllenl llfe. "My producer, .Bill Which proves yet ~•in by LEONARD .. The-re's; no doubt Ular. that Mitchen is now the FEATHER B.B.'s $U¢C(!S.S, <>n the same !Mtt!~:· .!~t~1sp~n. l7r ~!~ finest e.ler gO<>c,1 •.ulU.hK .album.' ~at b:~ ~:;:! l~~'=l:: ~~:;r;:& achieving membership whe1l we were working Ur meant tor me to keep f'UY hurt.buL defiant timbre aether -3t the Apol\o Theatre, m(ltllh $hu,, which I die, We which dlslltlftttlthes Ui♦ very of Lhe superstar club, he asJl.cd me why he could used a blues.rock backgro1.1n<1 bt~t or thO southtim s-oul the fringe benefits for never &et. tome of those ·rhe whole atmosphere of the ladles Ukt. Doris Duke •nd conege oon<:er1 daces. that I $U$ion was dltre.renl from Candi Staton. other performers are was pJiytni:i," anything t ever had fl) the 24 H's a voke, whlth $0Und.s becoming apparent. 1'hose are the breih. r~~d~%' like It eontains che ye~!~:l' ~fony off distlllatlon ot " who~ lot ot Jimmy Withttrspoon, tor ~r.~~d· : h~lu~ ~/ ~~ wat a nine-minute track uperitntt. In f.1ct, .she'.s instance. has been crying cin.:1e,, wa$ the added-starter called "tes-t.ifyint," iJI whJc,:h the ever•loving Q1 ues for ~nsilion (>f 1.he 1959 Monte• ·:~~dhe ~~rr:tes ~~d;{:;~i~, ~ru.t• a: t:~r~ :~e,/:e~~ H close to 30 years,. bt,1t to­ rcr. Jut festival (" J was hi$ bJue•befoaguered lire toog.h as .she sounds., she day, at 47, he is enjoying r:.~y :i:e ~~~~:r~ ~1~J t~: ~:~':st~efe:~: !t~f:' s~d_uls:;,; d:!'~t the kind or ptomotional he has t◊urtd Europe and ~if;~~,!~i~~ ninety'•nino pounds.'• support. companies usually Japan, recorded for a half mother, ten bet not to wa&te Ann•s sinKing experiel'l(';e, resen... e for their rock and dozen la.belt, and enjoyed her tcarsPCausc l've lived $0 beg~ Uke. .so trui.ny Otbe:r folk heroe,i. moderatt' succcs$- ye~ s:ome• JIMMY WITHERSPOON: char)!Jed my whole life. fast and reckless and l'vt black artlsu• In thul"ch. She where .along the way B.B. shortened my own years." 1ang with her f•thcr in the pa;t'l:!,t'~o~!ir,fl;!y~nWj~: Tht:1gs are not that rough choir or the First 811i,cllst ro::.s~~:~: i~~~e~ ~:i;~~~ by their audlen¢e$, That was Cburch In her home town or ~~"iii;• ~a~a~~~d onm~ been saving his -strenaV, tor 1 ::k :~:ein :,e~~r~~rar ~f:u°r!i St. Lor.iis. MIUOUJ'L After the latter laps. t~rtl ~~~io~b~ t1tei "r~; Both sinJCU ate men or ta~low, held in low estetm by s1::~!led,, 'fhe'lmN~!'hlHa~~~ ~~~v~!gs~1!/:!':r~ she l~~J!?f1eve~Otltt"aveb~ p~t~ bla¢~s and studied_ as an DrOve OJd Dixie .Down," he :~~tif:s th~ffifnt ~~;o~~i"'ll~!°1'm~l~x~; ~otcric ort by a small was p,irt. ot A oompat1y thal WJ~k~,n :: e.~ minority or whites. included Mma Cus incl the When Wllbe($poon sana hi,s James Gang. f\r$t blues in pr>t,Uc, the "Al first I didn't tMnk I conditions were Jess than could do it, But then l ~VetltJ~nal, Uc WU 19 yea.rs realized - cht m~lodic Une is old-, in the Merch11.nt Marioe. great, It's a heck of a lyrlc, so touring lhc: Far East. " On~ lime wo laid over In =~?n no~~~a~'fuJelt itl.t; ~~i Calc1nta. I dropped in at the b,~~. to wind up Grand Mot.el, where an Amr.rl• :~~ 1i~= SPoon un indeed wt-,i;ve ;:a,h~:~ h'iT~ts T~i the unlikefiest fabric into band. J went up and as,ked if well-tailored blues mate;ri.i.l, J could sing • Blues: Around Civ~n the encouragement of a the Clock.' Th-at wa3 the be,:toning." ~~~::t. ~:w:m m::C~ Jv}:d?:i1o~ J.n the post~Marine years he that WH so long designed or dubbed around, toured wllh the legendary Jay 'M¢Shann :11:redl«J~~ ~7t?J~g :~~WQ, band, and ,n l952 had hiS dign.,ty, c<>nndecnet: and pu.t­ tlrst big reeord, "Ain't l>Ol<• album ■ A new 8. 8, King Alb\lm $s It.isl "Caldonia" get~ cracldn& g:omE-thlng to note. and the with ,.s().roe R&B su. solo, the ~tt H, 8, recorded in L<>ndOo guHa.r hits a good groo,•e over IJlit June wm undoobted.ly be .i welf.il,11(1wn B.1isi1:1 ,Hr, and Popular. B. B, KING IN LON· Ou,cer BenMU's h•rmonk-' OON (PROBE SPB 1041) h .. wails out handsomely, A a C.QV'fr picture qt K.lng and ehanae ut sout1d ccu,~ whfl two bobble.s oul$lde Number " Ale.ts Boogie," a rolky 101 and, on tbe bae.k, a pba10. aeoustle perfomuutc~ by lU.Sttc OenneH and o1lso reheanM!d and played. Pete-r­ la.duding Doctor John, Jim Green, said co have betin Keltner. DaVid ~jnozza and present on one trac-k, isn't Pete Wlngfield. It $h0111d mentioned on lhe ln$trt with $OUnd llke A SUp&◄ll!SSIQn lht, ttlease. (which, In­ cidentally, I didn't receive b1,1t0 Att.t,ou.11,b .i,UcAetive ~o.d personal ht $0uPd (as ~u With the review c<>py) and I B.B/$ albums are). II Set.rrt$ t() canno1 hta1 hl.m. Doctor John Jaelc somethir,g In lmpaec. pt•ss au11..1r on "Gheuo There are plaws where th·e Woman,•• So tbi.s for '""· 1!1 King volce sounds u.nder wraps, other place$ where S:OOs:~. lndl~ola .. m=!j!!~~i eltber the rhythm de..partment Well" or evt~ "Ll,;oe anl hol"n.S fall to boost car, The t,naJJ group :he~~= !°~dK~f s~yl: :::: (v Jeffy Bread wHb SC'Ott., and a tra.c:k llk"e, 8 d on dnuns) w!){k "Ghetto woma.n •· should ~~~!;e ~WW!rnlt!~~! o: deli1ht :my bluet ear,.-M.J. song wrluen for B.B. ~ftt!eteonW~h~ei~.r,o.Ji:{,! own •• Ghetto Woman,·• ,tow .:i.nd .smokilY sung to a gooel UTU!liC'nltnt with su-.lnP. and :a~~s :ol~el~=ou'.,°]; :::rkA_~ll!~tll~t to7r:!.~ l~ar; ,omtWh.\t dull vid hUv-y. The horns. fir from brllUant tn general. sound about a.s adventu.r(l~ htte. Q tb.ou< they •"'--e:re $ltllng .arollnd B.8. tn wheelchairs. Some ot the horn a.nd vocal work wu dubbed on In the U.S. Out •t 8. 8. KING< und,.. wraps MELODY MAKER, November 13,' J971- Peg,e 2~

\

• ~- PEG? September Productions Ltd Pegasus Recbrds 37, Soho Square, 1.ondon, W.l. Par,e 2f-MELOOY M,4.KF.R, NOvti~r l3, 19'71

Valerie Wilmer talks to the men who appear with Omette Coleman at London's New Victoria tomorrow (Friday) Song Ed Blackwell: a question of of survival HOULD tbe European jazz listener be even S cemottily concerned with or interested in the Dewe environment and sociological implications of the new music, armchair theorising about the background and lifestyle of the wretched black musician just isn·t enough. Just a.s there does exi.s-l an e.udJence tor the: nt.\4' JtttlSiC ln New York, al least, so the clrcumst.ance:!I under whJc.h the .muslcJIUt.'I cxlsr havtt to be seen to be belwved. Take Ed Blackwell, tat example-c,ne of dte mo.st versatile and tak:nted drummer.s in the world, but tal11nts don't con,~ much more lmpoverlsbed. " You have the leeches and exp.loltert, tbe-- people W'J>o o~toU lhe Jove we havt ro, mu.. >e, " b0 exp1,alncd kindly but wea'i)y as ooe -who knows that hooat e.readvlty ls ·no match for &h• wile-. of the entry, caJJou.a dubowntt. ·• They lake a.ctu.nt•ae or tb•t love and U'J u:nutlly for .oolhlng. Tlu~y know that )---OV w-.mn• play and you•re gonna pl-r, arid they offer >'Ou what they waat t.o ,tlVc you, knowi.q lhAt. )"041 mJ.alU ICetpt ft SIQJpl)' from the fat't that you might bave • certain aroup of cats- gel together who waat to platy." Re;slpa.Uon ii .amped into- every line- ot Blackwell's face, In Ill• ,1t,,nt of hb sbouJden a hd in the wq b@ walks. yet be-bind th~ c1ru.ms be bursts Into briJUan1, vita.I lite. We hardly ever p]ays wftb &11:)'body apart from Ometle Cole.min, bvt wMnever he does play, he make, the drunu slag and dance In lhe manner he learnt in bis nativ• New Orlons. •• When l was a kid, mst ot the kids, we used to • C:bJ:Ld On • conH!(. We were too young 10 ao Jnto the Nrs bcrt we'd stand outside and Jlfft:n to Che reeords, y()i, )qi.ow• .and w• wovld alway., lHt try'ina to dao«:, There Wl>Vld ~ Dke- a oompetillv,: tb.lna soing oo with the dancing, and th,: wo\lld put up prius ~>:: 1:::::; ~f)d~Y.;:;.,"t:~ :::; J~:C;ewi!!~♦out ="::1-!J:a~:t~~~lft;t:,.~:;v::!~~~d~:s ':!rn:e fr,)ffl the fliU:lef'als. It wu treat, ud ,o I stlll 1rir to .m.tfntalo that tee.Una when I pll)'.'' !Aler atackwdl had it.Vetal OJ>PO,Wn)tJes to vlsll Ahfc~ -.nd listen 10 drummer, •t weddinp and funttalf whlcb, Jud as 1n New Ortea~ a~ an ocea.slon tor merrlmtnt ralber than tea.rs. Tb,r0ug" the 1ix>d aus.pJCts. of lturno,eter/trombonlst, Cllfford l'Mmtoa., .Blackwell ae<:ti.red a te.chlng post 111 pe,n:usslOn constdta.nl at Weiileyan th:iJnrslty In MlddJctown, Coa.neetlcut. !!1!~~:rtb~~!.fJ:: ::~Ja"!sei!s A~whom he lir wilting ·• What I'm. ~J.' trying to do now Is to open th& rul.ntb to the- frtedom. that t'M be aualn«S In playlf\& the, drums." Ji♦ ~14. •• And trying 10 get tht-m tc. r~IIJ:Y bea.r the drums- to b<' abl~ to phrase, b«auN h> be able to play the lhJ"8J that l heard ICI Afr1q, he hu to really hear &be d.rwn1 as a &11'8'fna murumcnt. So when r g:et lhtm to the stage whert I tffl Uk• tllcy"ve rHlly got off wh ■ t's b:C:P41nln,g wltb the d:rvtnf as tar U.='i-:-:o:: .C:r!~e:.:r:swo:.C~\{~~!~1 ~.i: ::;:m!" Other drvmmu$ sound llke tMy•re going throu&,b tbc 1udlments 1ns:,:-1a~l~'r~c~d.,:.~ t~; ~PPr~t'll the drums like the au,•ae la:,ma.e would approach the clrUm;t:, jvst q .&Omc.thtog to beat on, whe.lus lhe,y can be 90methlng: Jutt as melodic u any other instrument nce:pt that you cJc.n•i have the fadliUes for having a melody co.me out 11kt the other 1nt irum-e:r-u.. 8-ut when y o1,1 w;e different volume control dtfferut a.ccerit.t-,ln other words, lf you slog with tht druml, then )'OU '"1Jy ,.e, It tq ha~ It come, out like you bear It ar,d that' s: wh.at J tr}· to do. And in Afrlq tb~t•s the way ' the d.nammers ptay, lh•t.,b an this 54me thin& and etpcclally ~:t:a t=ri!:tt:' irsv~~:o:!~,-drum-they really Because o( th• wa:y Blacit'weJJ It illdtJJbly assoda ted with Omette Cottman in the mlr:adt or New York mUilc:l•os, he­ rattly &et$ WI~ tor other a.ftcS. thougb he C,id c:tULke a rt«ftt eoocert with Alice Coltronl'. Since Cc>le:man works 50 lnfrequentJy, the drummer regtirds the quenJon or JUMval with !ftlXtd ftellngs... How do I make ltt Yeah, that's a good_ 1 1 :_~•::~ ~-:!7 :i<;:;,,r::? ~= 1 ,t:;uita~•t:J::.;~~1 to make ii. Somettmei I'll have • tew, wt1i11t.y0u-call, treetanee Ns, but m<>t1t of th♦ people, most ot the fellow.. J KIH!H 1bej' dOfl'l caU me becauM. of the faet that the~ feel 111cc I'm Omette's rea1,llaT drum.met' 0 f,faJbe they ha ve a hesltaney about' calllng me for a gig or sornethle& \lltb_lch J n.ever try to tncolilngt,. anY"Way, beeald(I mos-t of the cai. I VfOa.ldn't. w.atb-1t•s pretty too :::e~~rn-:s!!.t: 8'~cif~w~;,~e~nr;{·J:u~:: nOt, to play w1tb them. other nwsidll, always approach me wfth a theed thha,g Jn their miltdt wtit.reby they fed lb•t wbat rm dolnr, Is not going to agl"ff whb wlia.l tMV're doing: And ri,gbt away there-', a ~a.th. 'They te-el Jlke I'm not soin.s to plaJ• wflb them a, m.veb as I do, Wt after we pl• >' a wh.ttc- 1 poss tbe,y he~Ja. to realise. ,...,, It's not Ulce th•t at •IL "They fetl it's gotn, to be a clastl but reall)' It's not a duh at aJl bet'au,~ thcrtl'a no eerta lr:a way to ~•Y· J'Ve n.tYtt had no certaln way to -play tho drums. reaa,rdles,: or wfto I'm nl•ylng wl!b,1 because of the hct illat when 1 ,tarted playbl,t !t.-:ttti%~t Mt!hr~~~fi~t!~u:Sio~n%J;°~ ,:•:_v; ::.,::: from J Mar tJriiat hnc ftf\Vet' rf!any llst~ntd at Rh),'lhnNtDd-BJue, - or «:Vffl Charlie P■rlc:u! •• You'd b 0 ~u~rt!«i al thr mntl.-Jsntt N>w th&t's sui,D(l~d to be su.r,11 th11t are not aware of CbatUe Parker, man. And tha.r takes • lot out ol cheh music.'•

Name of your Bob Grocer Post 10:"Pop Pu12le"Con1pelition, P.G.M.A. B0B ltd,Dcpt,23, Canada House, Field fnd Road, Ruislip, Middlesex HA4 9LP. ED BLACKWELL: singing with the drums ,I

MELODY MAKER. N,.weMbe.r 13, 1911-Psge 21 ls Derita falhtr lo lhe Mothers? ... for electronic HERB COHEN, manager of the Mothers of lnwention, Alice organs of tone & Cooper, Captain Beefheart, Wild Man Fischer and the CTOs compact power talks to Michael Watts

Uvcd in i:, bQtel room for a All h-11.ve, a h,eert o~ t:heci ao o ,nl(lo, a1e(1 clrcu ts ol pmsT off, you should know that Herb P'◊"tod 1+'!liiib•ltty ifrd uUerly s.mp e °'e,,,c:,ng. Repai, , G~~io:ib;~ I •~u: ~~~n~~1~k (>" rare, is th ♦ ccc-ailoitS I "leCe$'S&ry ,~ usually just o Cohen likes to think of himself as an we sold m◊rc ~ha-o J0,000. A aware person. Lately, for instaoce, he has me;tte, of I :hng out a module <1nd (I t>J) r,g In af\otf\e1 ~o:f ~!l" it i::l brt~t~~ T1',•JP. 'works: come ,n three dif!e,t'nl. tleliglulul housinqs been keeping in touch by reading Alvin never Twp 30." SAPPHIRE 2 (ctnlle) !$ a twin n,~n1,1;;il 019"."lf\ w11h two Toffler's "Future Shock," the current Herbie h.ss leame.d to .suffer 10"' .$f;,eake•s. built-in ampl!f1er and 1Q'\'e-l'o f,nls.hed In !n sweet s.llence the vAgWei teak Ot walnvL £249 American best-seller about society in the of certain recofdjnc: ltrtit1,ts. 1 t,jke, for example, the man TORNADO 4 (top) 1s a SJngle m~1·.11a ~ o<.1a,e, organ seventies. Nllh 49 \,;('-;s bu,t1.,n ,o wau amp1,r. er The blurb on the back of the book says it's ;:a~kwe~ aoil two G ,;.pea.1.E1""S II ,, housed ,n a about " what is happening today to people and V1iet but t¢ugh pla-sttc cas1n~. w n, d,:.1a~hab!e !Ater in a c: ess 1,-96. Tt'le wttot~ thii,o 9,:1~1<<. a...,a) nto and on 33 rpm groups who are overwhelmed by change," a cei ,y,ng case '«t>!OM tib0ul ~0 1tJS, He,rb Cohco never \et.:; anything Qvenvhelm him. Ot Be-ecf1'eart.' CO$.I, CQl'l'"lp E.'"le 'II tti ~>.!)1t1$$JOfl ped.il h.is g.rQUp.s, Thafs Tight - hls grou~. Herbie manages rock musiel.ans. Has been La~~!:fer hrsH~, b~~fir:~ .£!~0.00. Tornado3{.3oct,;. t ► toSOO fo r yftars. Ask Fr.ank. has b«Jl pretty s-wcll '° SAPPHIRE 1 (twow) •s.~hOl'l•I"' Model Jio and frank. Za_ppa ha,·e ::em;:~• ,ihitt!~t~ut:t:a 11'1 l'in(I gr-a :ned ,...ooo tir.4 lhf' same alwt1y$ t..H:en close, e~ since .inotMr one for Slue Thumb. spe-t10(tthon a$ Totn<1Qo 4, Jus1 3:3 foun4 himself In a lot ot legal 13 9 (approi}, 1l 1ucks. awa-, In a :o~e t~t,r~~k tatf:fl;w~ hassles between Kama Sutra \!E l 'f Sn'liill $pace. has 1h~ v()h,1o•e h) fill ~rty tn '65. Now Herbie has and Bh,• to who a sn.311 hell. With exprG-S$iM pedal always been a 4rea.t til.Jent­ Thu1nb a., ctwo~d wh11.t and who $.lsned £f49 00 $J>OUct and lhe Y(lry Q,tXt- d&~ where and when, MJster ~ went into mana.gcst'e/lt Seefheart i.~ not exa¢tly what It did.n'l matter that .be didn't FuU details of all these organs iJle give" quite undcn.tand what Zappa l~~ne~i:~~. ~t F:~k-,••~u~g Jri lhe new Rosetti EiecltonJcs. Brochute, had i:n mf'nd muakaUy - be $er1d lhe Coupon fo, yOUf«JOy. recognised some.one else who ~nx~~iie!J Yfoi: ~te~ob!~:t was a5 aware A-S htm. him. bailed him out. Or T hese days he looks after rather, the Wk tell on Herbie. ~~~ b~:!0 Wo,tn:_~r ,~~~lre! whom It took sb montlls just and t O&e-Lber Wilt\ t-'tank OWDS ~~t.an"J!~~ents~t the legaJ the 6iz~ne and StraJgh.t labd.s. Frank saya tbat Old Oon,w 1'e:o years. ago he w.is a w-.s not ,t Ji;Jl like .he, i.s now when ~ wu a tecnaa~ 1 wse1>all pitcher. He and it! i.iO:~:aJ~t ~~~t ~!l spoku Judy Hen.ske, but he wAS FNlnk have oot in qui~ over * year. The Captain WH e."ough to make the a t◊ueh mltfed that youna 1.rans.lt,ion 1nto rock when folk Frank would not tak~ time obaa&td over. For all £.bat, be t(I ... compact ain · · ·· mu&:ic He used to owo a ore t>eefing. Herb lhlnks he's iiiii::::-,,,-•----- ~~~t!S one ot I.he be.S1 blues slngui; ~:;w:m~ !~~~ T~~ ho's cVff heard, that his 1J1:1toorn. whJch W3.$ t.ht: lint oolfee bnuu featuring folk to IYriCs a re $he.er poetry. and LEO open ◊fl the_ We:s.t Coas,. T,hat th.Gt, it l'()U wsnt lO ~Ut r:opJe th~ >S~n:tofl'l t~~ .....,:s~ Beerhean any.vay. •· The reCOrdg .are­ expenses- () wl\ich &Q0 dol rs -sooJological $tudi~s u1 the were for JI ,trte !lutge0:n. special effects -s~lftc-- JHest.)'~ ot people When Hccb, a Jittle roy-,tifled who were tbe pradtlct of the but patient ne\ltrtbe1es,s, rock~lrure.'' he tetts me • .ind do Y\'IU know that there =~~:~:'li'ee~~ie.!1riedst1c1.a :err ~~ fTIQre Wild ,\lar'I Fisch~r th.ert's Lhls tree in his front .ilbums. \l.$f)d in textbook a nd Prt~!yBMJ"c~~ y!ltd that Overh.an~s hJ,s ...h.ouse cJuiroom (n onlversJties tlum to rumoutt, and he wanted t<> make ilUre f! l~um.s by any otbe:r artists? anythin~ on Larry Fischer, the. vibrath)nf from the Y¢S, lt~rb and Frank arc Ht.rt,ie 1auahs quiecfy whe:n amplifiers when tbey wer-e this subj~t is brouiht \1p rehearsinf.! didn't distutb the. ~;itt;\~~:!!,,, '~t:!~.' .rilctur:!~ becati&t" ~s ~veryOnt knows t:.tte so It wO\lld gc~ angry JEN 11t0b,11!)ly la1t, re-C'ord lrom e.nd t.be branch would fa11 on bends music Into something new, strange •.• p$}'¢hOlogl.sts and .socioloay ~e~o;;ci~~~xf~tf~ s~~.,!};f the house In retaliation. m.aJort. And 10 think thal aod then: may be a Wild ~fan Heth iallffH$ - he realty and uniquely yours. This is CRY BABY-imitates the sitar, growls Ftil!lk picked hlm up from tbe Fis-ctier t-An ch1b and bA:sebaJJ doea, 1,ecau.!'le The Captain out a new guitar note, turns bass funky, Imitates a muted $tre-ets.. >A'her,e M was sinS.il')t 1-eam will:1 uniro.rru and 1:1U, fer dfmes. but mill i◊os of record&, he did ~ei ton trumpet. Then there' s Double Sound, Repeat Percussion, nOl .seU ~.t, ~inror°n !~t.:~!~ h's C'urious. though, how Bel!fhdrt also asked for 20 the Treble/Bass Booster and Distortion Booster. All written up in the Herb $eem& to hllve lhrown tn Ue''3 :an unfortunate Victim ~et.J or sltlt;h bells. N.aturaJIY, bis l~t \•.+ith ,nuslc:,aru: and of the culture, ~a}•.s Ke.~, and H¢rbh, ASll:ed b1m what he Electronics Brochure. Send the coupon. you can't deal w.ith. him .on needed 1hem for, tilcte bt-i.l'lt rnw~~:h:y!s~• ;:r ~c:~~: any logical bas!$, He got paid only il\'t' people in tbO bud. AU« cooper - they're a f.un for lt: ·• J never gave hlln dnia ad - but • . llkt Tl)c large sum&, of mon.ey. but ~~:r, P~:~icr O)~s o;;\'e!"~~ Captain. for example. tte·s- wb.at we- did we!t pay him :ill - and If ea.ch pe,rson h.t1d every week for a !011.g period C)l'le set of slei.&h bells in each ~~!!Wr.,u~~O:r·,.i:~ ~~~ of time. 'l"bE- point. Is. 1f we hand and tbat's. still or1ly 1-t paid hlm an)' money It waa PLEASE SEND ME THE BROCHURES I HAVET1CKEO t~tc_ta°n1 l~~~~ J~o1:::t J!~iT! gor.~ the next <:1ay. We tried ;!~·c!:-u~~s ~i :~~/~ Pla9;tercaster. AIVing bin, l¢me money s.nd with 8eefhean W.G ttard to thel\ be was, back the tel1. Herb asked hirr, what be eo p.'JJJt: t.fcctronfc$ 8-rochuro ( Arn;;s,,millcs/ !=i NAME bu~Jie~ou:f\h ll\~ v.~gt~!fr followln8 dq. l M.eab, tbl!' SENOiHISCOUPON ~(feds. e1ec11oole-01gans. ref!(J otgfJM I intended to do wi,b 1he $IX TO ROSETTI ADEPT ► i,oo:iJ ou1ca!lt, Lenny Bruce. Qther sets', and llee.thesM ------,41lpiJfJe Gu/li,l.r Btochure (111cli:tin9 i~e Ji'~;''~m~o :~ ~~~l $~~~ ttplled, vcr-,· w nt'idenUaHy TK£ HOUS£ Of MUSIC tMndOllnt$, b4,u4s_ ADDRESS t lothe1, ....., $Ilk $bin~ Stl.d an ~nd"ceftssorie.sJ □ u!.:ni; ~~~t v~~ ~:~~ki~: and. Coolly. '' we'll overdub llS-140 OLD STRUT ena.iecm.i::nts foe 3 time. AnCI - btll he w~s slteplnt In the them." So, ~s )'OU can «J.pageC<>mbl11ed8td$'$aftdWdw1ndond □ He,b. He WObld leave his kld "treecs. $te, dealing with Don on a LONDON EClV Hl Student /rts·ttu(J)ent Brochure J CJVt-r at Bruce's house. Oocs " What we dld wai put hJm certain teve:I ls Just not J.h~ that sound Uke a monster to on a 11alary bul9, .and fpr the MM 13/11 you? Ar,M t ime in ye&1e. he. was CONTINUED ON p53 There was a Lil'l'H! when The Sl~es,lng In hotels, and M ----1••--••1•---- Page 2$-MELODY MAK£Jt, NO\lemt>er 13, 1971

VIRG IN NOTTING HI LL J~ •lbUn'I• .. Uffl[ Se,tSA'll()N LJ sort MlcMn1 Iii i .W 2. $ Q Tull/AU ,ch W ♦•~ ahu weetlt ,n Landon· ,:; Tat ,,._.i/~I Ult 2.11 anl ~Ctr Of t,u,:;llic119 Olllord Stroot 5 000 vrn.e;m IIDP0B.TI:i 0 EJ ~ crued li un,el'I be1t11>S crowd spec11:1l reductions O WOO(U:110cll 2 4JO JIO 0 ~111.,M..-tin / 8l"• lh• '"'° ♦ ll l'I)' k)w c,;11 ,ig ♦d, t~O'ld 11-oc>r ((IQM N ow, l'l•igh~ ;1;;,.;n l.boetiwi/Ch.•po 1 0 i~s ~:ea:;si'e~~o:s$k:n 9d I ~Jt!t ,t.leord Retlif Price°"' Q ~ Mlt$1'1.. 1 / All album.t tompultl.ve IOtCe wli,Ch d11Ye$ pnee 180 \lw!M (II\' 1 1 01 v.v't. 0 ~;~~:; 2.ff 2 ,60 MAGlfETIC: PICK•UP ~:!; Ip Ryff'IO a1,1n1tto e,vs, □ ....,J.epplltll\111 Only now c;illl WO f~YQ.11 1h, S,50 answ,u - 1h1 ;nos,shbf• luro 0 ~:l!{.r.it •.OO p FrelHy Kil'IO/G·.wn1 Rudy O t,-:™:tr:up~o~:£Alh.~~11tt of vi:,y che•µ records e-i~M O IC♦i1fl Cflrietmu/f"ygmy Slr&IJ ♦f\d 1:1 ,ght tel9 Of head 0 ~~~f~)' $.to 4,50 0 =•""...,., I. $i.nsr 0-hlYlU NOi much b~tw('.fn 5 ,(0() porll• P.a - bUl • tu,,. 4.50 •-2b O M-llw Attdlfton/ Bri~ht City -M.~:mune/Nlc.ely out riony 10 tl',e utabllstlment'£ O ol ..st11JI\Qe tn(l-u"ettc euuchon Q Hico {.Cbelsn Gttl) £NO OF AN £.RAPJ-tON! Bui OlllOfd Str•et l'I\Oy ~0011 [] ~~!Qi! lea!:r'~~~l>I s,~~: Mili.t Oooc>1t/Pl11co g row ,,,. lron♦t,c, For t t 130 Tld9 tr. Su111lc: (2.()6) St1(t.)' I O Nomn9 H,11 G~to, a new Fil'l9•1a (l.10} " YU'iJ~" Sh1>p' " i.s OPC!fUl'IQ - O Miko Ha.rrisoo frocn 10 30 11\ ,ti1:1 mo,timg unUI VIBGIR O t~'\ :::tAtur/AII s1n91e ~f\lY Pyffion/Anottaer 9 ♦~ '1191\t N• $t!i:<19 j tl ~ - he.Ht O ol Lo l\don's pic1U1esquie os:,• El)UCTI0R~ Sp•~ In n m. t.2..05} ch~ehc qull!tor, it fi•s two :J 0 ::::ll-£!:h Bumt Ween-, lci ge ,oom,, mo;e he•du-bonn Vwvet UncJHtrourut Ill R-rd ,._..I l"rlo. n .iind l~.cUh01,1)1 cushi(HI.$ " " thl! □ ~:"t.lll-n/Nll'IIUck • t Sie1gh lloor. D t_~o,nj~ RONlllr/ 2..30 1 ,60 fNORMOUS- OP'ENlNG D ~t;i;:t ti~~~~~' On Ilic op.or1r11 dey, the 6:h Q fe'~C:)""/All t l111tl• LPt NoY~mber. h••wot"tt$ end bot'>· p P1r1""91'/fletl♦ttior1 1,te• w,10 t,1 thto\1911-0ut the. 0 ~\~l~S.~{.. ~:0{·10 lonQlh ot 1h0- Brh1sh ,.,.. f(I O P'eter H-flr'l"l'lill/foo1~ M♦ ,e m$rk tho new UJ"ival And wc­ csk· ,... "W, IJ thl$ t1$W Ctt'llt$. •m•t1•1o I g PIM Flo)'d/ Moddl• tne •11me powerh,I to*c11111,,oni' Qt~~;,, ~-/G1l,c1ic: Zoo Who un tell1" :} Quiver/Qufvet □ 1.,a7s,v "'"' , c.11) 130 NOTTING Hill GATE s a (.. O Sott MaCNn1 --4 p 8ea~ lloy•/Sur~• Up O a.11t1.. /AU eifl-oJ• -e!bum1 0 ~~~11;1~~"(:~11) Vll\6 -·(ueh) O $1,lrit/All 1ino1e LP• {Heh) ~J orn, ,tr~ 3 1 ~' □ Ctiic.eoo/Tigh!ly V,rg111 Pnu• : '".) ;~~,i: 0 St.phsn Stille 1 • 2 {NO} Q CNilm{AJI 1ia1I• album, 0 Tn,v Jliley fn C 1 l~s,~~· ::ro~'. ::"'w•;:it ~· ~:~ O ~~-;::n~P .•C l:::;er .Jc:~: 0 f~~7v~1•-:_(,IG.1n6ow Ir, n11me of Che reeor 0 t/:::•'f;i~:~-,n.m/ t.15 0 tt;~;,,1'il"" 150 1.,0 1.49 0 ~·::: O.an/EltOtl 2.21 UIS D ::;~11:0t:tubl•I US ;t.)$ O Geor11e Han'laon r;.o. 4.50 D Jolm M~:,•11/M,Mo,,,. 0 Gan f'.rkttti1Po9r11pGy □ ~~'t:' .i. 1s D ~c';, ~~:·aandl.lt uo 0 ~=:r.:~~"1n(I esi'o-3.15 2.99 of th Lu.ops l.CN) '1.IO ~=:~"' O Jo Mama/J 1, ft>r Juml) day, Some11tin1t D ~~ep Purpl•/ ]-- 2.06 1.10 Now, Help, H,y CJ ~f~n:I ,ui~y/ 2.25 1.0$ 0 ~"!~! ~Th• O t~:-C t.•~~~•ttl/-AJ1 sine I• Wot•tl'I Flltt □ J:i~ti~~'e,nct Jude (och) JOhn Cottran•/ 3.15 i.-tt O ~ ;ohA/Sun, 2.1$ lt,gf,l•rs Open/Wears CIC 0 0 D O : i~~•~~:o"rn 3.15 2.M Sun•Mp C·ltu191 1 A.IO)l,n./ 2AO 2.20 [J fri"dk•S11~ ~~J~i/ncer~.s, I,..~ 1 q Deep Purpl•/f ireb11II 0 O Dnp Pllrp)li/ln Rock :t.-,..~!iat:'ck Z.$8 2.40 2.20 □ bd Z, ppetJn I ,nq II ttch $n.1k• O ~:!!· ,:,.~:on/ Q Mtl,o Tull/Beru~fit t.30 1.80 D Lull• W1•11Mounr,,n F1.md1/f.. tlen 3,15 □ ~:m40n/ uo uo I Q D !it.f~,~fi]!~•; ~~=,6 □ ~~:ua!~ {:::i~wrl,&t iii ✓ O JOI'\ t.ord/G,min1 $w1to p 8yrds/PrcfJyto 3.15 □ =::ir•~zt7:os 0 Nle.o/6 8n d9e, 2.30 1.80 1.ff uo ::) Mtl)'all/AU Si"',111 LP• coch Q N, c♦/Au Liiio• 299 0 hcH/A Nod 2.29 □ cr:.r:~"•H~,~- (d!u':i.) · 1Jl9 ,.to b Mehin ie/1111 s ing.le Lf's Cuc!\) 0 Paul MaeCtrtl'ley/R•m □ ~i~;:!' s.so 1,00 □ !:::~.~~~=- ~-JO UCO$» 8oocl l ook (2.05). 1.ff 1.60 O Mghty 8 1byfJu9 ol 10.,e □ Pink Floyd/ g~-:~•/Nur•ery '2,30 I D 8:~ldw~~~/ai~•n!'io:ti:,o b □--oa'i.;;'iio'";!'bf.. I• M1ddtf t.,40 2.20 p Tnflic/8ut ol 2.30 1.60 Q tt-endflK/ Rei f'lbOW l.49 0 ~~ F.lrl•• / N1..,.t Nt.,.r Q ~':'vokl:IS 3 ,1$ 2.99 8ridpe. 0 ~::a~~z.i'~/d :,~~coat. □ ~:,:!;,?,~•r,u11.30 uo □ ttu111b!• Pi•/ z.at Pinal floydh111 LP.s n~epl LJ Ra1p11 Mol 1t1/You well we C;!ltl oo 0 0 =~~:!~ !t~"n•~•th Ui Porforll'a~e (d01tb•e) A tt.M (2..20) and Umm.11 m1111n,n,g 0 ~~:1.11/011klllnd Ult 1.60 (7.151- □ fWg•/ GOldtm Fil t}a 1.98 0 ~~;/:ow'•,!~!:: ~.a, LJ ~:~'::::a':a,6!o Hudod 0 Grat.tu! Dead h t 2.98 O ftw. Ga,y Davie/ Haw Afbul'I\ O t!~ l>~~:.Sban/ 2.29 0 ~::=~~u~111 1.89 1,iO d Straw?1S/Wt1c:!\wood 3 1 O ~~c:;~• Hn111.S/A State ol D ~{ti~~~I Vin, ' $ LJ T, fl ♦x/£iectnc w.,,,o, o::~/ !1,'!":.d~fimaon/ 2.30 1.tt top• OOilld (each) O □ ~.11,;;:::':~r~ma 1 1.eo (UC!t) O ~::r ~::i~~St~et :J Gruse 2.118 i'":•~e':.°n~fThl• 2.49 ::::Ion Q p Soft Mac;hlno n iJ ~~;~u~~'t': &, 1.99 1.80 □ tteaa. Kaneta & 2.98 3 FM( fdoub-tel {eecPll ttoT;.··•mE: ·Fi1r ·i~···,h·;··~·t,·.;;;~ I□ .~ Z♦ppelll'I sp•ee 'Mth 1ho ttQ:ord )'OV wonl, 11 It i; t!OI hstod t1$ta t $ • h11 of OUI ,~11ctiot1s- 0 ~~ ~!rn'!g~ple/ 2.30 Vvgin Q H.P. lovec,ert 2 ~.15 Z..&9 Vtllvet Under;rovnd l Hico Recommended price O lneffdlbl• Stri"9 1.1!1 Z.tt O ~~:;:in£, !vii t,31> Q 2.49, 2.40, 2.39 2.:ZO l•nd lsl (11er") IIKOrd Aet.11 Pflc• D Mtke Ch•pm1n) !URS O X!':hbon• Attl/Wishbor., 2,30, 2.29, 2.25 2.05 Q J~m•• G11ng Uve 2,98 Z.7$ Wrnckecl A_o 1;n D-~ Allma-n Brot./Live- 3.•t l.00 219, 2,15, 2.09 1.95 V.c)Xil lll'\9l1 Cl', 1.. efiS D Joliettol'I 3.15 l.$.lt U Mothers or lnvan- 2.90 O ~ Duul/Danco 2.99 2.50 P. 2.05, 1,89, 1.95 1.80 Altpl.eM/Sur~1hst,e pillow tlon/Fro.ai( Out o.f 1f11 t.emm•ngt V rg n Sou nds A Z 1.49, 1.45 1.26 O PauJ MeCartney/ 2.40 D 11 .-ettn/Whtto .1.30 :UO All cuieu •re S(lbfo0t te 1>o♦ t,11J o,4er/cbeque O J111 ••~ GtOup/ l .1S 2.99 D ~:~o-G•Uaghu/ 2.16 1cndoraed with neme. 11ddrH1 Ro up h. •nd Aeo1 dy Vililln Price 2.05 end te!el)ho"• ftJJ!'lber) 10 the J~f\ F111\,y/ 3.16 2.99 0 Aljc• Ct,oper/ Lovo It lo Chtlttmu Album, Gt♦at □ ~='~~~u!~.. ,.; 2.sa ::J C:ol0♦4ti,r,'1/L,ve 2,1' 11- De:11h ::;ueth~ ~eCo'.;l{~f .. ip .;~•;~ 8 err1,d1no, D,n.cc,, qr Oe•th, Steppenwo1t/Fo, 2.40 q ue$t1d •boYe. Vt>ieo of T\lf~lc (OClt) D lad~oa only 0 ot Flr• :us O ~:Om{c Roostar/ln H,e,ln~ tl11ma 0 Jo.h.ft ltntk>f'I/ 3.1fi ~=: Tw:> Vitpin.r. 0 2.44 A/~{f.. ,...... , ~:':c· ~;~•r/ D :t:i~!~,. 4.30 3.eo 0 ltlan .l(>"HNecujo uh . 0 '2.29 ~=~1.11 0, r:.~~~~~''Go.c9 Q Terry fteld/Wat,u 2.29 fourw1y SttHI U Blood, Swot & T11-ars/ ....J Jolin Unnon/ l ,40 2.io Q Tt111i c/Low S'Hrk 2,3() All alnpl♦ LPa (l:eeh) l rnag•ne .... O le!', Oylan/A11 sf119Je LP• 0 ~~~•:a;;;:09 2.30 2.05 O Y••IF"1al)ile- 2 .35 hCIIOI Ntw M-oinol'IC ('.20) 0 d~~,1~s"'&f/ 2.30 Q thrlty Saint0 M11il.t/8aller1ne 2.15 1.9! t,'!i 0 :,!1u~~awto,V£very 4..9t 4 $0 d 61rds/Ali 1!rtQt1J lPs (ea.cf!) □ s_.ttna 3rd 2.49 2.10 D r::_,~~::' z» J.00 d Country Jo,/Aoid on. ,u 0 wt,o/Wllo·s N,111 2.35 2.0S c:.om1t10 O :-:::~ round Doubt~ D Ctos6,, iulG. '"'" wio Q ~,:,~=~: Lh/ 1 HI i.!,S 0 !~u~:..::ad$/Ridt 2.28 Yo11rto/Oej• Vo Q t:!of!O)'d/ 3.15 2..99 i7 Yoko Ono/fly 4,30 2.29 2.05 Q Ooo,.s/AII 1ingl• LPs (eactl) 0 fl'ton Johon/M;sdm1n AG(O.$$ O b,P{)l/'200 Mo1els 3 .75 UICI Wtter Q Michael HCJtl •Y/ 2.!18 ,.,. Atmch.llt 8 00911 Q f.l.P./1$( lt!d h rll1ts Och D r:.Jrport ConvtnUon / All Cl t.55 , ;n,gle 11 /bum• NC)! i'eo!'!''~,... ~~t;_,~ •t ow Rec.llNot d ffe♦/Alt AJ6ums (•;J,ehJ LJ f;i~~5'M!-m?~:! i.i! l.§§ 2.1.S ,. .. 0 d"'!,'a'!'I N.Ji / $ol'la• lo, .J Slffiln Grouman )35 t h 8 11t1M ,,_ II D•nny ttatb/Croueum1:nt$ ..... b dii&lui b.. ciMII , ,nole LP.s O ~~Pr.;;-::11/For 3.15 2.tt '!-" (♦•-ell) Z,28 .... d HHd, Hand, and Feet Q S\itVt M!ll♦r/ 2 ,a 2.75 Liv n in USA (dooble) .... LJ R♦ron/t.,;h, A.s Nie• :J S1.t1Hr Can♦ Hiott 2 J1 2.05 ... □ Hot Tlmt/1 a 2 (He.It) CJ ::~,y Reld/8~ng 2..66 2.30 4.30 3.80 0 =~~il'I• Woltflond'i' MAKER, November 13, 1971- P;.1'1.:' 29

What makes peqple pay high prices for imported records? A burning interest in the latest musical developments? Or just old-fashioned one-upmanship? Laurie Henshaw investigates the history and present state of a thriving trade ... JT'S an old axiom that If you want something hard enough you'll get it. And this applies par­ ticularly to music. In the mid - Six,ies, followers of Lhe emerg• ing progressive record scene in the States were constantly fru,;­ trated in their attempts to purchase albums in DR. JOHN/JEFFERSON AIRPLANE/VAN MORRISON/BAND/JEFF BECl&8," ht? .!iatiSf)•ing Q dte.:ly-felt ta)'"· " n1.eQ th,w woukl dr09 rd on t he &.Ab le be~jdc the:m And the enU1.u ~ asts •• I think it pvc- them e kfo.lt when $(H'ltCI other reoord hw fatt asked: 'Whtte the hell for- ., PrO did )'OU get t!lat?' ' Oiefl led 1(1 (he e-st.abJlshmE.-lll of maybt: the i>urcilMer w0\1h.l sh0ps w.bo were pre.pared «i easu~!Jy ~ : • Oh, l just had in,pon .reco.rcb $pectsny r,om it. Mru over lrom the State&.' the Statc.s. They wcro th.rilled-to f~f And a pioneer they had an ;dbum before _in l.hi.s snybody else.' ,espcct wa3 Ont•Stop Evui more Important. of R..cords, who r,p,,med tw-0 course, the h)tlux D'lese shopi 4im.Ull8tlt:Wsly in ot London .g SQ\lth Moulton 0 1 Stteet and rin R1cb.m-0nd in :l~ ,.~eo~/e~c:~,. C~: 1966. pb.ne. Grau4'ul Dead. Qufok• sifvor Me-s~nger ~ and MARSHALL LAW2 Co-dlre<.cors of Oae-Stop al that tlm(} we.re ldicl\aef Ash· Velvet 1Jndergrou.od brought ill_ welJ fflOW man tor new awareness of j ust wb•l Wol.S h.appCE,ing On tbe West. High quality effects affect audiences highly of Non.Stop .a~~ aod Eut Coem of Amorlca, Mot only w tl)e nicord buyer~ Or, to put it another way, low quality effects ruin high quality music. You can ignore of the retail cbalt1 ot Soho chemsieJvu, but to youur. Record Centre a.hops. musician$ throughout Brit.Un Marshall Law but only at your peril. Take this SupaFl,IZZ 1975 pedal, 3-transistor So the im,porl$ rea.11.)' trig• Today, there arc abo,tt 11 gettd off a whole now battery-operated unit. Has volume and filter contro1s, jacksocket input and output. It's an !~fe~;b::M:;c~0t~":f:i : mus.led revolutioh, and also lSe. in ll'l'!jl(lrt albums, b1,H led t9 a betated awareness of attdience winner. when One-StQp started tbe,ir the lYPe of albums t.hat were In dem~d. and tor which Take two: Double a wah and what have you got? The Marshall Supawah (2023). It's thece w•s a protlL1Lblt .m,arkeL. :;;ac~o;i~~~ ~-:s wo~~r in tl)e rat'iR.ed strata of the the greatest, and that's a promise. · Mr Gatt~nd, "Takine • "~ttthe ,vn the business. .. But album,. B\lt tbe •rowth of -£16.65* £17.10* tJ;ey soon becaoHi 111Wa1e oJ import fluns indicntes th.AL the shortcomi~ of the major tbe ma.Jo(s still haven't British comp,ame1 ln reJeas,~ eaugttt up. '-Wth the demand. ~~~~:~~~:~d!8frocn DUL, even when afbums first Amt:.cica," ~ta1rted as impom are "AL flrst would bring lnued In Jl·rlt.aln, there's a we. ~rtain cacb~t In having a in bOx,es of abOut 2~ ~nuln¢- ,\mer(can albu.m. - albums," recalls Mr Gatl'and, w·hkh ls often pacltagt'.d rn a "Then the demand started to more d,.arable and atttactive g_rQW." so mu~ set, t.-hat One-. sleeve. Stop opened ocw branehes - The- eotlectot's lt1sdnct, in London's ~!ln Street •and ls still strona, and recalls Manche:ster- ~mowbat r.bc da>'s when Jazz Capt~ir. 8eefhe3.rt"$ "Safe en,thusiasts w~ b!'Owse As M,lk,. a.lbum was ()ne of aKJUnd junk mops kl<>lll.n.a fCJr l,hc fus-i •lbums impOrtod b'y race 7Ss. tb 1>.neant. tteatutes Ooc.. Stop Tlµs w~ foJJowed by t«nt: Oliver, the ~tN/ by a succession of Am,eriean Orlearu RhYtbm King,. Six: 6f0\IPS that none. <>f the bi& compol.l'.lie~ weto fote.rost11d in ~~- Mot~n aod Be$$ie issuing M that time, Qi course, 1uch a{bu;n3 cost more lhan British Lh. "But we ntver made more than rho utual mark-up on 'Brlti~ releasei." '8Y$ Mr Gatland. " (n tbo-se eady days, I supp()s-e- an a»,.utn ('l)St at.,()1,1 1 49s Gd or 52s 6d - something aroond th.at price. You could ~ that the J)(ice :~ ~~~e t¾ri~-!1e~c-~Lt ai th:n rime.. " Thi? $\leoe11s. of One• 0 ~:a.~.~wg~!! w~:! ~!s~:!e~

•A " I thlnk chat was his 1r11)sl by MARK PLUM,',1fR ro~i~~!~~l ?9~ hee:~\Jaying wntl productive l)<'riod. wt did Monie. the top jazz. peupte ror lhe taJt 15 re~• Jn 19SS, whert ihcre W(,f(!, I " On A Day Like, Thi:.- ll'• th.mk 8,000 people, whic.b w-, Goo~ 1'o Lli:ten To t'•fo Mor• }'E!at'S, starting out on tl"n◊r ga)( and switchlilg to dl'U.ms wbc!" followed by the Newpor-1 J11:7,i Sovtbtm Jh•f>." Mingu$ 15 one of his more- n.3.$:tv Fti1h'81 and 1.hl!n 11 tour of THE rehearsal room in .-nom~nts kkked ~ drummer off Europe," saia U:&J.'ln1e. Danny: from Mingus to the now defunct Kings =~~e ~ ~~:'y Y~r~!~1t~t bo/:$1 Althou&h hjs name \11-3$ ma(le 1 enoo~ "&amn:• said Min8t.11i, .. I ~f&i~auJa7thc: n;~e;~ • After a week at Ront1ie's l j1,.1$t "There r was, in a wbitc he i, Cl\p.'lh1C of knowtr.g when to Street, Covent Garden ",~~,:1,,t~ plt1y, and how to play what wbb 1 could £et a drumme~ who Jphtr~ <1f 1tt\l$it. ht 1$ 110 w,t.Jke(I up one nlg,ht and start~d battd. the exact oppo,itt ot ArL~ Complex, is a b lack , e:1/erylhlng you're supeosed to do Mingu~ Wanu him to phy withool as I.he darkest night and Rachmood """-' hooking .school at :?a~:m,~r ~:~J!h~:i!ic-r-;;_,~v'«>' man, f mean we're musicia11.s with four- tU)IS all slOgina:, N6, I there belng MY need for word.i; pl81Yll'lg to~e.ther, but cver)!oQd:Y hsdt\'t seeh m)·se:r in tha~ lfttwee.n 1hetu the time. w play fur 1..ou ~~fo'.s Makin.s ·e " l:.me) the dull shadows -that fall oonalds6n' 11 b,and. 1ll'ld It was w .. wa1' reaching a point wher!. pos:tion," said Da,nnie, "Yes.. be has bftn hard 10 Wf)lk from amplifiers and instru­ Oonalcf3on whCI told Mingus froni -ev~Mng was "'.i£.b.t muMCitHY, Sfnce joining; Mark AJmut he and I e.ec alon~ " lr. was l•~t year while 1lt •• w~ we.re all st .awl!'d thl'lt i t Dannie hu recorded w11h Mingus llke brothOf$ - tbat•s becaU.S(I r ments emphasise J o n lhe tl.ldiel'lee th.st Danme Rieb• kriow hi.s music. There llM be¢n mOl'ld could play It. Ronnie S<:Oll.' :1 club in London could hapPl!,n. e ,itic:,_ t just tn New Vock, prior to movitiz ovet Mark's words as he sings with Charlie Mlng't1$ that Danni♦ t-rept. up on staa:t" :ind did the t.o Sausalito B.l>• on t.})t w~11• rimes be has caJJtd me Jc:wg In~I ~~;~re:.~d t:!fgu!~lic~~: Richm<>{ld firft startf.:d pla.yiog Jsme tmng again. and doo·t. r~raiet ~oast where he .rw.::Qr(!,e4 thjl, of experience in America ~$ $~ th-'t before lhat 1 bad teen second M;ut. A ll'l'l(Jnd album. g~a!c~-u!ri~y•i, '~~em:, rastest L ever played 11," $Aid t1:!frn!tt l~ with a black musician in Dannie. :r~p ~:~e A~9:3n~f playing with Min,gus which Is •• 1 think thil -album with tunes. .Musiailly we art like two He- sold his iJ'IJt.rume-nts, and Mir:ia;_u..1 h.i" ~ ranta1:t1c hlstorle­ fingtrs <)n the riame ha.nd, that is Mark Almond, ~m rZ'a~r~n~:i:tY~?rni~:a ~X'~,;'Y t,hc sAJne Uie ·reason we get afong so w•ll " J Believe ln FTeedom." ll ~ ae:druiu::e,d al s1gnlftcanoo, We y.$ed o thirty •i~ band.. pi«e band, ~nd M lh,e $3m~ tJme mui.lcally eou1d have betn any group of '!~~re"'h,h,!;er~:,:~, ~!w ~-::: tl'dJ\& happened ,again, there wtre "The ~ard dmes. Well hQc, bting - wbert he had been ;wd~ tbJng.s h.ipponlog tha1. yo 1,1 jl,1s-t gd he had ,tw<> weeks booked 3t the whi.te middle class English kids th~•t n~at~~ie~t~m~rwe: Inti) c nce 1n a ·while., Qllll. At thlt a mute.: muskian, wants .:i. {Crt\Hn the rc(!d•. pi.an<>, vjb~s and tln1pan1 Fr~t;,; ~e1~ard tb~ng from people •nd the 1uffering the vicarious burden - and boua.ht bim1elt hJJ ftrs:t kit, band w.ith no drums. 'f;t0m t'be p()int th~ audience ttac1jon, w~ll ;--111:"tl~cGa~h~d ~~e sal~ of thtc black man, But with joinil'lg Oh:..r:;1: Mingu11 run ti.me. .u we hiid thOOl all up applauding Oannie, ".:,,au.1rally It Wa.t a star ~f;:n~g~or~ll~~5 an'1 daru,tng. That night was t.l\t. studded date. ( WU juJt elat~d ft~!~dWh'=c~; ;:;( ~sea;ray:J Oannie Richmond, off and on a :;ldeml-!'I, !;~t .:1 !!':~ properly. and t;tiat me..a:l'IS proper]y 8,<)t havin8 p1,1t ()1,1I all of that music.'' dro:mmet wi1h Mingus for 15 Th~ IOf\gest period he stayed to chei1:k il C>llt, the thlng that to htm. lhftre'a not ~ mor~ hipper years the ttong comt!t to Ughl 3 ,-0 m t M03t W8$ that tht)' had ~~!t: lfghcr~~ii:s:1~::c~~~~I~ Working wilh Che.r'. le ~tlngU$ b ~b~&Jrv:~; h!s h~t~e:k~ .:fJ tvery fr1grtdfe11t there. But tbey 11 white:• not t.htt tssiea1. gtg for s n1usiciitn, 1Je.aut1ftd porson on the scene. bU1 and sounds JS imp!t$sionatc as dlt,ltt't have the drums to get the Jt W&ll followini th'a1 iset that •but for Dannie tM rldo bas not l\e always wants bis m~sic: right," 1C:a~~:n:;e; tb~9:eil[Y:f M1~::f- dhnact.i~ llnes:se that I fe.d .shtluld 1Qn ;,,ts.rte: asked D;u1nfO if he. b«n t<> tough f-or he is in a 1a.1<1 Dan:nie, b~ in sU niusie:, to get Lh:,t would like. to join t.he bitl'ld for an pO&it..i◊(I to kf'OW e.X$.'..d)' wh~t is When Dannie- R"idtmond u!kS he ~~;\alb~~krc:r~;~~n;o:c\~r; ~puU1rlty wa, reaclied In lh• mid• te:e.: has all the bei\lt.Y Jn hfs voice of a ;s black, and has Hvt<,J wJU1 it aixliea., the t1r1.1ms have to ~ included. American tQur, expe~ o! hlm. More imp011~1r1tty DRUM SESSION: MM talks to Gin er Baker, ~cree:ned by BB<; 'IV. THERE 1naybe more r: rru;~~atJ~f'e~~e I w{jfn~c:r .. Wt.el\ we were on our terrifying c.xperi- extracts froll} driving at 1 speed along t road wJdv.:iut :r~!st~f t/5tJ!!t ":!at: ences than being any other N0I.Qrit.t befog that when you are in tbe­ driven by Ginger Jes&- than a bundred mtles desert, you htvt to report from his t,onL bumpc:r, at uch town you pa.1s .. we Baker in his Jensen in On Q~ore we went to join the pouring rain. a t Tony P,'th\'ler lh the TV !t~t dif~e~n tn':::e pe!i{! zero visibllity, at ~~~~d ~~~ag~~m. o7inir: Ut:• ..:::. ,~ j~'t:t~fl f~tt8; speeds in excess of 1 wuce and cu,-tnms men and fifty miles hour. if:ern~vi!~$l F~~• ~t~~ri~ w~en tlie}' heard we wet(; per trom the Pole Jt;ii 1irta tor the border, they safari ca.me with a TbOml)$On The onty othct on~ 1 can "t dfd Lhe j,ou,mey li11t th.ink of ls being d riven by ves.r 4n the J li'nStn and ( maehinc-gun and took away Ginger Baker several thou. iea.Hsod tht w W4..'ln't our pas1por1s, B11t lhey suited, There .a.re mlles were. doine u, a favO"Ur sand mile$ aero.st desert without. roods., so I thought bee.a.use they ti.adn't bee,_n and through jungle from I'd r.ry i t in a Ral'lge Rc>Ver. stampod and ~ would have.. London t9 Lagos. with And this lime Mkk and I boon stint bade frot11 the FOrtunately I e>'perienced t"()()k -a film cameraman.'' border, ~ tourney of 400 tmly the former lllsl .,...~k. zesthll new nation of NI• .k.ilC>m~res,, whtn tbe phantom drummer- ~r::rw.~~t lhe~~m&\l~~d gerla. 1,eli.r:St:er:ft~h:i ~j"J\; •• H was -a Sunday and 1,ooiC me lt1 set a,,Otm ¢f his cat st}':1c thac Gto.ger•s He Jt b_ull(li~& a t-eoorctin& record of the trip "°o-.ild be ttiey wouldn't open the receot aafal'( &cross th,., R.an:ge Ro,·cr cmPk>>•• In studio there, and ha.s .,na(le of interest not only 10 hls office tO give us a stamp. Sahara DeserL sandstorms. Roughly, t,J\e nu,ny ltie.nd.s in the countcy, fans. but t(> int~rested 0 We were headio& for Ginger tactics arc - keep ~ iog '" pereies, like R-QYtr. ll fs now ~ e~~ss:!'! t~c~~ ~~ WemblfH and his Jeri.ten a.a oosts :~:"to t~Z:f ,o!?~--W.! ,:!~ M~ I.tun the fltm w10 be the MmisttY .of lnfcmnat1on MELODY MAKER. November 13, 1971--Pue 31

whh ball.s tnouah t(t get to4eth.r m the rr.oor1. Thty an, there and see what the outcome WJIJ be, primari:y l◊ talk abOut their ow.n and J know that the outcome of #ig, -and Jt'.s 3 f3&h'K>nable thing to Our uniOI\ with tbe ~gr~ss:h•e be seen there ,ontec or twice a aspect. that l' \·e tried to Jn­ week. l've nQdced too t h11t they corp,onite in this group a,nd with a:o thro1.1&h the wboJe- trip of going Mark Almond 1M muskal knowledge that the Out for an evenlng.. Uke Lhe relt of the cats in the band have dinner, hke t !laid being fashion­ able ln doing so they are not at fl_n,e old $¢1,1 lhetn preacher.- He be ,,o coJour battler. I kn,ow t.hr.re :oeu,rm/!i~~~rJ~4T:.efh: ~ a.U ttl~vant 10 1nusi¢iansMp t h.at is rr~~ shaped hls $enlen<:es and word!! are otheri who would argue lhl$ a.re nOl 8'(ring to :seti what hap~n.s happening on tt\e stagll, J..i1'e li1!,platn in full, that's a Quick evt,iing. In the -whole evening, hts .convor.satlOn &ynOP$1S or whut it OOuld be ~ik,,C! iC j.azz luis not been rcspooted at al[ What did hct think Of whi~ i'!:ngb!~~n~et,, ~h~nih~ :.u= pco~c oul or different tdioms " l'M aure l'U be put down for mutk-.ians on tho wti-o1o, A5 he riow il is equal. decide 1.0 C()mC toe:ether. saying that. hut that's lhe truth ha$ the exl)Crltnec ot working "Just look at the. paoe t.be •• I know they tiQY that the­ man, that's lh.e sad troth." DANNY RICHMOND: Just saying what I see wJth both skks fint bond? Sea-des have s&t for us a:i to Callure of the NtwPort Ja~ "My opfnion of V4'1itf: musicians fol'low, whatever they do - even FestlY411 was beet.USO they decided Since he has been over here running around naked - we-'U •11 to incOn>rate. rook bands,. All, oaunie haJ: made -on.:y a W\lple of •• In the St;a.t.es we had ~pe¢t:acu­ the. Elton John tour in the States. lar. o-.-erwhelmlna su~cess, tn whfoh W3$ a gas man, we. k1Ued ~k"= a~~bih;';~!s~~m!omtt!t, ~:! be. doing h nex.t, the Beatles. bad right. The faiture that has occured Bt"iU1 lt1. the re.s-poi.,se Mis been OK. them night after night. Expecting it solid. at these fo.stjvals W9.$ up re ,wreci.ttive thin,£ at this moment that is rQ1~y What Oann.Je did have to say to much of a pot to s-waUow. but the .American audiences are not the another oonefnent are not the same be$t trip though Oannte doesn't he.re. Man, it ha.s taught me some a.,,d d t,nanding than I 1.hoogh1 ~ aas for me. lJ that an.y muskiiin fauk does not lie with the thtY w~e. S,o 1 ttave lO dlm& UJ) i.n tMs band l.s abte to stand cm his :,a~ol!e~:,t~~ :1:\:~io:f~d ~; musicians at all, :mt,~m~!te1heerh:n1 ·h!~t o.wn tee1 with bl.s lnstrument, and playing with Mark A:mond? "Now one other thing that I ,!~ ;~ W>iayled w':; :'C:· ;i':i~ with a whOle new melodic, that for me shc>ws that he is •• First off, there can't tnd never have noN)Ollna. from his lraveJs to thinf we've ever done.. But " We saw some ttrrU,le Japan and the Amer!­ 1 toad accidents in Nitecta. ~7:~~ :tr 1~~.~ crz ~::so:;:~ c~s. fourtli album an(S it's the ;::a. :n~ba~a~~cl~. ~e Jim Public may be a nut stage we were in al wo;afd-o't believe . . . liU.le vague on the subjecl great the. time or recording.. All ·• We arrived in LagOi of the world's ace roek the albums have be.en with about. two £:lllott.s ot band. but the he-ads are different and to my mind 1 with them - all th• way tllit )I tl'te besc, Ol'ld that'• r:: ::'1 dh~t~u~~ru.li:: from H.iloshima to the £in. not 1ryln1t CO ~ bij:-befl.dcd, tlve. day..s m AJ.,er.. doing or flas.h. The p1aying ls some pire Pool, Wembley. of tlle best Wf have done ~:.inlo!fndg°tia°c:"J,g~ ~!~ Led Zeppelin have created Md Jlmroie i& lih quite a mystery In rece.ot Zeppeli mint!" J did Lagos to Mo.rr&kcsb in 0 -$IX days. a,·uaging 700 ~o n!~tim~~ ,::::• w~i 11~ What was t.be metnin& 1>t m Oies a day. And . thlll oenini; John their power­ the; runes on t1-.e inner inch,(JC'd 2,00() miles without house drummer, ots "Wt. didn't have lDY t.ro,don 1hi1 wtck. myster 0 no"ble \\dth water • we Finl h0: deJcr lbed his lm- ~.i,~m.yly w1J:~~·! ~t~h fJ tOOIC a t"tlg -antrtope sldnful whaen~ year -~nd Jini$l\td off reelini stat-e what they mea.tL We llnd <'()rrtll)g bsck we. toolt J!:n~i,tob:k '1J!nm - • We''1e Just a.bout htd each pleked one , ..'' 1 at­ cr:Ut'i$ ot mi.neraJ watff as John .Paul made therr ftrat enough; We h.Ad done. su tempi~ to g 1,.1 e!:ls whte;h wen. Ho-wever th.rec v1slt ?ecenlly. isy,nbOI rtpre~nted whi¢h poeple die.d in t~e dtsert ·• It wu a fintast:ic pl•~ :t~:. s:ah !e.~~r:~: mffllber of the group, And dunng our l.rH> and to play, Rbck music hall We bad offers to go every­ 1 only just. started to happen ~ where. France, Amer.lea - f~~=df,gb~ ~!~ 7uJ: ~1t:J ra r~~e :;IJ)t'lr:~ there in the last two years, and we to1.1J d Mve. done edYf'~ ti?eins::c~?r frlghten· but it ls now the second thtm. But wbAt would be f!~r:r r~rnre$eant ::~reatnto: biggest ma·rket ln tht world the Point? We wen tired. Robert, Hoked ovals fOT "lt w•s strar.ge-. J never tor rock: re-cords. 'fhe 9eople We bad w:orlted bard and John Paul -and attlulc lette,r. belie~ we W'ete ~lty l.n a were so frit.ndly .1nd we Md Petet had probably worked in& for Jimmy, Gu~llt. orti$1 desert. l kept thinking t:her~ harder than any cf us. w e s.tndy Denny w~s sym• mu.at be p('()ple ~bOUL Even :~: ~~~0¢~hf::'1Y~1u~; enJoye4 wo1Jt:ing, bUt we bol.ised with three inverted piles or a.tone, al 5 ue &o­ wrote o. Lot and imp,roved. proud of, All the guy.s ue lng ln now, ))ul they don't V(e didn't do any gigs. but Jookint forward to- lhe. tour. ii rock station A Jot of kid.s have caU&d us !t~ ~~mJl~g.of~:1:oodo~: havt on tbe the.re waJ absolute.Ly no ln­ an American group or- even lorries kl OORVOY$ and WO r adJo. Ther-e's only the US clloatlon to split u\t and I'm 'Silw lOI.$ of t)urftl oul FOl;Cte SWft, 8 Volkswtaen t;iu!le.!t .P1e,ase. "The American tour we ~~~ ~3~lt~i~J• thJ:-;• !,~ !,/7r,1~;~ ~ufOur ~~a.W! mention 1hAt, Ttiete are IOU week here until the eod of dfd was good ln actual fact. want to do. John Paul JOnt-$ of kidl', Amerfea.n and- Euro. It waJ qufte 5tl'2.na,t because Js in.credible. He comu ~:a1!.~a!fa ~~~t~u!~-wh~n chey peen try.fog to ere&&. th• wt; hQ:dn't been to .Amori Cll. along co lt\~ SWdio aod he'$ 8 desert m UOSUllolbJe for o.lmon a year. To be 111way.1t l!IC>t a new ln&t' How would ZeppelJn ve:hld,e-s. ·It's tta1.!Y.. lll\• 05 rumont he wants ti> pJav. I music sound fn tht' f1.1ture.? ge.tOd$." fi!~~\ u~ !! ~ra;;dI ~Ir; don't do much wrltlng •· Ob, he's come out whh NalunUly Ginter ptayed well and had !tOme great a gemJ I Jcoe:w jtt Blood_y drums in Ugos and 11ays J.h h,gs hap:pen. ihf' t,os !:t!~"lhe;u!wit~ !flrlc~! bard to ny. I can't say thtiro vo maQY fine Nta.erlan Ana.eles FQrum SQld Qut, In a enjoy playin& ~i.. J'rn not what we are going to souti.d musicHlno, includina :a JG one day, so we did o,,otber xoveroed by them in wbot I JOHN BONHAM: I'm a simple, straight ahead drummer Like in the future aad 1 year old guitarist wh.o had concc-rt there and wo Rally play. They ask me how 11 doo't rea.lly waftt to kp()w "listened a lot lb .F.~ic didn't. exptct such :i. drum tning 11hould be lf I ooutd ltJJ )'OU whai Clapton. but kept the ,'\fr.o domand. l thlnk J enjoyed 1, played. and that's Lhe way but drummer1 and T don't 111tai3,h.t ahead drummer, 3nd we're IJOio_g to sound Uke In tbiog.· • Ginze.- plans to.. more thaa anv other tour of we all work." want to be. A Jot or ktds ~~d th,ta~:st wt~ mr,~ ab~I!!,~ two .yea;a U~e. U wo1,1ld n:cord many of I-he locil At11 erica. How was John's playin& oome up to me and say: dOh'II it, I dOQ't ciaSm to be ~n~C~~1?e{~,P~~e;1 !~.~ rui.n tt anyway, we mj1h! musidans and. " help bring th.e:sle days? ' There's a lol better d.r1,1m. ' more e~clting than Buddy love pla ying the drums and be on top nex1 year. or J ,ome currency i.n1b the ••vou ~- we h•d a lot <>f time at hoOle to 1-htnlc, •• l'.,e; never tried con­ me('$ than y9u • Qr $9mt.. Ric;h.' 8\,it T don't plsy what f practice • bit, Thnc is 1ni&tit be b11ck on the buJJd­ country." sciously I.\> t>e Ql'le. of the thing, Dllt J C'ljO)'- playing, 1 "nd we K.f'(!W " lC>t tl0$tr l don·t Jike. t m a .&lmple, s.lwl\ys somethin_g another i1Jt,.'' CURIS WELCH. - •· They Are over the war toge:thClr# We kept ceein$ now, but U'iere is a lot to be stories • Zeppelin are broaJt­ d•>ne, and t h!:lpe we can ing up.' But really, we have he~p. Tbey at'e ,;ery frlen~y never b«n ~loser together! pet>pJ~. bu~ Lhe cplom_aJ We -all came out of our people lhtre !Ive like md­ Exclusive preview of Zeppelin's new LP $elves and every!>ody played liont.it"(:s 3,nd don·t want tQ Wtl:11, snd we are really ot-1k to the natlv~ po,pu• )1ap,,y1•• LED ZEPPELIN (Potydor). Take •• Four Stlc-ks," 1$ not • riff that JJnlffl)' In a l<>Opi~ exult.a.tu •olo IStiOl'I, TIiey don't tf'Y and Ht; warni l.!(I hi~ kJH>Cks me out ("·ennueh. So It Js ;!~"!~ '° not a petfttl albuoi, but then\ ii a ~h!::r::u~:,t\:1: dlnks ln tlu~ ::r.i:~~'1_, f:rnt~:ed~~ ;~ ~i~:eu~ lfa[ou c-i~k ~ theme: "These 'breaking­ does ~~fusr:treR~:~ or "Hop," wh~b Jumps in all i;ip • n1.mOUf'lf thte.ad ot co-nsi~ter,c.y that winds dJr«.tloll.$ with 8004 coantey cheer. frjends.~' ate always cr()p- C.Ufomla ". It ls their fourth and «I.rough all the music. aoo t.here is a Sandy Denn)' mail:~ a widcomc 0 not their •rbest" OI' their 0 \\-orst ". .. Four Sticks'' ,~ a Powerful bor,d be.tw~n the play~u· that !":!:u:pg~a£:e~•• piece and reatU.l'fl .Bonham uslnJ w~: I r~fv a~ at~le~here t:~1\it ~t':.; !~ Yor~::: It is a tine. new albUm by a group reveals strtn-1:th,. Md a s~c: of ~b:nl'~';!:v: sasl~ that s.o.-.and-so is pretty but lust·y duet with Bob over four drum.sticks. 8ut the repetitive ~rossing 1lie desert and tb.a.1 direction not Ji() •~nt oa. theh' leaving. There was An un-­ who can now take a step outside a chofr of mandolins and acoustic riff Jlmmy en,c,loy., here is not ~J ~uld_ e:nJ~\e~· lut :; t,ellevable one about a yt;,at the environment of eonttotJers)' last alhu.tn.. guit.1n. partkululJ lnvel\tlve. -ago. Thev saJd 1 was lca vina th..1t rut9ands like a con.nutQad,on Jigl!uiinit Oashi.ng over the i$ To l.-'Ontp1.-tci the goodle. on side "Going To Cal1foml&.. givu whole h0rit¢11, :Ike iightnina • George. Harrison around the ne.wty liiUCtitssful. ~:.s:r:ty1ng:•:r:1!:'B::J.u~7. RObert imothtt. oppononlty to ,ina never even met He.too dlsc:usslon tn t e.nnt: of com. the opener, Is a beefy stomp one ls .. Stalnrray To llet.ven/' 0ne 1 ,110 band's bf)!St SOttB,.$, ll7ld iu hls lower register, ""11icb be does at·• b->W I with Robert thtowl:ng his head l>.c.11. or Levff Breaks,.. ~1.o;~linc::;h1e vJi:~ra~ mu. eh at som. point ,nldwJy between another .splendid perfomunce bl' .ao. wen. "Wbe-n 1'be t>Ulty. And when I re1tHsed I'd like to meet :~~ ~=d iin!:.r';r:•r. t~~ Robert. !..he ne.arut toWn w.as over •P.d they b~ve deliberate!)' left tbe{r !~~Pi!~ u~:'f:-1,c~J• hta .Ji~ WOt:k un.tltled, It is not • dental ot =~e:nd ,:::!:t ::'udrns '~.,!.':: 300 mile"& .rwa.y, And that on trfumphut, ll's kdr. to the beat on "Mfsty TakNt at tbkl•tem~. Jt hu an yov could only lwe two the pa-st 1>1.1t a .spdngbo.ud to ~tter Mo~mtain Hop." IUld it is here the hypnotJc. effect at- Bonham•• bass dats Wlth-out wa1~r. That 1bing$. .. Rock A11d Roll " Is just tbai, strange co,ur-a.,l between J.00.CS d·rum drop bombs Into tb• cella.r. - wJ111 1.he. only lime., ." Not all the uac.ks are brllllanL aod wiftdJ ur> &he tempo to feature b«ome, ft\Oft app.lU'ent. Thett ts a Page 32- M£LODY MAKER, November 13. 1911 MELODY MAKER, Novembtr 13, 197l-Pa.g~ 33

I af damn1r railr Friday 19th. Nov. CITY HALL NEWCASTLE Monday 22nd.Nov. TOWN HAU BIRMINGHAM Thursday 25th.Nov GREENS PLAYHOUSE GLASGOW Friday 26th. Nov EMPIRE THEATRE EDINBURGH• Saturday 27th. Nov LEEDS UNIVERSITY Monday 29th. Nov FREE TRADE HALL MANCHESTER

in concert with GLENN CORNICK's -"\ WILDTURKEY .NAZARETH ~ - ,lJ Page 3+-MELOl)Y MAKER. Novemb« 13, 1971 MM talks to BBC's Funk king

Down DJ way ... and the Luxembourg Kid 1

MPEROR ROSKO is E slightly narked at not copping honours in the Melody Maker Po_p Poll. But he even grins about tbat. He can afford to. He has t.b~ """'al, sol!­ KID confide:nt- air of a man born with a silver spoon tn his mouth. His dad if Joe Pas­ ternak, a man with over 100 films to his credit. It vrould .b,ave been a ll too easy tor Rosko to have laid back aod ltd a. Ute ot luxury and esse. Luxury h• may JENSEN have; u.se not. He's con­ staotly ob the f.o· drtamins ~f ~~:,g: t~g•b~tr:•::: pUblfe. Ambition INTERCEPTED If Rosko tiu an.y frustra• dons. it is th~t. he ba, not aweet freedom in the USA. It isn't often that Kid Jensen comes to fulfl lJ ed an early ambition to 01 0 bo .i singer. But be-'t doing ~~e:!\ !t11:f:rus ":°~un~ 'r~ town. Locked away in the studios al Radio give Jis~ner• • 11retty wide Lu.xemboutg his only contact with the out­ ~!1p~a :i!tfe· ~i!c!tl:!~; chOjc,e:, ., YW have broadcasts 3how on tho road. and Is. at both ends of 1be , ctrum. side world for most of hls lite Is on 208 hea\1ly Involved in plllo!t to You haw~ your metres medium wave. open a school ror deejays in who deal with He can communieatc with buerested 8lld nobody wao1ed Si1tain. He's a1$(1 written a heavy subject$. the pe0Wo - but do lhe.. to do Jt but me.. f -wa1 adJJ book CommunkaUons Rosko admits be. Owe$ his only steps in i i\n}'one Jt ovettf:; t1.nti-Governrr1ent,. Of if t!~.. ::~~!!~°" ':t~ !:~e ::e =~•tb~P Mc! technka) eJU)erun t.o attend• wOn:ied the KJd wnJI Septem• • WCl\&Jd tho rul Kid . hmen Ing such a s,ebool !n the­ cm the ber tb1J rear. His qucstloo ~tah Si.tmd 1,1,0T WJlkh W11S Statcs. Thal, ~ftd the scJf. ~~~tso.fg, P~l~ty. WQ aJSSWtted. by the telults btol. disciJ>liQc i:m,P9sed by foul' •• Maybe with SO Jtatk>n.t In or lhe 111M polls - wheo hlf " I couldn't rtally do them ye.I.rs in the US .Navy. a city, lhere ,my ~ only two ., Dlm.cir11Jon5" ~ bo1h a t tho Na» ttm. and I "l hated ewry mlnut1! or li~r:s1. hit> DJs. 1'3-ut they gc-t 11t1cl hJmfltlf were hlablJ Wattled to dJ:Op the PoP abow tho Navy," he sa_ys. "AU thlt i\ cttanee to be heard.'' pla~d J.n their reiipe,etlve comple1ely, 1 wu offend Che RQsko contrast!\ this wilb DtmensJons .show ,,,,e day a tfrdj~bi::.~ :~.d:iJ'e~~~vN!! ., When l Jett the Navy. I choice that obtaJns In the and tbe C,nplOyn)ent ot more the- F.lltabllshment attttude of ca~,orf:5~, in LotldOn last week bu-1 l got fed up and is essent.ittf if you wam to do Wll-Jll lO the deejay ,ehool and States. m119Jcla.nt. It would appear tht: tJBC. who fired KtnnY week. S~()J)Olol Ovtt 00 bls left them tor tbt+a .monlh5, I what YOO aim to do." l!?-arned 1hio&& I had never Provided, ot .-;(lour~, chat tha1 the Mu!Jdans• Unlon ls Everett tor speaking out or way to America vlbere he ls rtslan(d lo lanuuy 1&19 and fto!tllo Joined the Na;,;oy been .tbJe LO te,tn untll the0. ,he il'lhibilins net-die time - mainly concernEtd with the. 1urn to Jptnd a rort.nlgJ1t 14W• Wtnt to ...orlc In Yukoo at lhc because he dJdn't w.tnt co be Lurnl!d to .-void those foolish the imJ.)0$.itiOtl or the number O,der musicians. But what vic~ina; group$ for 5l)OUI on rtd 1 0 1 bis I.Aa~~ur rogrammes. ~i~beC: -:r=m Tb:PJ!B JO~ ~r:red - ou~ olnt PJr't~ ~';.' rt' ~;ms~~;owa:e~ mn: ~ h::~ed w~~ C:,'- ~ o~:r. =~~~~\l~~' wb:u~! ~m;:g t~: Appeal eouJd do mote shows and l'm wanted to do. And it was the to, and bow to ha11d.le the come and wantJng to make mu3it. ' bac~ ag-&lo.'" Navy th.at 2avt hi.m hf& fl.ni c-qu.ipm~.nt!' •• I'm a lo&ical person," he their career. How does Kid set about brosdcas.ting b"ak, lCosko vtews the fortbcom- a;~•s, "And t ¢ab'l see the "rd Uk1! to see s11 Pfife°:!~'!7trt~~~lfl!t!~i~ ~~i: ~," :~le :!:ori t~ ~:kgu!o~~cfe.~~!f·;:ot all ~::~: fifo'gic~~ ~is J~~al.gu~for curreo.tl)' raving ~t theJr Keen jolllff the station i ______;... ______..;. ______~ik:»i~~n~~tilh:e~:~:.. ~ im Charisma album - and ulU.. bav« oomple~ tree-dom. Jt's aboMt h.ls l'01t up lo me whether II record Is matt.ly at played or not. Uo.dcr.st.aodably, the JlmQIY ~'"ii- Kid - o, the 1 Yo1.1na~ of the deejay e.t~b· • 1 usu.ally ~od abOQt an llsh.meJit a.re. .not Rosko•ii bag.. !n"to;-rcls or,:f ti::~w ~ hour in Cbc IIUldlo beror~d 1 compJtt.e tre-edom o:r.er ttM mal, •;J"~t~s!~s, ~n~mth1:~~!,1f~ material U$ed In b.Js pro •ortlng oat £rs ll'l prepara• bim Qff, Rut ho baa his pubUc. gramme-, tlQa, kt 1 mate a lot q,t "And looy Bio J<.:id started ltl radio In bis decbiont, on th air. 1 have aood pe.rsonalHy bomt town of Kelc>wna, our about 30 alb\llJls with me~ .usd R.osko temper$ Vancou'fe-t; lllftu an ,u1siu-, s?o'.!:'etn with a wry grimace eessful .attempt al fOffllln& a !nrtblt, u:.• fe~1 joke$. n1et bud. He skipped scbOOI happier tba.t way and' 1 don't There should be more fresh music like this. •• But Tony's a good tx· to bang around the local f'M thlalc. lt fn&kcs mu.ch 0 diffll-rffiu 10 t1:to pe()pJe Brian Short's first solo album is ~!Jr.~.~i.s~:~~io:! ;.'!~~ :1:' 40bem:fi~J ~ U~tenJn.g lO the $h,OW. :=~•l'ee1 1.$ .tnOU'H::T, Mt's com• Ii ke a breath of fresh air. .as In the summer or 1967 u~i=~~:'C:. •~te,uk~ ;e:s 1 when bands Hlto (;ou.ntt)' Joe'• Young-, Jo.a.I MltdselJ, the Listen, and you'll hear what c~~~ybJ~~ir- H;.i'l!~'spJJ:~: !!~L! l~ndriJt~ th!!_ De-ad &nd ot iii/onuotJon on the records IUIJIUUI& pu,t their ftrst Who, Wishbone, 4sb. ~riea.. we mean. .he play, - and gets oo wHb aJb'll.DU out that I ruUy Thlo Uuy u d some more. J the rnosic.. wanted to do a pt0greslfve, Uk~ a UUlo of lota tad Jolt ()f His lyrics are meaningful, funny "Oave ca.;i\ would t>c my show," b.o told • ovu a. band• but 1b• ones Pn cho.lte panulte. mentioned 1cem to se-t a and sad, from his Geordie roots. ~e:;:... ther Ke.nny, COflSl!ltentJ;y blah standard.'" ·• I put on thls oow, with His music, strong, yefres trained. And how lO •" • other DI• some blues, and Jn ma:ny Cet:l about Kid's rretdQ(D ~ It was Juetts-stu.1. 'fllen Such as these two verses from 'You while •ome At9 tltd down. to Sexy t beard about the ~lrate radio 1 o.n my side'. P.W~g tn e~n bt~~:~ i~~k':mfufL:b:'nrt'! ltObody ~ ,nnte,d io do my t~d m& about ,Rltidlo /l's like going to the football match Sunday But lfhcm thoro Js ster-ner Lu:xffllbOurv, I'd -'1ffd)' sbl)w. Matk WtSICJ' i.Srr't VcwY !«en on t be show although be comi,tUtWD. Rosko teeJs it beard about It becau,o it i• When the game has already f;ef]n played will .i..gain be dominated by cnJOys the tn.U#IC. Qavo very r.espe<:ted in the buslnff:1 Chdttlan Is vuy l(een on the /l's like going to churc-0 on a Monday the m.ale OJ4- At prueni, the 1n the. St.ates, si.nd I'd J,Nrd oi:dy &ir1 ttoldi.ng the fon fOr th9W now bu.t tn UI• t,e.gl11 .. II was yesterday everyone prayed .1torlet a.bout • OJ e.Jled nlog nobody wanted to know. W()U)eri'G Lib it Anne Nigbt.- Rosko. 0 If I were a horse they would shoot me ~~~~le. ~~~c:~~~nk jtg~, hafaJ ~";,e:~e0 _:o0 Je:1~ about Rosko-. •• If a girl :10:und$ t..oo ta;:, ~dw~=r\J Aadfo Luxembou.rc Is the I'd lose every race I would fide and lb.,. Hot me a ,:ft.cram. mott P(>W"tduJ short wave sex)'. and a husband rums 10 ,ayi°'- it I W&J, ther:e. wi,tblft Not a thing /hat I try seems lo suii me hi$ wire and make$ a favour­ rta.tlon Jn 1be. world. Thero fou.r d•ys: I wC)Wd get a Job. I 400,0 QO lklllJb. able cornm-ent, r.hea -she's wfflt •nd got th~ Job •t about are Jlstene-rs I'm no good without you on my side likely to belt htrn with a to Dht..ensiOitS, ~·bile the tbe tim~ Lu*emboutg WJIS. flgtire F.u~ e.x.-;tfids 1 tolUng.,pln. cban,g1n.a l ive ~hOw, from ta w mllli90. It call bt' reoe!Ted la. That's from one track off a fresh "Tbo reasou more gJdJ: prt--rtic.ordtd tapes." l\.merfc;:a.. and Kid rc-gglatly haven't made il ..a,i1 t>l.$ I• th.at For tlie. first six. monl.b5 album from a fresh name, mert ™'lve mor~ authodcy. And Kid did top 40 sbows for Ctts )dttr, from tbe States basically. it come$ down ,o tbe- oomroenlJnt ~ the ~Ion, Brian Short, on Transatlantic. J.llXeld>OU'tg., but later M WS$ - C8)tlS (:.HA'RLESWORTH {if; ,~:/1'f3rw~:t1 ~ S:JP't> ()trued a contem-poruy mll1SiC Transatlantic TRA 245 It Is to ,give the aspiring f,~4'=; OJt a chance to obtain the :~---~!:r techniu..l know-how of their ~.::...... trade that Rosko plans to open scboOJS' tor DJs in Britain. Under his pc.roonal t.u.;Uol) an

"THANKS for com- ing. I suppose you 'ad to come really ·cos from tbi cold­ there's nowhere else <0 go is there?" So spake hta Towns-t,.end midway through tt\e Who's pedorm8nte on tbe opening lt:!,:r !f~:fu~in~r! at the Rainbow last Thursday. 3 ao1::~!t r.ar~~ai, f$ a~~ogsth~~ .re-.n.arJt prOb"t>ly summed up !~b:ny f~orrfsor:~d Jgr; t= r Thursday's .cele• For, ln .s.bor,, the Rainbow is Ju.st whst LO~ needs - and I only hope the i tandard can be maintained ever)' week. For lt'S :ill ri&b t t() bO(it tho Who and open with ll. ftovrish. But who will be playing the Rainbgw fn s1x: Monr.h·i tlme- •Tid - more lmportHt - "'Ill thc»o 3,500 &cats be. a; folJ tn "i;t rnon~~, tirne as they wtte on Thursday? · For. rock's saJco. I ho?.e WHO: they an;;. On Thursday nlght1$ on l hOWlnt, ttie RlllinbOw, pro­ mises. to be l..c>nd~n ·1o best with repJar rock venue. 'Ibe the facilities are all there, the dancing 1&bn05J)here c•n bci crc.ated by the fans, ,11nd the sheer 5.izo girls or lhe auditorlu.n\ e1itures that almost u many fat1s u ­ waot to can come to the shows, On Thund~y they couldn't aa"lin itn't e:oou&n, Hance th Morrtson) aru;, .. Awopbopaloo baVt. doot it, bcucr. Rainbow lite an•can gids, the Who ~e :e::dc~:Pne ~' ,:~~ bpp a Y•'OP bam boom." . bad&e$ ;id<>.tn.ed every seat i:n .sod 1bc most lncredible light was tl\e c>nly pos,5ible alterna­ Tbe ftnal toucb came when Lhe audltotluin, can-can glrts sb·ow I've. seen. tive to ·rownshend wrecking a :,Ude or the ftollt page of Some sa.id \ be light 1,how hi& guitar, the Sunday Mir.rot a,p~red u::rt: ~f ~~~~•IO!UJ•~: ovtrs.hadowed the. groups, ilOd The name:, of the two on 1he screen, •· Pinball s.,y II few word$. ~uver­ they oou1d have a i)otnL Joe's ;rou.ps appearina wen super.. Wizard In MJracle cu.re," was Opet1ed the toUtilc, the.n rnore tmJ)OSed on tbe. stte(!:n, whlle thO bei\dHoe - a11d no pr:iz,es ~~Ins sitts to 1nuoduoe the ~f:t:$ 1:~:!ed tb~r;m w~~ the bw.ld~up to the Who's for auesstt1s wh.at th-e WhO regola:rs at the FHlmore- Ea.st perfotman<:e Sncludetl phra5e8 ihe evening was a show ptoduced stunning effects in projected Ort the S;creen llke we~~i~fteh~ tb~ilm~0~ , th time with the music au night. "Are Yoo .Ready," "Rock clrcuJt TV camera$ bad nol ~~!!es ~.~ :on~:· ~:v~: Combined with the W'b<>~ Oul," •• It's TQO' Lat• To been ti~ed out in LI.me for on to pJ-.y 11.od then &(ling otl' ()wn se.archlight.s. tho dimu Stop Now•• (CrNiite4 to Van Thur.sd.ay'i .ihOw When they azaret

j I ! ! I .,,

Pe~e 36-MEl..()DY MAKER, November 13. 1971

Can you ttll me;, some.thing HICH bass and abou~ tht Fu~ion Orcht$t.r3 W pick • up does a nd e;ivt me their pe.,J0J\n¢17 - C. Stu.bbiDitS, Seven Dann~1 Thompson use? Kings. with Pentnngle? - Hal • Fudon 0tth¢itr• st11¥ted Evans, Swansea. J-usc ove.11 11 ye.,,r aa.i:, as a e I've .got four basses, bl.It qt1itrt~t 1>1:it ti,;ty now have o. my t;1vourlte Is a 200-y~ar• 1 old Gand, which 1 bought t~~~i(ng wf;' ::J:'• ff~~~ piano, acousdc guitar ana "wr~~~~ ;o~~rto ~ from Pete Bla-nnin about violin. The,)' ban signed a nine ye,rs ago, when he th.ree•year contr.11ct with albl\m J3oot.s.?" asked Se:an was with Oon Rendell. rt•s 3 Motbtir R~rds and tbclr ftra.t Spinwright, with feigne(I br-lght .sounding Jnstrumen1 album i& clue 01.lt tow~rds the inltr~t. ~ll 01t•er--every position ls clear, 1 use a De Armond ~'itb ()~ °:uf.:f:ial~~ h •~~<1:1rf~e"Jt~o::;:w:~fe pick-up which is wed.Jied in IDUSIC IK buically heai n>~k e:ll:pcriencc of th,e .science of lhe taUpleee. bu& I'm at pre$• jj~!-•u; 5l~:ag J3J! Inn!!.r~o~ p<>p nroducin&, ln (act he ent wa.ttlng for a n~\\• pick­ h4;d only .been insido a tt.udi<> to record his double up from. the Stuld not. lf It doh·n't ooroe through Zildji~n eymbals) and GlD fQllow fo ch.e roouteps <>f J aball change to anolh~r sys• Saward. PA is a WEM 300.­ the superstart and $Pill w•tt C()n,prislng two PA JOO coffee over the control de$k.. tem which is used by Mldam master amps, one slave uptl, Makeba's. basslsL It cOMiYh The eoginm. a patient c,f piCk•Upi fith::d tO 1'1~ ))Ot, ./ ~rts!p~to ~ab~~:=n!:io :J ~~flet~it:id 10m or tho fi.oaerboard. under / . s1~i.":r: ~~ e~h $trlng. h reproduces the - ~ ::::t:ke;:,f~!:.~lf~nu~{( tC'Ut ,ound of the bass, a l• show. • r~t~ii~i d~~t:'!~~OU~o3!: thougt, you t,ave tQ uJe metal ·, - sJightest vemor and gave .,ring,. A IOI dtptoda. on Cbe the lmpres&lon he eould $ee amplUler and spealcer, of lnto the centre or the earth, hti COUF$C', I U,ff Orange / ~-=aii::stl,. Hove you QY>)' information such was vast cotn­ an u prcbenslon of all things ln pnse.a.t, but I also 1t•vt a V(),11; on the VCS3 tynUltSi.$<:r and 75,watt with an 18 ineb wheu h can be- ()bt&ined1 - hciaven and hell, Cartoort by 8•n"Y Fanton. cabinet wbleh is v-e-ry good, P.S, Cam;ion, Hlrmlogha.tn. 1md wb11e ln the States t used ■ 'fhe VCS3, stld tbe Synthl tram(ar of life i;ollldlng - too small for the oum.b0r of 0 ~ A. whkh It th_e g2'"e ni•thJ11,e Flicker wll-h the great tram 11hed In rou3idans Boots had booked ~t~N:~or:~s~v~'" .., tbe ,ky. ll'3 all baaed on and they SlUmb)ed Met DANNY THOMPSON: four basses ~ct:,nJ~•n_:,t:s,e c~itb~ls::. What. equipment I$ used by He spoke but tittle and rantasle$ and nos-talgta. But es.ch other In a nslng tem­ Wi$J1bon't Interfere or you w~U perature. Several flutes were 111mier use a plectrum? - I have j\lJl purclil!!sed ii crtatt sounds usi8' oscillator!I ~r'1Yi:",.:y;fl: m,:6!~t nJ:~; de-stroy rny crea1tvc proces­ tiJtmpJed underfoot and 6.ets Colln Murray, Pen.icuik, Mid• stereo cassette Whieh. so it an4 t.lln m.Odify &0uods pro­ be&,tln t0 expl:i.in his ses.•· of headphones crushed in lotbla,o. nys, WH ms.de Wllh the duc~ by qther i1lst111mu,ts •• idt!i:11JI," the me!ee. I Dolby Sy&tem. Tbi5 Is $UP': - mJct0phoae$, guitan;, Soots had alre-ady an• p()t;(..-d to reduce tbe- his$ lf "Can we ,et a balanee.,·· \.1n~J' wf,~"''"'~~ndGJbl~~ n9unced to book the come t h& voie• of th~ cng­ 0 1 :,:::• tr!!:· ,~!•• pa~::~~~ LOtldOn Or• inerl'. ·• NO !" roorOO Boota, w~ r:'t"'-f o:anff e:~r~ ::; ~~:trm,e~~::ie,.D;; with which you un eon.n"t c.heSI rtl, C,rks :;is. want }'OU tu hs-ve, Is tl P()S$ible lO have it the doun oi:: .s<1 devices In Band, Gi.rl '' I RECORD ~Jneg. O~~ge re~e:h-:~~ fitted 10 ordinary C;11$$tU.t: many dittertl\t way,;. Th'° Pfpe:t.s and $.anuina's rtu·1hm th.is cha05. Jt's wb•t'& h.iJ>­ players? - Curtis, Oravbe.nd. letten VCS stat\d tM voluge pcning, This will be the pedal. 'lj,ed trner; 1954 sec-tfon. when he in.formW whole of sido one!" :md he eontrolJed ttudlo aild refer to the englne:r: •· r 4 like to Fender Suatocaster with the ,abiJJty of som~. de.Vktt to 8 n:,aph: neck 11nd fingerboard. !, ~~bywl~u!~~~~ t~::b!~ explode a sm&JI dyn.ami1e m11Chine? Ttiank you." '::ft:& n,~~e cassette dttb is certainly ec>nlrol otl}t,rs by co.nne.ding charge Ir'! the ~tucjj(l,." ~ce:~ ~~ '~~e::$ An Old three p,kk-1i1p C.lbsor. to tbeJr tOflt:roUlng Inputs, ., on the ·cel)o$'.?'' he asked, u, Paul, SQUnd City .strings. avallab1t!- 35, or 40 C:Om.panlea l'or exampft, a fast oscillator ·• Y~a.h, nice one, Bu.1 Jt 3in,ing hiS boot Jnto finely Sa.me amplifle&tlon a.s J\ndy mlgl'it prttet1t some pr-0b­ !!~n ,:,o:ae'ekeg:fi,3. 0 poHsbed woodwork. PoweU, htit u•e, no effe-cu. oa~;;: 1~8t;~ifed ! !:J~e~a!tt ':: lem/f," 4.\.id AH, ex~ Martin Turnl!r: Rickenbacker bard'wear and a.mortgsil these ty pres:tionte,s " Wha1 u11ctly .. Perhaps you wauld like: custom-buJh bas..,gultar- with to re-cord me snapping m)' 2{f,~aJ:r:,:fceu~(t'f:;a vCs1 did )'OV hti\·e in mindr' baton In half?" inquired the Sound City strings. TW<> 200· :tr~:!e"fr~ ar;a:fn~'~1:; this Co:r­ ft11e.1t can be •~ pla1•ed •• wl~b "Well. we.'ve got w•tt Oraoge amp• with two Its knobs or 1'5 "joystick,.. great numbu rm going to ~~~~cto~v; wti:: ofs:/i~: rt8ux, and two 2 1IC 1$ Ob~~~'if. ~; UPlO.!): Ludwi,: 0 welgJ;n of a ¢ollapsed grand d:r:1a~~ %!'C::~~olld, ,;~~On sw~: !f:,~~n'e~~bt~nf01ro!~~)' i~ dt'Um kit com­ r.{l:i~ t!ot, c::::::a 2NU, piano. U5. We .shall be pleased to loud explosion, dep!ctJns. the •• Heh, heh. ru show eh ban dtum, Jnto this madne&.S snodCc nd oae 18 x 18 an~wer questions and supply Spil)wri,lht I co.n produce. lull detaU.s or the Dolby l'IJ &ot a erammy awa.rd f<>r­ the h!ad of the record oom- lnch rom-toms, 5 -x 14 ineh 9,in.)' Att Wbat in snare drum and a Syttern, - D0t.8Y LA.BORA· thh; ;Ubum. lt'll bt number Oemo! •• P-.ia:te and A•edJs T()RL£S INC, 346 Cl.-pbam lil.'1«:S is going <>n? Stop th.is eymbaJ&. ineluding Road, Londoa SW9 9AP. i~;p~lhp~~~~ ¢~~· !~~ ¢fUh, l0 lneb ride, revotullon.lse rock as we ~~::·tu/ :i~t\t~r~' er~ CU.1,h and ., ineh hi~bats, Aftll:r hearing Colosseum's know It.. Just give me a few tsnd l)re,kage$, this Is. eost­ l'hey are a t 9,ese,nt ex• hours and sounds wdl ina me C2S a second?'' th ~!~/lt~~~raddek;nd~~ft ~ f~~r~i,{r;>i:ng~~a,!~:-:e~ ··ver1'aps we were going r;ini:::"tave::~ y~t d~=n! Leslie cabinets, but a device Ii litt:lt t00 tar:· Jiving !ltop• cbolce. known as the. Schaller Rotor PUbSE orianically." Ne1-1-•s h·om ih•• lwar1 of fhe musi•· s«·.-.u• "Would Mr Boots tell U,S i::ich bh1:':!rtuh~rrer.1: J: face he addr-e-ssed the com­ Y O U R QUERIES ;~~~. i~~u1::i~': le::3er ~~ puy. th~ Orchestra. -should be sent to CO~~ Frklay and oM every A are a::?t'ir; Sunday mo.rlU.llg, at t2.SO "Year man. But don'_t Any Q u e s t i n s Los Ang~ks. be.Ina o •re now for a tour~week pe.i;iod, come Iba~ $tuff'ed $hlrt stulf Lapse Melody Maker, 161 distributed In. the OK by SJ.xty per eent ot prospoct­ with me. Yiu'v~ ao:1 to &et Shepllerd, Bnsb musical ln-­ lve customers who enqufr~ cool and Hve a litflc. Ya diJ? Fleet St., London, atro:ment de•~r Mauri~ about tu.ltJoo -at the ope.nli,g I (~re's the parts man and "CentJt.mcn. Jora1ve tbe Placqu.et, who ts at pre:St'Ot bave-- now signed ror leuons. phty 'cm &oOd.'. momentary lapse. I was ~ar­ j:C4. Each qtiestion the so~ .agent outside tht. Benelux &duudonal :.dVI• rled away wilh the t1:1 • u~. !\Cir Chudc Faas sped.tlly Jivjn8 1br11;5~ an annful of citement. From now on, ln- MUST be accom­ Atot,J,$tJc amps any si came over from HolJ1.nd for mAnuscript.S upon the dis.­ panied by this cou­ Wllque no - tlme • limit the initiation of the .scheme. tressed mu,k.i::i.n 3nd ~ff~~l)<>l,~•t~ff ~:e p~~s~ gua.raa.tee whkh covers the w•tched his opreS$iOn w ith fac:mtlcs (Jf roode.rn elec­ pon. ownu a.o.tU be sells the trim sa~$re.etion. tronic Win.rd.ey." equipment. damages- Jt A N~~g1:~,:t :11)~~~~ " 8ut - er Mt Boots. Th-e Or¢hettca spr.ang Imo by Vampowef 1$ the Mark 3 This l,s unreadable. and UD· o.ction and Boots tore into Jak-Pa.k serin, a uniq1ni ldea ill pre...mplliie:ation ri:>•~,::rn~~bi~b s::k h~: systems. tr-Orobone seclJoo to play a It ts founded on a bluiic bowed -pasuie In A above high C, MiJlhl t suggest thJs wouldn·t power ampUfler calte-d the wol)l(:I prQve be.yond the AudJo,JJal(. "1hlcb 15 rt~\lcces of even the most matched to a Hrie11 of pre• " Shut up I" cre3ked ~:net,iada~A,~~ ~t~~r~d m,~~l ~u!~! 1 ::lnft:d your s.o•ean<:<1 • seriou$ · !°i!'t ~•t~tr~:.· ~1~h~ Audf!.h.k ror utt with a writina tulUC attempt the button tor talk-back? Ab complete range or ~*tric:. ond ,u listen you swines, a11d c-lectroQJe lnstnnntnt.5. a fusion of rlX"-k 11.0k..5 11:t1d g.1ve me a ftul).y k to be tb1ed 10 Ot detached botk beaL" 1 from tbe. Audlo~P.ak Wllhin .. Do vou realise. you nrc R ~.~!:~8.J the ~~ ,econdt, loter:-c:h.losetbflit)• Shuffle talkJng fo one of th fin.est 1 ls lhe.-erar♦ iohertnt In the orchest?U" in the world?'' :g~~~1S~ ~ru~::~a:i:: - system. said the en2ineer. "1've had Hamond Organ Centtt, •· t,.ook - e1n lhey ~usk ensn1ih:· it, ror~et about the bOwed Uemtl Jfeml)lt~d. Studi0$ 8<>0U df4 not notfce the will 1.ow be ,ec up all ovet An;~~~~.1•~!ro ~~~ the /{pS:rs. 1 the country In eonJuoctlOf\ "JIi l Olympia Wu apprcgan bdlowii:,2 ed on to a bia scr.;.~n. bitlon. G"'-mbUn,: and re541ntful into tlllk-bacJs;, he did not permlttin!( ,i;rou·p cuitton •t The otaanis.n, 1PC 811sl- &he 200 .strong a"°rtment hur tbe ruS\h: M 'W irf!$ several or;am. Hammond 11ess Preu Ltd and the Sun­ of ·musici.ao.s and singers Organ StudJo, 1-ltmd. Hemp• day Mirror, feel tha.t the ln,. 5hvf0td int-0 the studio, :,~~fj~~,:~;i {r~,t~to«:°~: crea5ed 1utendant'A! j1.1.,t11]ed while t.h.e ~flg;n~n; :set up did ht he.ar the plunger of a ~;!?~ o~~- b~ro~1~3~ their decit-i<>n to "tend the mlcroehon.es Wit.h (41m t1nd dtion~tor be.Ing pressed are Tony .KogeN. at1d ex_hibilion to three fl.(>Ors of a\1lhOritY, home wh.b gusto. Clifford White-, has st.a.rted OlympJ~•s Empln Ha.U. " Ha. ha," chuckled B():Ot.S. •· Sou"ch cool 10 me.'.' With stx- ()1'8am. Phms are now ~n« c:on­ " Thty :sMH do m;v biddtng. Tony Rogtrs i-5 giving sJdel'ed to expnnd the ~Lt :~ ,:!! ~:~i:,::~ns":r~ 011e-hour lessons four tlme.s ar1.d .s~tlpe of the f•lr In .1972, ~~en.~ ts--r 1:ti:roi:2: eyebrow&. " But WrJ may L. daily from Tuesday to \\ith surpi;Lsing new featwes. Ha L" Tho studio vnl.\l tw have trouble. mixin,e," ME!.OOY MAK.ER, Novombu 13, 1971-Page 3i A brealh of fresh air "The c1ir we breathe is not mo good The food we eat we never should The clothes we wear were never grown There's too much concrete in all our homes" couldn't tlitl:I the lustre of RICHARD WILUAMS tr'ut 8~~01, aJ1d juic i.o hear reports on tile !~r1>'3::!~i~t.s v~~~$ J~ Lrlp. MM readers' trip to ,.\J~~ •arlo A duded should be the manp·s dorff's quartet, 4nd tt!t' Ideal medium for Gumer HaJnpd Qoi.ntet, wlch m.ueti d\3,:tge-ringing and musical meetings man~· ,1uers-111. 'rh" audlence which would other­ was huge, Lhe lar:gest J've ever seen for thts kind of wise never occur. mu9!c. and U.9iened with that When planned by gffioos auentivont►.S$ peculiar LO 8erllners. even wh~n th~y m.en who love and un• don't know W'b.nt the hell d~rstand the music, it's the.y're u~tening to, a priceless opportunity I have to admit thel 1 wu exhausted, and went to b-cd for pairings, juxtaposi­ af(er brief 9lu~ c;f Brosunaon tions, and comparisons and Manfred Schoof - bOth which can widen im~ Well up to par. measureably the per­ ceptive listener's under­ standing. SUND~!i!ft\'.i'.~.!t~a!h~ That'$ why the 8erUo brout})t ether Su.garcene lafZ. Festiv.al is, in tny >p1r11on, easily the best of ~t::r u 11t the £,tab)isbment occa- and N,ps'O 1ion.s. Its organiser.1 - paT­ rlan g: r ticu.la.dy Joe Berendt.~o­ J1ffl:~cnt ~re idc.:,lfyM=: stantly apply che kind of pfomeritltry, and fn v.aryina imaglnaL[o.t\ to their pre> combin,·uions they provi ~~nanw~~1 ~$!~:'~1 was tbt> work TOOOO U) t, for be. booed - can•it be b"11.df Pr•- He.'s g.o;ing to sutnd II lot ('ll' watch(ag. Oukc l;IHnsw,n Orcb8$tra - 'l'he- evening COACttt ®~od and tbc htstoric. oocurred. with a tr:u)J na.wless set by A~da<.lon - not the A.mori• ~':e ~ :~::m~i a1~:t 3 0 ) t e1J.c:f q~!t ?:J ~Y 3;~ ~~~~~~Y b!~o~=~e Jf1'!1S mer Pio,,ro Cou.rbOis, a m\1$i• Davis {Ind C',;J E~ns. scpa• clan of trcmcn4<>Us. s,wtn,a and r.tttJY (A OQur \'IC• &iV)~ OM M ILES: glimpses of what might have been unf;alU~ re9'>1Jr<:c wbo never the e.,..nee 10 ~ their f01Ects i::I.M !,e's pJay~ ~ lative P'O&~M sinc;e the Jau. @)Is <>f ,. BPUes FOc Pabl<>.'" O()llCCrt. bq11,n, with e wa.rm· ance cJ SSl\taM Instead of been, tra~ o;\ty .a.f1er an~~e:~!r'~he ~Ufl43Y 8'ttrnoort W$3 de~ hea('t«s, ~t. rrorn tM Pre• Mite!!, but thete WU n() th~ lmerval. when tt\c 22· \"'l)led tO 3 ViQ'lln Softlmit, sCr\t.tlion Hall men. ~ by mls.t.akJ"G the m unpeter•a en* pfece Bodin DrOO.,r'n Band took tr~: il~tl(:&~ll:~:~ J~ whJdl OQ\lld have 'been a - tho ~ta~. tQ b(l ~JIJ:4\H,:,ed b;y Ille k't' J&,;%/t«k to a n~• level ~t t~tem<-"~=l ev:~?c1; pll)' a.s jr they by g0loists Stevo 1,.a<:}" (~r• 3 were borne In ~~ity~~so~s ~er!:'c1~~ a.no) and Kut Be-rger (vibes}, 1~m ::'~1;g ~s~~~ New OrleallS. f-ostered. by the pro•Mjltt ~~r:1 J!~~eeaJ"1~~fodr! and tre.ated thQ M~~ ~~~"8,~"~b:·~f~~ ~~Jnt '!:'e°"l., z.l~ claque. (t was a pJea-'tm: to Machlne, Lifetime, aM Pierre audience ljke ... Watu::• "&!even " and ll$tffi to tbdr ooroph-l( v1r ri• Coutbols's Assoclation. old friends. The '' JeUy Rolls•• - plus t1;>me ,ooM and gcncr".I unthfJtOric· Th~ SOOl• of lib• ?:,~I!~~ r..1:~f ~ :::t~ \_\·i!Jre ;t1,1dien c;e .re.s• o! COllttt~ Hfs USII) ol f.be Wah• oJd favo11.rit"; +< Bilbao $oDg," a'l sJr. One hopes. 1'erveritJy hlgblfglus.. enjo~ by moro p¢nded in )d ud , "Th• Barb.t.r;t Song.," and. as but without mu& eooti11ld be(tlmo ~ stron.1 teacher/critic Dave GolJy - Their ensembles w,ert as Qf mus:iclAm from Bt:1'li..,'S SCC.M, who dropped inw Berlin's achieve-cl solely with flesh .i.od lWO Nldkl S:tal-J◊ns, w.as Me 8 blood, were far more movin.1, Lastly. wo wore tr~ted to Tcect nfrport on Frid,y •ftcr-• !f;ln ~~: ~n ~ l.arge&t unit F.v.ins ha.s ever a snuch o{ Lifetime ·ron.v noon. year- their jun.i.<>r, Vid ir aartz 'W'3$ exet1-Ue-nt, a worked with _, 11nd, ti~ 11.:.id, Wi1Uams ~s r'_g Brotht,hood m.ocl4>r_n, t hen U(l(r)bonist have. evt>r been fu.lfl lled e:ieher and biis~5t Junie lrooth of Bre:tth, I.he Minoon'S- Pl~·­ Louis Ndscm and •teoord9t ~o~~~ ~f&i~s ~~-a:..t:> Uve o,r in t h1:c $Uldio. Two appeared 10 be Of)erating at a h~$e 1\11..St.stS (Giant.$ of Emmanuel 8-u1 we:ne moni more. l.l'I fact. than I used to fir lower energy le.vet 1-IO'A·• Jau, In olher words), and than oor;nc,enits.tlon. Cta-ri• :mi~fheJot,'ii.t!i!i J';~~: .:;e ~{lllno ::~~ c-vo=r. Wtlli8'nHt musk appcan Bo~o Pet.rov1c's Nonconvcr- .na:dst. Afb~rt Burbank was a ~'bic.b c.tepends so lftronr.ly on t(l b~ gfowing more l:,'ncnl a( udng. Is s.,titl 11. florid player. =~• &:;.l¼c-bt(ut $Urprlse, addJr.-s an ·• f«\." l\nd one of the .-i rairly rapid rate,_ and there f,~8 m~11i1~~'rro~ ~~~~ ~e: loP•Jinc to the ooc.asion• all too prooe t-0 te:chnf('Jt.f drummers s«nied too [die tv wa$ little of the grfodi.ni:;, polyOhOWC 5e,ctl'ot,s, while excess 11nd mctlXI~ itrete-• watch (he leader'$ cruci•I e".'.\e~~o toco~~°!:~. both af vamc. 1'tl.e per1e11S$j()nists tnsanit}' so chAfa«erl$C:iC -Of KM "Tht.,m.a.-s himself gr9W(ed tha erouv (){ ,11 year ago. @C"nt i;f) much t.ime picking lhe .DrQlhf?.rhood a-od th~ with ~~,~a;~ whJ" ~ i~f n4:;J; veteran be-boppers broke i1 int<> his ™if>>' lu_ih a:Jee. up and pulting d()Y;•n be.Us, The.n. to muc:h ~rriia~le There we~ !IO.me motst t}'t.i oombef. protestiox, we wl're i.'.Ne.pt U:p band wjt a#IU-rtd when f mW \.i: &it EWn&tQJ\'.s $& was 11. djs,. Mey made: r,,Ml ~se wben £'.'~,- played p'..i.no. 't'lectdc aPJM)ln,:.m~t.. b.v be.low the dr»pp1n& things. IL sll seemed a1,d aC01Jstk. with :i Di.attet·s er::~~ ai;:tsi:t ~~~I Sok standard ot his recent BJitish o little p(1intless. er.d enc toU<:h and a total ri!!lev.a.r,ct­ C(ln('.~. !ft.)• a.00 Jara.,, I.he glimP~ wh.s.t might have wti.lch put on~ in mlnd of ~~:i i ~~ !rt:c~l~~~!y w::. lll'ltorial w.as pradieta))lc • .i.nd b~o - nnd what mfd\t still Dameron and Monie, :ttld he and i1 we wer~ late ¥.•e'd be: thete were none. of llhe pia.n1, ~ - Whtn M iles wrltdted OQ w,.r., partkul.u.rty well 11erv.ed $tr~D~ l..ate we ce.m.a!nly pyroteehoiC'$ W'hich tnAldc t he the Jyr:.c.itm for a kw b:, sol~.sts 8e11te.r. Leo w ffl, but we made JL off the Duke's 1969 8&r1Jn eon<:t-rt me~$1,1res near the end of tj'w; Wrigh.t (alto), nnd Carmell t.armac ano arrived home with Sl.lcil :i.n eX1nt0'rdinar:, ~vtn1 stt, f'o-r a mome.r.A, the wbolti Jond (trumpet). The several memilJ'le~ o! anOther 11M• OnJy th,e- de.llaou91y -s:trutLir.g p0nfuMOns abOOt \o,i\O was not'ftenally r;i·wardinK festival "AriStD~tae~• A l.. Jean pl~-~as,!~ L might ha\tti supposed to be playing when in Berllo La'OU .• Uvoo.tid t he pro- ce,edlngs, m~nly b~u~ ol ~~utl;:te:~ ~1 ap~~~~ anc:e of l he Pru~li()niSlS­ would h..lve bene-614ed ,Mm a rew n)fnutes' ;,,U•htl)(e pt.an­ r,,ing, The n()torlou, medley ended in di.saster, and it"tr .v>mc indication of th~ me• diocritY of tbe 'Mhole attair /i/exfweeklthttll th.at it tOOk cht! booin3 y,i)yi¢h , ~e-c, the- 11.ppoor.-nco of maln and he st.rode otr, ab~trf ~turiay tyitllw:r ·~~e.rso~· ~~';;~. Mornl'!j P/ctu/'B9. Tl'let"- ¥'&$ no ffl()()rc.

DUKE ELLINGTON: disappointing set MELODY MAKER. Novtmber J3, l9iJ-Paac 39

KEITH EMERSON talks to Mark Plummer FIRST time Keith Emerson put his Moog Synthesiser on show at the Isle of Wight Festival in the Summer lasr year it was little more than a toy. Using the Moog's rib· bon control as a phallic symbol, he strutted round the stage looking demonic as ever. But musically the Moog seemed little more lhan an extension of his Hammond bashing and Leslie slabbing. An effect like the cannons that splattered the press in bits of burning coiton wool. No college

Of couHe, a large part of Emerson', siage act is sdll th~ Rondo .antics, but with ELP he has settled down a lot into p1iyin3 his instru. mcnts as well as bashing the guts out of them. Now lho Moo.a Is an The tl'.S(H:.mia l part of the musk Its arrived!The great Lowrey pl8.)·ed on c.helr Jut a'Jbum. T.\.rku3,., ao:d dutinQ thf!!ir- ttaae at pricel 1 sound a great sounding ··~' Ont lhl.ng 1 want 10 cte:u: up,•· EmenlOf'l i,sid t>etOrl'I ~ lkine abouL Moot11, ' 'is that I htivc never betn t() the Roy•J CoHege of Mt!.$ic. All I Moog had wn-s '8. .norm.at privAtc tuiUon: once a week from soo:,,otltlng tiq the ic~ or eight t bcough tlJI whtm f wa•

"·" £vtryJ>Qcty sec.ms lho Lhtl\k that I m.u.&t have beeo :.?y:efl'l!:ge~!"U.:l~h rata~ ~C$fr!!l:-na ~t~on catt @d 'Or-, vogue

8 blsT'~e~~si~~, e:~n~ ,n almost maooat-Uke detaJl •,ihrlt rm dttlloa: W1idl Is an 1he work.ines .of the Moo,. an tom thM is mldc.. 'by tbe SyotbW$er. lul'lllOb~. '' ibe MOOi is baaioally a •• J think there have to be ooUeCtion or o!ectttoal fowMfectiors In mo.de. Ja22 a:M J,'Oclt and roll are .made =~~CS.ft:':°einof !"~cb_g~ reoordina studio. but tt hai ~n•,°' tb~etf~~o ~ ! rea;lly been made more .can­ madllne to clo that. paet •nd put Into Orie ·~er muaic las to be instru:ment. 1n the Moog lt~f ~ffime-~ with, but t tbere 8'«I 90mo moctute.s I.Mt Cll.llnot see ~dunes ma)dfli hll,ve been ued before, 111td up the- JKll.18,S in )'tiara to some tl:at Bob Mooa has 01Xbe." invented himself, This how is. Two unbelievably low prioes. How. l 1sll:ed bim, are the is il a04Ul~ produced by the Trouble brilliant new elecrronic Make-no mistake. You're i.n&t.rumcot? ,. The s.ound ~urce l$ basically an oscllua. organs frQm Lowrey. gc~ting true Lowrey pcrfonn- tor - There are three of The Mooe itself i,t a >~n& The IC Internationale ance. \.Vide range of voices.. Vibralo. them - <>n ()ne osciUa1or you instrument that ume to li&ht Revtrb. Glide. Powe, ful 20 watt hi-fi amp. can get as P\A.n)' as fivo or six lo the 70's alKI tfl«c are stUJ and IC 44 Super lnt~rnationale £270 and wavefo~. Such as triangu_• a lot ot c,roblems '.I 1,. But m,;iat of £299. Yes you read it righL The impo$sible :~ufa~,S-:·1ec~~ wave, rec- l.t\e ptabJerns wiih Emt~•~ don'1 g~ t is a big hole in }'Ou. poc-kec. Now has happened. The genuine; world-famous • " ff you looked at 'l.bese ot1 ~hllvenow1:J.eeJt&Oried you c·an afford a Lowrey. You'd beHt""r tn o.sciUoscope they w.ould out by BOb '.Moos who Weal to $,« t O()llple of tl.,.P Lowrey sound is now available at heli~vc it. look !Ike say, rtetangu.lar, so p,erformance.s in tbe S~tes-. If ,you ate tooklna to jm,rate the $)(Ind of a VlOtin }'OU '' The Moo, is d. in fe• b.ave to ta'ke it into lCCOUAL Control oaniy de-vdopment.. Whm 1 iba.t then ls a frictlon. tk$.t Md m:Jn,e t had a. lot. of oow.·eea the bow and the ,. J think the piano mathe- trO'\lble with th.e o,,cut'itWII stnin@3- a.nd Lfulre Is a vtbr.a.to ei,in-g O\lt <1f tune. Wh~n t between ttle two things. So t~~:ni tt!Pf!~. ~. , ~~ WA.sinNewY()rkl&QtBob t() and sc-G you wouJd bavt to flnd ~ $)"St<-.m h $:0 deMgntct thitt Mooa (loo:ie lhe correct one which Is m.06l Uke v,ou don't Aeed JI I« of trO\ll;,;lts I bave on stag~ o viQlln JC you were after a Pressun: to get a l'.ilg s<>und •• ln ~;Uami lL t>eoaine 110 bl'.1$:S &'QUQd .. ~'i.W•LOOtb wave ou, of a ir.and p'iafto. b\l.t hot I had le) get the toadies w()1)1<,l be beSt. a Jhne -sound r;o 8« 1Wt) larg,e f'81Jl to oool "-'hich is: vety meJlo.w would :r~ :1enJJ~r 6:;r~~! it down I hSd to get the ~~ I.() wJu~ 1he ~pen• H.nri s.inw, & Co, Ltd. require a si,anal wave " : ffl_, ~• lot more presure-- 5 tu~ I flnd th8'l CQ:W:l~Uon Woofpodc Loft• ·• That fs V«)' oonipJk>ated, aff~iltOO.. ltointre-., &sex io;t~~e:i,, l~p~,,.~~~!vef~ the Moog Is the M.Me, except "'AH this 1 told Bob Moog. T•l. tkolntrff 2191 sound that I like. 1 ttave tbet IL u-ses electrot\k lm- aod ile worked -0n k for about • char1 and t fut¥c \,O a mo.n(h. He builL ntow make e l)a«."h chord di:ian:m et~~~IUllO J!~Y~ O\te:111.atots which .st.Ill have i=l"~ the same Rln.otion but they of it $0 I know eicsct).y wherto te.atty ))ave to know ro bo al)le oo cot,trol tt. lt can play to put the iac~lrtUY.11: okt on Jts OW'll., but to do th.al =k ~:Ce sta~';.cf eSU:~~ " 11·s ~1Mr 11kt won<.inf vou ha\'.e lO ck> -!IOmettfin,: w unJt at the baclt. aM rq:,la.cod it. J know of a. place in it wrtb. a biggc-r one. He b\lUt "~~ :._k~!bc:.is~:li~n.(&~\ Sto-c.lt.Mtm when! lt\ey h.a.v.c II. lt lmo the front ne"1r t,he ~h~r 1hc whole sound itrue• swdio th&L ls run by ('t,mpu• fc('quen-cy t:ountC:f', which turc s0 th~ plugging i;ip i$ very tets which comJ>MO the makes- it aitSier ro.c me t\l crl~:1-~oog is .aoLuaUy p!ay, musk. l think th.n is wmns; Hine the t.htee oscillator:; " 1 For expert advice on purchasing and i:::d~e!!' tt~s p~tle• ~o~ Argent: ot people ha ve tended 10 fo'J~~u ltt tbe. orgu II- tueh playing - see your local dealer a harmonio- IMtrwneru. ()k.ay, music first, t()ITl4l; guys can play wltho11t ORGAN EXPERTS ~Fa:!, orm~r:1'~:• ~;~t!r! ""mmond. 8t1dw111. Vo•. somethla& that will hcl:p your Tlto"'O•, $01+1\t, (o'l'Ul'l•nt, playio,t. G•m•nl, n.1> A<=•. Ton• equipment "CA~rm, ,~n:!lliers- ,,,~~l ,:n:::y ~~' t:~ 'i:a~t SMAllWOODS maker me f11.r-s1,1rcr ol mys,\'lf. MUSIC kOUst ()n.e gets .a betttr &enM. o l second ht1tmol:'ly, Qne ~ more 8i~in~.::!b~·.,~~w~ confidence. {1''S FUNNY, but few ., Emeoon, l tee), ts, thto people ever con• b~t orpn~t oa the M:e-ne. because Ope .;qi iset' 0Jc1t he's sider Rod Argent as re.ad the llurature, l~fi aot being an organist. They thilt knowlNlg, of harm on), ~o many Ol'ijanls-tt ~ bo~· prefer to accept Rod as ja.st \ :atbfy t b4lmselvea. by on electric pianist, mainly because mem­ ~:)'~~ :~t~:.a~~~Rti:!i it doeJ;n't take much to pick ries of the magicaJ Ollt 50roebody who re.Uy hat Zombies are still de­ th~ knowJedae, hu tha1 t!ontlden~ lightfully fresh. .. I have a large colh:~tioii But Rod's far removed W11M11tt Ot not)'"" h·~nocu,~tO P,,YGlt from the player he used to ARGENT: with Rod Argent (left) f!toclar:::~ ~~Jiat!l'tur~ 11.11n...... ,....., ...... -.ro11..,,111...i. ... Tluc-eol Bftta!" $flM.I don't fee.I I ~.k• a me-.H on LYON & HA.LL LTD. 4,.o,-•a.. .. .r.. ,,.11o,,,i..cu1~...... ,.. o,oanShov-r~: Improvising. The orgai:i <>tftpJ 1f,Qtk.,.11 i. 11>l•r1M ek-clnat tlt,M II> ~~rV:;t~~~:n:n~~;~a~1!:'':J but It wou.lcl C@rtaJnJ)' dtlv.e 1m1sfic..fh&t bit ba."J alw• >'• lt~H v•o mueh, tot' lntprovl• f-01 WI,,$>¢ f>,;11\CS 0 1.9lli• Su,ng:i. Aoco11b: or~•""lt••~ marked orlg,lhalhy he'.s nfsht... I've nr.ve,- ~ lnll) brings me. down.. a, the o( that. 11 lm.mtdi.attl)' •lrlket plid. s-.iM• fot f .,J ~-Ill♦ TEL. 409.6/20948 I 11,uon b:, 8068Y PAGA.N 1n0m.en.t Is ,he amount or t.bem. u belftg euy. but bOf, tkStnU11: o, lAPf lUIINd1~t!rd0~~~' ~l. be U WtSTlAN AO .. DIUQtfTON o,.,p,,M,.._,,-08u.UO H~-:,~:;10~;:r-s8~tO:N you have 10 be 3ble 10 play.'" 21'9l l•..... "fW;,:,,r. VAM~A-THOMAS-FARFISA ~!lki, o~~!:1opC::yinf 1!: jtlsl as e)l.eltfflg - Jf oot a~~~t!'V~ ~ e:':.= Sul •ltho1c1gb Rod Is DOW 1 01•721331'1 Ll:SUE SPEAAER CA81NETS tl;I,~ 4ill)'s. Like, I $tantd off nwnt - '"" aro ete-ctrk dov.'"'b, but i.1 -a Just no U$e, It's 11 A QOml)'81it $$MC>t for 1he tt1thvs~tt 1 1 pitar. YOu'vtc 3ot mor« to trtghtenlog wben you w.alk on ~~ 1~te •~ri~~'t:n. wW: :i,,:- ~fi1t'~a:sl~l c; 1r!~~~~ dniw ()n, tttere'• tn(lre w .11.)'t s.to1*e hom behiod • m()u.ntlin the piaoo. ·• And yet lhe.re.'t GRANGEWOOD CHELTENHAM Then -whh Tbt- . Zo.mblu my Ot' gotnf lnlO lhl:ng.t. Just no way .., yt-t or re.ally ORGAN CENTRE ORGAN CENTRE instrument became tb• e.l~ fha'tt~itl ~:!,.~O~t1!;d at~ a pitino. lt'11 t u~ a HUDSONS 3 QUEEltSCIRCUS. TU 27017 tr1e plane) - i1nd n()W the ,o··~:;•~~~:eh w~:;~: i: do & number that RUN BY MUSICIANS o,,p.n Is a touUy dtf'fer~nt 1 th :.aoli~fJ:;"l ui!abt~lg~ Q~W•g.: • ragtJme stride. fOR FOR MUSICIANS PART EXC1i~NG~ rn,tru.meot. !:i:1' ; ';:cacb~":, 'e~e! 4 I'd reaUy love to WELCOME " Unles, y<>a witnt to re:#00 going fnto polyphonic a'(~~r,t,-~n playing ke)'• ~ • le ,o pl&i)' lhAI bn piano. S1>$c,alt&~ ,.., Eltcuo,ii,; o ,ao n.s HP l$11f1Sf1(1,m tc> srnmding Ji.k,i: ~ve,yonc els• mtttiods Tbere.·s so much bbards ~lnoe he W3S six. hu Ii Btu 11 you can't hear yourselt pJay, chen tbere' !I oo point in ORGANS 't'AMAHA, LOwAtV 10~<1t:p0$•'-VP - you know plddng up alt 1:tJeR>- you ~t... 1:lrm knOwled~ to alm<>.sl ~::::.J:o, •very side o( mu~ie, Allbouf$h doin3 It, Th• pi;1;00 e44-rtalnly 11nd ell OIMt ..tcad•n11 m~)tu 10 5 ~&t$10 11:0"-Y t~ eUche.t - and tberi Li.I<• fflll.DY Of11'.'3.nJSts ltod "'A1N !Jl~U,li ,q.,lt Na.,.>~0 ntvfl' h• maintain~ •n qreanitct Can ,~~ u. be a bit ~ted l'IQi,,i.·, - W'll,U11I' f'HlUI~ wor.klna ou, u orian st)'Je hu been iatJsfled whh anspUfttaOon. He- uses a anive llnd ~ brilllant wtchout tilts~ days." NORTH DERBYSHIRE'S BRISTOL ORGAN CENTRE ~~!..~"~ •~~:• ~~-";~~! Hammond C3, aod dupite a aoy u•inJf).t wha:tso6-"er. t.e•s Rod tiled hiring pl.a.nos for 2 2t•223CHELTENHAM ROAO exciting betauu th~ o.g:ao compll(' gtve up ln the end. UA.O lt.0 WPP!tll-U fO n" rurno~ fACIUTIES SERVICE offer!. $U(:b IAft'-tdlble po,cn- ment (Or Wlput, J)e Jlill teelir fN.ltltlAIHMl'NI W'OtlO AISG .at 0£P'T tial, ti-ta t the Ha.m.inortd ha$ ~er me:nt, o':!1 r:::y ,:; NOA"lH t.ONOON OR(JAH 'A'lfltl p~Q(c;.l!fo,f.ie.,t "'lt'.s .someh()W n little so4 reaehecL ltt tun potential. -;.,.~t;te.· ,~r· .~1\ '' But rm 110 <>.ri.mi.sl who If •~~up~ ~e~~l ~d eff';~~ I~ to find sot:nebod')' wt\o ..,.,.,. ;,,11•• 11'4 • ~ toe/t1 mo~ri;::?-~o-nCNHAM s1odk li$;s !~~o;' a!o~tg~stb~!dstw ':~ da~tes roc>r• in mut..i~ lh•n in can oick uo • 01ec1: ol &c:.11, e'°' <:~~ somt ttlint s~tisfac. H s.At.':!~':·1~~F,r1a.o N.17, 8011 t:214 F081-'MOS7/!INAME &SERVICE the 400.od a Uttle. Thtfc'• the lt:,(!h.,ic111UtleJ1. ltbybt' 1 1C)ry, Until then tMre--'s plein.ty ,______J~;:::======: ~--$-A_V_£_£___ __~1 ....,.;,.s who will do l.h•~ 1h.at's a ratdt ol mtne. but the to~ oV"it,1\,~fe';• ~~ b! co d<> wi11'1 the organ." 6 0 1 MELODY MAKER ,,..,,,. • ..-,~ tlt<•l"f"" OT"' ,..,,_ 1•ri,;k lO 1.._ !W v~. ,;1.,,~.., ADVERTISING DEPT· <••• ~ .,...,.., Telephone NOT MANT un - '4~ ut.H 161-166 Fleet Street l"l'tfOO,,..,_~...., Getting organised CHICHESTER 85819 fl.KttONICo«GANS S1 A.OlN C:llSCfHT, OAGf,_.AM London EC4P 4AA UMX m,. HO, Ol •$,'» 6f2' 0 c:ost. a.nylhln& from £$00. It is possible to pick up • TH~n ;:~~ "Group tultlol\ seems to be koowkdge of .simply harmony JIMMY SMITH ~~~~sti t b~ favourite .('()Urse, a-s h.is 111;nd rbythrn, p;us (.i.ocording day ls undoubtedly the been proved over the p~st lO l() Hllg~r d~t~rity) ll melody etectronJc organ. from the yea-rs in ,,rru:riea;' says ime in 15 minlrte,t,. MUSIC JERRY ALLEN ORGANS si.mpio- reed model deslgned Jaekie Brown. "Th1t is espe• •• Assuming t h.s.t the UU· Southgate, Chichester 486 ST. ALBANS ROAD, NORTH WATFORD tor the- beginners starting: aL da:Jy true where MIidren arc dent hu ao organ at home around £l5 tQ the gfant pro­ concerned, bec.ause the mm• a.nd 1'aa the ttllle and entb11~ Sussex _ _ _ (Only one mile off M.1) _ {es$ional con.wJes which ral competitive spirit ketpi­ i:i.1,sru to practioe an hour 11. oao reach the price- of lhem all on their toe-.s Adults day. ii fair-s.ized repertoire or Ring and make an appointment, Sundays in­ i.n ch1sses are ioc,lint:'d to ,be nbo1.1t. 11. doz.en wneJ un b~ Incorporating the £15,000. the opposite l.n my a ­ aoq11ired in a few weeks and Ch,ehtster -Orgsn Centre cluded, to meet Jerry Allen personany for his With an estlmated •nnua1 p,eri~m::e betau!te- of the-Ir a really k~tn ll-nd ilde:pl pupM professional advice regarding Organs for the tumov(lcr of approxtmateb• Cs notural s.hyn~ss 1.1 1\ltl thex g_et can bet!ome q1rne- aecom· Organs AmpUficatfon Home, Club, Church, Group or Band. mHUon. organ ssJes .a.11e- now JACKIE BROWN: t0 IU\('IW ans artotber. Tl'ien pltshed i n 12-18 mot1lb$. rour times greater ,than the. doctors recommend It lhey .start vlshfog each Drums Guitars Speakers for bass-pedals. P.A., any mods., piano, due w the lncroasing othe-r's homes and fOrm inji rt~~~~t,~!~e :(d~ fi~~ wt~~ ver$atUhy ot 1hc orxan, which J0.1roer. sud) 41s ~eys and and ttll musical percussions. sustained bass, tranSp()t18r 0 <:Ft~ll ti\~~~:~, ;i~~W:C>f~~:~:: eoloored shub which Ughl u.p. merchanrtzan among a o:n~hout lessol'l, usually '"The newcin dcvet()J)ancnt Lowrey Baldwin FRIDAYS people of au aat,, vrofos• tMIJ)tlo& lb.at it iis p<;ss.ible to once a week, oosUng £1,25 Ii 4 built•in .,;,ssoette recorder e slon~. and lncHnati011'ii, en plttch3.:$E! the iM~ment over for adults and $Op for c:hild w:itb pre•reeordc-d tapes. Wurlitier • Farlisa three :i,eart at Si per ,eenL rr-n, covtri-ni dGssjc-..-.1, enlt.l whleh proviacs On•the,,sp,ot PHONE WATFORD 25018 ::~~:mb~. n~;~~i;~•::4'~ with a one-iifl,h deposit. tainmtnt and PQP playing, 6 Rihae Phillco,da i\ce rrom six 10 60 and come First thing to d«;lde is ...,hb ~xerd&c!l and &uitib1e ~;~~~r a~ea~~ ~p wtn°'~ lr(lm ii .revellling c:ross•secoon Which Jtind '.Stf'm, u:~it (:#n ,J* u1u;d .as 11 N AUSSEU ._ DOARfU N One v.•tll•k-n()wn. te~her j1 outpvi, etc. Jt would <:QSt from students are Jlnk~d to the. metroname. THE PROFESSIONAl. S ,s ~: '::~ores. S Jackie trown who Ls mt:1&-l\:.31 ClSO. 1c11c.be.r's master orpo ~nd "Tbe JJ10pulamy of the F.or $Cm!i)t1<, wh,, wlrHs l(I 0 orP.n lies fa lt&. sootJdng and transpon the 1.nttNmem tQ f2:~!,rttlh~~~ fn:!!b~~ crea(.ive ovt~e:i aivi0& tb ♦ ORGAN pwties, gigs, etc, a told-up o,r an>' m111tlpJes dowll t0 one SPECIAUSTS portablr- wir.h 11. -separate pe.non, accord.in& t◊ lndlvh1• :=~OS ttfte't ~as:anre~~•;.~ has spe,nt a Ufetlme m t & llirnpli.tier i,s the answer. bf!.. u.al progte% hi&.s are the work. You can let your musical profession. as an so.me. temper come out through CITY El.£CTRONICSlTD. cr,1i-,mi,t, cO-mpOscr, 11.rrQn,aor :us~~! w~!cfOi;tJto ~\~ "4ee is no barrier, o:lways 111-0ADWA.U(, ,m..,,,u aOAO }'OUf fln&~t'S! DONOr\J strOn&IY aod MD, and y tor c:a11il)l( de.f1\cn,1tator f<>r a le:i,dinz • Tht! pr◊fe.ssional with a i t.t• nimbi~ as )'Oun_g ont1. How­ nervous teMlQn. S<> ao home ... manufacturer and a,. a :4 now lion w~son nt v ,ul ct\1>9'se• ever. be.a.ring 1n mind thu and ,Play t h.e ornan, il'\~t-e:3d 91 U QUUN. 'l tOAO, WAffOlO, Watts. oelfltr, a big con$Ole. model whb an .rn uik \IJt;J only •h• first 1 W AffOlt02;)~ S◊1,1 U1,nn Org.ao& .stock -an ext-ensjOn sp«:iker which can seven letters of the alphabet, ~wc~t ,}h~ "CJ.ui Jl~~ ...,, •,ohi:..;,,oo. SA11o4... 1111WJ W•~•"' 64t'·•• .. ...,,...,.,,._., ~ow..-,.~.~<)II •~~I,,.,_ t,M!>JJ\Cl;T,ONft(lfSllf

BEST SERVICE

AND TERMS AT ~OfloO 1200/1 18:21 low,_,., •.,. ...,., . clAU .....,_,,_, , ,11, 1100 •• ..UU 11_,..,_,1 M162 010 Low,.., HIIH,,o OW,.. IVR l,)9~ ""-11♦ 11o t9!1> ..,_.,.,.._,1 L12.'l 1•/lh , p,♦d, s.1- to,.._fll1 A.. , 1$1♦/ ,--.:, .... IN:, ,v■ UIS i.-r.. 8U , ...... w •• 10. ...tt .,,.) ....,. • t106 II- t.12.) V- (o,,i....,tot llil••lt JI,..,..,.. K_,,.Ancl # 10:2, ll>'W,oa,t: . USO c.,.,, '"°""'~ 9 -ntft>o141 . '400 n,o-• f ••,tivol UlO •'- •Mtilh. •w n•• Hlllllfll....d C.nc!• , . , t-22.S ,,__ l'Ql'~ff d,_. "1'1111 jl,HO,. 0 9$ '91ltkoc4-., SI.M • • '10) ~~ '1!5!~ c- n,.. .,. >,-n.....t, ...,.... nu, ...,_>' ft(oll""'r -41'11 AOC '-11• , lf.S,00 t.....i:,- 'U,won ,:.,.,..., cf oo Md ,,. f'♦Hk ,_.. oq ro- ""'" (op...... , . t8S.O H-m- d J300. .'40$ W lb,_, _ Ille,,., M.ku . (3SO UGO s,,1,.. t4S ._,.,..,..,d (3 f'.t40 w111.,.,...... , f.1 ♦1'1 "w,..,. ...,c.:....,. ~so ....,.._, noo, O♦,,,<\, ~♦I (~1$ 271-5 Sauchiehnli St. Miii11tMtf14 U11 U.d 11""""'°""' A.100 t.1050 1-1..,..,...i JUIO U40 Bll OlllvtLV ANYWHW !"fU '.'4 • Glasgow, C.2 .MELODY MAKfR, NOV~ftlber J3. )971-Page 41

J0':1v..!~r'°-!l;i ;:; electric piano came abOut. not through his own volt• Uon, but through the Eyre of wishes ot the btllliant sax­ ophonist John Surman. It wa, 1wo 1ea.ra aao, Surman had just fOl'P).Cd. bis oeCec in London, &nd was tlt~ of having to make his ri~· ti... ~~~!" ~~e t rouna 11Iound tb:O clubs l.n LOndon 10d the. jn'Ovincts. '7 So he hJt on the Idea of distinctio buying elemlc lnstru.• an. ::'Luo":n:.~1•Y!:!nfu':s; How b-01.1a:bt a H<>hrier Elttt.ta. P1ano ror •bou, i200. By and lArae. Ta)•Jor h1 ph1aHd with the Iosirwnent. John w1akh bas ,ecin hlm tbrough ~~t'!::hcb~e.Jar:"lld~~ QuJntet. Ml-kt Westbrook'$ •• Ea.rtbri&e" bind. and Ta¥· Taylor Jo.r's owu. NC-enth••tW'med ~t!1~~1::H~t~~: Attd Thlnk Agalo/' was re• teased receutJy. went On; of cbe m.tJn btot8t1 of having: the lnstnunent. say, John. ts lhat he can work at home In peace ed electric without d'Jtturlrltla t.h,e M1.gh. either the pi;11no provld.td oc bour.t In che .sllghtt$l. the t h1ctrlo lnsr:ru.ment, and " AU you h.avc to do 1$ U the acoustJc: IMdel has hm, the ,·olu(Pfl riib-t dOWOf ev11n a sl.l.gti, defeci. one or p\1t on a pair of ut'J)bones Whieh wc>uJd no1 han de­ aod plu& them ll'lto the Jn- terred bim two )'Utt aio, ho !~ei,u.'.11andJ;.~ o. beard_ and then )'Ou•v& pivot acdon on the bys. !rs sot all the pos.tibillties of very slm,ple, aftd the good tonal varlatJOn, with tuu. thing iJ that wtien you press box~ and so oo - alt.hough a k.e-y you ~e.t tM •Am.st phy• I don•t use oae.'' John's rnourtte et.edronlc :ft~ "re;:::::i :a':o.f°" dO pia.a:lst? .. H.,-bk! ll•ocoek - 1n • seoM, t.ho'1gb, the fie ph1ys It Just like • piano. ~leccric piano (and Its two and bJs all-roWld cechaique attendent 6l•watt rnatclllft3 i:d Jf'l':=,:: v~I •=: :.~;:~ =ke:tc~r =: ldnt •ftd O~ve McRae ate do.. '\\lbeo 1;1.e goes to a a,a,. h6 lng •Oine l"t.let lblngs.'' ha$ dlo opClon of Ulloa - IUCHARII WILLIAMS.

Take your pick from eleven models all wi th JAZZ PIANO TUITION generous -Specifications at modest prices from by octiv• jou -pioni.tt attl! orr0n9er. Qualified to teoc:h £275 including matching bench beg_innen ond odvonced. New coloured brochure sent on request together PETH SANDER, BA, lGSM with name and address of local s tockist. Ril'lg: 01-459 1781 W,ite, call or telephone~ B£NELUX MUSICAL INSTRUMENTS LTD, ft

NE~en?i~:~ ::·:~al~u~!~~nwr:~~~· s::.; t.lartyn ba~ ls sclK!duled to arrive in th.is cou.nU)' tio,n. ltaJy on Wednetday, November 24. That even- 8 1~nh~b~ir'J:Y ~ifs) ~~~s:1.~f:isf~.!;°~~~";! b'!':,l~~!; • solo d.at~, tben re.turns to cootlnutl With the Martyn Ewell bud at l:lirmlngh-.m's Safg1alitJn Clgb (26). the Blaek­ trlats l'heau-~ 8os1on, Lll\(S (28). Ce9bq Club. F,din• b.argh (2-9), Castle Hotel, Bak•w•II (SO), Cnuttmar School and Labou.t Club, Baslng_$tOkt (l)eee.n,bt.,- 2)• .Olo appeu­ u,c.e at Du;nooo,, Sc:.o1l&ftd (3). Codsa.D Jan: Club, Crown Hot~I (.f), CUiton Hllll, Rolbtrha,n ($), Th0Sft aJ'C •11 the BrtU&b d•tcs. PuracU t.btll uturu s(trides for M>lo dates in r~ty. 11 0 Tu:::;v.:::-~.:: ,:: ~~e::rs&f~u;c::~ryPr!!d~r~ on tenor. H~'Y.. planntna. 11 con»,badt wftb bis bi& band for tatc-De.«mber • • • An.nlc: ROS.$ ~Corm, her Ja.te­ nl&bt show In conce,l't at La~Htcir UnlVen:it)' on Tburs­ daeff&.s at ,~ club on Sw,,day (14). Musle Is p.rov1(1~ On this live recording. made a, the 100 C1ub earlrer by th& Mllt4 Osb0t1:1e- band W'llh Stlin Tracey (p.lano). The concert&. whkb have aJd mun lhe An, Council and ~~; fifs3r'w~~e l:;fon:ali~ cb~~u':!ft~n !~~!M!~sfcia':,~; Camden 8orougb, w-Uf l"Un for six Wedts. Starting iliM throu.gh a &elf-chosen programme of higb•quaUty tu.net, 1, a pm, t.raditJonaJ 1n MScnc:e) by such as WaUer, Spencer Wil• DON EWEU: personal blend of swing piano liams, Handy and. Edgar Sampson. 11 toned trwnpet - player, a, the way of fleet. leaping_. per­ R~;oo;i~j~l) ~~;:,:t~ '.U:,.!a~~"!"':~~r:!: ~::c:J. '!:}~f t~~ !f s::/J!: e,rubcrant, _high-~t~plng, ten- ;lay (16} oa the lttM-R.obtrt Pate.rson jau Wffk®d. J:o- ing beaus.e EweJl loves to 0ngered p1~~0 1n th_e gx:e!'-~ natural iroprovls.er wt,o cJlin­ ~~!; 7:;;ding mainstream mine t he vein of Harl~m •trlde trl!d1t1on, f.VOtd t.h1.$, Wben In keen and oti&ficd ~'t 0 shape - &>rodu« v.uiatlons For th~ ~t the st.ai.nd.ud ls. t:~ed lhr: •~ if::f:~~s:i'!~1 -;::r:su1.!T; r::::: ¥-"hkh posilively sparkJe. .rllS lS the band lhaL taced featurina John Colt.rane. J!::s fllj~tn:~~ ~: ~~ ;~'J"'~~:• ta8.:~farb;:;:~01r'~ high e.nough, wh•Un:r Brsff is T tM handicap of Xen Lion, Fat$; il.nd like protes- 1t ts a sound buy, - M. J. duetth'lg with Wtlsh, a, oo COlye.r·• departure 11,nd B11st­ ~e:;:.~a!t •• Ho One Else·• on. whfcb be EIJ~:at~•spr~:=e . Shines and Alex .olo too, or pt&yjng purist Oag Ry 111g was a brO.ve heard talkin1 to pbtr, Stan Dal.'lce. London "Keepln' Out ot Mi.ti• fast and fanciful nm• on one: he fsctd the d11untipg readers- a.nxl~us lO sbow may have 10 al'tll..ng.e th •• Hes,- Mt Talkin•:• _. .M.J. prospect of following .t1 Drilith to go to tht. ftnt t.b~ Gianttc Of Jan: con«rt, ~!~;~t•~~ cll~ c~m~~er Waller. The fast N0\!tmber of '67, Brflff"s 11 $l:ron£ personahty u Colyer Imperial Cotlc1e (December 3), 11 ~::i~dru~~·ur!~ a~d OO(nCt shines out br.ighlly on in a physical .sense Imbued ju:ii:a a $<.)ft <.>f auitud, to the musk walking basse..'I h~ another. Lhst cannot be. spelled out. 1 ~i~u·~e ~led~~: i::ot zy~:~\1~~ ;~f:g c::~:rar~; ~: tt: ~:~h~;::~t Sampsoa•s •• 1f Dreams/ llghts Ruby and gives $pace B\lt the poUcy i"ll stut next Moadat•• attraction ill the. Merjeysld .. Ja" Soc:.iety's perhaps the best e:r:am,plc of to Jim Dou,;1as· &:\litn.r-&nd strictly New Orlea,u and che 8 0 stride artistry here, shows also on .. Fted.dy," •• Buddy 0 1 =t!tg ~~ ~!ltlu~~b.:a!~!~c: S!:,i~ (;~r:~4 f~uW1~ alfegiru:i« to James Johnson ln$1NmcnW.ist Mlke. Cart (29). as weJJ as Fo1.ts; ••Corrine,'' aoJden's .. .nd "Meao To r~i iis:.' tl hf :~nS':'i1:. RUBY Me.!' lovOO of ear,y Brltlsb trad1 4 too, h driven along" with a t iOntdi$l$ Tb.ls Is Braff of a high swing and richness Nmlnls­ BRAFF In }(id Shillito, the band ]NO ~eOP~S :;•, t~:,::::e':8~~ cent of the great James P. order, and the bane, work, haft quite a drh•ma uumpet ~:~:~t~nd:: though I have heard l>t:t.ttr man. Tony P).•kc has ;a)w1)'$ 1 11 rrom I.he Wtlshmen, does been a New Otlean:1 c:lnrinct p;)i:t' pefmps the most s:atlsfyin,g 1rack, whh ~ lift and swln~ Truman's arc. tryin-a a si:rfos or Monday ol&bt J•u which wo1.1ld be hard to fault: swtoos at tfie Swan. Cbells. Way, Sttvena,ge, begJnnli,g the " vartaUonJ (a perfect for doanein2 audien,ct!s. Mean•• Tile rf'OOl'4ing quathy leaves On November 15, The hand Is a new eombo C~le.d by quintet perlorm.anoe With re­ MJke Da11lels (Lrumpet) and pialll.st Doug Mo.tray. Guesl strained soJo fi:om 1en0ri$t too mtseh to be dt:\tired Ba;st musldans wm appear from dme to dme. Tate) Ji.re n,plcte- with me,lOdlc lnvcntion, !~~•Jlth~an~i~ ~: c:::~nt;:! heard. 1.a':•~nfJT !;~1 rie:nlo~~~ote~~ e;:"'t't,t,~: "lluddy .. hOlds a lot of ltt­ But ,;ene-ra.lly. thb iii a .....e J (18), Georae Mdfy, Wally f'aw~es and Hcam.phrty LYttcl• ton's band aTe among arti~ts who hn• pr()mistd to t.ense. blucs•Orie,n1ated bl0W• come and prom1sinJ debut LP if/I, while the I0f'IJ!; "Freddy•• appear , •• MJek U-u,ms and tht $Wlng CompAny, now from a band dctcm:dned to a tt.n•pleoecr, bet:tn a Wedneiday ~veolng residertc~ •t ~!~/o;!~ln~Jir~ a::t ri~e7; keep \IP \ht New Or)~.ms tra­ dhion, - R.C. th~1;'g~h~U~n :!fu":.!:8:hJ~::.:- =~ :r~.:: • I to appear with tbe Alex Wdsh Jan Band ac the W:­ bouse Tbeat:re on Mon.day, NOYembcr IS.

LA-we •• is a rc.R,~li•e IM.ltecf 1ttrrorma11co r1111 or m~&1u111y: a,.s Is " Auu1m11 t.uvu" which l'ollo'll's it.. Opening una.uom11•• TRY "ltd, u-,, gull.ar pl•yod WIii\ tit• kln.d of stMhiv1ty Wt UHd l'O •ssoclatc-. wittt Sh-e: acoustk fnstn1m1nt and l.ttt.n ,no-,Jnt OUR hno 11 mtdh1m lit'"P♦ IS W ,H and dnims swing in bc.hi111d, O•>s Jf. on• or o,a album's higltll9ht:s. The infhtUIC♦ Of 11011• MVi!I ls ft lt •n .. l.0011 or Love," •• Y1>u•r• 1'ht One For M•" a11d two lyrk:al-1 lntt,.. MELODY prtttd a,uuiai, pl1tu, •· co,­ covodo •• a11d "A._u•rius.•• FhtallJ. 1(11ss1l'c •• Watdt The llnb " i.t tho her6--s~nsiint LINE inftttt.ed auitar u this, - M..J.

■ " GIANTS OF THI IA.XO· PttGMIES " ( J@,Y JOYS ,tO)) Is anDther of lhOH ctulows earl)'· Sixties anl.ttoloaiu from lite Vt.-.Ji!ly lt1lt4-1 . It ll~gil'JS- WI ii, Wilh John. Coltn.11,~, "ShrtPlf \,tlte" - whjch, accordl"fl to my 411.sc:og,-.phiK, is IC'l.lflllY Ute Aoulrtte recordfn.a frvm tho Ellrdlanct Stc;rry set, with McCoy Tyner, $tc.vt Devit, ond IHIY H,ar,tn,. ,,. r•ct. It's o.n• or th• t'i,st 'leBlons of his famous ~.uartot. T1HI 11$14fl1:r tltaft Jo11r­ ney, 4hn\1Slh the t"Onlr'ibutions ~ ltddlc. Ma,...1,, Fl"aitl st,orl.r. H1ssr1 .\mn,0115,, Fa~,. &~4 We.» fn lriple harnns, Benny Cut11r. Yusef Utur, Ctl'lno."° ball Addierley W•yne. Shortt,., U1e U1ru1/Cohit tecam, •nd ■rk Dolptiy - tho lat:te.. •s ,on(ribu­ t.Jon btlng th• tbre-e-mlru11• ""'•«ompanitd allo so.lo on •• Love Mo•• from the ,. Nem► rii11 Alb1,1m." 011<-$ ll9i11Tt1, I Imagine- that lhi.c ro

O.J.M. (Distributors) Ltd., James House. 71/75 New Oxford St .. London W.C.1A 10P Tel. 01-836 4864 Distributed by Pye Records ( Sales) Ltd. Pos~ •14- MELOOY .MAKER. November 13, Hl71 ETH Present amazing/free offer: BUILD YOUR OWN BRIJIT BARDOOR Brought to you by Nazareth to celebrate the release of their first album'Nazareth' on November 12th

1-- WHAT THE CRITICS SAY:

" Revolutionary idea by hand of Scottish pionee-rs" BOY SCOUTS WEEKLY.

"Amazing! One can have a choice of nude, clothed or panti• girdled, life0 sized or miniaturised. Nazareth are to be congratulated" TIT BUTTS.

"It's a daft idea." PEKING MONTHLY

"The technique is quite simple. All one does is cut pictures of Brigitte Bardot from forty papers, place them in a bundle apply scissors and then proceed to paste the pieces together." NAZARETH. MELODY MAKE.1:t, Nov1:-mber 13, Ul71-Page 45 choice 000 . -;;:!"'. ' ' . ';':'\. ..("~ \1' .... ?': ~ ~ THE BAND: "Cahoot, .. {C.;ipllol), IIAAC HAYU; ,. Shah .. (Stu ILTON JOMtt: Mad,.,_n Acrt:>u Tf'l c AANOY NIEWHAM: Live f•epr1_se), Like "St.eadrlpht," this 1'.11111 j ust de\lbl• a tbuffl). Th♦ m\nlc 1"14r-t The 14 .WflSIS on t1'1J ,1Jh1.1m w.,. 5hot1 cf tht.lt eubllmt 5Kond C.mplHely ITlll'U(ends the •iohmt :a::~.\~':>·,!::;: ~:!:!~ ;~~~,,•~ r~corded Jive iit. Hew York'• Bit~, albMm, 111,u It's still better In ev~ '-OIIIM ..il'I-Chet k· 8fanti~. that Johri and period ot Ulre• ,.,-,Or.,.,•nc•J Hd ii, a lifetime. They remal11 one of H.,e,• most lnterestl11si •nd im• Tauph• a.-. •ndow~I With f(ION It MtPl'ffffib lhc miOsl succ.ustul ot U1.ti two 01' fhrH It.Inds of 0_1,1r lhne rcuJv• wottk ,£.O far. A woli: et t han the avcr•.sie ta.Jent. 1l h n't th• thr.. alhuri,s he rta, "° fill'" who h•v• been, 011d •re-, C,ilt 1nt~lige1Ke and ecJ«tidsm from • .. 1,1lte Uu: all>Um t hat " EHO" rtcorded. With ttu: exccptJoa of Orltlh•tlf. Si.ndo-U:t ln<:k Is "4X man who, ,.,.,.,q tl:ta.n u1ro•• -'H .John" wllS, b1.1t it comes dHor "Lcnttl)' Al The Top 'f 41.i,d 1 at the mom.tnt, renden involfd any l hln .. 1'11mbltwced" be"Rte P111i1I :r"!:~1~:::t~J:ri: :.,::~:~ not!INIS abo1at what on• sflowld or Buckffliut•r •• onco again .1uowc ct ;~:':f":,!~m l>~:!"t~!r:'::?o;~ ':! .ii1td Van Morrison, A.nt>thtr o~est is lhO(lld ,iot •xpoct from a Black to ~h•f"' •11d co,itrol tlll• CIOffl• disc bwt llccaiacc Ule fflllitirf•I hiH 0 a rtist. Thue Is • lot ol music hem th• ne1.1,otk w~.w.,h 91111.ir funky as •• Tumbt•wHd ." but ks. and orc.1tewadott& u,e 1yr1u Lot. O♦tHY-1.th tl~f Otl •• C4.r • and ornil\ous br;us whkh open the -.rrarittmtflt.s aad te•h.rtt are ~r nl-1," Jotost. or the tnu:k,;: continue t,ypn-otlc. "Tfltme from Shah" to more lnt4r"'th1,9. ::i,1~~!c1'"°!: d:•rl~,.,•~~ ~02.~ u, l'('fltd ttot.lbie's love e.ffalr with Cttilnd on cpi.sodcs from prlv•to 1 11 ~".. ~n::~'i!lic~·::;,:: ~ ':°ro:.r:; llro. Not f1>r fl-.rtd.Y 1he p,otlcitll t ;h::e ~! We .. ~°'J~mal~e•~.~ funl[ and do'llclops ir1\0 th• rulm:s; , ..l~me,,t or social commoa.tary~ ha., • more topicaJ dieme, ot f1•H..fO>rm sO>un d,

BEST OF THE REST: MARVIN GAYE: " What's Going On " (Tamla Motown) , JIMI HENDRIX: "Isle Of W19ht" (Polydor De luxef STONEHOUSE: "Stonehouse Creek·• ( RCA). RfCHIE HAVENS: ·• A State Of Mind •• (Verve), BUFFY SAINTE MARIE: "Jltumination" {Vanguard). GERRY RAFFERTY: •• Can I Have My Money Bad-S~Jv~~~ '-t~~:'~1~.~;rn:~~~ .l!j' Well-Meaning Br-.,h1 Me Here., (F~us). Vet.VET Jazz blues Polk

CEMTIPED!: 1:tptobe-1'" ■neflfY (flCA 1 1 N♦.. ,.}. I\C11.b l'lppcu n:1(.1-S\ r"celve out ~,·:u! ~;ll&!~lt c8!e 'v~~~r•!C~Juta\ho! tl~riul gratd1.1de ror ,..l\at- he II" ,~.,.. 8 11 1 It's hard to OJSeu,• lM l>3tld.'t m us:e =;zein,:r:a~:~~ ·~i. ~!ms"::t al~\~? within oanvcntia n;.al rr:11:neos or l'"l•f&rcnre, '4MtU •nd J1>hn 81dWtH tie has fownd two musld•1t1 1ymp11tlletlc lo ltlf lmag. lnative idcb. Theil'" uoi.cs. an.- often un• PYOdlctable ~ti (h'-5t harln9, the: melody tines Ulkin.a cou.rsff which rut ont t is~ n wowld dre.arn or. ThcNI Is at times an . orl•11~1 navo1.1f'. •11d ~•" .a hh11 Of this llldtll 1 0 • BJ\ll?S­ !:.~ro~:. 1,J~r~~=~ ~~"l!~,::~_.!fw\~: w ~~b I Kn~w Wb1it lls b• ck9,oi;inct VOctls. No w •• DON EWELL; 00Uvc At The 100 Club"" (n Re;:Ot'ds SEU 12/42), DEREK BAILEY: "'Solo Guit.;' (In= 2). RAY JOHN HURT; "The Best Of Mm;s. THE IAlstl COUNTRY FOUR: " Songs, RUSSELL; ••Juno 11, 1971 - Live Al The ICA"' (RCA Vic tor $1'8214) . RUBY BRAFF; "'Hoar Me Talkin'" (Polydor sippl John Hurt" (Vanguard two 8allads & lrt&trumentaJ Tunes From Soloct 2460 127). reco«I set VSD 19/20). Ulster'' (Topic 1ZTS 20$).

The last 4 stops on Amazing Blondel's tour. If you can't catch any of them, you can hear Amazing Blonde! on their album Fantasia Lindum. Island ILPS 9156.

l'5lllndI r000,4-$ !\~ bu ng '-Jrett 10,fdon w 11 Pa.ar 46-M£t0DV MAKER. November 13, 1971 ,· 1111 CfJisco~ma tl\JdioEajreerir)9 M08U IIISCOTl(QUES UGHTING EQUIPMENT 9p pttr word /4, AACHIMI Wbat ~vlr rour requlrcm.t'nh; i t.a t ilt for Profe}~~ MARK DUVAL DISCO ruldond~• ,111 Nd rat4l:1, OJ. 14$49;9-l. A AAROVAAK.l Elti:dtnl. J)N)t~ 11<>nal. re.li.T,lbl~. ,oph.tstkated, en 1er4"in.J..ot'. '«dapo,b)e, a«otll• pUsh«I! Med we. ny more: Ttic JASON PERRY DISCO 01.335 6777 DIIC'olhequ~. - 01-915 281sJ:,~~ A BACCHANTIC Hi·f'i ,tcroo bnrlttf ll!d, e.1tten&1.ve Vl!tual 1~:.C~ 991\":m~'r:Sl'c fr1>m 2t~~10N OISCOTHE.Q.lll.. 1178•73 8$: ~fOTHEQUE ff OQl tlO, - CN.COl lOUHOMlll;as... ..i...i'""" .,__, _ ..\o\ft~•N<:11,. A.TT&:NTION EVERYONE. J,)hft \l\l_,.,_ 1n,,,,:1,...,..,Mll(YOP0•..,_... • ....._,,_.. ;. ..1• h!)nln- )!ustcal St'rvJccs, G.-o,.rp,;, """ i.-• ti.ob, W ti11i-.J - A•OO..O•.c ., l'>O-' ""'''"'_..,...• dt$0Utboqv.ff fot O<"CUiJ)nlt. '-'""""'>'~1".,;-~ ...... p,i...... ci,,c,oi1<0<,11,W,0,, - •JJ \o.. ,:b~ ~ ·fr... -,, .... a,:,df,Alb,,o SpOM:ial ntH. l'Hldt{'dU, PJease­ -.11~..,...... _,._ ..... l)boa~ 01-9$1 S:127. •odlNoloi. _oen.. llo,, ... l'l;lt,•l\oxillooooo,tpm.ff'Mol -h. i,,~dto.... lool" - I-• ..,...1 "...... ,._. 1...-1 ...,,. Nor co.,....lod ~1 - AURORA SOUNDS .....,,. .. 1q,_ -,.,.._EtoM ...... ,r ,-.;..,--....i >0l!.Plll,gS 10Mt•-1d;mc1n.:,i~t'f1W;h l,II DAVE lANSIEN OISCOTMIQUI.S. ·•·.t Sf> ,~ llk JI atr 4 :X Psl'(etns.- l~<'.\11 Pin_n.'!'. I (.In O! •((lutCOfY'!'Nlf'ld 8 ~1he \IDVI wall'I U cnlurnns. amp bu111 i ftto rull lt.l * b<'.lllc1 o• n,r.!t1f\y lOt(n and colour - lt(lu•d 'DISCOTHEQUE IJliAfl'l(;fl l - 0(·619 4010. Oe-taHS Brhlc,I t l934 e -rcntngJ .. P i,~!'f"Cl>(Jh ;:,eif~e,c,n S 1MCHt1tiul~ 'b p${)efllil or ~ lu ie a nd Olft= C'fTY .Vo bil~ Di.s• Qt,t<;, ~" !-0111,1-0,d P,o,et1,on .a1 ,ts b1u 1t-it.tl:,ng be51 fni:11~ '& LIGHTING tolhtquet=:. - Dltt .City. 111 11a1,.,t-~ns ol ~<1vtl'l9 p111t~in) - Moire PioJj!Cl:,on lrom simpl(' Haddi►W ltOa ;~~ ~~~~b1?a~1h~;~~~d~~~~61.9~=s 5110.,. Llghtl cc,lhequo, and l11b1 Sl)OW, 200W !rqm t1M I ,s\h O(':: &~ono ;o ;wer,w ~ ..t1v,c1,1ou•u ,u,oi...c-o.1.10 Lighting Units E.-..c,••"fJ 1,9M,n9 OOCls a v.no.:.e r,e,1v o,n,e"$•OJ'I 10 vov r »1...... ,,.•004$to...... _..,,w..,.sa; ~~:~~;::i~:~w~'~!!mp~~; £R UI 51.iC,Cf'SS ;;;10,.· - isn't 11 t·nw '/(II) got ll '#Olk,og •o, ,OU ~,..,...o1w.re-oHMfl Stnd your ordo~ direct IDCP. t'18•73 2ti9?. . D.J. STUDIOS to S.A.I. or take this copy 10 02/114 Y',od:u 5'r.ee! Lco±ioWl 01734 6Wl Tt4. (OU..Ul Jl'M/2:tto for r.,CIIO Judifion 1lllpH a nd pro your tocal dealer who can g rammes! W• n ....e m•de possible UAflffS ON: UOUUT plac& an otder for you. 4 BBC posses in the l11$l ab! rnonrt'y.ou?. -~ c:> / \ _c:> , .• 01-722 8111 .. ~ - ~~ ~ . -, t _! t "!~,-· r •~=:__ __ ~ l!I - ·- "'

Twin Deck Unit ., £96

C6i.,!c,oue or COITll)l&le "'4\>U)tne"I wnt 011 1oquesl. D•IN •r,q1.1in1K for ffl0$1 #$010fl&·ll'W"G1$ on bo1h dee~~ 9p per word WANTED: Good P.A. systems-and d,um kits site t:y&1em. deck inputs via break-jacks. And VU mete! f04visual moni1Qf1ng ofinJ)Ql$tlnd ov tt,uti. THW ■ li$T MOBILE DIS. Eve,y unll from OJ 1s really top.quality, PhCC tZZ4-00inc, P.T. Made by engh1eers, not 9uls on a DISCO MINI P,lc•£98•501nc.P.T, DISCO STANDARD PriceC180·001nc. P.T. ~:r™p•u~~:a,~o::, HT" ~~..'1.!':1------production line - atKI e&ch equipment AUDIO $'4 40&4- is guaranteed for ono vear-agalOS1 f;,ulty DISCO SUPREME Price £261 ·00 inc. P.T. DJ DISCO-AMP 1oow,us,.,n.,. Price £85·00 ~ nuft1ctvre, SOUND CONTROLLED PSYCHEDELIC LIGHT UNIT OJ 40L Mk2 Here'$ a smsn $e.lec1lon f,.om the DJ 1000 warts pet channal over thretchtinnels-b·ass. mid, andtroble. P,ice £49·60 ,ange. BUSINESS OPPOIITUIITIES I Each item Is- spec~Uv made ro, disco PSYCHEDELIC LIGHT CONTROL UNIT OJ 30L Mk2 Ovt.t 1hr~channels-bass, mtd, and P,itt t.37•60 MM OISCORAMA 1000 watts por chann•I 1r1bl•, 9p o, P.A. use. Complete Discotheques per word is the ideal way to· sell to our 1¼ a1e rutlyportable, and ru99edi&ed, with FOR SAi.i t.robil.e Olwortie<11.1• 70 WATT PA• ' MIXER -AMP· DJ 70S eonil)lete with Ugti=t.s. re-cords anc: million readers. mata1 ~gi~g.a~ rovnd for touo!t w.oar, One of the finest av3i1,)b!e - 30-20.000 Hi + 3d8. POCo C.63·00 everyU\IJti. only C300 - Gl.-93~ '468 alter 6 ,pm,, YOUR DISCOTHEQUE, DISCO EQUIP­ (Rfl)ff SAlf TIRMS AVAUAIU CONSORT SPEAKER 16" 100watt Cre,eeod~. Prrce £60·00 MAkG MONEY Crom fow l.l'tf'esl• 10% 1 MENT, LIGHTING EQUIPMENT, DISCO DEPOSIT DlSCC)..W)ltL Light Projector. Prioe £45.00 r'.~ lB:~f. i~~~:n1~·¢~kJ:i~P - up to 2 yean to pay el SERVICE, MOBILE DISCOTHEQUE See them a/1 ttt these three DISCO- CENTRES- ; or write forliteraturs- ofthe f11/I DJ range. SERVICE, STAFF VACANCIES IN D. I. IINGt.f.S DISCO PREMISES, AND ETC, 'Discoscene f)iscosound I 1-!enry'sCisc:cC:entre 9r> IHr word For further details, contact 536 Sutton Rd So uthend. Essex 122 Balls Pond Rd London. N 1 309 E

BOB BRINSLfY SCHWARZ: Belfast gig AND CAROLE PEGG: Mr Fox is expandng again Who wants

"YOU wait for Mr Fox's next album," said Bob Pegg. "1 think it's going • to surprise a lot of people." A week earlier, I lih9t1ld ftave said that the main surprise wa.s that there was going to be a next aJbum, for It seemed unlikely thaL Mr Fox could survi'lc muoh longer. to play ID Af~!~u~~~ ~li~~~~inform:s a~dsi~:~~:io~~n~fu~~~~~a~U!r;:.~:g :~~~ti:f ~:r'c:~~ h8$$1~ "'1"adually CUI (ht band down lO r0-u1 , that ju$t t(> 1\VO-. How l(ml, One: t>egan to ask, before they bttin to v.1oish up the- F•b◊ltE vt c~rol, fvaars fiddlc1 Tht:n I 1t1Ct CaroJe hEtrseH siulna quledy tn lhe audieoce •t .- S;:.ndy Den.o)I 11:ia. and she told me the, pr<>~11a had been thtown lo revef'&e. The l.ncredlble thtlnk.l~ Mr Fox was ~!:~~ to expand Q;)ln Wtili tht -addition ol Nll,:k Strutl, Aultarlst and ~ oUn(st extra• I 11'1\1.DltGd to ml'el hit and However, tbat's the taSL NOt Ulster? a.ob 21\d Nick later bhat the entire past, as .some or -same week to talk about I tho s.mllU-minded, goss.ip- t~ 1>lJe f~~epa~l' t~~ :::nnJ ~~~~~ one of our brighte~t Ameri- n London folk-rock scene ~~ ~ldr><~f tnmu:; ~ J~~•le~; ~~~ band that came out of tha us here, •Jlnice .h has YOl;"k$hire "3Jes.. 10 quote Mthintt to do with music. aom-e of Mr f'cur:'.s eal'ly we·Jt leave t.hat sort of =ngar:iu~t 'ti:~:To muck-111king to others. &~t. dc,wn on rt-CO{d. the ~Jt =~ ~len:~ Open This week's dates lum up. but l'd tl!UdY Md ~~~~,.~ her Point Of •• ~Wl~~~ wv:att~r !.~ THURSDAY Bob, "and w.Nt ( like •~::cihri~:!lvi'if!t~• -:~v':::t:·ni, G~':0 Srn~ about him is tbat lb.Ough ff"ts, Berserk and U~o. he"I known IU. a coo.nttY Problems man. batlcal.lY he j,ust likes ANDAY tunes. A lor of {>CQPle are O)(ford Polytedi"Jc; Spirit .an. Nick has M.E. E$MX Toctinlc.1 c;ollt 11 •• Kfne 81$C1.l1t :: w~rfia~~mcn,:~h ;~ Nick a very open, pe.rctprive Soy. (;flloriey Collet• or Education: Mite Ab.­ SUNDAY lem$, we were worklrtG all klACl 6( mlt\d that wlll s.alom D ldsb1;1 ry Coll•s• ot Education: l>anda Queen's. U•lnnlty, Setl'ast: Stray. Llvor,oo-1 1 ,OJy: Miko Atinlom, Salt.NI U11iye.rsit)': the time. And it if oo)y :!!~ve,1~~ to eon.tribute J:rin';°u~':,~ Noel )lurph)'. ®'A', .wnen t.hc futunt iJt ~~h Ll1::r:;!: "X':~en~:!' r1:1ny brlgb,t, chtt one or " Of' c;c,ur&e. h:i& COUnt.r)' it::~=latc~i-o~oM":~:t' J~b"ta,.1~'t;n. A=:nJ MONDAY two ~Je an~ beginrxin,; to UlllVtl'ltt.1: l,lndWarn,. C:004 HAbit a.nd. 1':a.p• Lffds Poly: Mike .A.btaJ.om. wonder lt we CM CilffY l)o. ~':'m~~~~ citr;y .. Now, t-l':anl!.is Co Na( J~h lAn tOvn4 W ill, U3 h-e wm $ 41'\IJtOAY WDNl:SDAY of Tren:,:a.t(antic., who bas be .p,l.1,yina .-001.1•-it and Lou9t1borou1h Unlvtr'IIIY: Roell: ·Md SOU All,. Denbi9hsMr, T ech: Kina Bi&C\1i\ Boy. just pktcd UJ) the c,ptioo of de:ecrie a,.ri;.ar'$. bah gvtt.ar, Slff$, w ~nirlU U nlvt.-.liy: Rag ('(IIK'f:r, WUh Watt'onl Tech: Al Stewat"(, Brtditt $1, John on our OQDtn\Q.. we have and mandblin.'' v~,·et Vnd:tir&round and comu.s. Wut Hlds. and Mlko A.bnlom, some docent p.a, we bavo 'Nick bu OOQll Plil¼,lj"8 with been able- co get Carole a Roger KQOW5es tor sill. decent fiddle. and we have ydln,, lior et,e la5t 1.2 got de-c.ent t1'aMP«t. moNlhs or so in NatcM:t " When you realise the #leer 'I)'e.ee, an intefe3tfo,a e0iunt­ middlt of ft, lbe mao and physical prob1em.s we had ry rock ban.6 fca.tufine Nick th& worno.n slng a coopte of II) OVeJ'CO(l'te durlng the ancl kgger .and Ritcbie Bull. tracli.tion.a.l SOOlgS to each summe:r, you c;:a.n ue Lb.at time Their ftl'$t album tor- Phillps other, He d~ The Golden the A.itu-rc h~ teatly brlght came 004 la&t week and a - tto.~ trom 1..aA¢A~ -,n4 .. ..,,eduled foe ~~Q~:Y, ~~ Ml.ire to Pe;-mt,,oke one mu$(,o, b1;1t. Ap11.n. ( O:ivc.o• itraee i$ parallel tbJ,o. tD !he Olt'E!r- ttto Transit, rnott ot -them po~ An.d R~ Ha.II put out a MON!. 3H stor.y. We ~have few )'tars •· 1t's been er. and did i1 oo the last f!Obum by Exhausted will be on ihelr. MXL d)um, ic$el'.I. "'!m~L~e ~~,ne:,:i::. ;, We'Vo Cot •o much We want«! to use the cello m•t.enal," wald .8ob, ·• it's and w;h:1d-¢ayer in a w,.y ·• Tha( kind or mu.sic is ni« tnc.edibJe. l'Vo been bai;.­ d'tat would have made us­ when you're rdaxed. bo:& loa some ot rhy songs on Different untqua, but we had to drop often we were complCSe)y &tori0& by Oharles Fort. bOth ot mem booause. we e,xbau-sted when we .got oo One of them l-& caned 1'tle ooul4n't afford t'O keep stage. Lott cl touring rock Wild M•n. A ma.Jo,- t!Mng Is band$ tum that to t.bieir. goina t() be a ~<1nr song lhtm on. advan.te,ge, pushing them· "I tu~ the 1'16al'f:M. th.ing telves to die limit and Tb: ,Jh~~ to what wi;, were tilt.et was = 13 horror &t<>f!i, -and -v,tttm An.them& in :Eden wt\.l'eh. r ~~'ffin~tk>t~~ so, but V((J admire- p.atJy. '\VhAI. we 5h0uld talu, 1,1p a whole side "And then. in :t-Piie 01 the olt~ ~:f~=e~~~ fa1$utiic .J)t'WS we frcal t>ard rehe-arslog, 1 ~{,e a~ ;::im1,:: NfflelceMh CtlrllUf'Y -$l$3m· ulmost. &'IQ,H9h rook ai1(f 3nd h.a~ a husk wj;th abi.p, bw t:here'\'I 11 lot of roU, it there I.$ aucb a o6tnfcs m.odc-med:fe­ th.lng;. ErigJi:11\h country the organiser ewer w.hc&b« borrof we ~ get £5 or £10 valism 1n it.. l read a~ ol J'f\WIIIC is 11'1\ICh doee.r to me hom:,r .o0IJ.DSc$ these days. 119h'11: of irook and .tOll thlln ,,n1.dt ol s:1utt that'i ".u,~., been foe Geoff ·• aw in SC)irie. ~ t:he period me. foci I W9nt IA> ma,b it VNY going out. as e1ecl.rie tolk or Eade, 01tt fa.Jthful roadie. I folk -rock rr'IMI, w.hldl 1a doobt it wo contd have mo&Uy ,Utt ,aouped--up frlsh ,u,ni;vod.'' ~ ~ec~t~. ~·~ Pact 4E-M£LODY MAKER, NOVembcu: l3, 1971 ' 1 111111(111/■alll)l))l)lllllllllllllllllllllllllllllllllllllllll! ii!!!! iI PINK FLOYD: "Meddle" (Harvest) One can't help but feel that Pink Floyd are so much sound and fury, signifying nothing. Their achievement has been to create a space rock sound, which revolves around the use of elec• tronic effects combined with the usual m usical instrumentation or four-piece rock bands, i.e. drums, guitar, bass and organ. F'requentJy, they have utilised till! concept ,o good e.ffeci, right trom the early days of " Interstellar Over• dtlvo" and " Astron·lmo Domine·• to the "ALomic HMrt Mother" and "Umm.agumma" album, bur. how much or this. in fa.et . .. has been pure effect? St.ripped of tbe icen,e of ethers the. mu;;ic bardl,)' u.1111ds up as mote , h 11, n corupetenL rhythmic rock, white C'<'.4'1'1 t.he USE 01~:?:}'no:~:s~:: <1k-c tronia and Pink's turout- a< ttu:y may :'t!em 111 lint h~r- 1 n o , cspec41lY Wh(!n oons.idered :\kflgside sucb u " :.':~ro Tim~ •· 1'y Toni()'$ E.xpandin;( Jheadb,an ariticism; Since Syd &rrcu left there hlls bttn no ODG: in the band ti:blo to C.:Ope with the .sort i'Jf pl!Ay .s'-'l(.t-m.tn\ thll is neces• t-ary to lbc fivci-minutc pop tre;ck. whkb undoubtedly •CX· plains wfly they have ceased to work to the- IUngle format. The vocals veree on the drlOPY, 'Ind Che inst.rumcntal work-Out$, whieh flilY ht.av.ily :~ ~j3edJGU~uh!t. l~;~~ to •• OM Of \heso Days " : lt'S • throwback. of "Tl!lbtu" by PINK FLOYD: signifying nothing? t.be Tomados.. . The u-cond side, ,. £cboea,'• raiutd toP the Brt:tith (:baru unettfng aptnesa and subtletly, fQT weekt on el)d. The whose melodies w~re rresh ::~? ~~ twJt l~~M= $\tecess of •• Hey Clrl Oon't yet munor.Mle, • nd wbOAe ac-ross)~ It followg on witb 8.othat Me," like that of the words wer• crafted wttb tbs some- beautiful cono. set ;iiumerous other re&su.El)S on atdstry and l'ntetua,ence 4,gain.st tu.riher \15e of t'he Moco,,vn •nd h,fojo, tfffll5 to wbich, In the olden d.A)'t, th Nftect a datire by a lot of w~rt p,~requtalte <111aJilie11 f9r :!!~be~:ein ae ;::~i~t at1y man wbo wished to be volume and rt1ctlITlg cymb,Ja, ~~~) to(e:="fu ai'!imp~ eon$!.dered 11 c,oet. Jtt hie Fnr out. yOu may ~y. Jllot and a,tpp~dJy ~den tr'a of Atkin, and his partner Cllvo really. A.hl'lough Lbere ,a.,ppears swl wMn ,$1')r1&$ were both James~ Wt ,nan h.a.$ anind. ~e. and sin.g,able. On ., DrlviJt& Through Mythic;il ~or ~o ~~!~!; :~ lhe o,i,e 1IM\d diey cl.'!iJkc Amc:rlc=a" is Pe.te's Hc(>nd le? - my basic impti1S$ i◊n " pr<>ftr.,stive " n•n1s}c, bu,t on ~~~m~nd ~~fo~~ i~:h~~ was- of a series of etrecu the (It~ t~ l'i nd ft hard to SUPREMF.S AND fOUlt without an)' underlylog depth. rd'ate to the. lftlcreas!nig. asser• ~rces he nff01, The UtJe TOP& •Tb• Retu.m Of The song tn11t1inUy prov.ides a ll the Jntetesdn,g, eve.o ie:sthttticl t iv~e911 a.nd com:p!e,xity, of Magnlft,c.ent Se«ll '" (Tamla much of tociay',s Black music. ~Wi111':i~. b~'rk~lb!~~~!;'d Whatevet" ,1.b,e: rus·on. it'$ nice '!! :'~ ~~::S,~knr'~rw~~:~ 1ihve:cani3 noises I.a a RedJo Three pJey~ to =~>at:.:-::te e twlr mlnute:s lon.g, it bl.lilda Wbeo t.here js se.e group.g like The Tami by the Temps. Tops ud Su­ little it-Ai Jett.Ing .a !l«'OT!d lease of life. P«me&. a complex picture of four music~J sulnuinee lO sustain this •um expo9u 6 M~ ln its lea-st aea.ttve. •tudents iA a car, travcllina: th09t effects. how can the ~orghtl~ 'ov~~a~::Js throu:h America's pMt. to its Je$Ult be anything but a :~W:~ IJ\0$t Q()tlJ(1:1en::Eal ~ecL Tho Orifters. whom u,ey ~ a-re perfectJ;y oom• - and _ their - destiny, soundt.Ntck to • non-existent th-el.r ol a which is lhc Kenl S~t.e movie? - M.W. ~1e4 ta use p;Wble and. p,erloon wi.t,h k.iJlina, Altcrtui,tt verih ~aTTY beautltully fla.wcd. iJiat,Uy ~r uma.l verve end skill, metnory~fls$het UlS (tttte,- t,han a Is h&llishJ,y stoned / boozed / the soaring- hum\Ooles and desire on Mtnown·s pa.rt t9, drunl<, .and ju&t ev.cryt,nc voca1 .iQterpJay ot today's as tho)' miebt -py: " MaxtmJ.se. wants ,to b<)p / Jee; / te.t it OD ;!:TOUPS .ti:Jso t ho DdtonJc-t and our utUJsation of tvtlilllble - and yOU slip •way, a.nd perwnnel tn order to aausry ri;i\lm Wi th ll gQOdy that ~ii ~!:l!~loo~:r. :,tit$0~d 14 lhe demand, fo:r. ~· product... Surf's Up: at last bJQ\\:s e,-..e.-y,Ot'te'.s head off. tra(;k$ here (-cut belW~ll 63 1 0 and 69) .:Still r~i:n rJ1f ~:d u,/ t~~i1 ::~: 8:£.ACH BOYS: "' Su.rt•, of ~h• ftnt vttsH tp the ::i•ti:~ a~°! ,,i~~~~~ trtrotndoos charm, and what.'s is toui.lly unmemorablo and Up" (SU1teslde), Here'$ chlldlib w~ackr aod ope.n­ ls ,o be pJayed when you're more, you can da.oce to them. straight off the production J.jne_, heart..:I joy of th• 6naJ feeUn.g your .,-ery best. Thi!t is ooe that wo,A't dJsa9pofnt T'bey Include: " l'vic: ~n and even in Ute pxe-·.ou like. RJ-cbard NoweU. :~\e:fo': t~~ h1~~ ~h! Magazine that's 8.8., has a v~¢e fflte ~~ji~JJ; "•• ~~u ,fi:f: n~ ai/t:~ t~~$ J)r::~~; di1>toned ro<.:ket tnfpnes, ot (!} S1)V,.IC, ,, wtia~ KJnd Of Tops/Supicme:i.r:~- tffort which :!':rJe &u°f~~ll :~ maybe wben ~ &JC)W:t! pmttu ot tllt.tr pla~·er you're Ukely to ht~r ta}(es Ed Welch to become Jc·a w.;,Uiog sexily 3JOl'\Q:slde ortgieal mustotl kleas, ~~,p~:Ss::-!} ,..':,':; today - and they aren't C$t~llabed as a majQr wrj\in& him. Bu.t !here·• alrogHher lh.e,••ve made most of whit's cuumtJy bapptin.l:nJ lin kfflh()dox: th~ cqm- rock Newell's Clo.a r.oot, tc> U-On 4$ An llltlOYatot. c;.0.8-. been released back 1Jl It bina.tion or NeoDthlc The Band (he 9l"ytd with ~~er\~atOQdae~f~::~. •,: "Pt.'PP•r "-time, mlaht f\'rench borllS, sUvery Ror,nie flawkins u.o) are hu been working in co11abo• ~l.lkfn a~~~14\a:~n~ ~~~ have ktpt m.1ny pe,opJt 0 bu-1e"(l.ai14;, ttnd tlnldlntc ~ta:i'uri::l~l';~fulg~~ ~!: xylophone Ii; underplobed ru11,y b:iv• fnr«,d thf!m lo by fl m:irvenou,Jy shnple f()l:U& b,-cl ontc, tru•t bat:t pa.n, yet In the STONE THE CROWS ntub . l'V• rattly b.HnS • 1t1iddJe sectlo,i he bas tbe mQrt: perfed., matt C01t2i~ rttlcenee to employ Jwa pld.• ;,ltce elf mush:. piano aa.d the b•.u,ped:als F'l'Om flrl;t to last it of ao Ol1JIIR (I thilll'> ~ POWER TO THE PEOPLE .IJows and ev<,lw-e,s, rrom betoro plun_gtng Into thoi.e ALAN LEWIS the .almOS1-lush deead~nee n~elled ha.rmoruali. 171 MALDEN WAY. NEW MALDEN SURREY. 01-942 0178 MELODY MAKEK, November l3. 1971-PflE~ 4~

•••

You took all our money and put it where?

Our,vays tohelp)'OU Carrying your weekly pay pay your regular you retire, at least £50,000 will around in your pocket was okay bills for you with ~ pa_ss through your hands-quite when you were single. Bankers Orders; possibly much, much more. But now you're married, and should you need Bardlys8- Figure it out for yourself. money has to go a lot further. references, we'll That's a lot of money, but it Which takes some managing. pro':ide them. has to go a long way. Why not Maybe it's time you got a good Because send for our free booklet? Write bank behind you. you're a very im• to Barclays Bank, Room 333, We at Barclays understand portant custo· 54 Lombard Street, London EC3P some of the problems young mer to us. Here's why. 3AH. Or pick up a copy at your couples like you have, budgeting, Take the amount of money nearest branch. saving, just keeping ahead. And you earn in a year. Multiply that we'd like you to use our services. by the number of years you plan BARCLAYS We can help you to save, or to work. You'll find that, before a good bank to get behind you. Pase 50--MELOO'i MAKER, Nov001Mt 13, 1971 -~ --

1 /1/1 'Postal GJJargain ------CRAZY TWO­ TONE FLARES LOON PANTS! DIRECT FROM THE FACTORY! £2.50 pluf 1 Sp P&P Siies: 26~34 ·f')c. Girls. state hip- $l1.0 Colou«: YELLOW. GREY. MULBERRY, BLACK, PURPLE, NAVY, KHAKI, BROWN, 8. GREEN MAROOi'I, IM MEDIATE DELIVERY NOW! ::;,. -~-:,., olt.&11;:;e:.•~ State W3-St site and ctloice e,f 1wo cokiurs in preference Moncy,back 91.1-arantce. Trade en­ •t:;";!:i!,o:.rs.. ~o--,1.~ .;:: :;;.,~:: J.A MIS l.AYI.Ol l'IU.lC IOI.AH qumes web:;(ne. Send cheq1,10 or P.O. to.- ~•IIOll,,,,..,91!.CU 30" 1:40" 30''•AO" 'l till!.11<4 o,h.,.1.hoiN,clco-.J-. .... ~1Ut11b¥>.1,, toYAll1tu.$l Mwr, Onlyto, O~6.o, P"':>-• ... ~,y. U.50. ~ ~-tSOl!,."\1,11\~.to-...... n.2, Pfecue odd I Sp to Jootlll vol11• otro,,t THE HARD ROCK CLOTHING CO. IIOOt1- - bllll!.,11, •~phi/"" OfOflr t:. cO¥tr poc\ iag ond P'Oltosl', Dept. MM4, The Kensington Market «>f•t.'(11>, "\Jh -" IOin S.Jiri: 26 ,,. ),I S- 1,.~,.. ;,._ iiU,M Or if yo11 wowld hkc, to inspe'o"""'!ft'~­ ,-..:o. - MAil (IONQ tWQ-fQt,lt' JttilN ..Wit ro,igt , plt ose w nd •"'r 10p10 49.53· Kensington High Street, London, W . 8 ••\.-.a•cl .llrl ..... !IIN•oo- ~•., $,,c,Ja.,,_1,i,-. fl-ode$ ic.p,=111 0..t co11NlonW'l9 lw..trtcl, of bo11iiM ti..t+1-- ...... ;ii,..,,.,. ,..~ Pott.of•. lites• stad ol cl111qu,u/,.0.1 IO:• WIDQT allNGC Of' f ANTAtTK ~A'tal ANO N""'10 T,Pl!ffl l 'lla 11 ...... ,..._.._. ART IlMPO POSTERS (DEPT. MMf- filMI'3~ 42 GREENWAYS 6ECKEN>IAM. KfMT "HUGSIES" 'r ., LOON

inch p1us you so desire. Go up in the Wodd with We a~ now doiog ••s1G MAN•' comfortable VELVET LOONS SA.ME STYLE. SAM£ transferable boot or shoe lifts. COLOURS JN QUALllY You will feel confident wtth this wonderlul new VELVET creation. Just place in your shoes or boots and For Pllin T•• Shim IOp, Mwl1r £11,80 + 20p p. & p. WRANG L ER behold you aro taller, It is all so simple, don't CORD & DENIM JEANS slew. Suits & Strip• tN •him Size,: 23, 30, 32, l4 M U,JS; :t cotou•• '" Up to 42.'' waist and 36" 11.a,• State waist S1.te (e:irb $tatc waste time-try them NOW for insten1 height. orde, or O• t l9,enc9 tl'ld ••t• hip &tc aho) and choice ol ,nside I~ ~1 Hu,ge Oisc:oum •nd ,$,Rd ponal o«lilr o , TIie n.ew re.-olutiOf' In '"-"* Pricn. l ists Ftto. c 11 oqu11 ~,rl\ ISp 101 o .p t.o 3 colqutt in order of prefer- tT1td• frOlfl Tough c11w•s. •1• GIVEY OURSELF THEM R. BIG LIFT ence. GASTHALTERS MAl.PE.'t (OIIPt, ltQ1J), -,t ;ndeuruc-1.ab'"' Too styl- 411 Old'"''" fto-;u:I, fJltnebest,,, 4 Juli !DVIJ'!)' b$tk 11:\l~nllllff. 1"9, 23·• fltrtt, V•kno•~ l'IU9• Moneyrefundodilnot Including 14& Hai• Ori-.,, l,.ondon NWI ltJ Ser:ul P. O. 4'?' du•que )lq,1114' • 1~2 -5 g,ng lit 11'1 wh11e- o!'lfy you dye £ (l>eD,l, M."11) 1bem the 1::0l(HJt yOIJ wan~. ln­ completely satisfied • post The Sc:hoot House sllVCtlons 011closed, why te-1 \)tho, -peop!e <:boc>,e. Stet• •l~O STAT€ BOOTS OR SHOES ,_SAMSARA______AlleD:'lmOtl!, Hertford ~ , wb,t-nbtek'. vut'l0rdtfil'l,0l'lll1.t FullSend fl)OlleyP.O I TRADE. ENQUIRIES INVITED Chct.qut to: (Dept. M), 4 NORTHFIEL Atldft Ali#IOn y • Co. 96 $t.tion Road. Sidcup. Kent Mr • BIG PARAOE AAYES, flli 1Dl>l!$

LOON~'-',t.ftnod_<:...di..«,toN11.,ifltt-., PANTS ,...,_,litblo,1,t~tc,,etoO-. Po,tO-,~fl.h(l,_,.jo.ri!I­ V.1..,- 11111, £4. 75. c.nt £3.90•. P'-• 'Sfl,.,,,.,

For run detar.1$ of ,his section. p)eue cont.ct

JAY JONES W..,-tlt .-t'.._t uo _ ..... Melody M akor, 161 •166 Fleet Sueet, London a.II .,._,..,. EC~P •AA. Tel. Ot-353 6011 Ext, 452 IM4♦1 11 ~., __134.tO ,.... 1n.-_.. ••t4...... ,2...... ,.rw­ - M M♦-tha. ,._ ...... ~ ... '-• ,...... ld,telfoi ...r.-. •• 7...,...... ,. ... e..,...1 j Lus.-i"U'"• , j cono.t ttO'-ISUtS u,.. . illLAftt: w•ln SrUS: 27ln. , )4hl, (HT Cut.LS HI - I ),.n ,•~it. ) ~. FREE. co~:~::.•. •~~~ "t'\•,~~· ':ct°':.{,,"'~: ~G-lAf YEL.\.OW •,trTS AltM't CIIIEE .. , flUI 11 WRAt YOU'Vl! IUM 1.0QflJHG ,oa ~\ ACCOkDIOi'I ONLYt300 ~• e,.1a,OG-Ues \I.ELVETS ! ! ·' 1.. - +20,Pµ> I tA.6t> PIIIS Ut> ... , I ,.- I . fAflloH.OOS t'Qfto-,1 l".i1--.11 o1tNn .,,.11.cr, ••ii, wla: fl._,t 424< ,7 . UNlS£X loin.> ANTIQUE 1 -• . ---i JACKETS "'/1\ ~~1=~ ~1~j f~~. ,':i.i.:)SJ,n,, )4 DIFF CITY MALE ORDER PISTOLS • C.C MA•OOM MAV'I ,U Ill . ~t:E::-t~~,t~ 1 I \ \ =t.!~ 11~1~~! :r~.AD~ G~f c&1~i=: l-1 \ .i.,1o., (;, .. ~ Sly COt,l;NOISSWA & INYE&TOA FLARE TROUSERS '~ •• ,,...... ""°"" Send ?!:lb ,~, fqlfy 11!11str-au1jj 1nd pth::ctd ·ui.k,,gue Made to me&sur$. by po$, from £3. 25 , I +, l 1 ::7•v':8::••~:,: I 1m e!,o 1t1t11•~t1•d •" pvr. :iNoTi>PAY.<:0,,11.J/(> o,(f',Oq .., ~ . c l!H•I\Q line 11111,quc .,.t05¥, .., .., .....11,1,~ '6 °1, ••• CACflJS COI0'-111, 7l C-,-. D. FAASQI PIFF CITY. 1a BADDOW. CHELMSFORD. ESSEX _...._ Lt...... WIA - .t... .,..c;}\,,f I lnc:h ere,.. 1111o,911u Ch<>hn•fo

IIULTt..su:EVE STABS MID STIIIPES LOON ICOOPIIECXT-smllT IUIGLETS PANTS -,-;:;;-- Cotton ... ,.. c,,..,.. £2.40 bo)(ko,~ p&p 20p COTTON LOONS I ~-~! Multi sron °" o choice of )eYe., ~olow,;, Heovy duty Cottc>n Tro~er$, 26'; G,• •fl, p,u1pl•, red, Of"O(IQ•, brown, ti:holci, beU bottom&. Cofoun1 Purple, block. £).51 ,a.,11, flw 11of1 on o,..t.i.. •~ yellow o~ whit.. Wl-.tt1 ordering ttoN' tol• ,,.d ••4 •"d ,,.,,.., no\ty blut:, dork 9reen ond burgundy. Al,o fl- ...... l~•fl110 """o-,,1 ~ • ou,,, oltffnofi,e colo111• ond c:lieu "'"-"',.. llotk~l...... li<..._. M ,lo-,ee,-.. ...,.,.., ...... ,...... , . W,,..,~;.1nl•ti1•, dr,oi<•ol•l•~lioOi.tJ:l'llrolt.bv•otndr , When ordering stette woist size, 9irJs ,..,.._.,,M.lt,1"-".,..."'• Wl!otA0tde"fil'0 >1e1to stot• hip sia, colour ond altc.mo1ive .S.,,,o11.""""'-9f"t.o,...oftdNWI_...... ,

Dfl>IAII EMBBOWEBED SUPEB UNISEX CRUSHED FAOEO BRUSHED DENIM lOONS £3.30 VELVET LOOM ntOUSEBS SCOOP!fECll Thkt b,vshed denim t,ousen with 26iA. ~1--b:»Homs. ldeot fo, tooler weolher, In fodcd b4uc. oppf~ green O( salmon. £4.80 When ordering b oy'" !.tote woist sJte, girls stole .hip siu, ...... c:olout ond ohetnoh ve

!iATllCSTAB APPUOlll: IUIGLETS PrilflodA,...... ,..~H~09,.,.,.d,c,i,. 85p e,f...,~~P..,....lh,,o.llocll.,'f.,_ 1-,w,ttro... OMbl.. . . w11..... ~ -,.,a.;_., :~~,.~llot!;,; •~eo:.' I(!!;.. "'!: ,,..,...... con.;...,i;.. . .,;,.... ~.,- ~.-...... , ...... ~•""1;... .,.,_ -•.

SATDf APPIJOUE Dfl>LUI EMIIIOIDEBED fLIIJK ICOOPIIECll JIAIMIIOW IU'MPEIIS SCOOPMECK T-IHDITI BUTTOM,l'IIOMT T..SBIBTI

PLAIN STIIPES SINGLETS SITAIIS6l lfECK ffl T.SIDllTS SOp plf>l5p 11.50 In o choice of nine cof~n; ... ,.. Purple, y•llow, green, block. ..iti,..,_...... • .,...,...... ti.IS ,.&pup ted, buroundy, violet, brown """' U.3S ..-.,u, $.t,,•11-..._.11,,~11tH""'1•. f~, Ml.W0111 ond blue, When ordffl"'1 Su,opl'edtT~. AboStol'lOl>cl~ rfltM,c,lhool.ch11"ly,..,...o.....,,,;,,oc1J11111p01. C•~kllt,ytl•phu •011Stfff'Of',WtlC~l••t •~, II.SI..,,,. {(....,o,Klln8(...... ~ ♦ 41oek♦ ol'ito.CO,. .,lotndwl•hr•llow.,•cf.bl... .,..11••0#\ l!lfpo,,. ,,.i.otod"$1rij,9o o,._,.,. __ ~.,.;.. stote colovr, olterno.ti't'e Mn>IS-p-~1~, bl11♦, ....,,.i. £1...... , .. a.&on•~~frfl!_>t,;.f!.•(~I... k>.-,'"""'tir""· w11.. _...,_. •• t olo ..tN •~:, ...-.,., bl.. o.114,MI(, Y"'°"'• colour ond chest measur• 1w, M-cok,.,,... l'wplo.11.... tlocfl 'tdow...... ~u.10.--,~ to4_.,r-,Wtwn~t-tolo.o',-..­ ~9"1Wl.'IM'ploo,,.Jbl.,._Whoo,o,cl'.rift$­ QQl-.~.-.,oa-w.;,.,.­ 1 ....,,.... ,"'-'do ...bo,,,,,o,.,,... .. J ...!M" ...... "' dM,1m-11t-•('l,"°'°"" o"d olkrnoti-cd...... ment. b,o.1,;; """ G••- wt,.,. o,6Mfn9-t1•'• <~; ,..n.,w,,od, w... o,,i 1i"-•"- Wll•110't

MALE or FEMALE NfWl D♦ M•o BUSTLINE RINGS INCREASE from UPT04" FLARES GUAUNTUD Any site made to measure. Pebol Dual Choice of 29 materials. £1.85·-- Fe, someone you love ot From £3. 75 s>4r pair ,... u,.,..,., CHRISTMAS r1,o ...... o...tt1t1ec1....,..- $,009 fl'.;<~e.i411ffli .. Mtlw.-.. for free ring gau9e ond 11•,.. lo"' ,ow ..,;u.. A• IOkl ol,.wh•,,.-• .... ~ ..p!OU.7SI -· """"°"' •-rd.., ll9lolon, .-..d ma... , details lO: ...... ,...... ,_~~flO~ ·-· brochu,e e.nc~ o 1.tornp ond 21ecb - :th:,•-t..1•v,•• SOl.h­ ...... ~.,_-...,... ""''"thl• send lo hl1...,.111. ..•• .. • ••••••H"llt♦4~ VARIATION t.4 •••l,i.o. oc.tl MIIA.CU P,.. tfOHlY tnat•-t4'~., ··~ :l:.:.::=r...:...~=~ PE8AL DUAL, I 09 8ouooa,y Cl,11 .....,l'O•l-.l,-ll" .. 3 HERTFORD ROAD o.,.._ MMM.2u\1i.~ ._. a.....,_,._;,.po;...... ,.,11,--...s.M E. P.S.UD,.0.. lt ,H4"'-"1J-1 CLARE, SUFFOLK .w-...... _ .. ...,.,ISOHM (Oept. MMWSJ Rood, Woltlng, Svrrcy W...,_c,:,_,,..,._ ly•tOOd, ......

'Postal G/Jargains Pas<' 52-MELODY MAKER, November 13, 1971

FOCUS OR FOLK by Andrew Means

•• I've 1lnishcd a few $00&$ RECENTLY Archie since las1 Christmas," b(l replled. " I usuallv wrilt', fisher came them :md fl nd that [ haven•t down to south - east (t()t I.be range to 3lng them, $0 Barbara sin.ts· them, A lot El\gland for his first of them arc ne.arer ti) R3r• lour of the area. hara•s ~yle as- well." Had l:lls famlly been m11s-1. IL was a rare oppor­ ~al when he was a child? tunity for many to see ":1.1y rather came through m\L!fic hill 11ml I Archie Noakes, Barbara Dick­ towards: music? son and his sister Rae " It was Mt a direct hand· over In Ule senu that some Fisher, his reputation Of tbc s111g1ng tarnJJies arc. was already well estab­ tt. w~ mou: of A $,upplemen• lished in London. t.u-;· thins" How ru\d his. comae~ with Ji.I.$ vlsh to London isn't folk rnusit begun? llk..ely lO s.park Mm -off on a nat:ionwide C03.$H.O•coast tour lc;~1;•s ~frl~~~:-!r,~~ty o-r SQ)' new polJ<:y a,, far 1u LEA NICHOLSON (left) and STAN ELLISON: recording in December l~ .,ppearan.ets &<>, but it may we~~d well rts't.111 in an alhum ~~~~Sh ~ s:f:~~~n! recorded for BiJJ Uad~r' :J 1e.ther." PJ.!1~. •• L was playing 2 suiur company Arcb.jc ha:d been ~~ LC,! Had he been on thti l<>olc­ betore l got intere:ltc4 jn 8 N°J1th.:1~::c ou.t for a ch.i.nce to play liflalnQ:. J J!i:'s»!i 1-\.:irrnonies and ~~~g an ~::: r~,ix~ccc~~ traddie with a b-earil and with a.not)ler pen;oo? pl~>•ed _i1.1ilar but Rae wu Also wo,1dng on th~ album a concertirla, now he's the Ironthne s-ipger. I found was Nie Jones who n;u1do clcanshaven with de­ lo ..,v;;:e of~rf:1 ·n~ho~,~: that when ll/Jna f-1~:u .Ptft I knew was the b.armonies. to work wl1h JOM!I at,:9ln. ::t:~al. contemporary Lea li.mJllng.." . •~ It was a time wht"n twcry. Archie's previous t$ Were Stan and Lu body in Scotland was pioch­ The,. traniformatlon bu llktly to be pla)•in,: to­ at recording have dis.ipj>Qin. occu.-.id ID a .5tnaJI COWi· in:;: everybody elsc~s soo_ga." ted hJm. His interesl ill ce-tller over a Iona: period? A r (: h le e<>ns1de.re.d tho records wa.s: hutiaUy tng-eered "I cfon'I re.all)' know1 CT◊"''M FOik Cf~b if\ E;din• by woritfng on radio. li/ fr:i~fo~~ht~. w~~ In. thAL l'm cor.itemplatin§ l>1,1rJth !l.$ lhe l'iflH c:OnS◊l i da ARCHIE FISHER: down South at last 1,e;i and Sum E.lllson bav11 • ' The o-n I y reasonable. !)(!en [email protected] tbeit MW meets ~!td~s rif:i>t'!~- r,\l\t&rlat, while Le.a also t:t 1 ~~n r:~ !~:c~~t !furf~tl~i record r have ev(l'f made i.s t.emplat-, Stan .and J work• to 1963. on Transatlanlio wi1>i DIil conthw.es as a traditional log together tor tb~ .next Le1der- producintt," folk slnJJer in t he i;.h1h,1;. This wa! before the Hoot• Hevln,: m;ad.c the four• ltn years and I don't cbi'flk nanny scene, ..al\d before thP _whe.rea.s some slng,ers 1no ney to tho eou.aae-wMre Stan comemplatM that Scottish seene came into fuU di$i:llli$tlt0 with t ht' de~r~ eltbe.T. At t~ mc>~t l Lea. his wttc 3.nd baby would like .P. ~e;•b-oard t1wing of 10-l~rance 6' d1fferent and li.V0-1 wa~ gl-.·e,a a dt· his Tilt sinser,songwtller com nf!w mei\tid{tl 1n ro1k clubs, player- and It ~n .vithtt moo,trUJon. Lea played exp.ind from the~ ot 'b)na.ti(lr, w;:$ th(IWing lncrtas• /\fc'1ic 5a: bro-ad In hi!!. reper• aC()u.stle guh-ar, concffllna in~ gi1,.n5 or c,ch,t~nc.e in rOlrc. Alet.npidc the tradl• :i,nd boui.o.lilld end Stan con.tract from there.." Scotland u thtu time. 11 played acous1,lc Md de<• "At the. moment l 40 " J sort ol' skipped :Uong Archie's ~:naJ,\!: ~ul~~~Ji=~ ~1~f! ulc guitar wlih ,_.,ah.,w4h tr..adltlonaJ Klas tor a liv­ on top of al! or them," e)(. Waterson as weU cu tt·s OWi\ lng:, but 1 WctUld lilt• to platned Archie, ,. IL w;as not compo&!Uons. AJLho\1ah i he match ba ;Qble to do It lot a rn:1!:d T':: o~!/o~1~e~~;~ b(>bl}y. I' m lntettS· thin I wa$ a\'Oidi.ng the bi, c:ontrast bet~eD the.st" style, tbot &rl'I not thl!tr own are moro Hme and \'ery alttulstlc abour b-ll't greu It It sufficient to • a CO"Plt by Anr\e 8dggs l•t.er." ttd In tradlUo.n.el musJc it-I jusl di~n'l set"c IL" rli$D~1 <;:OMktt\'lnt- that folk now h.1d t.ta met Staa?' than I am le. folk clubs, AlthO\lgh he h:id Mei, late clubJ 11;rc nsturaUy Intolerant !~ t~,. ~::~~g~· ~tt .. I had heard about hlPI 1et'I f ut It tbat way, and in seein~ where ih.e ~e.en.e of .. f think if you t11lk en (>ug:h pJayed with restrve on tor Quite a -wb.ile," ;u1,s• that tim(' was leadina, hf' wettd Lea.." Striet.l}' s:peak• :/ln~.!~f;tfe! 600 tbe to an aud1ence you con $1n,t th~ occasloo, tbeit sons;s " I thlnk what we're _go­ ntiver~elesi cta)mcd that :inyth,ng one after onother. and 1.Ju1tru.mt.ntet, were Ing we ffl('L in a club In E_ n -•-••--•ll-_b_••-•---H_____ •=- •- '- m--, ~~~hr:i:rue~::,:l. ch5c0 .a:; or uow had. Lea made th.e UNIVERSITY COLLEGE, LONDON decided 10 do something ~':fton l~,f1chwJ;'~e it~ decision to swlq the em• toge-Cher, whlch was a b"'-ok­ t~, 5 p,bait, to bls own son~? log or conte-mpora.ry material, mor¢hln~;· a legendary arid •• l havo bt.e:(I. well Jnto 16thN~v. TIM HART &MADDY PRIOR That feU down be-cause ll was mystfoal ep,¢ which had lhc t,adh.1-onal stuff si.nte I texture or a IOl\g • forgotten was IS, To be. hOnett. J .11ubject w loo many inter­ traditional pietc. Am.ia.lly 23rd Nov, Al STEWART l)Tet~tions. It was no.t &O much bored was wrhten by Ar, hif'. byhasltwast.lm..eto All concerts startot 8 p.m. 1l ~3. ~;epf::~~ }~rP~•~!~ 0 CENTRAL COLLEGIATE THEATRE, Gordon St., WCI and the GUl.rnlnadon w.is Jut un~!~~~~i~~e ,~f!gs~~,~~t!!r. ~a/ am~!!:~o:1~~n~To~~ Committee lpg clTcumstances to arise Al1enqu1oes for ad'va,nce tioket.s: U.C.L.U, Ents. Christmas. Just before a t-Ou,r \lanced. '' It &ive:s rhem an 1. area of intcrprtta1lon, a h1 wtticb I could do some• 25 Go,don Str01lt, VII.C. 01-388 0518 Rab Noaku decl(led co Uvt In 1bl!tg dlfforent." t.ngland. tJ~~i~u~:f.c or pel'Sonal Stan w.s: unusualls R• ~ r think lhat what Rab tlcent abt>ut hi!' musical w.o1Cd w:ts a commitment, " I W'l'()te Lhat b.lJl.:ad in bacfleroun4. '' l bad bten which he, c;Hdn•t ho.vi: with tw(l.nty4jve tnlnutes,'' Artfl:ie University of Essex Ents presents Barbara itnd myseU. We explained. " Fourteen \'erse.s U:.':i t~tt si~t'~~;;; didn't e,.cn can ourse1ves .-Ay• lust camf p0uring out." fm il dJdn,'t work rea.Dlr,•• tMl'lg fot a sUtt.~'hkh WA$ The story of a knight who he tte<>\IGted after a wb J~ "' a:00<.1 thing.." Is made hwincible by a witch TOM PAXTON " J don't think either Bar• and then kiJJs he1 to pre..,·c,nt :!u!-f J:~1=!. dr:!~,! bara Qr 1 ,eafJsed how im. other, foUowh:s (.he ~ame writtQD material ovtt a FRIDAY, NOV. 12. 8.30 p.m. r;ek•ts 75p portant th!,$ occasiomd thtnJ: path can be 1aken u an lonx period or li."'6. 1 (S. U. cords only) was." · AIJ~aory. "But the s-Ong is Auted dojng blue,, mainly H-ad he Wtltt('n much beautif11I t!Ven If J\ld;::ed ()n in dubs, and cot Inter• m•tertal recently? iu face vitue eited in tradltlon:t.1 $tUff sPORn aNTR!, BAGSHOT ROAD, BRACKNIU, woo. IN CONCrAT RALPH McTELL lalbums ROIIUI & BAIIIIY DIIAHSFIELI> SmuNlgy 20lfii ,..,,.,,...... ,, 1t1f "LOUISIANA CAJUN MUSIC point of vfew is " Folk Songs Th.e AcadJans/' Ad~or.e11 6~? s:i~r O • ~n!y) t,o.,. -Volu1ne 1; TI)e l92t't First o r LouJsiana ~,c:1£ t~~ ~ogJ~ ~f~f(T"~ Funny how many names there recorded lo t~ late liftid, are to know in the music business. Recotdfo!Js ·• (Old.. Ttmey 108}, The music. which In part oon• t olkwogs 't1telO''touls-l1u,.a S'ists ol French 17th and 1$lh Not to ment ion addresses and the ~ 1 all-important phone numbers. tstl&M PJN~\)t.;>Jgs s~:t t~~iZ r°,!~l:3usr:._<;;t ~~ NORTE: " M'iulc Of La Raza formt, perhaps refle.:ts gen• Well, here's help. Here's the Volume Ont•• (Atboolle 3002). eral lnstrumentol development Melody Maker Year Sook. It's your These. records were relca~e-d 0 some consider-able months ~1:ic~tn ~8;i~h$ h~;1:n~~c~n~~d complete guide to artistes, age.nts, ago. Chri$ Stracb.wH:z.. who the rare aol)ea.rances of managers. radio, television, came ewer with bluos guitar­ WQOll$ and trla!'lglc. The (s, Larry Johnson on the lat­ C8.jUrl accordion (two chorJtfo$ dealers, publi'clty, clubs and complladon, A~rl from tbe tnO.icted. ~ the Acadians in rcoenf recording, ~r Cli,ftol) Cana-d a reveaJ ,a symp.at.hetie theatres. Next time you can't Ctie:niet". the notes go inio historJcol backg:ro-und to cur-­ name - or forget a great detail find transhtUQns rent. troubles In Que:~c. The rememb1;u a or the lyrics are loduded. Tht • Swamp Blue-s Of ZodiOO" on taco-you'll be glad you bought ,t. Cajun muJ.ic On the ofd Timey .. King Of TJ;,.c 8.t)'(11,1S" It an 1mpreuive bknc;:1, blues, with Get your copy from ~~'/g ":'.;:.~.:~e~f r::_: 1i~§!; Cllftoo C'hcnler'.$ amsz.ing IPC B u-siness Press Ltd.1 and begins wh.h " Ufayette-" rock-nod-roll vocal$, ibe in• Sundry Sale$,· nrumcntati''~~. ~!~ from tbo F-1ench? The translated, ,sre Ver)' s)mpJe AcadJiln$ 01 Cajuns (:a <:ollo• and dire¢,, but at the &airH; YGRR BOOK 1971 q\1i4I -sh<>nenjni) 4lrt des• time unt:imlllar. No doubt the cend"d rrom French .,;C>lon!a1s storie:, and charact-tn a.re In C;};1ada who carne sputh wen k,l'\nwo b., the .stniel'$ ~~t;~:~,i!~"\h~ett:~r:e ~\~. Mexlc-a!I · audil#'lc-es. - MELODY MAKER. Nov.ember 1s. 1971-P&,ge- S3 MONDAY , _,., EMFIELD FOLi( C:'LUI MOP-,.OUS 8AKH ST1HIIT FOCUS ON FOLK MIKE COOPER WI NDFAU, NOEL MURPHY had to cancel firsl tour in South fHURSDAY THURSDAY cont. FRIDAY cont Wales this week AUl"IIIT FOLK CLUB 5HAKHPliARES HE).O, c:irn• TI4E TINKERS CLUB, Hcl)doo HAOES FOUC C\.Ua, lJ.th.lnd after being afflicted The Ptc.l((QF(I Circus tubtil, Ch.nu Cburc.ll, Alben:, St;c-.-i. Kl. iAnu~ Tube), :~t I;~~d Gc\8:..,.~:r'ia;,!!t NWl (-GI Port&a.od S1. tlll)it) by temporary paraly­ ltp~N TOUR FR(?M $CO-TI.ANO opp Sunoy (;ard~n, Road+ MICK FLYNN sis in his arms, shoul­ MARTIN WINSOR SPIROGYRA RANKIN KALF HOON. Lower 1:Ucbhlon(l ders and neck. Road, Pu.u,ty AT WHITE BEA., k.ltljlil~f Th.is was caused by a Road. Uounl:II0W. FILE WkEATSHE AF, O UNSTABL8 crick in the. neck, after SINGERS NIGHT TOM PALEY JOHNNY SILVO Noel had done a couple f'1111I r!l.lb ntgtll of gigs with a heavy S/llURDAY AVERY HILi. COi.LEG,&, E llh.i.ttl TOAO Hill., T.bl- Red U 11n HANGING LAMP cough and c-old. S:£.fl. l'iorrb Slrtet, B11t1n, 'flle Crypt S.iim~ tlliebtths TII, AHCLERJ. T EOD1MCTON He ls expected to be 6t GASWORKS V)n♦Yal'il, A.ICMMO ND, g pm IN CONCERT t>IUt ,IOMthM ·rurttt:T NIKKI ~'!tJ!':1l &~v~~!1t~'1u~~ $kypo,tc- Ado FRANK dBy'. and !lopes to ~ aQle TONIGHT, )Sp to do his Welsh dates aftet AT COUii.NS, 49 Crqctk s1ree1. McCONNELL Ghristmas. The gigs, at HUNTEiR NORW ICH LADS CLUB 7 •.J(MI pm Barry, Newport. Barry Teachers' TraJnlng College MICHAEL CHAPMAN MIKE CHAPMAN and 8ridgend, wi?re under• MUSKETT OLO BULLS 141iAO, Ware. ~~•t~~~~ B had PRINCR OF WAL.ts. OPPOSIT5 to C:1t1ce1 boQlc.lnss i>Jlter b<:ld (;rHn Sll'et-l Grl!en, Pete Byel-er. ' p.res$U.J:\'!. Ht is <:t.1«enOY NATURAL t'e$tiAg ;:it hi$ home, ood it is ACOUSTIC LGNOOM CO•O,P Prticn.ts TMOY'S FOLK CLUI SJng(!.ts Club, Ut1ioo Tavc-rn. OFF UI.I NC DOY TUBE, WS. hop~ tl\tl.t ~ "'"m be wen in BAND KJ.ng& Cron Road. W.O.1. pm time fQr i 8,Cheduled bppear♦ 1.,.. 808 IAH&TT. T■RR 'f CONROY ance .at tile Msrqu~ Clu,b, B ttlAN P Ulll:SON, )l,cmben 3Gp. TOWNSEND & CLARK Wa.l'door Sr.teet, on Decem.her FRIDAY non•mf!:ffll;lert 35P, 8. CORRIDA O.k have recorded for KEITH CHRISTMAS AT CO USJNS, 0NlcJC. S trt,et. DA VE BL0$SE ,t PETE W OOLGAR N/weck: llike- X,aran. Prst:tk 7.10.11 pm. STARTS & 9 m , CONt EARLY. ~~~!n~~:•~rt«~~t" ,.!~ NOEL MURPHY: temporary paralysls )ICConoen. F\.O OR $INC.ER$ WliL.COMI! Charlton tuMI inLrOd,m:ed b)' TIM WALKER Toni Arthur WIii be brQadcas,1 aLACK 8 ULL , HIGH R O., N .2:t, on Nove:tiber 29 ~t 11 am., MICHAEL-CLAIRE TUESDAY aM "'1U show youn~ Ch)Jdren OIZ DISLEY HART PRIOR 9 CHA.ltL11 H AllOY dar~~kg '°o~e f{..~ ,$r:!~!~;s P ElfH 1$ O 'IMUEN AT THI $UQAWN tUfCHIEN plu9 FROGMORTGN, Ju~ Aftd Bridie and Jack tfudson thtit Sunday. COT J.OLK Cl.ub. 30 t.41~1111!r SINGERS NIGHT " A Vult\l;te l!f Not A Bird CHh.SEA FOL,C , Th~ St1nhop,t S(l,, w.cs:MoN SflVE • Wllb Tony Bradley' and triffid& at 91 CJoutNt~r lioad , h or Wellln,:ton, 8:t.US Pon!J d¢rground), Anderson's tour lh LP, is to be PRAGER + RYE Road, NL re1eased on December 10+ ThC .. ~ ADM. 15p album incl~ a.fd rrom l&n OAOOY STOVEPIPE BULLY WEE Hunt .and me(nber,6- ol $ prl113, Tbo Pip,y l-011 1.lghl OtchH~ C'I.IWE COLum " Pi8'ery EDWARSs' HANDS ,l~&ry" is relea$ed on the M.cinb ~n l0p )l9mbefshlp Up. same ~1e. ca,ncels ~~:. ':~een!a1a,~onl&ht s-tnu STAN ARNOLD own ,ones, own. teeth. At\-de,.on wJtl be resuming CITY UNIVERSITY ~~•tim:,Jf'S&~ tr\lo~~t'o MEDWAY FOUC CIMTR■, ST. JOHN EOI 5 U NIJAY ASHTilH., •AtMk.AN ROAD, hanaling eg,6ncy work ror S'T. CHATHAM. MIIC E MARAN. VJIJs.ge: ihlng.. A larin office RAG WEEK FOLK ~te,ff, wHJ be ~ine ovor art Jr:i~:~~~rn. that, point, Md lhe list Of c:o~~=$ o~:~~r1~ THREI IKIRS£5.ttOliS Fntk att.lsti ~ftdled by the avn,ey TIR •NA NOG ~~L tt,,au, St ~oe,ar. Kampstt1ta reduced to those reoord:it'II tor tour DANDO SHAFT ph,1s At.AN C"O ft.E. tho label Johnny C-oHiN (27), Clive 8.0pm 25p Dave Woolt (Oe~ ◄), Obrist• COLOMA COU.■GI MARTIN WINSOR cbu~b Fe:t11ti"-I ne,,,eih- Nlg.ht 0 Mud.P.e CROO KED BILL!T, Norlh C ir♦ l(>~:~ ~~1 F~!':!i. Rny11 VJc-- ang )'Our bosts l'HE £XII.IS. sigm;,d wlth cuhlr, Wll.lUU,l'l1&10ll{ 808 f, JOH N COPPIR aod wJII be HA~· :;.ri~~,a::m4}~ STAN ARNOLD R9s,aent..s: Crayfolk. llfbum durln& November. H~ A.rthut with John lhfflson ROY AUSTIN wiU ,111$(1 $1:art glgglo& a, a (Jlll\u.AC)' l). Resident singer IS sol<> ani:.L Hunt & Tumet" 8ea1Jpre-. FOLK CE NTRE, HAMMERSNt1''4 will ~1$0 be rerordi~ l'heJr The $tar Folk Club, CuHd­ tol'd. telebrates lt$ Mb COME ALL YE firtl LP, for Vttlage Ttiin3, at \'ou.r J\OS:18: fllOO HAMILTOlt i!J,d the same t.bne. birthday on November 19. DON SH.EPHEaD. Pnnco: bf Pig~ty HU! Llght. 0rctl.('$(n, 1'he club actunlly bQiim M wa1u. oamnc goad n m1ns 11!.n A~ A.rukt"!IOn, Dav• Evanr; U'\e Guildford f'.C. at die Jocal ttaven,cQuft Pnlt Tubt;) FICi.HTING COC'KS, Klns:stun. at1d Hunt & Turner will Trades And Labour Sod.II ap~ar tn a conoort. a l ll>e: TONY ROSE Commonw"-1th Jnstit1,1te ~~~te t~lob'b~~ lbcam~. Ktm$inewn High The Rakes, babel SlllberJa.nd WEDNESDAY Street. LO¢o(I. w .$, c,n and DAVe C.lderil~d,. Bm RANKIN FILE Monday~ O~bCT l3. Alt Leader is 1000:rdine Packie profits are be.ins &>n:c.U:d w 8:,·roc on di.is ~ca.sion tor '1b t.epr.i. Ticbt.s QTt :ss.p, bul ne:x.t r0COfld.. due out in any Cltlb Of83n~e.1'$ ate eble htard,. .. FREEDOM FOLK Cl.US t.:. <:r:µro rr~ ones by wrltin~ Co.moron l\o.ad. Laocte,, Slout:b. a lofetb•:!:!!y ~ otee r~: 7.:to prn. IC) ri~'.a!f~';:i~ guitar dueta Afdermeston, on November I:>>' )!eter Ben-ytuan aRd .lob.a J 21 -Other ;v;uesita . aro Ja.k• Jamet, produced b}' Stet.a Tb.ackn11y (19) and Tbe't"-V.V GASW.ORKS Grossman, it being released (26). PADDY ClERKIN I,\)' 1·rsnsat.la:ntic In Januar.,. To"m •nd Sten Ashley arc appeo,,r.ina; at the Shake,, ~ek '1or~°ifu: ~~~n~~his peare~ Head 11:om<>rr~. Str•na• Fruit have Jtf'I: the Fri4:u'. I.C.A . VIN GARBUTT SOMETHING IS b&t>PtnltlJ heN, Ar,d, you don.·1 knQ'W Wltlll ft b - TH!lll! TUNS, Bt:dr:t".nh~m SQ (:Ome N£XT THURSDAY JC,1 ORCAN tNN S:01..k Cl.Ufa ~ondon io11,d 1w-en 81!tAOY'S, Sbirl&.ud Arm, ► $5 Shlrlind Road, W9. (Underi;rouno From page RON HERON War,t,•lck Avenue). Herb Cohen 27 THERAPY OPl;NING NIGHT Jtuid,•nlll MOSAI C ruost dear-cu.t sltuation jn GEESIN TOWEii CLUB, WJJUam IV 8111 th~ world. All the. same. he ::i~n~bad, ley~n NUCKltAM BULLY WEE did get him th¢ 20 31ei,gh PUTNEY HALF MOON beJJs. He. j1,1si r01.1ld1''l "rgue 1.0WIR IIUCHHO~O ROAD with TAOUBAOOUII, 8,u pm. GASWORKS CORRIDA TROWSIIIOG■ J:OUC. CLUB SHAKESPEARE'S NEAD JOHNNY SILVO CAJtKA8Y $TMHT. 8 P.N. frf. 01'11vet1endF.C. A.Le x ATTERSON INT,tOOUCU STAN ARNOLD Sn, 81.Cl(~rii•: 8tU1I• O•n son~. own t~th. Sun. To be 1nang,od Mon. So11th Bontl.oot f .C. T"". M-,.,...y Folk Centre TOTEM Wed. hortffl 1n.-tit\ltt Thura. Beidlord Coll~e . lo CO"l!Kl MIi<( nn~: STEVE ASHLEY WHEAT$H8AF, O OIU(ING (Ol)4627033 AO HISStOH IS Fllti& DAVE o,wn1&10 aus 1$ s,.,,t•y Odna-, l.on4()n.. HW2 Al.wy$ pllµsed IO.,..., tmm.ani;♦ Fl::.ft. qua1'ry Slte>eC, GUILD+ M

I · I Pase 54;-MELOOV MAKER, r,;ovemh~r 13, 1971 ROYAi. AlBIRJ BAll ""'""":r;:••·'" YOUNG & RENSHAW

Sin.mm C21tt1&1t11Uuor..,JO; 119l8JWIUIIITIW.1 11Uttli'lt i.mu1ffl1111Ct4:ii!S.

QUEEN MARY COLLEGE S.U. (MILE END ROAD, E.1) PRESENTS

"ENGINEERS BALL" SOLE REPRESENTATION M .W PROMOTIONS SKID ROW 01-556 9460 + PIED BULL l lVERPOOl ROAD ISLINGTON NATIONAL HEAD BAND _ fAr,sc,1-.0-J

SATURDAY, NOV. 13th, 8.00 p.m. 60p Bar. Lites, Disco, etc. Tel. 980 S303/1240 -e-,; Mile End Stepney Green

REN '{[JJr l•J. ~• 1m..HOJIONCOl\ef)" ton!,,lc'9- W ~ 1t11 f.-.itro ls,.. ...,.,_f'lec!&..ll.t.1.,.11teoo w..i.,.• . ,,,..._.,11 •~ Qtromwrllian ,.; No,,l~,rnnoo,Ja-«u <;oi~ i ..... """·.21>'1' H,)o,,lit~t ....., ... THE CHELSEA/KENSINGTON CLUB .,.c,,, ,. ,-., 12r,o· , c,;,o_, do'< THAT MADE LONDON DISCOS I "' o,~;.:,;;;,..70~1oo .. FAMOUS * 2 BARS &. RESTAURANTS * llGKT SHOW AlBEMARlE CLUB * HARRY'S INTERNATIONAL BAR * LONDON'S TOP • 0Cl0sh11-,, Otlv. liaro!ii Hill DJs * PRE-RELEASE SOUNDS Romford GREAT MUSIC ALL NIGHT LONG l~Hlfl&t WltM H&tOl(I Wor.dt FROM 9.30 TO 3.30 A.M, f riclay, Novtmbc, 121h FULLY LICENSED TO 3 A.M. JILLY 2op Call or phone about membership 01-684 7268, 3 CROMWELL ROAD Sund,ay, November 141h SOUTH KENSINGTON Grc:.at crowd * h.$l Sel'V,ce * E&sy prfces * city Diversity mk lllrtalllltt.!lrt •1arllpl llll. WILD TURKEY ___:.-:.-:.-:.-:.-:.-:.-:.-:.:.:.-;.:.:.:.:.-;.:.-;:,-;-;-;-::.-::.-::..,-•'---u-• 1.__,Bl_M111 _11_ia_•·_D_._m._ ------~ ANO RAZZ asp PRING OFFEN IVE AlPHA TWO, Southend's luxury Nightspot BOWES LYON - STEVENAGE FUSibN ORCHESTRA SUNDAY, NOVEMBER 141h UGLY LIGHTS - OXSOUNOS SEnquones ST, ALBANS 60486

JB'S KING STREET, DUDLEY, WORCS. TlfUMOAV, HOV, 11th

TERRY REID AlsoPAHANA PRESS STATUS QUO Aa.m1ulon «.tip DOG Of TWO HEAD ALBUM NOV 5th LEWISHAM CONCERT HALL TIMES CATFORD, S.E.6 - ADJACENT TOWN HAU DANYA THE GREYHOUND Copy for all adver• 175 FULHAM PALACE RO., W 6 "MID-WEEK MID-WINTER" CONCERT ~isements must be MICHAIi. Nl41. flt.UIN'fS1 received by 1 p. m. fKU8S , NOV l I VINEGAR JOE FA:!, ~0\/ 12 FUSlON ORCHESTRA ,on the Monday pre• THIN LIZZY SAT NOV 13 ORPHAN MICK ABRAHAM'S BAND -ceding publication. SUN'.. NOV 14 SHAKIN' STEVENS & A I I advertisemen1S THE SUNSETS TIR NA NOG • <;.fL~:~: should be prepaid. BARABBAS MON NOV 15 STEEL MILL w ~S NOV 16 GAAPHtTE MELODY MAKER WED. "()V 17 GNIDROLOG 1'H\IRS NOV. 18 HELP YOURS£lf PHILLIP GOODHAND-TAIT ADVERTISfMENT DEPT. ACORN ARTISTS 01 734 9734 TUESDAY, NOVEMBER 16th, 7.30 p.m. 1 61 • 1 66 Fleet St.. S2 DEAN STREET. LONOON.•W.1 t.ondon, EC4P 4AA. ~/~ ADMISSION FREE DOORS OPEN 7 p.m. - TICKETS AT DOOR 70p MELOOY MAKER, November 13, 1971-Patc 55 BULL'S HEAD r Club Calendar l BARNES BRIDGE 876 5241 ------~ FRIDAY a • SUND4Y i2~a7.JOlilllm 8 1110 CUllTlS QUINfff, Pinau nr wa1t11Jttota, s ~•• bo:r, SIMPLE LIFE ea1c Sl~Jh," IUo?d LAIi(' ILFORD JAZZ CLUB PI0\1,11:1\, ,uord .L;tnl!. THA I■ HO•USHOI$ Jut ERIC SILK JAZZBAND t:Jub. H t,tll St, »•rnP&ll'tcl r-.ws HOUNDS cmJI MAIi GERRY SALISBURY 't\ilctl\&&~. N~! 1111\ ~ta-thM Gtove. su~•n,. ~«1 011-­ PhrJ Ad pa;ci 54. AL GAY MICHAEL GARRICK MU(& OANlliiLS Bia B.and, f(,1;Jr ... BAND - Moon Putney. RAY CRANE l h!t wor.k: tt.ny 8o<:kett NEVILLE OICtclE T•10, Muro. Grt-tn tr.'lef1. HOPIINE (Nitx1 N. W•mhloy Stn.~ VILL4GE ROUNDHOl/S£ Lodfle Ave Dagenham $TAHHo,e AtlMS, K.tn&tt'\t'tOi. Tue6dify NO:..-&Nll>er 16th t ncar O¼c)uetllter ·Kaad lubo, SONNY Dll BAHD YORUBAS TONY COE HEADS, HAtios & FEET THE WAS~~'fH.'.Ul)atOrii: . CARI.TOM CLU.e, WARAtNC.• 111 - Old >111,Y~ol• 11u11;rpg,14~ TOH ant, Ne111 _:;t.!f.p:f-t0 !1~1: J~?"~A:f080N[ ' UUNSlO U•• lO(;WI iHOW lo;O.ll•!i~ fl>H V • THOMAS A , 91C.l(eff OI CI X1'nl tto1ui ')/\ l l JI< I J /\ Y SLOWBONE A N T H I A$ , CIHHCflffR. Pindar of Wakefield Boo\ed by 3il w, Pro~ouo11s Jo:.& GLOS, ~,... 328 GRAV$ INN ROAD (KINIG S XI 01 837 )2(19 FR I DAY •ANVIL, IMWO"f Ho,1:11\ SYMBIOSIS 1 H, L-.~ Squ•• BOBBY BREEN Jlm~."i';!"il>:::,S IX, lunt:htlme, Nitw. l'41,h, Suadayatt$1nOM S 6 TREVOR CllV!IAND JAZZ BAND eUOne:i;t, L(lnd.on. 8LACIC'80'1'TOM ffONPQS, w...,_,,,~ ""' ·1,t11 re Gree~leh Lian , (.:oUit:rt WoDd, lunehll.in.e, COUNTRY JUG THE FRANKTOMSSD'TH · &RIDCII HOUH. Catll\ll)J: .... 8RlOCiE HOUSE, C'f.llflinl To•o. SCARECROW Orfdl€1 House, Cannu.g 'l"own, t 111'1° FUNK T.QE NIGHT SLOWBONE pm. &ooktld by M. w Promo,ion,. 5.;f SLOWBONE ilJI AWAY WITH C,ltOD-Y-CI WOC "WAl.115," TALIMD. ,Lul'31:iavo ,ANVIL, ) 'l'rou.bll'dour,'"' 25i ...... Old,., 8 ron,,p-t,ro i od. ~ CREW· DAVI aioVARO TIUO. J t h at the ::•r~:~•4~-~r't S:' ~~Kr:-; zaP-L I"' )(IHGJ HIIAO, 110.GI, t H 1$ (.'.(IUrl MEJtTON MARQUEE ST TH.U.UA'S Jlall. Brt.nl• ..-!~J1::LE"ta~~ J~°.f~l' ~~;: .... "ORPHAN" TAM.ff CHOSEN SIX. ~est ON SATURDAY, NOVEMBER 13th week~ CiEOllGE Mff..l.'f. M() I JIJ/\Y 01-730 618\ PEANUTS, Closed. CASTLE AT ,LOUGH, STOCKWELL SWt :::======PIG STY DUNCAlf CAMPBD.L G@l)t-r id Haveloe\:. JUord, tllfb FARM & RAZZ Raaa.. l:BU, tl-11$ $AlUADAY, NO\l'EMBU l 31f1, TOFT&, FOUC8$TONI' FIREWEED McKENDREE SPRING COOKS FERRY INN +HOG aotcO'NTON {ff. CIIC.) Gruups Y./ W Promo\loaa. STRAY HAWKWIND + WRITINGONTHlWAll + JACKAL YORUBAS 1 Uf ':,[J,\ Y t1,1bo: Viaona Lint· D00ttope,n 7 30 lights & BM t U, JO!t Gl.otilo'°" 1Qfto,.,.tn MART FRANKUN NEXTW"'k URIAHHEEP&CUMAXCHICAGO READING UNIVERSITY Students' ::. ~":b:==ofr~OU~liT .1.U.1-•l '------•t•~fnquir~:5213578 Union Social Committee present 1832 WINDSOR 1832 Wl'-LIAN sT'a.&T, WtN0$'0R B. 8. BLUNDER I JACKAL STONEGROUND Adm. only 3t'p, MICK ABRAHAMS BAND ANDY ROBERTS , ~ i THURSOAV, NOV, 25th T0 8EARRA.NG£0 OJ.~ Alct Hawkins SATURDAY, NOVEMBER 13th 100 a.us 8p.m. K1fui. 1rsc'u/N'o+t Ticket$ &Op advance, 70p on nighc IDLE RACE BEN rmanie seott's SPIRIT Adm. Ctp. 3floors of enlei lai1,lef'lt MIKE GRlENWOOD V. f J 1 •I /', I \ l 47 Frith st London Wl 437·4752/.4239 SATURDAY, NOVEMBER 20th • 8 p.m. AT P'LOVGH, ITOCICWEU, $Wt Qpenot8.3()p.mlic:ensedlA'ltil3.00o.m. Tickets 76p •dvance, 90p on night HllltNER / LJTTI.EJOHN 6 fUIUriq !::!'. tr"· ANNII: ROSS TickolS availabte: S.U., White Knights Park. Reading PHIL SEAMAN ALAN HAVEN 3

Fri ., Nov 12, All·Ngtner S.1, Nov. 13. AU nlgil.te, 9 i, m.-6 ••fl'• MembtK$ 76p 9p."'G~,:!c.,~ao" (h,-e.1t•e6ic<>1t111 WRITING ON BURNIN' RED ·:;:.i:.::. •.~ Gonzale?z THE WALL IVANHOE co,11J1?;JtU c~ua ;a "'"'-·•••-"OJAH HOUSESHAKERS 11 30 M i,erlormanet) SWING COMPANV JON 1>ARN8UGltlAND at Lb~ ,,., •-· •• l€s 11,\mSE'..\UX CHILDREN S 10 W~nrid!, NlJCLEU 5 JfRfN"flOVD - CHIVSTAUUM LIGHTS STANHOPE ••, ...... CYMAND£ lR\tC'' et),8Q,'l' Wfflne-sdll)'.d h1bfi 1ta1 i ,,,in;ip. GIOUC-..•J:1+ ..______Nt W; PAffO _, / 1911

,,.,.,,, .,. "ALAN BOWN TiNl'tclor,, N!:w'. 19 PHILIP GOODHAND-TAIT GENTLE GIANT Manrcsa Rd. ¥¥¥¥¥¥..... Jf.JI.¥¥¥¥¥ BREWERS DROOP CHELSEA COLLEGE (off K~~ Road) l STARUGHT ROOMS ;~~,1~~5)3579 ' 30p only Saturday, Nov. 1·3, 8 pm till late * Sat., Nov, 13 DISCO- LIGHTSHOW - BAR AH enquiries and advance tic.ke~: U.C.l.U Ems 26GordonSueet. W,C I 0 1-3880618 AN go::ivps hc,oll~ ~fNl>vfJ'I NEMS Gt9 6341 LINDISFARNE lt~~~!~?9!TER Next wee~' j h An evening wilft QUINTISSINCI 60., SUPERTRAMP * SLADE + McKENDREE SPRING \50pJ ~==A=d=m·-~~U=•=•d=v=.6=•P=••=d=~=•=(=S.=U.=~=ro=•=)=~'.'ldf:****jd,/;****** PA'l'H BRUNEL UNIVERSITY ENTS. Jf B 11 d n ~ A;t~s~t~~ KINGSTON LANE. UXBRIDGE UXBRIDGE 39125 FRIDAY, NOv•mb.-r-12th, 7.30 p.m. FRIDAY, 121h NOVEMBER. 8 p ,m, AN AMERICAN ROCK LfGENO

~ It,♦ btio dcu• ..,...._1 ~q,ly ,1,,c,., HARDIN THE- VELVET 111 10.wat ~y;,,;1 .-1,,1,_,d! fVJ* ' ri1u'f,1.,, """· AND YORK UNDERGROUND SOUL e TAMLA •11d GOfHIC HOR&ZON plus QUIVER REGG.U e US & J.A. -All ti<:llel4 75p ltQll'I Miolflt C.c.n.tre, ot •i di♦ dOO, on tr>e n.l9t1t, Tickets· 45p l!dv 50p dotw1e Q"po,,11,1ni-ty1 White U(Jht, Wflrt~- Hut BARS - SOUl'lOS - LIGHTS POLY OF N. LONDON ,nna• ot W.tk llld, K.ntilt! "Town Thurs., N~v. 11 ELTON DEAN/ PHIL HOWARD DUO ChHp b~,

CHAPPELL'S POP DIV. Friday, Nov. 12, 7.30- 1130 Prompt start. Tel. 01-629 7600, Ext. 14 E11quiri-es -436 65$3 Tubes Finchley Road & G-oldora Green, Alt groups­ booked through Bob l=isher at Arthur Hc>w6s Associates. IMPERIAL COLLEGE ENTS. THIRD WAVE at lhe PIED BULL FRI. NOV 12 C1ry lJnl\101'$1!y Ent.ertalmients No,Ult1rrc,tonSq,EC1 Presents 01 2537191 ""'~ I I llVLHl'f)OL RO ISUNGTON tAn!]~I VWR$0-AY. NOVEMi8fft 11TH Enquiries: 589 2963 Prinrl (0682.) 55073 for n) l td .. 203 Kenton Road, Kemon, 88 Wembley Park Otlve, Wembley, 18 The Broad• way, MIU HiU, 311 Uxbridge Road, Hatch End. ./

I SOON in : Mm&-~Ci3'f!Q~ 4 tEs "i I SEX'/-~ oi-AEf\se-r. STONE THE CROWS DfvoN • GNIDROLOG wisho~ .ID thank 1t1, folk)wll'IQ tOf 'their 1nvtlliM>fe hcli, ,n the NOON UPPER ClYOE SHIP9UILDERS' ESSEX Hot Cottage HNEFrT FIREWORKS BAU lleldOti ,,..._, Novel'Ober 511\; s ,-.,,FIE SarurdalP:S· _1i'tEi:-l?o:r'.'."J~;n 60p COLU:GI: !NT$ LTD. SAMUfl PROOY NCS WATfORD COLLEGE OF TECHNOLOGY TH1RO WORLO WAR Hem lead Rood, Watford MA~H HAfl£ . Ci-COPPER nuATMAM YOUTH Cl:HUI HORSEPOWER PRINGLE'S AT CONYIUltOAO, $.W,l ♦ •tid Stucf.nts (1f th• RCA 11,01,~~ t308.68 fS>(lnCIO! (:tll'lt Moore (So,cS.CRC#.>

GUFFA.dm. 26p 7 .30- 11 ll '1'I NUCLEUS ENTS. WMdd me• to 1hM»I FUSION ORCHESTRA fOf a l'li<:e Mt et th• MAAOUtE CLUB 1&et $11IWl•V, ond «polo11ioe tor tJuim Mt boffl$I billed due to eircumstAlnee, bevo"d 0lfr conuol JSE Bowe$ Lyon Home are pleased to announce St.eveooge representation of SUN,, NOV. 14th THE GOOD ROY YOUNG BAND in association with the Robert Stigwood HABIT Organisation PETE SUTTON plus SPRING OFFENSIVE also sole represeritation of A word prornotion 40p GORDON HASKELL WISHBONE ASH STRAY AUDIENCE RENAISSANCE STACKRIDGE KORIKO-ASSAGAI VINEGAR JOE GLENCOE FUMBLE ROCK & ROLL ALL STARS GORDON GILTRAP NUCLEUS John Sherry Enterprises 01-734 8823 page 58-MELODY MAKER, November l3. 1971 TERRY KING ASSOCIATES present ROUNDHOUSE CAUGHT IN THE ACT _ CHALi( FARM CAMPUS '71 SUNDAY, NOVEMBER 14th, 3.30-11.00 50p STEAM HAMMER SKIN ALLEY KING BISCUIT BOY (Guests from U.S.A.) GRINGO REDWING Andy Fernbach ALICE STEWART & SNAKE CROCODILE IN CONCERT BULLITT Maximum 40p tickets CLAIRE HAMMELL November JEFF DEXTER * 12 Crewe College of Educcttion* LIGHTING- HEAVY LIGHT 13 Bromley College of Tedmology* 16 liverpool Polytechnic * JIECORDS FROM MUSIQAND, 44 BIRWICK ST., W.1 17 Bingley College 18 St. Oave's,OxfordUniversity 20 Rumney College, Cardiff 22 Caius College, Cambridge 24 Leicester City CoUege KING BISCUIT BOY: iiwigoratfng stuff. 29 Boston College ■irminglia m•s La D6lco Vita 011 30 Noltinghc:tm Mary Ward College ThURday last week. Tnio. U11s ~41"1 mu '"'"' December c1111 •11 has 111 ""· nlc. Hd 4 most C)Offlfflaffding SQI.O .,.... 1 London St. Martir.'s Art College ena. aut wll&t c:IHnnnal :!~~1'~u!:~f!~) s':!:\: do Vuy w.ll for tdmsclf on 1.11, :;:c.:r.':t" .:t'~~'tu,:!!rc: U.K. c:abarctt Cll'Q!Jt. ... AND MORE DATES TO COME IN crotnl, H nemtd • pll,Y U...t " I'm Mc-e to si119 you a rew Ttrry W♦Mt dldft'' ltotller 10 Ml'ISS, sOinc .Old, ••m• MW." ,. lnll•Mhl(♦ \It ♦ "'.,.,_Dar. -' Ui• DECEMBER! ,n_n4 beaus• tit♦ ba~ player ~ c•l'lal11I)' not A.uJtln eo,.. ==~::::"~·u::':,': .,:!"~.;.a.,.,: coran., and tile piano man wat Were 1'ho Oay,1 " ,tnd •• Old •dditlO~I \0 lh• or,ai,._.J fi'V♦• Man IU•et• .. Wltll Ills fee.. , ridl ma" 81'9WP c•11c11pt. Ho..,e-ver­ ,ola.. The fflllfflJ; ...d dads. trill tltey _,. the.re & l!ld toaetbtr fO'lle llim. - OENffl.$ 08TH­ witlt Tt'i'q aod C.a:, Alld Ed IIUOG9. DHH Mi Pat '(a$b they mak• up a real fin• band. a.":~~. ;;~";.t,. -;~GdJi ",::r!i BLUES EVOLUTION "POP R·ooTS" ,n,g Ill m.u,h b•ttti ..,of« U.u

:it: ojioS:ra'::!Y s~::: •~~ JUST 10 )'M.l'!J sine• Jan Head, MONDAY, NOVEMBER i5th, 8 p ,m . t.-.dltlo-1taJ matet-lal et thi, nature. An inJcctiovs c:ro..ci­ " Ev61~~~ npt ..c:":;~!ct,, h~ toOHnl.ng Jle hlflowd DitfOl't U!.1 MOf'li.e l'OJ FutlvaJ. tll1' GOLDSMITH'S COLLEGE presents: Ttfr'Y httl'OCl lfC:♦cl blf .wn b rilllantfy,,rodu«l♦ n dlrtde.-d All acou1tic '' Noisy .loltnny " by Gforwe Mart•• Jack Bruce Group & FEET wi1b ma11dolln. 1u1toharp, $01!11 fli.Ptrl:t IHtl'Uffltliltll 1u.1tar. piuo and bodhraa -wu bliih by the QaU. th~tl'$0h, d1t111ttru1, ~. qalo In aood Cot•run Trl,o, set Utt mood tor !"= ♦ J:::~ ~:c~om~~'te H•ad,lc:.t5' fmpnulv• •ntnu,u Keef Hartley Band & Friends DIZ DISLEY TRIO 11 ud Ute $1.oiry beJan, Ginger \4f"." A powarhll Yff'S.lon of "Y,m Jotuuon's ~ • rflll dn,ms and We regret ow1ng to illn8'$$ tl\at Merle T,avi~ ii Diamtlll Larwl " wtllc;t, rocllocl primitive sh•uts took u.s to the unable-- to appea, a1td rock•ted a1ons w,t1, oune )11111«-t Of Africa.: we tnvclled Madison Bowl a.11t1lft 1"fbt&1tdin11 driwi n9 the yl~ the W~t hldiff lO ltlt USA, band to Utrlllilt8 11,1,11u-. Oft th♦ PO•dc: ftlln'Altwe rtmi1td:h19 us of Jo1t's ablNt)' itf a ly,tc FRI., 19th NOV. 9.0-2.30a.m. Late Bar ROYAL FESTIVAL HALL ;e~ :::z :::,, ~11fS:bl~~ WTite ... wlU, Ult dtffi~lt YMAI ll••• tn • trOMp of s-plriwal.s, he Tube B.A. • New Cross, S.E.14 -Adm. 95p £ The macabre American muc-- WU lbly '41,>P,Orted by thnc ., Tickets 50p, 65p, 80p, I 00, £1. 10, £I.SO his fo11r c:hildre.n Ind Witb from Royal Festival Hall Box Offioo (Tel. 01-928 3191), t~ne:::!:•$1d: !~ d:rr~~: "C.C. ft.Idec-'' •• am• lo Ute by Gay <d Ttn')' wttlt Gi.y bh1e,, 1ovet1 'l>t1'for"'ancts ~II PIED BULL talting tt.4 lead. - l.Al:ltV Of f•tllft!J, Tt,1$ WU fOll.wtd it)' aooov. some ..n 10fl1Jf whlch rouf1,d 1 LIVERPOOL ROAD. ISLINOTON (ANGEL ♦ I Ule pin1to trio ,teaml119 .-..y Saturday Nov. 13 - 7.30 p.m. ~·=~~ t~:y ~-,:• !$':nu~: KAMAHL iat ci~ e ri-d thc.n to New Yerti: where, Joi"~ by Ms wlh:, Jon t1ave "" ~"'e flf the Cou11t GRINGO Friday. 12th Novemb«-, 8 p.m. t;ule ttp♦l1♦ft't. Fin.ally, baere be Bobby Tlmmon, (who com- own brand or lri~,u>rsl>le musi­ became ~ ~ep~nd11t;,I( .scssi~ cal lo,:ic ll,OVC~S- ~Vl:.f)' ,,ote. musician. ra:it ,:.:~~~ln;l:Ue~otKr~~ MOTT THE HOOPLE In 1he Fifties_ he w.is at He h.a~ also beeo a staff with Fr:eddit Hubbard. Curtis his. peak, reoordJng memorably mu$J<:ian with N.BC tele.v1slon. REDBONE with Dl&.1!t4Y, John C:Oluanc, ;md his big sound a.nd good ~~r,th!~ bV::X:e w!~or~e;. Sonny ,lloJJin:;, Joh.M y Griffin. lime ma~c him cmc or the lremely inftuGntial. FIELDS • THIRD WORLD WAR 0 1 solidest " walke1$ ·• iD jazz-­ Blakey htmseJr ha~ 4'1Way1 STONE GROUND r~:J ~m::~1i: ~f ~~~~i although scarcely tho most oxbiblted al\ lnt-ercst in Afri-­ quail(;' ~ (ntetact with t~IE:l)ratea.. can drum.min& (some af hla. Tlck~1s 6Op advance. 70p on door, available many Blue N(>t~ LPs feil.lute­ from DONCASTER COLL. Of EDUCATION, MC)olt'& chemisft'y. and in l'8· ART BLAKEY: At hi• peak, turn h,i: w()uJd :s()metimes b~ no-ont. COU id lGUch Art African pe;cussionis,ts}. and DONCASTER COLL. OF TECHNOLOGY, TOP come ll vital influenu. There's Blakey for sbeer raw excite­ his ov,n playing reff~t.s the PEACE 'RANK SUITE & FOXES, DONCASTER. no doubt that -a Period with ment. Someone onoe u.nbtid!ed pass-Ion or this in­ M(l,nk'f quartet in 1957 turned RUence. tfe i$ a.IS◊ capabfe of Tickecs £1 .50/£1.25/£1.00/75p. Box Office All groups booked through Cabin, 01-749 1121 Trane ()nl-0 the rosd 1owards describ~ his ptaylng as geojus, "bloodthintY,.. and they ~r:atm~tlt:r;,!':Jngis sr:i!1a~! 232 Seven Sisters Road, N,4. 1 2 to 10 p,m. Sadly. tbe put h.Or-doun w,;re- exactly tight. 01'1 h.i.s instrument. MELODY MAKER. Novem~er 13, 197l-Pa&e ~9

MUSICIAHS WfNTED ENGAGEMENTS WANTED ENGAGEMENTS WAlf1D BANDS ARTISTS WANTED SITUATIONS VACANT 7p per word ALL ARTlti'S, O:U'l<'Cts (It(! w:us!('d cot pu1>11 c1u1u:. - Kl!dl'n Enrertelnmern liO:l 0021 DEE.JAYS twutiuul equ.li,l'nenl. wi\h record ,), and G-0-(:0 J>ANO;tRS r•Qulte'-1".$, work weitl(li - tl•76t 17'0 ::~;f~nu~~11~::ii::1~r covc:ntn·. VOCALISTS EX.PSIUUfCEO .an ac-c:ou,1111 worlc - Tr i 6\~&78 98!~. 7p per word AOA016,. l;lcctronic: ex~rltntf' - S19 Oi7t. Pl.NALE VOCALIST. nto,cs f~elt, veuatiJe. 110 heavies - 11$4 MANA&EMENT WANTID GlltL SlNGIA to 1t•or.lr with group or ~arta, I.Y , FIJl:$T CLASS a0l'l&•WJlllrtS VOCALIST, COMPOSER., ,eeks ffltlf"J(lllrl te;un IC-el l(ll~.Tfl'W1CMI· g~:(l.a~lr~~r,;~r\T~i~:.ed :t~= fain1:i~:~.s:.i~1teEiill1l'T Kay. PUBUC NOTICES

colourful, imaginative. for 6•pieco Wnd Tel. evGnN11t. 7%7 1131

HIRE ~ 0).942 0178 P.iao 6o-MELOOY MAKER, November 13, 1971 ,....._ TUNSPOIT FlJII SAi.£ 9p per word

RECORDING STUDIOS ~CORDING STUDIOS Sp per word Al' J.),50 an bO\ll' OEMINI nuo10s oiru Mooo or a:t~o t$('Otdtng, m vtb,tn1c.km.t, UM.ii· 4 TRACK STUDIO :~tr£:';;ii:i~;:.• ~ijjlto~:'~ STUDIOS, Qnv•acm~ Kent. 2½ £3.50 PER HOUR 1'\J In, i:r -Strit-t, free use ·ot Hammond Or• J'otln Or•nt, gan, Fender, Wurlitzer, R.M.I. elec.ute p ianos.. fen• der Amplifiers, l udwlg drums, fender, Gibson. Martfn guitars. FOR HIRE lW STUDIOS ~(anwortb"ltb.• • I 385 4630 11& Ktfl~Off H(Qh Sn« 400 Lrllio Rood, S.W.8 Londo", 'W • 01·1l71641 I ~;:~:,;ebt~~M;n~'t! EDEN STU~ LTD. Tu1.tulh, 109•th•• wltt. 12· f, 1~ HOtef' TtoMlt 811,u, f1/3;J.cw\ C:uality Recotdir!9 $1',l(flo,$ at Voes, o sel.c,loo ~ C.,. c.nd "w.-r £6 ptir hout ANO l$H •pe » di9C lirOl'IJ>Of'IOlkKI ovollobl♦ ,_ onr '6(yiC$, 01~6 6577 P!flod t♦quked. 11 ~ St,.. t, l(mp,Q", Sutt.., Aff,'l,8t&-A.uotiatiolt ol usiOtuJ.R~ S'tlldfo~ AIRCRAFT SEATS 81!4 Com-u u11,. brown, C10 clo11blta. £15 t•obr.es... On!, ~II qu.onhty lf;'tt. BU T~clont luxury se.ota. blue (16 6oubtu. $7c.am1>r, U.4 1/d)l,U. [$ llmng ChOf{I., ...... A('y qua.n ticy, C.sl> no ctieq_o.1e,. wo•LDWIDE INTRODUCTIONI RM9 lot 1111,hw dt.ttds: lit oc«Jl-1, wHcbcran. flk. - SAK .. K•tm•." TIie Gol

TYPE SIZES WSINGYOURBAIR? AV AILABL£ I_N Cont.<11t.;il111>dlt1g H.ul3!:i02.t4ot?.>70~:)l! 7 :_-,,;,.,_ AND .CLUB CALENDAR HEADINGS Pholo Publi~ity Prints Ch.a~• tl!,ol\ tepr:i.-cind mMp(r.t(. 11.0I. AYOl!Oblit Of't-.Ofil)ut9'(1di,•of pope, ho111, ts io, $00 10N ii 3" Son;1ptn ♦nJ p;iu L.'1 Or. rta•1O1, writ1.,_tflon•111,colo~ _ WAWR PROIJUC110HS, U Ml)({ sf_, lONOOfrt iii.I Ttf;01-6361550 Oppo.lt. "'"'" ~c,e, Tow., Toti"1 GI, for ~nd SJ. & Wottitt S:! , RECORD 10pt. bold cops 76p. pet Hne. EXPORT SERVICE Appro)I. 17 '8tters ond 1 0 REGENCY s.peces to the line. BlllPOSTING :,.~:s& '~JtJXsr r~ff(i~ You C,,f'I M'"'1 vou, ldffl oar,• c-,r V K,), S•IWI tor 1;ift. 88p. per ltne. fttft.htfKlfhS.I.M, Th•flil;tion• Spe~y r♦tu,n sen,ice All 12pt. condensed OitlfKI ..Nicll fOf all llllfS. t~rd.s ,upplied pOSt l,et Apptox. 18 retters and F,.. dttai.l• from: 1.1BeY'& £}(PORT &&IVICE. CAPTAIN SILVER spaces to line. the. S.I.M. (Ml/ YI, &t1ot1n1&1 ttou&e .t&:,l Soho Ro.ad, ltl'Mi"8'-iat111 21 1-4pt. condensed £1.00 per fine. Oue,ei,1& Rolld, Read'l'lQ Approx. 18 latte.rs and JANIS CHAPMANN $pace$ to the line. 14pt. bold caps Approx. 12 '8tters and HARRY GOlD£ spaces to the hn&. 18pt. eondeosed ~1.25 per line. App,olC.. 12 leuers and ALAN SIMPSON ,paces to the line. 1Spt. bold caps App(OXi 9 let l8f$ and JOHNSON R. spoclts to th• llne.

INSURANCE f"l~I ','01.11 CIJl "61 •"'II H

SOUNCCITV HIRE SERVICE I Sound Cirtfender, Wern, Gibson,Guitars&Amps. I Fender, Farfisa.Hammond, RMI Pianos&Organs. 1 Hayman and Ludwig Drum I • Kits.PlusShureMik~& ■ all Accessorie~\.,~ ""'p St udio, ■ • "\\.,,r'1;roops&Tours p.._'1r:: .. 1'. fullycatered for■ ;..._1,0"\1.¥ ~P'-~ll4lilOE.l~ ,._ contact BILL HOADE IQIS Cifton,St.,l.ondon £C2P 2JR • SOUND £QUIPMEIIT SOOND [QUIPMEJIT Cnt l•'Md 7p pe:r \-YOrd l.E.til( STEllEO i't amp1iOer (10 MAURICE PLACQUET (Trade 9p) wan ic) £U, l L~3.k h ndv;1ch INTERNATIONAL .IIIIIPLIFICATION SYSTEMS f .J>eak~r11. u :, t'J!Ch All in t~llk A &nTaR prl1;9 patil tor drums 'Wi'o,o,d cablll~U. UtUJl:IT._eo, - Mr ilnd -,II COH IIOrk s. - 'fclqihone NAHACElt:TOHY NOaLE P H k . $3$ 5(114.. lll)J tilll~ Ol-223 1050, Ot .21$: 4ill3. MAJtSHALL/FENDlll .:md ;a.I I NEW ANH. &- CABS. go,od 8 i,b.f)s 1''antccf, - DIIY 31$ ALL ORUM KITS w anted fo.r tltO .S.LAV'U t1t, 4'3f . tWenlnr n s 4~11e, C!iSh . - 3SS 4630 , (lf,O $oli.4 'I' , Ols .. ,-, tl40 MA RSHALL 50 11.m.P. ettcUcµit ALL c;;ooo Qutf.hy drums / Cito 'C' COlt.• ,ot, UfO condUfon, td, Vox T -100 C-41Wfl t'( , llC:C~&ortu PUtC'basNl for e;tth. , , U OS ltlt $f A(IC$ U90 D ll)lll<-ta, e:te11t 1c n t, tUO - U R11.twl1.Sh A-vl'n ue, t h l(JIJ\I 22.IJ, 1)1(1 , l)~ flt) b l.f1:l.t. t&~~ ,st&~, t•!i ODO - 22'9 4·H11/2 485 235 2 PAlOO $EL"I-R ua SOw. new. .£4~ - PA■Mll.fl, LUDWIG or almUa r Phil, Q1•l&.$ J30(! Ot..t) 9 l ltliJ. lscoov!ftt~:':1 ':c~:1111 Uo) ♦, ,::,~~~~~~ _zi~~J~"~: PUMA SERIES 3 SO UND EQUIPMENT 01·801 419' s1r~~erf~::;•-:t.~:~•·n;.!°";~ f------1f------=;:;;;;;.;;;;;;;:;;;;:~;::~ UM,ld bargi.llOt BRITISH MADE AND GUARANTEED INSTRUMEJIT REPAIRS Av¾~,.-:;:,':/."';;. ~d eymbau, A s,gn(hcallt aj°vanoe fn sound equipment technology. VIC O' BRIEN cues-. .Boldall, f>uma equipment offe,s you quality, reliability plus 9p per' word U.S. type- 1.1n whe~~. direct sak,t prices. A lliAUTIFUL J OA. Overbaou. VIC O' BRIEM, 1U9U ) , 01re,. moore-randal I R-el ae4ue.rfog. S-1 d.i~ b)· • P· LudwJ,: ao. BeY-crley Rogers, etc. Professional l>OJ.ntment. Saxoph4ne. I wqQd• AlJ acc:4,sortes. Stave amplifie,s amplifien Speakers • lndi I bnit$. - KIN TOOTELL. VIC O'■ Rl liN , 88 N~ o.x.rora SOw £20. 12 60w £30.4 7 12" 60w .. £8.62 LE.$4. IE .VANS, 211 Colncy Street, W.C.1 UP. uorm.,, U · ORGAN SERVICE CENTRE 100w £23.67 100w £41.9 7 12" 100w £22.42 Natch Lane, Lond on. .Nl ,1, 01, cbang:¢1, l:t-t. ,o yq,:s, - q1.530 3-68 un. ~•· e Expert repairs and overhauls to organs and 200w £35.07 200w £63.47 18" 100w £22.42 ACCORDION fl:liPAUll C'atTJed Z.'f'LOJIAN UR.GAINS. - 0142:S AU output ratings RMS conllnuous. 12•month guaran• ~~Tou:l ovc-~"f anl':c!:::t!i'; 41114, 0! 423. 10:St. tone cabinets. 1ee. Natioowid& despatch service. Compcetiensive }~e~nJ1 \f~:!.'?-1n,1t:'J::~:: --=DR-U"M=s·w=AN"'tm=.-- e M odifications, splits, etc. brochure, Sp stamp, 0 1:.1:· M!?!tn~/'i11~fi~~~n?'r~~: e A ccessories, speakers, components. Old and now c::u.stomet:S please note new addtes$: Durtrn,m. 'n d . Aycliff• 1$7$1, SONIC SYSTEMS. 18 Farnborough Str•et ALL GUITAR Repa.lrs, reJret• 187A HIGH STREET. NEW MALDEN North f arnborough. H.ants, Farnborough 49 043 ~~~11,bi;,, ~tX~iimstter~J,:::'. l1 Creat Puu,n,y ~treet. WI. SURREY. 01-942 8766 Cell•rs by • ppolntm•nt ll8Gent 31~1.

-TTS. EM, ARSHA & SOUND CITY AMPLIFICATION IN STOCK MAIN AGENTS FOA OIUMS MAASHAU. 100--wot! A.mp .• P'REMIEA Hf.fl Sroort O,v1t11 1110"°90"'1 LIO ~$11All SO.watt A.fflp. ICEU.-Y100wPA f ,-...,..,c•~ VMO y,'\,w ~$(:hi,;1)'$Co1hli~ ~ wfffi -fl>.>al ,tfMIH ioyol AH Sftot. Oruffi, ~!'- MARSH.Ml 4.Jtl2 ux,.. .,,.ll!I , ... .. • •~ boe41to !bclu1 '$/idi:'"""P" t1is 1t1U/Mld"o"' _..,.'°"' ...... US poo1I , , , 111 MAltSHAt.L 1•18 ~1i1ndbu1tff... UYINGSfONf.~ eo ... m.,, Cl#·"'•r•\d WEN, (!WO ...... 0'¥! o.,,.11rc.. a. n o!. w..1i. SOUND CITY AMPLIFICATION l"tl.WER Royol A~ $no,- Of'\lrn, oquo 0 , 11on.O-• flll.,t_ ,._ ,..~... st,:,,.1yi,,,.. c.•• Of>ro,,o wo hi1111 i.•pt,,cS•loo11! ., .. • ..... U t A BSOLUTEl Y THE LOWEST PRICES IN LONDON FENOflt lolf.fflOII Cobine:1 ... SftMaTlt\lt40UtltC> T.. l nl hlllJ· .....,1, -.,..itfb, HiliG:OTIIOMbo. Ocnioh """'OllpotfH loc$ /ff f,Ur,\#,S.YfATISOi.K.0.JCIJY UO...-p•. , t" '69.,0 Tlll(QM~Ot\11'1111,.,P'Gli . . '12 Sll2x15 ...... bi,Eml, ..nOl~J, 90 P•_,.,.• o.e,u,ut1 f.fl) R.d:.otdf,- 1147!0 , (lU 1 S0UNOCITY4a l 21N:l> (.oo., - '69.90 OlYMPICNew f ,oS.-.0,..DNm, IOxA ... i i BURMAN JOO.wott Amp. .~, ,. WtM.PA IOOAmp-..o• ...· •co.. '- i.c,n, w.lh~ Nn,SU...1'1$-WJ,ffi 100._1t,A:Sy1,_.,., $0U~Cln' ?00,,_,p•, MW ffl,,O OlYMl'IC S.--. Dn u11, wh.1,.Hlt t13. ,o~ t ,,,w,;o,,-..;01 ..,,011 US kt.J1 b 12C"Mfl1wllfl $0w lt.O. ~CUO $◊UNO OTY' nowr; .....,.,,. • • - (1'.to PREMIUTo..,.1'o-i l-'118, ,,,tp0rl.:lct CU OUIT.US S / H..Sh,,.MS.WATI:5 s.,,., llo, 2 C::Ool<1~,wMI "-'• 1>V,l$11A1l l(l~ -'I i.od~tt1d-'dl S '40 l()O..woa~,-,;1.. u d"'°"' l:25(1,o . ms $0\INPClf'l'A,;ll lit.to 8ROA.DWAY Tom,,Jom 16d 6, w"- wo1,wt,3• vcilh,' oid, do~ C:U 01>4 $ / H 1"lc•OllhO-11.V••••.....,.. ~...,._ tAO w.,1,.s..,.11, f,.fltelo., Yolu-. YER Jo.n Ttlkoate• ond Pt1td1ion HI WATI A.e ll: IMO 0 111 Co""'-, ,..w fff. .00 OI.YMf'tCN.tw El'Olou DMl'I, 11"~ lo11•1intlo.,... ,...,,.o0P'l,.Mo. SPECIAL NOTICE ,mO(t;Jo t.un...... "•tr •Ot• o nil • .,.,.,.;. o,d,, 1,o,.1' pofbol ,e.., o-r,, J,n,11,. Cubi!Wtlo~J $nore0ruffl,"1ff\'ndy ...... , '6.S fl'INiON!U.aJ1i119, "'-,willh00M.. £70 ...&-, ... b'>d~• n- - ... - ca.sh or h.p. - don' t m tSs 1h,s grMt opportunfty - offer c.lose.$ MAISH.All 50,wo:tt P.A. l)'ltt •, 2.d2 lA~ I 2·-.1ln9, t'I_...... '4 9AI CoW,.1w~SO.-a H.D.~- tt•O ,W•«•ioqonhl.. ,P AY•OHOS., ovember th Cofflt0vt il'tlHtl•• •Ml11"'°"'io9 O,WOU (l.(lri< l'wlllO ,,, , • , , •..£600 6 >cl: 8tod -"' blo- ;...1 11? • ,Ujlfldi(oy~ THf COM,-lfrl GIOUP SERVJC( - CH0n TEl'MS - fRff COfFH - GAS SIIVIC( 160o THI HOAOWAY, WEST EALING, W.13, 01 •.S67 0212, 0 1-519 2194 FROM '-ANX., JIM AHP UkCIJ: llH.1£ - '24-l+OVI lHEl'ttONf SUVIC! Page 62-MELOOY MAKER, November J3, 1971 - BILL W£LSONTH~ig,:,';o LEWINGTON lor the Pr'ofeujonol LIMITED PICATO STRINGS UU'RA U0HT Nilo.1.1.17 UGHl Mo. 11 MIDIUM Ne. P1.SO 1111,,trot+d vox l~11~~~~:Hi AMllfl ,Aat 11.60 inc:. P,T, "'hl, 01•240 ... SOUND LTD. -fl>-:,,. 11.0 • 5 ~ •U cit,.' SATUilOAY. . .-.~•.:.';:;;:;.:r ...... ,...... "· - PRE~l~(NT ALTO 1,1xo,HONH YAMAHA To,.fl, ...,,..,co.,.H till lUCTROMATIC \ IA~~~lS 9 Gee's Court, W .1 SflMJlt 1M, 'JI. m,,_ub'M U20 waEWOUNlf - • {oi,o 801\d Si Tube} C04Jf~ PoNl, n••tb 00 ,.,,.,,,_ ...... _.., .:!!" ' . ~ ~ ,• •• £118 MIJ:flNtt.4.NOOt.ASl,,.id,iilk•i~ ..... u, S"inr,.i idt,,itififrd Tel. 0,.493 8738 QNGlOIM,. nido•I~- ... UO &, ~ ~ ~(Q:.6 W....:f • l • ' • f"'l,.•t-~,,,,,,..,ltff,~_,-dliwt S.H;..(fl~~l::~~:NQ t2d fo, l~IO •;.IW)-'\M, AMPLIFICATION Y~h11f1,,-w,~..,_•, t20II A/1,fri,p~ilclMcl,olfr ' ---.:.. • Dt;FIANT 100w complete U,3.SO ,ufftTOltcA,M,0,._,wj»ffi .tl,2<1 ~MUSICfflllNGSUd. :,; 7"- ', WOODS ~Wll sa-.otCMMM't$fON ,uOCH(~ .... tn '= •• . ,s.i, M4N,w,o,..cH·,_,, .....111 1 IISTIIUMEIITS FOR SW: INSTRUMENTS FOR SALE INSTRUMMS FOR SW: MIDAS tOOw AJl. pur, NQfU,U,NDY Po,io, .,• .,. .. U1 pose Amp. 6 R$Y.,b (99...50 M()lllt,plo,11.,!l.... u, P A 100..... Amp. Wl!tl El>OWAt:lA,Olfln•• t,o ~ llhrvatb ... , ,., f110.00 :o~.u~slT,~••o~·~~~:. f:~ ''-,.,._, IIY fOCUS 100 Un-ttour~ NOB(lT of Parlo HIRE C.oh,1mt1s •••.••••••••••• £120.00 11to.-bl1pn(otel~1tef 01-942 0178 GUITARS ---"O....S'r C60.27 ...... to.... ~OI' ..... , ~g ~2 111:!::il'l'~~!;~l\9 c••• ...... '"3.79 COUE$NON,..Mo, ,;ei M:,r-" fflNII, VG 4 eas, fnc1uchn9 ...... 11•2 c,s...... _ £68.18 GtMtlNN~Of,-,<~- ...f..06 VG 8 includ,ng c, ...... 'tAMIMA•ocloot-21N,n•••co!J1111w '68 SG WO ;!'>eluding CIH Cfia.lt llG'NAlOHE,.1><.w,~ UI SG 200 Bau. Including $fttf'HfUt, __,r,fj...,..f µ~ cu• ....,. TIUMHli YAM,+JC,l\,,eclln•..,...... ,.,.,.,,.,_. .Sl2l ORGANS OlOSAl)l....,$$AOOlt,0tt.-..... Ul ~lt!Al.. -..,_...... MO OUlCCl'f'-'Otl,r.w ...... '36 ILWINGTO!i."o',;-='ii= U:1 ""M.AAA.,...tw,'t'AM,t,,tt4'b'!;.'9-,,. ._,_....,,.. n,w, «1... Ol•u,, »11'f*NAflON,t,.tu./lt-,o•Mw UOO ll'lg: Stool COUltT01$--Ull2•.- t86 1956 LES PAUL 801rd ...... £1580.00 f:,M.l.M,/fTona,,._...,....,..p1,,,1o 18,t u..K:ibli' u.l Wood r,11,t,h , ~ilt- ts7ll - PMnt: 748 7'217 ~n,lmsy,:~:n:POJ,~~~ ~':f:,~1n9 .. ~~~.'.... ~.~. . maoo ALPAT DEALERS CORlN?HIAN ,Ort•bl1 • 11 1•1.UIJIUTLU toM, WOOlW..,.., S il'IQI& Manuel . £1-42.00 ..,.,h..,.__,o,.. '61"ll U...o.•i-Oo.-blt~O.,,.£l2S.0Q RANG£ OF ACC£$SORIES AND TERRY WALSH & BOBBY KEVIN LTD. HIRl PURCHASE fACILmts 6 .. HA.DOON ROAD (off High St,eel). SUTTON, 01 6'2 2838 ~=~~~.:::·:::::::~ ~ AVAJLABL£ $.o,h., ...... ,._ ~.... ·-··- d'V.$0 "2/"'"" UPPER:TOOTINGROA.0 , SW 17, 0 1 677 3997 tcot,,....,._;11G,,110, Ht.JO .,,...... 1~ .. .. 112,$0 TOOTING SUTTON NORBURY ~WllffiWAtt ...... U(> .0-'ll'dlW.PACT- ••• fAO MUSIC CENTRE l (lf).'-"wt,t;, '70 vox. '9,,f,fSorio,. c.t,, boro....__ uo 10(),.... V()l:P/, '41 StJ~"-'t,21'(tlhllo61ftl.l~tM••··...... --1 11S fllf\lltAM,,'2$(.oM .... ,.. C:U Cl,!11.0°"°_..."_· ...... _ ,.&.lU """'r""""''oo.,,,,,s10(lr,'"""" u,., fNtt()Hf ,o• Ot WM OM•- ·- - · Ul N-l(EUYIOOSl~ nss ..... ~o,.c.n ,.. M•~•M .. uo "'-UUYSOA,. , .• US M-~~wbl•>"'-"TMt U♦ ffNOE,l ,_r1n.,, h"'! lo•.,...,~ Q!S MowSVMNQ.$,C, C:tPl' Ml RNOEI: Jou 1,i.o,.• o11o .. 1 .. aoo M.... tunigkit. • ~.-. ~,. tSH ffNOEltt.i.co.,-, t•H N...,l'Nlto4t!A•O,.,.Q. tff Ne,. OIHON 3:lO. at• l/H 1t0ous 1u.s.A.1. ruo HIJ:MON'Yff7.S. &S1 OI.D0o.... 8oM.. tlS HAft,.-op,q 12-•"""'e ... •••.••.••••.• £4S Classified advertisements under the Ol:UMS- t.AltG£S8.ICTION New AHO S!C()NOHANOq'tS ANO A(ct$$01t1E$ headings MOBILE DISCOTHEQUES, HI-Fl & DISCO EQUIPMENT HIRE PURCHASE-PAllT EXCHANGE-EASY PARKING ALL INSTRUMENTS WANTED FOR CASH and LIGHTING EQUIPMENT will be found on page 46

simms-watts SUPER GROUPERS 12-STRltG GUITARS B & M "Mave.!i!;I<' £211. 75 ----IIOT-~W-----11 ~":~... :::::::::::: ~!~:~~ - ---===----11 Haw!< ...... £40:oo Yamaha ...... , £52.60 Eko de lu.xa ...... £57.50 Yamakl ...... , £61.3~ G. SCARTH LTD. KEN HENSLEY of 55 Charing Ctoss Road II London. W .C,2 URIAH HEEP 01-437 n41 MMS-WATTS SUPER V OIIC!n ditity 9.3(J.5 16 ACCESSORIES LIKE: POTENTIAL SUPERGROUPERS NEW BLUESBENOER ULTRA LIGHT BROCHURE TOKEN STRINGS •"sus~dt.J,~Htnilf'ri BOSS BASS STRINGS NAME HEAVY ROCK ORUM STIX ADDRESS L.M.300 MICROPHONES S.W.4000 MICROPHONES CONDENSER MIC. KllS NEO CALLAN HANO-BUILT GUITARS SIMMS.WATTS LTD. 20 SOUTH EALING ROAO LONliON,W.5 AND FOR THE LUCKY LAOS IN LANCASHIRE THE GREAT MUSICIANS' SHOP DAWSONS OF WARRINGTON HAVE ORGANISED 2 SIGHT & SOUND NIGHTS FOR YOU TO COME ALO!"G AND MEET THE SIMMS - WATTS TEAM ANO TRY THE GEAR. Ned Collon NEW 110USED himself will be there to show you the range of his hand•buil1 Guitars as used by Superstars like SQUARE DEALS!! JOHN ENTWHISTLE OF THE WHO ! Yessirree, folks, we got some real beauties MONDAY, 151h NOVEMBER ORIU. HALL, WIGAN } 2 Pm and some old bangers ... So drop on by, TUESDAY, 161h NOVEMBER. PAAR HALL, WARRINGTON 10~.m, y'hear? ·M.M. NULLI L W. HUNT DRUM CO. LTD. DAWSON$+ SIMMS-WATTS+ NED CALLAN 101 II ARhH Slntet. ShaflHbary A...,.ue OUCH!!! YOU JUST GOTTA BE THERE!! Loa.ton. W.I ('"1 ol Whtclmlll Th-) SECUNDUS GER 8911 / 2/3 MELOOV MAKER, November J 3, l 971-Paa~ &:I WE SELL , jet' Selmer f'r•i, Jfl DRUMS Musical Instruments Ltd. 114-116 Choring Cron ltood, W. C.2 . 01-240 338 and back our sales with the finest aher• Ojlotn 9 30-6 W o t 'l.ky~. All doy SO'!,. sales service. All colours and sizes and "STILL THE BIGGEST STILL THE BEST", MUSICAL INSTRUMENTS fullest range of accessories stocked. IIKl(CNIM;I(._ 1- •IU.Aic. ,.s GlHTARS ;:!~.:.,."':.·;.• ,,-. :...... fil::: ...... ll1C1C.l-..1AtK1a $ P/1>, CW Nt ...... , £166,00 l'tilOlt0-!1>1i ....._,o1c:c, l1'9 F1NOO ~It.• ..... ,_.... 1••n , ,. u so.... . • , uo BARITONE SAXOPHONE Buescher G.l, £115.00 ,lNQU. ».,,o1c,.. • ..., ,ou...... as . lit.MU Ck>II...._ Gobi-, ...... RNOfll.&,,,,,,-r..:..._i...... ,1n 1°'"• '::'..: .:;~:,... 1;-=:: ::'Wo~...... 'j flHObl...... ~lol°'" 1o-... •OM"" ..,,. _., ...... c» BARITONE SAXOPHONE Buescher S,P, £89.50 ftNOON.DpJ.-...... ~$ttol.. - flSS v•'""' ····••¥•• ······ .. , .'14.J VOA r-..,..._,;.., c.w..., . . . . CU ~ou,.1"0,i.,ao1,...... tllO Al_,.,,...... , HATM.AN 1(11'S ..... n.u.o, Rld UIUOUH-CONWA ~·• ~ , wlltl~ , __. U1CU)Q Glt$0Jf 17$0, .....,_.,nt , U,00 I OflOAHI s.,p,..,.., _ _. C91 f't'IU' WJP:DU' nu ·-~o, fAT'WOAO nu. tno Ml!. V11.d.,_,.., I_A, __..,ttn tias~ CIUQN ~, · -• ...... , ,.iq. t l20 CHAS. £, FOOTE LTO. CI-.SON s:-t.c5.:r.0 ...... r-o.,1"'. ....'"°'. no· . .. .tl,S'"'' f!N.9SO,.~,...-g1,1.-. , U2.S - • VI hn• ~ • .,...... , V'f( SUO GUllO 51.... JI,.._ .... , . . . • f.H 09SQHS0Si,t,#,,,..,. .&"lft BRASS :::=-~:;:. ••.•.· : ...... : f'k i ~~~ toHN 10M 1--,, •• ,.,w U.i,o 17 Golden Squcrre, W.1. 01-437 1811 OV!\D TIOO. "*..,._, ,-.,..,._. POIHSY\VANIA , - . • ""'con.US OIISON $4 S..ndo,d, """' a,o & RHOS. ,..... HNN.ITiVANIA ...... , '4,w A '1~ OIISON I., .. M.4-lollr-.l.t,, ·$ &:12S :c:. •;.~N,.I '~.·. ' .. '.~ ct:: _, ,., 'rAMAKA ftUMNf, .. - • · • •• • , • • JH tTO ?cclt it! G1ttt$CN O/ AMl•eroo,y,-9:,ocl en SIIMla Pl VILU TI.UMl'Q • • • • • • • • • • • • •• •• • ·-..oo fARflSA Compac:_t, sin_gle monuol, v.g~c, SJ U (l.t t l$CHl••f'oitl,1'tolly.olof ••• &Ill I I ~11, IUO't Mbelt t1lU-.:'t , , •, , ta0.90~ EST S I Y£'AAS•-----~ Cttf$Gtt eo.-., GoM., 1-oc. . U.U I,• H. MOOU 1t ftUll'Pfl . , • • •• , t,U.00 GttMS .....W (;,$~ . Mod,ollcol_,. tn OU)$ Ulll'tOAIIO n•l'n , ...... U0.00 l,\AtllN O ,t, H•-UM.. ••• £2.fl ltSSON 1'1:t.!M,C, , ••••• U0.00 All GOOD GUITARS, DRUM KITS, AMPUFIERS, lrllA*llMOtt. ~• £Hf-. . UU (ll)Nlil •• 1l\lMH.T U&.00 SPEAKER CABINm & INSTRUMENTS WANTED NIW AMf'I- I IGOISCOUNf'S 11"-• nlOMAS"' Cll'l',.'6. 100 • . ..I-MIi U2 ,c,,,40,1 ,.!f'i.;,.. lcn,. ,..,.,., ,,_.s,10 "'"-!'W• • .. •• •.• • ••• ••• '11'0 $0UNOCffV, . A. 200 ~ t109 GIJ.\(I)'< i 1 0 . oo .... ~no Whl a..,,1.,;_.., ' ~ ,. 4 ,..,._ _... '1» SOUN!>CffYC~. •. . u» Ett C..M)"4 !tO.ltO ,,.,. U60 Wt"I 14 Cob, ~" ti .,., '100 ~~~~t~.-~~· ~ 11~,~_-=.-=.-=.-=.-=.-=,-=,-=,-=.-=,:~-;-;-=--=--=.:~-;.-=--;~-;.-;-;-;.~-;~~;-;~~~;-- M.AASMAU.1(1()~ .... ~ USO ...... ' ~ ,i~ (TTY ·,~= '<::!l 5',l,f ~ ., U OS !,OV"II) (Of<'.,,. ( Ob. ~!" US ANO-HIWAl'f - a.Msuo NlO CitlV."' ~ ·- •••••• • n» 'SC\NP C!IY (oe~... ( 11h.-.,. u..ov.-...., Je.p. - ••4- S9♦ •- • • • •• U21 MMiHAU ,oo..,... ~k•t.,_ .HOS ~ ■ M,IC,WIN ll\ll>f 9,,.., loo•••"' ' ,1.111,.-.d.WATT!. l .. 1>1K>C.,O._.C06, M...UKAll IOO P A.,co.•p ..tOi l!~n~e!tl~•B~r~!! A,(1-,I • • ti~ .,.., • . . . • ",. _____ ------wtM 2.:lj (.ob.,o«d «o ::)~ j\i"'6fto•Vi Cop.-.1, •h- t70 ,S, YM$ ·WA1Tn 11)'M)I! ..... ( On• wtw. 11o... o, lOC,..,..,t,o,.. £ST C.i:flSCM C~otn~ '70 Ultlt; ,,,., t.US vcx~-p11,.. ..sns is pl&ascd to announce a new det1Very ot ;£"0lll .... c-...... UI \ 1W..,S,WA"$- ' f41t\t qo ,,_ UO •11>,JSI 1,.,,.,., »- $ ·14 • ,1>1 "lltlhott4 • •• • • . ••• ,no l .. IJ;l,oc.\ Gcl,t '1$ ..o, •...... uo FULL RANGE OF J UMBO. FO~K&1:i:7tri; \IM....SWll ll\ .,,,II"" • ,. llCut,_ !'tt.,.lr.lf. 11A'<"'"N A"lb Y•MAl'lA kits. A- ,odx,..J • S110 11•uTO()( GUITARS All specially selected end carefully checked from: 11 'fllt ,tlAIR,1.N'I~ JtlV!t.lf'E,V'l'HE 56 RATHBONE. PLACE., l ONOON W 1P 1Aa. TR. OHl38 1'81 KENNARDS86 NOB111DOWH BOAD, CLIFTONVILLE f!,f; :,~i:: ~!~:!~ ~~~!:~~b~A~~~!~aE: !~At;~ MARGATE, fCENT. Tel. 'lhanet %3205

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'N~ ('At& Wl'IH ¢,m'IMr , , ,111,11 DAl-l ARMSTRONG GUilARS AND BASSES r-,11 •:>'(!♦ :I. V.iM,0-NO • ...,...... ,.,.;, CARLSBRO SOUND CENTRE t.1♦! aW.o •11:t1. lbl1 SMALL QUANTITY AVAILABLE S-7 Station Street, Monshold ...... r.... c.t full ...._ COll,e.ie. l)J Toi. Mansfield 26976 t,.;J~ ~1~c;.....1-.! c~~.. ~ •~ Q,.,-,, .,.,.,,,. .,...,. ....,,!,d,•- to.Ill ...r.. , )(.04d.,,...1...... ,.., 1..... "*'•'t t,o,,-,111 nt• UIO s..- $"1JO #lll .,\CCf\~!t.S!M$fOC11: 1 , ~ 't!N01111o Cu\llO•• «t•il""°"' ti ,-,1-t, 11" \f"t$9f\ 7 !0 ' ~ ...... -1 2' _, ..,._ •• • , • , 12:>0 ttlll.,.,. 4 ♦-. • •--6.-~!,. VO• t. C. 31h ~ t,,o,,,ol ,,_ '1U - w,, •...... St2J '°" PifMIE:I lli•• _.._.,. •IWlltn lfofO C~.$ ,..,. >•Y"'s.-'""#,.11$ IOf Ai, " "P &9♦ ,,,....; 1,1,1,..p,,·,.111 10::, "'"" ..,, Af81t~ 4 d• •""-'"•~l•I t60 M.\!;,;,.w. u-, 2 . 10- c-i...... ,..,n~ . • • l~S •N ..'f MAl'I IUI> '""":/~11 C,,.t,.,100~ ,...., sou-.o c:,,v :I) -· ... ~ uo ""''' """l'ld....,,.i,,<1~ "'"'" Nll M/tll t>,~11l11,o10,1 1.11 ...,,.., .,, M6ksi-16Ll ~ - t • IV Col> • • l:1t0 A,,,,1(-"""""'"· c:",... ""' ~ llt'A loto,,9 :, .4 ~ 11'~ ,...('II_ "<• , ~• 11i, 0MHCt'l• l t' ...11 C....,mtnt :.. l).aid, ...... &70 _WfJ,, P.A. l ~ .,,.p,~. S♦S S STOKE FIHDS·GUllDFORD•SURk£Y. TEl: 75928 STOP PRESS ! ! ANDERTONS ELECTRONICS DIVISION GOING FULL BLAST! EXPRESS AMP & ORGAN R£PAIRS DISCO GEAR - LIGHT EQUIPMENT SPEAKERS - SPARE BITS, nc. AU 11t .1'2 ~tok• ,i.w, <;>pp01 lte o..,, ••""'II $hop hi Qgllcfl'Qrd 66211 IM...,lc. Olvl•loftJ Pa&t> 64- MELODY MAKER, November 13, 1971 How do YOU sleep TB MARI: John? HOW JOHN LENNOl•. a cry from sleeps with so mueh blt1 te.mess in him agaillSl MC• Ctut-noy l'U never know The sooner these two men stop acting like schoolboy the heart and recognise each other udq:nts tor what th~ an. tM better for music, Gooc. music may have to be emo• lional, but surely hatE' from Melanie d6csn·t have to be the emotion. - JOHN HOLT, AM A great fan of T. Rex as many other Backmark Road, ROsyth, I Flf.,_ Write to Melody Maker, 161 Fleet teenagers. Like most gil'ts I think M an: • LI' Wll'iNER Street. London, EC4P 4AA. Yo11 could Bolan is great. HOW the (an,; of T. Re~ ho\le win your favourite. album. A few days ago I went to $Hone of their gigs in ::~:c1; !!.ft t:;~?' b~i :: Cardiff. We paid 60p for a" hour's entertai~nt. au(Uencc Ms changed - from. the rest wa., taken up with roeorc:ts and interval$. quiet l!PS>rcciative ha.iriu to unruly toud p.c,ClJ>le ready to Marc came Ofl waving, dancing, and puflill9 lots of pounce ()n Mire Bolan and orotHque faces. tear him ilJm,rt. These pt!oplo He played two S<>'Os and lM sPottight never ktft JhOllld ~ thr()wn w.t of the window. ·Race and rock, him. H• f'Mlr~am Road, H"inever re.ad:itLf~ the Micky howew,- rarely ever had the spotl{ght on L~ RFA't. Y TO lettel"$ aecus-• M.M. (particu• cont1·nued him and he was forev0< waving f'1. hi$ fans. This io& c.crtAin musicians- to be only goes to prove in my opinion. that Marc is C.Opi1atiS-ts: A mu9Jdat1'$. larly Valerie priv'a.te Jife has not.bi~ to do Wilmer's arti• Ju$t In pop for fame and money, he.. s lo$t a,ff hi:s '4'ith his job, w~ the spec-- cles) or is he tru& feelings and is being sold, He's rurrin!jt out torward to th~ of lyrics for hit, songs and sick to death of hearing ~~;d ~md ~ m!~c ~; so colour olind that he da.y when pJ.ayt at'ld no:t his priv'Jlte lifo. does not notice that Ne­ an arrogant white writer hi$_,._ So what ir J<>b.n 1,cr,non hna explodes the myth that Jazz. Why can't they fade-away from the PoP scone fo, a Rolls c>r Mooa has a -sump­ gro musicians gel a fair was frw:n the btothe1s ot tuOU$ cou ntry Hollst-? amount of space? Fur• New Orleany Sime~ Trallwn, l'l'Ul.sk d\e)' play, try '° un• _ London. NWI. Pontypr-idd, Glamorgan. derstand the m~e ttiey unfair amount of credit are sending ()Ut oo yov - for jazz and its off­ CHRlS GORDON. Chemtn WE FEEL SORRY tor- MM't C0Uadon 1211 ~eva 28. shoots. Rlehatd Williams, bul m◊rf! Swltr,erla.i,d.0 $Otry tor the lln(IC(:ier·scustQm Car: you get the givett to 1be tuditinc•. How i~ndir,t t.50 °'ind, CIOO on !\ many OM&fnA1 m$@e:n art equipment plus 0.50 a Umc (et,I un,;arn1shed truth aboutVauxtiall'$ 9 ~ there left fn f.ht O)'rd&. LOve, on LP'-, - tb,ey'n: ClbViO~ly Firenu, 2000. You ge:t a how•to•dO-il F.atrporu or _ Jethro? - guide tocllanging yoor gear ratios. You £\"£NTS SECRETARY. Sau.th• f~ig s~~r more cardul with get sizzling news frorn the buggy l\nd ampton. Ua1Vf'f'Sl1y. You're told 10 ttffl your dragster scene. Vov get the lowdown )l'Ou plafU<: with revterence; swre , ne-edtobuyyo-u,seUan lmpandbteathe l HAD LONG des.~ed of vertkall,y, ketp away tr<>ro hie into ft, And i:oomyCt1ve Skihoo, World findina «nyone else who r~ted Record Ho1tfer of lhe s1..nding l EGG one of the best bends. I howi11st1nd llOwlt'sgoir.g tobe! will uy to put Dave- Jeffrey's Ptusplu$plus. mind as. rat by te.llit1g )'OU tN ANSWER to the that 1 thiftk 1hat they are Me Ravu.- query: "b ()f th• most ~J and BUI ()ddle a Ina.st• music.Uy and rbytJunica~ ac­ rat~ rock and n>(Je.r? (i~~ -robatic bands rve ever beard , • , tho a.oswu it .. Yff," And be l$ also ;;.~~1~1!-ro:. Cath• a f-NS~led JaJme Rob~ Rand)' Newmu., Nell Younr ~ ud ma,oy otbers - Occembe-r Issue Out Now! and come. to lhtftk of For buggympnia<:$, -cl'\Oppernauts, k, he 1:1 alto Ju•« and tweak -frea,ks e•.,erywhere. plaln fnutrated. And ~t,oot Ho.,~G,Ol/flPul;ltC,Ulofl with r.ason - when WJU. the BBC stop coming soon gpOilini .bis nice $0M,Q5 With tho~ •fllr of.e:turn? FOLK GUITAR TUTOR ,;\lao. d id: you 1:,,- OICK SAOlElft mu5,lc,.Jovers. know, Fln9.r s1y!e d.a9nm lnstrvcto,, eon1eini"1J s0"1e of th• then I,;; lovely rocl( world's greetes1 me-lOdi$t. Nov 12/13 Mountain & Wishbone Ash and roll, OD the Price 35p Pos11ge Sp "Goodl.s " every From )'OUf klcllt l dnlu ()f & Gordon Haskell week, wbicht d•a 10 8. FB.DMAN & CO. l TD .. 64 DEAN STR!ET lho mlrade of BBC LONDON W 1V 6AU WHY the. hell do record eou-nd. Is u.su.aD.y Nov 14 Mott the Hoople oompanles. .s:tlck price label!t c~tally Jnaudlble? May l fQ.Sittl. Dt:X:I ~o,,:i~eer~fh~b R~:ia;!~i':f. li.m.O the •• Goodits" Stoneground & Peace when it is. but onJy at the Is OQ - c~ ~tlr NOW YO CAN HIRE MUSICASSITTES cost of leaving a ~OX)'. sticky mess all over 1he sfoieve. Also. eye-s- and ap_pty a 1 00s of titles 10 choose ,trom - Pop. Jan. Folk. etc. Nov 19/ 20 Osibisa & Others have 0.1t LP'~ become rcdun­ w:r. ~y:: from less then 1 ½P a~ day e8ch. f'ree brochure from: dl111? 98½ peJ ecol (uaclly) might well pkk u:p or thee re('.(lrdt I ~•ve bou&ht the dJsca.a.t so1mds of SRREO CASSEM LENDING LIBRARY(M ) Nov 23/24 Theoderoakis conducts in u,e la$t year l)avc been Mike Gibbs. C.b.ris Spoddina-. lobn 28 St. ·o~~atan'& Street, Canterbury. Kent Theoderoakis rr•!~~- !~ ~~~~t:~i~_tJy (and Ma,:shaJI. Gary 80yfe I ~ to rcrnt.mbtr one or ar,d • bo,t of other t.h;e MM sratr ¥iVin& praise to '1-•r$! so . • . 'Mly Nov 26 Family & Terry Reid the un,;i,,,atp1'ble water-thin l.$n't ttierc •n LP out Arnetican Ll?'.s and I (OUldrl'I • , • o, even two? agree More. So what about lt - BILL OOOlE (ofl &America Brilith LP manufact11rers? wh•t a &Ive away!). Also far too many LP'$ are manufactured with .flaws io Nov 27 Fairport Convention them (ie scratc-hes and 3niat cavernous pits), t1.ece1"S,itatil\g ~~a;:\t, J~~les,d"':t~. o~~~r:t 'f.nglond's lor9Ht Groovy HolrdrMtini Dec 2/3/4 Leon Russell & Others i~~k t~ill~~t to':tin,,de~3~ valuable- oollectlon wlll suffer •s.toblishm•nt for G-uys and Dolls, lnevocabte damage. recot4 dealer. who probably Ten ye.u-, ago our cheap GUYS. Our •toff o,o flamboyant and re,. Dec 10/11 Frank Zappa & The wHJ refw:e to change them little piay~r! fuzzed out Htved in 1tylin9, cutting, ,.rmlng c.nO !t1~re:!c~~!f- aomethlng ,imHar to wh.at­ colo-.rlng. DOllS. Ou, lodfos' Hction ~fua~~J::1~: )'01.1 h~rd ruu.ed OIU lrOm iAg standards are so htgh. hos ♦ v•rything, Mothers of Invention that ,up,erb ~eco,ds are your TV set.a: on •• Thank Yowr marred by a bloody gr.at pop Lucky $tars." ft_ c.lidn't mA.kt in. tho middle of a quiet any difftr11:nce if o.eovte ( ,~~ :~:e~!~!~t~;~~n ;:en~':~:~~ pasaage.- MIKE MA'TTHEWS, stepped on your records, J;pilt ffuntiog4on RO-lid, Cambd4ce. beer on them, srubbed fa~ Pountne-y's for their Hoirdo~, out on them - they'd suJI 8AR l OUNGE ~~~: i~~;~~c~,~~~i~a3:yt Duffy Powet p,esented by Astra Agency Nov 15 ■ LP WINNER sound the same, Rock Jw basjc a.nd 10t.1gh Woit in comfort in our Btir lounge. lunch•)• T•os, etc. THE MM see.ms very wori;-itd 11nd dirt}', aod when you start 20-24 STAINES ROAD Al G~e,n & Rufus Thomas &Tam; Lynn presented by Blues Soul & Musi~ Review Dec 5 abOur ,. the, of wor,yina abo111 1ne sttte of emaserly the Finsbury Pk Astoria) tickets: £1 .50, £1.25, ti.DO, 75p rock over thtc last few years y(lqr gronvf!$. th~ wh<>lc thint. (St.ate of ~~k 11etfes). Thi$ l()~ts it~ point, - STF.VF, '""'··~.-to""""')po,Io,.,..,,. C,)-(1,J) $~ telephone: 272 2224 232 Seven Sisters: Road London N4 Box office open 12·10pm subject get• almost a& much &.pace. at fa.a.tu.res on the r~:d:!~wu.EdJ lb ~•d, , ...,11.n.: 110 9',S0/7 the dark prince af damner rack Friday 19th. Nov. CITY HALL NEWCASTLE Monday 22nd.Nov. TOWN HALL BIRMINGHAM Thursday 2Sth. Nov GREENS PLAYHOUSE GLASGOW Friday 26th. Nov EMPIRE THEATRE EDINBURGH* Saturday 27th.Nov LEEDS UNIVERSITY Monday 29th. Nov FREE TRADE HALL MANCHESTER

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In concert with GLENN CORNICK's WILD TURKEY .NAZARETH