ITINERARY a by the Spanish Steps, Visit the Colosseum 7:30A.M
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1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Art of Rome, Florence & Paris
11 or 13 days ART OF ROME, FLORENCE & PARIS FACULTY-LED INTERNATIONAL PROGRAMS ABOUT THIS TOUR Europe’s renowned centers of Renaissance art and architecture come alive as you discover Italy and France. Admire amazing frescoes and craftwork at the Sistine Chapel in Vatican City and the Basilica of St. Francis in Assisi, and enjoy an art-themed walking tour in Florence. End in elegant Paris, where you’ll have the chance to explore the masterpieces that line the halls of the Louvre. Through it all, you’ll return home prepared for whatever path lies ahead of you. Beyond photos and stories, new perspectives and glowing confidence, you’ll have something to carry with you for the rest of your life. It could be an inscription you read on the walls of a famous monument, or perhaps a joke you shared with another student from around the world. The fact is, there’s just something transformative about an EF College Study Tour, and it’s different for every traveler. Once you’ve traveled with us, you’ll know exactly what it is for you. DAY 3: Colosseum DAY 4: St. Peter’s Basilica DAY 5: Basilica of St. Francis DAY 6: Florence DAY 3: Taking a break at the Pantheon ART OF ROME, FLORENCE & PARIS 11 or 13 days INCLUDED ON TOUR: OPTIONAL EXCURSIONS: Round-trip airfare Caravaggio Art Tour • Giverny or Auvers-sur-Oise Land transportation Optional excursions let you incorporate additional Hotel and night train accommodations sites and attractions into your itinerary and make the Breakfast daily and select meals most of your time abroad. -
Zaha Hadid the MAXXI Museum of 21St Century Arts, Rome David
Auditorium (2002) which has become a centre for music in Rome, with its three beetle-shaped concert halls arranged around an open-air amphitheatre. The other major architectural intervention in Rome is Richard Meier’s controversial Ara Pacis Museum (2006). So the MAXXI is the third post-Jubilee Year building to make it to construction. Quite an event. They are the first new public works in Rome for over sixty years. “The Eternal City” is the eternal nightmare for anyone trying to build in Rome, unless you are Mussolini, tearing up the housing between Colosseum and Piazza Venezia to make space for your triumphalist military parades, or flattening the huddle of medieval dwellings around St. Peter’s to make way for a road to symbolise reconciliation between Catholicism and Fascism and spoil Bernini’s Baroque surprise: the embrace of his twin colonnades suddenly opening out from crowded buildings. Building anything in Rome is a challenge because the city is a palimpsest of overlapping cities, like an ancient manuscript with layers and layers of inscriptions scratched off its skin, written over or crowded with marginal notes made by different scribes in different centuries. Just imagine: baroque façades, Egyptian obelisks, Renaissance domes, early Christian mosaics, post-unification palazzi and the chaos of noisy traffic everywhere. If you have been to the basilica of San Clemente you will have seen a twelfth-century church built over a fourth-century basilica, above a Roman domus and Zaha Hadid Mythraic temple at street level, ending abruptly at The MAXXI Museum of 21st Century the edge of the excavation where, many feet below Arts, Rome ground level, a wall of rubble at the end of a barrel vault denies the view of the rest of the second David Brancaleone century city. -
Roman Entertainment
Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion ..................................................................................................................... -
GREAT SAINTS and SACRED SITES December 26, 2021 - January 6, 2022
Join Fr. Ray Schmidt and St. John ’ s Summer Program pilgrimage to CHRISTMAS PILGRIMAGE TO ITALY'S GREAT SAINTS AND SACRED SITES December 26, 2021 - January 6, 2022 $3,169 per person from Washington D.C. (IAD) (based on double occupancy) With Spiritual Director: Fr. Ray Schmidt For more information or to register visit: www.pilgrimages.com/francisregis Basilica of Our Lady Help of Christians St. Peter’s Square SAMPLE DAY BY DAY ITINERARY Day 1 | Sat, Dec 26: Depart Dulles Chaplet before heading to the NAC for a Holy Hour, International Airport Confessions and fireworks. Late morning pilgrim Mass at St. John's, then travel to Dulles by charter bus. Fly overnight with meals Day 7 | Fri, Jan 01: Rome - Nettuno - Monte served on board. Cassino - Mugnano del Cardinale - Pompei Depart Rome by 7:30am. Bus to Maria Goretti in Day 2 | Sun, Dec 27: Milan - Turin - Milan Nettuno and then bus to Monte Cassino to visit Ben- Arrive in Milan. Visit the grave of St. Gianna Barret- edict and Scolastica, then to Mugnano del Cardinale ta Mola at the Cemetery of Mesero (based upon ear- to see St. Philomena, then to Pompei to the Madon- ly morning arrival) and then bus to Turin and see na del Rosario Sanctuary and Bl. Bartolo Longo. Frassati, Bosco, Savio. Mass at the Basilica of Our Lady Help of Christians in Turin. Bus back to Milan Day 8 | Sat, Jan 02: Pompei - Pagnani - Saler- for dinner. no - Materdomini - San Giovanni Rotondo Begin the day with St. Alphonsus Liguori in Pagnani Day 3 | Mon, Dec 28: Milan - Pavia - Bologna and then travel to see St. -
A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
EGYPT in ROME (AND BEYOND) JC Zietsman University Of
ACTA CLASSICA LII (2009) 1-21 ISSN 0065-1141 CHAIRPERSON’S ADDRESS • VOORSITTERSREDE CROSSING THE ROMAN FRONTIER: EGYPT IN ROME (AND BEYOND) J.C. Zietsman University of the Free State ABSTRACT A coin issued by Octavian in 27 BC, when he became the Emperor Augustus, pro- claims AEGYPTO CAPTA, ‘Egypt has been captured.’ In actual fact Egyptian culture, architecture, art and religion crossed the Roman frontier and captured the imagination of the Roman world. Apart from Greece, no other country had greater influence over the Romans. The most distinctive evidence of Egyptian presence in Rome is the obelisks. Several of the obelisks exalted the military victories of the pharaohs to whom they were originally dedicated. The Roman emperors, as rulers of Egypt, identified with this use for their own imperialistic and propagandistic purposes. This article will look at the afterlife of some of the most famous obelisks in and beyond the Eternal City after the fall of Rome. Introduction In 264 BC Rome became involved in the First Punic War against Carthage. By the end of this war (241 BC) the Romans found themselves in possession of Sicily, which became the first Roman province. The Third Punic War ended in 146 BC, when the defeated Carthaginian territory became the pro- vince of Africa. Macedonia and Achaea became Roman provinces in the same year. Cunliffe argues that ‘the rise of Rome in the Mediterranean did not lead to a confrontation with Egypt, although the internal quarrels among the mem- bers of the Egyptian dynasty did give Rome some say in the internal matters of Egypt.1 Under the Ptolemies economic and political decay had set in and by the time that Egypt was drawn into the Roman political arena in the second half of the first century BC, the country was in a state of near collapse.’ 1 Cunliffe 1978:232. -
The Soundscape of the Trevi Fountain in Covid-19 Silence Received Jul 15, 2020; Accepted Sep 28, 2020 1 Introduction
Noise Mapp. 2020; 7:212–222 Research Article Enza De Lauro*, Mariarosaria Falanga, and Laura Tedeschini Lalli The soundscape of the Trevi fountain in Covid-19 silence https://doi.org/10.1515/noise-2020-0018 Received Jul 15, 2020; accepted Sep 28, 2020 1 Introduction Abstract: This paper is devoted to the analyses of sound- This paper is about the soundscape of the famous Piazza scape at fontana di Trevi in Rome (Italy) with the aim to Fontana di Trevi in Rome. The piazza itself is a culturally compare its characteristics during the Italian lockdown important place, so that a study of the "sound signature" due to the (Sars-COV2) Covid-19 sanitary emergency and its of the fountain is important for heritage studies. In this pa- characteristics before and after such time. The lockdown per we address the differences that can be objectively mea- has represented an exceptional environment due to the sured in very different situations regarding background silence everywhere, never occurred in centuries, offering noise. the opportunity to recognize the "signature" of the sound At the end of December 2019, in a market of Wuhan in the emitted by the famous Fontana di Trevi and recognize Hubei Province (China), there was a first documented case how it interacts with other features. The signature is im- of anomalous pneumonia, thereafter denominated Covid- portant for preservation issues and cultural heritage. The 19 disease. On January 9, 2020, the Chinese CDC reported soundscape was documented in a field survey by means of that this anomalous pneumonia was due to a new coro- hand held microphones, which acquired simultaneously navirus that was responsible of a Severe Acute Respira- the acoustic wavefield all around the fountain. -
Rome Informational Booklet UCLA
WHAT STUDENTS EXPERIENTIAL ARE SAYING LEARNING ROME TRAVEL STUDY: ROMAN HISTORY ZEHRA ABBAS History and Gender Studies & CLASSICS “As a history major, it was essential to do this study abroad trip, because it contextualized the things I had learned in my classes. It's di$erent to read about the Colosseum, but it's even better to actualy visualize the Colosseum.” GARRETT KAHRE Mechanical Engineering “My favorite part of this program is how the history seems to jump out at you. I remember one day towards the beginning of the program where! we literaly ran into the Pantheon. I mean how do you accidentaly run into one of the most famous Explore the city of Rome and History can quiet the polarizing subject. architectural buildings in the world!” learn about its ancient history and It’s one thing to read of centuries past in a monuments this summer.! textbook, an another to live among the ! city where it all took place.! FRANKLIN Study the politics and culture of SPENCER Rome from its earliest foundations African American on the Palatine hill to the triumph Studies INTERESTED IN LEARNING MORE of the new religion of Christianity, “I joined the Rome Study program because I plan on being FROM A STUDENT’S and the subsequent collapse of an PERSPECTIVE? a professor, and what a better way to get experience than empire almost 1200 years later.! Visit RomeTravelStudy.blogspot.com seeing the ancient ruins for yourself! This way I could explain a history lecture fom my own perspective.” for more information and tips! COURSE CREDITS PROGRAM FEATURES In this program, Rome is your actual classroom. -
Writing Rome
TRAVEL SEMINAR TO ROME JACKIE MURRAY “Writing Rome” (TX201) is a one-credit travel seminar that will introduce students to interdisciplinary perspectives on Rome. “All roads lead to Rome.” This maxim guides our study tour of the Eternal City. In “Writing Rome” students will travel to KAITLIN CURLEY ANDERS, Rome and compare the city constructed in texts with the city constructed of brick, concrete, marble, wood, and metal. This travel seminar will offer tours of the major ancient sites (includ- ing the Fora, the Palatine, the Colosseum, the Pantheon), as well as the Vatican, the major museums, churches and palazzi, Fascist monuments, the Jewish quarter and other locales ripe with the PHOTOS BY: DAN CURLEY, DAN CURLEY, PHOTOS BY: historical and cultural layering that is the city’s hallmark. In addi- OFF-CAMPUS STUDY & EXCHANGES tion, students will keep travel journals and produce a culminat- ing essay (or other written work) about their experiences on the tour, thereby continuing the tradition of writing Rome. WHY ROME? Rome is the Eternal City, a cradle of western culture, and the root of the English word “romance.” Founded on April 21, 753 BCE (or so tradition tells us), the city was the heart of the Roman Republic and the Roman Empire, and today serves as the capitol of Italy. Creative Thought Matters Bustling, dense, layered, and sublime, Rome has withstood tyrants, invasions, disasters, and the ravages of the centuries. The Roman story is the story of civilization itself, with chapters ? written by citizens and foreigners alike. Now you are the author. COURSE SCHEDULE “Reading Rome,” the 3-credit lecture and discussion-based course, will be taught on the Skidmore College campus during the Spring 2011 semester. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
Theatricality of Naumachiae Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of Theatre Studies Bachelor’s Diploma Thesis 2018 Lucia Steltenpohlová Masaryk University Faculty of Arts Department of Theatre Studies Theatre Theory and History Lucia Steltenpohlová Theatricality of Naumachiae Bachelor’s Diploma Thesis Supervisor: Mgr. Eliška Poláčková, Ph. D. 2018 Declaration Hereby I declare that this paper is my original authorial work, which I have worked out on my own. All sources, references, and literature used or excerpted during elaboration of this work are properly cited and listed in complete reference to the due source. Lucia Steltenpohlová i ii Acknowledgement I would like to thank my supervisor, Mgr. Eliška Poláčková Ph.D., for all her professional support and enthusiasm with which she guided me throughout the process of research as well as writing of this thesis, for all the corrections and comments, for her patience. To all the staff of the department of Theatre studies for constantly broadening my horizons. A big thank you to my friends, namely the wonderful future doctor Simona Halajová and German language mage Bc. Andrea Bukovská, who had to listened to my theatre talk and did not complain the least bit. To Bc. Viktor Solík, for using his remarkable informatics skills to help me in the process of putting the formalities of this thesis together (and for teaching me that there are far too many names for brackets). To Michal Solčiansky, for cooking for me when I needed it the most. Last but not least a huge thanks to my family, for all that you have done and still do for me.