Royal Conservatoire the Hague

Total Page:16

File Type:pdf, Size:1020Kb

Royal Conservatoire the Hague Curriculum Handbook Bachelor of Music – Classical Music Academic Year 2020/21 Royal Conservatoire The Hague The information contained in this Curriculum Handbook is, beyond errors and omissions, correct at the time of publication, but may be subject to change during the academic year. Therefore, always make sure you are referring to the latest version of this document which can be found at our website. For questions about courses, you can get in touch with the contact person mentioned in the course description. 2 Royal Conservatoire – The Hague TABLE OF CONTENTS Table of Contents ............................................................................................................................ 3 About this Curriculum Handbook ................................................................................................... 6 Programme Objectives Bachelor Classical Music ........................................................................... 6 Curriculum Overviews ................................................................................................................... 11 Classical – Violin/Viola/Cello ................................................................................................................... 11 Classical – Double bass ........................................................................................................................... 12 Classical – Flute ....................................................................................................................................... 13 Classical – Oboe, Bassoon ....................................................................................................................... 14 Classical – Clarinet .................................................................................................................................. 15 Classical – Saxophone ............................................................................................................................. 16 Classical – Brass ....................................................................................................................................... 17 Classical – Accordion ............................................................................................................................... 18 Classical – Guitar ..................................................................................................................................... 19 Classical – Harp ....................................................................................................................................... 20 Classical – Piano ...................................................................................................................................... 21 Classical – Percussion .............................................................................................................................. 22 Course Descriptions ...................................................................................................................... 23 Artistic Development .............................................................................................................................. 23 Main Subject ....................................................................................................................................... 23 Secondary Subject Drums ................................................................................................................... 26 Coach Pianist ....................................................................................................................................... 27 Group Lesson ...................................................................................................................................... 29 Technique Class Flute.......................................................................................................................... 30 Lesson Piccolo ..................................................................................................................................... 31 Technique and Improvisation on the Guitar ....................................................................................... 32 Duo Class Accordion/Guitar/Harp ...................................................................................................... 34 Duo Class Piano ................................................................................................................................... 35 Piano Class .......................................................................................................................................... 36 Contemporary Piano Repertoire Class ................................................................................................ 37 Clarinet Quartet .................................................................................................................................. 39 BASSbook ............................................................................................................................................ 40 BRASSbook .......................................................................................................................................... 41 Percussion Ensemble .......................................................................................................................... 43 Hand Percussion.................................................................................................................................. 44 3 Curriculum Handbook – Bachelor of Music – Classical Music Advanced Rhythm ............................................................................................................................... 45 Chamber Music ................................................................................................................................... 46 Musicianship Skills .................................................................................................................................. 48 First Year Choir .................................................................................................................................... 48 Piano ................................................................................................................................................... 49 Piano – Accordion Students ................................................................................................................ 52 Aural Skills and Analysis 1 ................................................................................................................... 54 Aural Skills and Analysis 2 ................................................................................................................... 56 Aural Skills and Analysis 3 ................................................................................................................... 58 Guidelines for Aural Skills and Analysis 1, 2 and 3 Exam .................................................................... 59 Guidelines for Aural Skills and Analysis 2 and 3 Exam ........................................................................ 59 Aural Skills and Improvisation 1 .......................................................................................................... 60 Aural Skills and Improvisation 2 .......................................................................................................... 62 Aural Skills and Improvisation 3 .......................................................................................................... 64 Keyboard Skills and Harmony 1 .......................................................................................................... 65 Keyboard Skills and Harmony 2 .......................................................................................................... 66 Rhythm Class 1 .................................................................................................................................... 68 Music Theory Elective ......................................................................................................................... 69 Academic Skills ........................................................................................................................................ 70 Historical Development ...................................................................................................................... 70 Music History 1 ................................................................................................................................... 72 Music History 2 ................................................................................................................................... 73 Critical Music Studies 1 (Classical Music) ............................................................................................ 74 Critical Music Studies 2 (Classical Music) ............................................................................................ 75 Critical Music Studies 3 (Classical Music) ............................................................................................ 76 Extended Programme Notes Final Presentation................................................................................. 77 Professional Preparation ......................................................................................................................... 78 Tutoring and Portfolio
Recommended publications
  • Vivaldi Explosion Program
    The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Chamber Music Society of Lincoln Center Allegro giusto Largo Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700.
    [Show full text]
  • Bram Van Sambeek Swedish Chamber Orchestra Alexei Ogrintchouk
    MOZART · DU PUY · WEBER MOZART • DU PUY BASSOON CONCERTOS WEBER Bram van Sambeek Swedish Chamber Orchestra Alexei Ogrintchouk BIS-2467 MOZART, Wolfgang Amadeus (1756—91) Bassoon Concerto in B flat major, K 191 (1774) (Bärenreiter) 17'30 1 I. Allegro 7'11 2 II. Andante ma Adagio 6'16 3 III. Rondo. Tempo di Menuetto 3'52 von WEBER, Carl Maria (1786—1826) Bassoon Concerto in F major, Op. 75 (1811/1822) (Vita Musica) 17'08 4 I. Allegro ma non troppo 8'04 5 II. Adagio 4'29 6 III. Rondo. Allegro 4'23 Du PUY, Édouard (c. 1770—1822) Bassoon Concerto in C minor (1812) World Première Recording 30'30 Autograph manuscript (‘Concerto pour le Basson’) at the National Library of Sweden Realisation, editing, score and parts: Marijn van Prooijen and Bram van Sambeek 7 I. Adagio non troppo — Allegro moderato 13'00 8 II. Adagio 6'58 9 III. Rondo. Allegretto 10'19 TT: 66'15 Bram van Sambeek bassoon Swedish Chamber Orchestra Alexei Ogrintchouk conductor 3 Mozart: Bassoon Concerto in B flat major We bassoonists consider Mozart’s bassoon concerto the absolute pinnacle of our repertoire. That is because Mozart is so famous and brilliant but also because his beautiful concerto features at almost any occasion in one’s career, whether it is an audition for an orchestral position or a final round for a competition. The com- position is very well-balanced, in accordance with the style of the period, but even so the first and third movements are extremely playful, with idiomatic jumps and staccato passages in the solo part and cheeky exchanges between the orchestra and the bassoon.
    [Show full text]
  • Masterclasses- and Concertfestival
    Mattheiser Summer Academy Bad Sobernheim International Masterclasses- and Concertfestival masTERCL assES 13 - 27 AUGUST 2017 www.mattheiser.de 1 Welcome to the holiday area The Mattheiser Sommer-Akademie was founded in 1988 Bad Sobernheim! to commemorate the 250th anniversary of the Johann Michael Stumm Organ in Bad Sobernheim. The continuing success of the academy has gained world- wide acclaim. According to the high standard of its Bad Sobernheim, the only Felke health spa in masterclasses, the pedagogical work of the professors as Rhineland-Palatinate, is looking forward to welcoming well as its top-class concerts, it is recognized as a mas- the world-renowned musicians and the participants of terclass festival of eminent international rank. Until now the Mattheiser Summer Academy 2017. approximately 1300 participants from more than 20 nations were attending and enjoyed advanced study and Apart from the masterclasses and the musical inspira- music-making on highest level. tion, you will find many choices for recreation. The 16th festival will enhance its program with two woodwind classes for oboe (David Walter) and bassoon Whether swimming in our outdoor pool, golf, tennis or (Bram van Sambeek), and the Estonian pianist Kalle Randalu will join the teaching faculty . visiting the 'Barfusspfad' (a healthful footpath situated The simultaneous masterclasses and their closeness of along the beautiful riverside) - in Bad Sobernheim you location offer many possibilities for chamber music and will surely find time to relax before and after classes! hospitation. Selected students have possibility to Get more information at: www.bad-sobernheim.de! perform on stage in concerts and matinées during the concert festival.
    [Show full text]
  • BASSO BAILANDOBAILANDO DE FALLA RICK STOTIJN Double Bass MALIN BROMAN Violin LAVINIA MEIJER Harp Swedish Radio Symphony Orchestra 1 RICK STOTIJN Double Bass
    CHANNEL CLASSICS CCS SA 33613 PIAZZOLLA ROTA BASSOBASSO BAILANDOBAILANDO DE FALLA RICK STOTIJN double bass MALIN BROMAN violin LAVINIA MEIJER harp Swedish Radio Symphony Orchestra 1 RICK STOTIJN double bass Rick Stotijn received his first lessons at the age of Festival, Delft Chamber Music Festival and the eight, studied at the Conservatory in Amsterdam International Chamber Music Festival of Janine with his father Peter Stotijn where he graduated Jansen in Utrecht. with the highest distinction. Later on he studied His first Bottesini CD, which came out in 2012, with Bozo Paradzik at the Hochschule in Freiburg. received raving reviews: ... Rick Stotijn is a Rick won several first prizes at a.o the Princess first rate virtuoso, a real master of his instrument Christina Competition, the Young Musical Talent ...Stotijn let his bass sing, his technique is pheno­ Foundation and in 2013 the Netherlands Music menal ... A disc not to be missed, the best Bottesini Prize, which is the highest Dutch Music Award for cd ever?! ... This disc stands on a class of it’s own. young and talented musicians. Many solo Future seasons will present trio concerts with appearances at home and abroad were soon to his sister Christianne Stotijn and pianist Joseph follow including a Carte Blanche series in the small Breinl throughout Europe and USA, concerts with hall of the Concert gebouw Amsterdam. Rick Stotijn Janine Jansen to the major capitals in Europe, performs regularly as soloist with Orchestra’s such and a Japan tour with Luzern Festival Orchestra as the Swedish Radio Symphony Orchestra, and Claudio Abbado.
    [Show full text]
  • Focus on Kimmo Hakola & Rolf Martinsson
    NORDIC HIGHLIGHTS 2/2018 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Focus on Kimmo Hakola & Rolf Martinsson NEWS Rautavaara’s Albert Schnelzer All-Night Vigil Albert Schnelzer News Th e Helsinki Cham- A lot is going on for Albert Schnelzer right ber Choir will be sing- now. BIS Records has just released the portrait Lundqvist Mats Photo: ing Einojuhani Rau- CD Tales from Suburbia , 13 July will see the tavaara’s All-Night Vigil premiere of his opera Norrmalmstorgsdramat several times this sum- (Th e Stockholm Syndrome) at Vattnäs Konsertla- mer: at the Musiq’3 festival in Brussels on 29– da, and during the 2018/2019 season he will be 30 June, the Organ and Aria festival in Finland composer-in-residence with the Västerås Sinfo- on 5 July, the Uspenski Cathedral, Helsinki on nietta. Commissioned by the Swedish RSO, his 16 August and Järvenpää Church on 21 August. Piano Concerto No. 1 composed for American Th e soloists are Niall Chorell, tenor and Tuuk- pianist Conrad Tao, will have its premiere on 14 ka Haapaniemi, bass. Th e choir is also making a March 2019. On 11 April Ilya Gringolts will be new recording of the work. Rautavaara’s popular soloist with the Uppsala Chamber Orchestra in concert version of the Orthodox Vigil has found the fi rst performance of Schnelzer´s Violin Con- its way into the repertoire of professional choirs certo No. 2 – Nocturnal Songs. Th e concerto is the world over. jointly commissioned by the Swedish Chamber Orchestra and Jönköping Sinfonietta. Tommie Haglund Festivals Two big festivals will be devoted to Tommie Haglund’s music during the 2018/2019 sea- Eero Sipilä centenary son.
    [Show full text]
  • Vivaldi Explosion Program
    Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Allegro giusto Largo Chamber Music Society of Lincoln Center Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. From the start of the Baroque Period a hundred years earlier, skilled craftsmen like Gasparo da Salò advanced string instrument building technique until it reached its apex with the instruments of Antonio Stradivari and Giuseppe Guarneri. The burgeoning music publishing industry also inspired composers to write pieces that would stand out and establish their international reputations.
    [Show full text]
  • Bram Van Sambeek, Bassoon
    Bram van Sambeek, bassoon Bram van Sambeek was the first bassoonist ever to receive the highest Dutch Cultural Award, and in 2011 he won a Borletti Buitoni Trust Award. He performs regularly as a soloist with the Lahti Symphony Orchestra, Gothenborg Symphony, Netherlands Chamber Orchestra, Oulu Symphony, and South Netherlands Philharmonic. In 2010 he was offered a Carte Blanche series at the Concertgebouw Amsterdam and in 2015 he received a “Wild Card,” presenting many adventurous concerts at the Muziekgebouw aan ‘t IJ, also in Amsterdam. He is a regular guest at the Delft Chamber Music Festival, Storioni Festival, Orlando Festival, West Cork Chamber Music Festival, Lockenhaus Chamber Music Festival, and the Australian Festival of Chamber Music. He performs in many diverse styles, working with rock musician Sven Figee at Konzerthaus Berlin, jazz musician Joris Roelofs at the North Sea Jazz Festival, and Arabic musician Kinan Azmeh in the Morgenland Festival. His most recent recording features new bassoon concertos by Sebastian Fagerlund and Kalevi Aho for the BISlabel; his previous recordings, on the Brilliant Classics label, include Bassoon Concertos and Bassoon-Kaleidoscope. Mr. van Sambeek began his studies with Fred Gaasterland and continued with Joep Terwey and Johan Steinmann at the Royal Conservatory of The Hague. After graduation he took private lessons with Gustavo Núñez. Last season he started a professorship at the Hochschule für Music und Tanz in Cologne, and he was the spokesman of the Holland Festival’s “Save the bassoon” campaign. He is an alum of The Bowers Program (formerly CMS Two). .
    [Show full text]
  • Cello Biennale 2016 Is the Acting Cello, Bulgakov´S Masterwork the Cello As Actor
    Principal benefactors Subsidised by Cellists Nicolas Altstaedt Harald Austbø Other musicians Directors Matthias Bartolomey Lucie Chartin Sjaron Minailo Anner Bijlsma Agustin Diassera Dagmar Slagmolen Funds Karel Bredenhorst Jérôme Ducros Jochem Stavenuiter Jörg Brinkmann Hans Eijsackers Albert Brüggen José Gallardo Composers world premieres Fonds Henri Fock Ans Otten-Nypels Fonds Bredius Fonds Amber Docters- Paolo Giacometti Joël Bons Middelbeek Stortenbeker Fonds Hausta Donans Fonds van Leeuwen Astrid Haring Brendan Faegre Maya Fridman Maarten den Hengst Oene van Geel Larissa Groeneveld Daniël Kramer Galina Grigorjeva Katharina Gross Leonor Leal Pete Harden Stjepan Hauser Ere Lievonen Guus Janssen Jeroen den Herder Efrén López Hilary Jeffery Gregor Horsch Claudio Martínez Mehner Jan Kuijken Monika Leskovar Claron McFadden Chiel Meijering Pepijn Meeuws Szymon Marciniak Genevieve Murphy Antonio Meneses Joey Marijs Mayke Nas Ivan Monighetti Rocío Márquez Martijn Padding Daniel Müller-Schott Henk Neven Rob Zuidam Jan Bastiaan Neven Saeko Oguma ▪ PAYS-BAS MAISON DESCARTES Jelena Očić Maarten Ornstein Orchestras and ensembles Jonas Pap Rosanne Philippens Amsterdam Sinfonietta Sponsors Aurélien Pascal Jan-Paul Roozeman Atlas Ensemble Jérôme Pernoo Drew Santini Artvark Saxophone Quartet Bruno Philippe Bram van Sambeek BartolomeyBittmann Raphaël Pidoux Shunske Sato Biënnale Cello Band Ella van Poucke Emmy Storms Cappella Amsterdam Jean-Guihen Queyras Fedor Teunisse Cello8ctet Amsterdam Jonathan Roozeman Candida Thompson Die 12 Cellisten der Berliner
    [Show full text]
  • The New Gallery Concert Series Presents from There to Here
    The New Gallery Concert Series presents From There to Here January 16, 2021, 8pm EST In partnership with the Longy School of Music of Bard College Zoom Reception to Follow Sarah Bob, NGCS Founding Artistic Director Featuring Rashon “Rah-Lik” Briggs, featured visual artist PROGRAM A Bee in the Hollow for solo piano (2020) music and videography by Jessica Mays (1986) New Gallery Concert Series Commission WORLD PREMIERE Meditation IV Push and pull throughout Meditation III Rubato Meditation I Floating freely, airy Meditation II Distantly Sarah Bob, piano String Quartet No. 1 (2015) by Forbes Graham (1977) WORLD PREMIERE Movement I Movement II Movement III Katherine Winterstein and Rose Drucker, violins; Ashleigh Gordon, viola; Francesca McNeeley, cello A Brother’s Story (2020) Philonise Floyd's tribute to his brother, George Floyd Henning Washington, freestyle dancer Cotton Comes Home Documentary (images 2018) Rashon “Rah-Lik” Briggs Cotton Comes Home (Soundtrack) (2021) by Aaron Trant & Freddie Hendrix New Gallery Concert Series Commission WORLD PREMIERE Freddie Hendrix, trumpet; Aaron Trant, shaker, vibes, drum-set Next Train for solo violin (2011) by Kenji Bunch Katherine Winterstein, violin One/Life for piano quintet (2018) by Vanessa Lann (1968) AMERICAN PREMIERE Katherine Winterstein and Rose Drucker, violins; Ashleigh Gordon, viola; Francesca McNeeley, cello; Sarah Bob, piano A Note from our Director, Sarah Bob As you can imagine, my idea of “From There to Here” changed dramatically from when I had programmed the event originally set for May 2020. In order to keep the event timely in the midst of COVID and other types of serious unrest, there have been some big tweaks.
    [Show full text]
  • Bassoonist Bram Van Sambeek Is 'Concerto'
    Press release date: 5 April 2018 Bassoonist Bram van Sambeek is ‘Concerto’ winner at BBC Music Magazine Awards 2018 Sebastian Fagerlund: Bassoon Concerto ‘Mana’, Woodlands Kalevi Aho: Bassoon Concerto, Solo V Bram van Sambeek bassoon Lahti Symphony Orchestra Dima Slobodeniouk conductor (Aho) Okko Kamu conductor (Fagerlund) BIS2206 (hybrid CD/SACD) London 5 April 2018: The Borletti-Buitoni Trust (BBT) congratulates Dutch bassoonist Bram van Sambeek on his 2018 BBC Music Magazine Award in the ‘Concerto’ category, for his debut recording on the BIS label of two bassoon concertos by Finnish composers Sebastian Fagerlund and Kalevi Aho. Bram commented: “ I would like to thank Robert von Bahr at BIS and Susan Rivers at the Borletti-Buitoni Trust for bringing together the perfect circumstances to make this happen. It was a dream team of composers, orchestra, conductors, recording producers and every detail that is needed for such a project. I have actually not often experienced this kind of special synergy - and the fact that it led to this wonderful recognition makes me really thrilled.” Having embarked on a career as a solo bassoonist, both commissioning and recording are important parts of Bram’s quest to promote his passion for the versatility and expressivity of his instrument. Fagerlund and Aho put the bassoonist very much to the fore of their concertos and push the instrument’s and player’s capabilities to the extreme. An element of the inspiration for ‘Mana’ came from Bram’s version of Harlem Nocturne blues (featured on his Bassoon Kaleidoscope CD) and his ongoing quest to develop new techniques on the bassoon.
    [Show full text]
  • Sunday 7Th June at the Royal Northern College of Music, Manchester ‘Over the Rainbow’ – a Great Film Music Playday for Double Reed Ensemble
    DRN 125 Spring 2020 Text_Double Reed 75.qxd 30/01/2020 09:14 Page 17 The courses are held at Park Place, Wickham (near Fareham) in Hampshire, close to the M3 and M27 motorways and 10 miles from Portsmouth. It’s about 2 hours drive from London or Bristol, and about 2½ hours from Birmingham. If travelling by train, there is a direct service from London or Bristol to nearby Fareham station, then it is a short bus ride or taxi to Park Place. For those travelling from overseas, Southampton airport is nearby – just 30 minutes by direct train to Fareham – and London Gatwick airport to Fareham is about 90 minutes by direct train. For full details of course fees, etc, please see the BDRS webpage www.bdrs.org.uk/courses Sunday 7th June at the Royal Northern College of Music, Manchester ‘Over the Rainbow’ – a great film music playday for double reed ensemble Here is your chance to play some of the great theme tunes and songs from classic films, including: Over the Rainbow (Wizard of Oz) The Great Escape The Dam Busters The Ugly Duckling (Hans Christian Anderson) Feed the Birds (Mary Poppins) Maria (West Side Story) Other events through the day will include a reed adjustment session to help you get those reeds working well so you can really enjoy your playing! There will also be a lunchtime concert in the RNCM Concert Hall given by the session leaders David Cowdy and Laurence Perkins, in an excellent initiative promoted by Junior RNCM: a series of Sunday morning ‘Young Oboes’ and 'Young Bassoons’ specifically for school- age double-reed players.
    [Show full text]
  • WMF DWD 2018 1Okt LR DEF.Pdf
    Dutch World Directory 2018 -2019 contacts in the field & updates Worldwide The Netherlands is www.worldmusicforum.nl/directory known for its windmills and techno-deejays but what makes its world music industry spin? This directory offers a helping hand by providing an overview of its prominent agents, archives, festivals, labels, media, musicians, promoters and venues. Although far from complete, it will give you a head start in exploring the current state of the spinning world music scene in The Netherlands. 3 Dutch World Directory 3 About World Music Forum NL 9 Bárbara Varassi Pega 38 Facts & Figures 12 Barditus 39 Dutch Delta Sounds 14 Bongomatik 41 In the Spotlight 19 Caravan - Julian Schneemann & Friends 42 Charivari Trio 43 Dave Mochilero y Su Candela 44 Highlights from the Lowlands 31 Göksel Yilmaz Ensemble 50 Haytham Safia Qu4rtet 51 Agencies Ilda Simonian 53 BLiP Agency 40 Laurens Moreno Ensemble 59 Index Earth Beat 48 Lingua Franca Ensemble 60 Foundation Sinti Music 49 Luna Zegers 61 Indian Music Circle 54 Mehmet Polat 62 Jazzconexion 56 Mozaiek Ensemble - Mireille Bittar & Feras Khouri 64 ML-MUSIC Services 63 Nizar Rohana 68 Radar Agency 76 Nusodia 69 Stroom Management 81 Olaf Keus 70 Pavadita Tango String Quartet 71 Archive Prewien Pandohi-Mishre 73 Muziekweb 65 The Uprisers 82 U&I 83 Artists Verónica Castro y su Sexteto Walicho 85 Amsterdam Artist Collective 34 Amsterdam Klezmer Band 35 Distribution Amsterdams Andalusisch Orkest 37 Xango Music Distribution 87 4 5 Production Companies DB Consult / Culture Connection 45 Festivals
    [Show full text]