Associate Housing Room in Associate Housing

ADVISORY COUNCIL MASTER ARTISTS-IN-RESIDENCE SAMUEL ADLER, Professor of Composition Eastman School of Music 1982 May 1988 January EDWARD ALBEE JAMES DICKEY/Poet & Author/Columbia, SC ROBERT NATKIN/Painter/Bedding, CT Playwright/Director, NYC DUANE HANSON/Sculptor/Davie, FL HOWARD NEMEROV/Poet/St. Louis, MO BUDD HARRIS BISHOP, Director DAVID DEL TREDICI/Composer/NYC DAVID DIAMOND/Composer/Rochester, NY Samuel P. Harn Museum of Art, University of Florida November April TRISHA BROWN, Artistic Director EDWARD ALBEE/Playwright & Director/NYC "The Monk and The Hangman's Daughter" Trisha Brown Company, Inc NYC ., REYNOLDS PRICE/Writer/Durham, NC La Mama Experimental Theatre VINNETTE CARROLL, Artistic Director MIA WESTERLUND ROOSEN/Sculptor & Painter/NYC Vinnette Carroll Repertory Company ELLEN STEWART/Director/NYC Fort Lauderdale, FL ELIZABETH SWADOS/Composer/NYC 1983 February JUN MAEDA/Set Designer/NYC ALLEN DRURY HUBERT LAWS/Jazz Author, Tiburon, California Musician/Los Angeles, CA June LUKAS LOWELL NESBITT/Painter/NYC DIANE ACKERMAN/PoeUlthaca, NY FOSS CHARLEEN SWANSEA/Poet & Educator/Isle of Palms, Composer/Conductor, NYC SC PAULINE OLIVEROS/Composer/NYC May GEORGE GARRETT CAROLEE SCHNEEMANN/Video Artist/NYC Novelist/Poet/Critic, University of Virginia JOHN CORIGLIANO/Composer/NYC November DORIS GRUMBACH AUDRE LORD E/Poet/Staten Island, NY Novelist/Critic/Biographer, Washington, D.C. JACK MITCHELL/Photographer/NYC "The Handmande Book as Art Object" KATHRYN CLARK/Paper Artist/Brookston, IN HOWARD KLEIN August Arts Consultant, NYC RICHARD ANUSZKIEWICZ/Painter/Englewood, NJ DONALD GLAISTER/Fine Binder/Ashfield, MA HUBERT LAWS SAMUEL ADLER/Composer/Rochester, NY SUZANNE MOORE/Lettering Artist/Ashfield, MA Composer/Musician, Los Angeles TED TALLY/Playwright/NYC PHILIP WHALEN/Poet/San Francisco, CA DORIS LEEPER November Sculptor/Painter, New Smyrna Beach, FL JAGODA BUIC/Fiber Artist/Dubrovenik,Yugoslavia 1989 January JACK MITCHELL THEA MUSGRAVE/Composer/Norfolk, VA CAROLYN FORCHE/Poet/Wellesley, MA Photographer, NYC MARY LEE SETTLE/Writer/Norfolk, VA LYNDA BENGLIS/Sculptor/NYC VICTOR NUNEZ FRANK FAULKNER/Painter/NYC Film Maker, Tallahassee, FL 1984 February JOAN TOWER/Composer/NYC BEVERLY PEPPER LAWRENCE FERLINGHETTI/Poet/San Francisco, CA Sculptor, Todi, Italy & NYC April NED ROREM/Composer/NYC PAUL SMITH, Director Emeritus STEPHEN ANTONAKOS/Sculptor/NYC American Craft Museum, NYC MIRIAM SCHAPIRO/Painter/NYC EARLE BROWN/Composer/Rye, NY CHARLEEN SWANSEA May FRED CHAP PELL/Writer/Greensboro, NC ROBERT FRANK/Video Poet/Publisher/Educator, Charleston, SC Artist/NYC May ALLEN DAVID R. WHITE, Executive Director GINSBERG/Poet/NYC "Astral Convertible" Dance Theatre Workshop, Inc., NYC ELVIN JONES/Jazz Musician/NYC TRISHA BROWN/Dancer & Choreographer/NYC August DICKIE LANDRY/Composer/NYC GEORGE GARRETT/Writer & Poet/Charlottesville, VA ROBERT RAUSCHENBERG/Visual Artist/Captiva, FL ROBERT WARD/Composer/Durham, NC ATLANTIC CENTER FUMIO YOSHIMURA/Sculptor/Hanover, NY June FOR THE ARTS November ALICE AYCOCK/Sculptor/NYC L./ BOZA KOSAK/Designer of textiles & fashions/Rome, Italy JACOB DRUCKMAN/Composer/NYC HENRY TAYLOR/Poet/Lincoln, VA Atlantic Center for the Arts is a unique MAXINE KUMIN/Poet/Warner, NH DON CHERRY/Jazz Musician/NYC July-August interdisciplinary arts facility located on the "Ghetto: A Triptych" east coast of central Florida at New 1985 February JOSHUA SOBOL/Playwright/London, England BEVERLY PEPPER/Sculptor/Todi, Italy & NYC JIRI ZIZKA/Director/Philadelphia, PA Smyrna Beach . Chartered in 1979, the MORTON FELDMAN/Composer/Buffalo, NY RON JENKINS/Author & Dramaturg/Cambridge, MA Center was created to bring together highly BARBARA ROSE/Art Historian & Videographer/NYC September-October accomplished artists from diverse May La Napoule International Cultural Exchange (in France) HENRY BRANT/Composer/Santa Barbara, CA JOHN ASHBERY/PoeUNYC disciplines. The Center is dedicated to ar- WILLIAM HARPER/Jeweler/Tallahassee, FL ROBERT ASHLEY/Composer & Video Artist/NYC tistic excellence. BOBBIE ANN MASON/Writer/Allentown, PA JOHN CHAMBERLAIN/Sculptor/Sarasota, FL August CHARLIE HADEN/Jazz Musician/Los Angeles, CA Planning began in 1977. Nationally known ROMULUS LINNEY/Playwright/NYC 1990 January sculptor and painter, Doris Leeper, organ- JAMES SURLS/Sculptor/Splendora, TX JACK BEAL/Painter/Oneonta, NY & NYC November DORIS GRUMBACH/Critic & Novelist/Washington, DC ized and led the group which founded the FRANK FAULKNER/Painter/NYC CHARLEEN SWANSEA/Poet & Educator/Isle of Palms, SC Center. In 1979 a planning grant was ALVIN LUCIER/Composer/Middletown, CT GEORGE PERLE/Composer/NYC WILLIAM STAFFORD/Poet/Lake Oswego, OR March awarded the Center by the Rockefeller MARY LUCIER/Video Artist/NYC Foundation . That same year, a ten acre, 1986 February RON PADGETT/PoeUNYC secluded, heavily-wooded building site was MARILYN FRENCH/Author/NYC DANA REITZ/Dancer & Choreographer/NYC AUDREY FLACK/Painter/NYC April purchased . In 1982, the Center opened its LOU HARRISON/Composer/Aptos, CA "Dinner" new facility. April JONATHAN STONE/Dancer &Choreographer/London, England JUNE HAVOC/Actress/Wilton, CT June JOHN EHLE/Writer/Winston-Salem, NC "The Mormon Project" Today, the Center includes an administra- ROBERT MORRIS/Sculptor/NYC JOANNE AKALAITIS/Director/NYC tion/gallery complex, a multi-purpose June ERIC OVERMYER/Playwright/NYC KRISTI ZEA/Production Designer/Princeton, NJ workshop, a fieldhouse/commons building, ALLEN DRURY/Writer/Tiburon, CA PHILIP PEARLSTEIN/Painter/NYC October an outdoor amphitheater, three cottages for JOSEPH SCHWANTNER/Composer/Rochester, NY "Spare Changes" resident Master Artists, and a 28-unit hous- July-August DEBORAH HAY/Dancer & Choreographer/Austin, TX RICHARD LANDRY/Composer/Cecilia, LA ing complex (each with private bath) for the "Medea" VINNETTE CARROLL/Director/Ft. Lauderdale, FL TINA GIROUARD/Visual Artist/Cecilia, LA Associates. An additional fifty-seven acres H.B . BARNUM/Jazz Musician/Composer/Hollywood, CA November of land has been added to the original ten. TALLEY BEATTY/Choreographer/NYC La Napoule International Cultural Exchange (in USA) November BETSY JOLAS/Composer/Paris, France Every effort has been made to preserve the JERRY UELSMANN/Photographer/Gainesville, FL JEAN ECHENOZ/Novelist/Paris, France land in its natural state. The buildings are FRANCINE du PLESSIX GRAY/Author/NYC GUNTHER SCHULLER/Composer/Newton Centre, ME 1991 January built of cedar and glass and all are con- LUKAS FOSS/Composer & Conductor/NYC nected by raised, wooden walkways. The ELIZABETH COX/Writer/Durham, NC 1987 February ALAN SONFIST/Environmental Sculptor/NYC entire facility is air-conditioned and accessi- TERRY ALLEN/Multi-media/Fresno, CA March ble to the physically impaired. EDWARD MAYER/Sculptor/Delmar, NY "24 Hours of Light" RONALD H. BAYES/Poet/Laurinburg, NC KEI TAKEI/Dancer & Choreographer/NYC & Tokyo Funding has come from diverse sources April DAVID MOSS/Composer & Performer/Marlboro, VT "Other Weapons" ICHI IKEDA/Scenographer/Kanagawa, Japan and major donors include: the State of TINA RAMIREZ/Artistic Director/Ballet Hispanico/NYC YUKIO TSUJI/Composer & Musician/NYC Florida, the Florida Arts Council, the John JEAN-PIERRE BONN EFOUX/Choreographer/Bloomington, IN May PETERSON/Stage Designer/NYC D T DAVID "Relationships : Intimate & Not So Intimate" . & Catherine . MacArthur Foundation, LUISA VALENZUELA/Novelist/Argentina BLONDELL CUMMINGS/Dancer & Choreographer/NYC the Rockefeller Foundation, the Pew June July-August Charitable Trusts, the Root Foundation, A. JAMES DICKEY/Poet & Author/Columbia, SC OLDRICH KULHANEK/Graphic Artist/Czechoslovakia HOWARD FINSTER/Painter/Summerville, GA RODION SHCHEDRIN/Composer/Russia Friends' Foundation Trust, the National En- JANETTE CARTER/Singer & Songwriter/Hiltons, VA JANUSZ GLOWACKI/Playwright/NYC dowment for the Arts, Tupperware Interna- July December tional, Volusia County, the City of New "The Tempest" LEN JENKIN/Playwright & Director/NYC Smyrna Beach and many other corpora- STUART OMANS/Director/Orlando, FL JAMES RAGLAN D/Playwright/Seattle, WA STEVE ROSENBERG/Musician/Charleston, SC MAC WELLMAN/Composer/Brooklyn, NY tions, foundations and individuals. SANDRIA REESE/Costumer/England MICHAEL REESE/Technical Director/England 1992 January AMY CLAMPITT/PoeUNYC The final building phase, scheduled to November "Fact and Fiction, Fiction and Fact" JANET FISH/Painter/NYC begin in 1993, will include an extensive BLANCHE BOYD/Journalist/New London, CT ZYGMUNT KRAUZE/Composer/Poland Artists' Resource Center which will house DORIS GRUMBACH/CRITIC & Novelist/Washington, DC March resource collections, ALEXANDER COCKBURN/Columnist/NYC DAVID BRADLEY/Writer/Philadelphia, PA performance space HOODING CARTER/News Analyst/Washington, DC FAITH RINGGOLD/Visual Artist/NYC and additional workspace for Associates . ROD MacLEISH/NPR Commentator/Washington, DC ALVIN SINGLETON/Composer/Atlanta, GA

Master Artist In Residence Vinnette Carroll Master Artist In Residence, November 1984 Master Artist In Residence, Lukas Foss with directing Associate Nora Cole in Medea, August 1986 Don Cherry, jazz musician Associates, January 1991

Master Artist in Residence Pepon Osorio with Associates, June 1992 Master Artist Kei Takei and Associates. LIGHT, March 1991

Amphitheater Marvin C. Whatmore Workshop

Non-Profit ATLANTIC CENTER FOR THE ARTS U.S . Postage PAID Permit No . 11 Daytona Beach, FL

1414 Art Center Avenue / New Smyrna Beach, Florida 32 168 / (904) 427-6975

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JANUARY 4 - 30, 1993 JOAN LA BARBARA MORTON SUBOTNICK POWER BOOTHE MARK CONIGLIO DATED MATERIAL

Application Deadline: October 2, 1992 PLEASE POST JOAN LA BARBARA vocalistlcomposer MORTON SUBO' NICK, composer POWER BOOT, 1E, visual artist MARK CONIGLIC sound designer

FOR COLLABORATION ON MORTON SUBOTNICK ABOUT ATLANTIC CENTER FOR THE ARTS Morton Subotnick is ; i acknowledged pioneer in the field of electronic Atlantic Center for the Arts, located on the east coast of central Florida in New Smyrna Beach, is music and one of Arr rrica's most innovative composers. Subotnick re- dedicated to excellence in all the arts . This collaborative project marks the 51st interdisciplinary ses- The Misfortune of the Immortals ceived his education t the University of Denver and Mills College, study- sion since the Center's residency program began in 1982. During each residency, distinguished artists ing composition unde Leon Kirchner and Darius Milhaud. He was the first from the visual, literary and performing arts come together to serve as Master Artists in Residence. composer commissioi ed to write an electronic piece for a record, Silver Here they work with Associates - talented artists at mid-career - to develop collaborative projects JANUARY 4 - 30, 1993 Apples of the Moon ( 967), which has since become a classic. Along with which explore new forms of dance, theater, music and performance art . The Wild Bull and A ; cy of Cloudless Sulfur, they have been choreo- The Misfortune of the Immortals is a multi-media theater work of four interconnected scenes performed graphed by leading d once companies and remain in repertoire . Master Artists are chosen by an Advisory Council of nationally-known artists and arts administrators . without intermission . A collaborative work by composers Morton Subotnick and Joan La Barbara Masters select their own Associates to participate in the residency, and set the criteria for selection . (musical co-directors), sound designer Mark Coniglio (technical director) and visual artist Power Boothe In addition to electron c works, Subotnick has composed orchestral works, Residencies are open to all applicants who meet the criteria for selection . Associates come from all (art director), Misfortune utilizes interactive computer technology which allows performers to control music for the theater ind multi-media productions, including a staged over the United States, from diverse ethnic and cultural backgrounds, and from all age groups. every aspect of the stage environment, including lights, sound, the movement of objects, film and video tone-poem, The Double Life of Amphibians, a colla oration with Lee Breuer and Irving Petlin, and projections. This sophisticated technology is based on Interactor software developed by Subotnick and Jacob's Room, a monodrama for Joan La Barbara and the Kronos Quartet. Subotnick's extensive list of The Center provides an ideal environment in which to create and collaborate. Collaboration is central to Coniglio, and points to new directions in contemporary theater. In a revolutionary departure from tradi- awards includes five NEA Fellowships, two Rocke tiler Foundation grants, the American Academy of the concept of the Center, and interaction among disciplines is strongly encouraged . This is a center tional stagecraft, all theatrical effects become extensions of performers and creators, rather than the Arts and Letters Award, a Brandeis Composer Aw rd, Guggenheim Fellowship and DAAD residency in for creativity - a "hands-on" work experience that provides a forum for shaping ideas and sharing job of stagehands. Berlin. He is currently on the faculty of California istitute of the Arts . expertise.

The staged action will begin with Electricity, inspired by Nicola Tesla's romance with electricity at the turn of the century. In Plane represents a celebration of electricity's boons to mankind, followed by POWER BOOTHE HOW TO APPLY Events in the Elsewhere, an exploration of technology's usefulness inspired by wheelchair bound Power Boothe I st established his reputation as an abstract painter, physicist Stephen Hawking. In the final scene, And To All a Theatrical Death, humans have evolved into Artist Application materials (described below) should be mailed directly to Atlantic Center for the went on to design aH ind-winning theater and dance sets, make ex- beings of very different sensibilities. Arts, postmarked no later than October 2, 1992 . Associates will be notified by October 19, perimental films and nen to produce and direct his own theater/film pro- 1992. Please include a self-addressed stamped envelope for return of your materials. All As we approach the end of the twentieth century, the age of the computer has brought us to a ductions. Boothe has had over a dozen solo exhibitions in New York, and applicants should send resume, address and phone number. technological threshold as momentous as that of the age of electricity a century ago . Technology pro- his work is represent d in many public collections, including the Gug- vides the content as well as the format of The Misfortune of the Immortals. The work addresses the genheim and Hirschh inn Museums. He has designed sets for Obie Award- question that inevitably accompanies technological advances : Is it a humanizing or dehumanizing winning productions I y Richard Foreman, Lee Breuer and JoAnne ACTORS/SINGERS/DANCERS : Send photograph, short VHS videotape and statement about force? Misfortune is intended not to provide answers, but to raise issues, and sound the alert. It Akalaitis, and has col aborated with choreographers David Gordon, Lucin- abilities in disciplines . represents both a celebration and a warning. da Childs and Blondr I Cummings . MUSICIANS (keyboards, cello): Send audio cassette with representative samples of Boothe is the co-recil ient of the five NEA Inter Arts grants and three improvisation/performance . JOAN LA BARBARA NYSCA grants, and a 1984 Bessie award for set ( asign . His films have premiered at Dance Theater COMPOSERS: Send audio cassette and/or score of works, and brief statement of computer Workshop, the Kitchen and the Collective for Livir I Cinema. Dance Theater Workshop premiered literacy . Joan La Barbara's career as a composer and singer has been devoted to Boothe's evening-length production, Wilderness, w uch included film, sets, text, movement and music. exploring the possibilities of the human voice as a multifaceted instrument, VIDEO ARTISTS: Send representative sample(s) of work on VHS videotape. going beyond traditional boundaries . A pioneer in contemporary music, she has developed a unique vocabulary of extended vocal techniques that MARK CONIGLIO ARTISTS/DESIGNERS: Send 10 slides, sketches or xeroxes of work. have become her signature sounds. Over the past two decades she has given hundreds of concerts throughout the U.S. and abroad, including ap- Composer Mark Coni Ilio creates media performance works which use RESIDENT FEE for the session is $600 . Resident fee includes tuition and on-site private pearances with the Los Angeles Philharmonic, San Francisco Symphony, technology to allow p dormers and computers to interact. His music room/bath. career began with a ve-year tenure as a producer for American Gram- New York Philharmonic, Houston Symphony, New World Symphony and NON-RESIDENT FEE is $200. many other orchestras. mophone Records . N vie a student at California Institute of the Arts he developed real-time i teractive composition software and hardware, in- La Barbara has produced six recordings of her own music and has pre- cluding MidiDancer, ; wireless device which allows dancers to perform miered compositions by such composers as John Cage, Rhys Chatham, Charles Dodge, Morton music through their r ovement. Feldman, Philip Glass, Morton Subotnick and James Tenney. Recent recordings include the critically ATIANTIC CENTER FOR THE ARTS acclaimed Three Voices for Joan La Barbara by Morton Feldman, Recent work include; The Becoming Orchid for MidiDancer and solo per- Joan La BarbaralSound Paintings and 1414 Art Center Avenue Joan La Barbara Singing through John Cage. She has received awards and fellowships from the NEA, former (1990), and Ti -tile Diaries, designed to allow the interaction in two Meet the Composer, ASCAP, ISCM International Jury Award, and has received numerous commissions cities through video c mnections. Currently Coniglio teaches interactive New Smyrna Beach, FL 32168 for radio works in the U .S. and Europe. Music Systems at California Institute of the Arts, E id lectures extensively on interactivity applications . 904/427-6975