Floor Table Japanese Style
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DIJ-Mono 63 Utomo.Book
Monographien Herausgegeben vom Deutschen Institut für Japanstudien Band 63, 2019 Franziska Utomo Tokyos Aufstieg zur Gourmet-Weltstadt Eine kulturhistorische Analyse Monographien aus dem Deutschen Institut für Japanstudien Band 63 2019 Monographien Band 63 Herausgegeben vom Deutschen Institut für Japanstudien der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland Direktor: Prof. Dr. Franz Waldenberger Anschrift: Jochi Kioizaka Bldg. 2F 7-1, Kioicho Chiyoda-ku Tokyo 102-0094, Japan Tel.: (03) 3222-5077 Fax: (03) 3222-5420 E-Mail: [email protected] Homepage: http://www.dijtokyo.org Umschlagbild: Quelle: Franziska Utomo, 2010. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Dissertation der Universität Halle-Wittenberg, 2018 ISBN 978-3-86205-051-2 © IUDICIUM Verlag GmbH München 2019 Alle Rechte vorbehalten Druck: Totem, Inowrocław ISBN 978-3-86205-051-2 www.iudicium.de Inhaltsverzeichnis INHALTSVERZEICHNIS DANKSAGUNG . 7 SUMMARY: GOURMET CULTURE IN JAPAN – A NATION OF GOURMETS AND FOODIES. 8 1EINLEITUNG . 13 1.1 Forschungsfrage und Forschungsstand . 16 1.1.1 Forschungsfrage . 16 1.1.2 Forschungsstand . 20 1.1.2.1. Deutsch- und englischsprachige Literatur . 20 1.1.2.2. Japanischsprachige Literatur. 22 1.2 Methode und Quellen . 25 1.3 Aufbau der Arbeit . 27 2GOURMETKULTUR – EINE THEORETISCHE ANNÄHERUNG. 30 2.1 Von Gastronomen, Gourmets und Foodies – eine Begriffs- geschichte. 34 2.2 Die Distinktion . 39 2.3 Die Inszenierung: Verstand, Ästhetik und Ritual . 42 2.4 Die Reflexion: Profession, Institution und Spezialisierung . 47 2.5 Der kulinarische Rahmen . 54 3DER GOURMETDISKURS DER EDOZEIT: GRUNDLAGEN WERDEN GELEGT . -
Analysis of Japanese and Finnish Furniture
University of Lapland, Faculty of Art and Design Name of the Pro gradu thesis: ANALYSIS OF JAPANESE AND FINNISH FURNITURE DESIGN: A consideration for product identity and the relativity of industrial development and cultural context Writer: Akiko Nakatani Degree programme: Industrial Design Type of the work: Pro gradu thesis Number of pages: 97 pages, 3 attachments Year: Spring 2011 Summary In a globalized product design market, firms take national identity into consideration to survive among the competitors, because a particular identifying feature can be the decision making factor for customers to buy a particular product. In such a situation, you may realize something as “Japanese-like” or “Finnish-like” in designs as you hold the product in your hand. But why do you think like that? The aim of this study is to clarify the factors that characterize these ideas, in terms of furniture design, with a focus on industrial development and the cultural contexts of Japan and Finland. The study is twofold, with a theoretical framework and an empirical framework. The theoretical analysis works with cultural industrial context and also argues that the transition of industrial development significantly affects national product design orientation and helps characterize products. The empirical analysis works with questionnaires concerning product image. The results conceptualize cultural references in both Japanese and Finnish furniture design. However, the results also present the realistic difficulty of recognizing products. The paper concludes by arguing that factors affecting customer’s decision making are also influenced by not only product design but the socio-culture they belong to. Therefore, measuring product image is not the only way to define national product identity, and the image is formed by both customers and product design factors. -
Lighting Features in Japanese Traditional Architecture
PLEA2006 - The 23rd Conference on Passive and Low Energy Architecture, Geneva, Switzerland, 6-8 September 2006 Lighting Features in Japanese Traditional Architecture Cabeza-Lainez J. M, 1Saiki T. 2, Almodovar-Melendo J. M. 1, Jiménez-Verdejo J.R.2 1 Research Group KARMA, University of Seville, Spain 2 Theory of Design Division, University of Kobe, Japan ABSTRACT: Japanese Architecture has always shown an intimate connection with nature. Most materials are as natural as possible, like kaya vegetal roofing, wooden trusses and rice-straw mats (tatami). Disposition around the place, follows a clever strategy of natural balance often related to geomancy like Feng-Shui and to the observance of deeply rooted environmental rules. In this paper we would like to outline all of the former, but also stressing the role of day-lighting in architecture. Unlike Spain, day-lighting is a scarce good in Japan as the weather is often stormy and cloudy. Maximum benefit has to be taken of the periods in which the climate is pleasant, and a variety of approaches has been developed to deal with such conditions; latticed paper-windows (shôji), overhangs (noki) and verandas oriented to the South (engawa), are some of the main features that we have modelled with the aid of our computer program. The results have been validated by virtue of on site measurements. The cultural aspect of this paper lies not only in what it represents for the evolution of Japanese and Oriental Architecture but also in the profound impression that those particular lighting systems had for distinguished modern architects like Bruno Taut, Antonin Raymond or Walther Gropius and the contemporary artist Isamu Noguchi, a kind of fascination that we may say is lingering today. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Furniture Industry in Kenya
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized FURNITURE INDUSTRY IN KENYA Situational Analysis and Strategy Disclaimer: This volume is a product of the staff of the International Bank for Reconstruction and Development/ The World Bank. The findings, interpretations, and conclusions expressed in this paper do not necessarily reflect the views of the Executive Directors of The World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Copyright Statement: The material in this publication is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. The International Bank for Reconstruction and Development/ The World Bank encourages dissemination of its work and will normally grant permission to reproduce portions of the work promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA, Telephone 978-750-8400, fax 978-750-4470, http://www.copyright.com/. All other queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818 H Street NW, Washington, DC 20433, USA, fax 202-522-2422, [email protected] ACKNOWLEDGEMENTS his report, funded through the generous sponsorship of DFID and the Netherlands, has been Tprepared jointly by a team from Creapo Oy, Helsinki, Finland (Harri Ahveninen, MSc. -
My Year of Dirt and Water
“In a year apart from everyone she loves, Tracy Franz reconciles her feelings of loneliness and displacement into acceptance and trust. Keenly observed and lyrically told, her journal takes us deep into the spirit of Zen, where every place you stand is the monastery.” KAREN MAEZEN MILLER, author of Paradise in Plain Sight: Lessons from a Zen Garden “Crisp, glittering, deep, and probing.” DAI-EN BENNAGE, translator of Zen Seeds “Tracy Franz’s My Year of Dirt and Water is both bold and quietly elegant in form and insight, and spacious enough for many striking paradoxes: the intimacy that arises in the midst of loneliness, finding belonging in exile, discovering real freedom on a journey punctuated by encounters with dark and cruel men, and moving forward into the unknown to finally excavate secrets of the past. It is a long poem, a string of koans and startling encounters, a clear dream of transmissions beyond words. And it is a remarkable love story that moved me to tears.” BONNIE NADZAM, author of Lamb and Lions, co-author of Love in the Anthropocene “A remarkable account of a woman’s sojourn, largely in Japan, while her husband undergoes a year-long training session in a Zen Buddhist monastery. Difficult, disciplined, and interesting as the husband’s training toward becoming a monk may be, it is the author’s tale that has our attention here.” JOHN KEEBLE, author of seven books, including The Shadows of Owls “Franz matches restraint with reflexiveness, crafting a narrative equally filled with the luminous particular and the telling omission. -
The Bamboo and Rattan Sectors in Asia: an Analysis of Production-To-Consumption Systems
The Bamboo and Rattan Sectors in Asia: an Analysis of Production-to-Consumption Systems Working Paper No. 22 Brian M. Belcher International Network for Bamboo and Rattan ● Beijing ● New Delhi ● Eindhoven © International Network for Bamboo and Rattan, 1999 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. The presentation of material in this publication does not imply the expression of any opinion on the part of INBAR concerning the legal status of any country, or the delineation of frontiers or boundaries. ISBN 81-86247-38-6 Designed & Printed by : Multiplexus (India), Delhi-54, INDIA ACKNOWLEDGEMENTS This assessment would not have been possible without the inputs and insights provided by the researchers, authors and other associates who were involved in the first series of socio-economic case studies carried out as part of INBAR's Socio- economics and Policy Program. In particular, the author extends his sincere thanks to (in alphabetical order): Mylene Aparente, Sastria Astana, Ma. Vienna Austria, Lal Mrigendrasingh Baghel, Xie Chen, Jasni Djarwanto, Dharmendra Duggaya, Hariyatno Dwiprabowo, Rachman Effendi, Wesman Endon, Leino Espanto, B.N. Gupta, Setyawadi Hadi, Vijay Ilorkar, Setiasih Irawanti, Xie Jinzhong, N.K. Joshi, J.B.S. Karki, Madhav Karki, Maman Mansyur, Fu Maoyi, P.M. Mathew, Kanwarjit Nagi, D.L. Nandeshwar, B.D. Nasendi, Isabelita Pabuayon, Ridwan Pasairibu, Hendro Prahasto, Soetarso Priasukmana, Boen Purnama, Osly Rachman, Merlyn Rivera, Khamphone Sengdala, Bouahome Sengkhamyong, Gopal Sherchan, Rahayu Supriadi, Uhaedi Sutisna, D.N. -
10 Ways to Create Your Own Zen House Search Magazines and Websites Dedicated to Modern Decor, and Pictures of Japanese Style Interiors Are Easily Found
ZenVita Original Japanese Home Designs 10 Ways to Create Your Own Zen House Search magazines and websites dedicated to modern decor, and pictures of Japanese style interiors are easily found. Whether it be a small pot, a Zen garden or a modern reworking of a traditional Japanese room, architects and decorators turn to the east for inspiration. Behind these simple interior designs lies a very particular and distinct way of life. Zen philosophy and its teachings are studied and incorporated widely in modern Japanese architecture, enriching our understanding of what good design is all about. That being said, it is easily understood that Japanese design is not a trend. It will never be out of fashion, and it will never get old, because it forms part of a particular approach of life, a simpler one, without pretense, riches and unnecessary stylistic exaggerations. Above all it reflects the long history of Japan, and the evolution of its philosophy and architecture. The moment you decide to add Japanese style to your house, you have chosen an aesthetic principle. It is not about what kind of painting you will put on the walls anymore, but rather it goes deeper, into what kind of life you want to live. So how can we add a truly Japanese touch to our home? The first step is knowledge, and with this we can help you. Adding a little Japanese style can be easy and inexpensive with the right know-how, style tips and advice. If you are thinking of designing a Japanese style home, then these are our ten top recommendations. -
Whither North Carolina Furniture Manufacturing?
Working Paper Series This paper can be downloaded without charge from: http://www.richmondfed.org/publications/ Whither North Carolina Furniture Manufacturing? Robert L. Lacy Federal Reserve Bank of Richmond 701 E. Byrd Street Richmond, VA 23219 September 2004 Working Paper No. 04-07 Key Words: Furniture Manufacturing, Regional Economic Activity, Industry Studies JEL Nos. L60, N62, N92, R11 Abstract: North Carolina’s furniture manufacturing industry has contracted in recent years as imports have gained a greater share of the domestic furniture market. Rapid growth of the furniture industry in China and a surge in exports from that country to the United States in particular have contributed to plant closings and consolidation of operations in the state. North Carolina’s furniture manufacturers are adapting to the emergence of global competition and are developing new corporate strategies to better compete. The reviews expressed herein are not necessarily those of the Federal Reserve Bank of Richmond or the Federal Reserve System. E-mail address: [email protected]. Whither North Carolina Furniture Manufacturing? Furniture manufacturing has a long and storied tradition in North Carolina. From modest origins in the late 1800s, the state’s furniture industry expanded during the twentieth century to rank among the largest and most prosperous in the nation. High Point, Hickory, Drexel, Thomasville and other small North Carolina towns became focal points of the United States furniture craft during the period. And prosperity in the industry helped raise standards of living in a state that was once among the poorest in the nation. Along with textiles and tobacco processing, furniture manufacturing became symbolic of North Carolina’s industrial progress and the South’s efforts to spur economic development in the twentieth century. -
YOKOHAMA and KOBE, JAPAN
YOKOHAMA and KOBE, JAPAN Arrive Yokohama: 0800 Sunday, January 27 Onboard Yokohama: 2100 Monday, January 28 Arrive Kobe: 0800 Wednesday, January 30 Onboard Kobe: 1800 Thursday, January 31 Brief Overview: The "Land of the Rising Sun" is a country where the past meets the future. Japanese culture stretches back millennia, yet has created some of the latest modern technology and trends. Japan is a study in contrasts and contradictions; in the middle of a modern skyscraper you might discover a sliding wooden door which leads to a traditional chamber with tatami mats, calligraphy, and tea ceremony. These juxtapositions mean you may often be surprised and rarely bored by your travels in Japan. Voyagers will have the opportunity to experience Japanese hospitality first-hand by participating in a formal tea ceremony, visiting with a family in their home in Yokohama or staying overnight at a traditional ryokan. Japan has one of the world's best transport systems, which makes getting around convenient, especially by train. It should be noted, however, that travel in Japan is much more expensive when compared to other Asian countries. Japan is famous for its gardens, known for its unique aesthetics both in landscape gardens and Zen rock/sand gardens. Rock and sand gardens can typically be found in temples, specifically those of Zen Buddhism. Buddhist and Shinto sites are among the most common religious sites, sure to leave one in awe. From Yokohama: Nature lovers will bask in the splendor of Japan’s iconic Mount Fuji and the Silver Frost Festival. Kamakura and Tokyo are also nearby and offer opportunities to explore Zen temples and be led in meditation by Zen monks. -
Upgrading Strategies in Global Furniture Value Chains
Research and Statistics Branch working paper 9/2008 Upgrading Strategies in Global Furniture Value Chains UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION RESEARCH AND STATISTICS BRANCH WORKING PAPER 09/2008 Upgrading Strategies in Global Furniture Value Chains Raphael Kaplinsky DPP-Technology The Open University Jeff Readman Centre for Research in Innovation Management University of Brighton Olga Memedovic UNIDO UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna, 2009 Acknowledgements This working paper has been prepared under the guidance of Olga Memedovic, UNIDO project manager in the context of the UNIDO project “Global Value Chains and Production Networks: Prospects for Upgrading by Developing Countries”. Contributors to the paper are Raphael Kaplinsky, DPP-Technology, The Open University, Jeff Readman, Centre for Research in Innovation Management University of Brighton, and Olga Memedovic, UNIDO staff member. Special thanks are due to UNIDO staff members Juergen Martin Hierold and Antonio Levissianos for providing technical inputs in the initial stage of the preparation of this paper, and to Penelope Plowden and Georgina Wilde for their style editing contribution. Iguaraya Saavedra provided administrative support. The designations employed, descriptions and classifications of countries, and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. The responsibility for opinions expressed rests solely with the authors, and publication does not constitute an endorsement by UNIDO of the opinions expressed.