Fall Island Vocal Arts Seminar May 21- 27, 2018
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Leonard Slatkin at 70: the DSO's Music Director Was Born for The
Leonard Slatkin at 70: The DSO’s music director was born for the podium By Lawrence B. Johnson Some bright young musicians know early on that they want to be a conductor. Leonard Slatkin, who turned 70 Slatkin at 70: on September 1, had a more specific vision. He believed himself born to be a music director. Greatest Hits “First off, it was pretty clear that I would go into conducting once I had the opportunity to actually lead an orchestra,” says Slatkin, music director of the Detroit Symphony Orchestra since 2008 and occupant of the same post with the Orchestre National de Lyon since 2011. “The study process suited my own ethic and, at least for me, I felt relatively comfortable with the technical part of the job.” “But perhaps more important, I knew that I would also be a music director. Mind you, this is a very different job from just getting on the podium and waving your arms. The decision making process and the ability to shape a single ensemble into a cohesive whole, including administration, somehow felt natural to me.” Slatkin arrived at the DSO with two directorships already under his belt – the Saint Louis Symphony (1979-96) and the National Symphony in Washington, D.C. (1996-2008) – and an earful of caution about the economically distressed city and the hard-pressed orchestra to which he was being lured. But it was a challenge that excited him. “Almost everyone warned me about the impending demise of the orchestra,” the conductor says. “A lot of people said that I should not take it. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
Common Ground
1 Common Ground The Papal Encyclical, Science and the Protection of Planet Earth Hans Joachim Schellnhuber Potsdam Institute for Climate Impact Research, Germany; Santa Fe Institute for Complex Systems Research, USA Laudato si’, the Papal Encyclical[1], is compiled at a crucial moment in the history of humanity: today. We are faced with the great challenge of limiting global warming to below 2°C while fostering development for the poorest. But we are also experiencing a special window of opportunity because the knowledge about the Earth system has never been greater. Moreover, we have the technical and economic solutions at hand to overcome the challenges we are confronted with. The urgency to act on these pressing issues that is expressed in the Encyclical mirrors the scientific findings which have accumulated into an overwhelming body of evidence. The science is clear: global warming is driven by greenhouse-gas emissions which are the result of burning fossil fuels. If we fail to strongly reduce these emissions and to bend the warming curve, we, our neighbors and children will be exposed to intolerable risks. The scientific consensus as represented by the Intergovernmental Panel on Climate Change (IPCC) has been continuously reaffirmed by the most eminent scientific academies, including the Pontifical Academy of Sciences and the Pontifical Academy of Social Sciences which have congregated several times over the past years to address the topics of climate change and global sustainability ([2]–[5]). As any further delay to mitigation measures may jeopardize climate stability and thus our future, it is time to form alliances, find common ground and act together as humankind -- but also to take on individual responsibility and change what is in our power to change. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
2017 20Th/21St-Century Piano Festival
Piano Area presents 2017 th st 20 / 21 - Century Piano Festival Dr. Sookkyung Cho, Director Dr. Helen Marlais, Founding Director Saturday, October 28, 2017 Sherman Van Solkema Recital Hall Haas Center for Performing Arts Composer-in-Residence For 25 years Bill Ryan has been a tireless advocate of contemporary music. Through his work as a composer, conductor, producer and educator, he has engaged audiences throughout the country with the music of our time. He has won the American Composers Forum Champion of New Music Award, the Michigan Governor’s Award in Arts Education, and the Distinguished Contribution to a Discipline Award at Grand Valley State University. As a concert producer, Bill has presented over 65 events in his Open Ears and Free Play concert series, gaining national recognition with three ASCAP/Chamber Music America Adventurous Programming Awards. Notable guests have included eighth blackbird, Prism, So Percussion, Ethel, Lisa Moore, Todd Reynolds, Julia Wolfe, Talujon, Michael Lowenstern, and the Michael Gordon Band. -
Download CV (.Pdf)
Titus von der Malsburg Curriculum Vitae Address: Institute of Linguistics Homepage: tmalsburg.github.io University of Stuttgart GitHub: github.com/tmalsburg Keplerstraße 17 OSF: osf.io/pfkez 70174 Stuttgart OCRID: orcid.org/0000-0001-5925-5145 Phone: +49-(0)711 / 685-84873 E-mail: [email protected] Academic employment 2021 – University of Stuttgart, Assistant Professor, tenure-track Institute of Linguistics 2017 – Massachusetts Institute of Technology, Research Affiliate Department Brain and Cognitive Sciences 2018 – 2021 University of Potsdam, Researcher and Lecturer Department of Linguistics 04 – 08/2019 – Parental leave – 2016 – 2018 University of Potsdam, Visiting Professor for Psycho- and Neurolinguistics Department of Linguistics 2014 – 2016 UC San Diego, Research Fellow Department of Psychology, Department of Linguistics Funded through two-year grant awarded to my by the Alexander von Human Foundation Supervisors: Keith Rayner, Roger Levy 2014 University of Oxford, Research Associate St John’s College, Department of Experimental Psychology Supervisor: Kate Nation 2012 – 2013 University of Potsdam, Postdoctoral Researcher DFG Research Group 868: Mind and Brain Dynamics Supervisors: Frank Rösler, Shravan Vasishth Education 2008 – 2012 Dr. phil. in Cognitive Science, grade: summa cum laude University of Potsdam Advisors: Shravan Vasishth, Reinhold Kliegl 2009 Summer School on Embodied Language Games and Construction Grammar, Cortona, Italy 2008 15th International Summer School in Cognitive Science, New Bulgarian -
Download Booklet
559216-18 bk Bolcom US 12/08/2004 12:36pm Page 40 AMERICAN CLASSICS WILLIAM BOLCOM Below: Longtime friends, composer William Bolcom and conductor Leonard Slatkin, acknowledge the Songs of Innocence audience at the close of the performance. and of Experience (William Blake) Soloists • Choirs University of Michigan Above: Close to 450 performers on stage at Hill Auditorium in Ann Arbor, Michigan, under the School of Music baton of Leonard Slatkin in William Bolcom’s Songs of Innocence and of Experience. Symphony Orchestra University Musical Society All photographs on pages 37-40 courtesy of Peter Smith/University Musical Society Leonard Slatkin 8.559216-18 40 559216-18 bk Bolcom US 12/08/2004 12:36pm Page 2 Christine Brewer • Measha Brueggergosman • Ilana Davidson • Linda Hohenfeld • Carmen Pelton, Sopranos Joan Morris, Mezzo-soprano • Marietta Simpson, Contralto Thomas Young, Tenor • Nmon Ford, Baritone • Nathan Lee Graham, Speaker/Vocals Tommy Morgan, Harmonica • Peter “Madcat” Ruth, Harmonica and Vocals • Jeremy Kittel, Fiddle The University Musical Society The University of Michigan School of Music Ann Arbor, Michigan University Symphony Orchestra/Kenneth Kiesler, Music Director Contemporary Directions Ensemble/Jonathan Shames, Music Director University Musical Society Choral Union and University of Michigan Chamber Choir/Jerry Blackstone, Conductor University of Michigan University Choir/Christopher Kiver, Conductor University of Michigan Orpheus Singers/Carole Ott, William Hammer, Jason Harris, Conductors Michigan State University Children’s Choir/Mary Alice Stollak, Music Director Leonard Slatkin Special thanks to Randall and Mary Pittman for their continued and generous support of the University Musical Society, both personally and through Forest Health Services. Grateful thanks to Professor Michael Daugherty for the initiation of this project and his inestimable help in its realization. -
New Music Festival March 26Th – March 28Th, 2018 Co-Directors
Illinois State University RED NOTE new music festival March 26th – March 28th, 2018 co-directors , distinguished guest composer , distinguished guest composer , guest performers CALENDAR OF EVENTS MONDAY, MARCH 26TH 8 pm, Center for the Performing Arts The Festival opens with a concert featuring the Illinois State University Wind Symphony and Illinois State University choruses. Professor Anthony Marinello conducts the ISU Wind Symphony in a performance of the winning work in this year’s Composition Competition for Wind Ensemble, Patrick Lenz’s Pillar of Fire. The Wind Symphony also performs guest composer William Bolcom’s Concerto for Soprano Saxophone with ISU faculty Paul Nolen, and the world premiere of faculty composer Martha Horst’s work Who Has Seen the Wind? The ISU Concert Choir and Madrigal Singers, conducted by Dr. Karyl Carlson, perform the winning piece in the Composition Competition for Chorus, Wind on the Island by Michael D’Ambrosio, as well as William Bolcom’s Song for Saint Cecilia’s Day. TUESDAY, MARCH 27TH 7:30 pm, Kemp Recital Hall ISU students and faculty present a program of works by featured guest composers Gabriela Lena Frank and William Bolcom. The concert will also include the winning work in this year’s Composition Competition for Chamber Ensemble, Downloads, by Jack Frerer. WEDNESDAY, MARCH 28TH 7:30 pm, Kemp Recital Hall Ensemble Dal Niente takes the stage to perform music of contemporary European composers, including Salvatore Sciarrino, Kaija Saariaho, and György Kurtag. THURSDAY, MARCH 29TH 7:30 pm, Kemp Recital Hall The Festival concludes with a concert of premieres by the participants in the RED NOTE New Music Festival Composition Workshop: James Chu, Joshua Hey, Howie Kenty, Joungmin Lee, Minzuo Lu, Mert Morali, Erik Ransom, and Mac Vinetz. -
Bayesian Downscaling of Building Exposure Models with Remote Sensing and Ancillary Information
EGU2020-18240, updated on 28 Sep 2021 https://doi.org/10.5194/egusphere-egu2020-18240 EGU General Assembly 2020 © Author(s) 2021. This work is distributed under the Creative Commons Attribution 4.0 License. Bayesian downscaling of building exposure models with remote sensing and ancillary information Raquel Zafrir1,2, Massimiliano Pittore1,3, Juan Camilo Gomez- Zapata1,4, Patrick Aravena5, and Christian Geiß5 1Helmholtzcentre Potsdam GFZ German Research Centre for Geosciences, Potsdam, Germany ([email protected], [email protected], [email protected]) 2Hochschule für Technik Stuttgart - HFT Stuttgart, Stuttgart, Germany ([email protected]) 3Eurac Research, Bolzano, Italy 4University of Potsdam, Potsdam, Germany 5German Aerospace Center (DLR), Weßling, Germany ([email protected], [email protected]) Residential building exposure models for risk and loss estimations related to natural hazards are usually defined in terms of specific schemas describing mutually exclusive, collectively exhaustive (MECE) classes of buildings. These models are derived from: (1) the analysis of census data or (2) by means of individual observations in the field. In the first case, expert elicitation has been conventionally used to classify the building inventory into particular schemas, usually aggregated over geographical administrative units whose size area and shape are country-specific. In the second case, especially for large urban areas, performing a visual inspection of every building in order to assign a class according to the specific schema used is a highly time- and resource intensive task, often simply unfeasible. Remote sensing data based on the analysis of satellite imagery has proved successful in integrating large-scale information on the built environment and as such can provide valuable vulnerability-related information, although often lacking the level of spatial and thematic resolution requested by multi-hazard applications. -
V. A. Yakubovich - Mathematician, “Father of the field”, and Herald of Intellectual Democracy in Science and Society
Preprints, 1st IFAC Conference on Modelling, Identification and Control of Nonlinear Systems June 24-26, 2015. Saint Petersburg, Russia V. A. Yakubovich - mathematician, “father of the field”, and herald of intellectual democracy in science and society S. Abramovich, N.V. Kuznetsov, G.A. Leonov State University of New York at Potsdam, USA University of Jyvaskyl¨ a,¨ Finland Saint-Petersburg State University, Russia Abstract: The most important events of the remarkable life of V.A. Yakubovich the founder and chair (1970-2012)of the Department of Theoretical Cybernetics at the Faculty of Mathematics and Mechanics of Saint-Petersburg State University, the author/co-author of eight books and more than 300 journal articles and conference papers are considered through the lens of intellectual democracy movement in the modern Russia. Vladimir Andreevich Yakubovich (referred to below as V. A.), other accolades of V. A. is the following testimonial by the one of the founders of the modern control theory, passed away SIAM community regarding his relation to A. M. Lyapunov in at the age of 85 on August 17, 2012. He would have turned the history of the development of linear matrix inequalities in 90 in 2016. The authors of this paper are disciples of V. A. control: “It is fair to say that Yakubovich is the father of the and do remember him as an outstanding scholar and humanist, field, and Lyapunov the grandfather of the field” (Boyd et al., a person of extraordinary sagacity and exceptional goodwill, 1994, p.4). a truly courageous human being. Confined to the sorrowful milieu and precarious lifestyle of the totalitarian state, V.A. -
2003 12-10:30 Pm the Following Volunteers Are Largely Responsible for the Successful Operation of the Festival
Michi an Festival Schoolcraft College July 20, 2003 12-10:30 pm The following volunteers are largely responsible for the successful operation of the festival. They are wearing navy blue T-shirts and will assist you in finding your way to your favorite performances, dining, the Jazz Walk and Steinway Jazz Cafe. Just ask! Enjoy! Richard Aja Jim Gumley Shroyer Family Rose Apple Carol & Fritz Patti Smith Molly Berkau Hansen Betty Smolinski Phyllis Berryman Jeanette Harris Dave, Carol & John Brady Pat Hill Travis Sneary Robin Bringard Kristin Hoy Lynne Standley- Ryan Mary Beth Busto Paul Hunt Ray & Shirley Jack Campau Karen Kendall Steinke Judi Cartright Barbara Lawlor Sam & Bonnie Ted & Liz Janie Clark Stock Linderman Jim & Sharon Mary Ann Edward Methot Cooper Sutherland Ken Murray Mary Ann Cripps Barbara Taylor Jim Newman Deborah Dani Jean & Karen Peter Davis Marcel Niemiec Tomalis Brenda & Fred Cindy Pierson Tom Tomczak Durling Kristin & Pat Linda & Steve Van Michele Elias Prouty Haverbeke M.J. Falls Arnie Robinson Fred Welsh Joyce Galindo Catherine Sailus Marlene Werts Anne Gallagher Joan Schott Marnee Westberg Chris Geinzer Dianne See Patricia Wheatley Nancy Gillis Mary Sen Bob, Betty & Ann Zimmerman Charles & Louise David Sharpe Greenwald Salute to Jack Pierson The Pied Piper of Jazz Just mention Jack Pierson's name to a group of jazz fans and someone will always tell you they were in one of his bands at Fordson High School, Henry Ford Community College or Schoolcraft College. These students follow him around as though he was the Pied Piper. They love playing for him, admire him and say they never fail to learn something .1_ new each time. -
"The Decolonizing Pen": Cultural Diversity and the Transnational Imaginary in Rushdie's Fiction
© 2008 AGI-Information Management Consultants May be used for personal purporses only or by libraries associated to dandelon.com network. Liselotte Glage and Riidiger Kunow (Eds.) "The Decolonizing Pen": Cultural Diversity and the Transnational Imaginary in Rushdie's Fiction Wissenschaftlicher Verlag Trier TABLE OF CONTENTS Liselotte Glage, Hanover, Ruediger Kunow, Potsdam, Germany Introduction: Rushdie and the New International Theme 7 Elleke Boehmer, Nottingham v Neo-Orientalism, Converging Cities, and the Postcolonial Criticism of Rushdie 15 Graham Huggan, Tobias Wachinger, Munich, Germany Can Newness Enter the World? The Satanic Verses and the Question of Multicultural Aesthetics 25 Bernd-Peter Lange, Magdeburg, Germany '"' Postcolonial Gothic: Salman Rushdie's The Moor's Last Sigh 39 Michael Gorra, Northampton, Mass. Rushdie's Fantasy 51 Peter Antes, Hanover, Germany K Salman Rushdie: Wanderer Between Two Worlds? 61 Nilufer E. Bharucha, Bombay v Real and Imagined Worlds: Salman Rushdie as a Writer of the Indian Diaspora 69 Ruediger Kunow, Potsdam, Germany \, "Detached ... from both worlds, not one": -^ Salman Rushdie's Midnight's Children and the Postcolonial Novel 87 Students' Forum Christine Amann, Saarbruecken, Germany Pluralism versus Purism: Cultural Hybridity in Salman Rushdie's The Moor's Last Sigh 107 Britta Alexandra von Roenn, Hanover, Germany The Discovery of Truth: "Overneath" and Underneath Realities 111 Ulrike Roettjer, Hanover, Germany \ Construction and Deconstruction of an Image: 'Mother India' in Salman Rushdie's The Moor's Last Sigh 115 Alexander Sablowski, Hanover, Germany There's No Place Like Home 119 Nirit Scholz, Hanover, Germany The Boundless Realm of Salman Rushdie's The Moor's Last Sigh 123 Tatjana Schultz, Hanover, Germany The Moor's Last Sigh: Narrative Form versus Content and the Question of Identity 127 Till Winkler, Hanover, Germany \ Beyond a Politics of Hybridity: The Moor's Last Sigh 131 Contributors 145.