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The Revenge of Jenji Kohan
ThThe Reveevengnge of Jenjnji KoKohanan Smart. Funny. Obsessive. Subversive. How the creator of the hit TV shows Weeds and Orange Is the New Black smoked the doubters and got the last laugh By Paul Hond enji Kohan ’91CC is a rare bird among With the latest season of Orange in the can, the television showrunners: blue-haired and building is quiet today, and Kohan is relaxed. Her female, a punkish Jewish earth mother with private offi ce exudes warmth and comfort, as does a darkly comic vision so basic to her nature Kohan herself. Her hair is the vivid indigo of blue that the goblin of political correctness velvet. Her cat-eye glasses could have been teleported Jshrinks in her presence. As a writer, she is fearless. from a 1962 mahjong game. Objects on her desk She will go there, and keep going. attest to a fondness for thrift-shop fl otsam and novelty “I fi nd the funny in everything, especially the inap- doodads: two Magic 8 Balls, a Weeds condom, and a propriate,” she says. “Maybe it’s my survival technique.” beanbag emblazoned with an unprintable four-letter Kohan’s company, Tilted Productions, is based in word starting with the letter C. central Los Angeles, in a Spanish Colonial–style build- Life wasn’t always this good. “I spent the fi rst part of ing of pink stucco, arched windows, and iron grillwork. my life very frustrated, feeling patronized, and fi ghting Built in 1926 as the Masque Playhouse, it was later injustice, and it doesn’t work when you’re young,” renamed the Hayworth Theatre (legend has it that Kohan says, seated in an armchair with her feet tucked Rita Hayworth’s father once ran a dance studio there). -
Music Business in Detroit
October 18, 2013 Music Business in Detroit: Estimating the Size of the Music Industry in the Motor City Prepared by: Anderson Economic Group, LLC Colby Spencer Cesaro, Senior Analyst Alex Rosaen, Senior Consultant Lauren Branneman, Senior Analyst Forward by: Patrick L. Anderson, Principal & CEO Anderson Economic Group, LLC 1555 Watertower Place, Suite 100 East Lansing, Michigan 48823 Tel: (517) 333-6984 Fax: (517) 333-7058 www.AndersonEconomicGroup.com © Anderson Economic Group, LLC, 2013 Permission to reproduce in entirety granted with proper citation. All other rights reserved. Foreword I'm pleased to share with readers of Crain's Detroit Business, as well as with others in the Detroit region, this first-of-its-kind study of the business of music in southeast Michigan. Everyone that grew up in this area knows of the "Motown sound," as well as the heritage of jazz, blues, and rock that has steeped into our culture. Many of us are also aware of the more recent innovations of techno and hip-hop, much of which has roots in Detroit. However, until now there has been no systematic analysis of the business of music in our area. Our Anderson Economic Group consultants have combed census and other business records; examined the geographic pattern of nightclubs and perfor- mance venues; scanned demographic patterns for concentrations of heavy enter- tainment consumers; and even conducted primary research into the days/nights of live music available to metro Detroiters at over two hundred specific bars, taverns, and clubs. What we have assembled is a thorough analysis of an indus- try that has always been important to our culture, but can now also be known for its contributions to our employment and earnings. -
Conscious Codes, Anyone? an Art Magazine • 2020 • Print Edition No
CONTEMPORARYAND.COM #WEARECONTEMPORARYAND C& CONSCIOUS CODES, ANYONE? AN ART MAGAZINE • 2020 • PRINT EDITION NO. 11 CONTEMPORARYAND.COM EDITORIAL “With evidence of coded beaded patterns, communicative frequencies with non-human agencies, and connections to ancient practices, new media can embody new forms of consciousness and expressions of ‘otherness’ that have come to define digital art.” Enos Nyamor Contemporary And (C&) was deliberately founded as an online magazine with the desire for it to be accessible beyond physical distribution boundaries. Free content for readers from Accra to Rio de Janeiro to New York. Accessibility is the bottom line. Connecting people and visualizing their artistic production is what C& has been and is constantly doing. Digital space is the main tool of the global network that creates the content of C&. Digital connections have become even more urgent during recent weeks, in which a pandemic has had and is still having a worldwide impact. This first C& print edition of 2020 focuses on digital arts and their potential for connecting to the past and inventing the future. Enos Nyamor asks how much digital art production in Africa is stereotyped. Artists Natalie Paneng and David Alabo speak more specifically in interviews about their practices. Creative producers Ingrid LaFleur and Daniel Kimotho give insights on cryptocurrency and its ability to increase economic activity and output from African perspectives. Nelly Y. Pinkrah discusses how histories of race, Blackness, and (media) technology have always been intimately intertwined. Finally, Awour Onyango focuses on the Kenyan art scene which is countering the erasure of Kenyans from Nairobi’s tech boom through digital and VR work. -
Church of Christ 803-905-7850 Sunday School 10:00 Am Sat
IN SPORTS: P-15’s looking to avenge loss to Hartsville ahead of Legion playoffs B1 THE CLARENDON SUN Miracle Man Mackenzie China on the mend after horriffic A5 THURSDAY, JUNE 30, 2016 | Serving South Carolina since October 15, 1894 75 cents motorcycle wreck Disaster relief Runoff turnout under 7 percent town hall Runoff elections were held for Sum- Robbie Baker, a veteran law enforce- Shaw Air Force Base ter County Coroner, Sumter County ment officer with the county, by 224 Council District 1 and State House of votes. rescheduled precinct had no voters Representatives District 50, and re- Although Bullock ultimately lost sulted in the three Democratic new- the race, he held the lead in several BY ADRIENNE SARVIS comers grabbing spots on the Nov. 8 precincts including Wilder, Salem, Date changed to reach [email protected] ballot. Green Swamp and St. John, where he There are no Republican candidates garnered 82 percent of votes. vulnerable population Once again, Sumter County had a for either of the three positions, Baker and Bullock had a close race low voter turnout for a local elec- meaning the three winners of the in Wilson Hall precinct where Baker BY JIM HILLEY tion, with 6.68 percent of 71,575 reg- runoff elections will likely have un- secured a win by 5 percent with a [email protected] istered voters casting their ballots on contested races in November. total of 52 percent of votes. Tuesday during primary runoff vot- Incumbent county coroner Harvin The South Carolina Disas- ing. Bullock lost his runoff election to SEE RUNOFF, PAGE A9 ter Recovery Office has re- scheduled a town hall meet- ing originally set for Tues- day at Patriot Hall, 135 Haynsworth Street to 6 p.m. -
SEINFELD on MARKETING
SEINFELD on MARKETING 777 Marketing lessons from the cast of “the show about nothing” by Bill Gammell http://ubereye.wordpress.com © Sony Pictures Entertainment, Inc . A show about nothing… All this time we thought Seinfeld was a show about “nothing”. Little did we know that peppered in its nine seasons were hidden, real-world marketing lessons taught from the masters themselves. But unlike the Soup Nazi’s secret soup recipes, these marketing lessons are to be shared freely with everyone. In fact (to loosely quote Elaine Benes when she discovered the secret recipes of the short-tempered Soup Nazi), feel free to give these lessons to every marketer in town , to have ‘em published (not really) or drop them as fliers from a plane above the city. So why did I write this ebook? Anyone who knows me well knows that I watch way too much Seinfeld. So much so that many times during a conversation with someone I’ll remark, “Hey, that reminds me of a Seinfeld episode where Jerry and Kramer are…” Basically, it’s a curse. We’ll that’s all about to change with this ebook. I have decided to use my Seinfeld powers for the good of marketing-kind. Maybe this will help to quite the voices in my head (doubtful, but one can hope). Even if you have never watched an episode of Seinfeld in your life (shame on you!), you can still participate. I’ll give you the background of each episode so that you can play along at home. …on with tthehe show. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
MICHIGAN MONTHLY ______October, 2017 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ October, 2017 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – on Fox unless otherwise noted CAR & MOTORCYCLE SHOWS Oct. 1 at Minnesota Vikings; 1 pm Oct. 7 Charity Car Show to benefit the Christmas Oct. 8 vs. Carolina Panthers; 1 pm Adopt A Family program; noon-3 pm; Oct. 15 at New Orleans Saints; 1 pm Fraternal Order of Eagles 2784, 7542 Oct. 22 Bye Palms, Fair Haven; rain date Oct. 8; 586- Oct. 29 vs. Pittsburgh Steelers; 8:30 pm; NBC 419-0399 Nov. 6 at Green Bay Packers; 8:30 pm; ESPN Nov. 12 vs. Cleveland Browns; 1 pm; CBS DETROIT RED WINGS – LITTLE CAESARS Nov. 19 at Chicago Bears; 1 pm ARENA – on FSD unless otherwise stated Nov. 23 vs. Minnesota Vikings; 12:30 pm Oct. 5 vs. Minnesota Wild; 7:30 pm; NBCSN UNIVERSITY OF MICHIGAN WOLVERINES – 866- Oct. 7 at Ottawa Senators; 7 pm; FSD, CBC 296-MTIX, MGOBLUE.com/Tickets Oct. 10 at Dallas Stars; 8:30 pm Oct. 12 at Arizona Coyotes; 10 pm Oct. 7 vs. Michigan State University; TBD Oct. 13 at Vegas Golden Knights; 10:30 pm Oct. 14 at Indiana; noon Oct. 16 vs. Tampa Bay Lightning; 7:30 pm Oct. 21 at Penn State Oct. 18 at Toronto Maple Leafs; 7:30 pm; FSD+ Oct. 28 vs. Rutgers; noon Oct. 20 vs. Washington Capitals; 7:30 pm Nov. 4 vs. Minnesota Oct. 22 vs. Vancouver Canucks; 7 pm Nov. 11 at Maryland Oct. 24 at Buffalo Sabres; 7 pm; NBCSN Nov. 18 at Wisconsin Oct. 26 at Tampa Bay Lightning; 7:30 pm Nov. -
The Revenge of Jenji Kohan
Arts & Humanities The Revenge of Jenji Kohan Smart. Funny. Obsessive. Subversive. How the creator of the hit TV shows Weeds and Orange Is the New Black smoked the doubters and got the last laugh. By Paul Hond | Summer 2016 Illustration by Connor Langton. Jenji Kohan ’91CC is a rare bird among television showrunners: blue-haired and female, a punkish Jewish earth mother with a darkly comic vision so basic to her nature that the goblin of political correctness shrinks in her presence. As a writer, she is fearless. She will go there, and keep going. “I find the funny in everything, especially the inappropriate,” she says. “Maybe it’s my survival technique.” Kohan’s company, Tilted Productions, is based in central Los Angeles, in a Spanish Colonial–style building of pink stucco, arched windows, and iron grillwork. Built in 1926 as the Masque Playhouse, it was later renamed the Hayworth Theatre (legend has it that Rita Hayworth’s father once ran a dance studio there). Kohan bought the place in 2013. Now, after a major renovation, it’s a clean, spare, sunny, feng shui triumph of orderly space and calming energy, with long hallways and private writing rooms, a large open kitchen and dining area, and even a children’s playroom filled with brightly colored educational toys. This is where Orange Is the New Black, Kohan’s award-winning women’s-prison dramedy series, is conceived, discussed, mapped out, written, edited, and birthed. With the latest season of Orange in the can, the building is quiet today, and Kohan is relaxed. -
Universi^ Micrcxilms Liitemational 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
“Where the Mix Is Perfect”: Voices
“WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE by Carleton S. Gholz B.A., Macalester College, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Carleton S. Gholz It was defended on April 11, 2011 and approved by Professor Brent Malin, Department of Communication Professor Andrew Weintraub, Department of Music Professor William Fusfield, Department of Communication Professor Shanara Reid-Brinkley, Department of Communication Dissertation Advisor: Professor Ronald J. Zboray, Department of Communication ii Copyright © by Carleton S. Gholz 2011 iii “WHERE THE MIX IS PERFECT”: VOICES FROM THE POST-MOTOWN SOUNDSCAPE Carleton S. Gholz, PhD University of Pittsburgh, 2011 In recent years, the city of Detroit’s economic struggles, including its cultural expressions, have become focal points for discussing the health of the American dream. However, this discussion has rarely strayed from the use of hackneyed factory metaphors, worn-out success-and-failure stories, and an ever-narrowing cast of characters. The result is that the common sense understanding of Detroit’s musical and cultural legacy tends to end in 1972 with the departure of Motown Records from the city to Los Angeles, if not even earlier in the aftermath of the riot / uprising of 1967. In “‘Where The Mix Is Perfect’: Voices From The Post-Motown Soundscape,” I provide an oral history of Detroit’s post-Motown aural history and in the process make available a new urban imaginary for judging the city’s wellbeing. -
Bill Slaughter – Attorney and Captain of Administration of Justice
VCBA MISSION STATEMENT To promote legal excellence, high JUNE – TWO THOUSAND TWELVE ethical standards and professional conduct in the practice of law; to improve access to legal services for all people in Ventura County; and to work to improve the Bill Slaughter – Attorney and Captain of administration of justice. the Upper Ojai Search and Rescue Team By Gabriele M. Lashly Page 10 DIEN LE THE JEROME H. BERENSON AMERICAN INN OF COURT 3 LESLIE A. MCADAM WHY DO YOU DO IT? 6 PANDA L. KROLL HOW DO BIOTECHNOLOGY LAWS AFFECT REAL PEOPLE? 8 Cornflack IN mayhem IN THE court 12 CRAIG Bates LAW DAY 5K Photo Collage 17 WE READ SO you DON'T have to 20 CLASSIFIEDS 25 STEVE HENDERSON EXEC’S DOT... DOT... DOT... 26 JOIN US ON FACEBOOK - VENTURA COUNTY BAR ASSOCIATION 2 CITATIONS • JUNE 2012 JUNE 2012 • CITATIONS 3 PRESIDENT’S MESSAGE: THE JEROME H. BERENSON AMERICAN INN OF COURT – A TRADITION OF EXCELLENCE By Dien Le around $500-1,000, are donated to VCBA’s pro bono program (VLSP). The educational function of Inns of Court is provided by the interesting, creative, practical, interactive team presentations on all areas of legal practice. One team is assigned to present each month. Whoever said that attorneys are dull has apparently never attended a JHB Inn meeting. The topics of each program are up to each team to develop as long as there is no duplication. One thing is for certain, the teams never fail to entertain (with elaborate/outlandish costumes, props, guests and animals), especially when they seek to outdo the other for the coveted James F. -
Great Questions from NIBRS Contributors in Washington State
Great Questions From NIBRS Contributors in Washington State Questions Submitted Between 2017 - 2019 Abstract The following pages are a compilation of some of the great questions related to NIBRS submission that the WASPC CJIS team has received from our contributors. This information is provided as a resource in the interest of expanding everyone’s knowledge about NIBRS. [email protected] (360) 486-2400 Contents Administrative Segment ................................................................................................................................. 5 Cargo Theft: Yes or No (Data Element 2A) ........................................................................................ 5 Incident or Report Date (Data Element 3) ....................................................................................... 6 Cleared Exceptionally (Data Element 4) ........................................................................................... 7 Hate Crime (Bias Motivation) (Data Element 8A) ........................................................................ 9 Offense Segment.................................................................................................................................................. 9 UCR Offense Code (Data Element 6) .................................................................................................... 9 Animal Cruelty (UCR Offense Code 720) ............................................................................................ 9 Arson (200) ................................................................................................................................................