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Six Months Sequestered (9/12/20) It started back in March, back before we even knew what was starting. And now, our isolation and social distancing has been around for six months - even though it sometimes feels like years. John and Jessica continue playing their favorite pre-pandemic songs, which remind us of what life was like when it was lived in public. We very much your listening to them, because as long as you’re with us, none of us is alone. James Taylor - Sit Down, You're Rockin' the Boat (American Standard) Allira Wilson - Bleecker Street (I Am Like the Rain: The Music of Paul Simon) Antonio Carlos Jobim - Two Kites (Terra Brasilis) Michael Feinstein - Time Enough for Love (Only One Life: The Songs of Jimmy Webb) Jimmy Webb & Billy Joel - Wichita Lineman (Just Across the River) Keb' Mo' - Hand It Over (Just Like You) Harry Nilsson - You Made Me Love You (A Little Touch of Schmilsson in the Night) Rebecca Kilgore - You Smell So Good (The Starlit Hour) Roberta Flack - Let It Be Me (Chapter Two) Sonny Rollins – Intro: You gotta dig the lyrics (Way Out West) Sonny Rollins - I'm an Old Cowhand (Way Out West) Richie Kamuca, Bill Holman - The Things We Did Last Summer (West Coast Jazz in Hi-Fi) Seth MacFarlane - You'd Be So Nice to Come Home To (Songs from Stage and Screen) Charlie Parker - Autumn in New York (Charlie Parker with Strings) Jackie and Roy - Mine (Spring Can Really Hang You Up the Most) Kurt Elling - So Far Away (1619 Broadway - The Brill Building Project) Anita O'Day - What Is This Thing Called Love? (Anita O'Day Swings Cole Porter With Billy May) Stan Getz and Eddie Sauter - I'm Late, I'm Late (Focus) Ella Fitzgerald - I'm Glad There Is You (Twelve Nights in Hollywood) Frank Sinatra - Too Marvelous for Words (Songs for Swingin' Lovers!) Julie London - Blue Moon (Julie Is Her Name) Jeff Hamilton Trio - Make Me Rainbows (Catch Me If You Can) Tony Bennett/Bill Evans - When in Rome (The Tony Bennett/Bill Evans Album) Dave Brubeck - September Song (Indian Summer) .

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Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Berkshire Theatre Group Presents Grammy Award-Winner Jimmy Webb: The Glen Campbell Years Highlighting some of the 100-plus recordings from the Webb/Campbell songbook Pittsfield, MA– Berkshire Theatre Group (BTG) presents Grammy Award-winner Jimmy Webb: The Glen Campbell Years, highlighting some of the 100-plus recordings from the Webb/Campbell songbook at The Colonial Theatre on Saturday, March 18 at 8pm. Tickets to Jimmy Webb: The Glen Campbell Years are $25, $35 and $45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444, or online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. Songwriter Jimmy Webb has had chart-topping hits in a unique range of genres over the last 50 years, from country to pop to disco, with songs including “Worst That Could Happen,” “The Highway Man,” “Up, Up and Away” and “MacArthur Park.” But, perhaps the most enduring partnership out of all those memorable songs, is his musical brotherhood with Glen Campbell. Jimmy Webb: The Glen Campbell Years highlights some of the 100-plus recordings from the Webb/Campbell songbook, pulling the audience in with hits such as “Honey Come Back,” “By the Time I Get to Phoenix,” “Wichita Lineman,” “Galveston” and more! Jimmy Webb, who has shared the stage with legends such as Billy Joel, Vince Gill, Willie Nelson, Jackson Browne, was the youngest man ever inducted into the National Songwriters’ Hall of Fame, and is the current Chairman.
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The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
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Guide to the Bill Holman Collection
Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
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As 'Macarthur Park' Turns 45, Jimmy Webb Will Play It in That Park - Los Angeles Times 10/16/13 12:35 PM
As 'MacArthur Park' turns 45, Jimmy Webb will play it in that park - Los Angeles Times 10/16/13 12:35 PM ! Back to Original Article As 'MacArthur Park' turns 45, Jimmy Webb will play it in that park Jimmy Webb wrote the odd 1960s hit 'MacArthur Park,' recorded by Richard Harris. He has a sense of humor about it. And yes, he saw a cake left out in the rain. June 14, 2013 | By Randy Lewis, Los Angeles Times Before becoming a widely lauded songwriter, Jimmy Webb was just another aspiring musician living in a dingy Los Angeles apartment. The Oklahoma transplant would wander from his low-rent flat in Silver Lake to a place that would inspire one of his most indelible hits, MacArthur Park. There, between Wilshire and 7th, he'd wait for his girlfriend to get off work from her job nearby. "I used to eat lunch in the park," said Webb, 66. "It was a place you could be away from the dreariness of a really bottom-scale apartment." The scenes he saw there day after day inspired him to write "MacArthur Park," the unlikely 1968 hit single sung by actor Richard Harris. TIMELINE: Must-see summer music Now, 45 years after the location he immortalized became an unlikely pop-culture touchstone, Webb will sing "MacArthur Park" in MacArthur Park on Saturday to kick off a summer concert series. It's a first for Webb, who's never performed the song at its namesake location. "MacArthur Park was — perhaps I'm painting it with the brush of nostalgia — a kind and gentle place," Webb said.
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Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
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Brasília - Sinfonia Da Alvorada Estudo Dos Procedimentos Composicionais Da Obra Sinfônica De Tom Jobim
Universidade de São Paulo Escola de Comunicações e Artes CLAIRTON ROSADO Brasília - Sinfonia da Alvorada Estudo dos Procedimentos Composicionais da Obra Sinfônica de Tom Jobim São Paulo 2008 CLAIRTON ROSADO Brasília - Sinfonia da Alvorada Estudo dos Procedimentos Composicionais da Obra Sinfônica de Tom Jobim Dissertação apresentada ao Programa de Pós-Graduação em Música, Área de Concentração: Processos de Criação Musical, Linha de Pesquisa: Técnicas Composicionais e Questões Interpretativas, da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do Título de Mestre em Música, sob a orientação do Prof. Dr. Gil Jardim. São Paulo 2008 Clairton Rosado Brasília - Sinfonia da Alvorada Estudo dos Procedimentos Composicionais da Obra Sinfônica de Tom Jobim Banca Examinadora Prof. Dr. ___________________________________________________________________ Assinatura: _________________________________________________________________ Prof. Dr. ___________________________________________________________________ Assinatura: _________________________________________________________________ Prof. Dr. ___________________________________________________________________ Assinatura: _________________________________________________________________ À minha mãe Ana Rita Por tudo que as palavras dizem no silêncio de suas pronúncias. Agradecimentos em aleatória desordem cronológica, alfabética e afetiva. Ao Instituto Antônio Carlos Jobim: Paulo Jobim, Gleise Cruz, Magalhães e Valéria. Às gurias de SP: Laurinha, Aninha,
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Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
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Chris Connor Songlist Anita Oʼday Songlist
Please find below the extensive songlist that Kathy Kosins utilizes when selecting the repertoire for the “Ladies of Cool” show. ANITA OʼDAY SONGLIST PICK YOURSELF UP SWEET GEORGIA BROWN...PICK YOURSELF UP (1956) BUDDY BREGMAN HONEY SUCKLE ROSE NO MOON AT ALL...THIS IS ANITA...NORM GRANTZ (1955) AS LONG AS I LIVE TENDERLY WEʼLL BE TOGETHER AGAIN...ANITA SWINGS THE MOST (1957) WORLD ON A STRING…BAND...(HERB ELLIS/RAY BROWN/OSCAR PETERSON/JOHN POOLE) WHISPER NOT...DIVA SERIES (1955-1962) (VERVE) FOUR BODY AND SOUL…ANITA SINGS THE WINNERS (1958) IT COULD HAPPEN TO YOU…INCOMPBRABLE (1960) I HEAR MUSIC LOVER COME BACK TO ME…TRAVLIN LIGHT (1961) TRIBUTE TO BILLIE GREEN DOLPHIN ST…BREAKFAST SHOW (1964) LIVE AT THE BASIN ST. WEST IN A MELLOW TONE MORE THAN YOU KNOW DO NOTHIN TILL YOU HEAR FROM ME…ALL THE SAD YOUNG MEN (1961) YOUʼD BE SO NICE TO COME HOME TO DONʼT MEAN A THING STREET OF DREAMS…VINE ST. LIVE (1991) CHRIS CONNOR SONGLIST ALL I NEED IS YOU...CHRIS CRAFT (1956) ALL ABOUT RONNIE...(1954) RELEASE (LATER OTHER RECORDINGS) LULLABY OF BIRDLAND (1953) ALONE TOGETHER (all from Portrait of Chris-1960) IF I SHOULD LOSE YOU HEREʼS THAT RAINY DAY IM GLAD THERE IS YOU I WISHED ON THE MOON (from Haunted Heart-----2001..@ Rudy Van Gelders) THEY ALL LAUGHED WITCHCRAFT COME RAIN OR SHINE (all from the two box set...” I Miss You So..1956 and Witchcraft 1959) All THE THINGS YOU ARE (FROM MAYNARD AND CHRIS…DOUBLE EXPOSURE) SATURDAY IS THE LONLIEST NIGHT OF THE WEEK (FROM NEW AGAIN...1987) ALL THE WAY..
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O Imaginêrio De Antonio Carlos Jobim
O IMAGINÁRIO DE ANTONIO CARLOS JOBIM: REPRESENTAÇÕES E DISCURSOS Patrícia Helena Fuentes Lima A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (Portuguese). Chapel Hill 2008 Approved by: Advisor: Monica Rector Reader: Teresa Chapa Reader: John Chasteen Reader: Fred Clark Reader: Richard Vernon © 2008 Patrícia Helena Fuentes Lima ALL RIGHTS RESERVED ii ABSTRACT PATRÍCIA HELENA FUENTES LIMA: Antonio Carlos Jobim: representações e discursos (Under the direction of Monica Rector) My aim with the present work is to describe the personal and creative trajectory of this artist that became known to his audience and people as a hero in the mythological sense—an individual that constructs a series of victories and defeats that continues until death, after which he is glorified by his community. Therefore, I approach the narratives that made him famous: the ones produced by the print press as well as those texts that negotiate meaning, memory, domain and identity created by his fans. I will place special emphasis on the fact that his public produced a definitive narrative about his figure, an account imbued with devotion, familiarity and creativity following his death. More specifically, I identify intertwined relations between the Brazilian audience and the media involved with creating the image of Antonio Carlos Jobim. My hypothesis is that Antonio Carlos Jobim’s image was exhaustively associated with the Brazilian musical movement Bossa Nova for ideological reasons. Specially, during a particular moment in Brazilian history—the Juscelino Kubitschek’s years (1955-1961).
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Julian Velard Song List
JULIAN VELARD SONG LIST # Cheer Up Charlie - Willy Wonka 1999 – Prince Close To You — Carpenters 50 Ways To Leave Your Lover Cold As Ice —Foreigner 9 To 5 — Dolly Parton Cracklin’ Rosie — Neil Diamond A Crazy — Patsy Cline A Song For You – Leon Russell Crazy For You - Madonna Africa - Toto Crying — Roy Orbison After the Gold Rush — Neil Young Cupid – Sam Cooke Afternoon Delight – Starland Vocal Band D Ain’t No Sunshine – Bill Withers Dance With Me – Orleans Alison — Elvis Costello Darling Be Home Soon – John Sebastian Alone Again Naturally — Gilbert O’Sullivan Do You Know the Way to San Jose? — All By Myself – Eric Carmen Dionne Warwick All Of Me – Frank Sinatra Do You Realize??? – Flaming Lips America – Neil Diamond Doctor My Eyes – Jackson Browne Angel Eyes – Frank Sinatra Domino – Jesse J Angel Of The Morning — Juice Newton Don’t Cry Out Loud – Melissa Manchester Arthur’s Theme – Christopher Cross Don’t Go Breakin’ My Heart — Elton John & Kiki Dee As Time Goes By Don’t Stop Believin’ — Journey B Don’t Worry Baby — Beach Boys Baby One More Time — Britney Spears Don’t You Forget About Me — Simple Minds Baby Come Back - Player Dreams — Fleetwood Mac Bad, Bad, Leroy Brown — Jim Croce E Baker Street – Gerry Raerty Escape (The Pina Colata Song) – Rupert Holmes Bare Necessities - The Jungle Book Everybody’s Talkin’ — Nilsson Be My Baby — Ronnie Spector Every Time You Go Away – Paul Young Bennie and the Jets — Elton John Everybody Wants To Rule The World – Bette Davis Eyes – Kim Carnes Tears For Fears Big Yellow Taxi — Joni Mitchell Eye In
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TDN Bio 4-16
Legendary music icons, THREE DOG NIGHT, now in its 4th decade, claims some of the most astonishing statistics in popular music. In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than THREE DOG NIGHT. THREE DOG NIGHT hits wind through the fabric of pop culture today, whether on the radio where they are heard day in and day out, in TV commercials or in major motion pictures -- songs like “Mama Told Me (Not To Come)”, “Joy to the World”, “Black and White”, “Shambala” and “One” serve to heighten our emotions and crystallize THREE DOG NIGHT’s continuing popularity. This Grammy-nominated band is not content resting on its legacy alone. Always working to expand its audience, THREE DOG NIGHT has embraced and been embraced by 21st century music technology. New fans buy THREE DOG NIGHT’s music on iTunes as well as at record stores. In fact, releases from this decade alone have sold well over a million copies and the band’s continued popularity has landed “The Best of Three Dog Night : 20th Century Masters” on the Billboard Top 200 Album Chart for 9 of the last 12 months. Recently, THREE DOG NIGHT began adding new songs to its arsenal by releasing its first double-A sided single in nearly 25 years. The blistering performance of "Heart Of Blues" and the timely, beautiful a-cappella ballad "Prayer of the Children” are available online at iTunes, Amazon.com and other digital retailers as well as through the official band website (www.threedognight.com).
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Frank Rosolino
FRANK ROSOLINO s far as really being here, weeks has been a complete ball. have. Those I've met and heard in- this was my first visit to Also, on a few nights John Taylor clude John Marshall, Wally Smith, Britain. I was here in 1953 was committed elsewhere; so Bobby Lamb, Don Lusher, George Awith Stan Kenton, which Gordon Beck come in to take his Chisholm. I liked George's playing was just an overnight thing; so place. He's another really excellent very much; he has a nice conception twenty years have elapsed in be- player. You've got some great play- and feel, good soul, and he plays tween. I've been having an abso- ers round here! with an extremely good melodic lutely beautiful time here, and en- They're equal to musicians I sense. joying London. work with in the States. I mean, it As for my beginnings—I was Playing at Ronnie Scott's with doesn't matter where you are; once born and raised in Detroit, Michigan, me I had John Taylor on piano, Ron you've captured the feeling for jazz, until I was old enough to be drafted Mathewson on bass and Martin and you've been playing it practi- into the Service, which was the latter Drew on drums. Absolutely great cally all your life, you're a pro at it. part of '44. I started playing guitar players, every one of 'em. I can't tell I've heard so much about when I was nine or ten. My father you how much I enjoyed myself, and trombonist Chris Pyne that when I played parties and weddings on it just came out that way.
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