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July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
Study Guide for Teachers
Study Guide For Teachers The Doo -Wah Riders In Country Coast to Coast Presented by: Young Audiences (866) 500-9265 www.yanj.org www.yaep.org ABOUT THE PROGRAM For twenty years, the Doo-Wah Riders have been riding their own patch of the musical range throughout the west. The Doo-Wahs are an amazing band with a unique, original sound using guitars, fiddles, harmonica, accordion and of course, their voices! They define their sound as "high energy country with a cajun twist". Their tight musicianship and powerful arrangements of classic and original songs have made them favorites everywhere they go! BACKGROUND INFORMATION FOR STUDENTS Country Music has its origins in the folk music of Great Britain and Ireland. The music changed and grew in America because of the influence of music brought from other parts of Europe, Latin America and Africa. Country Music moved from the farm to modern America due to radio. Artists became professionals, but the simple harmonies and themes of writing about working people has never changed. In the 1950’s country Music started to become strongly influenced by cross over artists like Johnny Cash and Elvis Presley. Today, Country Music is being strongly influenced by pop music. VOCABULARY WORDS Cajun music The music of Louisiana. Strongly influenced by the local French descendants. The predominant instruments of Cajun music are the fiddle and the accordion. Country music An American musical style with roots in the South. It is also strongly influenced by Western cowboy music and folk music. Most of the instrumentation country music is in string instruments such as banjos, guitars and violin, and a non-string instrument such as the harmonica. -
Alison Krauss Carries on with Her ‘Incredible Gift’
D12 » Friday, October 13, 2017 THE SALT LAKE TRIBUNE NIGHTLIFE Top album releases • Oct. 13, 2017 Robert Plant, ‘Carry Fire’ • Ex-Zeppelin frontman (at right) delivers an eclectic mix of blues, tribal rhythms, melodies and big riffs. P!nk, ‘Beautiful Trauma’ • Pop star’s seventh album alternates personal and political, big arena anthems and heartfelt ballads. William Patrick Corgan, ‘Ogilala’ • Solo effort by the Smashing Pumpkin better known as Billy features lush, sparse arrangements. St. Vincent, ‘Masseduction’ • Annie Clark’s precise, futuristic electropop mines the issues of control, fame, passion and mortality. STEVE GRIFFIN | Tribune file photo — Eric Walden Alison Krauss carries on with her ‘incredible gift’ Concert preview • The vocalist with more Upon making the decision to record, Krauss reached out Alison Krauss Grammy wins than any other woman visits to acclaimed producer Buddy Usana on Saturday with a new album in hand. Cannon (best-known as Ken- With David Gray ny Chesney’s go-to guy) to P When • Saturday, By ERIC WALDEN ‘You go in there and you don’t helm it. The two had worked 7:30 p.m. The Salt Lake Tribune wanna work’ or ‘You don’t together before in spurts, Where • Usana Amphi- wanna sing.’ And I’m like, ‘Yes when she’d added backing vo- theatre, 5150 Upper Ridge Alison Krauss is calling I do!’ I said, ‘I do want to sing!’ cals or violin-playing to oth- Road, West Valley City from her tour bus on a Satur- He goes, ‘No. Not for the origi- er projects he was overseeing, Tickets • $30-$65; Smith’s day afternoon, and straight- nal reason you always loved to.’ but they hadn’t collaborated Tix away starts off the conversa- And he says, ‘You really got- on anything of hers before. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Deana Carter Danny Myrick
Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Pop-Pourri PR.Qxp Layout 1
August 26, 2020 FOR IMMEDIATE RELEASE Contact: J.R. Cassidy (859) 431-6216 [email protected] “Pop-Pourri” (KY Derby Party & Nostalgia for Boomers to Centennials) Party 6:00 p.m. / Concert 7:30 p.m. September 5, 2020 Tower Park Amphitheatre, Fort Thomas, KY The Kentucky Symphony Orchestra concludes its 26th free summer series in Tower Park with “Pop-Pourri,” featuring seven decades of pop hit favorites of Boomers to Centennials. Prior to the show the City of Fort Thomas is holding a Kentucky Derby Party beginning at 6:00 p.m., where folks can don their hats and watch the two-minute race at the Mess Hall (6:50), or watch by phone and hear the race and festivities live on their blanket while sipping mint-julips at the amphitheater in Tower Park. Creating the live studio sound heard on radios, phones or favorite recordings (45 rpm to mp3) is the experience that the KSO’s Boogie Band seeks to emulate each time it assembles its 19 musicians and 8 vocalists. Nostalgia is the sentiment that takes people of all ages back to a “happy place.” “Pop music is an amazing time travel vehicle, which takes everyone back to fond youthful years to recall the car they were driving, who they were dating, and what was happening at the time” says KSO music director James Cassidy, who started this KSO subsidiary group 21 years ago. The band — 5 piece rhythm section, 7 horns, 8 strings are comprised of some of the most talented musicians from across the Tristate, together with vocalists, who have sung Broadway tours, studio sessions, and with local bands. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Noel Paul Stookey Bio
Noel Paul Stookey Bio Singer/songwriter Noel Paul Stookey has been altering both the musical and ethical landscape of this country and the world for decades—both as the “Paul” of the legendary Peter, Paul and Mary and as an independent musician who passionately belie es in bringing the spiritual into the practice of daily life! "unny, irre erently re erent, thoughtful, compassionately passionate, Stookey’s oice is known all across this land: from the “%edding Song” to “&n 'hese 'imes.” Noel and Betty, his bride of over )* years +but who’s counting,, moved with their three daughters to the coast of maine over forty years ago. since that time he’s done the occasional home town benefit and the here-and-there in-state show but ne er had undertaken a concentrated tour in one season. “& recorded all . of my maine concerts last summer - from ogun/uit to eastport - check '01' out on a map” he says, “and, though not all of the ideo or audio made 2prime time2, i was able to collect *3 music ideos for the 4VD and +amazingly, fit all *3 songs on the 7D to create this 1' 08ME: the maine tour package.” 'he songs in this newest release represent a broad range: '0E 71(&N "959: %1;'< +homage to the rigors of enduring the lengthened winter in maine,, a new ersion of %01'S09:NAM9 +a bittersweet =az6 shaded reminiscence of a middle-aged man in denial, originally recorded on the PP&M ?@AA album, "1M&;&1 49; 78:1<8N +a new song that speaks to the immigration issue in compassionate rather than political terms,, %944&NB S8NG +with the 2original2 lyric and a spoken introduction - DVD only, and '0E ;1DY S1YS S09 48N2' ;&KE E1<< +a commentary on a common misperception of the creati e process,. -
SEPTEMBER 6, 2021 Delmarracing.Com
21DLM002_SummerProgramCover_ Trim_4.125x8.625__Bleed_4.375x8.875 HOME OF THE 2021 BREEDERS’ CUP JULY 16 - SEPTEMBER 6, 2021 DelMarRacing.com 21DLM002_Summer Program Cover.indd 1 6/10/21 2:00 PM DEL MAR THOROUGHBRED CLUB Racing 31 Days • July 16 - September 6, 2021 Day 16 • Friday August 13, 2021 First Post 4:00 p.m. These are the moments that make history. Where the Turf Meets the Surf Keeneland sales graduates have won Del Mar racetrack opened its doors (and its betting six editions of the Pacific Classic over windows) on July 3, 1937. Since then it’s become West the last decade. Coast racing’s summer destination where avid fans and newcomers to the sport enjoy the beauty and excitement of Thoroughbred racing in a gorgeous seaside setting. CHANGES AND RESULTS Courtesy of Equibase Del Mar Changes, live odds, results and race replays at your ngertips. Dmtc.com/app for iPhone or Android or visit dmtc.com NOTICE TO CUSTOMERS Federal law requires that customers for certain transactions be identi ed by name, address, government-issued identi cation and other relevant information. Therefore, customers may be asked to provide information and identi cation to comply with the law. www.msb.gov PROGRAM ERRORS Every effort is made to avoid mistakes in the of cial program, but Del Mar Thoroughbred Club assumes no liability to anyone for Beholder errors that may occur. 2016 Pacific CHECK YOUR TICKET AND MONIES BEFORE Classic S. (G1) CONFIRMING WAGER. MANAGEMENT ASSUMES NO RESPONSIBLITY FOR TRANSACTIONS NOT COMPLETED WHEN WAGERING CLOSES. POST TIMES Post times for today’s on-track and imported races appear on the following page.