DOCSLIB.ORG

Four Perspectives on a Mummy Portrait

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Four Perspectives on a Mummy Portrait arts Article The Girl with the Golden Wreath: Four Perspectives y on a Mummy Portrait Judith Barr 1, Clara M. ten Berge 2, Jan M. van Daal 3 and Branko F. van Oppen de Ruiter 4,* 1 J. Paul Getty Museum, Getty Villa, Pacific Palisades, CA 90272, USA 2 Amsterdam University of the Arts, Reinwardt Academy, 1018 TZ Amsterdam, The Netherlands 3 Department of Arts and Culture (Conservation and Restoration), University of Amsterdam, 1012 XT Amsterdam, The Netherlands 4 (Formerly) Allard Pierson Museum, University of Amsterdam, 1012 GC Amsterdam, The Netherlands * Correspondence: [email protected] An earlier version of this article was presented at the “Crossing Disciplinary Boundaries in Ancient Painting y Studies” workshop at the annual meeting of the Archaeological Institute of America (AIA) and the Society for Classical Studies (SCS) held in San Diego, California (3–6 January 2019). Brief preliminary articles have been published by van Daal and van Oppen (2018), and ten Berge and van Oppen (2019). We would like to thank the anonymous reviewers for their constructive critique, comments and suggestions. Received: 27 May 2019; Accepted: 18 June 2019; Published: 16 July 2019 Abstract: A mummy portrait of a young woman with a golden wreath is part of the archaeological collection of the Allard Pierson Museum in Amsterdam. This portrait is covered by four authors, each from their separate perspective, namely provenance research, technical examination, museum presentation, and diversity education. Provenance research is significant not only for tracing the second-life biography of the panel, but also for assessing its bona fide authenticity. Non-invasive examinations can help identify possible underlayers, pigments and modern restorations. Museological aspects concern the contextualization of the portrait, not only as a funerary artefact, but also as an expression of physical appearance. Educational programs can be implemented to illustrate to museum visitors the relevance of ancient artefacts for modern society. Keywords: panel portraiture painting; archaeology; Roman Egypt; provenance research; technical examination; museum presentation; museum education; multiculturalism 1. Introduction Mummy portraits painted on wooden panels or linen shrouds were an invention of the Roman Imperial period in an otherwise millennia-old Egyptian funerary tradition.1 These painted portraits were enclosed over the head within the linen wrappings of the mummified remains of some of the wealthiest inhabitants of Roman Egypt. As their first significant archeological discoveries were made in the Fayum Oasis to the southwest of Cairo, they are commonly known as Fayum mummy portraits—although they have been found elsewhere along the Nile valley too, such as at Saqqara (south of Cairo) and Deir el-Bahari (on the west bank across Luxor), Panopolis (mod. Achmim) and particularly Antinopolis (mod. Sheikh ‘Ibada). A mummy portrait of a young woman adorned with a golden wreath (Figure1), which is part of the archeological collection of the Allard Pierson Museum in Amsterdam (Figure2), o ffers a wealth 1 For Romano-Egyptian mummy portraits, e.g., see: Corcoran(1995); Doxiadis(1995); Borg(1996); Walker(2000); Riggs(2006); Spier et al. (2018, pp. 241–43, no. 145 [SEC]). Arts 2019, 8, 92; doi:10.3390/arts8030092 www.mdpi.com/journal/arts Arts 2019, 8, 92 2 of 30 Arts 2019, 8, x FOR PEER REVIEW 2 of 32 2 of information for research scholarsscholars asas wellwell asas museummuseum visitors.visitors.2 The naturalistic portrait on a greenish-grey background appears to depict a girl of about fourteen years of age from an aaffluentffluent 3 family.3 WithWith her her head head turned turned slightly slightly to to the the (viewer’s) (viewer’s) left, left, and and a twinkle a twinkle in her in hereyes, eyes, she sheseems seems still stillvery very much much alive. alive. She wears She wears a red atunic red tunicwith withblack black stripes, stripes, golden golden ear pendants, ear pendants, a barely a barely visible visible pearl pearlnecklace, necklace, and is and crowned is crowned with with a wreath a wreath of ofgild gildeded leaves. leaves. That That golden golden wreath wreath symbolizes symbolizes her blissfulness due to the divine favor she enjoys in th thee afterlife. While average life expectancy in Roman Egypt was low (about 40 at most for men,men, and younger still for women,women, viz.viz. 20–25), members of the 4 elite willwill doubtlessdoubtless have have reached reached a higher a higher age. age.The4 youthfulnessThe youthfulness of the portrayedof the portrayed girl might girl therefore might betherefore understood be understood as an indication as an indication of the exceptionally of the exceptionally early age ofearly her age death. of her death. Figure 1.1. TheThe GirlGirl with with the the Golden Golden Wreath Wreath (APM (APM inv. inv. no. no. 724); 724); painting painting and goldand leafgold on leaf wooden on wooden panel; perhapspanel; perhaps from Hawara from Hawara (Fayum), (F Egypt;ayum), h.Egypt; 302 mm; h. 302 ca. mm; 50–100 ca.ce 50–100(or later); CE (or ex later); Reinhardt ex Reinhardt coll., Cairo, coll., ca. 1890–exCairo, ca. Leyds 1890–ex coll., TheLeyds Hague, coll., ca.The 1903–ex Hague, Scheurleer ca. 1903–ex coll., Scheurleer The Hague, coll., 1907–APM, The Hague, Amsterdam, 1907–APM, 1934. [PhotographyAmsterdam, 1934. by Michiel [Photography Bootsman; by Michiel courtesy Bootsman; of the Allard courtesy Pierson of Museum].the Allard Pierson Museum]. 2 APM inv. no. 724; Scheurleer(1909, 64, no. 45, pl. 3, Figure 2); Allard Pierson Museum(1937, 19, no. 111, pl. 11); Parlasca ( 1966 , 213; id. Parlasca 1969–2003 , II: 43, no. 307, pl. 72, Figure 4); Allard Pierson Museum(1972, pl. 29); van Haarlem in 2 EggebrechtAPM inv. (no.1981 724;, p. 74);Scheurleer Scheurleer (1909,(2009 ,64, pp. no. 66–67); 45, pl. van 3, Oppen Figure in 2);Hupperetz Allard Pierson et al.(2014 Museum, p. 146). (1937, 19, no. 111, pl. 3 It11); should Parlasca be noted, (1966, however, 213; id. that 1969–2003, age is diffi II:cult 43, to no. gauge 307, from pl. ancient72, Figure portraits, 4); Allard whether Pierson painted Museum or sculptural; (1972, e.g., pl. see: 29); L. A. Beaumont and J. H. Oakley in Neils and Oakley(2003, pp. 59–84, 163–94); Huppertz in Hembold-Doy é (2017, pp. 33–38, thevan physical Haarlem remains in Eggebrecht of a young (1981, girl of nop. more74); Scheurleer than seven years(2009, old, pp. which 66–67); was van adorned Oppen with in a Hupperetz mummy mask et seeminglyal. (2014, depictingp. 146). a young woman); Purup(2019). 43 BagnallIt should and be Frier noted,(1994, pp.however, 75–110); cf.that T. Parkinage is indifficultBMCR 1995.03.20 to gauge (for from doubts ancient about theportraits, accuracy whether of male life painted expectancy or statistics).sculptural; e.g., see: L. A. Beaumont and J. H. Oakley in Neils and Oakley (2003, pp. 59–84, 163–94); Huppertz in Hembold-Doyé (2017, pp. 33–38, the physical remains of a young girl of no more than seven years old, which was adorned with a mummy mask seemingly depicting a young woman); Purup (2019). 4 Bagnall and Frier (1994, pp. 75–110); cf. T. Parkin in BMCR 1995.03.20 (for doubts about the accuracy of male life expectancy statistics). Arts 2019, 8, 92 3 of 30 Arts 2019, 8, x FOR PEER REVIEW 3 of 32 Figure 2. The Allard Pierson Museum Museum by by night, night, seen seen fr fromom across across the the Rokin Rokin canal canal in in December December 2015. 2015. [Image credit: CC CC BY-SA BY-SA 4.0]. While presented jointly, the following article will cover four perspectives perspectives each by by a a single single author: author: (1) provenanceprovenance research research by by J. Barr; J. Barr; (2) technical (2) technical examination examination by J. M. by van J. Daal; M. (3)van museum Daal; (3) presentation museum presentationby B. F. van Oppen by B. deF. Ruiter;van Oppen and (4)de museumRuiter; an educationd (4) museum by C. M education ten Berge. by Our C. presentationM ten Berge. is thusOur presentationintended as a is case thus study intended aimed as ata case illustrating study aimed what aat single illustrating archeological what a single artefact archeological examined from artefact four examineddifferent perspectives from four different can teach perspectives us. can teach us. 2. Provenance Provenance Research Research Comprising antiquitiesantiquities from from across across the the ancient ancient Mediterranean Mediterranean with with an emphasis an emphasis on Egypt, on Egypt, Greece Greeceand Rome, and Rome, the Allard the Allard Pierson Pierson was established was established as the as archaeologicalthe archaeological museum museum of theof the University University of 5 ofAmsterdam Amsterdam in 1934. in 1934.The5 The museum museum is named is named for Prof. for dr.Prof. Allard dr. Al Piersonlard Pierson (1831–1896), (1831–1896), son of the son patrician of the patricianbusinessman businessman Jan Lodewijk Jan Lodewijk Gregory Gregory Pierson (1806–1873)Pierson (1806–1873) and the Dutchand the author Dutch Ida author Oyens Ida Pierson Oyens Pierson(1808–1860), (1808–1860), daughter daughter of the banking of the banking family Oijens.family Oijens. As theologian, As theologian, art historian art historian and linguist, and linguist, Allard AllardPierson Pierson was appointed was appointed in 1877 asin the1877 first as professor the first ofprofessor archaeology of archaeology at the University at the ofUniversity Amsterdam. of Amsterdam.For educational For purposes, educational he setpurposes, about assembling he set about a substantialassembling collection a substantial of plaster collection casts of ancientplaster castsworks of of ancient art. works of art. The actualactual archaeological archaeological collection—viz., collection—viz., rather rather than saidthan casts—initially said casts—initially derived fromderived the collectionsfrom the collectionsof Prof.
Load more

Recommended publications
  • Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
    Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age.
    [Show full text]
  • Bibliography
    Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza­ Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P.
    [Show full text]
  • Mechanics of Empire: the Karanis Register and the Writing Offices of Roman Egypt
    Mechanics of Empire: the Karanis Register and the Writing Offices of Roman Egypt by W. Graham Claytor VI A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Greek and Roman History) in the University of Michigan 2014 Doctoral Committee: Associate Professor Ian S. Moyer, Co-Chair Professor Arthur Verhoogt, Co-Chair Professor Sara Forsdyke Professor Terry G. Wilfong © W. Graham Claytor 2014 To my parents. ii Acknowledgements I have benefitted enormously from the support of my friends and family, as well as the wonderful community of scholars in History, Classical Studies, and Papyrology. Above all, I must give profound thanks to my co-chairs Arthur Verhoogt and Ian Moyer for their guidance throughout my time at Michigan. They have been instrumental in shaping my conceptions about the ancient world and steering this work in the right direction. I am grateful also to the other members of my committee, Terry Wilfong and Sara Forsdyke, for drawing on their diverse expertise to offer instructive insights and suggestions. My first steps in papyrology came under the direction of Roger Bagnall and Rodney Ast, whom I thank for this initiation and their continued support. Since arriving in Ann Arbor, 807 Hatcher has been a home away from home for me. The late Traianos Gagos welcomed me with open arms and gave me my first opportunities to work with the collection, for which I am eternally grateful. Arthur encouraged me to pursue diverse research projects in the collection and was always willing to lend his eyes to tricky passages.
    [Show full text]
  • Mummies and Mummification Practices in the Southern and Southwestern United States Mahmoud Y
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Karl Reinhard Papers/Publications Natural Resources, School of 1998 Mummies and mummification practices in the southern and southwestern United States Mahmoud Y. El-Najjar Yarmouk University, Irbid, Jordan Thomas M. J. Mulinski Chicago, Illinois Karl Reinhard University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/natresreinhard El-Najjar, Mahmoud Y.; Mulinski, Thomas M. J.; and Reinhard, Karl, "Mummies and mummification practices in the southern and southwestern United States" (1998). Karl Reinhard Papers/Publications. 13. http://digitalcommons.unl.edu/natresreinhard/13 This Article is brought to you for free and open access by the Natural Resources, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Karl Reinhard Papers/Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in MUMMIES, DISEASE & ANCIENT CULTURES, Second Edition, ed. Aidan Cockburn, Eve Cockburn, and Theodore A. Reyman. Cambridge: Cambridge University Press, 1998. 7 pp. 121–137. Copyright © 1998 Cambridge University Press. Used by permission. Mummies and mummification practices in the southern and southwestern United States MAHMOUD Y. EL-NAJJAR, THOMAS M.J. MULINSKI AND KARL J. REINHARD Mummification was not intentional for most North American prehistoric cultures. Natural mummification occurred in the dry areas ofNorth America, where mummies have been recovered from rock shelters, caves, and over­ hangs. In these places, corpses desiccated and spontaneously mummified. In North America, mummies are recovered from four main regions: the south­ ern and southwestern United States, the Aleutian Islands, and the Ozark Mountains ofArkansas.
    [Show full text]
  • The Global History of Paleopathology
    OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd i 11/31/2012/31/2012 44:03:58:03:58 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN TH E GLOBA L H ISTORY OF PALEOPATHOLOGY Pioneers and Prospects EDITED BY JANE E. BUIKSTRA AND CHARLOTTE A. ROBERTS 3 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iiiiii 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN 1 Oxford University Press Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With o! ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland " ailand Turkey Ukraine Vietnam Copyright © #$%# by Oxford University Press, Inc. Published by Oxford University Press, Inc. %&' Madison Avenue, New York, New York %$$%( www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. CIP to come ISBN-%): ISBN $–%&- % ) * + & ' ( , # Printed in the United States of America on acid-free paper 000_JaneBuikstra_FM.indd0_JaneBuikstra_FM.indd iivv 11/31/2012/31/2012 44:03:59:03:59 PPMM OUP UNCORRECTED PROOF – FIRST-PROOF, 01/31/12, NEWGEN To J.
    [Show full text]
  • Human Cremation in Mexico 3,000 Years Ago
    Human cremation in Mexico 3,000 years ago William N. Duncan*†, Andrew K. Balkansky‡, Kimberly Crawford‡, Heather A. Lapham‡, and Nathan J. Meissner‡ *Department of Anthropology, St. John Fisher College, Rochester, NY 14618; and ‡Department of Anthropology, Southern Illinois University, Carbondale, IL 62901 Edited by Joyce Marcus, University of Michigan, Ann Arbor, MI, and approved February 22, 2008 (received for review November 10, 2007) Mixtec nobles are depicted in codices and other proto-historic ological contexts and osteological analyses of the burials, and documentation taking part in funerary rites involving cremation. evaluate the evidence based on known aspects of the Mixtec The time depth for this practice was unknown, but excavations at mortuary program. These early examples of cremation, along the early village site of Tayata, in the southern state of Oaxaca, with other factors, could reflect the emergence of ranked Mexico, recovered undisturbed cremation burials in contexts dat- society in the ancient Mixteca Alta and indicate that proto- ing from the eleventh century B.C. These are the earliest examples historic methods of marking social status had precursors of a burial practice that in later times was reserved for Mixtec kings extending back 3,000 years from the present. and Aztec emperors. This article describes the burial contexts and human remains, linking Formative period archaeology with eth- Archaeological Context nohistorical descriptions of Mixtec mortuary practices. The use of Survey and excavation indicate that Tayata was among the cremation to mark elevated social status among the Mixtec was largest villages of the preurban Formative period in the established by 3,000 years ago, when hereditary differences in Mixteca Alta of Oaxaca, Mexico (18, 19).
    [Show full text]
  • Ötzi the Iceman Worksheets
    From mummies to mitochondria, skeletons to sequencing, Denisovans to DNA, molecules to murder…. Our human Inheritance Understanding our genetic ancestry & what makes us human featuring Ötzi the iceman Look at the mummy! Did you know: The Making of Ötzi’s Replica What type of images were used to make Ötzi’s ancient tattoos were the 3D print of Ötzi? made by making fine cuts in his skin and then rubbing charcoal in the cuts. Where in Italy is the real mummy stored? Ancient Ink Ötzi has 57 visible tattoos in the form of small lines and crosses. (4 cannot be seen.) Fatal Wound FIND and DRAW as many tattoos as you can on the illustration of the iceman’s mummy Evidence suggests that Ötzi was shot by (each line counts as a single tattoo; a cross an arrow, and this caused his death. would count as two). MARK the location of the arrow wound with an “X” on the Ötzi to the right. Damage CIRCLE the area of the mummy that is damaged. Did you know? The arrowhead that caused Ötzi to Did you know: bleed to death wasn’t This damage was caused discovered until 10 years after accidentally by a power tool the mummy was found. during the recovery of the mummy in 1991. Ötzi the iceman Read the panels! Did you know? Did you know? A paper published in 2016 All except one of Ötzi’s shows that Otzi also carried H. fingernails were missing; a pylori, a bacteria associated single detached nail was with stomach ulcers! found by his body! DNA Analysis Scientists identified DNA from different bacteria One of Ötzi’s fingernails had horizontal ridges and other living things.
    [Show full text]
  • IFA Alumni Newsletter 2017
    Number 52 – Fall 2017 NEWSLETTERAlumni Published by the Alumni Association of Contents From the Director ...............3 The Institute of Fine Arts Alumni Updates ...............20 in the Aftermath of the A Wistful ‘So Long’ to our Beloved May 4, 1970 Kent State Killings ....8 Doctors of Philosophy Conferred and Admired Director Pat Rubin ....4 in 2016-2017 .................30 Thinking out of the Box: You Never From Warburg to Duke: Know Where it Will Lead .........12 Masters Degrees Conferred Living at the Institute ............6 in 2016-2017 .................30 The Year in Pictures ............14 Institute Donors ...............32 Faculty Updates ...............16 Institute of Fine Arts Alumni Association Officers: Advisory Council Members: Committees: President William Ambler Walter S. Cook Lecture Jennifer Eskin [email protected] Jay Levenson, Chair [email protected] Susan Galassi [email protected] [email protected] Yvonne Elet Vice President and Kathryn Calley Galitz Jennifer Eskin Acting Treasurer [email protected] Susan Galassi Jennifer Perry Matthew Israel Debra Pincus [email protected] [email protected] Katherine Schwab Lynda Klich Secretary [email protected] Newsletter Johanna Levy Anne Hrychuk Kontokosta Martha Dunkelman [email protected] [email protected] [email protected] Debra Pincus Connor Hamm, student assistant [email protected] History of the Institute of Fine Arts Rebecca Rushfield, Chair [email protected] Alumni Reunion Alicia Lubowski-Jahn, Chair [email protected] William Ambler 2 From the Director Christine Poggi, Judy and Michael Steinhardt Director Metropolitan Museum of Art, the Frick varied program. It will include occasional Collection, Museum of Modern Art, and a collaboration and co-sponsorship of exhibitions, diverse range of other museums.
    [Show full text]
  • Binnenstadscampus
    Binnenstadscampus NUMBER 1 | OCTOBER 2014 | FOR STAFF AND STUDENTS Working in Archeo Hotspots The new a glimpse behind the the city centre archaeological scenes University Library a logistical challenge a mix of new-build and historic buildings p.2 p. 3 p.4 Years ago, the UvA decided to concentrate its faculties on open city campuses. ‘That proximity is Clustering benefits a great advantage for students, lecturers and staff. When you’re close together, it’s easier to work together and that’s good for teaching and research,’ says Hans Amman, vice­president of the Executive teaching and research Board at the UvA/AUAS ‘Clustering is also more Applied Sciences (AUAS) under cost-efficient, and on an organi- his belt, Amman is confident sational level things are easier to of success. ‘For example, we’re arrange,’ Amman adds. ‘Another setting clear agreements with advantage is that the City Centre the builders. We’ve appointed Campus emphasises our being an area manager and we’re a part of the city. That’s good communicating as much as for the economy: a university possible about the progress and attracts enterprise and the completion of the construction highly skilled.’ This campus will work. The City Centre Campus eventually become the home mainly involves internal base for researchers, students renovations, which fortunately and staff at the Faculty of reduces the noise disturbance Humanities (FGw) and for the somewhat.’ Building is of course new University Library. not a goal in its own right. I’d rather invest in people than Considerate construction bricks, but sometimes you have According to Amman, the City to.
    [Show full text]
  • A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
    A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W.
    [Show full text]
  • UNIVERSITY MUSEUMS Views and New Perspectives of Teaching & Learning Inside the Galleries
    UNIVERSITY MUSEUMS Views and new perspectives of teaching & learning inside the galleries A conceptual Exhibition Model for the Allard Pierson Museum - Amsterdam Belinda Hajdini Thesis Project in Interior Design MA - Politecnico di Milano a.a 2016/17 UNIVERSITY MUSEUMS Views and new perspectives of teaching & learning inside the galleries A conceptual Exhibition Model for the Allard Pierson Museum - Amsterdam Politecnico di Milano Scuola del Design Corso di Laurea Magistrale in Interior Design a.a. 2016/2017 Student Belinda Hajdini Supervisor Prof. Francesco Scullica Co-Supervisors Prof. Andrew Jamieson Wessel Reinders për Nëna Neta dhe Nëna Pia. INDEX./ 0. Abstract 3 1. Research 5 1.1. University Museum 6 1.2. History of University Museums 8 1.2.1. Introduction 10 1.2.2. Teaching Collection 12 1.2.3. Teaching Museum 18 1.2.4. Study Collection 20 1.2.5. The first University Museum 22 1.2.6. Research Collection 24 1.3. Historical Case Studies 28 1.3.1. University of Bologna 28 1.3.2. University of Leiden 30 1.3.3. University of Paris 32 1.4. Past, Present and Future 34 1.4.1. Introduction 34 1.4.2. Museums and Collections today 37 1.4.3. Significance of University Heritage 41 1.4.4. Concluding Remarks 44 1.5. Archaeological Museums 46 2. Case Studies 55 2.1. Introduction 56 2.2. Penn Museum 58 2.2.1. Mission and Collection 58 2.2.2. History 60 2.2.3. Research and Teaching 61 2.2.4. Programs and events 62 2.2.5.
    [Show full text]
  • The Meaning of the European Painted Portrait, 1400-1650
    21 The Meaning of the European Painted Portrait, 1400–1650 Joanna Woods-Marsden This essay seeks to interpret the historical meaning of European portraits from the early fifteenth to the mid-seventeenth century by reintegrating them into the context of contemporary religious and philosophical systems of ideas, ideological structures of power, and, wherever possible, the social circumstances of their sitters. (A portrait’s subject is commonly referred to as a “sitter,” even when this figure stands.) Restricting itself to painted images created in Italy and the Netherlands, the two centers that produced the most innovative works in the genre, the essay further explores issues of gender difference and reception as well as the art form’s formal development. Addressing, first, images of the single figure during the whole period, then paired likenesses, and finally group portraits, the essay starts with works that reflect the culture of late medieval Italy and ends on the cusp of our modern world by considering paintings from baroque Holland. Throughout the period, portraiture was class-specific; only the features of the socially and economically privileged were recorded. In 1435, the theorist Leon Battista Alberti conceived of the portrait as a sign of the sitter’s role in society, in which male identity was politically – and that of the female socially – determined. Identity, which was established by birth, centered on the “role” and was essen- tially social rather than personal.1 An individual’s sense of place within society was defined collectively, with the family as the primary point of reference and great importance being attributed to social rank.
    [Show full text]