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(TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Santa Cruz Beach Boardwalk's Carousel Turns
TM Celebrating Our 15th Year Vol. 15 • Issue 8.2 NOVEMBER 2011 Santa Cruz Beach Boardwalk’s carousel turns 100 STORY: Jeffrey L. Seifert gigantic natatorium that of- [email protected] fered one of the largest heated saltwater pools ever created. SANTA CRUZ, Calif. — Other attractions soon fol- The oldest ride at the Santa lowed including a miniature Cruz Beach Boardwalk passed steam train that same year, a the century mark earlier this Thompson Scenic Railway in summer. 1908 and the Looff Carousel in Charles I.D. Looff, one of 1911. the earliest and most success- ful builders of carousels deliv- Americans fall in love ered the “Merry Go Round” come a popular pastime. with the ‘Carousel’ to the Boardwalk in August of John Leibrandt opened Though dating back to 1911. the first public bathhouse on France in the mid 16th centu- Looff, who immigrated the beach in 1865. The Santa ry, it wasn’t until the late 1800s from Denmark as a young Cruz beach, with its south- and the adaptation of a steam man, began building carousels ern shore on the north side of engine that carousels became in 1875, installing his first at Monterey Bay was protected popular. Mrs. Lucy Vanderveer’s Bath- from the harsh waves typical Americans had become ing Pavilion at Coney Island, of the west coast and offered a enchanted with these new New York City, in 1876. Be- beautiful and serene area with rides in the late 1800s and ear- The historic Santa ing one of the first, many of safe, open-water swimming. -
00 Kwajalein Hourglass
f 00 KWAJALEIN HOURGLASS VOLUME XXIII, No 228 U S ARMY KWAJALEIN ATOLL, MARSHALL ISLANDS WEDNESDAY, NOVEMBER 26, 1986 South Pacific Meese Reveals Secret Was Known Treaty Leaves Out Nuclear Test Ban By TERENCE HUNT AssOclated Press Wrlter top alde, who was flred, wlll not be "scapegoats " By MorJIKA JAIN reporters at the Forelgn Cor WASHINGTON -- Attorney Gen "People who have done thlngs AssOclated Press Wrlter respondents' Club of Japan eral Edwln Meese sald today wlll be accurately portrayed TOKYO -- South Paclflc na "I would say that the French that people outslde the WhIte and, If necessary, actlvely tlons draftlng an envlronment had no problem wlth the pollu House appear to have known of prosecuted If there's any- treaty left out a ban on nuclear tlon control aspect of It be the secret scheme to funnel thing crlmlnal," he sald on the testlng because they wanted cause they have contended, and mlillons of dollars In proflts NBC-TV "Today" show France to JOln In the pact almed I thlnk studles have shown, from Iranlan arms sales to NIC But he added In the NBC In at curblng pollutlon In thelr that there does not seem to be araguan rebels tervlew that hls Investlgatlon, reglon, a U N offlclal sald any pollutlon from the testlng," "It appears there were some begun FrIday, has so far found today he sald others Involved," and not Just no eVIdence of Involvement by In fact, France was among Dr StJepan Keckes, dlrector the two presidential aIdes others close to Reagan in con seven natlons that slgned the of UNEP's Ocean and Coastal forced -
The Show Must Go On
THE SHOW MUST GO ON by Sean Aita Inspired by Jules Verne’s Around the World in 80 Days www.schooltours.at @ All passengers on this epic journey This year, a small Theatre-in-Education company (consisting of four actors) is inviting you to join them on a trip around the world … sounds good, eh? However, there are a few (not so small) matters to sort out beforehand, such as: which play are they going to do? Who is going to play which part? And – who is going to pay for it all? As it happens, all four of them have to work second jobs and rehearse in the evenings, because it’s quite difficult to make a living without a fixed-term contract at a theatre. Money is only going to come in if and when they do a show. So they decide to put Jules Verne’s novel Around the World in 80 Days on stage. Perhaps you’ve read the story, or seen a film version? Mr Fogg, a rich English Gentleman, bets two friends that he is able to go around the world in 80 days – which is less than three months! The story is set in the 19th century when travelling to faraway countries wasn’t as easy as it is nowadays. No cars, no planes, no fast trains, and some railway lines (in different countries) hadn’t even been built … Next problem: the casting. In the story, there hardly are any female characters. And guess what – after some discussion, the two main roles in the story, Mr Phileas Fogg and his French servant Passepartout, are played by the two girls! And lastly, just as the play seems to come together, the promised grant from the Arts Council is cancelled. -
Cornelis Attraction 25-05-11 Emb Tot Onbekend
Tilburg University Attraction accountability Cornelis, P.C.M. Publication date: 2011 Link to publication in Tilburg University Research Portal Citation for published version (APA): Cornelis, P. C. M. (2011). Attraction accountability: Predicting the unpredictable?!. NRIT Media. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. sep. 2021 Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Colofon Attraction accountability: Predicting the unpredictable?! Pieter C.M. Cornelis Proefschrift Universiteit van Tilburg Dissertation Tilburg University Uitgever/Publisher: NRIT Media ISBN: 978-90-75923-66-7 © NRIT Media. Alle rechten voorbehouden. Niets van deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, zonder voorafgaande toestemming van de uitgever. © NRIT Media. All rights reserved. No part of this publication may be produced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission of the publisher. -
Amusement Industry Helps Light the Way for Hope
SPECIAL DIGITAL EDITION: Industry reacts to COVID-19 TM & ©2020 Amusement Today, Inc. pandemic April 2, 2020 | Vol. 24 • Issue 1.1 www.amusementtoday.com Amusement industry helps light the way for hope As the nation — and the world — battles the COVID-19 pandemic, the amusement and attractions industry is doing its best to keep people's spirits up, remind them that better days are ahead and to be the light at the end of the tunnel. Demonstrations of hope by the attractions industry are being seen and enjoyed worldwide. Kentucky Kingdom took out bill boards throughout Lousiville reminding the community that they were in this together with them (above left). Playland's Castaway Cove showed everyone they can always look forward to the future by keeping its Ferris wheel illuminated (above right). Walt Disney World Resort and Universal Orlando Resort illuminated several of the resorts' hotel towers with hearts (Universal's Aventura pictured right). Carnival Cruise ships were seen off the coast of Florida with the message "We will be back" lit up across them (below right). Entertaining guests in their homes, Disneyland's Dapper Dans (below left) performed live via the internet, taking requests and harmonizing from their living rooms. COURTESY KENTUCKY KINGDOM, PLAYLAND'S CASTAWAY COVE, WEAR-TV, DISNEY PARKS; AT/ DAVID FAKE Industry Voices...Pages 2-3 Get the most up-to-date industry news from Theme parks find silver linings...Pages 4-5 Amusement Today, Manufacturer's and suppliers forge on...Pages 6-7 Insurance, finance companies find solutions...Page 8 AmusementToday.com and Industry organizations guide members...Page 9 EXTRA! EXTRA! Your Desktop Edition Family-owned parks display hope...Pages 12-13 INSIDE: Carnivals, midways strive onward...Pages 14-15 daily email newsblast! FECs eager to welcome back families...Page 16 Water parks look to keep flowing...Page 17 2 AMUSEMENT TODAY COVID-19 Special Edition 2020 AMUSEMENT VIEWS AT NOTEBOOK: John W.C. -
VA Vol 23 No 6 June 1995
EDITORIAL STAFF Publisher Tom Poberezny Vice,President Marketing & Communications Dick Matt June 1995 Vol. 23, No.6 Editor-in-Chiet Jack Cox Editor Henry G. Frautschy Managing Editor CONTENTS Golda Cox Art Director 1 Straight & Level/ Mike Drucks Espie "Butch" Joyce Assistant Art Director Sara Hansen 2 AlC News/ Computer Graphic Specialists Compiled by H.G. Frautschy Olivia L. Phillip Jennifer Larsen Advertising Mary Janes 4 Mystery Airplane/ Associate Editor H.G. Frautschy & George Hardie Norm Petersen Feature Writers 5 Pass it to Buck! George Hardie, Jr. Dennis Parks E.E. "Buck" Hilbert Staff Photographers Jim Koepnick Mike Steineke Page 8 Carl Schuppel Donna Bushman 6 What Our Members are Restoring/ Editorial Assistant Norm Petersen Isabelle Wiske 8 Hail to the Chief EAA ANTIQUE/CLASSIC DIVISION, INC. A tribute to Steve Wittman/ OFFICERS Norm Petersen President Vice-President Espie 'Butch' Joyc e Arthur Morgan P.O. Box 1001 W211 Nll863 Hilltop Dr. 10 Sun 'n Fun '95/H.G. Frautschy Madison. NC 27025 Germantown. WI 53022 910/573-3843 414/628-2724 16 Frank Warren's Secretary Treasurer Steve Nesse E.E. 'Buck' Hilbert Thompson Trophy Paintings 2009 Highland Ave. P.O. Box 424 Page 10 Albert l ea, MN 56007 Union, Il 60 180 18 '94 Antique/Classic 507/373-1674 815/923-4591 Photo Contest Winners DIRECTORS John Berendt Robert C. ' Bob' Brauer 23 Sun 'n Fun On the Water/ 7645 Echo Point Rd. 9345 S. Hoyne Cannon Falls, MN 55009 Chica~o , Il60620 Norm Petersen -'.- --;- 507/263-2414 31 2/ 79-2105 ~,- Gene Chase John S, Copeland 25 AlC Annual Meeting 2159 Carlton Rd. -
Rocket Racers Free
FREE ROCKET RACERS PDF Steve Webb,Ben Mantle | 24 pages | 01 Oct 2014 | Random House Children's Publishers UK | 9780552566735 | English | London, United Kingdom Rocket Racer - Wikipedia The attraction was initially open from Christmas to the end of the park season, when it was closed due to issues with reliability and availability of spare parts. After years of sitting unused for anything but storage space, it was revived for the season, with updated software and hardware. It was eventually Rocket Racers again on October 9, this time permanently, for largely the same reasons. The attraction first led guests through a richly themed queue line, with most of the decoration based Rocket Racers the game's Space track. The queue line also featured portraits of Rocket Racers original game's bosses on the walls, and a lengthy video playing on TV screens, similar to the animated intros from other LEGO video games Rocket Racers the era. The video showed a race between Rocket Racers characters, commentated by Barry Baloney who would later re-appear in Soccer Mania. After proceeding through the queue line, guests were shown a video tutorial for building their drivers and cars, narrated again by Barry Baloney, with a minifigure named Larry going through the process as an example. Guests were then guided into a room with 8 touchscreens to do it themselves. There were six of each minifigure parts to choose from - heads, facial expressions, hats, bodies, and legs. Guests were then presented with a choice of 3 car chassis, each of which had 3 bodies to choose from. -
Cedar Point Welcomes 2016 Golden Ticket Awards Ohio Park and Resort Host Event for Second Time SANDUSKY, Ohio — the First Chapter in Cedar and Beyond
2016 GOLDEN TICKET AWARDS V.I.P. BEST OF THE BEST! TM & ©2016 Amusement Today, Inc. September 2016 | Vol. 20 • Issue 6.2 www.goldenticketawards.com Cedar Point welcomes 2016 Golden Ticket Awards Ohio park and resort host event for second time SANDUSKY, Ohio — The first chapter in Cedar and beyond. Point's long history was written in 1870, when a bath- America’s top-rated park first hosted the Gold- ing beach opened on the peninsula at a time when en Ticket Awards in 2004, well before the ceremony such recreation was finding popularity with lake island continued to grow into the “Networking Event of the areas. Known for an abundance of cedar trees, the Year.” At that time, the awards were given out be- resort took its name from the region's natural beauty. low the final curve of the award-winning Millennium It would have been impossible for owners at the time Force. For 2016, the event offered a full weekend of to ever envision the world’s largest ride park. Today activities, including behind-the-scenes tours of the the resort has evolved into a funseeker’s dream with park, dinners and receptions, networking opportuni- a total of 71 rides, including one of the most impres- ties, ride time and a Jet Express excursion around sive lineups of roller coasters on the planet. the resort peninsula benefiting the National Roller Tourism became a booming business with the Coaster Museum and Archives. help of steamships and railroad lines. The original Amusement Today asked Vice President and bathhouse, beer garden and dance floor soon were General Manager Jason McClure what he was per- joined by hotels, picnic areas, baseball diamonds and sonally looking forward to most about hosting the a Grand Pavilion that hosted musical concerts and in- event. -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.