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Tagg: Everyday Tonality — Index 319

Tagg: Everyday Tonality — Index 319

Tagg: Everyday — Index 319

Index

Abba 32, 88, 112, 143, 144, 178, Allan, Lily 176, 177 Autumn Leaves, see Feuilles mortes 182, 206, 218, 235, 238, 257 Alleluia 77 avant‐garde 214 Abbey Road 214, 225 Already Gone 218 Ave Maria chord 112, 279 Abilene 248, 250 Am I Blue 72 Ave verum corpus 112 abolitionists 261, 262 ambient music 83 Axel 65, 71 absolute pitch 30 Amen 103, 210, 229, 245, 262 Aya‐Zehn 70 AC/DC 236 Amorosa guajira 230 accentuation 65 Amos, Tori 184 accidentals 98, 270, 271, 279 anacrusis 18, 195, 211, 212, 221‐ Ba‐Benzélé 272, 306 accompaniment 224, 279 Baby It’s You 185 9, 57, 95, 265–269 anaphora 70, 71, 72, 279 Baby, Now That I’ve Found You 40, 43, 165 And I Love Her 214 144, 224 acoustic 6 Andean 9, 50, 230, 243–245, 273 Bach, J.S. 3, 29, 106, 112, 156, 249, discrepancies 38 Angel Baby 206 279 placement 266 anger 255, 256 Bacharach, Burt 142, 143, 181 Adams, William 241 anhemitonic pentatonic 40, 48, Bachelor Boy 189, 191 added chords 0 CHORD 49, 50, 55, 120, 126, 133, 279 Bachman Turner Overdrive 225 Addinsell, R 142 Animals 239 backing 9, 265 Adeste Fideles 110 Anka, Paul 206 vocals 87, 95, 257 aeolian 8, 39, 46, 47, 52, 53, 55, Another Girl Another Planet 241, Badalmenti, Angelo 84, 185, 186 64, 99, 101, 115, 116, 117, 118, 259 Baez, Joan 258 121, 122, 138, 185, 186, 187, 191, El antechispa 231 bagpipes 82, 83, 130, 132, 266 195, 213, 214, 227, 234, 237, 239, anthemic 241, 259, 260, 262 balalaika 42 241, 276, 279, 291 Antioch 36 Bali 273 108, 125, 192, 228, antiphony 9, 83 Balkans 38, 54, 55, 83, 122, 123 233 anti‐Vietnam war mvt. 213 La Bamba 1, 116, 121, 198, 200, descending melodic minor 47 Any Colour You Like 181 212, 215, 217, 218, 222–226, directionality 227 Apache 178, 179 230, 233, 280 harmony 117, 125, 227–234 Apel, W 90 Band Aid 262 loops 227–234 aperiodic sounds 22, 27 Band, The 225, 235, 257, 258, 263 shuttle 186–189, 227 Apollo‐Soyuz 128 bandola 245 affirmation 261, 262 Appalachia 40, 195 banjo 83, 41, 134 Africa 9, 38, 50, 56, 89 appoggiature 68 Banks of Newfoundland 69 African American 55, 78, 252, 263 Arab/Arabic 38, 42, 48, 54, 55, 64, Bar Kays 225 After Midnight 235 68, 84 Bare, Bobby 165 agogic 66, 273 music theory 39 Barn av vår tid 187 Ain’t No Mountain 144 The Archies 177, 178 Baroque 106, 204 Air (suite in , Bach) 112, 249 Argentina 230 barré 118 Akst, Harry 72 Arlen, Howard 203 in 116–117 Alabama Song 141, 142 Armenia 42 Barry, John 142 alap 77 A‐Roving 66 Bartók, Béla 109, 123, 128, 135 Albion Country Band 120, 130, arpeggiation 83, 164, 165 Basarwa 272 189, 197 Arrested Development 177, 178 bass 41, 87, 132, 211, 253 Alexiou, Haris 121, 122 arrogations 229 line 32, 89, 90, 100, 114, 133, Alfvén, Hugo 83 Artists United Against Apart‐ 212, 248, 254, 257 alienation 55, 256 heid 263 scalar motion 114, 248, 249 All Along The Watchtower Ashley, Clarence 134 slap 273 121, 185, 187 Ashley, Monty 201 bawling 256 All My Loving 214 At Last 203 bayati 39 All Saints 184 At The Hop 206 BBC 237 All The Things You Are 106 Atacama 231 World News jingle 180 All This Time 178 ‘atonal’ music 23 Be My Baby 206 All Together Now 259, 260 attack (timbre) 26, 28 Beach Boys 144, 235 All You Fascists Are Bound To Aturov, T 70 Beatles 3, 12, 36, 62, 63, 78, 106, Lose 247 augmented 0 CHORD, INTERVAL 123, 140, 141, 142, 143, 144, 178, alla breve 65, 194 Australia 83 207, 208, 209, 213, 214, 217, 218, 320 Tagg: Everyday Tonality — Index

225, 227, 228, 258, 259, 260, 263 Book Of Love 206 Cain, Jeffrey 187 audience in Hamburg 213 Booker T and the MGs 121, 138, Calchakis, Los 230, 244 harmony 213–215 168, 235 Cale, J.J. 235 Beautiful South 218 Bootie Call 184 Calendar Girl 185 bebop 0 JAZZ Borodin, A.P. 127 Caliche 231 Because (Beatles) 143 bossa nova 142 California (Flash & the Pan) 187 Beethoven, L van 83, 160, 174, Bothy Band 189 call and response 90, 269 175, 182, 184 bottleneck 0 GUITAR Camino 233 Being For The Benefit Of Mr Kite Boulez, Pierre 23 Can I Get A Witness 167 141 Bound For The Rio Grande 66 Can’t Get You Out Of My Head bel canto 65 bouzouki 41, 42 184 Belfast Child 128 Bowie, David 185, 186, 187, 235, Can’t Buy Me Love 62, 214 Bell‐Bottom Blues 248, 257 238 Candy Store Rock 235 Bénech, F L 165 The Boys of Wexford 69 Canned Heat 235 Benton, Brook 189 Bradby, Barbara 241, 252 canons 89 Bernstein, Elmer 128 Brassens, 75 capo 246 Bernstein, Leonard 128 Brazil 230 capstan shanty 66 Berry, Chuck 159, 160, 163–164, mixolydian 124 Cara, Irene 108, 185 173, 207, 209 Breathe (Pink Floyd) 180 carefree 218, 219 Bertolucci, B 88 breathing 58 Carissimi, G 69 Bertrand, Simon 15 bridge (middle 8) 202 Carmichael, H 74 El beso discreto 230 Brill Building 212 Carnaval salteño 231 Beverly Hills Cop 65 British Isles 38, 50, 55, 56, 195, carnavalito 231 Bhairavi 54 214, 224, 239 Carnes, Kim 187 big bands 204, 210 melismatic singing 77 Carpenter, John 109, 128 Big Ben Banjo Band 143 melodic formulae 68 The Carpetbaggers 128 Big Country 218, 300 Broadway shows 204 carrousel loop 165, 166 bïlinï 77 Brooks, Mel 125 The Cascades 206 Billboard 206, 212 Brother, Can You Spare A Dime 63 Cathédrale engloutie 109, 128 Billy Boy 66 brotherhood 259 celebratory 217 Billy The Kid 128 Brown Sugar 108, 121 cello 26 bimodal[ity] 0 MODE Brown, James 273 ‘Celtic mood’ 83 Bitches Brew 129 Brown, Nacio Herb 176 The Chain Gang 185 bitonal 157 Brubeck, Dave 163 The Champions 74 bitter‐sweet 144 Bron‐yr‐Aur Stomp 235 The Champs 163, 189, 194 Björnberg, Alf 55, 125, 187, 251 Buckingham Palace 225, 227 Chan Chan 230 black gospel 78 bucolic 83 Chandler, Gene 206 The Blacksmith 239 Buddhists 234 Change Your Mind 185, 187 Blazing Saddles 125 Bulgaria 176 chanson 165 Blood Sweat & Tears 168 Burke, Solomon 237 chanting 60 Blowing in the Wind 75 El burrito 231 charango 41, 245 Blue Danube 110, 141 The Byrds 184 charity stringalong 263 Blue Moon 106, 203, 206 Charles, Ray 122, 200, 201 bluegrass 38 Charleston departure 236 blues 38, 49, 50, 55, 61, 120, 121, C’mon Everybody 211, 212, 217‐8 The Charleston 106, 236, 248, 249, 159, 163, 167, 168, 200 Cade’s County 124 250 pentatonic 50, 118‐120 cadence 102–104, 182 Che Guevara 231, 232 rock 236, 245 aeolian 108, 125, 192, 228, chord loop 231, 280 smudge (piano) 163 233 Checker, Chubby 206 turnaround 170–171 cowboy half 124, 281 cheerful 219 twelve‐bar 6, 159, 207, 210, finality marker 223 Chernoff, J M 272 212, 213 half 102, 122, 124, 183, 234 Chester, Andrew 5, 98, 162 vamp v. rock 209–215 ‘imperfect’ 102, 234 Chianis, S 85 Blues Brothers 237 interrupted 103–104, 234 The Chiffons 178, 179 Bo Diddley 160, 162 melodic 67–70, 75 Chile 230, 232 Bobbies, all those goddam 204 ‘perfect’ 4, 47, 96, 101, 102, solidarity 231, 244 body mvt and melody 66–67 103, 119, 210, 217, 234 Chinese 64 bolero 230 plagal 38, 102, 103, 219, 234 Chopin 141, 185, 187 Bonny Labouring Boy 69 problem terms 103–104 chorales 77 boogie‐woogie 210 uninterrupted 104, 227, 228 Tagg: Everyday Tonality — Index 321 chord[s] 7, 82, 137–158 seven flat five 142 176–177 accompaniment 87 sevenths 148, 152, 204 varying frequency of 175 added chords 149, 155 chain of 106, 107 v. loop 251 sixth 141 shorthand 145–158 Chordettes, The 206 ninth 143 shorthand chart 148–149 choro 230 altered fifths 154 > SUSPENSION chromatic altered minor‐mode tonic or symbols 139‐141, 148–149 alteration 113 fifth 118‐120 > TERTIAL chromaticisation 109 augmented triad 138, 141 tetrad 94, 95 chromaticism 41, 113 > CHORD LOOP ♣ 114, 143, 148, 153 definition 50 > CHORD SHUTTLE triads 95, 117–125, 137, 138, descending 256 common triad 92, 95, 99, 103, 139‐141, 148, 275‐276 scale 34 137 substitution 113, 202 ‘church’ mode 6, 50–53, 117, 281 definition 92, 137 turnaround 211, 212, 221 Cielito Lindo 111 diminished 54, 50, 109, 152 chord loop 1, 5, 8, 9, 10, 14, 35, circle of fifths 4, 7, 97, 98–109, 201, diminished 7th 135, 143 36, 108, 116, 166, 189, 198, 204, 210, 217, 219, 225, 245, 251 115, 138 199–240, 280, 281 anticlockwise  FLATWARDS > ‘DOMINANT’ aeolian 227–234 clockwise  SHARPWARDS ‘double dominant’ 110 La Bamba 116, 121, 200, 212, flatwards (anticlockwise) 4, dyad, triad, tetrad 137 215, 217, 218, 220, 222, 223, 97, 99, 101, 102, 103, easy ones on guitar 247 233, 234 105–107, 114, 125, 126, 201, eleventh 114, 135, 143, 148, Che Guevara 231 204, 210, 217, 249, 219, 220, 153, 163, 166 circularity of 199–202 226, 237, 245, 283 half diminished 142 dorian (rock) 235, 236–237;  key‐specific  VIRTUAL incoming 211, 212, 220, 221, MEDIANTAL modulatory  REAL 239, 284 durations of 207, 208 progressions 105–109 interchangeable ii & IV 205 ionian 116–117, 201‐213, 217‐ real circle of fifths progres‐ inversions 110, 112, 133, 134, 226 sion 105, 106, 113 140–141, 144, 155, 156, 248, mediantal 235–240 sharp side 251, 288 257 mixolydian 108, 221‐226 sharpwards (clockwise) 97, 99, lead sheet chords 145–158 not a shuttle 251 101, 102, 104, 108, 110, 114, 125, major nine 143 single‐caesura 208 126, 127, 210, 219, 221, 225, 226, major seven 142 part of groove 215 227, 237, 245, 288 major triads 97, 138 plagal 217‐223 virtual circle‐of‐fifths pro‐ in minor mode 118–120 rock dorian 235, 236–237 gression 105, 106, 107, 113 medial 211, 212, 220, 221, vamp 201–209 circular motion (loops) 199‐202 239, 284 chord shuttle 5, 8, 10, 173–198, civil rights (USA) 213, 252, 254 minor add nine 144 207, 220, 231, 281 Clapton, Eric 144, 235, 238, 248, minor major nine 142 1‐ vs. 2‐chords 173 250, 257 minor, major seven 142 aeolian 186–189, 227 Clarida, Bob 15, 112 minor nine 143 dorian 178–182, 183 clarinet 21, 27, 85 minor seven 142 dominantal + QUINTAL The Clash 177, 178 minor seven flat five 142 double shuttle 237, 251 classical harmony 7, 93–114, 116, minor triad 138 drone 133 119, 142, 144, 209, 210, 213, 236, ninth 148, 153 fifths 165, 166 244, 245 omitted notes 154 ionian 110, 174, 182, 183 and ‘classicalness’ 249 one‐chord changes 159–171 lower limit of duration 194 dissolution of 108–109 outgoing chord 211, 212, mediantal (rare) 175, 176 in popular music 110–114 220, 221, 239, 285 mixolydian 124, 189–191 popular music 91 pivot 98, 110 no I‐III 175, 176 pseudo‐classical 260 plagal extension of 167‐169 phrygian 176 105, 142, 144 plus nine 143 plagal 177–182, 258 melody 68 progression>CHORD LOOP ♣ pole 166 musicians 101 > QUARTAL quartal  PLAGAL Classics IV (band) 178 recognition chart 141–144 quintal 182–184 Cline, Patsy 248 rhythm 89 repertoire selection and pre‐ ‘clink‐clink‐clink jazz’ 249 roman numeral designation sentation 173–176 Close To You 143 9, 139‐141, 275‐276 sandwich technique 196 closure 96 root position 249, 254 submediant 185–189 Cochran, Eddy 211, 212, 217, 218 sequence > CHORD LOOP + ♣ subtonic (I‐VII) 189–197 Cole Porter 142 322 Tagg: Everyday Tonality — Index

Cole, Nat King 142 cowboy half cadence 124, 281 Desafinado, 142 collaboration 263 Cowsills 184 Deschesnaux, Audrée 15 collective 256 Cradle Of Love 185 Le déserteur 110 Collins, Phil 187 Cramer, Floyd 165, 174, 178 despair, despondency 255, 256 Collins, Shirley 197 Crazy 248, 250 detectives 142, 268 Comandante Che Guevara 121, Creedence Clearwater Revival, determination 255, 260, 262 122, 231 225 Detroit City 165 Come On, Eileen 235 Creep 235, 248, 249, 250, 253, detune 0 TUNING Coming to America 79 255–257 The Devil In Disguise 206 ComingThrough The Rye 67 Crew Cuts, The 207 Dexy’s Midnight Runners 189, common triad 0 CHORD criollo 229 191, 235 community 263 crisis chord 281 dhrupad 77 community songs 95 crooning 65 diabolus in musica 52 Compay Segundo 230 Crosby, Bing 65, 141, 176 Diana 206 concert pitch 19, 21, 29, 30, 41 cross‐association 252 diatonic 93, 271, 282 escalation of 30 Cuba 230, 232 modes & definition 50–53 Concrete And Clay 184 La cucaracha 110 Dick & Dee Dee 185 confidence 256 cueca 231, 232 Diddley, Bo 160, 162 Congratulations 218 Cuil Duibh‐Re 77 didgeridoo 83 conjunct 0 SCALAR cultural relativity 103 diminished 0 CHORD, INTERVAL Conlan, J 84 cultural stereotypes of place 55 Dinning, Mark 206 connotation 7, 9, 55, 56, 60, 73, cúmbia 116 Dion [and The Belmonts] 206 76, 84, 112, 186, 187, 194, 219, Cwm Rhondda 78, 87 Dire Straits 186, 187, 227 253, 254 cynical 256 directionality 7, 47, 183, 211, 226, I‐III 256 228, 245, 271 aeolian 125 D harmonic 96–109, 210 classical harmony 111 Dagar, M & A 77 unidirectional 227, 234 drones 83, 84 Dakota 124 Disco Aid 263 Japan 40 Daley, Mike 241 disgust 256 melody types 73–75 Dallas 74 Dixie Chicks 31, 242, 246, 259, modal melodic 64–65 dance: rel. to melody 66 260, 262 Yes We Can 261–263 Dancing Queen 32 Dixon, Willie 240 consolation 219 Daniel And The Sacred Harp 257 Do They Know It’s Christmas? continuation (harmonic) 248, Daniels, Charlie 247 262, 280 249, 254 Danny & The Juniors 206 Do You Know The Way To San contour 0 MELODY Darin, Bobby 185, 206 José? 178 contrapuntal 0 POLYPHONY Dark Side of the Moon 8, 179–181 Do You Love Me? 217, 218 Coo‐Coo Bird 134 Darling Corey 118 dobro 42 Cooder, Ry 83, 119 dashtgah 73 Dock Of The Bay>SITTING ON THE… Cooke, Sam 185, 206 Dave Clark Five 178 Dodecachordon 53 Coomaraswamy, A K 84 Davidson, A T 90 dodecaphonic 70, 109 Cooper, Alice 236, 247 Davis, Bob 15, 169, 273 doh‐pentatonic 0 PENTATONIC Copland, Aaron 128 Davis, Miles 109, 129, 142, 143 doina 77 copyright 145 A Day In The Life 258 dominant 1, 4, 34, 35, 36, 47, 98, Cordigliera 68 ¿De donde viene usted? 230 99, 110, 166, 174, 183, 193, 211, Corea, Chick 129 Dead End Street 108 217, 219, 234, 237 Corelli, A 106, 204, 245 Dead or Alive 178, 235, 239 7th 97, 99, 105, 110, 111, 114, corporeal 209 Dean, James: look‐alikes 186 118, 142 Costello, Elvis 185, 187 death 218 9th 143 countepoint 0 POLYPHONY Debussy, Claude 109, 128 11th 163 counterpoise 4, 10, 131, 132, 196, decay (timbre) 26, 28 ‘double’ 110 197, 281 Decimas a un niño 230, 232 shuttle 0 CHORD SHUTTLE Counterspy 74 Deep Purple (band) 121 dominantal 110, 111, 126, 127, 42, 78, 95, 124, Deep Purple (song) 63, 73 244, 251; see also QUINTAL 164, 165, 166, 210, 212, 219, 246 Degeyter, Pierre 141, 143 Don’t Bet Money, Honey 206 Country Roads 259 Delta blues 42 Don’t Look Back In Anger 178 country rock 262, 263 democratic 261, 262 Don’t Stand So Close To Me 184, courage 218 Denver, John 259 185, 188–189 Covay, Dan 168 Derek and the Dominoes 59, Don’t Stop Believing 241, 260 cowbell 253 187, 257, 267 Don’t Think Twice 246 Tagg: Everyday Tonality — Index 323

Don’t Throw Your Love Away 185 Eddy, Duane 186 Farnaby’s Dreame 118 Don’t You Want Me Baby? 8, 189, Eden (Hooverphonic) 121, 123 farruca 127 191–194 Edström, Olle 77 The FBI Theme 74, 75 Donaldson, Walter 141 Edwards, M 203 Fender Stratocaster 25 Donna 206 Edwin Hawkins Singers 178 Ferlosio, J.A.S. 67 doomsday megadrone 84 Egyptian trad. 69, 70 Fernando 88, 206 Doors 185, 186 Eight Days A Week 123 Les feuilles mortes (Autumn doo‐wop 282 Eileen 238 Leaves) 58, 59, 71, 106, 142 dorian 8, 39, 51, 52, 53, 55, 64, Eine kleine Nachtmusik 160 A Few More Rednecks 247 115‐118, 120‐121, 130, 138, 177, Eleanor Rigby 214 fiddle, fiddler 41, 83 179‐182, 190, 195, 213, 214, 219, electronica 123 Fifth Dimension 184 233, 234, 237, 239, 282 eleven chord 0 CHORD fifths 42, 100, 101, 120, 126 harmony 7, 117, 118–120, 236 Elizabethan music 118, 119 flat 116 loop 0 CHORD LOOP Ellington, Duke 62 Hollywood use of 135 shuttle 0 CHORD SHUTTLE ELO [Electric Light Orchestra] open/bare rock loops 235, 236–237 248 241, 248, 252, 253, 254 83, 120, 130–134, 157 ‘double dominant’ 0 CHORD empowerment 261 parallel 0 PARALLEL MOTION double flat/sharp 270 encouragement 259, 260, 261, power fifths 115, 120 doubling tracks 43 262 shuttling 165, 166 Douglas, Carl 176, 177 Engdahl, Göran 159 film music 40, 55, 95 Dowland 118 English final chorus (trad. jazz) 85, 89 Dr. Strangelove 88 language and rhythm 67 finalis 75, 232 drawbars 43 trad. 62, 63, 66, 124, 196 finality 0 CADENCE Dream 206 enharmonic 9, 38, 157, 256, Fine Young Cannibals 237 dream 73 270–272 Fire Down Below 66 Dream Lover 185, 206 envelope (timbre) 26, 27 The First Cut Is The Deepest 184 The Dream of Olwen 73, 74 episodic device/marker 200, 267 flamenco 122 The Drifters 206 epistrophe 70, 71, 282 Flash and the Pan 187 drone 7, 18, 38, 42, 50, 52, 82, 83, EPMOW 1, 292 Flashdance 108, 121, 185, 187 84, 115, 130–134 equal temperament/equal‐tone flatward[s] see CIRCLE OF FIFTHS arrangement 133 tuning 34, 37–40 Fleetwood Mac 218, 221 connotations 83 equidurational 282 flute doomsday megadrone 84 Ermályk 176 alto and piccolo 20 effect 242 Escape from New York 128 Neanderthal (bone) 40, 48 in Euro art music 83 ethnocentric 24, 25, 36, 39 pan pipes, zampoñas 273 Tailor and the Mouse 130 Europe 39, 55, 83, 245 shakuhachi 40 drum loops 199 Eurocentric 39 wave form, transverse 27 drumkit 18, 81, 253 Euro‐North‐American 45 La flûte indienne 230, 233, 244 dualism figure‐ground, individ‐ Europeanness 245 A Foggy Day in London Town ual‐environment, melody‐ac‐ Everly Brothers 121, 186, 206, 71, 73 companiment 265‐266 235 The Foggy Dew 36 Duel in the Sun 124 Every Little Thing She Does (Po‐ La folia 243, 244 Duke Of Earl 206 lice) 174, 184 folk, ‘folk’ 42, 258, 262 duma 77 Everybody Loves Somebody 237 ballad/tune/song Duncan, Trevor 68 extensional 98, 162, 283 58, 214, 236 Dvořák, Antonín 127, 191 extra‐octave tuning 0 TUNING dorian 120, 235, 238–239 dyad 95 harmony 130–134 Dylan, Bob 58, 75, 185, 218, 219, F rock 83, 123, 165, 219, 228, 220, 221, 235, 238, 241, 246, 247, Fabbri, Franco 1, 15 245, 262, 263 258, 262 fado 230 Folk och Rackare 83, 123 Dylan, Jesse 241 Fado marujo 230 Folkways 134 Dynasty 74 Faith, Percy 206 Fontana, Wayne 104, 227, 228 Falla, Manuel De: Farruca 127 foot stamp 81 Faltermeyer, Harold 65 For Your Love 235 E a vida continua 230 Fame, Georgie 185 foreground (musical) 265‐266 ¡E viva España! 102, 121 fanfare 268 form The Eagles 218, 219, 220 Fanfare for the Common Man 128 12‐bar blues 6, 159, 207, 210, Easy Now 235 Farewell To Erin 189, 197 212, 213 ecclesiastical mode > CHURCH The Farm 259, 260 32‐bar AABA 6, 202, 203, 213 MODE Farnaby, Giles 118 Fortunate Son 225 324 Tagg: Everyday Tonality — Index

The Foundations 144, 224 Gogo (Tanzania) 272 Guthrie, Woody 119, 246, 247, 263 The Four Seasons 206 Going Down Slow 167 Gypsy Kings > GIPSY KINGS fourths 0 QUARTAL Going Hollywood 176 ‘gypsy mode’ 0 MODE Foxy Lady 168, 169 Golden Gate Orchestra 248 Francis, Connie 206, 248 Goldenberg, W 75, 129, 143, 268, H Franklin, Aretha 177, 178 269 Hagen, Earle 142 Freberg, Stan 249 gong 20, 27 Haider, Hans 68 Free Bird 260 Good Golly Miss Molly 169 Haley, Bill 209 French Good Thing 237 half cadence 0 CADENCE horn 26 Good Time Baby 206 half diminished 0 CHORD note names 21 Goodbye, My Love 78 Hallelujah I Love Her So 200 Psalter 86 Le gorille 75 Hamburg 213 frequency gospel 224, 245, 254, 262 Hamilton, George IV 248 ratio 32, 34 piano in 207 Hamm, Charles 128 spectrum 27, 28 white 78 hammer‐on 165 Frequency X 187 Graham, Larry 273 Hammond organ 250 Frère Jacques 89, 265 Grand Coulee Dam 246 Hancock, Herbie 167, 168, 272 From A Window 62 Grand Old Duke of York 63 hand clap 81 From Under The Covers 218 Grandmaster Flash 65 Handel, Georg F 36, 83 ‘functional’ 7, 10 Great Balls Of Fire 209 Handy Man 185 harmony: problem term 93 Great Gig In The Sky 8, 178, 1, 218, 219, 309 fundamental pitch 22, 27, 28, 32 179–181, 192 Hangman 257, 258 funeral 187, 234 Great Pretender (parody) 249 Happy Birthday 141 march 141, 185 Greece/Greek 48, 54,55, 84, 85, Happy Birthday Sweet 16 206 funk 9, 224, 266, 273 122, 231 Happy Hour 235, 238 Funktionsharmonik 96 Green Onions 118, 121, 138, 168, 235 Haralambos, Michael 252 fusion music 129 Greenback Dollar 138, 236, 239 Harburg, E Y 63 Greenfield, Howard 212 hardship 259, 261, 262 G Greensleeves 121 Hare Krishna 181 Gaelic melodic rhythm 67 Gregorian plainchant 265 Hark, All Ye Lovely Saints 119 El gallo negro 67, 71 Grieg 127 Harlem Nocturne 142 gamelan 85, 273 groove 8, 163, 164, 173, 188, 191, harmonic + 0 HARMONY, PITCH, games music 40 194, 195 TONE, TIMBRE Garner, Erroll 32, 142 chord loops as part of 215 departure 0 PROGRESSIONS A garota da Ipanema 142, 143 tonal aspects of 117 direction0DIRECTIONALITY Gaye, Marvin 144, 167, 252 Guantanamera 1, 121, 218, 223, 308 finality 0 CADENCE General Motors commercial 128 Guardame las vacas 243 gentrification 249 Geno 189, 191 Guess Who 176 harmonic minor 0 MODE genre synecdoche 111 Guevara > CHE 231 narrative 96 gentrification (harmonic) 249 Guide Me O Thou Great Jehovah 78 poles 233 Gentry, Bobbie 163, 167 güiro 253 rhythm 198 George Jackson 246 guitar 26, 41, 87, 165, 186, 188, 194 sandwich 196 German note names 21 acoustic 244 series 27, 120 Gershwin, George 71, 73, 128, 141 alternative tunings 42 stasis 200 Get Back 142 amateur 247 harmonica 124 Get Together 189 bottleneck 116 harmonics (frequency) 27 Giâi phóng mièn nam 110 chord shapes 31, 242 harmony 1, 2, 3, 7, 10, 11, 15, 35, Gillett, Charlie 213 electric 253, 260 36, 47, 53, 57, 81, 82, 84, 88, 89, Gimme All Your Lovin’ 28, 225 folk 83 91–263 st Gimme Shelter 134 G 1 position 242, 246–247 > AEOLIAN Gipsy Kings 233 open E 119 > CHORD Girl From Ipanema > GAROTA… overdriven 28, 255 > CHORD LOOPS The Girl Sang The Blues 121, 235 six‐string 261 > CHORD SHUTTLES Glad All Over 178 slide 42, 119, 240 bebop 95, 109, 113, 142, 154, Glarean, Heinrich steel‐stringed 244 159, 245 4, 52–53, 232, 233 strum 195, 209, 244, 249, 258, classical 91‐113 God Only Knows 144 261 definition 91–93 45, 227 twelve‐string guitar 18, 42 > DIRECTIONALITY in different modes 64 Guitar Player magazine 53 ‘dissonance’ 96 Goffin, Gerry 212 Gun Fight at O.K. Corral 74 > DORIAN Tagg: Everyday Tonality — Index 325

established discipline 91 Higher Ground 235 I Don’t Want To Know 218 etymology 92 hi‐hat 20, 23, 27 I Get A Kick Out Of You 62 folk song 130–134 Hijaz, Hijjaz, Hicaz > HEJJAZ I Hear Music 238 history of concept 91–93 Hill, Bertha ‘Chippie’ 145 I’ll Be Back 141 ideology in 209 himene 83 I’m Fixing A Hole 141 > IONIAN Hindemith, Paul 109, 128 I Pity The Poor Immigrant 246, 258 incompatible 250 L’hirondelle du faubourg 110, 165 I Remember You 190 jazz 113 Hirt, Al 144 I Saw Her Standing There 142 > LYDIAN His Latest Flame>MARIE’S THE… I Shall Be Released 246 > MIXOLYDIAN Hispanicism 55 I Walk The Hill 218 modal tertial 6, 7, 115‐125 melodic stereotype 68 I Wanna Be Your Man 142 211, 212, 213, 214, 215 phrygian stereotype 122 I Will Follow Him 185, 206 non‐classical 115–136 Hit The Road Jack 122 If I Needed Someone 63 non‐tertial 157–158 hocket 9, 266, 272–273 Ifield, Frank 190 non‐tonalist 24 Holly, Buddy 76 Imagine (Lennon) 178, 248 one‐chord changes 159–171 Hollywood 54 immigrants 261, 262 > PHRYGIAN Homburg 112, 123, 144 imperfect cadence 0 CADENCE quartal 125–136 Homeward Bound 144 In A Monastery Garden 73, 74 rock  MODAL‐TERTIAL Un homme et une femme 58 In seculum 272 sequences>CHORD LOOP +♣ homophony 0 POLYPHONY In The Air Tonight 187 syntax 96 Honeycombs 184 inclusiveness 263 problem terms 93–96 Hoochie Coochie Man 58 incoming chord 0 CHORD progression>CHORD LOOP ♣ Hooker, John Lee 83 India 38, 42, 54, 77, 83, 84 reversibility of 227, 234 Hoola Bandoola Band 260 music theory 39 tertial 93, 94–114, 115‐125 Hooverphonic 121, 123 note names 21 Harris, Emmylou 78 hope 255, 256, 259, 260, 261, 262 Indian Lake 184 Harrison, George 178, 181, 186, hopelessness 219, 256 Indonesia 54, 85 214 horn in F (French) 21, 268 Ingelf, Sten 129 Has Anybody Seen My Gal? 106 horn section 273 initium 75 Hasta Mañana 257, 258 horror music 109 injustice 262 Hauser, William 134 Hound Dog 209, 212 intensional 98, 162, 284 Havana (La Habana) 230 House Of Fun 189 Internationale 111, 141, 143 Have I The Right? 184 House of the Rising Sun 82, 239 interpunctuation 273 Having A Party 206 Housemartins 235, 238 interrupted cadence 0 CADENCE Hawaiian tuning 42 Houston, Whitney 79 intertextual 242 Hawkins, Edwin 178, 179 How The West Was Won 74, 75 intervals 31–37 Hayes, Isaac 170 Howarth, Alan 128 augmented 2nd 34 He’s So Fine 179 Howlin’ Wolf 240 augmented 4th 34, 109, 123 Hear’n Aid 263 huayno 231, 244 augmented 5th 34, 54, 152 Hearing Things 187 Huayra Muyhoj 231 augmented 6th 34 Hebrides 40, 85 Hubbard, Freddy 129 charts of 34, 37, 39 Hejjaz/Hijaz/Hicaz 54, 122 Hucbald 103 diminished 5th 34, 50, 109, 152 Hello 144, 156 Hucklebuck (Do The) 70, 72 flat 6: 47 Help! 214 Hughes, Herbert 127, 128 flat 7: 36, 47 Helpless 218 Hughes, John 87 mad arithmetic of 9, 273–274 hemiola 244 Human League 8, 189, 191–194 major 2nd 34, 35 Henderson, R 106 humanitarian 263 major 3rd 34, 35, 51 Hendrix, Jimi 108, 168, 169, 185, Hunter, Tab 206 in harmonic series 120 226, 245 hurdy‐gurdy 83, 132 major 7th 34, 37, 47, 51 heptatonic 0 MODE Hutchings, Ashley 120, 197 major 6th 34, 35 heroic 268 hymn[s] 87, 89, 95, 110, 266 just temperament 38 Herrmann, Bernard 54 shape‐note 134 minor 2nd 34, 35 Herz 19, 32, 33 ‘hypomodes’ 0 MODE minor 3rd 34, 47, 51 heterophony 0 POLYPHONY hypothetical substitution 268, 269 in harmonic series 120 hexatonic 0 MODE just temperament 38 Hey Joe 226, 245 I minor 6th 34, 47 Hey Jude 36, 121, 140, 208, 225 IASPM 241, 256 minor 7th 34, 35, 37, 47, 51 Hey Lolly Lolly 247 I Believe I Can Fly 178 names of 34 Hey Paula! 206 I Can Hear Music 235 perfect 4ths/5ths 34, 35, 101, high life 116 I Can’t Get Enough Of Your Love 247 126 326 Tagg: Everyday Tonality — Index

34, 35, 36, 37, 38, John Wesley Harding 246 King, Ben E 206, 241, 252 97, 98 John, Elton 82, 112 King, Carole 129, 212 sevenths 36 Johnny B Goode 209 King, Martin Luther 261 sharp seven 47 Johnny Come Down To Hilo 66 The King Will Come 235 sharp four 123 jojk 77 Kingpin (I’m Your) 129, 130 tables of 34, 37, 39 Jones, George 78 Kingston Trio 138, 236, 239 tritone 34, 52, 109, 110 Jones, Jimmy 185, 206 Kinks 108, 184, 189, 191, 225, 226 whole tone 34 Jones, Richard M 145 Kirghizstan 83 intra‐octave tuning 0 TUNING Jones, Tom 142, 176, 177 Knocking On Heaven’s Door inversion Joplin, Janis 81, 265 218, 246 chord 0 CHORD Jordan, Laura 232 Knowing Me, Knowing You 235 melodic 70‐71 Journey 241, 260 Knudsen, T 85 inverted dotting 67 Joy To The World 36 Kodály, Z 49 IOCM 242, 248, 283 jump bands 210 Kojak theme 74, 75, 129, 135, 143 Yes We Can 261–263 Jumping Jack Flash 108, 134 different accompaniments ionian 6, 39, 45, 46, 47, 51, 52, 53, Jungle 241, 248, 252, 254 268, 269 55, 64, 96–109, 110, 111, 114, Jungle Book (Rózsa) 128 komuz 83 115–117, 118, 121, 123, 125, Just Like A Woman 235 Kosma, J 59, 106, 142 131, 138, 139, 174, 183, 190, 211, Just One Look 206 koto 55 213, 217‐219, 222, 224, 226, 228, just temperament 0 TUNING Kouyioumtzis, Stavros 122, 231 230, 233, 234, 238, 270, 275, 276 Kraftwerk 184, 185 barré 116–117 K Kramer, Billy J [& the Dakotas] 62 ionianisation 190 Kansas City 213 Kubrick, Stanley 88 loops 116–117, 201‐213, Kaper, B 75 Kung Fu Fighting 176 217‐226 K‐Doe, Ernie 185 kwela 116 mediantal ‘narrative’ 235, keening 77 Kyrie eleison 77 238–239, 257–258 Keep On Running 178 shuttles 110, 174, 182, 183 Kell‐Kirkman, Dylan 251 L Irish/Ireland 36, 42, 55, 83, 127, Kelly, R 177, 178 La Grange 235 195, 196 +> BRITISH ISLES Kern, Jerome 106, 128 Labelle 178 Isaac, Heinrich 135 Kerry Recruit 69 Lacasse, Serge 43, 266 Isley Brothers 78, 185, 218 Ketelby, A 74 Lady Madonna 121, 227 It Ain’t Me Babe 246 key (Tonart) 271, 272 Lady Marmalade 178, 179 It Won’t Be Long 141, 214 > CIRCLE OF FIFTHS Lai, Francis 58 It’s All Over Now Baby Blue 246, clock 7, 100, 104–105, 225 Lamentation of Hugh Reynolds 124 258 change  MODULATION language and melody 67–70 It’s Not Unusual 142, 176 quartal 135–136 la‐pentatonic 0 PENTATONIC It’s Over 184 > KEYNOTE Lärling 259 Itchycoo Park 235, 238 home key 47 Latin American music 116 minor key 99 Latin language rhythm 67 J modulation 96, 98, 110, 113, launeddas 83 James Bond Theme, 142 160, 203 Laura (Raksin) 143 Japan 50, 55 relative major 99, 103, 233, 244 Lavava no rio lavava 230 jazz 54, 100, 101, 105, 113, 127, relative minor 99, 103, 104, 233 Lawrence, Steve 185 130, 154, 157, 159, 165, 210, 236 signature 23, 99, 104 Lay, Lady, Lay 246 bebop 95, 109, 113, 142, 154, minor 188 Layla 58, 59, 187, 267 159, 245 keyboard players 38 lead (musical part) 265 fusion 129 keynote 23, 24, 35, 37, 50, 109 lead guitar 90, 267 standards 6, 58, 95, 142, 202, identifying in modal harmo‐ lead sheet chord shorthand 204, 245 ny 52, 115, 221–226 145–158 Je chante pour 64 key‐specific circle‐of‐fifths pro‐ anomalies 156 Jeepers Creepers 106, 143 gression 0 CIRCLE‐OF‐FIFTHS basic rationale 150 Jefferson Airplane 176, 184 Khaled, Cheb 77 chord chart 148‐149 Jesus Christ is Ris’n Today 77 Khoisan 272 definition 146 Jew’s harp 83 kick drum 23 full names 149 Jingle Bells 110 Kind of Blue 109, 129 history 145–146 jitterbug 210 kinetic 267 symbol component syntax jive 210 King Crimson 129 150–158 Jobim, A.C. 59, 142, 143, 267 King of ’s Galliard 118 John Barleycorn 69 King Oliver 89 Tagg: Everyday Tonality — Index 327 leading note 10, 34, 35, 37, 47, 96, 53, 117, 121, 123, McLaughlin, John 129 97, 98, 113, 183, 190, 270, 284 124, 234, 238, 276, 284 McManus, Michelle 178 fixation 109 harmony 117, 122–123 McRae, George 177 v. subtonic 36 Lymon, Frankie 207 Me voy paʹl monte 230 Led Zeppelin 65, 211, 235 Lynch, David 186 medial chord 0 CHORD Lee, Pedro van der 244 Lynn, Vera 88 mediant 34, 285 Legrand, M 106 Lynyrd Skynyrd 18, 36, 140, 222, mediantal 214, 228 Leib, Sandra R 145 224, 260 +0 CHORD LOOP, DORIAN Leiber, Jerry 212 lyrics 65, 258 loops 235–240 Lennon, John 177, 178, 228, 248, narrative 257–258 253, 254, 255 M progressions 214, 215 Lester, Ketty 207, 208 Mack The Knife 141 shuttle 214, 236 Let It Be 259, 260 Mack, C 106 Médicis, François de 204 Let It Grow 144 Madness 176, 189, 191 medieval 272, 273 Let’s Twist Again 206 Magic Flute 204 melisma 7, 55, 76–79, 86 Lewis, Jerry Lee 204, 212 Magnificent Seven 121 Mellers, Wilfrid 127, 214 Liberty Bell 111 Maines, Natalie 262 melody 7, 53, 57–79, 265, 266 library music 68 major arched 61 Library of Congress 145 >CHORD, INTERVAL, KEY, MODE body movement and 66–67 Light Cavalry 111 Major Lance 104, 227 cadence formulae 67–70, 75 Light My Fire 185 Make It Soon 235 centric 61 light‐hearted 218 malagueña 121, 122, 231 connotative typology 73–75 Ling, Jan 77 Malmsteen, Yngwie 116 contour 7, 61–64, 219 Lipstick On Your Collar 206 Mameluk 70 dance and 66 Little Eva 185 Man måste veta vad man önskar sig dream type 73 Little Red Rooster 240 260 dualism with accompani‐ Little Richard 169, 209, 212 Man On The Moon 123 ment 95, 265, 266 Little Rock 213 Mancini, Henry 124 dynamics 65 Little Town Flirt 206 mandolin 18, 41 falling 61 liturgical music 48 Manfred Mann 235, 238 general characteristics of Lively Up Yourself 169, 173, 178 Mann, Barry 206, 212 57–59 Liverpool 259 Mann, Manfred 129, 130, 177, hispanicism 68 Living For The City 168, 224 178 language and 67–70 LMR 10, 12, 275, 284 maqam 48, 73 less memorable than accom‐ Lobos, Los 223 maracas 253 paniment 267–268 The Loco‐Motion 185 Marcels, The 206 metaphorical nomenclature 52, 115, 116 March, Little Peggy 185, 206 59–60 Lollipop 206, 208 Marche funèbre 0 FUNERAL modal connotaions 64–65 Lomax, Alan 263 marches 67, 95, 110 mode of articulation 65–67 London’s Burning 89 Marconi, Luca 57, 60, 73, 75 oscillatory 61 Lone Ranger 72 Marie’s The Name Of His Latest patterns of recurrence 70–73 Lonely Teardrops 206 Flame 186, 206 recitation type 74 Long And Winding Road 143 Marley, Bob 169, 173, 177, 178, rhythmic profile 65–70 Long Tall Sally 209, 213 241, 259, 260 rising 61 loops 199 Marmalade (UK band) 235, 238 structural typology 60–73 chord > CHORD LOOP Maróthy, János 266 ‘supermusic’ type 74 Lopez, Trini 218, 223 111 terraced 61 The Lost Soul 40 Martha and the Vandellas 129 tonal vocabulary 64–65 Loth to Depart 118 Martyrdom 85, 86 transcendental quality of 60 love and marriage 213 Marvelettes, The 78, 90, 185, 214 tumbling 61 Love Letters 207 Maxwell’s Silver Hammer 218 typologies of 60–73 Love Me Do 178 May, Brian 227 V‐shaped 61 Love’s Old Sweet Song 111 Maybellene 209 wavy 61 Lowlands Of Holland 239 Mayfield, Curtis 104 Melody in F 111 Lucille 209 Mbuti 272 Memphis Tennessee 173, 207 Lucy In The Sky With Diamonds 218 McCarthyism 213 Mendelssohn, F 110, 142 lullaby 67, 265 McCartney, Sir Paul 174, 177, Mercedes Benz 82, 265 Lulu 78, 185 178, 225, 253, 254, 255 Mercy Mercy 168 Luxembourg Waltz 143 McCoys 218 Merseybeat 78 McCrae, George 177, 178 metal (rock) 28 328 Tagg: Everyday Tonality — Index metre 267 diatonic 50–53 Moonlight Serenade 106 Miani, G 62 > DORIAN Moore, Allan 4, 15, 241, 248 Michelle 142 harmonic connotations of MoR 285 middle eight 202, 203 121–125 Morricone, E 88, 273 Middleton, R 70, 72, 73 ‘gypsy’ mode 54 Morris, John 125 MIDI 17, 18, 40 harmonic minor 47, 54, 122, Mosaïque 233 Midnight In Moscow 70 190, 230, 231 Mother‐In‐Law 185 Midnight Rambler 225 Hejjaz/Hijaz/Hicaz 54, 122 Motivo andino 231 Mikaelidagen 70 heptatonic 6, 21, 34, 45, 50, Motown 78, 224, 257 Mike Hammer theme 142 52, 116, 283 The Mountain’s High 185 Mila moja 182–183, 234 hexatonic 54, 283 Mozart 112, 160, 182, 204 Milestones 109 ‘hypomodes’ 52‐53, 232, 233 Symphony no. 40 184 milksap 186, 204, 206, 212, 213 hypoaeolian 53, 232 Mr. Wendal 178 recordings, list of 206 hypodorian 103 Mr. Tambourine Man 184 vamp 14 hypoionian 53 muezzin 60, 77 Milksap Montage 186, 207 hypomixolydian 53, 103 multi‐layering 266 Miller, Glenn 106 > IONIAN multiplicity 43 Milord 111 locrian 52, 115, 116 Murphy, Eddy 65, 79 Milton, Roy 72 > LYDIAN museme 285 Mindbenders, The 104, 228 ‘’ 35, 45, 46, 52, music: definition 17 minichromatics 285 116, 217 +> IONIAN music hall 95 Minogue, Kylie 183, 184, 185 major and minor modes 51 Music To Watch Girls By 144 minor major‐minor dualism 45, 46 Musica Enchiriadis 90 >CHORD, INTERVAL, KEY, MODE major‐minor tonality 55, 56 musica ficta 39 minor pentatonic 0 PENTATONIC melodic connotations of musicals 110 Misirlou 63, 122 54–56, 64–65 Musique Celtique des Îles Hébrides Miss Grace 176 ‘melodic minor’ 47, 52 40, 85 Mission (band) 235 minor‐mode 47 musique concrète 214 Misty 142 ‘’ 46 Mussorgsky, M 127 mixolydian 9, 35, 36, 51, 53, 55, > MIXOLYDIAN My Blue Heaven 141 108, 115, 116, 117, 119, 128, 130, identifying 52 My Bonnie 213 131, 189‐191, 192, 194, 195, 198, as mood 55 My Sweet Lord 178, 181, 186 208, 213, 214, 221‐226, 223, 224, ‘natural minor’ 46, 47 My Way 144 225, 226, 227, 233, 234, 237, 285 octatonic 54 mystery cue 54 list of tunes from British > PENTATONIC Isles 274–275, Picardy 3rds in minor 118–120 N loop 108, 221‐226 > PHRYGIAN Nadine 159, 160, 163–164, 166 harmony 117, 119, 124–125 ‘pure’ minor 47 Name Of The Game shuttle 189–191 purvi 54 143, 178, 182, 218 Mixolydian Mini‐Montage 224, white notes on piano 117 narrative 225, 226 whole tone 54 harmonic 96 mixture of styles 263 zokugaku‐sempô 50, 55 Nashville Teens 62 mixture stops 43 Model (Kraftwerk) 184 national modal non‐diatonic 54 45, 64, 65, 95, 110 Country music 245 Modugno, D 59 Nationalteatern 187 harmony 6, 7, 115‐125 211, modulation 0 KEY Neanderthal flute 40, 48 212, 213, 214, 215 modulatory circle‐of‐fifths pro‐ Nelson, Ricky 185, 206 literacy 122 gression 0 CIRCLE‐OF‐FIFTHS neo‐classicism 109 major triads 117–125 Molloy, J.L. 111 Nessun’ dorma 265 modality > MODE Moloney, Mick 77 new age 42 mode 6, 45–56, 109 monadic 70 New World Symphony 191 > AEOLIAN Money (Pink FLoyd) 187 Newman, A 75 aeolian v. phrygian 122 Money’s Too Tight 178 Newman, E 109 bhairavi 54 monocentric 234 Night And Day 142 bimodal 8, 52, 228–234, 237, monodirectionality 4 Night Boat To Cairo 176 243–245, 280 monody 57, 265 Nightingale Sang In Berkeley reversibility 4, 234, 280 monomodal 6, 229, 231 Square 202, 203, 208 blues 0 PENTATONIC monotonality 4 Nilsson 143 ‘church’ 50–53 Monotones, The 206 1984 187 descending melodic minor 47 Montgomery, Wes 32 Nketia, J.H.K. 78, 89, 272 Tagg: Everyday Tonality — Index 329 no frills aesthetic 259 opera 77 periodicity 198, 202, 267 No quiero celos contigo 230 operetta 95, 110 Perkins, Frank 203 No Reply 214 oppression 55 Peter & Gordon 248, 253, 254 No Woman No Cry oratorio 77 Peter, Paul & Mary 257, 258 241, 259, 260, 261 Orbison, Roy 184, 185 phrasing 65 Nobody Home 235 organ 40 phrygian 8, 51, 52, 53, 55, 64, Nobody Knows You When You’re organum 90, 132 101, 115, 116, 117, 118, 121, 123, Down And Out 248, 250 ornamentation 18 178, 228, 234, 270, 276, 286 Norman, M 142 Orozco, Danilo 241, 243, 244 cadence 122 Northumbria 66 outgoing chord 0 CHORD harmony 121–122, 227–234 Norway: lydian tunes 123 Over The Rainbow 203 connotations 122 Norwegian Wood 214 overcoming hardship 256, 260 loop 230–234 Not A Second Time 78, 214, 228, overtones 28 shuttle 176, 190 229 Oyé como va? 178, 179 piano 14, 18, 19, 26, 40, 42, 43, Not Ready To Make Nice 31, 242, 253, 257, 260 246, 259, 260, 261 P keyboard 33 notation 2, 3, 145, 146, 147, 155, 279 Pachelbel Canon 258–261 reduction 163, 164, 170 note 6, 17–19 Paint It Black 184 roll view(MIDI) 18 names of 21–22 El pajarillo 231 Picardy third 138, 227, 232, 236 Novecento 1900 (film) 88 pan pipes 0 FLUTE I and V in minor modes Nowhere To Run 129 panning 266 118–120 Nuñes, Elida 244 parallel motion 119 piccolo 0 FLUTE nursery rhymes 58 3rds 86, 90, 110, 114 Pickett, Wilson 237, 252 5ths 90, 110, 114, 116, 128, pickup = anacrusis 224 O 132, 133, 219, 220 Pinball Wizard 75 O’Súillebháin, D 77 6ths 86, 110, 114 Pink Floyd 8, 121, 123, 141, 178, Oasis 177, 178 8ves 32, 90, 110, 114, 219, 220 179–181, 183, 187, 192, 194, 235 Obama, Barak H. paramusical 285 Pinkard, M 106 campaign 9, 241, 241, 247, Paravonian, Rob 259 pitch 6, 19–20, 34 252, 262, 263 Parks, Rosa 213 concert 19, 21, 29, 30, 41 election video 6, 241–263 parlour song 95, 110, 245 contour 57 ethos and agenda 261 parody 249 difference 34 inauguration festivities 247 partials 43 doubling 18 Obladee Obladah 218 participation 261, 262 fundamental 22 obstacles 261 Partisan Song 70 heavier, darker, bigger 20 0 MODE Parton, Dolly 78 higher, lighter, smaller 20 octave 6, 31–35 pastoral 65, 83 pole 197 diminished 270, 271 Pata Pata 1, 121, 308 rules 41 doubling 32, 43 El Patio restaurant (Havana) 230 standard 30 parallels0PARALLEL MOTION Paul & Paula 206 vertical placement 19‐20 Ode To Billy Joe 163, 167 Peggy Sue 76 pivot chord 98, 110 Oh Carol 208 39 plagal 203, 210, 245, 251, 286 Oh Happy Day 179 pentatonic 6, 40, 48‐50, 56, 68, aeolian 228 Oh! For the Wings of a Dove 110 77, 79, 85, 86, 125‐126, 129, 130, 0 CADENCE Hills 246 133, 134, 169, 286 etymology 103 Old 100th 86 anhemitonic 50 extension, expansion, orna‐ Oliver, Paul 145 blues  MINOR mentation of chord[s] 108, ominous 55 doh‐  MAJOR 167–169, 173 On The Rebound 178 extended 50 loop 217‐223 On The Road Again 235 hemitonic 50 shuttle 177–182, 258 On The Waterfront 128 in quartal harmony 125–126 turnaround 218, 241, 245 Once In A While 203 la‐  MINOR plainchant 77, 90 One Note Samba>SAMBA DA… major 49, 55, 64, 126, 245, 282 Playboy (Marvelettes) 185 one‐chord changes 5, 8, 159–171 minor 49, 50, 55, 64, 118, 119, Please Mr. Postman 78, 90, 214 Only Ones, The 241, 259, 260 195, 236, 284 Plennitsa 176 Onward Christian Soldiers 111 dorian harmony 118–120 PMFC: Yes We Can 261–263 oompa 133, 254 percussion 257 Podmoskovskoye Vechera 70 open fifths 0 FIFTHS perfect 0 CADENCE, INTERVAL Poitín 68, 71 open strings 83 perfect pitch 30 Police 174, 183, 184, 185, open‐chord tuning 83 periodic (sounds) 22, 27 188–189, 194 330 Tagg: Everyday Tonality — Index

Polish trad. 62 harmony 109, 125–136, 157 Richard, Cliff 189 polka 164 bass‐note changes 133 Richie, Lionel 144, 156 Polo Margariteño 244 defined 94 riffs 58, 87, 266 polyphony 7, 76, 81–90, 93, 94, history 127–130, 134–136 vocal 83 95, 96, 116, 134, 135, 136, 137, key changes 135–136 Righeira 76 265, 292 stacking 133 Righteous Brothers 143, 189, 191 counterpoint 7, 82, 86, 87, triads and tetrads 126 Rimsky‐Korsakov 127 88–90, 92, 137, 169, 266 Queen Elizabeth II 65 Ring My Bell 178 definition 81–82 Quiquenita 230, 237, 244 Rio Manzanares 244 > DRONE Quo Vadis 128 Road To Nowhere 129 heterophony 7, 82, 84–86, 89, 90 Robertson, Fiddlin’ Eck 83 homophony 7, 78, 82, 86, R Robeson, Paul 263 86–88, 89, 90, 93, 95, 266 Radiohead 65, 235, 248, 253, Rochon, G 64 polyrhythm 265 255–257, 263 rock 28, 38, 49, 124, 166, 210, 213, Polythene Pam 225 raga 21, 48, 73, 214, 269 236, 262, 287 Pomus, Doc 212 ragtime 43 blues‐based rock 236, 245 Poole, Brian 218 Rainy Night In Georgia 189, 191 dorian loops 235, 236–237 Poor Little Fool 206 Raitt, Bonnie 78 modality 228 Poor Murdered Woman 120, 121 raj music 77 repertoire 258 Pope John XXII 273 Raksin, D 143 rock and roll 287 Porter, Cole 62 Rander, Tommy 204 rock’n’roll 209, 210, 212, 213, Positive Education 176 rap 58, 263, 265 288 Pour le piano (Debussy) 128 rasgueio 233 Rock And Roll Hoochie Coo 235 power fifths 0 FIFTHS rast 39 Rock And Roll Suicide 235, 238 Powers, Harold S 52, 103 Rays, The 206 Rock Around The Clock 209 preaching 263 ‘ready‐steady‐go’ 70, 72 Rock Me Baby 177, 178 present time/extended present ‘Real Book’ 156 Rockens Roll 204 9, 57, 98, 161–162, 173, 188, 195, ‘real’ circle 0 CIRCLE OF FIFTHS Rocking In The Free World 187 275, 287 rebetiki 42 Rocky Racoon 142 Presley, Elvis 186, 189, 191, 193, Rebetís tís Bagdátís 176 Röda Kapellet 244, 258, 259, 260 193–194, 206, 209 recapitulation 70, 71 Rodgers, Nile 79 Preston, Johnny 185 receptional 287 Rodgers, Richard 106, 203 Pretty Blue Eyes 185 recitative 58 Rodrigues, Amália 230 Pretty Flamingo 178 melodic category 74 Rolling Stones 32, 59, 90, 108, Pretty Woman 185 74 134, 144, 161, 175, 178, 184, 209, Price, Alan 167 recurrence: melodic patterns 70–73 225, 237, 240, 267 prime (unison) 34 Red Clay 129 roman numeral chord designa‐ problems 262 Redding, Otis 235, 237, 241, 248, tion 9, 139–141, 275–276 Procol Harum 112, 123, 144, 249, 257 250–252, 263 Romania 77, 123 Professional Widow 184 Thing 197, 224 romantic 142 prog rock 123, 260 reflection 219 Romeo and Juliet (Rota) 144 progressions 0 CHORD LOOP, >♣ reggae 165 Ronettes 206 progressive politics 262 register 32, 219 root position 249, 254 P.S. I Love You 121, 227 reiteration 70, 71 Rose, P De 63 psalmody tone 2: 75, 229 relative major/major 0 KEY Rosie & Originals 206 Puccini, G 265 REM 123 Rossa’s Farewell to Erin 69 Puebla, Carlos 121, 122, 230, 231, Renaissance 87, 92, 243–245 Rossini, G 72 232, 234 Respect 178 Rota, N 144 Puff The Magic Dragon 257 Return To Sender 189, 191, 193–194 round (canon) 265 Puna 231 reverberation 60, 82 Rounding The Horn 124 Puppet On A String 184 reversal/reversible/reversibility Row Your Boat 89 Purple Haze 168 aeolian progressions 234 Royal Welsh Fusiliers 82 purvi (thata) 54 bimodal 234 Rózsa, Miklós 128 Put Your Head On My Shoulder 206 harmony 227 Rubinstein, A 111 Pythagorean comma 100 mediantal shuttle 214 Ruffin, Jimmy 241, 257 shuttle 174 Rumours 218 Q Revolutionens vagga 258 Runaround Sue 206 quartal 4, 115, 157–158, 287 Rhythm of the Rain 206 Runaway 206 chords 149 rhythmic profile 57 rundgång 199 drones 130‐134 melody 65–70 Running With The Devil 189 Tagg: Everyday Tonality — Index 331

Rusholme Ruffians 186 Serbia 182 socialism 259 Russian 55, 66, 68, 70, 77 Seven Days 127, 129 Solidaritetssång för Chiles folk 244 Rydell, Bobby 206 Sh’Boom 207 solo v. accompaniment 267 Shadows 124, 178, 189 Soloviov‐Sedoy, V 70 S Shaft 170, 224 Sombrero de tres picos 127 Saami 77 shakuhachi 40, 55 Something (Beatles) 142 Sabicas 121, 122, 231 Shankar, Ravi 82 ‘somewhere else’ 176, 256 Sacrilege 235 Shannon, Del 206 son 116, 230 Sakomoto, Kiu 257 Shape Of Things To Come 235 Song of the Dark Forest 127 Samba da una nota só 58, 59, 70, Shapiro, Helen 185 soul music 236, 254, 262, 263 142, 267 Sharp Dressed Man 225 lead vocalists 252 sample bank 41 sharpwards see CIRCLE OF FIFTHS Soul Finger 225 Sancta Lucia 111 Shaw, Sandie 184 Soul Glow shampoo jingle 79 Sandbladh, Håkan 204 She Loves You 141, 214 sound wave 22, 27 Sanders, E H 272, 273 She Moved Through the Fair Sous le ciel de Paris 111 sandwich, chordal 195–197 127, 128 Southern Man 187, 241 Santana 178, 179 She’s A Woman 142 Spain/Spanish 54, 55, 64, 127 Sarabande (Debussy) 128 She’s Leaving Home 143, 214 Spanish Autumn 68 Sardinia 83 sheet music: unreliable 156 Spartacus 259 Satin Doll 62 Sherwin, Manning 202 Speak Low 143 Satisfaction 32, 58, 59, 90, 144, Shine OnYou Crazy Diamond 141 Speak To Me (Pink Floyd) 180 161, 162, 174, 175, 178, 267 Shirelles 185, 206 speech 57 sawal‐jawab 269 Shoot To Thrill 236 Spencer Davis 174, 177, 178 saxophone 21, 194, 253 Should I Stay Or Should I Go? 178 spies 142 saz 41, 42 Shout 78, 185, 186 Spinning Wheel 168 scalar motion 220, 226 Shuman, Mort 212 Spooky 178, 179 aeolian 227 Shut Up and Sing 262 Sprechgesang 58 ascent 221 shuttle > CHORD SHUTTLE St. Patrick’s Hymn 224 bass line 114, 248, 249 sicut erat in principio 229 Ståbi, Björn 83 descent 221 Silber, Irwin 263 staccato 40 link 220 Silhouettes 206 Stamitz, Carl 128 scale[s] 45–47 Silvers, L 72 Stand By Me 206, 241, 252 degrees 34, 45, 270, 271 Simon & Garfunkel 121, 144 Star Wars 74, 75 in European art music 46 Simon, Paul 236, 239 Stardust 73, 74 Scandinavia[n] 38, 41, 55, 68, 123 Simple Minds 128 Stars Fell On Alabama 203 Scarborough Fair 121, 236, 239 Sinatral F 144 Star‐Spangled Banner 111 Schenker[ian] 1, 91, 189 Sing Out! 263 stasis (harmonic) 200 Schertzinger, Victor 190 singable 259 Steamy Windows 235 Schlager 95 singalong 217, 218, 288 Steeleye Span 83, 130, 239 Schönberg, A 109 sitar 41, 82 Stefani, Gino 57, 60, 73, 75 School’s Out 247 Sitting On The Dock Of The Bay Stella By Starlight 142 Schumann, R 73, 74 235, 237, 248, 249, 250, 250–252 Step To The Rhythm 178 scordatura 42 Skog, Inge 60 Stewart, Rod 184 Scotch snap 67 Skye Boat Song 68 Sting 127, 129 Scotland 67, 68, 83, 196 Slade 235 Stoller, Mike 212 Scott, Linda 206 Slam (band) 176 Stoned Soul Picnic 184 sea shanties 66 slaves 261, 262 storytelling 262 sean‐nós 77 Slayer 52 Strachey, Jack 202 Searchers 78, 185, 218 Sleeping Princess 127 Strauss, J 141 Sedaka, Neil 185, 206, 212 39 Strawberry Fields 143 See You Later Alligator 209 Sly And The Family Stone 168 string pad 253 Seeger, Pete 223, 263 Small Faces 235, 238 strings 257 Selected Sounds 68 Smile 176 strum 0 GUITAR self‐celebration 209 Smith, Bessie 248, 250 subdominant[al] 1, 4, 34, 35, 36, self‐deprecation 256 The Smiths 186, 235, 239 97, 98, 99, 103, 105, 112, 113, semiotics 6, 9 Smoke On The Water 118, 121 125, 126, 183, 211, 217, 279 semitone 0 INTERVAL smudged blues thirds 166 minor 188 sequence Snow, M 63 submediant 34, 35, 214 harmony > CHORD LOOP + ♣ So Emotional 79 > AEOLIAN melodic category 70, 71 So What 129, 143 shuttles 185–189 332 Tagg: Everyday Tonality — Index

Substitute 224 definition 94‐95, 288 tonic 8, 34, 35, 36, 42, 50 Subterranean Homesick Blues 58 common triads 138 altered modal triad 118–120 subtonic 10, 34, 36, 288 chord recognition 141–144 extended 203 > MIXOLYDIAN chords 35 target 219 shuttles 189–197 classical harmony 94–114 sol‐fa 21, 22 Suffragette City 185 modal harmony 115–125 Top of the Pops 237 Sugar Sugar 178 tetrad 99 Torry, Clare 179 Sukyaki 257, 258 triads 137–146, 151, 152 trad jazz 85, 89, 113 Sultans Of Swing 186, 187, 227 Texas 262 Trago fados nos sentidos 230 Superman 74, 75 Thank You (For Lettin’ Me Be My‐ transpose 30 ‘supermusic’ melodies 74 self Again) 168 transposing instruments 21 supertonic 34, 35 That’s Alright Mama 209 Träumerei 73, 74 shuttles (I↔II) 176–177 There Goes My Baby 206 Traveler In Time 225 suspension 96, 155, 149 These Eyes 176 Traveling Wilburys 218 fourth 144 Things We Said Today 143, 214 Travelling Man 185, 206 quartal: no! 94, 127 thirteenth 0 CHORD Treis i ora nykhta 121, 122 Svensk rock mot apartheid 263 thirty‐two bar 0 FORM Tremeloes, The 218 Swan Silvertones 83 This Boy 142, 207 triad 137, 148 Swanee 141 This Guy’s In Love With You 142 defined 95 Swedish trad. 63, 70, 260 This Land Is Your Land 247 major/minor/diminished 138 Sweet Georgia Brown 106, 213, 245 Thomas, George 145 modal major 117–125 Sweet Home Alabama 18, 35, 121, Thompson, Nic 15 ‘triadic’ harmony 140, 198, 222–226, 233 thrash metal 52 problem term 7, 93 Sweets For My Sweet 218 Three Blind Mice 89 Trista Pena 233 swing 95, 113 Three Tenors 265 Tristan and Isolde 108 Swinging Blue Jeans 178 tierce de Picardie>PICARDY 3RD tritone 34, 52, 109, 110 syllabic (not melismatic) 76, 77 Till I Kissed You 186 substitution 113, 202 syncopation 65 Till There Was You 143, 213 trivialisation 115 synthesiser 40, 81 Tillotson, Johnny 206 trombone 169 timbre 26–28, 65 trote 231 T Time (Pink Floyd) 181 Trottier, Danick 15 Tagg, Mrs. O.M. 130 Times They Are A‐Changing 246 troubles 259, 260 Tagg, P 74, 78, 112, 129, 266, 268 La Tinya 231 Troy, Doris 206 Tahiti 83 Tiomkin, D 124 Trukeros, Los 232 Tailor and the Mouse 130–134, 196 tiple 245 trumpet 21, 169 Take Five 163 Tired Of Waiting 184, 189, 191 Tsamiko music 85 Take Good Care Of My Baby 206 Tobacco Road 62 Tu me alegras 230 Take Me To The River 235 Tomorrow Never Knows 214 tuning 6, 29–43 Taking The Long Way Round 246 Tonada de corte andaluz 230, 232 > CONCERT PITCH Talking Heads 235 tonal 6 detuning 30, 38, 43 tambur 42 definition 23–25 equal‐tone 34, 37–40 tanpura 83 problem term 22–25 extra‐octave 29–31 Tanzania 272 centre 50 instrument‐specific 40–43 La tarijena 231 harmony: problem term 93 intra‐octave 31–32, 34–40 Taste Of Honey 214 identity 40 just temperament 34, 37 Taxman (1966) 142 languages 25 open chord 83, 119 Taylor, Eva 145 monocentricity 229 out of tune 43 Tea For Two 142 pole 131, 229 Turkey 42, 54, 84, 122 technology: musical conse‐ v. ‘atonal’?! 23 traditional music from 176 quences of 160 v. modal?! 24 turnaround 8, 200–201, 202, 203, teenage idols 212 vocabulary 45–47 204, 211, 289 Teenager In Love 206 melody 64–65 blues 170–171 Teenager’s Romance 206 tonalist or tonalitarian? 24 change 245 teenagers 204, 213 tonality chord 211, 212, 221 tempo 219, 254 adjectival derivatives 23 Turner, Tina 235 Temptation 176 definition 23–25 Tutti Frutti 209, 212 10cc 6, 185 tone 6 TV 268 Tequila 163, 189, 194–195, 196, 197 definition 22–23 twelve‐string 0 GUITAR Terminal Frost 121, 123 different meanings of 25 twelve‐tone music 23, 109 tertial 4, 7, 10 v. timbre 25, 26–28 Twentieth Century Man 225, 226 Tagg: Everyday Tonality — Index 333

Twin Peaks 84, 185, 186 vocal delivery 209 Who, The 75, 224 Twist And Shout 1, 121, 217, 218, vocal timbre 219 Who’s Sorry Now 248, 249, 250 299, 306, 311 voice leading 89, 96–101, 134 Whole Lotta Love 65, 211 Twisted Sister 259, 260 Volare 58, 59 Whole Lotta Shakin’ 209 Two Good Men 246 Volga Boatmen, Song of the 66 whole tone 0 INTERVAL, MODE Tymes 176 Vorzon, B De 84 Why Do Fools Fall In Love? 207 Tyner, McCoy 129 Voyeur 187 Wicks, S A 77, 78, 85 Vrethammar, Sylvia 102, 121 wide open spaces 55 U Wild Thing 1, 218, 219, 315 ud 41, 42 W Will.i.am 235, 241 Uileann pipes 83 Wagner, R 108, 245 William Tell Overture 72 ukelele 41 Wailers, The 241 Williams, Charles 74 Ukraine 77 Wake Me Up Before You Go Go 176 Williams, Clarence 145 Um Um Um Um Um Walk On By 142, 178, 181 Williams, John 75 104, 228–229, 234 Walking Back To Happiness 185 Wilson, Hugh 86 Under My Wheels 236 Wall Street Shuffle 185, 187 Wilson, Jackie 206 unidirectional 227, 234 Wallace, Sippie 145 Windmills of Your Mind 106 unification 263 waltz 95, 141, 164, 165 Wine Festival 68 uninterrupted 0 CADENCE Waltzing Matilda 111 Winter, Johnny 235 unison 31, 43, 90 Ward, Anita 177, 178 Wintzéus, Anders 84 Unit Four Plus Two 184 Warren, Harry 106, 143, 203 Winwood, Stevie 248, 250 up and out 256 Warsaw Concerto 142 Wishbone Ash 235, 239 Uriah Heep 225 Warszawjanka 62 With A Little Help From My Uruchaqina 244 Warwick, Dionne 177, 178, 181 Friends 225 USA 55, 252, 258 Watching The Detectives 185 Within You Without You 214 USA for Africa 263 Waterloo 112, 144 Without You 143 Uskovich, David 241 Watermelon Man 167, 224, 272 Wohltemperiertes Klavier 112 Waters, Muddy 62 Woman Is The Nigger Of The V Watson, Doc 40, 77, 83, 118 World 248, 253, 254 Wonder, Stevie 168, 235 V (TV series) 84 Waulking Song 40 Wonderful Land 189, 191 Valens, Ritchie 206, 218, 223 We Are The World 280 Wondrous Love 135 Valentine Brothers 177, 178 We Shall Overcome 111 wood block 253 valse chantée 164, 166, 170, 196 We’ll Meet Again 88 Wood, Alexander 27 Vamos a la playa 76 We’re Not Going To Take It 259 workers 261, 262 vamp 8, 114, 140, 201–209, 210, Webern, Anton 23 Workers of the World Awaken! 111 214, 217, 289 Wedding March 142 World War II 210 turnarounds and 202 Weelkes, Thomas 119 World Without Love 248, 253–255 v. blues and rock 209–215 The Weight 235, 238, 257, 258 ‘world‐musicky’ 253 Van Diemen’s Land 189, 197 Weil, Cynthia 212 Wraggle Taggle Gypsies 62, 197 Van Halen 189 Weill, Kurt 141, 143 Wreck Of The Hesperus 144 Värmeland du sköna 63 Western adventures 124 Vårvindar friska 70, 71 Wham 176 Vaughan Williams 127 What Becomes of the X Vee, Bobby 206 Brokenhearted? 241, 257 X‐Files Theme 63 Vega, Carlos 4, 229, 243 What Difference Does It Make? 235 Xtra Bass 177, 178 Vernallis, Carol 241 What Shall We Do With The xylophone 26 Viento de la arena 233 Drunken Sailor? 66, 195, 196, 197 Vigilante Man 119 When The Saints Go Marching In Y Vigneault, G 64 111, 213 Yardbirds 235, 239 Vilborg på kveste 123 When You’re Down And Out > Yeh‐Yeh 185 Villa, Trond 123 NOBODY KNOWS YOU WHEN… yelling 65, 255 vina 83 Where Do We Go From Here Now? 225 Yellow Submarine 141 Viola, Paulinho da 230 Where Have All the Flowers Gone 111 Yes We Can 9, 235, 237, 241–263 violence 218 Whispering Thunder 187 Yesterday 63, 71, 106 virtual progression White Christmas 141 You Ain’t Seen Nothing Yet 225 0 CIRCLE OF FIFTHS White Rabbit 176, 184 You Are What You Is 79 Vitone, Luca 77 White, Barry 247 You Never Give Me Your Money Vittoria! (Carissimi) 69 Whiter Shade Of Pale 112, 144, 142, 214 Vivaldi, A 106, 204 249, 257 You Spin Me Around 178, 179, 235 Who Put The Bomp 206 334 Tagg: Everyday Tonality — Index

You’re No Good 178, 179 Youngbloods 189 Zara 176 You’ve Got To Hide Your Love Your Song 82 Zeybek 176 Away 144 youthful energy 209 Ziggy Stardust 235, 238 You’ve Lost That Lovin’ Feeling YouTube 130, 207, 224, 225, 227 zokugaku‐sempô 50, 55 143, 189 Z.Z. Top 28, 225, 235 Youmans, Vincent 142 Z Young Love 206 zampoñas 0 FLUTE Young, Neil 185, 187, 218, 219, Zappa, Frank 79 220, 221, 241 Chord sequence index i/I‐$II 190 $III‐$VI‐$VII‐i 234 I‐$II 176 i‐v 184, 190 $III‐$VII‐i 234 I‐$II‐$III‐$VII 121 i‐V 190 $III‐$VII‐iv‐i 108 I‐ii 175, 176, 177 I‐v 194 $III‐$VII‐IV‐I 108 I‐II 176 I‐V 182, 183 iii‐VI‐ii‐V‐I 106 I‐II‐iii‐V 123 I‐V‐IV 218, 234 III‐vi 251 I‐II‐V 121, 123, 234 I‐V‐IV‐I 210 III‐VI‐II‐V‐I 106 I‐ii‐vi 227 I‐V‐IV‐IV 218, 219, 220, 221 III‐VII‐iv‐i 108 I‐V‐V‐I 196 i‐$III‐iv‐V 230 I‐V‐vi‐iii‐IV‐I‐IV‐V 259 iv‐i‐V‐i 230 i‐$III‐IV 168, 234, 235, 239 I‐V‐vi‐IV 258–261 iv‐I 255 i‐$III‐IV‐$VI 121, 239 I‐V‐vi‐vi‐IV‐IV‐V‐V 260 iv‐$III‐$II‐I 122, 231, 234 i‐$III‐IV‐$VII 121 iv‐V/v 122 i‐$III‐$VI‐$III 121, 236 i‐$VI 185, 186, 227 iv‐VII‐III‐VI‐ii‐V‐i 106 i‐$III‐$VII‐IV 234 i‐$VI‐$VII 187 IV‐I 125, 177, 178, 182, 183, 210, I‐$III‐v‐IV 237 i‐vi 186 245, 246, 250, 251 I‐iii 257–258 I‐vi 185, 196, 204 IV‐I‐III‐vi 244 I‐iii‐IV 235, 238, 257 I‐vi‐ii/IV‐V 186, 204, 208, 236 IV‐V 193 I‐iii‐vi‐IV 257–258 I‐vi‐ii‐V 202, 203, 204, 205, 209, IV‐V‐I 192, 193 I‐III 175, 235, 236, 248–257 220 I‐III‐IV‐II 237 I‐vi‐iii‐V‐239 V‐I 96, 97, 101, 102, 103, 110, 114, I‐III‐IV‐iv 255 I‐vi‐IV/ii‐V 186 125, 182, 183, 200, 210, 211, 212, I‐III‐vi 254 I‐vi‐IV‐V 205, 206, 207, 209, 212ʺ 215, 228, 232, 234, 246, 250 I‐III‐vi‐I‐IV‐iv‐I‐I 253 I‐vi‐IV‐V‐I 204 V‐IV 246 I‐III‐VI‐II‐V‐I 249 I‐VI 185, 186 V‐IV‐I 210, 211, 212, 222, 224 I‐III‐vi‐IV 242–263 I‐VI‐II‐V 201, 202 V‐$VI‐$VII‐i 234 V‐$VII‐I 222 i‐iv 178 i‐$vii 189, 190, 196 V‐vi 245 i‐iv‐V 234 i‐$VII‐i‐$III‐IV‐i‐236 i‐iv‐V 229, 231, 233 i‐$VII‐$VI 122, 186, 187, 122, $VI‐i 188 i‐iv‐V‐i 230 234, 187 $VII‐I 189, 193 i‐iv‐V‐V 230 I‐$vii 190 $VI‐$III‐$VII‐IV‐I 108, 226 i‐IV 178, 181, 182, 190 I‐$VII 189 $VI‐$III‐V‐i 230, 231, 233, 244 I‐iv 178 I‐$VII 190, 191, 194, 195 $VI‐$VII‐i 192, 233 I‐iv‐$III‐iv 118 I‐$VII‐IV 36, 222, 225, 234 $VI‐$VII‐I 125, 227 I‐iv‐VII‐III‐VI‐ii‐V‐I 106 I‐$VII 189 vi‐ii‐V‐I 106 I‐IV 175, 177, 178, 179, 180 vi‐V‐I 234 I‐IV‐$III‐I 240 ii‐I 176 vi‐V‐IV‐I 234 I‐IV‐$III‐IV 168 ii‐iii‐vi‐ii‐V‐I‐IV 106 VI‐II‐V‐I 114, 201 I‐IV‐+iv° 201 ii‐V 178, 179, 180, 181, 182, 190, VI‐V/v 122 I‐IV‐V 116, 121, 200, 217, 218, 203 222, 223, 233, 234 ii‐V‐I 106, 179, 181, 190, 203, 211 $VII‐IV‐I 225, 226 I‐IV‐V‐I 215 II‐I 122, 157 $VII‐V‐I 250 I‐IV‐V‐IV 218, 220 II‐V 194 vii‐I 122 I‐IV‐V‐V 212, 220 II‐V‐I 215, 226 vii‐iii‐vi‐ii‐V‐I 107 I‐IV‐$VII 119, 121 II‐$VI‐$III‐$VII‐IV‐I‐108 vii‐III‐VI‐ii‐v‐i‐iv‐VII‐III‐VI‐ii‐ I‐IV‐$VII‐IV 237 V‐i 107 I‐IV‐$VII‐v 234 $III‐$II‐I 231 vii‐III‐VI‐IV/ii‐V‐I 106 $III‐$III‐iv‐i 228

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